#<— idk dude sounds pretty unhinged to me that’s not a normal person thing to say

[partyswirl]

im this unhinged constantly i just don’t usually say it

[morwensteelsheen]

for the character meme: faramir and cassian

yaaaaaaas thank u 👑👑👑

Faramir

How I feel about this character

Oh boy. Yeah. So I see in Faramir what I wish I were — not just the good stuff like the pacificism and the intellectualism and the romanticism, but what I wish my flaws were too. It’s hard to not treat him as something of a literary patron saint of historians for all the incredible exposition work he’s given throughout the books, y’know? Like he has this incredibly historically-minded perspective on things, yet instead of taking it and behaving (as I tend to) in a sort of deeply pessimistic, confrontational, and defeatist way, he uses it to enable his (over)confidence. And I think that’s really brilliant and something I wish I could do. Yeah. God. I feel a lot of things about Faramir all the time, constantly torn between gender envy for him and normal, slightly furious envy lmao.

All the people I ship romantically with this character

lol whoops it’s just Éowyn lol. I am very much pro he and Aragorn shagging, if I don’t think too hard about it, but there are basically no other characters in the book who have forceful enough personalities to act as a countervailing force to some of his, uhhhh, Extremes, and I think Éowyn ends up being his [David Duchovny voice] human credential, which is lovely.

I guess I’m also partial to the Faramir-As-A-Sloppy-Bitch hypothesis which has him behaving like a bit of a fuckboy, but that’s not really shipping so much as character development? I guess?

My non-romantic OTP for this character

I’m buying him one of those awful one man wolfpack tshirts lmao, my dude absolutely does not have pals. I think he’s got loads of decent working relationships with people and is definitely charismatic when he wants to be, but outwith that……. lol

My unpopular opinion about this character

looooooool, I feel like the Faramir Is Not A Crybaby one is well trodden ground at this point, but one of my favourite unpopular opinions is that I think he’s, like, 15% more cynical than everybody gives him credit for. I think a lot of what he does can be construed as very obviously, uhhh, putting the moves on, I guess? Like I think he’s not making grand statements to Éowyn because he’s Magically Compelled To Do It, but because I think he absolutely 100% knows it’s stroking her ego. And I think playing one man good cop/bad cop with Sam and Frodo isn’t him rapidly changing his Take on the situation after getting new information, I think he’s very purposefully trying to unsettle their psychological defences a bit so he can get a better sense for what’s really going on and whether these two guys are going to end up handing Isildur’s Bane™ over to Sauron.

One thing I wish would happen/had happened with this character in canon

Actually nothing super significant. I guess I think the one kid shit is nonsensical. Even without turning on dumb horny shipper brain that says 0% chance he and éowyn weren’t fucking loads, I genuinely refuse to believe that any self-respecting feudal lord would not at least go for the And A Spare, if not And Several Spares, especially if you’re Faramir and your entire family got obliterated leaving you — Man Who Was Not Meant To Hold The House Down — the sole survivor.

Beyond that Faramir gets exactly what he ought to out of LOTR (though I would have loved to have read about his misery life in the Fourth Age), and I can’t really complain? Maybe a line or two at the trothplighting in Rohan? A chat with Galadriel? idk he really did fine for canon appearances imo

Cassian

How I feel about this character

There’s no way to say this without sounding slightly unhinged, but the scene in R1 where he shoots the injured informant on the Ring of Kafrene is genuinely one of my favourite moments in all of Star Wars. It threw down the gauntlet for visceral depictions of the unfeelingness of the GFFA in a way that hadn’t really been done before. Both the OT and the PT make gestures at it (the destruction of Alderaan is a good example, as is the slightly-bungled slavery subplot in TPM), but neither really show how fucked up people can get when they’re living in a fucked up world and they never show good guys doing things that are of ambiguous morality. Cassian ends up making a (surprisingly, given it’s a Mouse™ production) sophisticated argument for how the Real World works once you get past the golden boy heroes. Yes Luke blows up the Death Star, and yes he brings Vader back to the Light — both things that are unambiguous moral goods — but the reason he’s able to do that is because there’s someone like Cassian out there taking the karmic/emotional/spiritual/whatever hit to enable the Golden Boy behaviour. And I think that’s a really beautiful, really exciting bit of narrative development for SW generally, but to also do it in the context of Cassian — who actively defends his choices? That fucking rocked. I’m bracing for impact with the new show but R1 Cassian is absolutely one of my favourite SW characters, lovely wee man.

All the people I ship romantically with this character

Literally just Jyn. Actually funnily enough he’s very much like Faramir to me in that I think if he didn’t end up with Jyn, he wouldn’t have really ended up with anyone at all. Not in a weird comphet or soulmates way, just in that I think sometimes people need a very specific kind of personality to wear down their defences and sometimes it’s a very specific kind of personality.

My non-romantic OTP for this character

Okay in a fix-it AU I like to think he and Hera would get along fabbo, but from a great distance, as I think each of them would prefer it. Otherwise, I’m sorry to say it but my guy absolutely does not have pals lmao. Cassian no mates rip

My unpopular opinion about this character

I don’t think he’s actually repentant for the fucked up shit he’s done. When he tells Jyn that he’s had to do stuff he isn’t proud of, he’s not saying that because he’s seeking absolution or a chance to do penance or whatever, he’s saying it because it’s objectively true. He has done some stuff he’s not proud of, but contextually I think it’s pretty clear he’s able to justify it to himself well enough that he’s not looking for redemption or whatever.

One thing I wish would happen/had happened with this character in canon

I feel like I need to whisper this so the monkey’s paw doesn’t curl in advance of the show, but it would be genuinely very interesting to see him try to build an actual espionage network for the Rebellion. SW: Rebels touched on the notion of industrial sabotage (actually Mando did too, didn’t it?) and I think it would be especially interesting to see them try that out in a resistance/rebellion framework via Cassian. Let him do some covert ops organisation of workers to undermine Imperial production/supply lines or whatever.

Give me a character xxoo

[atamascolily]

lily liveblogs “terminator 2: judgement day” for the first time

Nothing says "Christmas season" like watching bloody action movies! Well, there is "Die Hard," but I'm watching Terminator 2: Judgement Day, aka "James Cameron Was Mad He Didn't Put Those Ten Minutes of Subplot He Filmed Into the Theatrical Cut of the First Terminator, So He Made An Entire Movie About It Instead Because He Could”.

Ok, so I have the "Extreme Edition", whatever that means. The menu options for the DVD include "Sensory Control" (for subtitle options) and "Jump Into Timeline". Every now and then a super-creepy T-2 metallic head drops into frame to remind you to press play. I'm loving this.  

Cars in L.A. traffic. Children laughing on a playground in the '90s. Cut to the Apocalyptic Nightmare Future with the busted cars and skeletons for drivers. Everything's STILL IN PLACE the way it was when Judgement Day happened. Oooh, yeah, just cut to the wrecked playground with a pile of human skulls, in case we didn't get the memo.

(for the record, I'm pretty sure nuclear winter would actually NOT WORK LIKE THIS, but it looks cool, and James Cameron seems to be really good at this kind of parallels between present and future, so I'm rolling with it.)

Sarah Connor narrates the introductory spiel, and we're treated to basically the same opening as T1, except much higher budget everything. Lots of laser beams and explosions and fireballs, plus scary metal Terminators roaming around that the last movie did NOT have the budget for. (plus the audiences have already seen that in T1, so it's okay to show them in the intro, since I assume an EVEN SCARIER TERMINATOR FINAL FORM is coming).

We're only 3 minutes into the movie and the filmmakers have already spent like a tenth of their total budget on SFX and twice the total costs of the first movie. 

It occurs to me as Sarah is narrating, who is she narrating to? Just us, or some other characters? I strongly suspect we'll see some other characters when this film finally cuts to her.

How does Sarah know about a second strike? Didn't we establish in the last movie that there was only one Terminator that went through the portal before the humans got to it?? Are they retconning that now?

Instead of '80s synth and logo during the credits, we get a more symphonic treatment of the main theme, plus THE PLAYGROUND ON FIRE because SYMBOLISM for the destruction of CHILDHOOD INNOCENCE, amirite?? And then we cut to the SCARY METALLIC RED-EYED TERMINATOR SKELETON IN FLAMES because THAT is the defining image of this francise, the one that James Cameron had NIGHTMARES about that he decided to give to EVERYBODY ELSE by making these films.

I just realized how much the Terminator head in that shot looks like a human skull, THAT'S SO INTENTIONAL AAAAAH.

Cut to a truck driving off without its cargo, trash on the ground. Sparks fly, a wind picks up, it's night, we've been here before... This time the budget is higher, so we actually get to SEE the sphere instead of people just kind of appearing... and it carves a hole in one of the trucks. This ALSO didn't happen in T1. Nudity is still mandatory, though. It's still Arnold. You can tell it's an upgraded model Terminator based on his computer system menus. He still beats up tattooed punks to steal their clothes, only instead of stoned punks, these are long-haired motorcycle dudes in some sort of pool bar.

Oh, wow, there are a lot of people in this bar. A woman with a cigarette and a nose ring is checking the Terminator out. This is going to go well. Country music blares on the soundtrack.

He's looking for the dude with the best motorcycle. Tells him to give him his stuff. This is just like the first movie, but different. The dude is unimpressed, though why I'm not sure, because the Terminator is super-intense, and super-buff.

But the motorcycle dude blows smoke in his face--the T2 model scan says "carcinogen vapors", which is a) hilarious, and b) SO DIFFERENT FROM THE "EVERYBODY IS ALWAYS SMOKING EVERYWHERE" vibe of 1984--a sign of the evolving social norms. Then the motorcycle dude grinds his cigar into the Terminator's bare skin... and of course there's no reaction.

One dude goes through a window onto the front window of what may well be his car(?). The original dude goes flying into the kitchen and lands on a stove, which is horrific, but also karmic payback. Another gets stabbed with his own knife. I SEE WHAT YOU DID THERE, CAMERON. Burned guy tries to pull a gun on the Terminator, but surrenders his keys and his clothes without a fight. Terminator goes outside in record time, because the dude he tossed on the car window is still there.

The bartender comes out with a gun, fires a shot into the air, and tells the Terminator to get off the bike. This is going to end poorly for him, especially since "Bad to the Bone" is playing in the background. Terminator takes both the gun and the guy's shades while the dude just watches, incredulously. YOU GOT LUCKY YOU'RE NOT HIS TARGET/MISSION, pal.

(also: this movie is such an obvious social commentary about how being armed really doesn't help you against a real threat, American fantasies to the contrary)

Cut to more blowing trash, more buildings, more trucks, a police car, electricity. The future is calling! (Oh good, this person's either going to be chased by the police OR Take their stuff.)

Dramatic hole in the fence from the future sphere thing. Yeah, this definitely wasn't a thing in the first movie, but it does look cool in this shot! Yep, there goes the policeman!

New dude's first order of business is to look up John Connor's name in the computer in the police car. Apparently, John Connor has a criminal record - trespassing, shoplifting, disturbing the peace, vandalism. He doesn't live with Sarah... he's got a guardian, and the address is in the computer.

Cut to the suburbs. It's wholesome, white-bread America. His foster mother yells at him. John is a teenage motorcycle punk, but in a clean, wholesome way. His friend has very '90s hair, though.

John's friend thinks that his foster mom is a "dick," but frankly, I see no evidence why we should hate her thus far. Her husband comes out to tell John to clean his room, but he and his little friend are already zipping away on their motorcycle, and the little friend is holding a miniature boombox, and it's so '90s, I have to pause so I can laugh for a while. Also, this rebelliousness is what's going to save his life when the Terminator comes for him. I guess the foster parents are framed as nagging assholes so we don't care so much when they die??

(also, what do you want to bet Sarah taught John to ride a motorcycle??)

John Connor is a little dick who thinks he's so clever, and he doesn't have to do anything because these aren't his real parents. His foster dad smokes, and doesn't say anything, probably because he's already made it clear to his wife that room cleaning is not high on his priority list. Fuck him.

Sarah's doing pull-ups in her cell. THOSE ARM MUSCLES, OH MY GOD. She's 29 years old. SUCH A CHANGE from the waitress with the '80s hair from the first film. Everything's so white, it's a state psychiatric ward for women. Men in suits discussing Sarah's case.

THIS IS WHAT WOULD HAVE HAPPENED TO KYLE IF THE TERMINATOR HADN'T BUSTED THE POLICE STATION. *sob*

Is Silbermann - the psychiatrist who examined Kyle in T1 still around? He left the police station right before the Terminator's attack, so I assume he lived... what does he make of Sarah's case? Does he ever follow up? I wonder what's going through his head.

I like how we don't see Sarah's face until she turns to face the doctors. I like how wild and unhinged she looks, how feral. She's changed so much in what, ten years? Thirteen? I think it's 1997, just before Judgement Day, but idk if that's been confirmed yet. Thirteen looks about right for John Connor, so I'm going with that.

Oh, god IT IS DR. SILBERMANN, THAT ASSHOLE!!! How does he explain how both Sarah AND Kyle have schizophrenia, when Sarah was perfectly normal before? And he *know* someone was murdering other Sarah Connors and seemed to be gunning for her, so why...? Was he really that much of an asshole not to suspect that *something* was going on, and Sarah wasn't crazy??

Also, I love "How's the knee?" because she totally hurt him, and I love her. I love how calm she sounds, like she's the one in control not them, because she can hurt them more than they can hurt her.

Sarah stares at the female doctors, and I realize now that Silbermann is doing a tour of the facility LIKE IT'S A ZOO, and... yeah, wow, he really is an asshole. He's the one with delusions, who can't see outside his own sheltered bubble...

I wonder what would happen if Sarah could talk to one of the female doctors? If they could make a connection? Maybe they would believe her. God knows Silbermann isn't going to listen to anyone who doesn't already agree with him.

God, the orderlies are sadist assholes. I fucking hate them. That shot of Sarah lying crumpled on the floor is so beautiful because everything is angelic pristine white and sunny, and so horrifying.

The police dude shows up at John's foster parents' house. We're supposed to think he's good because he's not Arnold, but this person has no facial expressions and he's too calm - compare with Kyle's frantic fumblings. This is not somebody from the human resistance of T1, at least not without some serious retconning. He's too poised and professional, too adept at the 1990s, whereas Kyle Reese had the social skills of a feral racoon and wore pants he stole from a homeless man. Totally different vibe going here.

The knock on the door sequence is so parallel to the original Terminator going to the first Sarah Connor's house in T1... same suburban paradise... and you can get anything when you're a clean-shaven, short-haired white cop, can't you??

Cut to: '90s tech. John and his little friend hacking an ATM. God. Their clothes, their hair, the ATM... everything is peak early '90s, and I can't handle it. We learn that Sarah Connor taught her son how to hack, because of course she does.

John keeps the photo of Sarah in his backpack, awwww. John is so not impressed by his mother, calls her crazy because she took the war to Cyberdyne and WENT BACK AND TRIED TO BLOW UP THE COMPUTER FACTORY AGAIN AFTER KYLE DIED!! (and her son was born)

Q: what did she do with John while she did that? Was he outside waiting for her somewhere? How did the police find him??

It doesn't matter who your parents are, EVERY teenager thinks their parents are "total losers". John has a chip on his shoulder a mile wide. His little punk friend thinks Sarah is so cool, and he doesn't know any of this, so I guess they're not THAT good friends??? Since it's John's motorcycle, John's driving, and John's stolen money, I guess the little unnamed punk friend is only hanging out with John because John is so much cooler than him, and needs someone to exposit to??

That shot of a drugged Sarah slumped over her knees on her bed in the shaft of sunlight, with her hair combed is SO BEAUTIFUL, too bad she's a drugged shadow of her usual self...

OH MY GOD, MICHAEL BIEHN IS IN THIS MOVIE, AND HE COMES TO HER, AND HE'S WEARING HIS TRENCH COAT AND TELLING HER SHE HAS TO WAKE UP OMG OMG OMG OMG OMG OMG MY SHIPPER HEART asfhgfkgkfdgjkfdlgf *incoherent screaming* I need a thousand GIF sets of this scene PRONTO.

Kyle: "Where's our son???"

god, Sarah's EYES when she says they took him from her

Kyle is so earnest, so desperate, so much less bedraggled than he ever was in T1... god, he's even wearing that stupid gown under his trench coat that he got in the police station in T1, that detail wrecks me, oh my god, oh my god, this scene is so beautiful, I just want an entire movie of THIS, oh my god...

Sarah is begging Kyle for help, and he grabs her shoulders and tells her she's strong, stronger than she ever thought she could be, LIKE HE'S ALWAYS DONE, OH MY GOD, beautiful cinnamon roll, too good for this world, I love him.

AHHHHHHHHHHH, and then he says "On your feet, soldier!" which is what she said to HIM right before he DIED, and he forces her UP and they EMBRACE and she's sobbing into his shoulder and he hells her he loves her and he always will, and HKGKSFJALFNDBJNJN

I am a melting pile of shipper goo right now, this shot of them in the sunlight is so fucking beautiful, James Cameron HOW DARE YOU THIS IS EVERYTHING I WANTED IN A MOVIE EXCEPT THAT KYLE IS STILL DEAD, DAMN IT, YOU DIDN'T RETCON THAT.

He says he'll always be with her... and he is, because he's a voice in her head, a memory.... ahhhhhhhh my heart...

And he tells her "The future is not set. There is no fate but what we make for ourselves," which is what SHE SAID TO HIM, oh my GODDDDDDDD.

And they hug and kiss and I could watch a whole movie about this, and then she slumps back and she's alone in her cell in a shaft of sunlight and I just want to cry. whhhhhyyyyy do you have to hurt me this way, why, why why why why whyyyyyy?

Oh wait, he's at the door to the cell, and it's open, telling her there's not much time... and walking away, and she goes out to follow him as he's walking down the hall and everything's so eerily perfect white and shiny and beautiful and SURREAL, fuck, I am so HERE FOR THIS!

God, this is all beautifully shot as she chases after him - and we get a good view of her amazing forearm muscles without objectifying her. The nightgown she's wearing is NOT standard institutional outfit - it looks more like lingerie than State Mental Hospital Standard Issue - but it's not especially revealing, either.

She opens the doors and she's outside and there's that playground again with all the children playing... SYMBOLISM AGAIN.... Sarah is locked out, away from the children, yelling to save them... and then fire.

And she wakes up in her cell and her hair is a mess again, so this time we know it's real -- and her outfit's changed, too, back to the tank top she was originally wearing, so I guess her outfit was part of the dream, too.

(ngl, I wasn't expecting even THIS MUCH of Michael Biehn in this movie, so I will happily take it, but stilllllllll... I WANT MORE, GODDAMN IT!!!)

(this got long, so I’m breaking it up into parts)