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Free resource for artists and designers!!

I made a website where artists and designers can get color palette inspo from fire hydrants I've 3D scanned all over the US

Some of my favorites:

There are about 100 hydrants so far and I'm continuing to add more all the time

Public infrastructure is sexy, baby!!!!!! Pass it on!!

dayroselane.com/hydrants

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my recipe for drawing hands!

(small note that this is a shortcut that is more abt style and ease than anatomical accuracy. it helps to take time to really properly study hands, makes it easier to bend the rules a bit like this and have it still look good!!)

(learn rules b4 u break them or whatevah)

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WHY IS DRAWING HANDS SO FUCKING HARD

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i learned how to knit and made myself rose lalonde's laptop cozy as well as a sollux husktop themed laptop cozy as my starter project! :DD

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A mouth-watering fuck-ton of hand angle references.

By Shadowcross on DA.

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hey these are some tips for some of the little details in drawing fat folks that some people might not know!

everyone has fat on their bodies so its a worthwhile skill to have, but most art tutorials leave it out. heres some other good tips from artists!!

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I made a 37 minute long tutorial about how I draw cozy interiors! It runs you through how I make a perspective grid, as well as all of the tools I use to make these kinds of illustrations. Here’s a little preview of it ~ if you want to access the full video for $5, you can find it here: https://www.patreon.com/loish

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Do you have any specific process to get ideas for your backgrounds in your character pinup drawings how do you manage to make them all so awesome and cool

thank you so much! the way I like to tackle these is to think of them as if they're the character's splash art in a gacha game while also taking elements and rules from magazine covers.

now, I use the term "gacha game splash art" kinda loosely here, as that kind of art often depicts contained scenes or flourishes of elemental power. what I mainly focus on is how splash art showcases the character's personality within that contained art piece or scene.

I want everything in the piece I draw to reflect and correlate to the character itself. any accessories, text and elements are always taken into consideration. for this i'll often look closer to the character, their toyhouse page / bio, or sometimes even the client themselves if i'm familiar with them or have worked with them repeatedly before.

for example, archie here is an arcanine. I've utilized this for the background header, where you'll see arcanine's in-game category, pokedex number, type, body shape icon, as well as one of its abilities: flash fire. there's also a fire type icon.

another example is afol's piece. the client had specific ideas in mind for this art - particularly in the emotion and expression the art is meant to portray. I really wanted to incorporate this quote from afol's toyhouse profile as I felt it added to that raw, conflicted emotion the client was after.

as afol is a musician and a sky god, I also wanted to highlight it by adding "GODOFSKY - The Sky God's Solo Suite" as an artist / song title signature that again could tie into that emotional conflict.

the magazine aesthetic is something sort-of new to these pieces, with afol's piece having more of that distinct cover vibe than earlier ones; however I've been taking notes from magazine covers from the start.

I always have to make sure text and accents don't take away from the character, or cover them up or clutter the canvas too much. you'll see this a lot on magazines, how the title is always the largest text with everything else being much smaller or thinner. i follow similar composition rules when drawing. keep the model as the focus, and add things around them as needed to break up negative space and balance out the art. in my portraits, the character's name is always the largest text.

beyond these conscious choices - i dunno! my clients always come to me with fantastic prompts that mesh well with what I vibe with artistically.

i love being handed a few prompts and told to run free with them, and i love when clients come to me looking for a specific aesthetic or emotional piece. i absolutely adore drawin smug and confidently villainous gremlins, but some of my all-time favourite pieces to draw are the ones with a lot of raw emotion in em.

honestly i think a lot of the coolness comes down to my clients just havin cool characters to begin with lmao

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Good Princess Pick-Me-Up - submitted by @meowstic-seer-of-the-future

#DBDFDE #FF4A91 #FC7B4A #FED637 #7FDAB7 #201B18

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Her - Submitted by shittybraindrawings

#2E1F15 #5C3817 #D95995 #8DB9E5 #FFE9CB

inspired by my gf :)

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Strength to Awaken - Submitted by SeesawSiya

#0c1c21 #283641 #bad6ec #ffefff #efacd8 #a38bbd

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Every Stripe an Incantation - Submitted by SeesawSiya

#ea361f #ebd241 #f3e9e1 #3b9c71 #0073de #9d4ea7

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Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.

This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)

If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!

Misprints can really reveal what colors were used and where, I love misprints...

Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!

You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!

Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!

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If We Work Together - submitted by LightGriffinsect

#F9DBBD #FCA17D #DA627D #9A348E #0D0628

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WELCOME TO CRINGETOBER!

I wanted to post the prompt list a month in advance so people have time to work on it :)

There are no hard rules; it's just a fun art exercise to draw things that are considered "cringe" by popular culture. Don't stress if you miss a day!!

Even if you don't participate, it would mean the world to me if you just shared the prompt list because it took me a while to make it lol.

I hope you have fun with it!!!

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Chilling in Sky Islands