#*points to the bt cast* i can make you.....so personally indulgent.....

[professionallydeadinside]

First of all happy pride month! 🌈

I doubt I’m the first to ask and I’ll probably not be the last to ask buuuuut may I humbly request bullet train character’s celebrating pride.

Happy Pride Month!!!! Take my character hcs,,,,,

[taegularities]

i was thinking about the fanfic issue too after the rumors broke the other day and pretty much came to the same conclusion. personally, i have a very distinct separation in my head between fic bts and real bts since i strictly read non-idol aus and find that casting them in fics tends to be a purely cosmetic thing. in other words, their personalities may occasionally echo the real people, but at the end of the day, the fic characters take on their own personas who are essentially just borrowing the real people's faces (does that make sense?). and to be honest, i've always struggled to picture faces in my head so usually when i'm reading or writing fic, my mind winds up deviating and shifting their faces slightly anyway. it's kind of like how i said i imagine y/n as half me, half oc--there's a similar shift that happens with me for the members as well.

i think it's also interesting to look at it from the flip side, and i've contemplated that too! as someone who's married, i did feel a little weird initially in reading the whole self-insert format because i was like, "is this psychologically cheating??" but i think it really comes down to that character separation--in the end, reading fic doesn't feel any different to me than reading a "traditional" romance novel where i also put myself in the protagonist's shoes (i think that's the whole point of reading!). it's not like every oc fits my personality either, and most don't! to me, the whole thing is like when you read or write something, and you start imagining who would play that person in the movie. same kind of concept. (and for the record, my husband does know i read and write bts fic and isn't bothered by it for these same reasons lol)

this! i don't even have too much to add tbh. the example of novels is amazing, bc essentially it's the same — we just write fics bc we feel closer to these boys.. and no matter how smutty or cute things get, in the end we're not going to date or sleep with them lol so it's purely for self-indulgent reasons.

and the first bit is so true, too... i try to capture the members' personalities as well as i can, but sometimes i look back at the dialogue and think... he wouldn't say that. am i still imagining his face rn? it's tricky, but yeah, in the end, i truly do not see a problem, relationship or not !!

[ohnobjyx]

I've seen so many sol0 fans or just people that have watched cql and cares for the cast, talking about how they feel that bjyx is something one sided and unrequited. some comments about how xz (in the later fan meetings) is kinda just patiently indulging yb but clearly was not v happy about it. Sometimes I do think xz is more reserved and seems to try to "tame" yb to be more discreet about their, whatever it is, thing but i don't particularly think he is cold? What do you think?

I know it may sound odd but is there some analysis about Xiao feelings towards Yibo? I mean this guy is head over heels for him, no doubt about that but I don’t really feel the same from Xiao? I mean I could be wrong since I’m new there and didn’t read a lot of analysis so if you have some can you link them please? Thank you! And I don’t ask this in a « wrong » way like I genuinely feel like there’s something but I don’t see the same feelings towards each other. Again, I could be wrong! 

Hi, anons. These asks has been sitting for the longest time in my inbox, so I decided to tackle them today (still writing two days later, I’ve desisted on creating a more organized post and I’m just dumping my thoughts here this time).

(It’s also that I’m frustrated about this, because these are two of the most polite ones, but I’ve also received others less well worded ones, that basically imply that there’s nothing from gg).

For the anon asking for some analysis, I’ll leave a link here to a post that basically sums up my own thoughts.

Disclaimer: as always, don’t take bjyx seriously. Pure speculation here.

Long post.

Before I start, I want to say that I shouldn’t be the one to convince you to anything. It’s never my intention to impart the “universal truth” or to be patronising. If any of you really feels that there’s nothing from gg, no matter what I say, you won’t be convinced by my post alone. And it’s alright to agree to disagree. Just keep it in mind.

I feel that what anons describe it’s something that often happens to new bxg. Dd’s so obvious, so painfully obvious that in comparison, gg is much more “discreet” (well, we had to learn to read Lan Wangji’s expressions, didn’t we? The same happens with gg’s gestures). I don’t agree with the idea of dismissing someone’s love just because they aren’t as obvious and as telling as their partner at first glance (gg’s songs and drawings aren’t as straightforward, but they are there for those who care to listen and see).

From my pov, I think it’s very very probable that they are together. So, that works both ways for me. I don’t think dd’s love unrequited. They take care of each other in ways that speak of a high level of trust, intimacy and chemistry (yes, I initially wrote that post for these asks). I’ve talked about subtle ways to display your love, because when you love someone it’s difficult to hide it, and gg has a hard time trying to hide for the cameras.

(I’m still thinking of Happy Camp, when dd hurt his neck with the necklace... gg’s reaction wasn’t controlled in the slightest, and the combination of worry and anger would be a interesting combo if gg indeed wasn’t anything to dd or if he hadn’t gifted him the necklace).

Gg often has a hard time controlling his reactions when dd is involved. He’s much more natural, a lot closer to how he really is instead of his very polite and soft public persona. He get a glimpse of him in the bts (I suppose they never expected CQL to be so popular, and didn’t thought that the bts would be so watched a year afterwards), and comparing how he is in the bts with dd to how he usually is in other interviews and events with other people is a very interesting exercise.

It’s true that gg in the interviews seemed to try to hold back dd, to the point that they both lied sometimes in the interviews... the effect they caused was contrary to what they wanted. Definitely. Because they tended to forget what they had lied about, and the “plot” had holes everywhere. Like gg reacting surprised to the possibility of dd starting a fashion brand. Twice. In the same day. Or the eggplant/carrots thing. Or the “I didn’t know you slept with the lights on, but I’m aware of your sleeping pattern” thing. Please note that these three plot holes were caused by gg (in the second case, I’m refering to carrots ofc).

About what the first anon says of “how xz (in the later fan meetings) is kinda just patiently indulging yb but clearly was not v happy about it”. It’s one thing that by then they’d have noticed that their cp had attracted a whole lot more attention that they had ever expected it to and a whole another thing to “indulge” someone (as if only dd wanted it and gg had nothing to say about it) and “not be very happy about it”. Gg might have tried, but even he couldn’t completely erase all of the little moments directed at dd (and you have to take into account that gg was actually sick in the last fan meeting in Nanjing, that’s bound to affect his mood too).

(There’s no one else when they look at each other. No wonder Wen Ning achieved such a third wheel look when they were filming the boat scene, I suppose it’s taken from real life).

How gg looks at dd and only smirks when dd looks up... well, gg still makes his best effort at being discreet...

And dd in this moment... well, what can one do when a man like gg looks at you like that? (dd.exe has stopped working. Please restart).

Source of the gifs: 仙娱

Last but not least, I’d like to talk a little about W/ibo Night, the main source of many people’s doubts. I’ve seen many analysis, from “poor puppy dd following gg around” (that’s... bs) to some better analysis that deserve to be taken into account.

W/ibo Night is an event organized by a state controlled social media platform. It’s one of the most observed events of the years, with potential future employers and coworkers, apart from the government, so it’s not just them, but everyone is very serious and controlled in their actions.

They obviously had agreed beforehand on how to behave in this one. While dd is very serious, he doesn’t seem angry or sad that gg isn’t looking his way. However, they both can’t help but look in each other’s direction (gg’s more discreet, but pay attention and you’ll see him side glancing at dd at least three times on stage) and the way dd turns just so he can have a look at gg is... 🤦

They tried so hard that it ended up getting the effect they wanted to avoid: when everybody else was greeting each other (friendly hadshakes, patting their backs, etc.) these two just stood there, a little awkwardly. It became obvious to most people that they were acting as if they were strangers.

I think (speculation here) that while they had agreed to act as if they didn’t know each other, gg was... off that night. His eyes were very bright (as if teary, so not in a good way) and his smiles were tense, so I’d say in a bad mood or maybe he was feeling under the weather. I think dd was worried, so that’s why he kept glancing at him (I’ve read about the rumours of why gg was like that, but I tend to dismiss them if there’s no proof).

For someone as polite as gg, to walk so obviously in front of dd when they were getting on stage (c-culture here: the one who walks in front has more seniority/authority, so gg always lets the other people walk in front of him as a sign of politeness and respect), speaks of a familiarity that exceeds that of coworkers. Dd’s actions need no more words: waiting for gg and letting him walk in front comes naturally to him.

Choosing fans (though at first, dd just looks at gg choose his). I don’t know if you remember, but gg chose “I can do it” and dd chose “I have it difficult” (as a way of saying “I can’t”). I think it was entirely a coincidence, because dd was looking at his gg choosing his fan, the one he had wanted at first was taken by another person, so he chose this one as “I couldn’t take the fan I wanted” and “it’s difficult for me to choose”.

However, look at the happy and surprised smile from gg when he notices that his fan and dd’s make a pair (similar to “yes” and “no”, gg had filmed an ad for the event in which he linked this two exact phrases as opposites). A sad spoiler: this is the only time he truly, spontaneously smiles at the event (and notice how dd’s face inmediately mirrors gg’s and how he tries to rein it in a second later). 

I couldn’t find a video, but just before leaving the stage, dd looks at gg again and shakes his fan. Without a single word, gg understands that dd is asking from where to leave the stage, and makes the slightest movement with his fan to point the way. I assure you, this level of 默契 (mo qi) is difficult to find even in established long time relationships.

Once they are seated, gg leaves for a second and tells dd “I’m leaving” and dd answers “okay”. There’d be no need for this interaction unless they’re still friends/couple.

This one broke my heart a little: dd had been sitting on a plastic bottle the whole time. Usually gg clears his seat when dd comes (Nanjing fan meeting, Tencent awards night), probably because he has noticed that dd doesn’t care that he’s sitting on things. Dd left earlier the event because of his schedule, and once gg came back from getting his w/ibo king award, he sits on dd’s seat. And notices the water bottle under him. Even his poker face can’t hide the sad fondness “aiyo this boy...”

Some say he sat in the seat next to dd’s, but there’s a video I can’t seem to find (the despair is real) of gg sitting on the water bottle, so it’s indeed dd’s seat.

Also, you may try to think this from your own perspective: when and why would you sit in another person’s seat in an event as important as this one? If I try to answer this from my pov, I’d say that first I’d need to know that that person wouldn’t mind me sitting there and/or knowing that this person isn’t going to come back to the event. In both cases, it requires communication and trust between these two people. Gg had to know that dd was leaving first (and why would dd tell gg if not because they chat about their work schedules?) and that dd wouldn’t mind once the fancams made it to social media. This is what I think, at least.

Okay, so here ends my post. I just exposed some of my thoughts on why I think yizhan is NOT one sided or unrequited. But of course, you’re allowed to disagree with me, anons, since we are all in the speculation ground here. Nonetheless, note that this is a yizhan/bjyx blog, which implies (at least for me) that there are feelings from both sides, so I may not interact further with one-sided yizhan/bjyx asks.

(BTW, I found a very complete post of moments where yizhan isn’t one sided here, so I decided not to elaborate on those moments in this post).

[sugar-petals]

did you ever do a reading on what bts thought about their fanfiction?

let’s see what the deck has to say:

hoseok:⎡TEMPERANCE⎦⇁ This card is about the two wells of life and death, mixing and counting everything to the right degree to make your experience pleasant. So, a thoroughly measured approach. With fics, Hoseok separates the good from the bad without denouncing and simply considers it two modes of diversion. Either to thrill or to chill, but his views are not extreme on it. He takes it for granted and will check it out to his gusto without much upheaval. Hobi is aware of the shadow sides of fanfics but both unafraid and too seasoned to reject everything altogether, knowing it needs both sides to arrive at something good. He has a lot of experience with the topic and likes mystical fantasy plots about him the very most, Lord of The Rings or Celtic folklore style. Overall, Hobi is generally wise about the workings of fandom culture and has figured out how to approach and see through the subject in a healthy way.

jimin:⎡8 OF WANDS⎦⇁ This is the card of inspiration and acceleration, wands always carry powerful levels of directed energy. There’s a sense of going right along and targeting something upcoming. In other words, Jimin rolls with it, and he’s curious where the fans will be going with the topics they write about in the future. He thinks it’s quite a feat if someone puts out a lot of writing and keeps up with the happenings in the fandom or their concepts. Jimin sees it as a fast-paced fandom trend wave and a quick diversion. Also, he finds most genres to be action-heavy and definitely not shy. If he reads something, it’s shorter scenarios and anything where he can be cool and a heroic mochi down to defeat somebody lmao! If that doesn’t sound like him. In essence, Jimin thinks of fics like movies where honor and action is very important. He likes how athletically and combat-savvy he is portrayed.

yoongi:⎡9 OF PENTACLES⎦⇁ Yeah boy, he’s feeling it. A source of gratification, pleasure, healthy expression of fantasy is how Yoongi sees fanfics. In his eyes, stories bring comfort, he knows it from his own writing, so his attitude is positive. He finds authors resourceful and thinks they’re hustlers pretty much akin to what he does, I can’t with him. He also enjoys how ARMY take matters into their own hands and craft their individual storylines and theories, he enjoys that self-sufficiency. He might read something to calm himself and enjoys domestic plots or likes seeing himself written in that context. He also likes fics where he’s a rich man 😂 Sounds like Yoongi. All in all, Yoongi considers fanfics a perfect leisure activity and he engages a lot in it. He feels like there can’t be enough of it and finds it nice to indulge. Out of all members, he reads the longest stories.

taehyung:⎡8 OF SWORDS⎦⇁ He has a negative view on fanfiction, feels criticized and intimidated, trapped even. Taehyung’s view is that people making stories about him takes away his freedom and confuses everything. Taehyung has difficulty growing used to this and feels intruded on rather than appreciated or celebrated. He actually gets sad and resentful about that. The 8 OF SWORDS always shows a dead-end, victimizing, and being caged in, Taehyung thinks he cannot escape being the subject of other people’s fantasy. It’s like a fence or grip around him, as if taken hostage. He feels powerless to the narrative about him and views fanfic culture as going nowhere essentially. Taehyung thinks people who write about him treat him like a puppet and shove him around like they want to. He feels disrespected but mostly depressed and cries a lot about it.  

jungkook:⎡10 OF CUPS⎦⇁ Jin’s reading times ten essentially. Oh wow. Now this is the most rose-colored view in Bangtan, knowing that the card is very much about the “happy end” scenario in life. Jungkook feels cozy and innocent about people creating couple stories, in fact, he feels greatly loved through knowing fans want to be together with him. He thinks it’s sweet and flattering and most importantly, extremely romantic. It’s a communication of affection through a distance to Jungkook, he is proud of people to write about BTS and feels like he accomplished his own Studio Ghibli reality where people can create their own favorite scenario. You can tell he wrote fics himself in the past, he’s totally into this. His favorite plots revolve around pregnancy or farm life, and he reads everything that’s about being a family. He coos a lot about how people spend so much time writing about him in such a lovey-dovey way. He’s pretty smitten to say the very least.

namjoon:⎡THE TOWER⎦⇁ Man, RM really doesn’t like it. In fact, he finds fanfic culture catastrophic and feels it all went wrong. He sees the dangers the very most. This card signifies chaos and fallouts, something that erases in a relentless manner. He feels like fanfics came down on him like a natural disaster and need a major revolution, severe changes all the way. Like Taehyung, RM feels like he can’t do anything against what is raging on in the fandom back and forth about him and is terribly afraid of it. He dismisses the topic and finds author’s habits destructive to the point where he wishes it’d all stop. Namjoon grew threatened by people who write about him and thinks they burn down everything he carefully built without regarding him in the very least. He feels like he is shown in a too violent portrayal and wishes people would cast this idea of him away entirely. He thinks it’s hell on earth and rains on his parade.

seokjin:⎡ACE OF CUPS⎦⇁ The exact opposite of Namjoon. Jin thinks of fanfics as a lighthearted and inspired activity. Taking it blithe and easy is Jin’s motto here. To a large extent, he’s happy people feel so involved and appreciative of him and the group, but he’s also yearning a bit because he wants to meet halfway. As in, paying back all the love and yes, the sexiness, too. If he could meet up with fanfic authors and have a fun chat, or read stories personally written for him, or write a fic in reply to someone, he would. Hell, this is the card of hooking up: Jin would like dating somebody talented like that. Someone makes a free 300k novel just for him, and he’s the protagonist? Immense compliment to Jin. He feels sincerely praised and enjoys cheerful plots about BTS being in couples just to spite the dating taboo for fun. More is more he thinks, Jin wants to hear all of the latest genres. In my deck there are two fish mingling on the card, Jin wants people’s romantic fantasies to flow freely. He wants us to try out innovative and cute ideas.

[killscreencinema]

Death Stranding (PS4)

The first week of quarantine, I lost my job.  It wasn’t COVID related, more like “I hated my job and my employers finally realized it” related.  So it was actually really good timing that I began this game while unemployed, as virtually delivering packages to people made me at least feel like I still had a job! 

Death Stranding, released by Hideo Kojima’s new independent studio in 2019, is set in a bleak, post-Apocalyptic future where the world of the living and the dead have converged in a catastrophic event called, well, the “death stranding”.  Dangerous phantoms, called “BTs”, roam the countryside, dragging anyone unlucky enough to encounter them into their world.  The only person who can stand up to them is a porter named Sam Bridges (Norman Reedus), who has a unique condition called DOOMS which allows him to sense a BTs presence (who are otherwise invisible to the naked eye).  Paired with a child bred to act as a link between the living and dead, called a  Bridge Baby, or BB, Sam can even see a BT, making him the only candidate who can possibly bring the world back together by traveling the wastelands of the former United States, delivering packages and connecting the surviving human cities via something called the “chiral network”.

So it’s basically a fucked up, but better, version of that Kevin Costner movie The Postman.

Also, if it seems like my story summary took longer than usual, welcome to the world of Hideo Kojima!  I tried my best to explain the story in a brief synopsis, but I still didn’t even scratch the surface of it.  For example, I didn’t even mention how Mads Mikkelson intermittently drags Sam to a battlefield-like purgatory so he can steal his BB; or how Sam’s mysterious connection to the BTs makes his bodily fluids deadly to them, so you will often use weaponry made from his piss, blood, and shit to fight them; or how his primary objective is to rescue an enigmatic woman named Amelie, who may or may not be the daughter of the recently deceased President of the United States, from terrorists who want to use Amelie to bring about the extinction of humanity.

This game is bananas, ya’ll... but in the best way.

I started this game with extremely low expectations, as it had been critically lambasted by most of the major gaming sites and YouTubers.  From the previews of the game I watched, it just seemed.... weird.  I didn’t understand what the hell I was looking at - Norman Reedus with a pod baby strapped to his chest, and a strange flappy doodad on his shoulder, while walking on a tar beach strewn about with dead whales?  What the fuck, Hideo?  Visually alone the game was such a stark (and I mean *stark*) departure from the Metal Gear games, so when I found out the gameplay was delivering packages, I became convinced that Hideo Kojima had done lost his goddamn mind. 

Turns out... and this should hardly come as a surprise... the man is a goddamn genius.

Truly brilliant art always offends and bewilders the senses at first because your mind doesn’t know how to cope with what its experiencing.  Watch any given David Lynch movie and you’ll see what I mean.  The human mind has trouble processing totally new information that has no frame of reference in memory or cultural awareness, which is why “weird” art initially repulses before it gains a following (and many great artists die in poverty before they are recognized for their genius).  Imagine introducing a peasant from the Middle Ages to a helicopter - they’d think it looks absolutely ridiculous, so when you tell them it can fly, just IMAGINE their incredulity. 

Anyway, I think that is why initial impressions of Death Stranding were so negative - it was a lot to take in for a lot of gamers used to being spoon fed repackaged versions of the same games but with different titles.  Even things that seem at first “original” have recognizable gaming mechanics that ease the player in.  I mean a game set in the apocalypse where the core gameplay is centralized on package delivery???   There’s nothing like this!  So your reaction is either going to be “This is brilliant” or, like the medieval peasant, “this is ridiculous”.

Mind you, I’m not saying if you don’t like this game, you’re as stupid as a medieval peasant.

I get why people would hate this game - it’s very different than a lot of games out there.  Death Stranding is bold and audacious in its storytelling and its gameplay.  It takes a lot of risks that most AAA publishers (like Konami for example) would balk at, which is why Kojima had to create his own company to make it.

The gameplay seems simplistic at first - deliver packages from point A to point B.  However, it’s a little more complicated than that.  For one, the key element of the game is item management and learning not to bite off more than you can chew.  Sam can only carry so many boxes, and the more you stack on top of him, the more difficult the journey will be, especially when crossing BT territory or bandits (called MULES) nipping at your heels.  You also have to take into account the rocky terrain, river crossings, and weather (oh, did I mention that rain in this game, referred to as “Time Fall”, can rapidly age items and people?).  The game is all about carefully choosing equipment you’ll think you will need, whether it be weapons, ladders (for climbing large cliff faces or crossing deep rivers or chasms), sprays for repairing damage to packages, or even a spare pair of boots in case the shoes you’re wearing wear out.  So to say that the game is “just delivering packages” greatly diminishes some of the nuance going on here.  Yes, there are lots of long stretches of just walking across a landscape to some of the most melancholy music ever assembled on a soundtrack, but I’d argue that having patience for those moments is part of the gameplay. 

The game can be frustrating, such as when Sam refuses to climb a ledge you KNOW is climbable, so he just trips and falls over instead.  The vehicles that you eventually unlock are some of the most goddamn frustrating vehicles in video game history.  At first, I figured it was because I would eventually unlock better modes of conveyance more adequately adapted to crossing rough terrain, but no - they all drive like shit.  Just getting the truck to drive up a hill without spinning out and rolling backwards can fray on one’s nerves.  It’s hard to discern how much of it is the vehicle and how much might be poor controls.

The story, as alluded to above, is ambitious at best and pretentiously bloated at worst.  However, if you’ve played any of the Metal Gear games, you know what you’re signing up for when it comes to high concept, over-indulgent story.  I would say that for the most part, Death Stranding’s story is coherent enough to enjoy, although there are long expository cut scenes that convolute the plot more than clear it up.  Fortunately, the characters are well developed enough, and are interesting enough, to keep you invested (a storytelling skill that is perhaps Kojima’s saving grace).  Also, the more dramatic beats of the story are impactful enough to still resonate, even if you’re not entirely sure what the fuck is going on.  It helps to have talent like Norman Reedus, Mads Mikkelson, and Lea Seydoux in the cast, whose performances bring the characters to life.  Sam in particular might have been an insufferable loner, were it not for Reedus’ gruff likeability that made him famous from Walking Dead. 

If you’ve avoided this game because, like me, you were convinced by bad reviews that it sucks, I would highly suggest that you reconsider.  It may not be as fun, or compelling, as a Metal Gear Solid game, but it’s an interesting departure and one worth experiencing.

[webwych]

This is your Han Solo now ...

So we had the first as-yet-untitled-Han Solo project cast photo this week, wow, the “SW” Facebook page deteriorated into the childish and moronic “if you don’t want this; you’re not a fan” generation-gap mentality argument pretty damn quickly.

I don’t know how alone I am in this, but being one of the people who were part of the last Lucasfilm/fan focus group; I, at least, can say that I have pretty much directly told Lucasfilm in no uncertain terms what I thought of this particular project and I assure you that my comments were not very pretty and, in my opinion, rather scathing.  I must state for all purposes that I did that knowing that the “go/no-go” point to have this project green lit was at least 18 months ago and understand that anything I had to say had absolutely no effect on the outcome.

I can see that this film has currently split the fandom somewhat evenly, but I think the “don’t want” have the edge for the time being.  I know that there will be fans who are not happy about this project now who will be swept up in the coming months as more BTS shots are released, and there might be a “something” at this year’s Celebration to give buzz about, and there are many fans are looking forward to it.  Yes, there will also be those fans who will see it 6 times (at least) and whom will take to the myriad of social media platforms to tell just everyone who watches or listens or reads just how much they hated it every single time they saw it.  

But is this project a good idea – no, it is not.  Personally, for those of us who continue to feel Solo’s fate in TFA deeply, simply have not been allowed to grieve by Disney/Lucasfilm and this as-yet-untitled-Han Solo project does very much feel like the character is barely cold in his grave and we are being presented with a new step-father and told to call him “daddy”.  OK, that’s probably a bit too Drama Queen-y, but, gorramit, it’s how I feel.

These standalone projects highlight Disney’s business model need for this franchise - a “SW” film every year ad infinitum.  They are also, unfortunately, the embodiment of Lucas’ extremely ill chosen and inelegant analogy made during his Charlie Rose interview in 2015.  However, the decision for the return to the May release date is in itself fascinating (for those of you interested in the business of distribution) as it actually doesn’t give the title the potential longevity of theatrical release as keeping the mid-December date does, but hey; that’s likely to be all about getting it onto the home entertainment market ASAP to recoup that ROI, but I digress ... Would it have been better if the decision had been made to simply find a new director for the Boba Fett project and proceed with that?  Yes and no.

I say yes, because following the character’s somewhat gauche exit in ROTJ, Boba Fett’s “myth” has become even more entrenched especially being one of the remarkably few (and I am counting the fingers on one hand) OT characters that has a rich (read cinematic) backstory exploitation potential. And, hey, his costume’s, like, really cool!

I say no, because it doesn’t take away the “meat-grinder” element of what this fandom has to now accept.   And those canon novels, comics and video games will simply not write themselves.

As a 1 of those characters ripe for cinematic exploitation – Han Solo has it all.  Being the eldest of the original OT triumvirate, his backstory is an untapped source, which if handled correctly, could go for more than 1 film (and I don’t care what Hidalgo vehemently countered last year on his Twitter regarding the “news” of possibly more than 1 Han Solo film; potential further Solo sequels or similar is likely to have been considered due to Disney’s business model and the last thing the studio want is to keep negotiating with Alden Ehrenreich’s reps especially as this could open big enough).   Considering the career that Harrison Ford went on to have; Solo has audience brand awareness like you wouldn’t believe and is consistently voted as The Favourite “SW” CharacterTM.  This was very much put to maximum use for TFA when that film was sold to the general public on Ford’s back.  

Disney, like all companies, has its shareholder obligations and therefore quarterly projections to meet.  And I have no doubt whatsoever, that numbers have already been run for this as-yet-untitled Han Solo offering (but please, indulge me a second time while I contribute some title suggestions:  “21 Jump Falcon” or “48 Parsecs” or tapping into Kennedy’s western idea, “Butch Calrissian and the Sundance Solo” or maybe it should just be “Firefly” …  Oh, wait, that last 1 already happened, didn’t it?) so there’s an idea of possible BO both domestic and worldwide that will be gaining traction within the Mouse House.    Just add the audience …

As a Han Solo/Harrison Ford fan for 4 decades I have a number of issues with this as-yet-untitled-Han Solo project (bet you’re surprised by that, huh?)  The primary one is this:  Following the events regarding this character in TFA, why on Earth would I, as a consumer, want to buy into a Han Solo film, especially when it has been written by 2 of the architects of the character’s fate and personality in TFA?

I was never a particular fan of the former EU, so I never bought into the Han/Leia white picket fence around the Millennium Falcon scenario as was presented.  But I most definitively do not buy into the never around father and husband as presented by J J Abrams and Lawrence Kasdan in TFA (which is being currently cemented by both Chuck Wendig and Claudia Gray into a man who felt confined in his relationship and impending fatherhood, more interested in racing and general itchy-feet in their “canon” novels) as it would appear that their Han Solo remained as we first met him in ANH.  My Han Solo grew up without knowing who his parents were, very much lived a hand-to-mouth existence on whatever planet’s streets – an “SW” version of the Artful Dodger if you will, and yet was able to pull himself out of wherever to make it to the Imperial Navy to pursue a dream.   I, personally, have great difficulty in acknowledging how that Han Solo would condone his child to a similarly emotionally difficult life.  Han Solo was at that point in ANH and by the end of ROTJ, he’d found enduring friendship (the people he’d dismissed at the beginning rescued him at great danger to themselves), companionship (he’d developed love) and a sense of belonging (he stayed with the Rebellion – yes, in the beginning it was likely for ulterior motives, but not by the closing shots of ROTJ) – that is a character arc which someone who has experienced the worst that life could throw their way would not easily give up.  As it stands, for me, the Han Solo of TFA is tantamount to character assassination solely for our leisure cash.

Of course, I understand that the Han Solo we will be presented with in the as-yet-untitled-Han Solo project will be the Han of ANH as the Messer’s Kasdan can put the character in more thrilling situations, and minus Leia, give him a passing, but no doubt intense love interest.  But we’ve seen how this character’s story ends - being callously murdered for narrative purposes on the modern screenwriting altar of cheap audience manipulation; so, again, why should I spend my hard earned money on this?  And anyway, with Woody Harrelson admitting that his character’s name is Garris Shrike, I can only wonder just how much of this film will be owe to A C Crispin’s 1997 Han Solo trilogy novels (yes, OK, former EU has no place …  Right …) The very sad thing is that if this film has scenarios recognizable to her novels there is likely to be no credit for Ms Crispin which is beyond awful while the Messer’s Kasdan will call it their own work.

The last fan focus group survey was about this project and it would appear that I was one of very, very few people who actually knew who Ehrenreich is and could recognise a photo of him.  I have seen his performance in “HAIL, CAESAR!” and enjoyed it; in fact it was of a standard that I would expect of a Coen Brothers production, so do I think he will give a poor performance?  Most definitely not; but his Han Solo will not be my Han Solo and creatives/business involved in this ignore that at their error.

Rightly or wrongly, I feel that a lot of this has to be with clearing the copyright decks of Lucas’ vision (and again whatever you think of Lucas IN THE SLIGHTEST; you feel it BECAUSE you bought into his original creation) and as I’ve stated earlier, there is an element of churning out product.  I am of a certain age where I feel that quality is superior to quantity, but I also accept that there are fans (regardless of age) who are extremely happy with the thought of a film every year ad infinitum and all good luck to you.  If your question is do I think it will be a bad film?  No; no it will not, no one spends the money these days on film production expecting to make a bad film!

Once upon a time, the former EU evolved from the foundation of the OT and weaved its own path for 6 years until the announcement was made in ‘96/97 regarding the PT.  By 2005, Lucas expressed that in his opinion there were 3 streams for “SW”:  The films which was his vision and which were canon (just think, kids, there was a time when if it wasn’t on screen it simply wasn’t canon); then there was the merchandise, which included the EU, comics, etc; and lastly there was ours, the fans’, “SW” – and none of those necessarily met in a neat junction, but all ran parallel with the films trumping everything, and Lucas (whether you remain supportive or dismissive) very much recognized that, and as long as the fandom played that game, acknowledged the fandom in a manner in which no other entertainment producing entity every has or is likely to again.

The last word I have to make regarding this as-of-yet-untitled Han Solo project is this:  I can not wait for the utterly ridiculous blustering explanation that will come from Pablo Hidalgo and the Lucasfilm Story Group either in a direct social media proclamation or a canon novel which addresses how a mature adult male in his mid-20s grew 5 inches by the time that mature adult male was in his mid-30s or will that physical element simply be part of the “this is your Han Solo now” mentality?