t1meslayer

[t1meslayer]

i always imagine you could cook a fish or meat on the flamesword but then i imagine link trynna eat it like that ^^;;

Honestly though, he would

[t1meslayer]

My Pokemon head canon is that if you were holding an Aron and she wanted to go down she would do the little cat thing where they wiggle until they leap out of your arms gracefully except Aron is made mostly out of solid steel and would land with the impact tungsten cube, dent the floor, cause permanent structural damage to the foundation, and then stand up and happily trot along like she didn't do anything

[t1meslayer]

I dunno man. I found out today that a subway sandwich is $14 now. A shitty subway footlong sandwich that isn't actually 12 inches long and is occasionally made with expired ingredients and was never a great option to start with. I ate those in high school because I was broke and at the mall a lot.

There are poke bowls in my city from a local place for $16. Super fresh fish and veg, warm rice, more than I can eat in one sitting, for the price of a sandwich and a drink at america's most mid-tier sandwich shop.

Someone in another post said (paraphrased) you used to be able to get something mediocre for cheap, but now the mediocre things cost as much as the nice things so why would you?

[t1meslayer]

Phoebe and Glacia were well-received--?? Thanks to all of you, I got the courage to finish Probopass Roxanne!

Honestly though, Roxanne was so comfortable to work with. I'm trying a healthy blend of her R/S/E design and her OR/AS design. All I needed to do was give her a fluffy black skirt and learn how her hair works ahaha- thank you Pokémon Masters-

Also, I'm going with a Probopass instead of Nosepass-- running with the narrative that Gym Leaders are the eight strongest individuals in the region- at least behind the E4 and Champion. Roxanne herself might not battle against a competitive team that's only after their first badge~

[t1meslayer]

Zoom In, Don’t Glaze Over: How to Describe Appearance Without Losing the Plot

You’ve met her before. The girl with “flowing ebony hair,” “emerald eyes,” and “lips like rose petals.” Or him, with “chiseled jawlines,” “stormy gray eyes,” and “shoulders like a Greek statue.”

We don’t know them.

We’ve just met their tropes.

Describing physical appearance is one of the trickiest — and most overdone — parts of character writing. It’s tempting to reach for shorthand: hair color, eye color, maybe a quick body scan. But if we want a reader to see someone — to feel the charge in the air when they enter a room — we need to stop writing mannequins and start writing people.

So let’s get granular. Here’s how to write physical appearance in a way that’s textured, meaningful, and deeply character-driven.

1. Hair: It’s About Story, Texture, and Care

Hair says a lot — not just about genetics, but about choices. Does your character tame it? Let it run wild? Is it dyed, greying, braided, buzzed, or piled on top of her head in a hurry?

Good hair description considers:

Texture (fine, coiled, wiry, limp, soft)

Context (windblown, sweat-damp, scorched by bleach)

Emotion (does she twist it when nervous? Is he ashamed of losing it?)

Flat: “Her long brown hair framed her face.”

Better: “Her ponytail was too tight, the kind that whispered of control issues and caffeine-fueled 4 a.m. library shifts.”

You don’t need to romanticise it. You need to make it feel real.

2. Eyes: Less Color, More Connection

We get it: her eyes are violet. Cool. But that doesn’t tell us much.

Instead of focusing solely on eye color, think about:

What the eyes do (do they dart, linger, harden?)

What others feel under them (seen, judged, safe?)

The surrounding features (dark circles, crow’s feet, smudged mascara)

Flat: “His piercing blue eyes locked on hers.”

Better: “His gaze was the kind that looked through you — like it had already weighed your worth and moved on.”

You’re not describing a passport photo. You’re describing what it feels like to be seen by them.

3. Facial Features: Use Contrast and Texture

Faces are not symmetrical ovals with random features. They’re full of tension, softness, age, emotion, and life.

Things to look for:

Asymmetry and character (a crooked nose, a scar)

Expression patterns (smiling without the eyes, habitual frowns)

Evidence of lifestyle (laugh lines, sun spots, stress acne)

Flat: “She had a delicate face.”

Better: “There was something unfinished about her face — as if her cheekbones hadn’t quite agreed on where to settle, and her mouth always seemed on the verge of disagreement.”

Let the face be a map of experience.

4. Bodies: Movement > Measurement

Forget dress sizes and six packs. Think about how bodies occupy space. How do they move? What are they hiding or showing? How do they wear their clothes — or how do the clothes wear them?

Ask:

What do others notice first? (a presence, a posture, a sound?)

How does their body express emotion? (do they go rigid, fold inwards, puff up?)

Flat: “He was tall and muscular.”

Better: “He had the kind of height that made ceilings nervous — but he moved like he was trying not to take up too much space.”

Describing someone’s body isn’t about cataloguing. It’s about showing how they exist in the world.

5. Let Emotion Tint the Lens

Who’s doing the describing? A lover? An enemy? A tired narrator? The emotional lens will shape what’s noticed and how it’s described.

In love: The chipped tooth becomes charming.

In rivalry: The smirk becomes smug.

In mourning: The face becomes blurred with memory.

Same person. Different lens. Different description.

6. Specificity is Your Superpower

Generic description = generic character. One well-chosen detail creates intimacy. Let us feel the scratch of their scarf, the clink of her earrings, the smudge of ink on their fingertips.

Examples:

“He had a habit of adjusting his collar when he lied — always clockwise, always twice.”

“Her nail polish was always chipped, but never accidentally.”

Make the reader feel like they’re the only one close enough to notice.

Describing appearance isn’t just about what your character looks like. It’s about what their appearance says — about how they move through the world, how others see them, and how they see themselves.

Zoom in on the details that matter. Skip the clichés. Let each description carry weight, story, and emotion. Because you’re not building paper dolls. You’re building people.

[t1meslayer]

Did y’all know queue limit is 1000? They don’t let you put more in than that. Wild

[t1meslayer]

Love Me

[t1meslayer]

i love when multiple pfps of the same character interact w my stuff bc this is always what i imagine

[t1meslayer]

This conversation is one of the few instances (beyond pronouns) in this game where there's different dialogue based on your gender:

Juliana's responses stood out to me the most. She sounds more worried for him than her male counterpart.

An easy-to-miss difference.

[t1meslayer]

there's a p common attitude in fandom spaces (fandom in general, not a specific one) that's like "why care about canon, or the characters being ooc? we're here to play with the dolls any way we like" and as much as i obviously am a person who thinks about canon a lot in theory i'm into that. in practice though when popular fanon takes things in a wildly different direction from canon so often it's in the service of taking something that was originally canonically weird and interesting and making it blander. it's flattening a complex character into a broad archetype i've seen a million times before, it's taking two characters with a complicated canonical relationship and writing them in a way where you could find-and-replace the names with any other popular migratory slash fandom pairing and the fic would make as much if not more sense. if you're going to break away from canon at least do something interesting? don't make it less weird? i feel like i'm watching someone take a really beautiful expensive cut of wagyu steak and grind it into hamburger to cook it well done and cover it in ketchup

[t1meslayer]

This Pride Month, I'd like to remind everybody that Emma is the only character in Pokémon (that I know of) that canonically has two dads

[t1meslayer]

i just think she's neat

🕸️Bluesky 🕸️️Twitter🕸️

[t1meslayer]

Some more Shiver fishing memes

Originals under cut:

[t1meslayer]

Back with some round brush sketches just in time for people to start asking if I'm still alive [finger guns emoji]

[t1meslayer]

Just two pals discussing important life events.

[t1meslayer]

Old Lasso doodles of the delusional friend group I have in my mind

(BB Academy girls + Nemona)

[t1meslayer]

Nemona, 0.1 seconds upon finding out about the Z-A Battle Royale