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Title: Thinking Hard Artist: Iio Source: Fire Emblem Awakening Comic Anthology (DNA Media Comics) Story / Chapter: 11 Synopsis: Ricken is trying a write a thank-you letter to Robin but he can’t seem to do it well. He ends up discussing about his issue with Lissa. Scanlation: maboroshi-no
Read it here:
https://mangadex.org/chapter/51d9a42c-fe63-4407-80e3-d5e5e157c07f
#fire emblem awakening#fea#ricken#robin#lissa#I'll reblog this again since the old imgur link is dead and this new one is better.
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Morgan babi birthday
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I doodled Henry
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affirmations: you are not real, you don’t have feelings, you don’t want anything, this will be over soon
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Spring Henry!!🌷🐇🐣
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big things happening on my twitter rn
#fire emblem fates#fire emblem engage#jakob#goldmary#I can see them being together thanks to this comic.
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i think about how morgana has to learn to be rens ptsd service animal basically on the fly. especially once rens in Inaba again because my god does ren get worse. ren would not have made it through their last year with their parents if it wasnt for morgana. that cat saved rens life
and i think about how frustrated morgana can get because he isnt human. sure, hes accepted that this is just how he is... but theres no greater time he wishes he were human than when ren needs a human person to support them and rens parents either arent doing enough or actively making him Worse.
he watches ren self harm (largely by self isolation and disordered eating habits but ren is not immune to other avenues like extreme risk taking or physical violence) and slowly stop responding to or checking the group chat. watches them fall out of videochat routines with their partners. watches them spend more time sleeping and not leave the house as much. watches the ren they came to know and admire in tokyo disappear to long term trauma survival behaviors
watches ren obsess over “goro akechis stupid glove” for months. watches how ren gets so fixated and lost in their own head over all the ways goro can come back and why he hasnt. and cant help but dislike it and tell ren to let it go because its like akechi is holding power over ren. by having left ren waiting for akechi to return and complete the pair. (complete ren)
the poor thing feels so helpless when rens health starts to tank further. he's just a cat... there are limits to what he can do. morgana cant get ren a glass of water or his favortie blanket. he cant cook or bring them a warm meal when they havent eaten. or hold a wet cloth to the back of their neck. he cant. hold them when they cry at night.
morgana does the best he can and ren thanks him for what he does all the time. and feels immense guilt because he feels like hes trapped morgana here and that hed be better off in tokyo with the sakuras.
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fea fanart in 2025 like the party ended 13 years ago and he's still here
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tried to integrate florals more into a spring design
leo,, for how long do i have to design my own outfits for u before u get another alt…
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Delete if this is too controversial
I strongly dislike trans headcanons that are based on "character has interests outside gender norms"
A female character not being girly doesn't mean she's automatically a man. And a male character having feminine interests doesn't mean they want to be a girl
And something I learned from being in the Sanrio Boys fandom is that there are trans men who get told to give up all their feminine interests otherwise they won't pass as real men. And I assume trans women must have a similar problem
My point is, I think basing too many trans identities on whether or not they align with gender norms can cause issues for a lot of people including other trans people
I'm more into the idea of Clanne being a trans boy and Yunaka being a trans woman than Rosado being a trans girl. Especially Clanne, because his Fogado support has him shadow Fogado to learn how to be seen as a real man and ultimately gets told that he's already a young man worth admiring
Which sounds pretty trans affirming to me. Just saying
Trans people have more experiences than the one thing and it feels like they all get unnecessarily shoved into the same box
.
#Yes this.#Speaking as a trans person on this too.#A lot of trans headcanons are mostly hetronormative but in a cis way with all of the gender stereotypes on what makes a women/men.#Like the original commenter said: if a man is into “feminine interests” or has a soft appearance#then it for some reason means he's a woman? I seen those headcanons for characters like Forrest or Ashe just because they like to sew#or being nice. It really is enforcing male toxicity too by agreeing that you can't be a man if you don't have big muscles or act like a dick#And then there's the women related stuff like Naoto from P4 being treated like a transman when really she's just in a Mulan situation.#I get it. We all want reputation in medias. But enforcing stereotypes won't make us better than terfs or other groups that already do this.#“This woman likes to not wear makeup? She's a man!” “This man likes flowers? He's a woman!”
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bonus:
:inhales and slams hands on the desk: akechi. palace. pitch.
disclaimer: the setting for this is all about vibes and aesthetics, it kinda got away from me when i started hashing out the plot around it two months ago so now we're here. in hell. (i'll probably have to make a secondary post i made wayyy too many concepts,)
yes i made an ost for this idea, here is a youtube playlist of chill european jazz
AU details under the cut-
Akechi Goro's palace is "Ampitheatrum Doloris”.
KEYWORDS: Akechi Goro, Tokyo Highcourt, Amphitheater
Akechi's psyche is a massive collection of locked doors, puzzles, and contradictions. He wants to be seen but not understood—heard but never known, ect. This makes his palace infiltration a waking nightmare (affectionate).
His palace is made up of five main layers. They each mirror a stage of grief:
1) There is the outer layer of with the appearance of a Venice-esque water canal maze, there is a door that must be opened to reach the entrance to infiltrate the second layer underneath the amphitheater. The puzzle's actually pretty sentimental and revolves around Akechi's interest in literature.
(This layer is depression, Goro mourns what he lost and the fact that the choices he made for the sake of revenge ultimately led to nowhere. This is reflected in how desolate/meandering the outer layer feels, it is the largest and most time consuming part of the palace for this reason. It takes weeks to finish. AKA, Akira and Morgana have a terrible, no good, very bad month of May.)
2) The Labyrinth under the amphitheater; it is full of shadows for the arena champion to use as fodder for the enjoyment of the masses. ‘Loki’ resides here—this layer’s theme loosely plays on the Minotaur myth.
The only way to escape is through a pulley/elevator mechanism which leads to the surface after shattering the Champion’s chains by force. Loki taunts in Old Norse, but gives Akira (and the party by extension) genuine hints on how to escape.
(This layer is anger, Goro is always angry, about the hand he’s been dealt, the futility of his own actions, and the fact that his life has always been a dead end, written in the stars.)
3) The Audience Stands; full of human cognitions and Akechi’s former clients and fans, despite everything, like Sae, he sees them as ‘people’ and is disgusted by them. Their compliments are shallow and empty, surface level like Goro’s facade. Cognition Sae is delegated to a middle manager-type role, and leads Akira and Co. through puzzles.
Different cognitions from Akechi’s shitshow of a childhood throw riddles based around philosophy and the nature of justice at the party, if the answer is ‘wrong’, there’s a mini-boss fight. Answering everything correctly yields a prize—a key, this process is made difficult by all of Robin’s ‘hints’ (which the Thieves can directly ask for) being lies.
(Bargaining. Goro always thought he could still salvage his revenge despite his enemy being essentially invincible, even now deep down he thinks he can salvage all the effort and sacrifices he put in.)
4) The Stage; Robin Hood appears proper instead of in cameo appearances, this is the lead actor's stage. To earn the right to stand with him, Akira has to have to prove his worth in one-on-one combat while showing the crowd a rousing show. The goal is to use the key obtained in the bargaining layer to unlock the Performer's cuffs.
(Denial, Goro doesn’t believe he needs or deserves saving or a life outside of his revenge, he believes there is no other way forward.)
Hereward and the 'treasure' are in the Imperial box area, which I'll save for part 2 of this I think! The second half of this'll have less focus on the environments and more on general plot and character design.
EDIT: here's part two
#persona 5 royal#p5r#akira kurusu#goro akechi#shuake#akeshu#sir your tiddies are out. let me carry them for you.#doesn't help that his gock is also about to be out too with that outfit.
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I don't play FEH but Easter Ashe lives rent-free in my head
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[source]
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Persona 5 the Animation | OVA | If you play chess with me, I’ll consider it.
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Happy Valentine's Day..!! 🩷🥞☕
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I included card versions you can use if you like!
As long as you don't remove my credit/username on the image you can repost this to send to people if you want 🍫🩷
Here's No Glasses Akira ver:

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