#// bringing up the controversial punk bands!

[ferromagnetiic]

Fuck wonderwall, play Anarchy in the UK

          【 UNPROMPTED ASK. 】       « Modern verse. »      « Continued. »                     【 ANONYMOUS. 】

          ❝ I said I ain't takin' requests, piss off. It ain't part of the set. ❞

Somebody can't perform a decent sounding cover of John Lydon's vocals when he's got a deep-ass voice and a falsetto with a time limit.

...Besides, he prefers Discharge and Misfits. Just because he doesn't want to play Wonderwall doesn't mean he'll settle for songs by any punk band; especially not one that comes with so much baggage.

[bikinikillarchives]

KATHLEEN HANNA ANNOUNCES MEMOIR, REBEL GIRL: MY LIFE AS A FEMINIST PUNK

7/13/23: Kathleen Hanna has announced that she’s releasing a memoir in May of next year: Rebel Girl: My Life as a Feminist Punk is out Tuesday, May 14, 2024, via Ecco (a HarperCollins imprint). The book will follow Hanna’s story from childhood to her college years in Olympia, Washington.

Kathleen Hanna's rallying cry to feminists echoed far and wide through the punk scene of the 90s and beyond. Her band, Bikini Kill, embodies this iconic time, and today her personal yet feminist lyrics on anthems like "Rebel Girl" and "Double Dare Ya" are more powerful than ever. But where did this transformative voice come from? In Rebel Girl, Hanna's raw and insightful new memoir, she takes us from her tumultuous childhood home to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes clear, being in a "girl band," especially a punk girl band, in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightening rod for controversy took limitless amounts of determination. But the relationships she developed during those years buoyed her--including with her bandmates, Tobi Vail, Kathi Wilcox, and Johanna Fateman; her friendships with Kurt Cobain and Ian MacKaye; and her introduction to Joan Jett-- were all a testament to how the punk world could nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands, Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its later exclusivity. In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful--and how it continues to fuel her revolutionary art and music.

you can pre-order Rebel Girl now though bookshop.org!

[hit-song-showdown]

Year-End Poll #36: 1985

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Wham!, Madonna, Wham!, Foreigner, Chaka Khan, Daryl Hall & John Oates, Tears for Fears, Dire Straits, Madonna, a-Ha. End description]

More information about this blog here

1985 showcases many significant moments in pop music history. For one, this was the year of Live Aid and We Are the World -- two high profile instances of the charity single and the benefit concert. Today's poll also features one of the first uses of computer-animated human characters with Dire Straits' Money for Nothing. The team behind the video, Gavin Blair and Ian Pearson, continued working in the field of computer animation. Under their new company, Mainframe Entertainment, they also created the animated TV series, Reboot. With their extremely prolific work in computer animation, there have been some accounts that they're not thrilled being reduced to just "the Money or Nothing guys". They reference the music video in an episode of Reboot.

But one of the biggest things to mention here in my opinion is the presence of Madonna. While her first singles were released earlier in the decade, 1984 and 1985 is really when we see her moment take off. In 1984, Madonna performed Like a Virgin at the MTV VMAs and the number culminated in her rolling around on stage in a wedding dress. The performance was controversial and there were those who saw it was career suicide, but the backlash wasn't enough to stop her upward momentum. If anything, the backlash made her more of an icon in the public eye. Like Michael Jackson and Prince, the decade doesn't make sense without considering her influence, both in music and in aesthetic.

Speaking of Prince, his presence on the charts is once again featured on this poll with the inclusion of Chaka Khan's I Feel for You. The song was originally performed by Prince in 1979 and he returns to provide vocals and instrumentation to Chaka Khan's cover. However, I'm bringing it up to draw attention to the music video. As I mentioned in my way-too-long 1973 ramble, hip-hop and rap have already been in existence for a while (by this poll, the subculture has been around for over a decade) and has found some significant success. I've resisted the urge to ramble about The Message and Rapper's Delight, since those songs didn't get as much Billboard pop success and I try (oh god do I try) to keep these posts focused. However, the 1980's is when we start to see more mainstream audiences forming for the genre. It will be a while until we see rap itself find its place on these polls, but by this point, the movement was recognizable enough to the general public.

And, of course, there is another notable music moment that happened this year. I am of course talking about the release of post-punk band Nick Cave and the Bad Seeds' second studio album, The Firstborn is Dead.

[carcingeneticist]

Scene Kyle hc rant

(disclaimer: everything I bring up is based on people's takes I saw on this topic, I'm not using any actual quotes or screenshots because I don't want to direct anyone, I'm just a scene kid and south park fan who thought heavily about the topic and I need to share it :))

So as we all know in south park fandom there's been headcanons putting main 4 into different subcultures, the most common ones being goth Stan, juggalo Kenny, gyaru Cartman and scene Kyle, the latter being probably one of most hated and controversial ones.

As much as I don't believe that Stan would go back to being goth or that Cartman would be actively gyaru, I think Kyle fits being scene (coming from a scene person who was some time in the subculture) and I wanted to explain why or how he fits on it and why hc doesn't deserve the hate it gets.

First of all, scene is not goth or emo. It feels weird to point that out since it's obvious but a lot of people, as an argument of why Kyle wouldn't be scene like to point out the goth Stan episode were he says something along the lines that he doesn't want Stan to keep pitting himself by being goth. While this phrase applies directly to goths and could also be used for emo subculture as extension, it doesn' apply to scene subculture.

Scene is not just colorful version of emo or even a typical subculture as we like to think about them (punk, goth). It's not necessarily based on the ideas, and even if it would be something along the lines; hiding or not showing pain by dressing in colorful way and listening to party music, which honestly is an opposite of what Kyle said.

Scene is also a lot about being open, outgoing and social more than emo, the subculture it originates from.

If I'm already pointing out obvious I also want to say that not every scene kid is stereotypical "rawr XD so random". Not every scene person goes around and rawrs at people, as in every subculture every person acts different and there is no single way of how someone behaves. While yes I agree Kyle would not act this way, this doesn't mean he can't be scene (a lot of problems in Kyle scene interpretation is that they often mischaracterizes Kyle in process which doesn't have to be the case, Kyle could be shown as his normal south park self while also being scene).

The argument of Kyle not being able to be scene, because he's shown as a jock falls apart in my opinion when we see how scene queens are often depicted as cheerleaders (who are the female version of jock)

Now for the more important part of being scene is the style (pun intended). A lot of times it's brought up that Kyle would not dress in scene fashion, when we are talking about character who's most recognizable feature is bright green ushanka, which not only scene features a lot of bright or neon colors, ushankas were also used in a style. We could make an argument that even if he's wearing that in fourth grade it doesn't mean he would wear it in future and he just dresses like a kid would, and while yes I agree but if we think this way we would also have to throw out the jock argument I brought up earlier because a lot of kids used to practice sport while they were younger and even wanting to be professional at said sport. We can have either one argument or neither.

As for other aspects of fashion, Kyle as a scene kid would most likely wear neon monster band merch (what bands I will get to later) or cartoon merch with some colorful skinny jeans or baggy pants. I also think he would want to add accessories like neackleses, bracelets and different kinds of hats (he would also have domo ushanka). He would most likely wear both converse and vans. If you want to mix in some of style from his other hcs I would also throw in green flannels.

For hair, I would see Kyle as an scene who straightens his hair every morning to have that perfect straight hair (as we all know the most scene people were born with most curly hair) and if he didn't straighten it he would at least make sideway fringe. I would also see him dyeing it but looking at it from show perspective his red hair is too important to his character.

Music is also important part of the scene. Kyle as a scene kid would most likely listen to all scene genres like crunckcore but I personally think he would be more into metalcore. He could listen to bands like: I set my friends on fire, attack attack, and asking alexandria.

If you however believe that Kyle wouldn't listen to more metal music (although we can assume he at least listened to Metallica) and he would prefer calm music, we also need to remember that big part of scene was neon pop punk, one band for example being never shout never, which even if Kyle wasn't scene I think he could enjoy.

That being said at the end of the day it's just a silly headcanon that people made up for fun who can't hurt you at all. Let people have fun however they want (and if you seriously get angry at this head canon just existing, there are really other things you should care about than south park head canon)

[27-royal-teas]

im gonna controversially rank every fall out boy album (writing this i am realizing HOW fucking obsessed i am with this band holy shitttttt) just for funsies and pls dont attack me these are just my opinions!!! I love all the albums there are just some I like more than others open minds open arms yk

8.) take this to your grave

Hey i know im aware its a classic but im just not a huge fan. All the songs kind of sound the same, this is true for any first album i think, especially from this time period (for instance. All time low i love you to death but put up and shut up just wasnt IT for me). its still a really good album!!! but like. Ive also only listened to saturday and grand theft autumn off of it so i guess im not much one to talk. I definitely need to give this album another try when i get the time! It’s just kind of difficult for me to listen to. Like reading lord of the rings. Everyone says it’s a classic and it’s amazing but it’s fucking DIFFICULT to get through

7.) american beauty/american psycho

Its ranked this low simply because its kind of too mainstream. There are, of course, tons of bangers (see: twin skeletons, favorite record, fourth of july) but yeah. I do end up skipping a lot of the songs on this album just cause they were really overplayed, but ive forcibly distanced myself from the more overplayed songs enough that an occasional relisten wont make me want to rip my ears off. Still a good album, (none of these are BAD ALBUMS by any means, just,,, not my favorite) 

6.) save rock and roll

Best way to come back from the dead imo. I love this album. I listened to it with the commentary queued before each song and it really did enhance the whole thing by listening to them discuss the meaning behind each one. Not a huge fan of ALL the features- i like all the songs and i wont skip most of them but i just dont really like courtney loves feature tbh shes kind of off the beat in her verse and my brain doesnt like it but other than that its a really good album. Also the youngblood chronicles have my entire heart on a plate istg

5.) from under the cork tree

I love this album i really do!! There are just other albums i like MORE. its a fantastic album full of fantastic songs (Our Lawyer and I Slept With Someone being my two favorites besides the obvious) and so many have really just become huge milestones in pop punk and emo music as we know it. This album was fucking INFLUENTIAL and really changed the entire music industry as a whole. How can you not love it??

4.) MANIA

Ah, mania, my musical wife. I love her so. I love this album so much, I don’t understand why it gets so much hate. Sure its different but i like different. It feels like there was a lot of love put into this album idk. Also there are no skips for me on this one (except for Hold Me Tight or Don’t, depending on what mood im in- ever since I found out Joe never plays guitar in that song at all it’s kind of changed my whole view of it). It really does bring to life how close the links are between music, how they’re not so far apart after all, how we can bridge the gap and make something purposeful and new. 

3.) so much (for) stardust

This was my first album cycle as a fan and i am having a marvelous time.  I feel like partly because of that its ranked so high, but i love this album to death. No skips, except maybe flu game. Loved the resurgence of pete’s slam poetry and i really do think that the orchestral arrangements brought it all together. Overall sm(f)s is a great album and im glad it was my first with them

2.) infinity on high

I seriously love this album SO much. however i do recommend watching the video for carpal tunnel of love. i think it ruined me. It’s absolutely horrifying but everyone should have the experience of being absolutely horrified by a fall out boy video at least once. Either way, great album and Hum Hallelujah is one of my favorite songs by fob. Everything on it is just so well made

1 ) folie a deux

I mean what else can i say? Its, in my opinion, the best fall out boy album of them all. The craftsmanship feels like someone really put their heart and soul into it. There is some delicate care within these walls. What A Catch makes me cry every time. My friends have heard me talk about 27 enough. Tiffany Blews is incredible. It’s just,, so FULL. idk

In conclusion you really can’t go wrong with any of fobs albums!!!! They are all hella bangers !!! Incredible masterpieces!!!! If you haven’t listened to any I highly recommend!!!!!

[doublydaring]

Hello! I read your article a few days ago on twitter and talked myself out of sending you a message. But I saw it again here today and that you were open to feedback. As someone who lived through the scene - I had a few thoughts but I don't want to overstep as I'm a white person - so grain of salt.

But my main concern is that you have a whole section on erasing people of color from their own art but then kind of toss Gabe in there as just an example of someone who walked away from hardcore ideals.

My suggestion is to at least please name Gabe's identities - he's always been vocal about and proud of being from Uruguay/Latino and Jewish.

But he's talked often about feeling like an outsider and using the music scene to combat that. The whole point of Cobra was "rooting for underdogs, taking control of your destiny, taking shots at the establishment, not taking any shit, and not taking yourself too seriously." (taken from his words in the Cobra Starship farewell statement).

Gabe worked really hard to uphold his ideals - Rob Hitt talked in a recent podcast about Gabe making him sing on at least one track during Midtown so he could join a singers union and access health care bc it was only available to vocalists. Gabe did a few podcasts in 2021/2022 leading up to the Midtown reunion that are worth listening to - especially One Life One Chance with Toby Morse (he touches on being an immigrant, growing up feeling different, his views/values from the scene and his roots and the importance of the scene for somewhere to belong) and Punk Rock MBA (for DIY values and reflections on fame and mental health). He really could have his own section bc he was constantly written off as the fun party one when actually was super intentional, intelligent, and living his DIY values trying to bring everyone he can up with him but I'll stop here.

Thanks for sharing the article and writing it. It's really weird to have people analyzing your youth and your experiences but I do want the scene to move forward and get better at being inclusive and respectful so thank you for bringing up the conversation.

-Nik

First of all, thank you for reading and an even bigger thank you for replying with this awesome message!

I am actually a huge Gabe Saporta fan, and I definitely don't want to give off the impression that I'm writing him off as a party boy or Cobra Starship as a substance-less band. Cobra Starship is one of my favorite bands of all time, and I've been getting more into Midtown lately.

There are two big reasons I didn't write more about Gabe, the first is that when I first wrote this I scrapped a whole section on Latin influence on Emo that he was a big part of because I didn't have nearly enough space for it (I had a 2500 word limit that I was well over).

The second reason is a lot more serious and potentially controversial. South and Central America have really complex racial politics that I don't claim to fully understand, and don't translate exactly to modern American interpretations of who is and who isn't white. I don't know Gabe Saporta personally but from what I learned from Wikipedia, both his parents are European Jews who's families fled to Uruguay. This means that (AS FAR AS I KNOW WHICH ISN'T VERY FAR AT ALL) racially, Gabe is an ethnic Jew (both Sephardi and Ashkenazi I think). Jews dip in and out of whiteness in America but as an ethnic Jew myself I don't think its appropriate to group his experiences in the scene with those of people of color.

Gabe's Uruguayan heritage is super important, super influential and super interesting, I do not want it to seem like I'm erasing that. It is something worth talking about and something I will probably write more on. I saw his interview with Punk Rock MBA (fascinating stuff) and I have a whole piece on him and Cobra in the very early stages.

Again thank you so much for your message! Gabe means a ton to me as a Jew in the scene and I promise I don't mean to dismiss him. I will go back and look at my wording in that section to make sure Gabe gets the credit he deserves <3

[newmusickarl]

Being Funny In A Foreign Language by The 1975

There is probably no bigger Marmite band around than The 1975. Ask someone their opinion of the Manchester indie-pop darlings and the response will likely either be scary levels of adoration or rage-inducing blind hatred. Now whilst I don’t obsess over them like a good portion of their now enormous fanbase, I would be lying if I said I don’t fall firmly onto the “love” side of the band’s ever-present divide. Having followed The 1975 since their early EPs, it’s been quite incredible to see them steadily become one of the biggest acts in the world. The catalogue they’ve forged in that time has been nothing short of sensational, with at least one modern classic in the form of A Brief Inquiry Into Online Relationships.

However, when it comes to the criticisms and general loathing of the band – I do also get it. Firstly, frontman Matty Healy’s instinct is to be an irritating provocateur, with one skim through his recently recovered Twitter evidence to this fact. He is always going to rub people up the wrong way and relish in it, which fairly turns people off him and his output. Also, despite working their way up through the live gig and festival circuit, they are very much still a pop band. As a result, I think their ongoing success does them no favours with the indie diehards who see them as imposters in a scene dominated by traditional rock and roll outfits.

Then just when you thought The 1975 couldn’t be anymore controversial, in 2020 they released an album that divided even their own fanbase – their hugely misunderstood fourth album, Notes On A Conditional Form (NOACF).

Plagued by delays, NOACF was a 22-track odyssey that dove headfirst into everything weird and wonderful, ultimately proving too much for some listeners and diehard fans. Upon its release, I saw fair criticisms that the record was too long, too self-indulgent, too erratic, non-cohesive and generally a bit of a mess. However, I personally loved all the album’s imperfections and always saw these as part of the band’s intention for that particular record.

It has long been said that the traditional album format is dying, with people today preferring to create their own playlists on streaming sites made up of their favourite tracks. What I believe The 1975 aimed to construct with NOACF was in fact a deconstruction of that traditional album format. This was their playlist-like record that would often jarringly jump between musical genres that would normally have no place on the same album, let alone coming from the same band. From punk rock to ambient pop to UK garage to 90’s house to country to R&B to gospel to alternative indie to electronica - to pretty much everything else in between, it was all showcased on NOACF. So despite some of their best work coming out of that project, I think ultimately the deliberate abstract nature of the formatting flew over a lot of heads.

So, now back with their fifth album Being Funny In A Foreign Language, The 1975 are seemingly out to appease the public. Not just the fanbase that was turned off by their last record, but also maybe win over some of their harshest critics that have never enjoyed or given time to their music. Aiming to please, the result is an album that may not be as daring or even (for me anyway) as interesting as its predecessor – but is more joyous and, in moments, utterly timeless.

Matty Healy has previously been on record to state that All My Friends by LCD Soundsystem is his favourite song of all time, so it makes sense that he interpolates this song in the album’s eponymous opener to help appeal to the masses straight out the gate. Lyrically it’s a hard-hitting start too, with Healy exchanging the care-free heart of LCD Soundsystem’s track for one that’s dejected and apologetic about modern teenage life. However before things can get too heavy, funktastic single Happiness arrives to bring along exactly what it says on the tin. Still one of their finest tracks to date, it’s impossible not to get swept away by the vintage 80s style guitar groove, wonderfully polished production and instantly catchy chorus of “Show me your love.”

The strong 80s influence then continues on songs like Looking For Somebody (To Love) where the band channel their inner Huey Lewis & The News, whilst Oh Caroline has more than a few nods to Peter Gabriel. Personally whilst these songs will no doubt please hardcore fans, they don’t do as much for me as I already know The 1975 have mastered this sound, inside and out. Therefore, I can’t help but think in these moments that it all feels a bit safe.

That said, when the band do eventually deviate from their typical sound, that’s where the album really shines for me. Part of the Band is an artsy, string-tinged and quietly understated track, with some impressive lyrical gymnastics like the tongue-twisting line: “I know some Vaccinista tote bag chic baristas, sitting in east on their communista keisters.” Recent single All I Need To Hear also remains a firm favourite, a stripped-back and classic-sounding love song that is carried by Matty Healy’s poetic songwriting and the raw, live production. Reflective, bluesy piano ballad Human Too then dazzles in a similar manner, before Robbers-sequel About You serves up the album’s biggest emotional gut-punch. When We Are Together is then a delightfully folky and beautifully orchestrated climax, bringing the album to a close at a concise 43 minutes in length (a whole 50 minutes shorter than its predecessor) and with a full circle call back to the LCD Soundsystem interpolations right at the end.

Supposedly the working title for Being Funny In A Foreign Language was The 1975 At Their Very Best, further solidifying the notion that this is a make-good record for the mixed reception to previous effort NOACF. Whilst personally I still prefer their more experimental and eclectic side, there is also no denying that the cohesiveness has been refined, with several of the songs here also some of their richest and most expertly crafted to date. Most importantly though, it’s another excellent addition to their discography, further solidifying them as - for me at least - one of the most fascinating acts of the last 10 years. Is this indeed them At Their Very Best? That’s for you to decide.

Listen here

[pinkrubberducky]

Is Machine Gun Kelly a Fraud?

The topic of Machine Gun Kelly is somewhat controversial. People don’t agree with the idea that he is helping to revive the Pop-Punk sound; instead, people have said Machine Gun Kelly is a fraud who switches genres and isn’t good at anything. So what exactly is Pop-Punk and is he actually bringing it back? 

Punk rock, according to Merriam Webster, is “rock music marked by extreme and often deliberately offensive expressions of alienation and social discontent,” and pop music  is music specifically designed for mass appeal and commercial success (musical dictionary). Thus, if you were to define the genre of pop-punk, it would be extreme and deliberately offensive expressions of alienation and social disconnect designed for mass appeal and commercial success. Machine Gun Kelly embodies this with not only his album Tickets To My Downfall but with Mainstream Sellout as well.  

Unlike older rap albums MGK had put out, Tickets and Mainstream Sellout have many punk/rock guitar and drum solos. This is partly due to the fact that drummer Travis Barker from the band Blink-182 had jammed out with him during quarantine in 2020 and things just streamlined from there (Life in Pink on Hulu). Travis then ultimately became MGK’s producer on a lot of the songs put out on the albums. Just another reason to believe that MGK is reviving pop punk; Having someone who is known for pop punk as someone who looks over and critiques your work would most certainly influence your sound as well. 

Taking a look specifically at Mainstream Sellout you would think that the main message of the album is that he is depressed, loves a woman and that he doesn't care what the internet is saying about him because he’s going to be himself and do what he wants regardless. 

A good example of that is the song Mainstream Sellout; where he goes on to say that he’s heard everything said about him and how people don’t quite support him. It seems like he’s listing out comments people have actually said to him, “leave the scene you’re ruining it, I’m a poser, does he even like, play guitar?”, which I think represents the idea of punk music because he is going against what social “norms” are. 

The idea that people have a set of ideals that one has to follow in order to be considered into a specific group is absurd. Once out of that group, you get “alienated” and targeted in order to “fix” yourself. MGK’s song ''Born with horns'' starts out saying it's hard to live and then he goes “alienate me i'm not the one you want, I feel so alienated.” This is him getting his emotions towards societal distress out into the world. 

Furthermore, the album has a track that sounds very similar to Adam's Song by Blink-182. The first guitar notes in Adam’s Song sound similar to Emo Girl by MGK and Willow, the back vocals-ish of the song, which makes me think that Blink-182 was also an inspiration of MGK’s music as a whole. Even on different albums as well, if you listen to 27 on Bloom, or Bad Motherfucker on General Admission (deluxe) you pick up rock vibes. 

In conclusion, MGK has a rock influence which is what makes his albums Tickets to my Downfall and Mainstream Sellout so good. He expresses so many emotions in his music and defies a lot of societal norms, as well as playing towards a larger audience. I believe his music is helping to revive the pop-punk genre.

[dankusner]

SXSW PROTESTS AND MUSIC

Amid controversy over military ties, bands delight crowds

South by Southwest concluded one of its most divisive music festivals in 37 years Saturday.

Eighty bands pulled out over the festival’s ties to the U.S. and Israeli militaries.

Texas Gov. Greg Abbott tweeted disparagingly about the artists who did so, and SXSW chimed in to disagree with him via social media.

Musicians pushed back not just on who was underwriting the conference or being platformed at it, but the core ethos that has long driven the scene: Playing for exposure is worth it.

Saturday night at the Intercontinental Hotel, Austin band Fuvk paused its set to read a statement of protest, calling SXSW’s response to criticism about where its funding comes from “pathetic and gutless.”

The statement said it felt “perverse” to perform and said it would

“This decision is way overdue, but it feels like the only right thing to do at this point.”

Beharie

Norwegian singer who backed out of a SXSW showcase over the conference’s U.S. Army sponsorship and its platforming of Raytheon, which supplies weapons to Israel probably be the band’s last SXSW gig.

Toronto’s Sam Tudor joked onstage about how his guitarist had an Uber booked for 8:35 p.m. so she might have to leave midperformance.

She had been filling in for other Canadian acts all week.

“Too bad she’s not being paid by the show,” he said.

Then he deadpanned: “Is anyone in the audience a tech billionaire? We’re not allowed to make money in America, as per our visa.”

Tudor played the Driskill gig at the last minute when Norway’s Beharie took to Instagram hours earlier to say he would back out of the showcase over SXSW’s U.S. Army sponsorship and the conference’s platforming of Raytheon, which supplies weapons to Israel.

“This decision is way overdue, but it feels like the only right thing to do at this point,” Beharie wrote.

When asked for a comment Sunday, event organizers shared the same statement they used to rebut Abbott on Tuesday.

The statement defends the artists’ rights to free speech and explains that the defense industry is a leader of tech discovery.

“The Army’s sponsorship is part of our commitment to bring forward ideas that shape our world,” the statement said. It also asserted the festival’s continued commitment to “human rights for all.”

“The situation in the Middle East is tragic, and it illuminates the heightened importance of standing together against injustice,” it said.

Behari did play later at an unofficial gig at the Shiner Saloon.

And it was magnificent and moving soul music.

It was an existential SXSW politically, but the musicians who chose to play gave area patrons a reliable overload of astonishing work.

Electronic pop duo ÄTNA were so good the German government flew them over as cultural ambassadors.

Heffner restored my faith in male-fronted, conventional rock music with, oddly enough, an amazing Spanish- language cover of Los Angeles Negros.

The Flamingo Cantina packed in tightly for an Afrobeats showcase with some of the most exciting hip-hop voices from West Africa.

R& B, jazz and reggaeton music shined on every street corner.

The Black Keys showed up to celebrate 70-year-old blues journeyman Robert Finley.

Peso Pluma, the most-streamed YouTube artist of 2023, performed for free.

LAIR, an Indonesian rock band that makes stringed instruments out of clay, cracked one on a flight to the U.S. from Jakarta and made a brand-new one here.

The punk spirit persisted amid controversy.

[classicalmusicdaily]

Welcome to the world of 20th-century music! Music has always been a powerful form of expression and storytelling, but perhaps no other century can quite match the amount of diversity that existed in the sounds coming from this century. From folk and country to soul and R&B, jazz to heavy metal, funk to rock, pop punk to hip hop musical genres sprouted up left right, and center all throughout this extraordinary period. So what is it exactly about 20th-century music that makes it so iconic? Let's take a look at some of its defining characteristics!   Introducing 20th-Century Music    Let's dive into the world of 20th-century music, where innovation and experimentation flourished. The music of this time reflects the changes and developments that were happening in society. From the early influences of jazz to the emergence of rock and roll, this century saw a revolution in musical styles and genres. Composers experimented with new instruments, techniques, and structures, breaking away from traditional forms of music. The rise of electronic music and sound technology further expanded the boundaries of what was possible. With so much diversity and innovation, 20th-century music continues to captivate and inspire listeners to this day.   Exploring the Different Styles of 20th-Century Music   The 20th century saw some incredible changes in the world of music. As different cultures mixed and clashed, boundaries between genres began to blur, and new styles emerged that pushed the limits of what was possible. From the smooth and sultry tones of jazz to the raw, stripped-down minimalism of post-punk, there's a wealth of sounds and styles to explore in this period. Whether you're a die-hard audiophile or simply curious about the evolution of music, the 20th century is a perfect place to start. So put on your headphones, turn up the volume, and let's explore some of the most innovative and exciting music of the last century!   Classical Music   Classical music has been around for centuries, yet it remains just as intriguing and captivating as it was when it first began. The timeless elegance and complexity of classical music are a true testament to the brilliant minds of composers such as Mozart, Beethoven, and Bach. Whether you're listening to a symphony, a concerto, or a sonata, classical music has a way of bringing a sense of peace and tranquility to listeners, transporting them to another world entirely. Even if you're not a music buff, it's hard to deny the sheer brilliance and beauty of classical music. It's no wonder that it has remained one of the most popular genres of music to this day.   Jazz   Jazz is the perfect music genre for those who enjoy the feeling of improvisation, spontaneity, and creativity. With its roots in African American communities in the early 20th century, it quickly became a popular form of entertainment across the United States. Jazz music is known for its complex rhythms, intricate melodies, and soulful expressions. Whether you prefer listening to classic musicians like Louis Armstrong or newer artists like Kamasi Washington, jazz music never fails to transport you to a place of pure joy and freedom. So if you're feeling a little low or need a pick-me-up, turn on some jazz music and let yourself be swept away by the sounds of saxophones, pianos, drums, and everything in between.   Rock and Roll   Rock and Roll music has been a cultural phenomenon for over half a century. From the early days when Elvis Presley's hip-shaking created controversy to the modern-day stadium concerts by bands like Foo Fighters and Green Day, Rock and Roll continue to be a driving force in the music industry. The genre has given birth to many sub-genres like Metal, Punk, and Grunge, and has influenced fashion, art, and lifestyle. The power of Rock and Roll can be attributed to its ability to speak to the youth, provoke social change, and simply make people want to move and have a good time.

Whether you're a devoted fan or a casual listener, there's no denying the impact of Rock and Roll. So turn up the volume, let your hair down, and let the music take you on a wild ride.   Blues   Blues music is a genre that has the power to move us emotionally with its soulful melodies and deep-rooted lyrics. This style of music emerged in the African American communities in the United States in the late 19th century and has since spread its wings all over the world. Blues music has been greatly influenced by gospel, country, jazz, and rock and roll, and has evolved over time, giving birth to various sub-genres such as Delta, Chicago, and Texas blues. Whether it's the smooth guitar licks, the gritty vocals, or the heartfelt lyrics, there's something magical about blues that keeps us coming back for more. For anyone who has a love for music that goes beyond a simple melody, blues is definitely worth exploring.   Major Musical Innovations of the 20th Century   Music is constantly evolving and the 20th century saw some major innovations that changed the way we listen to music. One of the most prominent was the emergence of jazz music, which brought about improvisation and syncopation to create a unique sound. Another big innovation was the use of electronic instruments such as the synthesizer and drum machine, which revolutionized the way music was composed and produced. The introduction of rock and roll also had a massive impact on popular music, creating a genre that continues to be influential to this day. Finally, the rise of hip-hop and rap music brought a new level of creativity to the music industry with powerful lyrics, sampling techniques and scratching- a skill that requires precision and creativity. Through these innovations, the 20th century will forever be remembered as a time of musical transformation.   The Influences of 20th-Century Music on Modern Music   Have you ever listened to modern music and wondered where the inspiration for those melodies came from? Well, look no further than the 20th century. The music of that time period had a profound impact on the sounds we hear today. From the jazz greats like Louis Armstrong and Duke Ellington to the rock legends like Elvis Presley and The Beatles, the musicians of the past century created some of the most popular and recognizable tunes in history. Even genres like hip-hop and electronic dance music can trace their roots back to the sounds of the past. It's amazing to think about how the music that we love today is built upon the foundation laid down by those who came before us.   Tips for Listening to and Appreciating 20th Century Music   When it comes to listening to 20th-century music, many people feel intimidated or unsure of where to start. However, with a few tips in mind, you can learn to appreciate the unique soundscapes and styles that emerged during this era. One of the best ways to get started is to focus on the context in which the music was created. Consider the cultural and political influences that shaped the music, as well as the innovations and experiments that the artists were undertaking. Additionally, try to keep an open mind and be willing to step outside of your musical comfort zone. You never know what new sounds and genres you might discover and fall in love with. Above all, remember that listening to music should be an enjoyable and enriching experience, so don't be afraid to have fun and experiment with different approaches until you find what works for you.   Conclusion: From Debussy to Zappa, the 20th century was an incredibly fertile period for musical exploration and innovation. Whether you enjoy Bach, Beethoven, Big Mama Thornton or Bjork, 20th-century music has a lot to offer. The sounds, shapes, emotions, and energies of 20th-century music provide opportunities to explore the human experience through melody and rhythm. The influences of 20th-century music can be heard in virtually every genre of modern music from rap to rock and reggae to punk.

By being intentional about learning more about different styles and artists within 20th-century music, listeners can appreciate and enjoy this rich tapestry of sound like never before. Finally, don't forget that musical appreciation is a personal journey; so take what resonates with you from this topic on 20th-century music and use it as the fuel on your own quest for great musical exploration! FAQS: Q: What genre best defined 20th-century music? A: The 20th century saw the emergence of many popular genres, such as jazz, blues, rock and roll, country, funk, punk, hip hop, and more. Each of these genres had its own distinct style and sound that grew out of the cultural climate of their time. As a result, it's difficult to pinpoint one particular genre that best defines 20th-century music. Ultimately, the beauty of 20th-century music lies in its complexity and variety. Q: What musicians exemplify the sounds of 20th-century music? A: There are countless names who have left an indelible mark on 20th-century music. From Louis Armstrong and Billie Holiday to Led Zeppelin and David Bowie, the influence of 20th-century music is evident in the work of many great musicians. Other notable figures include Miles Davis, Elton John, Prince, Aretha Franklin, Michael Jackson, Johnny Cash, Bob Marley, and Nirvana. The list goes on! Q: How can I learn more about 20th-century music? A: To deepen your knowledge and appreciation of 20th-century music, try exploring different genres and artists. Listen to a variety of albums from different eras and take time to appreciate the unique sounds each artist has produced. You can also watch documentaries or read articles on the history of 20th-century music. There is a wealth of information out there on the genre and its various subgenres, so take your time to explore it all!

[jihanesroom]

Star Theory

Ben Folds of Ben Folds Five

Ben Folds was the frontman of the 90s alt rock group Ben Folds Five. The band differed from traditional rock band formats by being an unconventional trio. Darren Jessee on drums, Robert Sledge on bass, and Folds on the piano, an unseen instrument in the rock genre. Following the disbanding of Ben Folds Five in 2000, Folds went on to have a successful solo career as a pianist. He has collaborated with numerous artists such as Regina Spektor and muppets. 

Folds has described his music as “punk rock for sissies”. With the punk axiom being a lack of adherence to rules, Folds’ deliberate choice to withdraw guitar (often deemed an essential instrument for rock)  from his three piece set up. Folds also embodies punk through his lyricism, with very tongue in cheek, witty lines.

Folds himself also does not conform to traditional ‘punk’ presentation, having a very classically nerdy look. The rejection of typical ‘punk; presentation is in itself, a presentation of the punk mindset. 

Ben has upheld his nerdy image ever since his rise to fame in the mid 90s. Due to his age then, he failed to conform to the standard of not only a rock star, but just a celebrity in general. Now due to ageing, his style is considered more appropriate.    

Folds has failed to be part of any controversy or scandal despite being part of the scene for the better part of 3 decades. Despite this, Folds’ numerous divorces may devalue his star quality.

Folds has a good reputation with the press, receiving high praise for his work outside of his music through collaborations and original soundtracks.

Ben Folds is an active user of the social media platform Twitter, which can now be considered for older people. He also runs a youtube podcast called lightning bugs, which discusses music and processing.

He also established a charitable initiative called keys for kids which provides free arts education for school age youth.

Ben Folds' persona is unchanging depending on where he is. He brings his authentic, quirky fun sensibility to all of his work.

[iqsitespeed]

New lil uzi vert album

This suspense places such an unruly amount of weight and influence.

It’s kind of all I know…” Īlong with drumming on Machine Gun Kelly’s hugely successful pop-punk debut, Tickets to My Downfall, the prolific musician just recorded a full album with Trippie Redd, releasing the single “GERONIMO” featuring Deftones’ Chino Moreno last week. There is nothing, absolutely nothing like finally receiving an album that has been teased, built up, and/or repeatedly delayed for a ridiculously substantial amount of time. Lil Uzi Vert just finally dropped his long-awaited album Eternal Atake.With all of the twists and turns of 2019, fans began to think Lil Uzi Vert would never release the record. Like, I was raised on rap music and punk rock music. But, like, we’re never going to veer too far off from what we are – like, I’m like a punk kid at heart, you know what I mean? Whether it’s like pop-punk with Blink or whatever with or whatever with Trippie, that’s where my heart’s at. And I feel like our fans have kind of journeyed with us when we’ve done songs like ‘Miss You’ or ballads like ‘Adam’s Song’. As the first and only solo song of Lil Uzi Vert in 2018, it was initially expected to be included in Uzis upcoming second studio album Eternal Atake, which has become the subject of controversy due to its Heavens Gate cult-inspired artwork however, in an interview, he revealed. So it’s more of a punk kind of like reggae feeling song, I don’t think Blink will ever be anything but a pop-punk band. About New Patek 'New Patek' is a song recorded by American rapper Lil Uzi Vert. It’s like bringing Uzi over to our world. First video: Last February, Lil Uzi Vert, a surging young rapper, visits the Hot 97 morning show, a place where many surging young rappers are obligated to go visit. He did, however, share a trailer for the.

He continues, “I mean, it’s not like Blink’s making a rap song or anything. Lil Uzi Vert has released his new album Eternal Atake.The record’s arrival comes as a bit of a surprise, as Uzi never revealed a formal release date. “There’s a song with Uzi that’s really, really cool that we did with Pharrell.” “There’s like a song with Grimes right now that’s really, really cool that I love,” Barker tells Spotify’s Allison Hagendorf.

[svenssonfink03]

Chanel Cc Brand Belt

He favoured brief skirts and plunging necklines, styles that have been almost frowned upon in the Nineteen Sixties. wikipedia belt Nonetheless, he made a name for himself and commenced designing for the home of Chloé, adopted by a turn at Fendi and eventually landing the function of artistic director for Chanel. Today he continues to design for Chanel, bringing his unique sense of style to the forefront every season with collections of Chanel sunglasses, tops, attire and different gadgets. 100% genuine Chanel Vintage gold-tone metal adjustable belt from the 2001 Spring assortment, with links woven in black leather-based. CR Fashion Book participates in varied affiliate net marketing applications, which suggests we might get paid commissions on editorially chosen products bought by way of our hyperlinks to retailer sites. For her controversial 2003 VMAs efficiency with Britney Spears, Madonna rocked a wallet chain. She positively wasn't carrying her car keys on stage, however the chain gave her all-black outfit a punk, masculine edge. The British punk rock band mirrored their rejection of the mainstream by way of their music in addition to their garments. Throughout the '70s and '80s they wore punk staples like fight boots, leather-based jackets, distressed denim, and chain equipment. CR Fashion Book may earn money from the products featured on this page. Classic CHANEL signature satin braid chain link belt CC logo chain Engraved with „CHANEL“ „CC“ and „08 C“ Total length roughly 105cm, adjustable Comes in CHANEL padded suede in... Chanel Spring/Summer 2008 black patent glitter leather-based layered bow waist belt. Depending on the bag's materials, a vintage Chanel could be quite costly. skel.io chanel replica belt For occasion, a classic crocodile high deal with bag costs around $130,000. The basic quilted leather bag is around $10,000. Chanel Vintage Red & Black Layered CC Shoulder Bag circa 2009 black/red leather-based gold-tone hardware signature interlocking CC logo stud embellishment foldover prime leather-based and chain b... Yes, Chanel is amongst the most desirable luxurious manufacturers in the world. This top-class designer model creates their products from high quality raw materials and excessive production strategies whereas using a number of the best-known talent in the style world. Find many Chanel accessories and attire on 1stDibs. The name "Bible Belt" has been utilized historically to the South and elements of the Midwest, however is more commonly identified with the South. In a 1961 study, Wilbur Zelinsky delineated the area as the world in which Protestant denominations, especially Southern Baptist, Methodist, and evangelical, are the predominant religious affiliations. In addition, the Bible Belt covers most of Missouri and Kentucky and southern components of Illinois, Indiana, and Ohio. It appears nice with every thing from a silk costume to jeans and a t-shirt. I’m going to give you all my secrets about how I found mine and a few tips that will help you discover your individual. Sign as a lot as our publication for unique presents and the latest news on merchandise, rides and events. Director Joel Coen, cinematographer Bruno Delbonnel and manufacturing designer Stefan... U.S. Surgeon General Vivek Murthy showered American Federation of Teachers president... Samsung Galaxy S22 may be set for a giant price... The leading lady wore a white Elie Saab macrame lace jumpsuit from the Fall 2021 collection. Addition or alteration to country, regional & section scope. Sign up to our newsletterto get other stories like this delivered straight to your inbox.

[peter-awesome]

https://vm.tiktok.com/TTPdhGNrrc/

I redownloaded Tumblr and changed my password to log in because I didn’t know where else to talk about this utter nonsense. This is the stuff that gives me energy to put in effort online?? Yeesh. This TikTok is about Ronnie Radke on a profile titled “The Emo Chronicles”. There’s a lot I feel like I wanna talk about. First, I’m done trying to separate “Emo” from Pop Punk & Post-Hardcore that became incredibly popular for a blip of time in the mid-to-late 2000’s. It *is* completely separate, but how can I care at this point. Ronnie Radke and “Emo” are being used when talking about the same thing. OK, great, time to move on, it’s been 15 years. The video begins referencing a recent TikTok from Radke himself where he talks over a dumb meme of Shrek looking like a “Scene” girl from aforementioned time period. The Emo Chronicles video goes on to… talk about how Radke is… an OK guy? Or it seems like that’s the thought the video ends on. I feel like it goes back and forth more than 3 times. For being a video seemingly supporting Radke, there is 0 reference made to his fat-shaming TikTok beyond showing it at the start of the video. I’m the most confused and we’re less than 10 seconds in. FOX News reports have more clarity. Anyway, the EmoTok skims his controversial history in music, which, in the end, doesn’t seem to matter too much because he’s got a song that’s “the number 1 song on Hard Rock charts”. You know, all the charts. All of them! It’s cool that Alternative Rock of the time is having a big resurgence in popularity, but the “charts” have literally always reflected the Post-Hardcore (which itself is varying degrees of Metalcore now) poorly and are not the barometer you should be using when focusing on any particular singer who also screams in his music. Are we just going to forget how he very literally injured fans at a festival that took place at Six Flags? Multiple instances of spitting on & taunting fans too? How he showed up to a fight straight out of middle school, a fight where a person got killed? You know, the kind of fight that’s organized by a bully yelling, “You. Me. The parking lot after school. You’re dead!” And he was 22, arguably an age where you should’ve known better than to bring a ragtag team of friends to a *fight*. You aren’t boxers; what the Hell were you even thinking? Then he was replaced in Escape The Fate, and then, after he went to prison, started another band that was worse and tried to be funny too. It was just a lot of wow, you know? Anyway, I don’t need nor want to hear about Ronnie Radke when I’m approaching 35. The music of I See Stars and Attack Attack! is more pleasant & listener-friendly than Falling In Black Veils Sevenfold. Sorry, that was a cheap shot. But what else do you expect from an Alt fan who outgrew this nonsense when he was 23? Music isn’t and shouldn’t be an excuse to treat anyone any way you want, let alone kids who already feel alone & out of place. Attack Attack!’s new EP is actually pretty rad. That’s not an ending to this but I’m tired & I can barely think of anything beyond how very silly the “point” of this TikTok is. There are good dudes & dudettes in Alternative music who deserve your time. And, if you feel a need to defend a certain singer after reading this, just… don’t. Go listen to whatever music you want & be content that you won’t change my mind.

[kimhargreeves]

Won't Say I'm In Love-Jello Biafra x Reader

Summary: You're friends with the members of the Dead Kennedy's but have always has feelings for their lead vocalist. Thing is your afraid to fall in love again since guys always dump you when you're bored, will this relationship be any different?

I've been known from around the punk scene. In fact, I have plenty of friends from punk bands and the normal people, their fans. They contact me to find them gigs around the city and in exchange we hang around and I get paid. Many of my friends who aren't famous, sneak into concerts because of my help and I wouldn't want to change my life.

Thing is I've been played before, too many times that I've lost count.

Today I was organizing another event and making sure the place was big enough for a large crowd. The Dead Kennedy's are playing tonight and tickets were already sold out.

I was walking around making sure everything was going as planned, "Hello there stranger." A male voice sounded nearby.

I stopped walking and looked up on stage and saw the lead vocalist smirking at me. His hair all over the place as always and was wearing a jacket with dark brown pants and black boots.

"Nice to see you again, Eric." I said using his real name instead of his stage one.

He jumped down out if the stage and was now face to face with me. "It's been a while since I've seen you, how've you been?"

Eric always has the biggest smile when he's around me, out of everyone I've met he's the nicest guy around and he's always treating me nicely.

"Same old thing as always, ready for tonight's show?"

I could get lost listening to his stories from his life or how the band kept on getting controversial with almost anything they'd do. I always have fun with the many bands I've been with but the Dead Kennedy's are special to me.

"Ready as always, we should all hang out tonight at the nearest bar."

That only brings bad luck to me. "I'll think about it."

"Come on! I haven't seen you in forever." He isn't wrong there. Eric and I met back then when I was working at a record store to save up a trip to the U.K.

"Alright but I'll just have on drink." I warn him with a laugh and he smiles.

"Alright! Can't wait for tonight. Well, I'll go my work and you do yours." He says and messes my already messy hair.

I laugh and swap his hand away. "See you tonight."

I'm actually nervous for many things, but blame myself for the many thoughts running through my head. Okay, I'll try and be professional like I swore I'd be. Not only have a gained a good reputation, but I've always gained one where I sleep with almost every band I've met with.

It happened with Joe Strummer, John Lydon, Glenn Danzig and many others which I'm sure almost everyone knows. I fall in love way too easily and always get tossed when I'm no longer of use.

I sure hope tonight doesn't end up the same as other nights.

************

The band ended up with their "Kill The Poor" song and the crowd as always went wild and wanted more but unfortunately it was the last sing of the night.

Klaus, Raymond and Peligro were sitting nearby to us, drinking the night away when we made it to the nearest bar. Many people recognized or follow us in here so the place was full.

"So? Any luck on finding a girl?" I tease as I played with my drink.

"Now that you mention I did find a nice girl who's been after me." I nod along pretending to be interested and happy in that topic.

Eric hasn't been much in dating tons of girls like I have with guys, which makes us completely different people and not compatible.

Everytime I get ahead of myself when I'm introduced to members of a band and with the Dead Kennedy's it was no different. First time I met them or should I say Eric, I had different thoughts than just being professional, I mean for god's sake how couldn't I when he was barely dressed

"She's a nice girl, but she isn't you (Y/N)." I stopped playing with my drink and looked into his dark brown eyes. My mouth nearly fell open, I reacted quickly and covered my face with my hands.

"Eric don't go there..." I mutter and continue hiding my face.

I felt his hands on mine and slowly lowered mine so he'd look at me. "I'm serious, (Y/N)!"

"You've heard those rumors about me, they are true okay?! I can't help but be that person a-and I always get dumped when guys are sick of me. It's happened with many. Don't tell me you're okay with dating someone like me."

It hurts to say it but it's true. Eric stops smoking and placed his drink down along with it and he doesn't hesitate to tell me his answer.

"Those things don't matter to me. So what if you've been with other guys? I'm not like them and I would never abandon you. Now, let's get the hell out of here and have a proper date, you deserve someone better so I'm gonna prove it to you."

Eric stands up from his chair and offers his hand for me to grab. "You already have, there's no need for you to show me more of your kindness."

I take his hand and stood close to him. "We'll have a nice lunch, buy you some nice clothes and maybe have a nice time in bed."

He smirks and laughs at my not so happy reaction. "I'm kidding! Though the idea does sound nice, but I'm a proper gentleman so I'll wait."

I blush as I leaned forward and hugged him. "Maybe we can make an exception this time." I tease him this time and quickly leaned up to kiss him.

"Let's have that date then." Eric kissed me again and took my hand this time. "I know the best place that serves your favorite meal, after that I'll take you to one of my favorite stores and I'm going to spoil you with gifts."

"You sure? I don't want you to waste any money on me."

We stopped when we noticed a few news reporters and paparrazi outside, wanting to ask the band a few questions on why they've become such a controversial band and the same questions they always do.

Eric held onto my hand right and together we began to run away from them and laugh when they couldn't catch up with us. I have a feeling I'll be truly happy now.

[kiribakuhappiness]

jirou kyouka?

My GIRL! I’ve grown to really like Jirou lately, she’s so badass!

- Favorite thing about them: Honestly, I like the way that she gets kinda flustered and embarrassed easily. Like, she’s such a hardcore girl, but she’s also kinda quiet and doesn’t actually really like being in the spotlight or the center of attention? Idk, that just makes me like her a lot, it gives her character a lot of depth!

- Least favorite thing about them: Hmmhmmhmmm, I guess not really anything?? She hasn’t really done anything that’s made me not like her at all!

- Brotp: Honestly, I’m a big fan of JirouBaku brotp and in my head JirouBakuTokoyami hang out a lot and when the Bakusquad is driving Bakugou crazy he’ll kinda force Jirou and Tokoyami (indirectly) to hang out with them all because he can kinda use them as shields when the bumbling band of buffoons is just being too rowdy and too much for him to take, cause like Jirou and Tokoyami are pretty chill and quiet so he’ll just wedge himself between them and the three of them will just silently watch as the Bakusquad goes nuts yelling about random shit and Jirou at some point will breath out in surprise, “Wow, they really are idiots.” And Bakugou will make an off-handed comment like, “Why do you think I always drag you fuckers into this.” and their first instinct is to be insulted because like pretty much everything Bakugou says is insulting until they realize what he means (that he likes bringing them along because he can settle between them and that’s Bakuspeak for him admitting that he likes their company). Yeah, I’ve got a weird soft spot for that trio of punks.

- Otp: hmhmmm, I know this is gonna be a lil controversial (I think), I know a lot of people like Jirou with Momo and I think they’re definitely cute and sweet together but I just have a big ole soft spot for KamiJirou - idk what it is just something about how exasperated he makes her and like, I can just picture them chilling together and listening to music and I just feel like they would be the perfect concert buddies and I have all these cute headcanons in my head for them so that’s my answer and I’m sticking to it! (Sorry JirouMomo, I really do like them together too!)

- Notp: M I N E T A

- Random headcanon: Jirou is the only person Bakugou will go clothes shopping with. She understands his obsession with baggy graphic tees and doesn’t pester him about being into the “alternative” look - doesn’t really pester him at all cause they actually don’t talk THAT much. Like whenever Jirou begrudgingly realizes that her combat boots are looking a little worse for wear or that her favorite shirt shrunk in the wash and she needs to go get another one despite the fact that she HATES clothes shopping, she’ll find herself outside Bakugou’s door. And she’ll be a little anxious like, fuck this is so stupid, before she forces herself to knock and he just appears all grumpy and Bakugou-like and she says, “I need clothes. So, are you gonna come with me or not?” And Bakugou is incredulous at first because what the fuck, no??? But then he kinda takes in her outfit and then he thinks about the last time Kirishima tried to take him clothes shopping and THEN he thinks about how Kaminari had relentlessly fucking teased him for hours last weekend when they’d all gone out about the fact that Bakugou has one (1) good red t-shirt and he’s like shit, fine, but of course he warns her not to be annoying and she thinks ‘I was gonna say to same thing to you’ but she doesn’t say it out loud because she’s not an IDIOT. And then they go shopping and at first it’s so horribly quiet and awkward and Jirou is regretting everything until Bakugou is picking up this t-shirt with a band that she likes on it and she’s all surprised and says that she likes them and he makes some douchebaggy remark like “their old stuff is so much better than their new stuff” and Jirou mocks him for it and then they like, actually maybe have a good time and both realize at the end of the day that they don’t actually hate each other?? And they got some cool new clothes and got to talk music so it’s a win/win, all in all a successful shopping trip that neither of them ever tells anyone else about because that would just be the worst LMFAO

- Song I associate with them: ugh, I don’t really have a specific song for Jirou either (which I HATE; I’ll have a playlist for her up soon though for sure), but I feel like she would like a lot of stuff from my like emo to punk rock to classical to maybe even irish folk rock - a very specific kind. Her music tastes are no doubt very refined, like even if she doesn’t LIKE certain types of music she can at least appreciate them for what they are.

- Favorite pic of them:

She’s so cute I love her so much!!!