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summersfirstsnow · 16 hours
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summersfirstsnow · 17 hours
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there are some internet friends where eventually you start calling them by their real name and then there’s times where its like nah son your name is crispy forever
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summersfirstsnow · 17 hours
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summersfirstsnow · 17 hours
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summersfirstsnow · 17 hours
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Photographers all know about polarizing filters. They remove reflections off the surfaces of objects. We use them to see into water or windows that are obscured by those reflections. But anything with an even slightly glossy surface has a layer of reflection on top. So if you have a shiny green plant, it can remove the shiny and reveal a very saturated green underneath. Polarizers also remove a lot of scattered and reflected light from the sky. Which reveals a deep blue color you didn't even know was there.
Here is a photo I took of my circular polarizer.
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And the first thing I noticed when walking outside during the eclipse was the color of everything was more saturated, just like in that circle. Apparently, an eclipse significantly reduces polarized light and I got this creepy feeling because I was only ever used to seeing the world like that through the viewfinder of my camera.
The other thing I noticed was my outdoor lights. I leave them on all the time because I never remember to turn them on at night. And usually the sun will render them barely visible during the day. On a very sunny day they almost look like they are off.
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But you can clearly see they are shining and even flaring the camera during the eclipse.
Our eyes adjust to lighting changes very well so it was hard to tell how much dimmer things were, but that is a good indication. I took this photo a few minutes ago and you can see how dim the lights appear after the moon has fucked off.
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I did a calculation using the exposure settings between these two photos. The non-eclipse photo has 7 f-stops more light. That is 128 times or 12,700% more light.
A partial Pringle eclipse cut the sun's light by 99.2% and somehow our eyes adjusted to make it seem like a normal sunny day (with weird ass saturated colors).
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summersfirstsnow · 17 hours
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Glow Worm Caves, New Zealand by Daniel Kordan
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summersfirstsnow · 18 hours
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"The 'stretchy dog test' might be a better test, rather than sending a biopsy."
- on diagnosing Ehlers-Danlos in dogs
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summersfirstsnow · 18 hours
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Source: Family; A Portrait Of Gay And Lesbian America - by Nancy Andrews
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summersfirstsnow · 18 hours
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posting my old pixel art day 19
made in 2021
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summersfirstsnow · 18 hours
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summersfirstsnow · 18 hours
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when I see something dated 2019 I think “oh that’s not too long ago” and then I remember that 2019 was not only five years ago but those five years have somehow contained several lifetimes
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summersfirstsnow · 18 hours
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Goth girls love trains
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summersfirstsnow · 1 day
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Today was portfolio day on Twitter! I wanted to post my favorite works on here as well since this is more my usual stuff, and some new followers have not seen them~
While I love doing mlp AU designs, I do miss drawing my ocs and more adult oriented pieces.
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summersfirstsnow · 1 day
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Variation on Swords III
| PRINTS | | Other Swordtember prints & more |
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summersfirstsnow · 1 day
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The Handmaiden (2016) dir. Park Chan-wook | Behind the scenes please do not repost without source
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summersfirstsnow · 1 day
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Beth Cavener Stichter and Alessandro Gallo Collaborate on Ornate Sculpture
by Nastia VoynovskayaPosted on February 24, 2014
Beth Cavener Stichter’s (Hi-Fructose Vol. 26 cover artist) sculptures have an intensely-visceral quality. The ceramic animals she hand-builds demonstrate an human-like sense of understanding with their sensitive gazes and anthropomorphic eyes. But despite their thoughtful countenances, these characters are also perfectly at home in their animal skins. Cavener Stichter’s work does not shy away from the brutality of the animal world, from its untamed sexuality to its endless cycle of predator and prey.
She recently collaborated with Italian artist Alessandro Gallo (previously featured in Hi-Fructose Vol. 24), who embellished her latest sculpture, Tangled Up in You, with painted tattoos reminiscent of traditional Japanese tattoo art. The 65-inch-tall sculpture (15 feet total, from the top knot of the rope to the floor) shows a lanky rabbit intertwined with a snake in mid-air. It is unclear whether the two figures are caught in a struggle to the death or a passionate embrace. Tangled Up in You is currently on view at the Milwaukee Museum of Art. Take a look at some detail shots of the elaborate piece as well as some photos of Cavener Stichter in her studio.
http://hifructose.com/2014/02/24/beth-cavener-stichter-and-alessandro-gallo-collaborate-on-ornate-sculpture/
Much more at http://hifructose.com/
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summersfirstsnow · 1 day
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This year has been quite trying, but I'm happy that I discovered a love of making these horse animations in 2023.
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