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#(the full PDF is in the link this is just kind of a preview for the pics)
horridcassette · 3 months
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David Byrne for Pulse! Magazine, February 1992 Issue (x)
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ghostsandyoumightdie · 7 months
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hey I'm kind of dumb, how did people end up reading The Unwanted Guest before the paperback came out? I also want to read it but I don't want to buy a second copy of the same book (but damn it I will if I have to)(or I'll just wait until next year when tor.com publishes it)(why am I trying to be virtuous about this? who even knows)
Hi there! So, there were a few leaks that happened that gave people access to The Unwanted Guest. Amazon's book preview setting spoiled it on its website, and also a bunch of Barnes and Noble stores fucked up and put the paperback on the shelves like... a full week before the release date. Very quickly someone put a PDF online.
Links popped up and disappeared as quickly as they came because they are still very much pirated copies lol. However, since the copy is legally on shelves now, you could also just go to a book store and read that excerpt without buying the book.
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erotictrust · 2 years
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raytonki · 2 years
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epublisherworld · 2 years
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meruz · 3 years
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once again i am answering asks in a big compilation post. included is... gotham, patrick stump, tips about drawing backgrounds, tips about drawing in general, links to my faq, and infinity train
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like.... the tv series? No... I’ve drawn dc comics fanart before, though. But it’s been years since I’ve been really into it. I like jumped ship like 10 years ago when the New 52 happened LOL.
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AFJHDSLKGH I’m sorry I (probably) won’t do it again??
Actually full disclosure I have a truly cringe amount of p stump drawings/photo studies in my sketchbook right now LOL. He’s just fun to draw... hats, glasses, guitar, a good shape... but I don’t think I’ll rly post those until I can hide them in another big sketchbook pdf.. probably Jan 2022. Stay tuned........ (ominous) 
(ominous preview)
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These are all sort of related to backgrounds/painting so I grouped them together even though they’re pretty much entirely separate questions.... ANYWAYS
a) How is it working as a BG artist? Is it hard? What show are you drawing for?
I think you’re the first person to ever ask me about my job! Being a background artist is great. It’s definitely labor intensive but I think that could describe pretty much any art job (If something were rote or easy to automate, you wouldn’t hire an artist to do it) and I hesitate to say whether its harder or easier than any other role in the animation pipeline. Plus, so much of what truly makes a job difficult varies from one production to the next, schedule, working environment, co-workers etc. But I will say that I think while BGs are generally a lot of work on the upfront, I think they’re subject to less scrutiny/revisions than something like character/props/effects design and you don’t have to pitch them to a room like boards. So I guess it’s good if you don’t like to talk to people? LOL
A lot of my previous projects + the show I’ve worked on the longest aren’t public yet so I can’t talk about em (but I assure you if/when the news does break I won’t shut up about it). But I’m currently working on Archer Season 12 LOL. I’m like 90% sure I’m allowed to say that.
b) ~~~THANK YOU!! ~~~
c) What exactly do you like to draw most [in a background]?
@kaitomiury​ Lots of stuff! I really like to draw clutter! Because it’s a great opportunity for environmental storytelling and also you can be kind of messy with it because the sheer mass will supersede any details LOL. 
I like to draw clouds... I like to draw grass but not trees lol,,, I like to draw anything that sells perspective really easily like tiled floors and ceilings, shelves, lamp posts on a street etc.
d) Do you have any tips on how to paint (observational)?
god there’s so much to say. painting is really a whole ass discipline like someone can paint their whole life and still discover new things about it. I guess if you’re really just starting out my best advice is that habit is more important than product. especially with traditional plein air painting, I find that the procedure of going outside and setting up your paints is almost harder than the actual painting. There’s a lot of artists who say “I want to do plein air sometime!!” and then never actually get around to doing it. A lot of people just end up working from google streetview or photos on their computer.
But going outside to paint is a really good challenge because it forces you to make and commit to lighting and composition decisions really quickly. And to work through your mistakes instead of against them via undo button.
My last tip is to check out James Gurney’s youtube channel because hes probably the best and most consistent resource on observational painting out there rn. There’s lots other artists doing the same thing (off the top of my head I know a lot of the Warrior Painters group has people regularly posting plein air stuff and lightbox expo had a Jesse Schmidt lecture abt it last year) but Gurney’s probably the most prolific poster and one of the best at explaining the more technical stuff - his books are great too.
e) Do you have tips for drawing cleanly on heavypaint?
@marigoldfool​ UMM LOL I LIKE ONLY USE THE FILL TOOL so maybe use the fill tool? Fill and rectangle are good for edge control as opposed to the rest of the heavy paint tools which can get sort of muddles. And also I use a stylus so maybe if you’re using your finger, find a stylus that works with your device instead. That’s all I’ve got, frankly I don’t think my drawings are particularly clean lol.
f) Tips on improving backgrounds/scenes making them more dynamic practicing etc?
Ive given some tips about backgrounds/scenes before so I’m not gonna re-tread those but here’s another thing that might be helpful...
I think a good way to approach backgrounds is to think of the specific story or even mood you want to convey with the background first. Thinking “I just need to put something behind this character” is going to lead you to drawing like... a green screen tourist photo backdrop. But if you think “I need this bg to make the characters feel small” or “I need this bg to make the world feel colorful” then it gives you requirements and cues to work off of.
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If I know a character needs to feel overwhelmed and small, then I know I need to create environment elements that will cage them in and corner them. If a character needs to feel triumphant/on top of the world then I know I need to let the environment open up around them. etc. If I know my focal point/ where I want to draw attention, I can build the background around that.
Also, backgrounds like figure compositions will have focal points of their own and you can draw attention to it/ the relationship the characters have with the bg element via scale or directionality or color, any number of cues. I think of it almost as a second/third character in a scene.
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Not every composition is gonna have something so obvious like this but it helps me to think about these because then the characters feel connected and integrated with the environment.
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Some more general art questions
a) Do you have any process/tips to start drawing character/bodies/heads?
I tried to kind of draw something to answer this but honestly this is difficult for me to answer because I don’t think I’m that great at drawing characters LOL. Ok, I think I have two tips.
1) flip your canvas often. A lot about what makes human bodies look correct and believable is symmetry and balance. Even if someone has asymmetrical features, the body will often pull and push in a way to counterbalance it. we often have inherent biases to one side or another like dominant hands dominant eyes etc. you know how right-handed artists will often favor drawing characters facing 45 degrees facing (the artist’s) left? that’s part of it. so viewing your drawing flipped even just to evaluate it helps compensate for that bias and makes you more aware of balance.
2) draw the whole figure often. I feel like a lot of beginner artists (myself included for a long time) defer to just drawing headshots or busts because it’s easier, you dont have to think about posing limbs etc. But drawing a full body allows you to better gauge proportion, perspective, body language, everything that makes a character look believable and grounded.
Like if you (me) have that issue where you draw the head too big and then have to resize it to fit the proportions of the rest of the body, it’s probably because you (I) drew the head first and are treating the body as an afterthought/attachment. Sketching out the whole figure first or even just quick drawing guides for it will help you think of it more holistically. I learned this figure drawing in charcoal at art school LOL.
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oh. third mini tip - try to draw people from life often! its the best study. if you can get into a figure drawing/nude drawing class EVEN BETTER and if you have a local college/art space/museum that hosts those for free TREASURE IT AND TAKE ADVANTAGE OF IT, that’s a huge boon that a lot of artists (me again) wish they had. though if youre not so lucky and youre sitting in a park trying to creeper draw people and they keep moving.. don’t let that stop you! that’s good practice because it’s forcing you to work fast to get the important stuff down LOL. its a challenge!
b) I’ve been pretty out of energy and have had no inspiration to draw but I have the desire to. Any advice?
Dude, take a walk or something.... Or a nap? Low energy is going to effect everything else so you gotta hit that problem at its source.
If you’re looking for inspiration though, I’d recommend stuff like watching a movie, reading a book, playing video games etc. Fill up your idea bank with content and then give yourself time/space to gestate it into new concepts. Sometimes looking at other art works but sometimes it can work against you because it’s too close. 
Also something that helps me is remembering that art doesn’t always have to be groundbreaking... like it’s okay to make something shitty and stupid that you don’t post online and only show to your friend. That’s all part of the process imo. If you want to hit a home run you gotta warm up first, right? Sports.
I should probably compile everytime i give tips on stuff like this but that’s getting dangerously close to being a social media artist who makes stupid boiled down art tutorials for clout which is the last thing i want to be... the thing I want to stress is that art is a whole visual language and there are widely agreed upon rules and customs but they exist in large part to be broken. Like there's an infinite number of ways to reach an infinite number of solutions and that’s actually what makes it really cool and personal for both the artist and the viewer. So when you make work you like or you find someone else’s work you like, take a step back and ask yourself what about it speaks for you, what about it works for you, what makes it effective, how to recreate that effect and how to break that effect completely, etc. And have a good time with it or else what’s the point.
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for the first 2, I direct you to my FAQ
For the last one, I don’t actually believe I’ve ever addressed artwork as insp for stories/rp but I’ll say here and now yeah go ahead! As long as you’re not making profit or taking credit for my work then I’m normally ok with it. Especially anything thats private and purely recreational, that’s generally 100% green light go. I only ask that if you post it anywhere public that you please credit me.
(and I reserve the right to ask you to take it down if I see it and don’t approve of it’s use but I think that case is pretty rare.)
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a) @lemuelzero101 Thank you!!! I haven’t played Life is Strange but actually  that series’ vis dev artist Edouard Caplain is one of my bigger art inspirations lately so that’s a really high compliment lol. And yeah I hope we get 5-8 too...!
b) Thank you for sticking around! I’ve been thinking about Digimon and Infinity Train in tandem lately, actually. They’re a little similar? Enter a dangerous alternate world and have wacky adventures with monsters/inanimate objects that have weird powers... there’s like weird engineers and mechanisms behind the scenes... also frontier literally starts with them getting on a train. Anyways if anyone else followed me for digimon... maybe you’d like Infinity Train? LOL
c) @king-wens-king I’M GLAD MY ART JUST HAS PINOY VIBES LOL I hope you are having a good day too :^)
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a, b, c, d) yessss my Watch Infinity Train agenda is working....
e) aw thank you!! i think you should watch infinity train :)
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pain-somnia · 4 years
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Title: Take Me Now, I’m In Too Far Rating: M (for sexual content) Disclaimer Playlist Art Credit: @inknigella​ (used with permission) Day’s Notes: I have recently updated this fic on Patreon. It is one of three fics of mine exclusive to Patreon, but here’s a chance to read Part 1 of my “exes as roommates” AU. This fic is dear to me in almost the same way Kingdom For Two is. The fic started as a simple Roommates AU, but then was molded into something else when I decided to add the fact that they were exes. I wanted to write about two people that love each other a lot but growing up and becoming “real” adults made things difficulty. If you would like to give this fic a chance and enjoy Part 1, you can find Part 2 & Part 3 on Patreon. Here is a link to the tag for this fic. I have opened up the $1 tier permanently for access to exclusive fics and early access to publicly posted fics, but I have other tiers with different perks. One of the perks for certain tiers are PDFs that contain exclusive art that will only be found in full on my Patreon (or in some cases Cj’s Patreon). The above banner was created with a preview of one of the many works Ink has provided to help bring my work to life.
I hope you all enjoy the first part of this fic and consider becoming one of my patrons 😊
Part One
She was going to kill Karin. And her stupid boyfriend. She was going to kill Karin and her boyfriend and then take back the armchair she let them have as a moving-in-together gift.
Sakura wasn’t that surprised when Karin told her she was moving out. She had been spending so much time at Suigetsu’s apartment, it was as if she had already moved out months ago. It was only a matter of time before the two of them would officially move in together.
Karin had been considerate and had found her a new roommate before she gave her the news. And although Sakura wasn’t too keen on the idea of living with a stranger—a man at that—she was willing to put up with it for her friend’s happiness.
At least for a few months while she looked for a new place if possible.
Unfortunately for Sakura, she couldn’t set a day to actually meet her new roommate before he was set to move in. Their schedules conflicted most days so Karin went ahead and took care of all of the necessary paperwork and was present when he moved in. With how things had begun, Sakura assumed she wouldn’t meet her new roommate until her day off.
She hadn’t expected to run into him as she was leaving for work at the bakery at three in the morning and he was coming home smelling of booze.
She definitely didn’t expect to see her ex-boyfriend holding a key to her apartment.
“You’ve got to be shitting me,” Sasuke muttered, running a hand through his messy, jet black hair.
“You’re my new roommate?” Sakura scoffed, wringing her hands in the scarf she was attempting to put on on her way out. “How did you not know that I was Karin’s roommate?”
Sasuke looked at her impassively for a moment, as if mulling over what he wanted to say before pushing past her and saying, “I’m going to bed.”
“What? We’re not even going to talk about this?”
“If we start now, you’re going to be late for work,” he called back to her without turning around. “Can’t have that can we?”
Sakura scoffed but couldn’t retort. He was right. If she missed her bus she was going to have to wait for the next one and it would cause her to be late.
She wanted nothing more than to bang on his bedroom door and demand that he come out and speak with her. How could he just go to sleep!?
“We’re talking when I get back!” She shouted, grabbing the front door. Sakura waited but there was no response. She growled in frustration and slammed the door behind her on her way out.
.
.
“Have you been taking your anger out on dough again?” Ino commented dryly between page flips of a cake catalogue, pointing out cute designs to the toddler sitting on her lap and cooing.
Sakura rubbed her temple with the heel of her palm and sighed. It was one in the afternoon and she had spent the day busy working on custom orders. At the moment she was sitting through a consultation with her childhood friend who needed to order a birthday cake for her son, Inojin. She had tried to throw herself into baking and packaging orders but now that there was a slow down where it was only her and two of the shop clerks, her mind was free to think about how her ex was now living with her.
“You know how Karin moved out and found me a roommate?”
“Uh-huh, it was kind of unexpected. Isn’t it a little early though? They’ve only been dating for━”
“Sasuke is the roommate she found me.”
“Holy━sorry, honey.” Ino interrupted herself and covered her son’s ears. “Holy shit!”
“I wanted to call her and chew her out but in her defense, she doesn’t know he’s my ex-boyfriend.” Sakura slumped in her seat, took a fork and dug into one of the cake slices she brought out for tasting. “When I did get a chance to talk to her earlier, she said that apparently Suigetsu is best buddies with him and Kiba. Kiba and Sasuke were rooming with their friend Shino but the lease was coming to an end and Shino was moving away for a teaching job and Kiba decided to move in with his fiancée. So━”
“So Sasuke needed a new place quick and conveniently Suigetsu knew a place close enough to his workplace and with someone that desperately needed a new roommate.”
Sakura tossed the fork over her shoulder in defeat and dropped her head into her hands. Ino reached over and patted her arm in a comforting manner.
“I give you guys two weeks.”
“Two weeks for what?” Sakura lifted her head up to narrow her eyes at Ino. “Before we kill each other?”
Ino covered Inojin’s ears one more time and said, “Two weeks before you’re fucking.”
“Ino!” Sakura sat up, looking affronted, hand clutching the front of her apron.
“You guys used to go at it like rabbits,” Ino gave her a sly smile, “and it’s not like you guys broke up because you grew to hate each other.”
“That was years ago, Ino.” Sakura rolled her eyes and pushed the cake slices closer to Inojin. He immediately sank his fingers into the cake and ate from his hands. “He’s probably moved on anyway.”
“It was the stupidest break up.”
“I know it was, but we were so busy and our schedules never aligned. It was frustrating.” Sakura sighed and stared off into space. “It’s been four years…”
Ino took out some wet wipes and cleaned Inojin’s chubby fingers. “So what are you going to do?”
Sakura shrugged. “Nothing.”
“Nothing?” Ino looked at her incredulously. “You’re just going to live with him and not do a thing about it.”
“I didn’t even notice he was there for three days already.” Sakura shrugged again. “And our schedules never sync up. I really don’t think it will be an issue.”
“Unless he brings someone home,” Ino said the words slowly so Sakura couldn’t miss what she was telling her.
“He’s not as insensitive as that.” Sakura crossed her arms in front of her chest. The action was to get as close to hugging herself without actually doing it.
The truth was that the Sasuke she knew wasn’t insensitive. But she didn’t know this Sasuke; a Sasuke that was twenty-five instead of the twenty year old she knew and loved.
.
.
The new apartment was a lot closer to the tattoo parlor he worked at than his old place. It was one of the things that sold him on it when Suigetsu mentioned that Karin was moving in with him and leaving her old roomie without. That and the washer and dryer included in the apartment which meant no more paying at a laundromat or to use the communal laundry center.
Sasuke wasn’t too keen on sharing a space with a woman he didn’t know but Karin insisted that his roommate was clean and quiet and that with her work schedule he wouldn’t be running into her except on Sundays when her bakery was closed.
Bakery.
That was the first sign that had him want to put the pen down and walk away. Because baking is what she wanted to do for a living. But what were the odds that Karin was talking about her? There were tons of bakeries in the city and Sakura didn’t own one the last time he checked.
But that was five years ago when she was nineteen and too young. She was still pretty young to be a business owner but with Sakura’s tenacity there was a highly likely chance that she would have her own shop. And wasn’t that one of the reasons she had been saving every penny she could when she started working?
Shaking his head of all of those thoughts, he had signed the documents that would transfer him as the new leasee replacing Karin.
It wasn’t until he was moving in that Sasuke found out who exactly Karin’s roommate had been.
Suigetsu and he were bringing in boxes while Karin gave him a tour of the apartment when he saw the photos on the wall. Anyone could dye their hair pink but what were the odds that another pink haired woman around Karin’s age would have gone to Catholic school for high school and wore the same uniform that Sakura used to prance around in.
“Sakura is pretty sentimental so she has photos all over the apartment,” he distantly heard Karin explain as he examined all of the photos that were lined up in the hallway leading to the bedrooms. “Come check out the bathroom. It’s pretty big ‘cause the washer and dryer are set up in there. There’s a door to block out that area from the toilet and shower cabin for some privacy. It’s frosted glass but you can’t really see what’s going on on the other side.”
Karin hadn’t been friends with Sakura when the two of them had been dating so he couldn’t fault her for not knowing but Suigetsu did know that Sakura was his ex.
An ex he was still kind of hung up on.
Which is why after work he headed to the bar with Kiba and Tamaki, Kiba’s fiancée. They were supposed to celebrate him finding a new place but after Kiba asked why Suigetsu wasn’t there, Sasuke explained that he was banned from their usual bar for a few weeks because he let him move in with his ex without warning him.
If he was lucky he would never have to run into Sakura while he was living there. Because wasn’t that the cause of their breakup before? With her busy culinary school schedule and apprenticeship and then his work at the parlor running into late at night, they barely saw each other.
So stumbling in slightly drunk and a little high at three in the morning, Sasuke didn’t expect to see her on the other side of the apartment door in the middle of bundling up for the November cold.
Sakura still looked like she did at nineteen but different at the same time. Her face had lost most of the roundness of youth, but her figure was no longer as slim. She was still on the thin side, but unlike Karin who was all sharp edges and harsh angles, Sakura had filled out either with age or from eating one too many of her own cupcakes.
Sasuke ran a hand through his hair before tucking the arm it was attached to behind his head. He was finding it difficult to stay asleep which was all he had planned on doing before work for the day. Sakura had said something about talking later and he had been dreading having to have the conversation. He vaguely recalled saying something snarky about her running late for work. No doubt she would be upset over that.
The conversation was going to happen. But considering he would be gone before she came home from work, who knew when it would actually take place.
If he was lucky, she would wait until they were home and not find him at work like she used to.
.
.
When Sasuke first met Sakura she was wearing all of the cliche warning signs.
He was busy sketching when she strolled into the shop. Sasuke was supposed to be manning the reception desk and was likely to get bitched at by his cousin’s best friend for not paying attention.
“Hey,” greeted a cheerful voice.
Looking up from his sketchbook, Sasuke blinked in confusion at what he was seeing. Before him stood two teenage girls wearing the dark green tartan patterned pleated skirt and white button down shirt of a school uniform. The blonde one had a sweater wrapped around her waist but the slightly shorter girl with rose gold hair had a cream colored school cardigan with the school crest emblazoned on the left side of her chest.
“Our Lady of Sorrows is seven blocks,” Sasuke pointed out the door, “that way.”
“We have an appointment.” The blonde girl blew a bubble with her gum and popped it. “The school day also ended like an hour ago, dude.”
Raising an eyebrow, he flipped through the appointment book and asked, “names?”
“Ino Yamanaka and Sakura Haruno,” the girl with the pink hair answered, pointing at the girl that matched the names she gave. “We have an appointment with my cousin Sasori.”
Looking down the schedule log there it was. The new piercer did have an appointment with an Ino and a Sakura.
“Aren’t piercings prohibited at catholic schools?” Sasuke asked, eyeing the uniforms.
“Yeah, but you can’t get caught if you get them where the nuns can’t see them.” The pink haired girl winked at him, green eyes sparkling mischievously.
“What kind of piercings are you getting then?” He asked, taking out the waiver forms.
“Belly button for Ino.” The blonde girl raised her hand and took her form and filled out the form.
He turned to Sakura and waited for her answer. Her lips turned upwards at the corners in a coy smile.
“Hips.”
Even now, if Sasuke closed his eyes and concentrated on the memory of Sakura swiveling her hips as he thrust up into her, he could see the jewelry twinkling at him as she dipped her hips.
A lot of years had gone by since that first encounter and Sasuke was no longer the shop slave he was during his apprenticeship and Sakura was no longer that rebellious catholic school girl.
It didn’t stop him from wondering if her dermals were still in place or if after all those years her skin rejected the piercings and they had to be removed.
“What’s up with you, kid?” He felt someone ruffle his hair and he swatted at the air. The only one that had the courage to do so was Konan, one of their piercers.
“Nothing,” he replied, sanitizing the tattoo bed before his next client showed up.
“His ex girlfriend found out he lives with her,” Kiba cackled from his work station. Sasuke took his discarded gloves and threw them across the room until they hit him with a smack. “Ow!”
“Why would that be a surprise?” Konan asked. Sasuke made himself busy taking needles to the autoclave to avoid responding.
“She works baker’s hours,” Sasuke heard Kiba responding for him. “They have opposing schedules so Sui’s girlfriend took care of everything.”
“Good luck with that.”  Konan went to the reception counter to check the appointment book. She had already moved on from the conversation.
I’m going to need more than luck, Sasuke grumbled inwardly.
.
.
Sakura drummed her fingers against her mug, nails clinking against the ceramic. She knew Sasuke wouldn’t get home until late so she called the co-owner of her bakery and asked her to oversee the baking of the everyday  goods the following morning.
While Sakura mostly ran the show in the kitchen—Hinata being too soft and gentle to command the staff—she was mostly the cake artist and worked on custom orders. It was a lot more relaxed than the job she had as a pastry chef for the high end hotel in the city, but it still demanded a lot of her time.
She could spend hours of her day just to work on a cake that would still take her three days to make all of the components for it.
It wasn’t until one in the morning that the front door creaked open, keys jingling as they were pulled out of the lock.
“You stayed up.” Sasuke toed his boots off and lined them up next to hers. The leather work boots were of a popular brand so they hadn’t alarmed Sakura despite them being part of Sasuke’s signature look.
Sakura stood up from his seat at the couch and wrapped her oversized cardigan tighter around her body. She hugged herself, feeling exposed in her pajamas. “I said we had to talk.”
“There’s not much to talk about.” Sasuke tossed his keys on the kitchen island. Sakura grabbed them and placed them on a wall hook next to her own set of keys. “I need a place to live, you need a roommate. That’s it.”
“That’s it?” Sakura asked, voice soft and slow, urging him to re-examine their situation. When he continued to stare at her impassively, Sakura scoffed.
“I didn’t know you were Karin’s roommate until I was moving in.”
“I know.” Sakura ran a hand through her hair, pushing her bangs back. Sasuke wasn’t a liar. At least the Sasuke she knew wasn’t a liar. “I know.”
“So is this the end of the discussion?” Sasuke’s eyes drifted from her to the hallway behind her. It was late and all he wanted was to get to bed. “I don’t really see any problem with us living together. You didn’t even notice that I was here for three days.”
The problem is that I never got over you. “Alright, if there’s no problem then let’s go over the rules.”
“Rules?” Sasuke gave her a blank look.
“Yes, rules. Karin and I had them and now so will we.”
“Okay.” Sasuke crossed his arms in front of his chest and leaned against the island. “What are your rules?”
“Rule number one: no fucking on the couch.”
Sasuke’s eyes went wide and he choked on an inhale. “That’s a rule you guys had or is that one you made for me?”
“That was an actual rule we had.” Sakura shivered in disgust. “Suigetsu has a very pale ass.”
“Yeah, everyone’s seen more of Sui than they’ve ever wanted to.”
“Rule number two: toilet seat needs to be put back down after use.”
“Okay, that’s definitely one you made up for me.” Sasuke stood you straighter and looked her up and down. “Do I get to make rules too?”
“I will consider them.”
“Alright.” Sasuke was silent for a moment as he pondered. “No obnoxious noises such as vacuuming when you know the other is sleeping.”
“That’s reasonable.” Sakura sat down on one of the bar stools at the island and took out her notepad. She took out a pen and wrote down a few lines. “I do my laundry twice a week━Wednesdays and Sundays, usually around noon. Having a schedule kind of helps out ‘cause the laundry room is in the bathroom.”
They went back and forth writing down rules and going over each other’s work schedule. Sakura tapped the pen on the table and took a deep breath. She didn’t want to step on any toes or be misunderstood but she needed to bring up an uncomfortable topic.
“No overnight guests.” Sasuke raised an eyebrow and in a rush to recover Sakura blurted out, “for either of us! At least not without a heads up. I don’t want to be walking around in my underwear and there’s a stranger in my home.”
“Why would you be walking around in your━?”
“I sleep like that sometimes!” Sakura snapped, cheeks heating up. “I wake up to use the bathroom or get water and I’m too drowsy to consider pants.”
“Why do you sleep in your underwear if you get cold easily?” Sasuke’s face scrunched up in confusion.
“I come home too tired to change so I just sleep in my underwear.” Sakura stomped her foot. Sasuke raised an eyebrow. “Don’t judge me!”
“Just remember that I live here now and will see your ass if you decide that pants are too much,” Sasuke yawned, “effort. I’m going to bed now.”
Sakura watched him head to his room with a frown on her face. It wasn’t until she heard the lock on his door click that she let out an exhausted sigh.
Does he have to look cute when he’s sleepy?
.
.
“Is this too much for a three year old’s birthday?” Sakura sat back and looked thoughtfully at her sketch with her chin resting on her fist.
Hinata shrugged as she continued to pipe buttercream flowers. “I mean it’s more for Ino, isn't it?”
“God,” Sakura rolled her eyes, “it really is. I’m sure Inojin would be happy with a dinosaur on a cake instead of a dinosaur made out of cake.”
Hinata giggled softly as she continued to make a bouquet out of cupcakes. She was working on cupcakes for a bridal shower. Sakura had helped her with the structure to make it appear that it was suspended in the air and now all she had to do was decorate it.
When Sakura had met Hinata, the young woman wasn’t the best baker. It was an issue of confidence and being unsure if it was the best decision she had made. Upon discovering that Hinata had a few years to become a successful baker or get married to a man her father chose, Sakura took her under her wing and when they were ready they used Hinata’s trust fund to secure a location.
At that point Sakura already had a reputation for her cake sculptures so they lucked out.
Just because Sakura couldn’t be with the person she loved, it didn’t mean she was going to watch someone give up on their dream and marry someone they were forced to.
“So how has Tinder been working out for you?” Sakura drawled as she took out the ingredients she was going to need.
“I prefer Bumble, actually,” Hinata mumbled, face flushing pink. “You know it’s weird describing myself as pleasantly plump. Usually I would just say fat or chubby.”
“But you are pleasantly plump,” Sakura teased her. “And good call on Bumble. Message any guys?”
“I might have,” Hinata muttered under her breath, face turning a dark shade of red.
“Oh, you dirty slut.”
“We only met for coffee!” Hinata insisted over Sakura’s laughter. Sakura waved her hand at her and tried to reign in her laughter. It was quiet in the kitchen until Hinata said, “I wouldn’t have minded though. He has such pretty blue eyes.”
Sakura only stopped laughing when Hinata threw buttercream at her face.
The assistants walked in from the front of the shop to find Sakura covered in pink and purple frosting, armed with a piping bag full of green frosting, and Hinata shielding her cupcake sculpture.
.
.
Sakura was exhausted by the time she got home. It was one of those rare days where she didn’t get home until late. There was so much math and engineering into creating cake sculptures and trial and error.
She slumped against her apartment door and groaned. She had just unlocked the door but had no energy to push it open.
“You’re almost there, don’t pass out now.” Turning slightly, Sakura mumbled incoherently at the sight of Sasuke holding a take out bag. “Jesus Christ, you’re dead on your feet.”
“Carry me,” Sakura grumbled.
Sighing to himself, Sasuke handed her the bag of takeout and crouched down, scooping her legs up and cradling her. “How the fuck did Karin deal with you? She’s twiggy.”
“Suigetsu was usually around or she’d drag me across the floor.” Sakura opened the bag of food and examined the contents as Sasuke set her down on the couch. “Anything I’d like in here?”
“I thought you would be sleeping, but I have some stuff you could tolerate.” He grabbed two plates and brought them to the coffee table and began to serve her some of his food. “Do you ever take a break?”
“I have a day off tomorrow technically.”
“But you’re going to go to work.” Sasuke shook his head, unruly hair swaying around his face. “Typical.”
And with that Sakura lost all desire to eat despite not having had anything to eat all day except for some bread and tastings.
“Hey, where are you? It’s getting weird just sitting here. I can order right now if you’re nearby.”
“Oh, shoot! Sasuke I’m sorry but I’m still at work.”
“Wasn't today your day off?”
So what if she was a “workaholic?” If she were a man no one would see anything wrong with how much she worked.
She knew that eventually she was going to be faced with reminders of what a shitty girlfriend she had been, but she had hoped that she would be alone as she looked back on all of the mistakes she had made.
Sasuke had forgiven her for the first missed date but once he had been stood up a second, third, fourth, fifth time he stopped making any plans for them.
“I gotta take this coat off,” Sakura mumbled, fumbling with the buttons. Sasuke reached over and helped her get free of her coat and then hung it up on the hooks by the door. If he was going to be this nice for the duration of the time they lived together, the shittier she was going to feel.
“Karin said you owned a bakery. When did that happen?” He handed her a plate full of food, much more food than Sakura would have served herself, but one look from Sasuke had her clamming up and taking the set of chopsticks he placed flat across her palm.
“A few years ago…” Sakura swallowed a bite of dumpling. “It was kind of an accident.”
Sasuke raised an eyebrow and paused in his chewing. Sakura laughed through her nose and explained to him how she had met Hinata.
She had been working at the same high end hotel she had done her apprenticeship when Hinata had been hired on the spot. The tiny, plump woman was quiet and stuttered when speaking to her coworkers because no one wanted her there.
Hinata had been hired because of her last name—the hotel being owned by the Hyūga family—with no references nor any culinary school training which was required to work at the Michelin star hotel restaurant. Due to the fact they were around the same age and because she was the newest hire, Sakura was tasked with watching over the woman. No one else would take up the responsibility thinking that Hinata would hold them back.
Sakura just couldn’t leave Hinata alone. She reminded her so much of herself when she was younger. She helped to train her during her off time and guided her through the French techniques that Sakura had been trained in.
The desire to learn and the drive was there, hidden under the fear of failure.
Sakura moved on to work at a custom cake shop where she could use more of her artistic abilities. Eventually the owner was ready to retire and was willing to sell the store to her.
She wanted to own her shop one day. It was part of her goals but brick and mortar shops were expensive. If it weren’t for Hinata’s trust fund she would never have been able to afford the shop. The two of them had kept in touch and when Sakura found out that Hinata was on her way to quitting being a pastry chef, they made plans to go into business together.
Sasuke listened to her story, never interjecting but nodding at certain intervals and slight facial shifts showing that Sakura still had his attention.
“So what have you been up to?” Sakura asked, digging through the leftover noodles in one of the cartons.
“I still work at the same shop. I moved out a few years ago. Funnily enough it was my mom that was on my case not my dad.”
“Really?” Sakura was genuinely shocked.
When she had last seen Fugaku he wasn’t the biggest supporter of Sasuke’s chosen profession. He had paid for him to go to art school, not to waste his talent working at a tattoo parlor. His mother, Mikoto, was the one that had always been his personal cheerleader.
“I think it was all of the new ink,” Sasuke gestured to his sleeve covered arms, “that really did it for my mom. She always made faces at them and commented about what kind of girl I thought I would be attracting with them.”
I always liked your tattoos. Sakura shrugged and stuffed noodles into her mouth to keep from commenting out loud.
When Sakura was just freshly eighteen and finishing her final year of high school, Sasuke was the exact kind of guy her grandmother had wanted her to stay away from. She had left money behind in her will for Sakura to attend the same school she and Sakura’s mother, Mebuki, had attended.
Our Lady of Sorrows was a Catholic private school that Sakura’s parents wouldn’t have been able to afford without the money her grandmother had left behind. She had probably hoped that Sakura would go to private school, be abstinent, go to college and then medical school and then eventually marry a doctor.
It was too bad that Sakura preferred to be in the kitchen with her father a lot more than she cared for her school. If they had let her stay in public school there may have been a better chance of her focusing on her studies and eventually going to medical school like her grandma had wanted her to. Sakura had been miserable at Our Lady of Sorrows, her only solace being Ino and baking.
And Sasuke.
Sasuke had been the kind of cliché salvation a teenage girl fantasized about. And she still couldn’t believe that at one point in their lives, she had been his.
.
.
Ino cut off the boy that usually sat at the desk in front of Sakura and slid into the seat, a manic look in her eyes. “Guess what?”
“I’m not playing this game,” Sakura laughed, completely ignoring the boy that was frowning at Ino.
“Well, fine. Be boring.” Ino huffed, blowing her bangs up and letting them flop back on her face. “But anyway so I was talking to your cousin Sasori━”
“Ino, he’s way too old for you and he’s gay. And you have a boyfriend.”
“That’s not why I was talking to your cousin, Billboard Brow.” Ino flicked Sakura’s forehead. “But anywho. So I went to visit your cousin at that parlor he’s working at now ‘cause I wanna get those piercings you wanted for your birthday━no arguments. They’re on me. We’re going after school.”
“That’s awfully generous of you.” Sakura pursed her lips and narrowed her eyes at her. “Is Sasori giving you a discount?”
Ino scoffed. “I wish! That miser,” she grumbled. Ino shook her hair out and then smiled slyly at her. “But that’s not even the best part.”
Sakura rolled her eyes. Ino was really milking the big surprise. She was too impatient for this and the homeroom teacher would show up soon.
“Remember that mega hottie from the public school at the student showcase down at The Factory Art Center?”
Sakura groaned, dropping her head onto her planner. How could she forget? She was just lucky that he hadn’t seen her run straight into a wall because she had been so distracted. The only good thing that came about that was that Ino met her boyfriend Sai that day. And that the boy hadn’t noticed her accident.
It had been a student showcase for the senior students in the schools in the city and Sakura and Ino attended for extra credit. Sakura had been mindlessly looking at all of the pieces until a tall boy wearing all black with messy hair had caught her eye. She had barely heard Ino call out “Dibs!” before she ran into one of the pillars because she wasn’t paying attention to where she was walking.
Ino had given up chase and did her best friend duties by checking up on Sakura. Luckily for her, a different dark haired boy had seen the whole thing and had come over to help out and Ino got her older boyfriend anyway.
“That was almost a whole year ago. Why must you remind me that I embarrassed myself in front of like, seven different senior classes.”
“Mega hottie works at the parlor your cousin does. He’s an apprentice-slash-shop slave.”
That, Sakura hadn’t expected. She had seen his work and expected him to go off to art school and then maybe come back to The Factory Art Center to be a resident artist or for him to even switch tracks and work at Glass & Iron━he did have some lampwork and some welding work as part of his showcase.
“So what?” Sakura swallowed. The grin on Ino’s face was foreboding.
“So,” Ino reached over and played with the ends of Sakura’s long pink hair, “someone is going to take her cute butt down there and finally meet him.”
.
.
“Sakura.”
Sakura blinked at the hand that waved in front of her face. Sasuke looked down at her with concern. She looked just about ready to pass out in her noodles.
“Are you okay? You should probably get to bed.” He would just have to clean up everything on his own. And if she tried to go to work on her day off, he’d call the tiny red terror━Karin or Sakura’s cousin, Sasori━to force her to rest for once.
Sakura rubbed her eye with the back of her little fist and murmured, “I should. Thank you for the food.”
She was so small and tired, Sasuke just wanted to scoop her up and bundle her up in her blankets. But then he remembered that she would be going to her own room and he would be going to his and there were four years between now and when he was hers.
Did she still curl herself inward like a cat when she slept? Bury herself under three blankets that weighed almost as much she did?
He could help her to her room and find out. She was dead on her feet and would probably need him to keep from stumbling and running into a wall. It would be so easy to just curl his arm around her waist, pull her closer to his sturdier frame.
It would be easy, oh so easy. And that’s why Sasuke left her to her own devices.
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smartleaner92 · 3 years
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Is SQRIBBLE “All That”? Check Out My Personal Testimony
Let’s face it, we all want more traffic, more subscribers and more daily sales. And there’s one simple solution that still works like gangbusters for this — eBooks.
Whether it’s a powerful lead magnet such as a free report or whitepaper, or a Kindle book that you sell daily… digital books are still an awesome way to attract traffic and sales for almost any type of business.
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How does it work?
When you log into Sqribble, you’ll see a bunch of eBook templates to choose from. These are all based on different categories, so you’ll need to find one that matches your market/topic/niche.
Once you’ve selected the template you want to use, you simply click “view” to see how your eBook will look (don’t worry, we’ll add your content next.)
In this view screen, you can see how the book will be laid out and get a feel for the style. If you don’t like it, you can always go back and choose another template (there’s 50 templates to choose from, and you can also edit the templates too, in all kinds of ways.)
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— Upload Word File
— Start from Article Collection
 Let’s take a closer look at these options.
  Grab from a URL
This allows you to insert any URL you want, and Sqribble will automatically pull the content from that page and insert into your book. It strips the html code and only inserts the text from the page. This is my fave method, because it saves a ton of time, and allows you to use expert content (with credits) so you can target topics and niches you’re not an expert in! 
Start from scratch
As it sounds, this option allows you to enter your content like you’d enter it into a Word document. You just type straight into the page.
Copy and paste manually
This allows you to copy content from anywhere you want, and paste into the book, where the book will format and lay it out for you professionally.
 Upload Word File
You can get Sqribble to pull your content straight from a Word document, stripping out any code or weird formatting.
Start from Article Collection
Here you can extract content from Sqribble’s huge library of private label articles which you can use for free, without crediting authors or linking to the source. It’s another great way to quickly fill your book with content, for free!
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While editing, another thing I really liked was the Themes option. With a single click, you can instantly change the color theme and font style of your entire book. It’s like giving your book a new “skin” and it’s just one more feature that sets Sqribble apart from the other tools out there.
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The bad
Some of my favorite features are locked behind upsells (3D covers and Flipbook feature)
 — When inserting content from a URL, you need to cite the URL source and/or credit the original author of the content, if it’s not your own (this isn’t really Sqribble’s fault — it’s just the law!)
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— 3D cover creator (available through upsells)
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There’s no doubt, Sqribble is a powerful eBook creation tool. Unlike other tools, it’s packed with everything you need to start cranking out professional looking books, reports, whitepapers and more in seconds 
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Click here to download Sqribble
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derrickdent · 5 years
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BBHMM, OR HOW TO DEAL WITH THE DEADBEAT CLIENT
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You’re a fucking freelancin’ badass, with a semi-steady flow of work, and you’re living the dream of doing **insert best/fave thing here** , and getting the money from your biggest fans. Can’t be better, right? Well, one of things you were probably not informed about is what happens when the dream sometimes becomes a financial nightmare. 30 day waits for payment. Invoices and reminders. Anxiety waiting for that check. Clients that don’t seem to care that you’re eating peanut butter for breakfast, lunch, and dinner while your payday is delayed in a death spiral of perpetuity. Getting stiffed sucks, and you gotta keep the lights on. How can you keep this bullshit at a minimum? I’m not a financial expert, but I’ve eaten a fair amount of shit trying to get money from clients that have a sense of urgency about everything except paying me. There’s a ton of info about this online, but hopefully my lewd voice in the choir is helpful. (Samuel L. Jackson voice) LET’S GET YOU YOUR MONEY, MUTHAFUCKA. FROM THE BEGINNING
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Make sure that you get everything down in writing. Have a statement of work or a contract that states your scope of work, your fee, deadlines, usage restrictions, deliverables, and any notes about late fees, payment timetables, and billable expenses. (Example of a statement of work).
Make sure that a client knows that you can’t begin work without acknowledging these terms. They should return a signed copy of this document, or acknowledge its terms via email. Sometimes there’s a rush situation and you may be pressured to dive in. It’s still a clients responsibility to make sure everything is taken care of on paper, to protect you and to ensure that they are also in the best position to get the best from you. 
If they “politely” ignore the contract, then reiterate the terms in a follow up email, with a polite call to action (ex: “Hi! I’m just making sure that we’re on the same page about what the scope of this project is all about. I going to be [**rates, usage, time, deliverables, expected expenses, payment expectations here**]. Is that correct?). It’s important to get this down on the front end. Depending on your state, this counts as a legally binding statement.
NOTE: Try to get an upfront deposit if you can. 30-50% is normal, and this is also a test of whether the client will be good for it after all is said and done. This is also an incentive to put your best foot forward. Some clients will balk at this, but if the early “what is your rate?” convo suggests this is a possibility, go for it. This also depends on the industry. This is almost impossible with editorial, and though I’ve heard mixed stories in publishing, it’s hard to get an advance or deposit unless you’re doing a full book. Large corporations often have a convoluted accounts payable system that pretty much guarantees money will be slower than human evolution. The best results I’ve had are with small, dynamic businesses and individual clients. Once they confirm the terms, then you can begin scheduling and first steps in a project. FAST FORWARD TO PROJECT COMPLETION
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INVOICE IMMEDIATELY. Seriously. Do NOT delay this. Most clients are not going to remind you to send one after you’ve finished a project, and you are ultimately responsible for this. (example invoice). Include the basics: your business name your contact info and address the client’s info and address an invoice number total due  
Don’t forget an invoice number- accounts payable folks have a hard time placing your invoice in their system without one, and you don’t want to delay things because of a technicality. You can use a simple numbering convention: I use my initials and a double digit combo (ex: DD01). Also, if you haven’t gotten an EIN, get one from the IRS. WHEN YOU APPLY, ONLY GO TO THE .GOV IRS LINK. SCAMS ARE A-PLENTY AND I WANT YOU TO AVOID TEARS THO. An EIN is great, because it can be very compromising to keep putting your SSN out there, and in some cases an EIN can get you paid faster. You should itemize your work in the invoice, similarly to how you would find items on a receipt (ex: 1- Illustration for “client and application”, **brief description** = $THIS AMOUNT.00) Write amounts in dollars and cents. Instead of “$3000”, write “$3000.00”. Again, this helps your client or client’s accountants process your payment a touch faster, and saved time counts. Include a line with a total of your billable expenses. These are items that you HAD TO purchase to finish your work. Make sure you keep your receipts, and make a PDF slideshow with scans of those items for transparency’s sake. Send that PDF with your invoice. Finally, include a line that is the grand total of EVERYTHING. Put that total in BOLD PRINT just to make sure that it’s clear what the client owes. If necessary, you can include direct deposit info. This includes your routing and account number. This way, you give the client another way to pay you, and you can fight off the delay of waiting for a paper check. Even though it’s assumed in many places, make it clear that payment is due NOW. From the moment you send the final invoice out, the onus is on the client to pay up. They should confirm receipt of this, but if they’re slow after a day or two, give them a quick email reminder. NOTE: If you have a client’s phone number, keep it handy. This will come in handy later. FAST FORWARD TO A FEW WEEKS LATER AND YOU HAVEN’T BEEN PAID YET
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Either way, you’re waiting (and hopefully pursuing other work!) for money that you need. The timeframe for a reminder varies. Some people will drop a friendly note after 15 days. I tend to be a bit generous, and will wait until 10 days before the invoice is late. The email is friendly, and assumes good faith. Something like: “Hi! I just wanted to touch base about the payment for this invoice. Is there any progress on this? Is there anything I can do to assist with this? Please note that you will be 30 days late on (date here). If so, then a (late fee percentage) will be added to the final amount due.” The key is to emphasize some kind of fiscal penalty. People don’t like to spend more money, so you’ll, at the very least, get a response to let you know that things are being processed. You may also get redirected to an accounting department. If you get a number or an email to them, HOLD ON TO THIS INFO. Hopefully, at this point, the client gets the push to make good on payment. FAST FORWARD TO 30 DAYS AND NO PAYMENT
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At this point, you are apprehensive because no one wants to wait to be able to pay bills, eat pizza, and enjoy their own Netflix account. The dynamic changes now, because this is the day that the client has to pay you before it’s late. Tomorrow is late. In some states, you have legal recourse to pursue payment (In NYC, the default timetable for freelance payment is 30 days). You should email your client reminding them that payment is due today. If you have their number, call them as well to reinforce this message, but emails are important now. Each email you send is a recorded effort to receive payment, and they are timestamped for posterity. Note that a client may have already sent a payment out, but the check is transit. Also, calling/emailing an accounts payable department will reveal that a payment has been made and it will be in your bank account in a few business days. Get confirmation of this before you continue. AFTER THE INVOICE IS 30 DAYS LATE
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Clients need the benefit of the doubt, but it’s their responsibility to pay you now. After 30 days, you have “permission” to increase the frequency of your correspondence. During the first 10 days of being late, I will email and call every other business day (Monday, Wednesday, Friday was my model, but it may differ for you).  Afterwards, I will check in once a day. This may seem excessive, but persistence goes a long way. You may get an exasperated response, but don’t stop until you get a confirmation of payment or a layout and timeline of the payment. If you have a contact within a company, use them as your ally within an organization. It’s easier to get things moving with someone on the inside, and pressure on them will translate to pressure elsewhere to get you to stop asking for your money. Be professional, but direct. They owe you, and any further delay will result in additional fees, and possible collection action (including legal action to collect). If you have a number for accounts payable, hammer them hard. They will be probably be your last line of communication, and you’ll need to get an email to reach them again, an employee name to refer to, and a timeline for payment. 
SIDEBAR>>> NYC CREATIVE PROS AND THE FIFA ACT
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If you live in NYC, you have an additional resource: the city government. The NYC Department of Consumer Affairs (DCA), and The Office of Labor Policy and Standards (OLPS) have a complaint form that you should fill out as soon as the client is over 30 days late. The Freelance Isn’t Free Act (FIFA, passed in 2017) is very clear that what your client is doing is ILLEGAL, and the city will assist you in gathering materials to make a case for nonpayment. Fill the complaint form out, be very specific about your client and any related contacts. Note, they are not legal representation as much as they’re navigators who will help you find legal counsel and resources needed to file a claim in court. Remember when I said to get everything in writing? That’s important. It may be a bit of work, but find every email thread related to your freelance gig. If you’re doing this on your mobile, open the thread. Go to the first message. Find where the “print” option is. You’ll be taken to a preview window. Look for the “download” button. This is really easy with Gmail. You can basically save the entire thread as an organized PDF, with messages in chronological order
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Do this with every gig-related email attached to the overdue payment. Save these PDFs to a folder. Create sub folders that can put this correspondence in context, like chapters (ex: one folder is “Beginning of Job”, another “Job in Progress”, another “Invoice/Payment Requests”). This will make it easier to navigate everything. Include the PDF folder (zipped) with your complaint folder. OLPS will take a sec to get back to you, since you’re not the only person in NYC that gets stiffed. After about 5 biz days, give them a call. This can help you get ahead of the pack. You will receive a call from an OLPS office case manager who will confirm your info. They will ask if you’ve been paid. If yes, then you can thank them and call everything off. If not, they will send a certified letter (WITH AN OFFICIAL ASS LETTERHEAD) to your client, reminding them that they’re late. They have 20 days to respond to this- if they don’t, then they will basically be on the hook to go to court for a nonpayment case. You’ll have to either get a lawyer to rep you, or you can rep yourself, but the client is on the hook to prove they don’t owe you. Since you already have a record of your interactions, this will be very difficult for them. It should be noted that clients tend to get reallll antsy when the government says that they owe money. They’ll probably contact you directly. Keep up with these responses. Each email builds out the timeline of your case, and is fodder for the cannon. At this point, they usually pay up. DISCLOSURE: I’ve never had to go to court, so you may need to look elsewhere for advice. This may be a good place to start. SPEAKING OF DOCUMENTATION- I forgot to add that you should record your calls when speaking to clients that are late. ACR is a free app that allows you to record your calls. Make sure recording is legal in your state, and always let clients know that the call is being recorded. You can borrow the “for quality control purposes” line if you’d like. Sometimes people will try to circumvent documentation by using the phone. Don’t let them weasel out of that. LASTLY, this is specifically related to NY. The parts about documenting your correspondence are universal, though. Wherever you are, a vital part of making a civil case is piling on the material against a deadbeat. Be vigilant and persistent. I would suggest looking into whether there is a state govt. entity that you can go to about civil cases, and also look up if there are any local volunteer/low cost lawyers in your area. 
The FIFA Act has been a gamechanger in giving freelancers more power to get what is owed to them, and my hope is that other cities follow suit, or organize to get similar legislation for this purpose. SIDEBAR AGAIN>>> LAWYERS
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Another way to get a client to pay up faster is to lawyer up earlier. After 30 days, you should see what your options are. If you can afford it, you can consult with a lawyer and get a pro opinion about your case. They may be able to send a stern letter to your deadbeat client (WITH AN OFFICIAL ASS LETTERHEAD) prompting them to pay or else. Like with a government agency, people don’t like surprises from legal. They will probably pay up quick, but if they stick it out, then you can file a claim and take them to civil court. This will be costly for you and your client, so nonpayment usually gets resolved before this happens. If not, know that if a court rules in your favor, the client will have to pay you and cover your legal fees. My experience with lawyers is limited, and I would suggest looking elsewhere for particulars. Also, keep in mind how much you’re owed. A $300 case may not be worth as much squeeze as a $3000 or $30000 one. If it’s a low ball sum you’re owed. You may have an easier time calling it a loss and moving on. 
EDIT: I’ve been told that contingency fee lawyers are out there that don’t collect fees until after an event (like you winning or losing a judgment for example), but they’re kinda like unicorns for freelancers and tend to take on bigger cases. It doesn’t hurt to see if any are out there anyway!
NEW!>>> COLLECTION AGENCIES
So, you may want to seek help through a collection agency. They have the time and resources to call, mail, and chase money when you’re trying to focus on good clients that pay on time and are depending on your A game.
The good news is that most are contingency fee based. That is, they won’t collect anything from you until they get the money from your client.
The down side? They can take anywhere between 18-40% of what your client’s debt is. Note that I didn’t say WHAT THEY COLLECT. If your client owes $100, and the contingency based fee is $30, an agency will take $30 even if they only get $60.
Also, based on a lawyer friend’s input, if your collection agency is legally shady, you may be indirectly on the line if your deadbeat client decides to sue said agency. Also your payment, connected to the collection agency and your client’s legal battle, will be held in indefinite limbo. 
So do your homework and weigh your options before taking this route.
FAST FORWARD TO 60 DAYS Fortunately, I haven’t had to do this, but you can start pursuing legal action to get your money. Check on state laws to make sure this is the case, as well as the particulars about filing a claim. By this time, you should hopefully have a lawyer or some legal counsel at your disposal. If you don’t, then look up the laws of your state and local area to see where you stand if you have to rep yourself. Remember that as long as you have written acknowledgment of your terms of work and written acknowledgment of your invoice, things should lean in your favor. THE END
HOPEFULLY this has been helpful. The best parts of freelance (independence, flexibility, control, and self-prescribed wages) are often at odds with the pitfalls (feast-or-famine dynamics, wearing of all of the hats, taking all of the risks). It can feel like robbery when you put your blood, sweat, and tears into a project only to have an empty bank account as thanks. Some of this info is boilerplate, and some is from direct experience. If any of this relates to you, and you were able to get closer to your hard earned scrill because of this, I can die happy(er).
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GOD SPEED AND GET PAID, GODDAMMIT!
ADDENDUM: One of the things that I didn’t emphasize enough is that doing this will be emotionally draining. Unless you are a robot or a stone cold Type A business beast, it will strain you. Make sure that you’re taking care of yourself mentally.
If you have a partner or family, make sure to take the help and support they provide and don’t turn your money issues into a personal issue with them.
  Also, doing this requires energy. It will feel like a part time job, and even if there are late fees that factor into what you get paid, this will largely be unpaid labor. 
Persistence is key, but I’m not going to pretend that it’s not hard or that you won’t have other obligations that make keeping up the effort difficult. I’m lucky in that my girlfriend and I have a relatively low-expense lifestyle, and no dependents, and we’re both fairly flexible because we both freelance full time, and that we had a bit of financial padding saved to weather the storm. Mileage will certainly vary.
Edit: Tumblr is weird about making links visible, so I put them in bold body font for you to find them easier.
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what you should get in the September Sale
Drive thru is having a Sale until September 21st!
Vampire: the Masquerade titles
Vampire the Masquerade 20th Anniversary edition
Despite all the shit I gave White Wolf (CCP version) for the bad art choices, V20 is a must have. It contains almost everything you’ll need to understand what VTM is, especially if you only know about it from VTMB. Very much a great compendium :)
V20 Dread Names, Red List
Just because I’m on the cover. This is a compilation of overpowered antagonists and enemies of the Camarilla, a list of over the top NPCs, but they’re interesting enough, and the Art is Good :)
V20 Lore of the Clans
Overall this replaces the Clanbooks, it’s quite short but it’s more than an interesting read to see the new takes on the clan. Unlike V20 which takes content from Revised, this is mostly new content. Lore of the bloodlines feels a little unnecessary to me but that’s just my opinion and you may very much enjoy it ;)
V20 Hunters Hunted 2
This is a good book to play hunters that are not Hunters (aka with so many fancy powers and just people who know the supernatural exists and are willing to -do something about it-)
Vampire the Dark Ages 20th Anniversary edition
Honestly I was very skeptical about Dark Ages, but VDA20 was written with thoughtfulness in mind and I’m honestly quite pleased with the results, even if I am just not drawn to that kind of setting. I’m not a fan of the saturated colors by Mark Kelly for the full page art but it’s overall much more beautiful than V20 is. for 6 bucks it’s worth a grab :D
Undead Blood Magic Bundle
This bundle contains Blood Magic secrets of thaumaturgy, Blood Treachery, House of Tremere and V20 Rites of blood. Lots of rites, rituals and fun stuff. Rites of Blood is actually the one of best value, but might as well grab the bundle imo (I’ll let you do the math tho).  I think each book individually is less expensive than the bundle! But I won’t link them all (too much work), just click on the bundle link and you’ll be able to click on each title individually.
Beckett’s Jyhad Diary
I made a post a long time ago saying why I wouldn’t back it and why this book did not interest me as it’s basically a big fic about Beckett meeting a bunch of other NPCs and witnessing a bunch of canon events, but I do understand its interest and it is valuable Lore and fluff content for those of you who enjoy it. So I’m putting it here because it is a good book, it’s just not for me. This serves as a bridge between old Canon and the canon of V5, for what it’s worth :)
Clanbooks 1st Edition
The PDF quality is bad because it’s old-school-scans (and some pages aren’t really straight), but if you want to feel where I came from, this bundle links back to each clanbook. I think each clanbook individually is less expensive than the bundle! But I won’t link them all (too much work), just click on the bundle link and you’ll be able to click on each clanbook individually ;)
Elysium the Elder Wars
Oldie but Goodie. I have a very fond liking of this book which explains well what Elder games can be ;)
State of Grace
A book about all kinds of faiths and how to reconcile them (or not) with vampirism. Serves as a great starting point for your own research. I wouldn’t take it on its own, however.
MET VTM
You might also want to grab anything from the LARP books (the corebook being obviously first), they’re a great read and the mechanics are honestly interesting, even if you don’t LARP. I still frown at some of the art choices because lots of the costumes look like bad halloween costumes and not something vampires would actually wear but those are very personal tastes.
And now some Vault titles!
Obviously I can’t do this without plugging my own titles ;)
My Guide to Playable Characters (which the reviews say is good to help players get into playing RPGs overall, with specifics for VtM), my Guide to Siring and my One Shot scenario (which gives that 1st edition horror premise, it seems?) are all on sale.
But more importantly, you might want to check.. Dark New England, a sourcebook about New England, which is a MASSIVE labor of love and with incredible content in relation to Native American clans. Authors also put together a lineage book about the native kindred bloodlines, to complete it. It’s Descendants of the Three sisters.
The Gargoyle bloodline-book seem to be worth checking out!
You should also check Sei-ey’s Vampire Drawings, a beautiful artbook which is just amazing (you may know his work from Deviantart)
Some other interesting artpacks (portraits) by Luis Miguez, in pure black and white old school style can be found here, here, and here. Carlos Garcia also did one right here.
You might also want to grab these two color portraits right here.
@andrealeora Did two amazing packs of art, one of scenes and one about portraits, that you should check out. Check her blog to see some previews of the contents ;)
And finally, because I’m French, here’s Mont Saint Michel by night, for Dark Ages.
If you’re curious about other Vault Products, I highly recommend reading It’s More than Just Gaming reviews to see an honest breakdown of some of the titles ;)
All of the links are affiliate links and if you purchase anything after clicking, I’ll make a small commission, which will allow me to buy more art for my upcoming titles and host further giveaways!
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loadinggorilla369 · 2 years
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Drivers Myria Laptops %26 Desktops
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Drivers Myria Laptops 26 Desktops Windows 10
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poolload740 · 3 years
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Mbox To Olm Converter For Mac
Olm To Mbox Converter For Mac
SysInfo Free OLM Converter for Mac is designed to export Mac Outlook OLM Files into various formats like PST, PDF, EML, EMLX, MBOX, Gmail, Yahoo etc. The software support Mac OS. Mac Outlook compatibility: Outlook versions like Outlook Mac 2011, Outlook Mac 2016, and Office 365 for Mac are supported by this OLM to MBOX converter for Mac. Multiple Output options: The tool is designed to convert OLM to Apple mail, Mac Mail, MBOX, EML, Thunderbird, and Postbox. Input format: All the.olm files are accepted by this tool. Convert MBOX to OLM Mac archive file format, which can be import to Mac Outlook 2011, 2016 editions. Converts Outlook OLM files to MBOX format. The software allows extracting Outlook 2011 / 2016 mac emails to MBOX for multiple email clients. MBOX format is compatible with many email applications like Apple mail ad Entourage etc. Consequently; successful OLM to MBOX conversion proves to be a significant benefit, which our software gladly provides. Outlook Mac users can only save their fruitful data into OLM files and these files are limited to use with Outlook Mac environment only. In comparison of OLM files, MBOX files are accessible over different networks as well as users can switch these files over operating systems as well because, Thunderbird, Mac Mail, Entourage etc email applications are supported by various operating systems.
Complete Extraction Of Corrupt OLM files
OLM to MBOX Converter extract all the files whether they are normal or corrupt and convert them into a desirable format at a single go. Whether they are inbox files, tasks, notes, calendar, journals or customized folders everything can be converted at once. You just have to select and add them in the conversion process.
Multiple Saving Options
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With this advanced feature, you have the power to save your files in your desired format. Post-scanning the software will ask you about the kind of format you are looking to save your files. The tool can save files in Apple mail/Thunderbird MBOX format, Outlook PST format, EML format and even in MSG format. So choose the format type and save it.
Convert Multiple OLM Files Into MBOX Format
With the help of SysInfoTools OLM to MBOX converter, you can easily export OLM files to MBOX format. However, if you have multiple MAC Outlook OLM files this tool will help you in converting those files without any hassle and technical assistance. Just select and conversion is done.
Data filter Feature
Have multiple or large size OLM files and want to convert selected emails. Then you have the option to filter that with the help of the date range feature. The date range feature of OLM to MBOX converter allows you to include or exclude the data between a selected date range. So sorting out your data and going for OLM to MBOX conversion has become easier.
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Safe & Secure Way
Conversion of MAC Outlook OLM to apple mail has become more secured. As this tool preserves the original file structure during Apple Outlook OLM to MBOX conversion. All your old data remains intact with their folder hierarchy. Which provides you the complete security.
Flexible Saving Options
With the help of this OLM to MBOX software, you have the power to save the converted files at your desired location. Just browse and select the place where you want to save the files and its done.
Advanced Auto-search
The advanced search feature help users to search and locate multiple OLM files and select the required files that they want to convert. If you have no idea about the location if your OLM files, this feature come in handy.
Preview Feature
SysInfoTools OLM To MBOX Converter let users to preview and review the converted files. One the conversion process is done, the software will show you the files and their status in a tree structure preview.
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Avoid re-scanning
This feature basically help users to save time by avoiding the re-scanning of the files. Basically, the tool generates a snapshot post-scanning which you can use it later for later purpose.
Generate Log Files
With the help of this feature, you will come to know0 about the complete conversion process. It save details about the scanning process, recovery details and a detailed information about the converted files in a log. You can save the log files in two formats such as HTML or Text files.
Safe and Interactive Software
This software always performs its function by keeping safety in mind. The first priority of the software is to maintain safety and security because files can be very personal to the user. Plus the OLM to MBOX software is loaded with a very user-friendly GUI which makes the software more attractive and engaging to the user.
Compatible with Windows OS
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SysInfoTools OLM to MBOX converter software easily supports any major version of Windows such as Windows 10, Window 9 and all the below versions. In addition, it can convert any files created by any version of Outlook on Mac Operating System.
Product FeaturesFree VersionFull VersionHandles corrupted Mac Outlook OLM filesSave OLM to PST, MBOX, EML & MSG filesEnable Search and Preview featureConvert OLM files to MBOX format24*7 Tech Support & secure 100%PriceFREE$49DownloadBuy Now
Trial Limitations
Authentic and reliable functionalities can be examined with the demo version of the SysInfoTools OLM to MBOX Converter tool by downloading it for FREE. Demo version of the software comes with one limitation it take the preview of converted OLM files into MBOX format. This limitation of the demo version can be overcome by opting for the full licensed version.
System Requirements
Pentium class processor
Minimum 512MB RAM (1GB recommended)
50 MB Software installation
Disk Space - Enough space to store recovered output
Testimonials | EULA | Customization Plan
How to open OLM into Mac mail?
You definitely cannot OLM any OLM into Mac mail. For this, you have to first convert the files into Apple mail supported formats like MBOX. And then import and open it.
What are the benefits of Data Range selection mode?
Olm To Mbox For Mac Catalina
Date Range selection is a good option to get your files filtered as per your needs. You just have to select the date which you want the data to be coded. Similarly, you can easily include or exclude the data by this feature.
How to evaluate the software?
You can download the free version and can use it. The free version works exactly the same as the paid version. Just that, you cannot save the files in your system.
My OLM files are corrupted, does this software support conversion of corrupt OLM files?
Yes, with the help of then SysInfoTools OLM to MBOX converter you can easily convert Apple Outlook OLM files into MBOX format plus it also support corrupt OLM Free song downloads for mac. files.
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Olm To Mbox Mac
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After installing OS X 10.4.6 native with VMware with any of the method listed in the installation guides, the first boot was OK, configure the OSX with keyboard, personal info, etc.But when you turn it off and on again, it freezes in the holy 'Still waiting for root device'. Still waiting for root device установка mac os. Topic says it.can't install due to 'still waiting for root device'. I've taken a Mac OS X 10.6 Server DVD, created a cdr image of it in OS X (due to the fact that the DVD is dual layer, and the Windows machine here has only a single layer DVD), and attached it to IDE Primary. Boots through the EFI jazz, starts to go through Darwin (I think. In Verbose mode it crashes half way, a 'no entry' icon pops up and the last text says 'Still waiting for root device'. I followed all the instructions one by one. I tried it in multiple USB drives and different ports; tried creating the installation drive with Unibeast and Terminal. What does “Still waiting for root device” means? It means that a driver/kext for the source from which you are booting is not detected properly by the mac operating system (USB kext not detected or loaded) Mac OS released prebuilt with the latest drivers that supports SATA out of.
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Olm To Mbox For Mac Os
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Mbox To Olm Converter For Mac
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Olm To Mbox Converter For Mac
The delivery of product is automated. You will receive an email containing both the link to download the product and the activation key within 15 minutes.
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sandloading743 · 3 years
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Eenie Meenie Sicileeny Lyrics
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Shawty is an eenie meenie miney mo lover' Shawty is an eenie meenie miney mo lover' Shawty is an eenie meenie miney mo lover' Eenie meenie miney moe Catch a bad chick by her toe If she holla (if, if, if she holla) let her go Eenie meenie miney moe Catch a bad chick by her toe If she holla (la la la la) let, let her. Shawty is an eenie meenie. Mia and Michelle demonstrate their new hand game.
Eenie Meenie Sicileeny Lyrics
Eenie Meenie Sicileeny Lyrics
Eenie meenie sicileeny, Ooh ah zambalini, Achi cachi Liberache, I love you, Take a peach, Take a plum, Take a stick of bubble gum, No peach, No plum, No stick of bubble gum. I saw you last night with your boyfriend How do you know I was peaking through the key hole Nosy I didn't wash the dishes Lazy I didn't wash up Funky I jumped out the.
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RZ PowerPoint Converter - Convert PowerPoint presentations to video for free!
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Softonic’s Best Rated Software for this topic#NameVersionVotesRatingPlatform1Microsoft Powerpoint 2016201612107.7Windows2Prezi desktop6.26.023956.7Windows3Microsoft PowerPoint Viewer 20071.023186.5Windows4Microsoft PowerPoint2016246036.5Windows5Microsoft PowerPoint 201315.0.4420.1017108755.7Windows,Android,iPhone
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6.2.4 If you're a technology enthusiast, early adopter or power user, this version is for you!
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LibreOffice 6.2.4 release notes
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Diana Joy Leonard sang this song while growing up. She wrote me 'I was born in 1982 and grew up in NYC... This song replaces 'eenie meenie miney moe' for making 'decisions', i.e. point to one of the options for each word until you get to the end.' Another New Yorker wrote: '...growing up in NYC, queens to be specific, my sisters and I used to sing this song as a hand clapping game, with the following additional verses...' I saw you last night with your boyfriend How do you know I was peaking through the key hole Nosy I didn't wash the dishes Lazy I didn't wash up Funky I jumped out the window You must be crazy That's why they call me... Eenie meenie sicileeny, Ooh ah zambalini, Achi cachi Liberache, I love you, Take a peach, Take a plum, Take a stick of bubble gum, Not a peach, Not a plum, Not stick of bubble gum. ***** Amy wrote, 'I am a born and bred Wisconsinite (at age 18 just now), and that was one of my favorite counting-out rhymes. We put our feet in a circle and used that chant (and several others) to choose who would be 'it' for games of tag or hide and seek. However, our version went a bit differently, and I thought you might be interested in seeing it. Eeny, meany, tortellini Beep, bop, bopellini Etchy-sketchy, liver-etchy I like you. Take a peach, take a plum Take a stick of chewing gum Stick it here, stick it there Stick it in your teacher's hair No more school, no more books No more teachers' dirty looks Yeah.
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renewmobi475 · 3 years
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Default Image Editing Software Mac
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Editing your photos on your iPhone is one thing, but editing your photos on your Mac can take your photography skills to a whole 'nother level.
Photography Editing Software For Mac
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Adobe Photoshop Photo, image, and design editing software 12-month Subscription with auto-renewal, billed monthly, PC/Mac by Adobe Platform: Mac OS Sierra 10.12, Windows 7. The downside of PhotoScape X is a lack of selection tools, so all changes are applied to the whole image rather than to a selected part. Gimp (Free) Gimp is a free open-source photo editing app that has been on the market for over 22 years and is available for Windows, Mac, and even Linux. Cinepaint is a good image editing software for MAC with a very simple interface. It provides a number of options to edit image on MAC. Different selection options are available, like: rectangular select, elliptical select, hand drawn region select, continuous regions, select using Bezier curves, and select shapes from image.
Wd my cloud for mac software. My Cloud; My Book; Internal Drives / SSDs; WD Elements / WD easystore; Embedded & Removable Flash. Western Digital SSD Dashboard. Software for Mac GoodSync for WD. Install WD Discovery for Mac. WD Drive Utilities for Mac. WD Security for Mac.
Many of us still keep our main libraries on our Macs because of its faster processors, larger storage, and all-around bigger computing power. The Mac is still the best device for serious photo editing, so you need some serious photo editing apps to make an impact.
The built-in Photos app on Mac offers several useful photo editing tools. You can crop, adjust lighting and color, set the white balance, add filters, remove unwanted blemishes, and a few more things. However, in all honesty? It's not really meant to be a robust editing app, so If you are looking for something to really finish your photos right, we've got a list of the best photo editors for Mac right here. Let's go!
Affinity Photo
If you're looking for a photo editing app that goes above and beyond for the pricetag, while still allowing you complete creative control over your images, then it might be worth it to take a peek at Affinity Photo.
Affinity Photo supports unlimited layers, groups, layer adjustments, filters, masking, and more: you also have access to tools like dodge, red-eye fix, burn, blemish, clone, and patch (so pretty much Photoshop without all the convoluted bells and whistles). Nondestructive auto-saving makes undoing everything you've done easy, so if you need to start from the beginning, the option is there.
Play, manipulate, edit, and get hella creative with Affinity Photo whether you're a serious graphic designer or someone who's just looking to do some basic editing. Your photography will seriously thank you.
$49.99 - Download now
Fotor Photo Editor
Searching for a super simple, straight-forward photo editing app that's there to help you edit and not confuse you to the point of ripping out your hair? Then check out Fotor Photo Editor!
Logitech unifying software mac os. May 17, 2019  Logitech Unifying Software will allow you to add additional compatible mice, keyboards, and number pads to your Unifying receiver. What's new in Logitech Unifying Software Version 1.3.375. Logitech Unifying Software. Check our Logitech Warranty here. Make the Most of your warranty. Product Specific Phone Numbers. Main Phone Numbers. Was this article helpful? 0 out of 0 found this helpful. Return to top. STILL NEED HELP? Want to ask other users with the same product a question? Join the conversation.
With this photo editor, you can easily adjust contrast and color of more washed-out photos, add borders, tilt and shift your images, add different text, slap on a few filters, and so much more, all from the easy-to-find toolbox on the right side of the app. You can even create collages of your photography masterpieces!
The BBC once called Fotor Photo Editor 'light Photoshop', and they're kind of right! You can go above and beyond editing your images with Fotor Photo Editor without getting bogged down by more complicated editing buttons and tools.
Free - Download now
Lightroom
When you look into photo editing software, one of the first things that'll pop up is Adobe's Lightroom, and for good reason! It's essentially a staple in the photo editing community.
Lightroom is great for photographers who need to manage a large image library, and who are prepared to commit to (and pay for) Adobe's cloud storage space. But it is purely a photography tool that's a little outside the regular Adobe design ecosystem. (Creative Bloq)
Pretty much anything you want to do with your photo, you can accomplish with Lightroom. You can blend and merge shadows and highlights, sharpen dull, blurry images so they look crisp and clear, add details and tint colors to make a photo stand out, and so, so much more.
Calendar app free. Jun 30, 2020  Similar ransomware was found in other pirated apps, and Mac users can avoid it by staying away from pirated apps and untrustworthy websites. Mar 31, 2018  Question: Q: Siri Found in Apps - Calendar On my calendar, I've noticed there is an appointment that I am not aware of it. Further check, realised it was created by 'Siri Found in Apps' (click on the 'Calendars' on the bottom of the screen). In the Calendar app on your Mac, choose Calendar Preferences, click Advanced, then select “Turn on time zone support.” See Use different time zones. If you want to change events on a published calendar, but you deleted the calendar, re-create the calendar with all. Oct 07, 2018  Apple’s Calendar. Of all the calendar apps on macOS, Apple’s built-in calendar is probably the most widely used. It’s built into every Mac, and it syncs with iCloud, Google Calendar, Yahoo. In the Calendar app on your Mac, click the calendar’s name in the calendar list. If you don’t see the calendar list on the left, choose View Show Calendar List. Choose Edit Delete. Some calendars can’t be deleted. You can’t delete delegated calendars, but you can stop showing them in the main Calendar window. See Share calendar.
While it is a bit more on the complicated side, people who use the program and know how to navigate it are hooked. Keep in mind, there are two versions of the app — there's the Classic version, which is more preferred, and the 2018 CC version.
If you're hesitant about the program and paying for it, you can download Lightroom free for 30 days as part of a trial period. After that, you can add it to your Photoshop CC subscription for $9.99 per month.
Free trial - Download now
Pixelmator
Amp up your photo editing skills with a little bit of help from Pixelmator!
This particular photo editing app allows you to combine two different photos into one (while still allowing you to edit over each layer), add shapes, gradients, filters, tints, and more, and completely change and edit your photography to make it fit perfectly to your aesthetic. You can even mask and cut off certain areas of the photo, giving you more creative control over your final image.
Similar to other photo editing apps, you can also adjust contrast, color, saturation level, definition, and so much more.
It's another great alternative to Photoshop, at least according to our managing editor Lory Gil.
$29.99 - Download now
GIMP
Love Photoshop (or the idea of Photoshop..) but don't want all the complicated components and nonsense that comes along with it? Then it might be worth it to take a peek at GIMP.
Similar to Photoshop, GIMP allows you full control over editing your photos: it's an advanced image manipulation program with detailed customization for color reproduction.
You can add layers to your photos, edit and tweak colors, adjust contrast, crop, adjust saturation, and so much more. If you're someone who admires Photoshop but is terrified of the price (or just thinks it's not worth it) then GIMP might be the perfect pal for you.
Free - Download now
Snapheal
Say 'bye-bye' to nasty photobombs, zits, perky distractions, and so much more in your photos thanks to Snapheal!
Snapheal is a little bit unique in the sense that it's more of a 'delete now, ask questions later' app. It's more about cleaning up a photo than it is editing it and adding a whole bunch of layers. The tools can either remove large objects or smaller imperfections depending on the mode. You can even adjust the masking tool, use a magic rope, or clone stamp your way to a new photo.
If you're someone who's a perfectionist when it comes to your photography and you just can't stand that one stupid, distracting blur in the background, then Snapheal is the guy for you.
$7.99 - Download now
Photography Editing Software For Mac
Preview
I know what you're thinking: 'Preview? Really, Cella?'
To which I respond: 'Uh, yeah. Duh, my dude. You use it every day!'
Sure, you can't do a bunch of fancy things with Preview like add filters, adjust contrast, and fix saturation, but you can quickly crop a photo, adjust the color, rotate it, add shapes, texts, and a signature, export as a different format, and more.
Yes, Preview isn't perfect, but it is easy to use and fantastic for making small, fast changes to your photography.
It's already on your Mac.
How do you edit your photography?
What is your favorite photo editing app for the Mac? Why does it work the best for you? Let us know what your top picks are in the comments down below!
Updated August 2018: All the choices on this list are still the best of the best!
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Everyone knows that MacOS is the best platform for image editing, but finding the right software isn’t so clear. Photoshop is the default choice, but the insane pricing can put it outside the budget for a huge number of people.
There are quite a few free or low cost options, but it can be tough to narrow down between them. After all, some online tools (like Pixlr) are just as effective as the lower-end editing applications available through the App Store.
These tools are our picks for the best free and low cost photo editors for Mac.
GIMP (Download)
GIMP is the closest free tool to Photoshop, but comes with a steep learning curve that can be tough to master. Despite its age, GIMP is still updated regularly and serves as the go-to tool for a huge number of people.
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The default suite of tools is powerful, but if you don’t find what you’re looking for, GIMP works with a huge number of third-party plugins. You can expand its utility and functionality to near-infinite levels with a bit of Google searching.
The great thing about GIMP is that if you’re already skilled with Photoshop, you can get the hang of GIMP relatively quickly. You’ll need to learn the names for the different tools, but it has almost as much power as Photoshop for none of the cost.
Pixelmator (Download)
Pixelmator is a paid tool available for download on the App Store for $29.99, but it comes with a 30-day free trial if you want to give it a whirl and see if the app works for you.
Pixelmator has a lot of powerful painting and retouching tools that let users change images in any way they can imagine, as well as compatibility with a wide array of different file formats including Photoshop. This means you can open a Photoshop file with various layers and manipulate it just like you would in its original format.
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Pixelmator takes advantage of macOS features to provide users with a full-featured suite of image editing software that competes with the best of them.
Fotor Photo Editor (Download)
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Fotor is a popular free photo editor for Mac that many of you might have used before. It’s available as an online tool, but if you find that you prefer it for quick and easy edits as opposed to something with more features, you can also download it from the App Store.
Fotor lacks many of the more advanced tools you’ll find with GIMP or Pixelmator, but it does offer a lot of powerful features that less-skilled users will appreciate. Fotor can automatically touch up images and process dozens of images at a time with its batch tool. You can also create collages and set your own borders.
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Instagram has nothing on Fotor. Best of all, it’s free – but if you want access to its Pro features, a subscription is $4.99 per month or $19.99 per year.
Photoscape X (Download)
Photoscape X is another free photo editor for Mac that appeals to a niche audience. That said, it has tools that some of the others do not, including the ability to create animated GIFS.
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Its primary function is to fix and enhance photos, with all of the tools you associate with image editing. You can merge photos together to create HDR effects, rename multiple photos at once, and add up to 26 different textures.
Photoscape X is free to use, but it does have in-app purchases that you can invest in to expand its function.
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