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channy-mae · 6 years

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Instagram Couple

“Again?” You mumble under your breath when the director called for a retake on the 12th take that night. Irritated you walk up to the backup dancer who kept making mistakes. “Listen, you don’t bend over until the 5th beat and you spin on the 3rd.” You calmly try to explain it to her so you wouldn’t be there all night long. Her attention wasn’t even on you and you followed her eyes to a shirtless Jay Park, his expression was one of irritation as well considering how the first part of the music video wasn’t finished yet. “Hey! Pay attention to the dance instead of drooling over him.” You snap at her. The director motions for you to go back to your original position, so they could start again. After three more retakes, the girl finally stops making, dare you say it, stupid mistakes. You were in the middle and the end of the MV and positioned on and around Jay, “Okay, now put your hand on his chest and cue.” The minute the camera starts rolling you begin to move your body against his to the beat of the music. You could feel him moving against you and for a second that felt like it was just the two of you, “Cut, perfect!” The director’s voice tore you both out of the trance that was each other and Jay quickly lets you go. The rest of the recording goes by flawlessly without a mistake by the other dancers.

“Ah, that’s a wrap, good work everyone!” The director calls out and the crew starts packing equipment up to leave, you start walking to the dressing room to change back into less provocative and casual clothes, when you hear giggling. “Oppa, the song is so good! When you perform it live are you using all the dancers again?” you look and see the same girl who was making mistake after mistake obviously flirt with Jay. She was twisting a lock of her hair around her finger and was attempting to act cute, “Yeah, I’m only going to use one of the dancers since so many isn’t necessary.” Jay smiles at her. “Oh, really if you do pick I would really love it if I were to be that one dancer.” her hand was now on his arm and you couldn’t take it any longer, “Hey I wonder who’s clothes they just threw out, anyone came in wearing a pink hollister dress?” you call out. The girl rushes past you thinking her clothes were thrown away. A week goes by uneventful for you, but your boyfriend on the other hand not so much. Jay walks through the doors of your shared apartment to find you on the couch, “Y/N what are you doing up so late? It’s,” He glances at the time on his phone, “1:30 in the morning.” You purse your lips and don’t say anything, taking out your phone you unlock it and place it on the table. Jay just stands there confused about what was going on, huffing you begin talking.

“I can understand you not choosing me to be the dancer in one of your live performances, I really don’t mind. But, what I do care about is now everyone thinks you’re dating the dancer you chose for said performance and you have yet to say that they are wrong. What am I not your girlfriend, is this some sort of illusion I’m making up?” you were standing up now with your arms crossed wanting an answer from him. “Y/N you are my girlfriend and I love you, the only reason I haven’t said anything yet is because I didn’t think I’d need to. These things die off on there own jagi, you see it all the time.” his voice was calm as was his body language and that just pissed you off. You knew you were a secret, that your relationship wasn’t public and that was frustrating. “That’s why we should go public, I’m sick of having to hide the fact that we are together, it’s stressful and frustrating, not to mention that people have been on this for a week now. It’s just irritating to see the other dancers, and see her smug face. ” You walk up to him and wrap your arms around him trying to get him to understand how you felt about it. He hugs you back, “Not yet, I’m in the middle of a deal that will really benefit everybody and I’m thinking about-.” You shove him away. “What? You’re in the middle of a deal so our relationship is pushed to the back burner? Why does she get to be your girlfriend in the media then if it’s so important. Or is that a ploy to ensure it, because she’s korean and I’m a foreigner?” You spit out.

“What! I never said that!” Jay raises his voice, “You didn’t have to say it, you suggested it when you didn’t call people out on this!” you yell at him angry. Jay runs his hand over his face in agitation, “I’m not going to argue with you y/n” Jay turns around most likely to go to the room. “No,we need to talk about this, I want us to go public. It...it will make me feel better about this.” your voice was barely above a whisper. “I already told you, I can’t do that right now.” You open your mouth to interject, before you could say something he continues. “A week, that’s enough time.” Jay looks at you with a hopeful expression. Your eyes mist over and you could feel yourself about to cry, you rush into your bedroom and start throwing stuff into a bad. “Where are you going? Y/n….jagi why are you packing?” Jay reaches for the bag you were holding and you jolt away from him. “Don’t..a week, you want to let this fester on for a week, for some deal! Why do I have to spell out the fat that this is upsetting me? If that’s the case then for a week we can just not talk. Since I’m a secret it won’t matter right. Focus on the deal that’s just so special.” You didn’t give him time to say anything, you were out the door and hailing a taxi. You get in and tell the driver your best friend’s address, not even looking out the window to see if he followed you. That was the worst you’ve ever been angry at Jay and the worst fight. Once you arrive you find the key underneath the potted plant next to her door, walking in you remember that she wasn’t even home being out of town for some convention. Sighing you toss your stuff onto her couch and flop down. Your routine for the last couple of days were the same, go to the studio to practice, go home to your friend’s place, ignore any calls from Jay, and stream your favorite drama. You were on the couch eating ice cream and chips, when best part where the long awaited kiss scene for the two main characters were when the doorbell rang. Upset you drag yourself up and to the door, with a mouth full of potato chips and ice cream you open the door. In front of you stood a flushed Jay Park, you swallow and attempt to close the door not wanting to see him.

“Wait, wait listen y/n, I’m sorry.” you stop trying and motion for him to come inside, wanting to know what he had to say. “What?” You ask with your arms crossed. “I wasn’t thinking about how you felt about it when you were clearly upset. So, I did the right thing and revealed us.” Jay wraps you in hug smiling brightly. “What! When?” to answer your question he takes out his phone and hands it to you. It was his instagram page and the recent posts were pictures the two of you had taken together, or just pictures of you he had taken. You lean up and kiss him, happy that he decided to mend your relationship and put an end to the rumors. It didn’t take long for the kiss to go from sweet to lustful, you pull back “We can’t, not here.” you try to reason with him. “Jagi, I haven’t seen you in four days. I couldn’t even talk to you to tell you how sorry I am, so instead let me show you. Plus whatever she doesn’t know won’t hurt her.” Jay picks you up and walks you to the bedroom you were using. You two continue the kiss, rapidly undressing each other and throwing the clothes out of the way. You pull away to catch your breath and Jay takes that as an opportunity to take off your shirt and his. No matter how many times you see him, the sight of him shirtless and his tattoos are enough to leave you breathless and drooling. He starts kissing your neck, nipping on your collarbone aiming to leave marks. Moaning out you reach down and fumble with his belt trying to remove it. “Having a hard time?” He smirks at you and gets up to take off his pants, once in just his boxers you stand up and push him to sit on the bed. He was hard clearly evident of the tent in his boxers, you trail your hands up his thighs to his boxers and slowly slip them off. His cock pops out and twitches, Jay moans looking at you. You take one hand and cupped his balls, then enclosed the tip of his penis into your warm mouth.

“Ah… ohh, God, y/n… that… feels so good,” Jay managed to say. His encouragement made you smirk around his cock, you moan around it sending vibrations through his body. You take another half inch of his dick into your mouth, then pulled up to its tip. You started to get into a bobbing motion, able to take a little bit more of his cock into your mouth each time, until you were swallowing a little more than half of his length. Take him out of you mouth and blow on his cock, drawing out your motions as your lips slide along all sides of his cock as you bob up and down. “Ah...ah fuck jagi, stop I’m going to cum.” Jay gently pushes your head away. You stand and shed your panties and lay back on the bed, Teasing you, he ignored your glistening pussy and kissed and licked your inner thigh, then you felt his mouth travel to the other side where he licked and gently bit the inside of your other inner thigh inching closer your pussy. By this time, you were moaning and bucking your hips. You could no longer stand any more of his teasing and you grabbed his face and moved him so that his mouth was in line with your vagina. That was all the prodding he needed, as he immediately started sucking on your clit and running his tongue up and down your wet slit. Gasping, you look down as he extended his tongue and pushed it deep inside of you. You feel him put his hands on your ass cheeks, which he massaged roughly while keeping his tongue buried in your wet sex.

The intense pleasure he was giving you with his mouth made you feel like I was slipping in and out of consciousness and you could hear the slurping sounds emanating from between your legs. Your hips were bucking wildly as you ground your pussy roughly into his face. You shook and shuddered and experienced your first orgasm of the evening. He let you recover by licking the wetness from the inside of your thighs and his mouth stayed away from your sensitive clit for a minute or so. Once he saw that you had recovered, he began to lick up and down your slit again. This time, he put two fingers inside of you, curling them upwards, while working his tongue over your clit hard and fast. Every nerve in your body felt like it was on fire. You always appreciated his talented tongue and he drove you to two more orgasms before you pushed him away. Huffing he sits up and lines his cock to push inside of you, “Are you ready?” You simply nod your head. He kisses you, while continuing to kiss you, he takes his shaft in his hand and you feet him run the head over your wet slit. He positions himself right above your opening and slipped the head inside and then powerfully pushed forward, instantly opening and filling me. You pulled your mouth away from his gasping and moaning in pleasure. Almost instinctively, you wrapped your legs around his waist as he starts to slowly thrust in and out of you. He begins to move inside of you with a slow and steady pace of long even strokes. He then moves forward and you feet his weight on top of you sensually crushing your breasts against his chest. You moved your hips up to meet his thrusts and feel another orgasm rock your body. Seeing you release, he begins pumping furiously into you. As he quickened the pace, you begin to thrust your hips up hard against him. You were both grunting and sweating profusely as he fucked you hard and fast. You could feel he was close as well and you started screaming as another powerful orgasm overtook you and my body shook almost uncontrollably as Jay continued his powerful thrusts. After you had come down from another peak, you could tell by his breathing he was close to orgasm, when he suddenly pulled out of you. He takes his cock and starts to stroke it and cum erupts from him landing on your stomach and chest. You both were breathing deeply and Jay gets up and heads out of the room, “Where are you…” before you could finish he comes back with a damp towel in his hand and he cleans you off. “I missed you. And we probably shouldn’t tell your friend we had sex in her house.” Jay giggles. You laugh as well and you both drift off to sleep.

#kpop #k-hiphop #khh #kpop smut #k-hiphop smut #khh smut #kpop angst #khh angst #khh fluff #kpop scenarios #khh scenarios #jay park #jay park scenarios #jay park smut #jay park angst #jay park fluff #channy

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douxreviews · 6 years

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Pride and Prejudice - ‘Episode 3′ Review

“You must allow me to tell you how ardently I admire and love you.”

In which we meet Lady Catherine de Bourgh, the Gardiners and both Charlotte and Elizabeth receive marriage proposals.

This episode is all about marriage; the offers, the lack of offers and the consequences of either acceptance or declination of such offers.

Mr. and Mrs. Bennet are an interesting pair. Having to witness these two people and their marriage every day would affect anyone. While we do not know what led them to marry originally, they now bring out the worst in each other. This enmity spills over into the relationships with their daughters. Mrs. Bennet (as several people commented on in the previous episode) obviously favors Lydia and Jane, and cannot understand Elizabeth at all. Mr. Bennet obviously favors Elizabeth and cannot stand his three youngest. He goes so far as to insult all three of them in public.

Neither Mr. nor Mrs. Bennet sees their daughters for who they are or what they may be experiencing. Jane, in love with Bingley, has been patiently waiting for him to propose. Instead, she receives a letter from Caroline that leaves no one in any doubt that a proposal is not forthcoming. Elizabeth is infatuated with Wickham and wants her parents to like him. As the soldiers leave after tea, both parents make comments that prove just how oblivious they are to anything but themselves. Mrs. Bennet flutters on about Bingley leaving and the huge mistake Elizabeth made by rejecting Mr. Collins. Mr. Bennet makes a series of rather sarcastic remarks about how young women want to be thwarted in love that force his eldest to leave the room, cause Elizabeth to literally sit up to defend her new friend and leave his wife in tears.

Jane and Elizabeth both long for a marriage as unlike their parents as possible. Having seen what marrying for money or security can do to one’s soul, they want to at least be able to like and respect their future spouse. Which is why, I believe, Elizabeth is so upset by Charlotte’s news.

Very quickly after he is rejected by Elizabeth, Mr. Collins proposes to and is accepted by Charlotte. She is a wonderful example of the purely pragmatic side of matrimony. She is older and she is plainer than the other girls, so when she is given a chance to marry a man who has a good living and will one day have an estate, she takes it. Charlotte is not a fool; she understands the type of man she is marrying. As she says, however, she is not romantic. She wants a good home and a secure future and, now, she will have both.

As Elizabeth visits Charlotte, it is very clear that her worst fears have been confirmed. Charlotte is lonely and bored; going out of her way to ensure that she spends as little time as possible with her husband. While she tells Elizabeth that she is “quite content,” the way she greets Elizabeth when she arrives and her description of her daily life put that remark in doubt.

In direct contrast to her reaction to Charlotte’s marrying for security, Elizabeth is able to understand why Wickham is to marry Mary King and to accept it graciously. I get the impression that, at least on some level, Elizabeth knew from the start that she and Wickham would not be able to marry and so did not allow herself to fall in love with him. By doing so, she has also saved herself a broken heart.

Clearly, Elizabeth is just fine while she is in Kent. Refusing to be intimidated by Lady Catherine, she is polite and gracious enough to not embarrass either her cousin or her friend. The situation improves immensely when Darcy and Fitzwilliam turn up. As quickly as Elizabeth had decided she didn’t like Darcy, she decides that she does like Fitzwilliam and the two become friends. Of course, Fitzwilliam is charming and friendly; hardly the proud, aloof man that his friend was and is.

The friendship with Fitzwilliam helps Elizabeth begin to see the man behind the facade and Darcy, in turn, approaches her much more gently than he ever has in the past. The whole conversation over the piano at Rosings is flirty and fun and, for the first time, they smile at each other. They are still going at each other; but, now they are laughing while they do so.

The call the next day is one of my favorite scenes in the entire series. They are both so used to disliking each other that they struggle to find something to say, but the thaw from the night before is now between them. Uncomfortable and awkward, the silences are long and the conversation is stilted. Until it becomes personal. Elizabeth hints that she wouldn’t mind living a great distance away from her family and Darcy instantly picks up on it. This intimacy, however slight, scares them both and he scurries off.

The next time they are alone together, things become intimate indeed. Darcy’s proposal and Elizabeth’s refusal is a tour de force and I love watching it. It is hard to imagine a less romantic declaration of love. I don’t want to love you; I don’t like your family; I fought this as long as I could, but I really do want to marry you.

While it is often said that the pride in the title refers to Darcy and the prejudice Elizabeth, this young woman has enough pride of her own and it comes out in a very real way here. Already upset with Darcy because of his interference with Bingley and Jane, her anger takes over and she snaps at him.

What is clear as we watch this exchange, however, is the level of emotion they are both feeling. Darcy can’t stop pacing; Elizabeth is close to tears. As Elizabeth throws one accusation after another at Darcy, he gets angry as well and snaps back, especially around Wickham. Jealousy can make us say awful things.

At no time during the entire conversation does the subject of money come up. Unlike the Collins’ marriage which is based solely on the pecuniary need that each has for the other, this proposal is all about love and respect. Although he is saying the words, Elizabeth does not feel love or respect and so, she turns down one of the richest men in England. I’m not sure the thought of his money ever entered her head.

Darcy’s parting shot is that he believes Elizabeth would have accepted him if he had not told her the truth; it he had courted her in the traditional fashion. I believe he’s right. There is a great deal of feeling between these two and, although it started out as contempt, it was already changing. I don’t think it would have taken much time or effort for Darcy to persuade Elizabeth to marry him.

But, for now, they are on the outs. Both have said things in the heat of the moment, but the key word is heat. There is a great deal of it, too much for it to ignored for long.

Historical Context:

Sermons to Young Women, more commonly known as Fordyce’s Sermons, were a series of sermons compiled by James Fordyce on how young women should behave. My favorite? “The Folly of Unlawful Pleasures.”

Lady Catherine’s shock that all five Bennet girls are out at once would have been a typical response at the time. To “come out” meant that a young woman could attend social events and was at a marriageable age. Traditionally, girls came out when they were sixteen or seventeen, but some were older. It was customary to marry off the elder girls before allowing the younger girls to come out. The Bennets, therefore, are quite unusual in that they not only have five girls out at once, but Lydia (only fifteen) is very young to be in society.

Bits & Pieces:

There is something soothing in the thought that we still sing the same Christmas hymns two centuries later.

Jane’s first letter to Elizabeth is dated January the 12th. In it, she talks about the fact that she visited Caroline three weeks ago. As the Gardiners were at Longbourne for Christmas, it didn’t take Jane long to renew the acquaintance.

When Elizabeth is “playing the piano” at Rosings, the camera pans across the instrument to the others in the room. Unfortunately, none of the hammers are moving so the piano must be magically making that bad music.

The clock, throughout the engagement scene, always shows the time at 6:17.

Favorite Moments:

Darcy’s obvious discomfort when he sees Elizabeth again, but especially his spin in the parlor when he hears Elizabeth quoting the words he spoke to her to Fitzwilliam.

The first time Darcy smiles at Elizabeth, my heart beats faster and I get a huge grin on my face.

The whole scene when Darcy comes calling for the first time.

The proposal and refusal. I have watched this scene I couldn’t tell you how many times and each time I come away from it having noticed something new. Wonderful acting from both parties.

ChrisB is a freelance writer who spends more time than she ought in front of a television screen or with a book in her hand.

#Pride and Prejudice #Jane Austen #Elizabeth Bennet #Fitzwilliam Darcy #Pride and Prejudice Reviews #Doux Reviews #TV Reviews #something from the archive

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thotyssey · 6 years

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On Point With: Jill Sobule

Jill Sobule, an acclaimed singer / songwriter, is known for a school of musicianship that’s pretty rare these days: story songs about the lives of other people, factual or fictional. One such song about a suburban lesbian courtship--1995′s “I Kissed a Girl” (long before that OTHER song of the same name)--was a massive radio and MTV hit, and remains one of the very few queer anthems to reach a global audience. Since then, she’s pioneered the use of crowdfunding as a way to finance her critically acclaimed music, she maintains a rabid cult following and collaborates with legends... and she’s become a surprising fixture at the East Village’s eclectic Club Cumming. In fact, she’ll be traveling with the talent from that venue for a set in Fire Island very soon... and she’s got all the deets for us!

Thotyssey: Jill, hello and thanks so much for talking to us today! So, are you officially a New Yorker these days?

Jill Sobule: I just moved back to the NYC after 10 years in LA. I’m so very happy. I belong here.

Did you experience Pride this past weekend at all? I not only went to Pride, but wore a blue skirt with LED lights and Pride edition Doc Martins. And, I went into the old Cubby Hole (which is now Henrietta Hudson) for the first time since 1987, when I cocktailed for a month there. I walked in and they were playing “I’m Coming Out.” Some things don’t change.

This is a crazy time for gay rights... and for the rights of women, all minorities, and all impoverished groups. In many ways it looks like we are going backwards as a country. Are weird / scary times “good” for singer-songwriters as far as inspiration goes, or is it too overwhelming and distracting? Well, I have always been an “activist” singer-songwriter. But this shit is off the charts now: with SCOTUS, more shootings, the motherfucking Trump party, etc. Yes, sadly it is a fertile time for the creative juices to flow. That just sounded gross, by the way! But it is also a time when folks, who wouldn’t normally be penning a protest song, are waking up and using their talents for the resistance. You wrote a great song “Our America Back” shortly after Trump’s election, where you ponder what his voter fanbase means exactly when they claim they want that. Does it surprise you that we don’t have a larger protest song movement happening now? Are we too cynical? I think more and more music folk are waking up, like I said. Even a few brave souls in country music. Still, pop music is sadly lacking.

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Although much of your songwriting is personal or political, you are best known for writing story-songs about characters, or from other people’s points of view (especially on your 2000 album Pink Pearl). We don’t see too much of that in singer / songwriters today, although certainly in the 60s and 70s that was more common. What inspired your approach to writing songs that way? Yes, I was very much influenced by the singer-songwriters of the 60s and 70s: Joni, Dylan, John Prince, etc. And the Beatles story songs, like “She’s Leaving Home” or “Eleanor Rigby.” I like stories. When I start a song--so many write with the hook or chorus first--but I start with the very first verse, like I am writing a short story. There is a lot of smart humor in your music. I love “Lucy at the Gym,” equal parts funny and sad, where you ponder what might have happened to this woman who you used to see at the gym all the time. Do you often find yourself wondering about, and being inspired by, the possible lives of strangers? Oh yes, my life is not always that interesting. I am a great voyeur. I sometimes play this game in my head on the subway (especially if my phone is dead and I have nothing to read) where I take a couple of riders and imagine what they do, who they are. I write a story.

Do you often get asked by people who know you--or maybe even people who don’t--if a song you’ve written was about them? Yes, and it’s like “You’re so vain, you probably think this song is about you.” Another story song of yours was the huge 1995 hit “I Kissed a Girl” from your self-titled breakthrough album, which people from my generation will always respect as the REAL “I Kissed a Girl.” Were you relieved in a way when Katy Perry *ahem* coincidentally used that as the title for her own 2008 breakout hit… meaning, you didn’t have to be the ”I Kissed a Girl” girl anymore? “I Kissed a Girl” was such a mixed blessing. I was, and am, so proud of it; that it was one of the first queer pop songs to make the charts. Yet, that was all I was known for. When Katy came out with hers, I was like all, “Hey, I’m the Kissed a Girl girl!”

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“Supermodel” was another big hit from that album, which appeared on the Clueless soundtrack. You’ve since had a bunch of your songs show up on movies and TV shows… is that always cool, or does it sometimes seem like weird choices were made as far as matching your songs to scenes?

It’s always great to have your songs in TV or in a movie. Sometimes that’s the only way anyone will ever hear you. Would you ever go the Cyndi Lauper route and create an original Broadway musical, if that opportunity presented itself? Your storytelling style would lend itself to that enormously.

Well, I have done a few musicals. A musical called Times Square was put on by NYU this last Winter. I put music to the original 1970s Broadway play, Yentl (not the Babs version, by the way). It’s had several productions. And now...I’ve been commissioned to write a one-woman show called #Fuck7thGrade.

Your 2009 album California Years was paid for entirely by crowdfunding, via contributions of fans and benefactors in exchange for perks like being credited in liner notes, attending private concerts by you or even being allowed to sing on some tracks. This was considered to be a nutty, extreme way of doing things then... but you proved it could be hugely successful, and now everybody’s doing it. Is crowdfunding in music basically here to stay at this point? Crowdfunding is probably essential now. No one (unless you are the top .01%) makes any money on music. It’s all streaming. No one buys music anymore. So it seems that touring and crowdfunding are the only ways to survive. By the way, I’m doing a lot of house concerts. They are great for both artists and fans. Do you think this movement to get consumers to stream all their music, as opposed to downloading it, will create further distance between music and music lovers? I was just thinking about that as I was going over the credits on my upcoming record. I put in a lot of time listing all the lyrics, musicians and thank yous. As a kid, I poured over the credits. I knew all the session players. I knew Jim Keltner played on both Paul and John (Beatles) records. That’s why I hired him (also, hopefully, to get lots of stories). Nowadays, no one cares about how a song was written or created. Or if they do, you can’t find it.

How did you get mixed up in the crazy world of nightlife impresario Daniel Nardicio, and one of his main bases of operations Club Cumming? Oh, I’ve known Daniel for a long time. We were actually in some goofy movie together (very bit parts). Lately, we’ve been hanging out. Love him and Club Cumming. What’s it like performing in that space? It attracts so many different scenes and people. Vanessa Williams just did a pop-up performance there! I know! It’s a total rarity. One night, there will be a guy who paints portraits with his penis, and later their will be a serious singer-songwriter. But, it’s always good.

In July, Club Cumming will be paying a week-long visit to That Other Queer Haven, Fire Island! Many of the Club’s favorite performers will be doing versions of their shows at the Cherry Grove Community Center from July 6th through the 12th.

You’ll be part of the takeover on two dates: Saturday the 7th for “The Women of Club Cumming” where you will join the likes of Club Cumming gals Ellia J. Garlands, Catherine Cohen and Daphne Always. And then the following night, you’ll be back performing a solo set. Have you ever done Fire Island before? A couple of years ago, I played at a Daniel event. I can’t wait to come back. I’m gonna stay too, a couple of extra days. It’s a good time! I’m gonna have a good time!

Congrats on the praise in Rolling Stone of your latest single “Island of Lost Things.” And I know you’re always performing somewhere... where else can we find you in the near future?

I’m playing the Rubin Museum on Friday, July 6th.

Excellent! In closing: If you were to write a song from Melania Trump’s perspective, would it be sympathetic or not?

I go back and forth. But since the coat incident, she is either such a tool, or the biggest idiot ever. So now…no sympathy. Unlike Laura Bush, whom I secretly had a minor crush on.

Thank you so much, Jill!

Check Thotyssey’s calendar for upcoming area appearances of Jill Sobule. Follow Jill on Facebook, Instagram, Twitter, YouTube, iTunes and her website.

On Point Archives

#onpointwith #jill sobule

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passtheseppie · 7 years

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C, if Louis has a one and done album deal with Syco, why do you think he hasn't rushed to get it out, so the contract with them would be over sooner?

Hey, friend! Thanks for the message.

Before I start, we have no way of 100% knowing the exact terms of the deal. I hesitate to comment on this too much for that reason. I’ll share a few thoughts, though.

Number one, it frustrates me that some people still assume a debut solo album isn’t a big deal for Louis. It’ll be one of the most important events of his solo career; we need to step back from 1D days, where we were used to the unbelievably draining “one album a year” routine. That kind of turnaround is not normal. I’d be really sad to know that some people think of him as the kind of artist to rush such an important milestone, Syco circumstances aside.

We know how important his music is to him, and we know how seriously he takes these kinds of things - this will be a debut to the world, not just to the fans. So many people are going to be listening to it and evaluating him as an artist based on that one body of work - of course he’s going to spend a lot of time on it, even if he does have a “one and done” deal.

That said - sure, there absolutely could be other influencing factors, but before I get into those, I want to reiterate: Louis isn’t the kind of artist to rush out a debut solo album, regardless of circumstances. This fact is obvious based on his work ethic and devotion to his craft alone.

Moving on!

Album Release Date Speculation

Does anyone remember back when he first started talking about the album during the summer, and how he initially mentioned it could be out in late 2017?

In an interview with MTV UK during the summer, he said:

“In my head, I’m like 80% done with the album […] In an ideal world, it’s [out at] the end of the year.”

That quickly changed into “probably next year”, and then “early 2018″, and now maybe toward the end of the first quarter of 2018. Again, these kinds of delays are totally normal and could 10000% be due to the creative process alone.

Lots of news outlets used quotes from that same MTV UK interview all through the summer and fall as the release date moved out further - this next quote in particular when it started to look like the album wouldn’t be out until 2018:

“I’m very much a perfectionist. But I am nervous about it, because I want it to be as good as it can be, obviously. […] I’ve got an idea, and a vision, and a message; what to get across. It’s a difficult thing actually doing that across a body of work [on] an album. I’m nervous, but also really excited for the fans to hear it.”

Example from People’s Choice, September 2017:

As you’ll notice, he’s been evasive with putting an exact date or even month on it. I think that that’s, of course, at least partly due to the perfectionism aspect. Wouldn’t you want your debut solo album to be 1000% perfect, especially with the pressure he must be under?

Also: as I mentioned earlier, we can only touch the surface of how hard it must have been to record and tour simultaneously in 1D. Putting out an album a year must’ve been unbelievably difficult & draining. I think all of the guys are absolutely entitled to having more time to focus on the creative process, yet I only see people criticizing that when it comes to Louis. Sigh.

Other Possible Influencing Factors

I do think there could be (at least minor) influencing factors. There’s plenty of reasons why a record company might push back an album release date.

More on that under the cut.

Comparison #1: Liam

Let’s take a brief pause and look at Liam. He’s doing the same thing as Louis - taking time to work on his debut album. I know he’s signed to a different label altogether, but let’s generally compare.

Via a Universal press release in mid-November, his album release date was initially announced to be January 12th, 2018.

While this wasn’t officially confirmed, it’s safe to say that a press release is far more reliable than, say, an update account assuming a date.

On the 3rd of December, however, Liam told a reporter at the Jingle Ball that he had a finished album, and he only wanted to change “one or two songs” because of some producers he’d met.

Side note: two days later, it was announced that Camila Cabello’s debut album would be out on January 12, taking that spot from Liam. As I’ve said before, I don’t have a lot of knowledge about Liam’s promo, but he seems to do (at least recently) some cross-promo for Camila in interviews and the like. This may be related to them both being on the Jingle Bell Ball circuit, or possibly because she’s still a Syco artist.

Usually, Syco/Sony doesn’t shy away from having multiple drops on one day, but they seem to be really pushing solo Camila. If we’re looking at alternative reasons for an album date being pushed besides perfecting the sound – Perhaps Sony/Syco wanted the overlapping fans from Liam’s fanbase and her fanbase to focus only on her debut album.

I just found it interesting that his album got pushed back right before hers was announced, especially after his was announced via press release. It’s certainly possible that it’s just a coincidence, of course - they’re not labelmates, but as I mentioned, there are a few ties connecting them.

A week later on the 10th, Liam had more comments about the release date of his album:

“I wish I knew. It was almost done and then I decided I wanted to do something a bit different and push the boundaries. I’ve met some new producers that I really like, and I have a ballad-y kind of thing coming out with somebody, so that’ll be really cool.”

I noticed that a few of the Liam blogs I follow were wondering about that rationale, but again - I don’t want to comment too much on his stuff because I’m far less well-versed in his babygate and PR circumstances.

So, to summarize -

His album could’ve been pushed to accommodate Camila’s release, maybe due to both of their ties to Syco (hers current, his past) and competition between their similar fanbases. It also could’ve been pushed by the release of “For You” if he was a late add to the soundtrack, though that came out on the 5th, so it seems odd that that would be the reason. It also, of course, could’ve been pushed because he simply wanted to work more on it, even though it was finished at one point.

It could’ve been none of these reasons, and it could be a similar situation to this next comparison - who knows for sure!

Comparison #2: Sky Ferreira

Here’s a similar example from Sky Ferreira, who had a finished album that was then pushed back after it was complete:

Pic quality is grainy, sorry - basically, the actual album wasn’t released until late 2013, though it was planned for 2011. Sky was signed to Capitol - Liam’s label - so this is more relevant as a comparison to Liam than Louis, but it’s a similar situation.

In 2014, she had this to say about Capitol:

But it almost wasn’t to be. According to Ferreira, Capitol Records intended to release a different album this fall made up of songs she’d worked on with various collaborators. “It was okay,” the singer said, “but I wasn’t really proud of it.” (Lance Turner, who handles marketing at Capitol, said, “We’ve always supported Sky’s creative vision.”)

At the last minute, Ferreira persuaded the label to allow her to make her own record �� provided she could work fast enough to meet a predetermined release date. So she recruited a pair of L.A.-based producers, Justin Raisen and Ariel Rechtshaid, and together they banged out “Night Time, My Time” in a 21/2-week burst of writing and recording.

“I felt like I was on a cocaine binge the whole time,” Raisen said. “We just got into this state of mind and went for it. There was no second-guessing.”

That sounds extremely familiar to Liam’s situation, doesn’t it? The album changed at the last second, added new producers, and Capitol is involved. Not making any claims, just drawing parallels here.

For context, Sky had a complicated relationship with her label, and there was friction behind the scenes over creative differences.

She said, “I do a lot of stuff behind their back. I have to because nobody ever listens to me! I do have supporters at the label, but I still have to deal with a lot of people who are like: ‘Er, I don’t want to spend that money on her.’"

Additionally, Capitol ended up recalling the finished album altogether - allegedly because of the cover. This blog compared the recall of Sky’s cover to a nearly-identical album cover made by Blind Faith in the 70s:

So, why is it that an album cover that was certainly controversial, but allowed to exist in the marketplace for 50 years, is suddenly deemed too racy and pulled from circulation? If one didn’t know better, one would almost think that it never existed in the first place.Sadly, the same fate awaits Sky Ferreira’s new album, which has just been recalled by Capitol Records due to the subject matter of the album cover. Keep in mind that the label had no problem releasing the album a mere two months ago with the original cover art.

As a result of the album being pulled, it sold far less than expected and Sky was dropped from Capitol.

Okay, so now we’ve made a few comparisons:

Liam’s on a similar timeline, and there’s curiosity surrounding his delay as well. (I use “delay” for lack of a better term because, again, this turnaround time wouldn’t be unusual to other artists.)

Sky Ferreira’s album was delayed because of friction with her label, demonstrating that albums can indeed be delayed for that reason.

Back to Lou:

1) Louis is a self-proclaimed perfectionist when it comes to his craft. An album a year is not the norm for most artists, so him taking the time to perfect his debut solo album shouldn’t be all that unusual.

2) That said, there’s a possibility that there are other influencing factors at play.

Influence 1: More general mismanagement.

Quote from below about JoJo’s mismanagement, which rendered her unable to release new material. One of her albums was rewritten and rerecorded three times over, but not released for years after the fact.

“One of those extreme situations where you have [a label exec] who is one of those guys who would just go to war and say, 'No, I’m not doing it,’” says David Byrnes, a partner at Ziffren Brittenham, whose firm has represented clients like Michael Jackson, The Rolling Stones, and Fleetwood Mac.

Influence 2: “Starving out” dedicated fans by limiting the flow of content.

@theyrereallyawful made a great post about the content starvation occurring, so check that out if you haven’t yet! Especially compared to the other guys, Louis’ team severely lacks in delivering content that is consistent, shareable, and easy to find. This has been happening for a long time, and (if they are intentionally pushing the album back) that could be another example of content starvation.

Liam’s digital content agency, WMA, has spoken about this very topic:

“One of the key learnings is that, for an audience like Liam’s, there is never too much content or too much you can do.”

So, overall:

To answer anon’s original question - Louis isn’t the type of artist to rush through an album release just to get it out there, especially not his debut solo album.

I don’t think there’s much of a delay in its release in the first place - or at least not one that would be unusual compared to other artists. I think Louis is definitely a perfectionist, and he’s certainly under a lot of pressure from a lot of people to deliver a good solo debut. If he takes a little extra time perfecting his album, so be it.

However:

I do concede - based on his team’s shitty, shitty history - that there could be other influencing factors at play. Namely, pushing the album back when it’s already finished could serve to starve out fans and/or could be an example of more general mismanagement.

The thing that makes me curious about that option is Louis’ wording in the first MTV UK interview –

“In an ideal world, it’s [out] at the end of [2017].”

All I know is that it will be out when it’s out, and I can’t wait to support and promote the fuck out of that masterpiece.😎

Beyond that, all we can really do is guess.

#here I am responding to a one-sentence question with an entire masterpost #asks

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colp76-blog · 4 years

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Air Date: 12th March 2018 Director: Alan Taylor Writers: Kalen Egan, Travis Sentell, Philip K. Dick.

Story.

A single car drives through an old decaying urban area, leading to a bridge that shows an advanced city skyline. In the car are Irene Lee Maura Tierney and her daughter Foster Annalise Basso who have travelled from a low-tech bubble in the west to discuss some of the invasive procedures this advanced society seem to be involved in. As wonderful as this utopia looks, Irene is pretty sure that the freedom of the people is far more important. Foster, on the other hand, seems to be impressed with what the city has to offer.

The next day Foster attends school for the first time and already alarm bells are ringing as she enters the building, only because she isn’t wearing a DEX, a tech bracelet and tracking device. Foster is pulled to one side, searched and assigned a red band for her arm. In class, she starts to understand how different she is from the other students and realises some actually fear her. Before she leaves, Kaveh Algee Smith a student says he can get her a DEX if she really wanted to fit in with the others.

Back home, Foster tells Irene about the DEX and she refuses to let her daughter have one, there is a difference between safety and comfort and Foster would be giving up her freedom with this device. Foster, has different plans and the next day she asks Kaveh to get her a DEX bracelet using her mum’s credits. Once the purchase has been made, Kaveh goes to kiss Foster and she declines, saying she only wanted his help! Kaveh takes offence and tells Foster to wait on her own for the DEX. Foster waits and eventually, a delivery drone appears and drops the device to the ground, before taking the box home. As Foster opens the box, she is asked to put a device into her ear (Hear Gel) and put on a bracelet which then opens up a holographic display. Struggling to close the DEX down, Foster starts to hear a voice, its customer support. An employee for the DEX kindly takes her through the tutorial of the bracelet, also telling her she is a natural. Foster asks the employee his name but he says it’s against company policy to disclose such information and the chat ends.

In school, the next day the students are watching a video of a terrorist attack and the teacher asks one of the students to point out who the suspect is? Foster notices a man in the crowd who is wearing a badge from her bubble and before she has a chance to tell anyone, it’s him who ignites the bomb! The video says that the terrorists used mind-control on this suspect. Things go from bad to worse for Foster as she finds out Kaveh is about to ruin her because she didn’t have sex with him the day earlier. In order to put things right, she offers herself to him and he declines. Foster has a panic attack and runs to the toilet and as she becomes more upset, the voice from customer support is back again. He says that her vitals are going through the roof and he is worried about her, then he offers to help her situation by looking into Kaveh’s background. It’s not legal, it’s just a favour, he also reveals his name is Ethan Connor Paola.

Breaking news a terrorist attack has been stopped in the city!!! Irene is in the middle a video link discussion with a government official when Foster returns home, she believes the attack is a set up by the government because of her presence there. Ethan contacts Foster again but he sounds startled this time. Ethan believes Kaveh is up to something far suspicious after looking into his DEX, he asks Foster for her help and will she follow him before he can go to his boss with any evidence and she agrees. As Foster is following Kaveh through the school and talking with Ethan, a concerned student walks up to her and ask’s if she is okay, only because she is talking to herself? Foster explains that it’s her Hear Gel, but the student looks confused and walks away. Ethan says that she is one of the first people to use that technology but he suddenly changes the subject by telling Foster she has a new target now, it’s Milena Alice Lee a girl who she first met at the school. Foster follows Milena which eventually leads to a library containing real books, something this society doesn’t appreciate anymore as everything is digital. Foster asks Milena about Kaveh and what they get up to together but Ethan says she is lying, which causes her to have another panic attack. Milena calms Foster down by giving her a drink and telling her about her family background. Ethan starts to scream into Foster’s ear, she must go to the bathroom and purge herself, the drink she had could be poison. Ethan now believes something bigger is going on at the school and it’s now Milena’s father who is the target. Ethan says she cannot trust anyone now, including her own mother, who finally comes to pick her up from school. In the car, Irene confronts her daughter about her breakdown and what is going on. Irene also mentions Foster’s father which causing more hostility and anxiety between the pair just as Foster’s DEX lights up in front of them. Irene says that the DEX would have been paid for with her verified credits and that’s what this mess could all be about, as the car drives away, the bracelet drops out of the car window.

Annalise Basso as Foster Lee

PHILIP K. DICK’S ELECTRIC DREAMS – SEASON 1 – EPISODE 106 – “Safe and Sound”

Maybe things will get better now, maybe not! The school is put on red alert as a terrorist attack is imminent. Foster tries to follow the other students as the steel shutters start to cover the windows as the alarm lights flash. The only problem is, she doesn’t have her DEX, so the teacher says security will be along soon to detain her!!? Ethan’s back again and he instructs her to escape the building. At this point Foster is feeling really burnt out as Ethan describes even more bizarre conspiracy theories; she asks for a Doctor. Ethan’s tone dramatically changes as he tells her to “Shut the Fuck Up” He explains that her mum and others want to change this way of life, even if it means using her own daughter. Ethan explains that there are twelve more children out there that are ready to attack, she must follow their instructions in order to cut the head of the snake.

Foster is back home and Irene says she is sorry for being too harsh on her, not only that, she hands her back the DEX and says she is just worried she is giving up her independence too easily. Irene thinks the state is trying to fear people into giving up their freedom and free thoughts. Foster says she will give the DEX up for a day or so to see how it goes. Unfortunately, she is also in her bedroom making a makeshift bomb. The next morning Foster leaves early whilst her mum in bed. As she walks towards the gates at school with the bomb in her bag, Milena tries to catches her attention. Foster speeds up towards the security gates but Milena catches her as the alarm starts to scream as both students go to the ground. As Foster is apprehended by security she notices a message in the sky, “Thank you Foster”.

Afterwards, Irene is arrested for brainwashing her own daughter and the state announces that new tech is going to be distributed in order to make the city a safer place, including Hear Gel. Foster walks to the podium and now looks like everyone else, her individuality gone. She reads a speech from autocue about how safety and comfort might not be the same thing but people need them both, then starts to ramble before been led away from the stage. Ethan is there to hold her hand as they leave.

Production and Design.

I think this episode was pretty basic compared to some of the others in this series. Basic, but effective as I thought the locations used really helped to carry the story perfectly. I do like how the writers of the show are trying to look at the next big technological advance in society. We looked at the delivery drone last time in Autofac but the holographic display used by the DEX is now becoming a possibility as well. I guess the question is, did I believe in this world? and the answer is yes.

Conclusion.

I really enjoyed this episode and I can’t wait to read the original story by Philip K. Dick. The pace of the dialogue is relentless and makes you feel very uncomfortable throughout. One of the little touches I enjoyed was the fear the security guards shown on the bridge when Irene threw her papers to them. At first, they acted tough but they started to act like frightened children when she left her car, it’s very brief but it tells you a lot about this story, very good directing. Mental health, well there’s an issue I didn’t really think about when you talk about brainwashing but it’s quite scary just how vulnerable people can actually be in those circumstances. And finally, at the end of the episode, there is a scene that shows you Ethan and his boss Odin interacting with Foster and manipulating her at each point through the episode. I found this very pointless as the clues are in the episode and I think they should have treated the viewer with a bit more respect. I think there are so many issues in real life that you can compare this story with but I believe fans of science-fiction have their eye on the ball pretty well when it comes down to technology and freedom. All I can say is stay safe and thanks for reading.

So what are your thoughts on Safe and Sound? What did it mean to you? I would love to hear your views about this episode. Thanks for reading and I will be back soon.

http://talesfromtheneonbeach.com/the-philip-k-dick-archives/

Philip K. Dick’s Electric Dreams: Episode 9, Safe and Sound. Air Date: 12th March 2018 Director: Alan Taylor Writers: Kalen Egan, Travis Sentell

#CrazyDiamond #HumanIs #Innocence #PhilipKDick ElectricDreams Science-Fiction Television #RealLife #SafeandSound ElectricDreams PhilipKDick #sciencefiction #TheCommuter

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thedivinefish · 5 years

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divinefishingtips · 5 years

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365dailyaffirmations · 5 years

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TGIWednesday and finding your Fountain of Youth & Vitality! (open up, it's in here!) Inbox

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advancedthetapractitioner · 5 years

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newyorktheater · 4 years

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Paul Rudnick

You’re getting attention for “Coastal Elites,” which was supposed to be a play at the Public Theater, but launches as a film on HBO September 12th, starring Bette Midler, Kaitlyn Dever, Dan Levy, Sarah Paulson, and Issa Rae in five separate monologues about coping with the new abnormal. Less heralded is your role as Tweeter of Trump family foibles; some of these Tweets strike me as mini-plays, and others just draw blood. How did you come up with the two enterprises, and do you consider them connected in any way?

Paul Rudnick: As with everybody else, Twitter lets me talk back to the Trump administration. It’s like an anti-anxiety medication, and I’ve been trying to make my tweets mostly funny, instead of just constant howls of anguish. The Twitter community intrigued me, from every side of the political divide; it’s like a global town hall. It’s insane and filled with crackpots, but I like logging on to follow the world’s reactions to unfolding events in real time. Trump has galvanized Twitter and the weirdest part is, he pays attention to it. He’s furious when #TrumpMeltdown or #TrumpIsAnIdiot are trending.

I wanted to capture some of this rawness and frenzy in “Coastal Elites.” Right after the 2016 election I went to see my doctor for a check-up. He’s a very circumspect, ultra-professional guy, and he looked shell-shocked. He said that all of his patients didn’t want to talk about any medical problems – they couldn’t stop talking about the election. I wondered if this obsessiveness would subside, but it’s only expanded. And that’s where “Coastal Elites” came from. I started writing it about a year ago, and I was able to rewrite up until shooting, which ended a little over a month ago. We filmed the show remotely, with every possible Covid protection, and our director, Jay Roach and the amazing cast were incredibly helpful – everyone was hyper-informed about every nuance of politics.

The piece was always a collection of monologues, which also reflects Twitter, where people can pour out their frustrations without getting interrupted.

Neither of these projects are theater in any normal definition of theater, although it feels like there’s a theatrical sensibility at work (whatever that means.) I know you’ve had a varied career as a writer [e.g. films such as Addams Family Values and In & Out; essay collections such as I Shudder], but many people see you primarily as a playwright [The Collected Plays of Paul Rudnick] Or at least I certainly do, given that I’ve been attending your plays since “Poor Little Lambs.” Do you see yourself that way? Yet now playwrights are focusing online. Do you foresee any lasting effect on the theater of the current period, when “theater” and “online theater” are basically synonymous?

I very much think of myself as first and foremost a playwright. That’s how I started and that’s the world I love. When I started writing “Coastal Elites” it felt theatrical but I wasn’t sure where it would land; I wasn’t thinking that far ahead. I’ve written monologues before and combined them into full evenings – this was the structure of my play “The New Century,” which was produced at Lincoln Center. I knew “Coastal Elites” wanted to be monologues, because I was dealing with characters at peaks of emotion and storytelling; they’re all in crisis. Monologues can be like songs in musicals – they’re outbursts.

We were originally going to stage “Coastal Elites” for a series of performances at the Public Theater in NYC, with a live audience, which Jay Roach would film for HBO. When the pandemic hit this became impossible, but then HBO and the show’s production team, which includes Jeffrey Seller, Scott Chaloff and Flody Suarez, all with extensive backgrounds in theater, wondered if there was another route. Once we knew that our cast and crew could be kept safe, Jay and I talked about how the show could be filmed remotely. Because the pieces are monologues, they lent themselves to the intense focus and intimacy of being filmed for TV. It’s like having a front row seat for performances by an incredible cast.

I never anticipated any of this, but the format ended up feeling like a great match for the material, and thanks to Jay, it doesn’t feel limited.

I’ve watched a lot of online theater, and much of it is amazing, especially because the times we’re living in give the shows such yearning. But with all that, I’m like everybody else: I’m desperate for the live event, to see actors onstage, to react as part of a packed theater, and to be in a rehearsal room. I have a new play called “Guilty Pleasure,” which was scheduled for this Fall at the LaJolla Playhouse, to be directed by my long-time collaborator, Chris Ashley. The production has understandably been postponed to next Fall.

I love how theater people are adapting creatively to the shutdown, and trying to stay economically afloat. And online theater will continue to be a world to explore, but nothing replaces, or will ever replace, live theater. It’s too essential and too joyous.

Ok, but do you think this moment of online theater experimentation will have any kind of effect on live theater itself when live theater returns?

The online experimentation during the pandemic will certainly affect subject matter, in terms of plays or musicals taking place during this period. It’s part of the internet’s and social media’s ongoing effect on theater; artists are inventing ways to include the online world in live events, with regard to everything from dating apps to TikTok. The world lives online, and theater had already begun to reflect that. Also, auditions and meetings were already taking place virtually, but this may become even more commonplace. Zoom readings will probably remain a useful tool for writers, actors and directors, as a shorthand during the development of theater projects. Maybe the pandemic has normalized a new form of rehearsal, especially for performers whose personal lives and schedules don’t always allow everyone to be in the same room.

Even more than the pandemic, the Black Lives Matter movement is already having a huge and welcome effect on theater. Artists have been using this downtime to examine how theater, at every level, can become truly inclusive. Whenever life returns to something resembling normal, theater may, in many necessary ways, be changed forever.

What was lost in “Coastal Elites” by having it become a film on HBO rather than a play at the Public Theater?

I’m not sure what was lost in transforming Coastal Elites from a theatrical experience to a filmed one. On one hand, comedy benefits enormously from audience response; but I watched our cast navigate this potential obstacle with incredible skill, and the script gained an intensity. Most of our cast has stage and film experience, so they drew on both. Also, on a sheerly practical level, it most likely would have been impossible to assemble this particular group of actors for a stage run, due to their schedule demands and other commitments. So while I miss having a live audience, and the thrill that can provide, I’m so grateful that these performances have been captured on film.

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In the monologue The Blonde Cloud in “Coastal Elites,” Issa Rae portrays a former schoolmate of Ivanka, who calls her “Dracula with a blowout!” In your writing (especially in your feed), you focus more attention — more venom and more wit — on Ivanka than Donald. Why? Is there a strategy in that?

Trump has become a hopelessly easy and infuriating target. We know he’s a horrific tyrant. I’ve tried to approach his ongoing damage from an angle. Ivanka, who claims to empower women, has denied all of her father’s sexual assaults, and when asked about his war on women’s reproductive freedom, she smiles brightly, and refuses to answer, claiming such matters aren’t in her “portfolio.” She, along with her family members, have wholeheartedly supported Trump’s bigotry, lies and his many other crimes.

Ivanka has tried to remain in an untouchable bubble, which is insulting to all Americans. She’s constantly retweeting praise for herself, along with hopelessly privileged and out-of-touch advice: in the early days of the pandemic, she posted photos of herself making pillow forts with her kids at her Washington estate, and flew private to her family’s resorts. None of this is okay and a lot of it is ripe for satire. In Coastal Elites, I examined this situation through a character who’s every bit as rich and powerful as Ivanka, but her moral opposite. The brilliant Issa Rae plays Callie, who attended boarding school with Ivanka, but who’s been raised with a sense of responsibility and service. Their reunion, at the White House, raises the stakes for everyone involved.

The five monologues of “Coastal Elites” each seem to represent different aspects of the new abnormal. Which are you most hopeful about?

I can be as anxious and pessimistic as anyone, but this can be self-defeating. I’ve been inspired by the millions of people, all over the world, who are figuring out work, family, love and basic survival right now. One of the Coastal Elite characters is a young nurse from Wyoming, superbly played by Kaitlyn Dever, who comes to New York to volunteer as a frontline worker, The courage of doctors, nurses and healthcare workers remains astonishing. Even in the early days, without any protective equipment, they worked around the clock, providing care and whenever possible, saving lives. This degree of sacrifice is both staggering and hopeful; these workers are an inspiration to all of us.

In addition, I wanted Coastal Elites to be a tribute to the sense of humor that’s helping everyone cope. Bette Midler plays Miriam, a public school teacher and hardcore New York liberal who’s very much a tribute to my Mom and her sisters. Their passion and wisecracks always gave me hope, and I see their spirit in so many people. Bette Midler herself gives me hope: she’s a legendary performer whose tweets are hilarious and outrageously committed to changing the world for the better. Theater artists always give me hope. No one pursues theater to make a fortune or have an easy life. People work in the theater because they can’t imagine doing anything else. The pandemic has made theater almost impossible, but the theater community has stayed in constant touch, Theater people don’t give up, and that’s hope itself.

youtube

Paul Rudnick On Coastal Elites, Trash-Tweeting Ivanka, and How Bette Midler and Theater Give Him Hope You're getting attention for "Coastal Elites," which was supposed to be a play at the Public Theater, but launches as a film on HBO September 12th, starring Bette Midler, Kaitlyn Dever, Dan Levy, Sarah Paulson, and Issa Rae in five separate monologues about coping with the new abnormal.

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thedivinefish · 6 years

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TGIWednesday and giving & receiving presents with grace and ease

TGIWednesday News

Holy guacamole, thrilled that mercury retrograde is behind us now. Regardless of your beliefs, starting today, let’s celebrate the energy and the feeling of the 12 days of Christmas with child like wonder and joy. Think of it as a happy, giving and receiving time of year. You know that I'm here as a way-shower to help/contribute to you in any way that I can. I'm here 24/7/365. Yes you read that right, because as I like to say, it’s not roofing or plumbing, I’ve helped with that and those are HARD! I'm co-creating and moving spirit around with you and for you, so that we can release the negative and download more positive with grace and ease and so it is. [email protected] (727) -678-0557.

TGIWednesday Download

~ GIVING & RECEIVING PRESENTS ~ It is safe and comfortable to give and receive presents. I believe, think, know and feel that I am worthy of giving and receiving presents. I know when, where, how and why to be deserving of giving and receiving presents. I am ready, willing and able to give and receive presents during this and all holidays and occasions. I see this now in all languages and throughout all time lines and so it is.

December BOGO on Clearing MP3s!

This month we have a BOGO (buy one, get one) offer and is the perfect time to treat yourself & give to another who truly needs it. This is something I do only one time a year and it's a great savings!

I want for us ALL to make progress every day and this is my contribution to you in prayer, "May the rest of your life, be the best of your life!" You can simply click the link below and put 2 audios into your cart and the discount will be taken automatically or you can type in BOGO2018.

Buy One Clearing Audio, Get One Free! (save $57)

For those who aren't familiar, here's the list of ALL clearing MP3s available. Find a topic that addresses your issue(s) & click on the link to read more.

Abuse Addiction Body Scan: Head to Toe Daily GPS Reset Dark Energies/Fears Decision Making Diet & Exercise Education & Learning Family & Relatives Healing Physical Body Healing Mental Stress Holiday Stress

Increasing Intuition Love & Romance Money Mindset Moving Forward Pain Relief Pet Healing Sales & Success Sex Sleep Traveling w/Ease Work & Career Weight Loss

Fish Food

The Daily Bread To Feed The Fish

Tell The Fish: 365 Daily Inspirations & Affirmations

DECEMBER 12th - "Today I will realize that there are a lot of people a lot worse off than me. I will press on in this life with determination to create, to change, to enjoy, and ultimately, to just be and know myself. I will enjoy the season and my life here, now."

Live Shows and Replays

SOUL TALK RADIO I will be the guest on Soul Talk Live with host Patty Malek LIVE Tuesday December 18th at 5pm EST/2pm PST We'll be doing clearings and talking about "Healing Family Relationships & Relieving Holiday Stress" Click here to join us! JIMMY MACK HEALING SHOW Tuesdays at 9pm ET/ 6pm PT Call in LIVE (713) 955-0594

Imagine getting FREE intuitive messages and healings LIVE! Well, it happens every week on my radio show with some of the best psychic readers & intuitive healers on the planet! Tune in weekly for the FREE live show or replay and YOU will receive changes & healings just by listening! To listen online, click the date links below. Listen Here to Yesterday's Replay - Special Guest She She O'Donnell Life, Love & Relationship Coach and Angel Intuitive http://www.divineguidancereadings.com Listen Here December 18th - Special Guest Rev. Debbie Dienstbier Facebook page Our resident trans medium, communicating with your loved one’s on the other side! December 25th - Christmas - NO SHOW

Browse the interview archives here.

Live In-Person Appearances

LIVE AT KODAWARI YOGA STUDIOS TAMPA

Tampa Bay area locals can book a live session with me WEDNESDAYS & FRIDAYS Check the available dates below. Call Kodawari's front desk directly to schedule (813) 773-4017 and pay at the concierge desk... 15 minutes 33$ or 30 minutes 65$. UPCOMING SCHEDULE 10-2pm: Wednesday: Dec. 12th, 19th | Jan. 9th, 16th, 23rd, 30th Friday: Dec. 28th | Jan 4th

3965 Henderson Blvd Suite C Tampa (813) 773-4017 http://www.kodawariyoga.com/

From the Fish Box

"Jimmy is a gift! Expect miracles and quick results. After a phone call with him, you may not even feel the call did much but right away you will start to see the changes. I've worked with Jimmy for a few years, and he has brought my life into balance if I'm 'off', and does it quickly. I recently opened a salon and had major employee drama. I worked with Jimmy to release the drama, resistance and toxic people. Within a week of two, 15 minute calls, I had a quick turnover of toxic employees and went from being the babysitter/boss to getting a new group of employees that I can leave in charge. My situation went from all-consuming to freedom. Jimmy's energy is so powerful! Don't be fooled by his easy going and soothing friendliness. He works that powerful magic in a very subtle way. He's talking and joking with you while fishing the blocks out. You hang up the phone and feel relief, but then major change happens quickly. Spending even 15 minutes with Jimmy fishing the blocks and resistance out of your life, will be worth the time and money. He packs amazing value into each phone call. Jimmy is an angel and thank God I found him!" - Laura A. / Chicago

Receive 24/7 Daily Prayers From Jimmy

"I love your prayer service! I reached my financial goal in 2 weeks, my daughter is over the moon with her new official boyfriend and my son is loving college and successfully traveled home with no issues. My husband is a work in progress; your addiction audio will make a nice Christmas gift for him!" - C.T. / Florida I will dial into you daily in the wee hours and make certain that you are a CLEAR YES, UNCLEAR to NO and RUNNING FORWARD before you start your day. You will send me a list of the members of your immediate household, and yes even pets, and I will add them to my daily prayers. I will arise daily before you are even awake to start my prayers and also run my intelligent computer software 24/7 deleting the negative and increasing the strength of the positive creating a higher probability of outcomes for you and the family. Each comes with a one-time email analysis print out via the intelligent healing software that I use on your behalf. Most clients have had amazing results and outcomes and I get emails like this one each and every week!

Choose 7 days @$33 Choose 14 days @$66 Choose 30 days @$99

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My Liquid Fish® Mastery Certification

Level I is open for ANYONE TO JOIN at anytime!

"I have found this to be a great modality. I have for the first time got my husband and kids fishing daily. I've learned Emotion Code, Body Code, dowsing, 3 levels of Yuen and some other bits and bobs I've played with. I like how easy this is to take on the road. I really appreciate your time and brilliance. Thank you." - D.T. / Kansas

The Certificate of Mastery Program includes 2 best-selling ebooks and 2 clearing audios plus written & video instructions, AND one-on-one time with Jimmy ALL for about the cost of a single 1-hr session! This online course is for anyone who is familiar with OR new to "fishing" and is ready to dive into the deep end & get results that are beyond the ordinary! It includes "The Tackle Box" & "Spiritual Healing Techniques" ebooks PLUS 2 MP3s "Clearing Dark Energies" & "Increasing Your Intuition" to help clear, strengthen and prepare your energy field for optimal “fishing” results. This is a work-at-your-own-pace curriculum that will TEACH & CLEAR you at the same time! In under 2wks you will be finished with the program and ready to fish on your own with greater results!

LEARN MORE HERE

MyLiquidFish® Jewelry

Check out this brand new "energy art" from artist Julia Watkins featuring My Liquid Fish®! Read more about purchasing a stunning pendant or a print of this original art piece which can literally be called an "energy portal". I believe you will find these pieces to be gorgeous keepsakes and each is empowered with the energy of My Liquid Fish® Change made simple®

Created by world renowned Energy Artist Julia Watkins Buy it here

TGIFunny

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Jimmy Mack 727.678.0557 EST | Appointments Skype: Jimmy.Mack55 Clearwater Florida USA Book a 15 minute session Book a 30 minute session Book a 60 minute session Transformational Healing of Body, Mind & Spirit, People, Places, Pets & Situations! Download the My Liquid Fish® Starter Kit Audio MP3 Downloads and books to improve your life! Get Certified in My Liquid Fish® Change Made Simple® Watch Free Videos on YouTube Weekly Radio Show Archives Shop for Supplements http://www.jimmymackhealingshop.com www.jimmymackhealing.com Copyright ©1998-2018 All Rights Reserved

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divinefishingtips · 6 years

Text

TGIWednesday and giving & receiving presents with grace and ease

TGIWednesday News

TGIWednesday Download

December BOGO on Clearing MP3s!

Buy One Clearing Audio, Get One Free! (save $57)

For those who aren't familiar, here's the list of ALL clearing MP3s available. Find a topic that addresses your issue(s) & click on the link to read more.

Increasing Intuition Love & Romance Money Mindset Moving Forward Pain Relief Pet Healing Sales & Success Sex Sleep Traveling w/Ease Work & Career Weight Loss

Fish Food

The Daily Bread To Feed The Fish

Tell The Fish: 365 Daily Inspirations & Affirmations

Live Shows and Replays

Browse the interview archives here.

Live In-Person Appearances

LIVE AT KODAWARI YOGA STUDIOS TAMPA

3965 Henderson Blvd Suite C Tampa (813) 773-4017 http://www.kodawariyoga.com/

From the Fish Box

Receive 24/7 Daily Prayers From Jimmy

Choose 7 days @$33 Choose 14 days @$66 Choose 30 days @$99

**Can't See The Full Email? Click Here to View Online**

My Liquid Fish® Mastery Certification

Level I is open for ANYONE TO JOIN at anytime!

The Certificate of Mastery Program includes 2 best-selling ebooks and 2 clearing audios plus written & video instructions, AND one-on-one time with Jimmy ALL for about the cost of a single 1-hr session! This online course is for anyone who is familiar with OR new to "fishing" and is ready to dive into the deep end & get results that are beyond the ordinary! It includes "The Tackle Box" & "Spiritual Healing Techniques" ebooks PLUS 2 MP3s "Clearing Dark Energies" & "Increasing Your Intuition" to help clear, strengthen and prepare your energy field for optimal “fishing” results. This is a work-at-your-own-pace curriculum that will TEACH & CLEAR you at the same time! In under 2wks you will be finished with the program and ready to fish on your own with greater results!

LEARN MORE HERE

MyLiquidFish® Jewelry

Created by world renowned Energy Artist Julia Watkins Buy it here

TGIFunny

Forward

Jimmy Mack 727.678.0557 EST | Appointments Skype: Jimmy.Mack55 Clearwater Florida USA Book a 15 minute session Book a 30 minute session Book a 60 minute session Transformational Healing of Body, Mind & Spirit, People, Places, Pets & Situations! Download the My Liquid Fish® Starter Kit Audio MP3 Downloads and books to improve your life! Get Certified in My Liquid Fish® Change Made Simple® Watch Free Videos on YouTube Weekly Radio Show Archives Shop for Supplements http://www.jimmymackhealingshop.com www.jimmymackhealing.com Copyright ©1998-2018 All Rights Reserved

Stay connected!

Our mailing address is: Clearwater Florida 33756 USA unsubscribe from this list update subscription preferences

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advancedthetapractitioner · 6 years

Text

TGIWednesday and giving & receiving presents with grace and ease

TGIWednesday News

TGIWednesday Download

December BOGO on Clearing MP3s!

Buy One Clearing Audio, Get One Free! (save $57)

For those who aren't familiar, here's the list of ALL clearing MP3s available. Find a topic that addresses your issue(s) & click on the link to read more.

Increasing Intuition Love & Romance Money Mindset Moving Forward Pain Relief Pet Healing Sales & Success Sex Sleep Traveling w/Ease Work & Career Weight Loss

Fish Food

The Daily Bread To Feed The Fish

Tell The Fish: 365 Daily Inspirations & Affirmations

Live Shows and Replays

Browse the interview archives here.

Live In-Person Appearances

LIVE AT KODAWARI YOGA STUDIOS TAMPA

3965 Henderson Blvd Suite C Tampa (813) 773-4017 http://www.kodawariyoga.com/

From the Fish Box

Receive 24/7 Daily Prayers From Jimmy

Choose 7 days @$33 Choose 14 days @$66 Choose 30 days @$99

**Can't See The Full Email? Click Here to View Online**

My Liquid Fish® Mastery Certification

Level I is open for ANYONE TO JOIN at anytime!

The Certificate of Mastery Program includes 2 best-selling ebooks and 2 clearing audios plus written & video instructions, AND one-on-one time with Jimmy ALL for about the cost of a single 1-hr session! This online course is for anyone who is familiar with OR new to "fishing" and is ready to dive into the deep end & get results that are beyond the ordinary! It includes "The Tackle Box" & "Spiritual Healing Techniques" ebooks PLUS 2 MP3s "Clearing Dark Energies" & "Increasing Your Intuition" to help clear, strengthen and prepare your energy field for optimal “fishing” results. This is a work-at-your-own-pace curriculum that will TEACH & CLEAR you at the same time! In under 2wks you will be finished with the program and ready to fish on your own with greater results!

LEARN MORE HERE

MyLiquidFish® Jewelry

Created by world renowned Energy Artist Julia Watkins Buy it here

TGIFunny

Forward

Jimmy Mack 727.678.0557 EST | Appointments Skype: Jimmy.Mack55 Clearwater Florida USA Book a 15 minute session Book a 30 minute session Book a 60 minute session Transformational Healing of Body, Mind & Spirit, People, Places, Pets & Situations! Download the My Liquid Fish® Starter Kit Audio MP3 Downloads and books to improve your life! Get Certified in My Liquid Fish® Change Made Simple® Watch Free Videos on YouTube Weekly Radio Show Archives Shop for Supplements http://www.jimmymackhealingshop.com www.jimmymackhealing.com Copyright ©1998-2018 All Rights Reserved

Stay connected!

Our mailing address is: Clearwater Florida 33756 USA unsubscribe from this list update subscription preferences

0 notes