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doomedandstoned · 3 years

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Red Beard Wall Turn Loose New Single “Go Forth” from Forthcoming LP ‘3′

~Doomed & Stoned Debuts~

Review by Tom Hanno

I love the positivity that comes from RED BEARD WALL mastermind, who is a fine gentleman that goes by the name of Aaron Wall. His drive to create an atmosphere of love, respect, and community is one that touches my very soul, as does the music he creates. In that spirit, we are going to heap some communal love on the new Red Beard Wall album, 3, which is available through Desert Records on July 2nd.

Sleeping Village Reviews recently said that "The Red Beard Wall experience has been--and always will be, I suspect--a deliberately jarring one.", which is a statement that I completely agree with. The band is also one that I feel has grown from album to album, but never so much as on this new effort.

I've always liked Aaron's vocals, which occasionally remind me of Dixie Dave from Weedeater; the sharp, brutal rasp he gets is the perfect counterpoint to his cleans. Aaron uses much more of those clean vocals on 3, and they mesh with his harsh vocals in a way that showcases dynamics, melody, and power.

We also have the powerhouse drumming of Roderick Pink, who's playing holds everything together, while keeping the parts super interesting; something that is really key to a two man band working for me. I really like what he adds to all the great things Aaron is doing on the guitar.

This is the part where I'm probably gonna piss off some guitar players, but they'll get over it. I can't stand what most guitarists do for tapping, it's overrated filler material that can really take away from the song if done improperly. That's why the first track on 3, "Tap", sticks out to me, it's tapping done with melody, and isn't a blur of fingers across multiple strings and frets; in other words, it's not overrated filler material.

The rhythmic flow is extremely hypnotic as Aaron slowly taps out an extremely memorable melody line; I will find myself repeating it in my head for hours after hearing it last. Everything about this section is amazing to me, and it grabbed my attention immediately.

Once "Tap" transitions into chords, and a seemingly quicker pace, (I don't believe the tempo increases much, if at all), the intensity increases, and, therefore, so does the head bobbing in time with the track. This section exhibits a ton of power, with super clean, heavy riffs before sliding deftly into "Move Forth."

If you've been paying attention, it will come as no surprise that Aaron is super positive about, well, everything. Even while talking about the current state of human affairs in "Move Forth", Aaron is able to put a positive spin on things by offering up some common sense; we all need to be banding together to crush what's crushing us.

Can't you see, together you and me Will make them shudder. Believe you me, I can see clearly, We'll make it better, Burn the Monopoly down!

This track is very typical of the Red Beard Wall style, but shows more of the clean vocals directly contrasting Aaron's more abrasive vocals. The end result of that is awesome, and I hope to see more of it used on future albums. This goes without even mentioning the full on assault of badass riffage!

The best track on 3 has to be "My Brothers", with it's important message of feminine equality, and that as men, we need to realize that women are not the "weaker" sex.

It's not unmanly, to lift up women, Quite the opposite in my honest opinion, I know no one stronger, than my wife and my daughters Why for centuries, have they been sheep sent to slaughter? How can they be less than, if they birth our sons and fathers? It's truly oxymoronic.

I truly love everything about this song, from the melody line, the lyrical content, the great guitar parts, and the perfect drum parts. The message though, that's the important takeaway from this one, it's factual, and something we all should keep closer to our hearts; "We're gonna do better for you, we promise to do better for you!"

A close second for best track is the heavy, yet melodic, "Leave Me Be." Lyrically, this one is really fitting for me. I can't tell you how many times I have felt exactly what Aaron has penned for this song.

Solitude has continued to be Calm for me, sweet serenity, No one do I care to please, Leave Me Be, just Leave Me Be, Alone where my thoughts complete, Leave Me Be, just Leave Me Be.

The riffs are palm-muted for the intro, which helps add that thud we feel in our chests when the music is pumped up loud. As the vocals come in, so does the riff open up, and begin to flow with the vocals. There is no shortage of heavy throughout, and I'm sure that won't disappoint anyone.

This track is also one where positivity seems to be sparse, but a positive message can still be inferred from what is sung; we're not alone, we all feel this way sometimes, and it's not wrong to take the time needed to "Move Forth".

There are five other songs on the album, five songs that I'll leave you in the dark on, but rest assured, there isn't a bad song on the entire album.

Red Beard Wall has grown in their songwriting, and 3 exemplifies the chances that are being taken. The addition of more clean vocal work is a pleasant surprise, and it really helped to push the band forward as a whole. 3 is available on July 2nd, yet CDs are actually out there now (mine came about three days ago), with vinyl releasing soon. So do the smart thing, and head over to Bandcamp for pre-orders. Enjoy!

3 by Red Beard Wall

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#D&S Debuts #Red Beard Wall #Texas #doom metal #sludge #stoner rock #alternative #Desert Records #D&S Reviews #Tom Hanno #Doomed and Stoned

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everythingmaxriemelt · 5 years

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(Freier Fall DVD Commentary - Rain scene)

Stephan L: This turned out a great scene between you two as well in my opinion. And I'm also happy, because we thought long about this, rain costs so much time, shall we do this in the rain, shall we leave out the rain...

Max R: More than anything, what exactly are we telling there? Who takes whom and how, who's active and who's passive...

Stephan L: We thought very long about this, right.

Hanno K: Afterwards a journalist told us that there exists a term for what...

Max R: For who's the active and who's the passive.

Hanno K: ...for the passive and the active. So Max is the power button (note: Actually Max misheard the term during this interview and the wrong term stuck with them! LOL), so to speak , in our...in our relationship. (all laughing)

Max R: The sausage king.

Hanno K: Power button alias Max Riemelt the Sausage King. (laughs)

(Kay and Marc *having sex*)

Max R: Yeah.

Hanno K: Yeah. Why is he called sausage king, this you will learn later.

***

The sausage king is a running joke throughout the commentary 😂

#max riemelt #freier fall #free fall #hanno koffler #stephan lacant #free fall dvd commentary

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broadwaycantdie · 5 years

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L'ho Fatto Per Te - Sprace

a/n: two things; 1) i only know very basic italian so i’m sorry if some of this is wrong , 2) i picture giuseppe bausilio‘s racer for this more than anyone else’s cause it goes best for the storyline but that’s just me, picture whoever ya want

warnings: some n.s.f.w parts included // translations will be in parentheses

————————————————————————

“I literally see no difference between when I’m suppose to use la and when I’m suppose to use una.”

“This is basics 1; ain’t this supposed to be easy?”

“Damnit, outta health again.”

Spot sat on the couch of his apartment, waiting for his boyfriend to come home.

Spot and Race have been dating for a while. But something big was coming up. Race’s parents were coming—luckily not anytime soon, but they’d still have to meet him.

Race’s parents lived in Italy. They sent Race away when he was young to have a better life. Unfortunately, they had to make a sacrifice and stay behind. Race visited when he could but money was tight. He hadn’t seen them in a long time.

He was over the moon when he got the call that his parents would be flying into town before the year ended. As soon as he found out, he told Spot—hell, he told everyone.

Spot was nervous. He wanted to impress his boyfriend’s parents. He had to make a good impression.

As soon as Race explained the situation, Spot got an idea. He was going to learn Italian.

He didn’t want to tell Race. He had to wait. So he kept his lessons secret.

He started with teaching himself. Using Duolingo as his main tool, as well as attempting to read Italian works. Race had no idea.

They lived together. Making hiding Spot’s lessons harder. He often stayed up later than Race just to get in his daily lesson, forcing him to sleepily decipher between “lei è la donna” and “lei è una donna”.

Spot set daily reminders to do his lessons. Race noticed and asked him about it.

“Hey babe, what this duolingo notification?”

Spot’s heart dropped and without skipping a beat replied.

“Oh yeah, JoJo wanted me to learn Spanish so we could talk about people without getting caught.”

Sounded believable enough. Race put it past him and moved on.

Spot’s boyfriend was fluent in Italian. He spoke it his whole life and only learned English after arriving in New York many years back. He still had a touch of an accent and fumbled on some words when he couldn’t remember.

When he and Race got intimate, Race loved to talk. Spot could tell he was doing good when Racer started spewing Italian as oppose to English. He let out all his emotions in his native language and Spot loved that about him.

Everytime he spoke Italian, Spot fell more and more in love.

A few months into his lessons, Spot started trying to put what he knew into practice. Not around Race, but wherever he could. He’d go down to the Italian deli and test his skills. Usually doing pretty okay with the occasional slip up or miss-pronunciation.

Their anniversary came up and Spot took Race to a very nice dinner; later being followed by Racer’s favorite type of dessert.

They got back to their apartment and things turned hot and heavy.

As soon as they walked in Spot wrapped his arms around Race’s waist; kissing and pushing him against the wall. They quickly went to the bedroom. Spot dropped Race down on the bed and began undressing until Race stopped him.

He sat up and unbuttoned Spot’s shirt, slowly pushing it down his arms, running his fingers across his muscles. Race took off Spot’s pants just as slowly, this time running his fingers over Spot’s perked up boxers.

Spot took off Racer’s shirt and admired his beauty.

His hair was already messy, but it was about to get worse. His eyes matched Spot’s—dark and inviting. His skin always had a glow on it, as if he just came back from a nice day at the beach. Spot loved him.

Things picked up and Spot pulled out a lot of things he’d been holding back.

He grabbed Racer’s long hair and pulled it back, causing a moan. Spot loved that sound. He kissed down Race’s body and heard him utter a few words.

“Cazzo, per favore non fermarti” ( fuck, please don’t stop )

Spot went harder. He finally understood some of the things Race said when they went at it.

Race flipped the switch. He liked to show Spot what he could do. He moved his lips up and down his boyfriend’s body, landing on his underwear. He guided his fingers around his waistband and pulled slowly—too slowly for Spot’s liking. Race was a tease, but everything came to a good ending, so the wait was worth it.

Race’s head bobbed up and down as Spot kept a hand in his boyfriend’s hair; tugging and pulling as he got closer and closer.

Without realizing, Spot mumbled out a breathy word.

“Fanculo” ( fuck )

Race stopped. He knew that word. Spot tugged on his hair, ushering him to keep going.

After they finished, Race couldn’t help but think about what happened.

Why would he say “fuck” in Italian rather than English? He never spoke Italian before?

Race pushed away the thoughts and just chose to believe Spot picked it up from listening to him.

Another few months passed and all Race could talk about was his parents visit. Spot knew he was running out of time, so he did something he didn’t want to do.

He got a tutor. And actual lessons with a teacher.

He seemed to know a lot of words but having a conversation proved tough. If he was going to pull this off, he needed a lot more help and fast.

He went to lessons every day. Easily using the excuse that he just took up more hours at work.

The lessons were a success and with help from proper teachers—on top of his duolingo work, reading Italian literature, and on the street practice—he was almost fluent in a little under a year. Of course it wasn’t perfect, but he could hold a proper conversation, and that’s what mattered.

“Today is the day, babe!” Race called out from their shared bedroom.

“I know, it’s been on the calendar for almost a year.”

They made their way to the airport and waited. Race was beaming with light and energy. He was so excited. Spot was still nervous.

Race noticed Spot’s nervousness and tried to reassure him, assuming his nerves were from meeting his parents as well as not knowing if they spoke English. That would be a proper reason for nerves.

“Don’t worry, I’m certain they’ll love you. And incase you’re wonder, which I know you are, they do speak English. Not the best, but enough. I’ll be right here to help with anything they can’t get”, Race said to Spot sweetly.

That’s not why Spot was nervous. He was nervous because he worked all this time for this moment. He didn’t know when or how he wanted to do it. Would he come out the gate speaking Italian? Would he wait until they did it first? Or would he just save it for a special moment?

Race saw his parents coming down the escalator and grabbed Spot’s hand, dragging him to the crowd of people. He ran so fast he though Spot’s arm would come off.

“Mamma! Papà!” ( Mom! Dad! )

“Antonio! Mio figlio!” ( Antonio! My child! )

He hugged his parents so tightly. Spot could feel the warmth of Race’s happiness. His smile showed pure goodness and made his eyes crinkle into almost nothing.

“Com'è stato il viaggio?” ( How was the trip? )

“Lungo. Hanno bisogno di più spazio su queste cose” ( Long. They need more space on these things )

Spot noticed Race seemed to get his talkative nature and liveliness from his mother. His father stood, searching the area for what they needed to do and what was coming next. Then his eyes landed on Spot.

“Chi è questo, Antonio?” ( Who is this, Antonio? )

“Papà, questo è il mio ragazzo, Sean” ( Dad, this is my boyfriend, Sean )

Spot felt his heart jump to his throat. He knew everything they were saying and was nervous for their responses.

His father was silent. It was agonizing.

“Lo ami?” ( You love him? )

“Molto. Più di chiunque altro prima. Voglio sposarlo, papà” ( Very much. More than anyone before. I want to marry him, dad )

Race paused and looked at Spot, then back at his parents and spoke again.

“Questa è una delle ragioni per cui ero così entusiasta che tu venissi, voglio la tua benedizione. Ho intenzione di proporre molto presto e volevo che tu fossi qui per quello.” ( That's one of the reasons I was so excited for you to come, I want your blessing. I plan on proposing very soon and I wanted you to be here for that. )

Race spoke very fast, it was hard for Spot to keep up. But he picked out the majority of the sentence. He couldn’t believe it. But honestly, it took them long enough. It’s been too many years to count.

“Lui sa?” ( He knows? ), Race’s mother spoke up.

“No. E anche lui non parla Italiano, quindi per favore prova il tuo meglio con l'inglese, ti aiuterò se ne hai bisogno” ( No. And he doesn't speak Italian either, so please try your best with English, I'll help you if you need it )

Race’s mom looked at Spot and smiled.

“Sean! My boy! Welcome to the family!” She said, her accent thick.

Spot finally decided to save what he knew.

Race’s family was very friendly. Spot saw where Race got it from. Before Spot could even answer he was being pulled into a hug.

They went back to their apartment to show his parents. They had a hotel room right down the block, but they still wanted to catch up with Race and see how he was doing.

Racer’s mom went straight for the kitchen, checking if they kept proper ingredients and spices around.

“Non preoccuparti mamma, Sean è un ottimo cuoco” ( Don’t worry mom, Sean’s a great cook )

They both laughed and Spot tried to hold it in, making sure to pretend like he didn’t know what they said.

A few nights later they planned a very nice dinner. Spot still hadn’t spoke any Italian but he had a plan. He was told to dress fancy and that they were going to a very important dinner.

Spot knew what this was. He put on one of Racer’s favorite outfits; a black suit with gold accents, a white button up, a small gold chain under the collar of his shirt, and a red pocket square.

He walked out of the bathroom looking incredibly handsome. He got to the living room and saw Race waiting for him.

Race wore Spot’s favorite suit outfit; a navy blue suit, a baby pink button up left unbuttoned at the top, and his hair tied back very sleek and clean.

They locked arms and walked out the door, picking up Race’s parents on their way to the restaurant.

Everyone was dressed to the nines. Race’s father in a nice black suit and his mother in a lovely pink gown. Unintentional matching never hurt anyone.

“You both look very good!” Race’s mother said upon seeing them.

At the restaurant they talked and ate and got to know each other more. Spot talked to Race’s parents, showing he was interested, cause he genuinely was.

Near the end, Race got nervous. He hid it well, but Spot knew him. Under the table Spot softly put his hand on Race’s thigh and gently rubbed it. Not sexually, just kindly. It always helped Racer calm down.

Race looked at his parents and softly said, “sono pronto” ( I’m ready )

Race stood up and looked at Spot.

He pulled a box out of his pocket and got on one knee. Even though Spot already knew this was coming, he was still in shock that it was actually happening.

“Spot. I love you so much. You know that. There’s not a day that goes by where I don’t let you know in some way or another. I want the whole world to know that you mean everything to me. You are my everything. I’m sorry for waiting, but I wanted this to be special. I wanted my parents to see that they didn’t sacrifice for nothing. I found the most important thing I could find...love. You’re the best thing that’s ever happened to me. So...Sean Conlon...will you marry me?”

Race looked up at him with wide eyes.

“Sì, lo farò” ( Yes, I will )

Before Race could even react, Spot was pulling him into a kiss.

After all the celebrations, they sat back down at the table and toasted to champagne.

“So, how long have you known Italian?” Race asked, still very confused.

“About a year now...” Spot then explained the whole situation to Racer and his parents. They were all in shock and amazement.

“Sean Conlon, ti amo sempre di più ogni giorno” ( Sean Conlon, I love you more every day ) Race said, lovingly looking at his new fiancé.

“E non potrei essere più felice con nessun altro se non tu, Antonio Higgins...Voglio dire, guarda, ho imparato l'italiano! L'ho fatto per te, amore” ( And I could not be happier with anyone but you, Antonio Higgins...I mean, look, I learned Italian! I did it for you, my love ).

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ramajmedia · 5 years

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5 Things We Want To See In Kill Bill Vol. 3 (And 3 Things We Don't)

Here is an inside scoop that can’t be found anywhere else except here at Screenrant. Rumor has it that Kill Bill was originally going to be a romantic comedy. It was going to be called Kiss Bill. Alright, that’s not true. Here is what can really be said about Kill Bill. Ever since Once Upon A Time In Hollywood hit theaters, Quentin Tarantino has made multiple talk show appearances saying he will potentially make Kill Bill Vol. 3. The notion of Kill Bill’s story finally coming full circle is something that would excite any film buff. Check out the list to see seven things we do want and three things we don’t want in Kill Bill Vol. 3!

Related: What Quentin Tarantino Gets Wrong About Superman In Kill Bill

10 (Do) More Anime

We’re going to go ahead and call out Quentin Tarantino. The anime sequence in Kill Bill Vol. 1 isn’t gory enough. One can totally tell that scene was made by a director who probably passes out at the sight of blood.

Joking aside, there’s no question that Kill Bill’s anime sequence is one of the most memorable aspects of the original film. So it makes sense that we’d want to see more anime should Kill Bill Vol. 3 actually see the light of day. Over the years there’s been some fan theories that one of the characters in the anime sequence is actually a young Bill. Recent reports suggest that Tarantino claims that he’d like Kill Bill Vol. 3 to potentially explore Bill’s origin story. Perhaps there can be more anime sequences detailing Bill’s rise to power. Either way, people just want to see more amazingly blood soaked animated sequences within the Kill Bill universe.

9 (Do) Hattori Hanno

It’d be cool if Hattori Hanno made an appearance in Kill Bill Vol. 3 and continued to throw random objects at Beatrix for her to slice in half. Beatrix can move on from slicing baseballs and start cutting fruit in half. Kill Bill Vol. 3 : Fruit Ninja.

Kill Bill Vol. 1 implies that Hattori has a complicated past with Bill. These past events ultimately urge Hattori to stop making swords. The nature of Hattori’s backstory is never specified. Sometimes a character’s backstory is more fun when it’s vague. However, we believe this is a case where a more concrete backstory can make Hattori even more interesting. Kill Bill Vol. 3 would be a great opportunity to explore the drama revolving around Hattori and Bill.

8 (Don't) Dead Characters

Dead characters shouldn’t be in the film, but what about UN-dead characters? Imagine a Kill Bill movie with zombies. A Beatrix and Michonne team up movie writes itself.

What we really mean is that Kill Bill Vol. 3 shouldn’t bring back any dead characters from the original movies. There doesn’t need to be any “Oh so you actually thought Vernita died? Well think again!” type of moments. All of the events from the original movies need to directly inform all of the drama that takes place in Kill Bill Vol. 3.

Related: What Would Kill Bill 3's Story Be?

7 (Do) Maya Hawke

Last time we checked Maya Hawke was trending amongst the youngsters on twitter. It’s only mandatory to add someone relevant on this list so that people will understand how hip we are. Maya Hawk is a #mood, right guys?

2019 has definitely been quite the year for Uma Thurman’s real life daughter, Maya Hawke. The star broke onto the scene with her fun performance in Stranger Things. What’s also cool is that Hawke was inducted into the TCU (Tarantino Cinematic Universe) with her performance in Once Upon a Time In Hollywood. The entire plot of the original Kill Bill movies revolves around Beatrix rescuing her daughter. If Kill Bill Vol.3 were to take place in real time that would mean Hawke is roughly the same age as Beatrix’s daughter. It’s a no brainer to cast Hawke as Beatrix’s daughter.

Related: Venom 2 Adds Kill Bill & Once Upon a Time in Hollywood Cinematographer

6 (Do) Fight Scenes

Imagine going to see a movie called Kill Bill, but it doesn’t have any action. That's like having a burger without cheese. Yes, everyone read that correctly.

This needs to be said upfront: Kill Bill is one of the greatest action franchises of all time. Every fight scene is shot with grace, stability, and the confidence of a director who seems like he’s been directing action movies for years. If someone didn’t know Tarantino directed Kill Bill, they’d think a veteran of kung-fu cinema was behind the project. Between the crazy 88 fight and the trailer park battle in Kill Bill Vol. 2, it’s safe to say Tarantino has his work cut out for him in Vol. 3. Tarantino is a master and there’s no doubt he’d rise to the occasion.

5 (Do) Dialogue

How shocking would it be if Tarantino made a silent movie? Never mind, that’s not something anybody wants. If people are paying to see a Tarantino movie then that means they’re paying to hear some amazing dialogue. Although the Kill Bill films aren’t as dialogue heavy as other Tarantino movies, that doesn’t mean the franchise isn’t full of great lines. Who can forget the famous conversation about Superman in Kill Bill Vol. 2? Hopefully Kill Bill Vol. 3 features more entertaining superhero based conversations.

4 (Don't) Unnecessary Scenes

Since this Tarantino guy is clearly a newbie to this directing thing we’re going to offer him some free advice. Kidding! *ducks for cover*

To say that we don’t want any unnecessary scenes in Kill Bill Vol. 3 isn’t to say that the original films had any unnecessary scenes. Rather, it’d be nice to see Kill Bill Vol. 3 replicate the lean plot structure found in Vol. 1 and 2. Audiences are looking for a fast paced and highly stylized action movie that doesn’t pull any punches. The pacing in the original movies aren’t broken. So why try to fix it?

3 (Do) Music

Audiences just want great music in Kill Bill Vol. 3. The cool thing about great music is that it can be found in any type of genre. For instance, Peppa Pig even makes great music. What we’re trying to say is that we want the Peppa Pig soundtrack in Kill Bill Vol. 3.

In reality, people just want more of the cooler than cool music Tarantino alway puts in his films. Kill Bill Vol. 1 has some of the most iconic needle drops in any Tarantino movie. O-Ren Ishii walking down a hallway with Battle Without Honor or Humanity playing in the background is one the most iconic action movie moments within the last twenty years. Kill Bill Vol. 3 needs to give audiences more moments like these.

2 (Do) Nikki

There’s a lot to be said about the famous fight scene between Beatrix and Vernita Green. However, the most alarming aspect of that sequence is that Vernita wants to serve her daughter, Nikki, cereal for lunch. For LUNCH. Is she insane?!

Nikki witnessed Beatrix killing her mother. Beatrix tells Nikki that if the girl wants revenge later in life then she’ll be waiting for their battle. It’s been sixteen years since Kill Bill Vol. 1 and audiences have also been waiting to see this fight with bated breath.

1 Don’t Be Tame

Imagine that if instead of blood, confetti had sprayed out of all the severed limbs in Kill Bill. That sounds kind of amazing. However, people don’t watch Kill Bill for confetti, but rather for its copious amounts of blood.

The great thing about Kill Bill is that although it’s a series with a lot of gore, these aren’t movies strictly designed for gore hounds. Anybody can get a kick out of the insanely over the top and hilarious ways Tarantino kills off his characters.

NEXT: 10 Ways Quentin Tarantino’s Movies Are All Connected

source https://screenrant.com/kill-bill-3-things-to-see/

#screenrant

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alfredohaylee-blog · 4 years

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