#岡田麿里

[ashitakaxsan]

✨Exploring Palestine's Cultural Richness: From Ancient Statues to Modern Dreams✨

Palestine, a land steeped in history and brimming with cultural treasures, offers a fascinating blend of ancient artifacts and contemporary aspirations.Let's explor into the country's archaeological wonders, the enduring influence of Japan on Palestinian society, and the unique stories that bridge past and present, tradition and modernity.

Warning:My post is only Cultural,it highlights great cultural points.I took the care with sensitivity. I don't bring in politics,I won't meddle with.

A) The Bronze Statue of Apollo in Gaza:

Gaza, often in the headlines for its political tensions, holds a treasure from the ancient world that speaks to its rich cultural heritage. The discovery of a Bronze Statue of Apollo, dating back to antiquity, sheds light on Gaza's historical significance as a crossroads of civilizations. This remarkable artifact serves as a reminder of Gaza's role in the ancient world and the cultural exchanges that occurred in the region. However, the current whereabouts of this statue are unknown, leaving its fate uncertain amid the region's instability.

The Story:

Lost for centuries, a rare bronze statue of the Greek god Apollo has mysteriously resurfaced in the Gaza Strip, only to be seized by police and vanish almost immediately from view.

Word of the remarkable find has caught the imagination of the world of archaeology, but the police cannot say when the life-sized bronze might re-emerge or where it might be put on display.

A local fisherman says he scooped the 500kg (1,100lb) god from the seabed last August, and carried it home on a donkey cart, unaware of the significance of his catch.

Others soon guessed at its importance, and the statue briefly appeared on eBay with a $500,000 (£300,000) price tag - well below its true value. Police from the Islamist group Hamas, which rules the isolated Palestinian territory, swiftly seized it and say they are investigating the affair.

Archaeologists have not been able to get their hands on the Apollo - to their great frustration- and instead must pore over a few blurred photographs of the intact deity, who is laid out incongruously on a blanket emblazoned with Smurfs.

From what they can tell, it was cast sometime between the 5th and the 1st century BC, making it at least 2,000 years old.

"It's unique. In some ways I would say it is priceless. It's like people asking what is the [value] of the painting La Gioconda [the Mona Lisa] in the Louvre museum," said Jean-Michel de Tarragon, a historian with the French Biblical and Archaeological School of Jerusalem.

"It's very, very rare to find a statue which is not in marble or in stone, but in metal," he told Reuters television.

The apparently pristine condition of the god suggested it was uncovered on land and not in the sea, he said, speculating that the true location of where it was unearthed was not revealed to avoid arguments over ownership.

"This wasn't found on the seashore or in the sea ... it is very clean. No, it was [found] inland and dry," he said, adding that there were no signs of metal disfigurement or barnacles that one normally sees on items plucked from water.

Palestinian fisherman Joudat Ghrab tells a different tale. The 26-year-old father of two said he saw a human-like shape,lying in shallow waters some 100 metres offshore, just north of the Egyptian-Gaza border.

At first he thought it was a badly burnt body, but when he dived down to take a closer look he realised it was a statue. He says it took him and his relatives four hours to drag the treasure ashore.

"I felt it was something gifted to me by God," Ghrab told Reuters. "My financial situation is very difficult and I am waiting for my reward."

His mother was less happy when she saw the naked Apollo carried into the house, demanding that his private parts be covered. "My mother said: 'What a disaster you have brought with you' as she looked at the huge statue," said Ghrab.

The discoloured green-brown figure shows the youthful, athletic god standing upright on two, muscular legs; he has one arm outstretched, with the palm of his hand held up.

He has compact, curly hair, and gazes out seriously at the world, one of his eyes apparently inlaid with a blue stone iris, the other just a vacant black slit.

Ghrab says he cut off one of the fingers to take to a metals expert, thinking it might have been made of gold. Unbeknownst to him, one of his brothers severed another finger for his own checks. This was melted down by a jeweller.

Family members belonging[ I doubt if his family ever had ties to Hamas,either directly either indirectly ] to a Hamas militia soon took charge of the statue, and at some stage the Apollo appeared on eBay, with the seller telling the buyer to come and collect the item from Gaza.

That would have been easier said than done, however, as Gaza is virtually sealed off from the outside world, with both Israel and Egypt imposing rigid controls on access to the impoverished enclave and its 1.8 million inhabitants.

Whether any potential buyers stepped forward is not clear, but when Hamas's civilian authorities found out about the artefact, they ordered the police to seize it.

Officials at Gaza's tourism ministry told Reuters the statue would not be shown to the public until a criminal investigation into who tried to sell it was completed.

However, Ahmed al-Bursh, the ministry's director of archaeology, said he had seen it and promised that Ghrab would receive a reward once the issue had been resolved.

"It is a precious treasure, an important archaeological discovery," said Bursh. Once the statue has been released by police, his ministry plans to repair it and put it on show in Gaza.

"International institutions have also contacted us and have offered to help with the repair process," he said, adding that a museum in Geneva and the Louvre in Paris wanted to take it on loan.

Like Ghrab, Bursh said the statue had been found at sea. The historian Tarragon said it was vital to know the true location of its discovery.

Some 5,000 years of history lie beneath the sands of the Gaza Strip, which was ruled at various times by ancient Egyptians, Philistines, Romans, Byzantines and crusaders.

Alexander the Great besieged the city and the Roman emperor Hadrian visited. However, local archaeologists have little experience to carry out any scientific digs and many sites remain buried.

Statues such as the Apollo cast would not have been held in isolation, meaning it may prove the tip of an historical iceberg, according to Tarragon.

"A statue at that time was [put] in a complex, in a temple or a palace. If it was in a temple, you should have all the other artefacts of the cult [at the site]," he said, adding that he hoped Hamas appreciated its potential importance.

"There is a feeling that they could find more and more [items] linked to the statue, more and more artefacts, so this is very sensitive," he said.

Source: https://www.reuters.com/article/us-palestinian-apollo-gaza-idUSBREA190NQ20140210/

https://www.aljazeera.com/features/2014/4/8/what-happened-to-gazas-apollo-statue

B) An 11-Year-Old Palestinian Boy Pursues His Dream of Becoming a Chef:

In the midst of adversity, stories of hope and aspiration emerge, exemplified by the journey of an 11-year-old Palestinian boy who dreams of becoming a chef. Despite the challenges he faces, including limited resources and economic hardship, his passion for cooking fuels his ambition.

His story underscores the resilience and determination of the Palestinian people to pursue their dreams and overcome obstacles in pursuit of a brighter future.

Palestinian child Mahmoud Abu Nada cooks inside the kitchen of a local restaurant, in Gaza City on Oct. 13, 2018. Although blood cancer has forced him to leave school, 11-year-old Palestinian boy Mahmoud Abu Nada became a chef after receiving courses at a Gaza restaurant. TO GO WITH Feature: Gaza child suffering from cancer amazes people with cooking talent.

Source: http://www.xinhuanet.com/english/2018-10/16/c_137536471.htm

C) Palestinian-Japanese Cooperation For the restoration the mosaics of Hisham's Palace:

Hisham's Palace (Arabic: قصر هشام Qaṣr Hishām), also known as Khirbat al-Mafjar (Arabic: خربة المفجر), is an Vital early Islamic archaeological site in the Palestinian city of Jericho, in the West Bank. Built by the Umayyad dynasty in the first half of the 8th century, it is one of the so-called Umayyad desert castles. It is located 3 km north of Jericho's city center.In 2015, an agreement was signed between the Palestinian Ministry of Tourism and Antiquities and the Japan International Cooperation Agency to enable the 825 square metres (8,880 sq ft) mosaic in the palace, one of the largest in the world, to be uncovered and readied for display.

On 2018 the collaboration between Palestinians and Japanese archaeologists has yielded remarkable results, including the recent display of the site.

This joint effort not only highlights the importance of international cooperation in preserving cultural heritage,but also deepens the cultural ties between Palestine and Japan.

Through shared endeavors in archaeology and cultural preservation, Palestinians and Japanese forge bonds of friendship and mutual respect, enriching both societies in the process.

https://pcpsr.org/ar/node/893

D) The Representation of Palestinian Girls in the Anime "Canaan":

In the world of entertainment, the original anime "Canaan" offers a unique portrayal of Palestinian girls, Alphard and Canaan, whose contrasting backgrounds and beliefs shape their identities and actions.

Plot:

A Palestinian teenaged girl and a mercenary, Canaan is dispatched by her unknown superiors to the city of ShanghaiWP in the People's Republic of ChinaWP where she meets up with Maria Ōsawa. Now a photographer, Maria reunites with her friend Canaan after being saved from harassment, during a trip to the Middle East years ago. Their presence in Shanghai, however, has been greatly overshadowed by the upcoming,crucial NBCR International Anti-Terrorist Conference in the same city where Alphard(Canaan's hateful rival) plans to stage a terrorist attack with her subordinates known as "Snakes".

💕The Palestinian girl Canaan is amazingly pretty(kawai).💕 Her eyes are now radiant red because of her synesthesia:An ability as a radar to locate others, to hack into mechanical systems, and to dodge/deflect bullets easily.

Through their characters, the anime explores themes of conflict, identity, and resilience, offering viewers a nuanced perspective on the Palestinian experience. While fictional, the depiction of Palestinian characters in "Canaan" reflects the diversity and complexity of Palestinian society, challenging stereotypes and fostering understanding.

[pplplpl]

『あの花』『ここさけ』『空青』を手がけた、監督:長井龍雪、脚本:岡田麿里、キャラクターデザイン:田中将賀の3人が贈る、オリジナル長編アニメーション映画。最新作『ふれる。』が2024年秋公開。

[movieslover-fan]

MAPPA制作×岡田麿里監督、中島みゆき主題歌書き下ろし「心音」(しんおん)／映画『アリスとテレスのまぼろし工場』予告編

[maonakagawa]

5th November 2022

[A.I.R.・PERFORMANCE] Participating in a short term artist in residence within the program “Tsukide Art Camp 2022″, and will be presented collaborative performance at Ars Tsukide.

Performance date : the 5th November 2022, 13:30-14:30

Residence place and Performance venue : Ars Tsukide (Tsukide Kosya), Ichihara city, Chiba, Japan 

https://tsukide.jp

----

この度「月出アートキャンプ2022」のレジデンシーアーティストとして参加し、4名の参加作家の作品と月出工舎の空間と環境からインスピレーション得たパフォーマンスを発表します。 イベント開催中参加作家によるワークショップやその他催し、常設展示では岡田杏里、塩月洋生、鈴木敦夫、チョウハシトオル、岩間賢、竹村京、田中奈緒子、毛利悠子の作品をご覧いただけます。

https://tsukide.jp

■「月出アートキャンプ2022」作品展覧会

会期：2022年10月29日(土)〜12月25日(日)の土日祝日のみ

時間：各日12:00〜17:00

展示作家：綾乃文麿、髙橋凛、山口はるか、吉中媛香

会場：月出工舎体育館

住所：〒290-0527　千葉県市原市月出1045 (旧月出小学校)

観覧料：¥500

ーーーーーーーー ■パフォーマンスプログラム 日　時：11月5日（土）13:30（開演）～14:30（予定） 会場：月出工舎体育館 出　演：中川 麻央 料　金：無料

ーーーーーーーー ■The CURRY CAMP 月出アートキャンプ参加アーティスト髙橋凜が、月出界隈の食材をつかったキャンプ飯を振る舞います。 日　時：11月3日（木・祝）、５日（土）、６日（日）各日12:00～15:00 料　金：投げ銭　＊売り切れ次第終了

ーーーーーーーー ■ワークショッププログラム

里山の小学校でつくる、焚火焙煎珈琲（おやつ・お土産付き） 日　時：11月3日（木・祝）、6日（日）各日10:00～12:00　 講　師：小野 剛（野良焙煎人、ヤマドリ珈琲主宰） 人　数：3名まで　＊事前予約制 対　象：中学生以上（中学生は保護者同伴） 料　金：1名3,000円

青写真教室 日　時：11月3日（水・祝）10:00～12:00　 講　師：綾野 文麿 人　数：８組程度　＊事前予約制 対　象：幼児から大人まで（小学生以下は保護者同伴） 料　金：1組500円

ツルピカ泥団子をつくろう 日　時：11月3日（木・祝）、6日（日）各日12:00～16:00　 講　師：山口 はるか 人　数：先着順　＊随時参加可能 対　象：幼児から大人まで（小学生以下は保護者同伴） 料　金：無料

森で食べられるものを採取して食す会 日　時：11月6日（日）10:00～12:00 講　師：吉中 媛香 人　数：8組程度　＊事前予約制 対　象：幼児から大人まで（小学生以下は保護者同伴） 料　金：1組500円

■ワークショップのお問い合わせ、申し込み先 info@tsukide.jp

記載していただきたい情報 １、ワークショップ名 ２、日　付 ３、参加者全員のお名前と年齢

ーーーーーーーー ■アーティスト・リレートーク　　　

日　時：11月5日（土）15:00～16:00 司会者：田中ジョン直人 登壇者：綾野 文麿、髙橋 凜、中川 麻央、山口 はるか、吉中 媛香

ーーーーーーーー

[anicutexd]

[cinemastylenews]

映画『惡の華』伊藤健太郎＆玉城ティナが本日発売ananで胸キュン距離感！

この度、累計発行部数300万部を記録する押見修造の人気コミックを原作とした、映画『惡の華』の公開日が9月27日（金）より全国公開致します。

鬱屈とした青春と、行き場のない衝動を描き、思春期の暗黒面をえぐり出した本作で主役・春日高男を務めるのは、今最も勢いに乗る若手俳優の伊藤健太郎。春日の中に自分と通ずる何かを見つけ、執拗につきまとう仲村役には、「ViVi」の専属モデルを卒業後、女優として大躍進を続ける玉城ティナ。春日が片思いをするクラスのマドンナ・佐伯奈々子役には、雑誌「ニコラ」で注目を浴びた16歳の次世代モデル、秋田汐梨が数百人以上のオーディションを経て大抜擢されました。そして、今回初の映像化となる高校時代、お互い文学が好きなことをきっかけに春日と交流を深める常磐文役に、モデル、女優と大活躍中の飯豊まりえが扮するなど、最旬キャストの共演も見逃せません。

原作「惡の華」は、別冊少年マガジンに2009年から5年間に渡って連載され、「このマンガがすごい！2011」にランクイン、「マンガ大賞2012」にもノミネートされ、コミック連載中にはテレビアニメ化・2016年に舞台化を果たしました。そして今回、原作者の逆指名によりメガホンをとったのは井口昇監督。瑞々しいタッチで青春を描き続ける岡田麿里脚本との化学反応が見事に生まれ、思春期に、今、苛まれているすべての少年少女と、かつて思春期に苛まれたすべてのかつての少年少女に捧げる映画が誕生しました。

この度、本作で初の変態役を演じた伊藤健太郎。ひょんなことから好きな女の子の体操着を嗅ぎ、盗み、持ち帰り、一人の文学少年が徐々に己の変態性を開花させていく様を思い切りよく演じました。その主人公に詰め寄るクラスの問題児、否、孤高のヒロインを演じた玉城ティナもまた、「黙れクソムシ！」「クズだるま」「全身皮かむり野郎」「逃げ野郎、クズネズミ」など過激なワードを連呼し、気持ち良いくらいに振り切れた演技を披露しています。そんな２人が、本編とは180度異なった魅力を余すことなく発揮しているのが本日発売の「anan」。登場するのは特集にもなっている「秋のモテコスメ大賞」。12ページに渡り、カラーグラビアと映画やメイクに関するインタビュー記事が掲載されています。劇中では主従関係を結び、ダークな青春時代を演じていた伊藤さんと玉城さんですが、誌面ではお家でリラックスしている様子や、ニットとストライプシャツを身に纏い大人っぽくキメているもの、まるで『惡の華』をイメージしたかのような全身黒の衣装に身を包んだシックな写真も。役者、モデルと自由自在に変化する2人の表情・雰囲気を是非映画『惡の華』と「anan」でお楽しみ下さい。

【ストーリ―】 あの夏、僕は仲村さんと出会い、リビドーに目覚めた。 山々に囲まれた閉塞感に満ちた地方都市。中学２年の春日高男は、ボードレールの詩集「惡の華」を心の拠り所に、息苦しい毎日をなんとかやり過ごしていた。ある放課後、春日は教室で憧れのクラスメイト・佐伯奈々子の体操着を見つける。衝動のままに春日は体操着を掴み、その場から逃げ出してしまう。その一部始終を目撃したクラスの問題児・仲村佐和は、そのことを秘密にする代わりに、春日にある“契約”を持ちかける。こうして仲村と春日の悪夢のような主従関係が始まった・・・。

───────────────────────────

【作品情報】 『惡の華』

■監督：井口昇 ■脚本：岡田麿里 ■出演：伊藤健太郎、玉城ティナ、秋田汐梨、飯豊まりえ、北川美穂、佐久本宝、田中偉登、松本若菜、黒沢あすか、高橋和也、佐々木すみ江、坂井真紀、鶴見辰吾 ■原作：押見修造「惡の華」 ■主題歌：リーガルリリー「ハナヒカリ」 ■配給・宣伝：ファントム・フィルム　

©押見修造／講談社　©2019映画『惡の華』製作委員会

情報提供：ファントム・フィルム

9月27日（金）TOHOシネマズ日比谷ほか全国ロードショー

[komattamono]

Araburu Kisetsu no Otomedomo yo. / 荒ぶる季節の乙女どもよ。by Okada Mari / 岡田麿里 & Emoto Nao / 絵本奈央 .

[joneswumovie]

《道別的早晨》的畫風之於我太可愛，劇情之於我太奇幻，總覺得要接受這類型作品的世界觀，必須常接觸這類動畫或輕小說才比較容易進入狀況；影片演了半小時後，逐漸習慣與入戲，後半段劇情收線，洋蔥一顆一顆丟出來，忍不住淚水直流啊！ 完整文章：https://ppt.cc/fzw74x

[ot9000]

さよならの朝に約束の花をかざろう

Directed by Mari Okada　岡田麿里 2018 Japan

[todomanganime]

Sayonara no Asa ni Yakusoku no Hana wo Kazarou 2.2 Raw!!

[hellomagmoe]

@吉岡里帆 : yesterday昨天的女孩奖！ 谢谢你的节日。 公立学生配音，后背变得紧张... → → → →＃天蓝色×＃女孩奖... - [卖萌]

https://mag.moe/293750

#RihoYoshioka, #吉岡里帆, #10月11日公開, #Riho_Yoshioka, #アニメーション映画, #あの花, #ガールズアワード, #ガルアワ, #ここさけ, #シッチェス映画祭, #吉沢亮, #埼玉, #大地葉, #岡田麿里, #映画館, #東宝ホーム, #松平健, #田中将賀, #秩父ㅤㅤㅤㅤㅤㅤㅤ, #種﨑敦美ㅤㅤㅤㅤㅤ, #空の青さを知る人よ, #空青, #若山詩音, #落合福嗣, #超平和バスターズ, #長井龍雪

#@吉岡里帆, #i.Love.Mag.Moe, #私房影像

@吉岡里帆 : yesterday昨天的女孩奖！ 谢谢你的节日。 公立学生配音，后背变得紧张... → → → →＃天蓝色×＃女孩奖...

[delrory-s]

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Oh, and if you could take a moment to " like " me YouTube, that would also be great 👍

[chibimyumi]

Hello!I think your blog is great and I love your clear attitude.I have seen some questions about Sebaciel.Actually, the Sebaciel shipping is very controversial alongside Asian fans,too.I don't really in favor of this ship, but I believe that in season 1 and 2, also the ovas and MBD, there are much yaoi tendency, not only about Sebby and Ciel, but also about Claude and Alois, Eric and Alan, etc.And the staffs(mostly岡田麿里and清水博之)always try to explain the relationship of Sebby and Ciel somewhat yaoi

【Related post】

Dear Lorenzo151,

Hello! Thank you for your kind words!

Yeah indeed, there are discussions about the appropriateness of SebaCiel in Japan too, for example. Just like in the English speaking fandom, there are people who argue that it’s just fiction, so it’s fine, while others are of the opinion that it is a perverse sexualisation of children.

The main difference between the Japanese fandom and non-Japanese fandom SEEMS to be that the Japanese one does not have the false rumour going on of ‘Kuroshitsuji’ originally being yaoi, or intended as one. I think most if not all Japanese audiences of the series see that the teasing is there. However, most also agree that those are just ‘teasings’, and not implications of true feelings.

Obviously wishful thinking in shipping is universal, so the same applies to some in the Japanese fandom as well. But then Editor Kuma’s list of facts about ‘Kuroshitsuji’ surely did make it very clear that Sebaciel is not canon.

“【The foundation of Kuroshitsji no. 16】 The butler is a demon and   competent, that is the truth. However, there is no affection for his master. [Sebastian] supports his master in his revenge as a butler, but the nature of the contract is one where he will eat the soul after the completion [of the revenge]. The contract is the only reason [Sebastian]  works so hard, he is a perverted gourmet. #Kuroshitsuji ” - Editor K.

As for the anime… well. The anime made a lot of choices to appeal to a broader audience (click here for an example about Grell). The most obvious choice was to make Sebastian manlier, more gallant and mature. The voice actor Ono Daisuke was explicitly instructed to play up the suave and emotionless side of the demon, and it worked like a charm for many people.

Q: What is the difference between the time of first season and the current production (Book of the Atlantic)?

Ono: “I feel more at ease playing him now. I was instructed to play Sebastian dispassionately with a low, low voice, and do my utmost best not to show any emotions. As such there really was a part of me that suffered. But this time his bond with Ciel has also gone a step forward and the enemies are also stronger, so I feel like I am finally able to release something in me that I’ve been made to suppress. During the acting I am now able to feel the passion, it’s like a treat to me.” - Ono Daisuke.

【Source: Animedia 2017 March Issue.】

Despite its popularity, ‘Kuroshitsuji’ is still not considered part of the mainstream world, like ‘One Piece’ or ‘My Hero Academia’ are. The airing time of ‘Kuroshitsuji’ was incredibly late, and so the series catered to a more niche audience. The target audience of the animated series were late teens and young adults who could afford to stay up very late at night to watch the series. Many of these people were yaoi fans. By the time the second season was released, the manga already had a very steady fanbase, and it was mostly the more shipping-inclined fans that stuck around for the anime. Hence the second series greatly catered to the hormon- uh I mean those fans’ tastes. Season II basically shouted: “You like Sebaciel but it’s not enough? Then worry not, have ANOTHER demon and child master-servant relationship for you to ship!!”

As we all must have noticed, there became a rather large divide between anime fans and manga fans of ‘Kuroshitsuji’.

Okada Mari is someone who seems to be very large on fan-service as evidenced by many things I discussed in the posts listed in this mini masterpost. Now, who is better suited for the job of catering to BL fans than her?

[anicutexd]

[cinemastylenews]

映画『惡の華』体操着を嗅ぐ伊藤健太郎、「クソムシが」と吐き捨てる玉城ティナ！暴走する青春！変態全開！

この度、累計発行部数300万部を記録する押見修造の人気コミックを原作とした、映画『惡の華』の公開日が9月27日（金）に決定いたしました。 鬱屈とした青春と、行き場のない衝動を描き、思春期の暗黒面をえぐり出した本作で主役・春日高男を務めるのは、今最も勢いに乗る若手俳優の伊藤健太郎。春日の中に自分と通ずる何かを見つけ、執拗につきまとう仲村役には、「ViVi」の専属モデルを卒業後、女優として大躍進を続ける玉城ティナ。春日が片思いをするクラスのマドンナ・佐伯奈々子役には、雑誌「ニコラ」で注目を浴びた16歳の次世代モデル、秋田汐梨が数百人以上のオーディションを経て大抜擢されました。そして、今回初の映像化となる高校時代、お互い文学が好きなことをきっかけに春日と交流を深める常磐文役に、モデル、女優と大活躍中の飯豊まりえが扮するなど、最旬キャストの共演も見逃せません。

原作「惡の華」は、別冊少年マガジンに2009年から5年間に渡って連載され、「このマンガがすごい！2011」にランクイン、「マンガ大賞2012」にもノミネートされ、コミック連載中にはテレビアニメ化・2016年に舞台化を果たしました。そして今回、原作者からの逆指名を受けた井口昇監督のもと、絶望の思春期を突き進む、超＜変態＞狂騒劇が幕を開けます！

この度、本作の特報とティザービジュアルが完成致しました。「変態」というワードが散りばめられた特報は、原作でも印象的な「うっせー、クソムシが」という強烈なセリフと、玉城ティナ演じる孤高のヒロイン、仲村佐和の鋭い眼光で始まります。この映像には、今をときめく人気若手俳優　伊藤健太郎演じる春日高男が、ひょんなことから憧れている女子の体操着の匂いを嗅ぐ姿や、大雨の中半裸で雄叫びを上げる姿が収められており、キラキラした青春映画とは一線を画す様子が伺えます。

　　　　　　　予告映像はこちら

また、中学時代編の一番のハイライトである深夜の教室を破壊するシーンも収められており、原作ファンは必見。特報と同時に解禁となるティザービジュアルは、是非背景の教室にご注目を。ひっくり返った椅子、墨汁まみれの黒板、そして壁に書き殴られた本能丸出しの落書き。暴走する青春が凝縮され、唯一無二の超変態狂騒劇を予感させるようなビジュアルに仕上がっています。このビジュアルのオリジナルポストカードセット（2枚組）が特典のムビチケは6月14日（金）より発売となります。ポストカードは数量限定となるのでお早めに。

またこのタイミングで、若手俳優をとりまく全キャストが解禁となりました。どんどん変態性が開花していく春日を心配しつつも見守る父親に鶴見辰吾、母親に坂井真紀、娘との距離をうまくとれない仲村の父親は高橋和也、離れて暮らす母親に黒沢あすか、祖母に佐々木すみ江、佐伯の母親には松本若菜と実力派俳優たちが若者たちを見守る家族として出演。クラスメイトには北川美穂、佐久本宝、田中偉登とフレッシュな顔ぶれが揃いました。若手から実力派まで超豪華キャストで贈る超＜変態＞狂騒劇にご期待ください！

【ストーリ―】　 あの夏、僕は仲村さんと出会い、リビドーに目覚めた。 山々に囲まれた閉塞感に満ちた地方都市。中学２年の春日高男は、ボードレールの詩集「惡の華」を心の拠り所に、息苦しい毎日をなんとかやり過ごしていた。ある放課後、春日は教室で憧れのクラスメイト・佐伯奈々子の体操着を見つける。衝動のままに春日は体操着を掴み、その場から逃げ出してしまう。その一部始終を目撃したクラスの問題児・仲村佐和は、そのことを秘密にする代わりに、春日にある“契約”を持ちかける。こうして仲村と春日の悪夢のような主従関係が始まった・・・。 仲村に支配された春日は、仲村からの変態的な要求に翻弄されるうちに、アイデンティティが崩壊し、絶望を知る。 そして、「惡の華」への憧れと同じような魅力を仲村にも感じ始めた頃、2人は夏祭りの夜に大事件を起こしてしまう・・・

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【作品情報】 『惡の華』

■主演：伊藤健太郎　玉城ティナ　秋田汐梨　飯豊まりえ　北川美穂　佐久本宝　田中偉登　松本若菜　黒沢あすか　高橋和也　佐々木すみ江　坂井真紀　鶴見辰吾 ■原作：押見修造「惡の華」（講談社『別冊少年マガジン』所載） ■監督：井口昇 ■脚本：岡田麿里　　 ■製作：『惡の華』製作委員会（ハピネット　ひかりTV　ファントム・フィルム　角川大映スタジオ　日活） ■配給：ファントム・フィルム

情報提供：ファントム・フィルム

（c）押見修造／講談社　（c）2019映画『惡の華』製作委員会

9月27日（金）、TOHOシネマズ日比谷ほか全国ロードショー

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志田未來，花江夏樹配音，佐藤順一、柴山智隆監督，初中二年生笹木美代因著不可思議的面具幻化為貓，接近喜歡的對象，劇本為岡田麿里撰寫。

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現在觀看>）想哭的我戴上貓的面具 (2020) 完整版

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