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— scarlett
i’ll always be insaciable.
nome: scarlett
idade: 23 400 anos
ocupação: dançarina na fangtasia
personalidade: forte, elegante, presunçosa, mimada, insaciável, descontrolada, autorit��ria, inconsistente, organizada
gostos:
desgostos:
headcanons:
Scarlett foi uma recém criada que deu muito trabalho. Gerava massacres e destruições em massa, era forte demais e sempre ansiava por mais e mais sangue. Insaciável. Um outro vampiro foi capaz de coloca-la no eixo e seguiu por alguns anos o acordo que Drácula fez em Tenebris - ela respeitou, até que as ideias de Carmilla começaram a se disseminar. Questionou muito e teve lapsos de descontrole - até hoje tem dificuldade de manter-se completamente saciada e controlada sob a sede de sangue.
Em algum momento se apaixonou por um humano e acabou o matando, em uma crise de descontrole.
wanted connections
amizades antigas, amizades recentes
alguém cujo parente/amigo ela matou :)
exs rolos, rolos atuais, rolo tóxico
clientes da boate
má influência (ela), boa influência (muse), má influência que instiga ela a beber sangue humano quando bem entender
inspiração pros poemas que ela escreve, alguém que tenha achado os poemas e descobriu um ponto soft dela
vizinhos
#001. development#002. convos#003. visage#004. musing#005. fashion#006. ask game#007. wanted connections#008. extras
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𝐂𝐀𝐑𝐑𝐃 𝐓𝐄𝐌𝐏𝐋𝐀𝐓𝐄 𝟎𝟎𝟏 // 𝐂𝐇𝐄𝐑𝐑𝐘 *
A single muse carrd template !
✧ Features: A simple carrd layout with scroll features for easy navigation. Tested to be mobile friendly. Contains a built in page for rules, a stats / biography page, a page for verses (subverses) with tabs for quick scrolling, and a page for rp connections / mains. Elements are linked via style to make changing the colors easier. This is a template, so the graphics do not come with it by default, but I will be happy to send you the backgrounds I used by request (they are unsplash assets). If you have any issues or questions about editing the carrd, you are more than welcome to inbox me here on my tumblr and I will try my best to help you.
✧ Terms of Use: Like / Reblog if you use, please. Do NOT use this for illegal content or to promote hate (this includes "burn books" and callout / vent blogs). Do NOT remove the credit in the credits section of the rules page or make it invisible somehow. Edit as you wish, but no matter how much you change it, do NOT claim it as your own!
✧ Price: Pay what you want! You can get this carrd for FREE , but if you want to help a girl out with a tip, I'd greatly appreciate it 💗 ( Important Note! This template requires Pro Lite or higher to use due to the number of features included ! )
【 DEMO ✧ GET THE TEMPLATE ✧ LIGHT VERSION ✧ MULTI VERSION 】
#carrd#carrd template#rp carrd template#free carrd template#rp template#free rp template#free template#rp resources#single muse template#carrd template 004#[made by mari]#[my carrds]#[my templates]
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⸻ is an independent & selective character of Cassedea Genéva Deleviere.
After being born in the Colombian slums, Cassedea moved at the age of 5 with her parents to Rhodes Island. It was both, an escape and a way of moving on. Her parents were extraordinary, having the ability to communicate with supernatural beings and being familiar with voodoo, cursed objects and exorcism. After a failed exorcism, the family felt the need to flee from the danger of the demon. Sadly, he followed them, killing both of her parents mysteriously. After being adopted and growing up, Cassedea found out that she had the same abilities like her parents. Therefore she tried to learn everything about them, getting help from her parents with whom she could communicate. At the age of 16 she brought the demon, who killed her parents, back to hell. Today she made a living out of exorcism and necromancy. When she’s not traveling through the country, she lives with her cousin and a basement full of dark secrets in New Orleans.
#geisterruf original and independent character based on the movies Conjuring, always open for plotting, multishipping and crossover friendly, german & english but german prefered, only interact if your 25+, she/her, bisexuell, low to semi active, m&pdni
Credits: @geisterwelt @strangergraphics
# ⸻001✞ : sinner & saint (faceclaim)#⸻002✞ : have you ever sinned (exorcism & ghosts)#⸻003✞ : i already lost my mind (musing)#⸻004✞ : my heart is a ghosttown (look)#⸻005✞ : come here little demon (connections)#⸻006✞ : i never die (mind)#⸻007✞ : im not scared (musing)#⸻008✞ : oh holy ghost (games)#⸻009✞ : there is a church (ooc.)#⸻010✞ : demons on my shoulder (writing)#⸻011✞ : blood on my hands (alternative faceclaim)#⸻0012✞ : get what i want (edits)#⸻0013✞ : do you like scary movies? (character)#userfakevz
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Memory of Muse 2000-2004 [STYLE Series #004 - Muse (August 2010)]
From the first visit to Japan to the 2004 Japan tour. How did Muse grow up after seeing them up close? We look back at how Matthew, Dom, and Chris were at that time, with some interesting episodes.
Conversation◎Yoshika Horita & Kaoru Abe pix Yoshika Horita
Yoshika Horita and Kaoru Abe, who had close encounters with Muse while working for Avex as their official photographer and interviewer, respectively. We asked them about their most memorable episodes, not only during their visits to Japan, but also during the many times they interacted with the members during on-site interviews. Please enjoy their memorable talks, which convey the individual personalities of the members, as well as their nostalgic memories.
[2000/First visit to Japan] Horita: I first met the three of them at ON AIR WEST. They were like three dark and friendly guys from the countryside, whispering in hushed tones about everything. They have very thick accents to begin with, so you can't hear them very well when they talk like that. Dom is the type who consciously tries to speak properly, so his English pronunciation is clear. Matthew is like a muffled machine gun and speaks very fast.
Abe: He wasn't so nervous at that time. He was being interviewed while lying on a gorgeous couch at Avex (laughs). Basically, [to them] it was like "I'm on a field trip!" and it was so pure.
Horita: At that time, they were accompanied by a manager who found them and was like a father figure.
Abe: Yes, it was like they were a local family. The show itself was very good, and they already had a certain style, but their usual behavior was not up to the level of their ability at all. Even in Tokyo, if they were to walk around Harajuku or Shibuya, they would look a bit out of place (laughs).
Horita: The way he dressed (laughs). I liked Matthew's cyber look at the time, but his shoes looked like something an old man would wear, and his denim was cut off at the hem! The uniqueness of Matthew's fashion came out at that time. But Dom is a bit of a fashionista. He was choosing what was appropriate for his height and weight. Chris doesn't care at all.
Abe: He (Matthew) talked a lot in the interview. He talked a lot about how they started the band because there was nothing to do in the countryside...... He talked a lot about things like that. But he would get bored in the middle of the interview (laughs). Then the three of them would get together again and start whispering in hushed tones. They didn't really have anything profound to say.
Horita: At that time, we even went to a music store to look at effectors.
Abe: It was their first time in Japan.
Horita: Dom is Matthew's personal interpreter. Whenever Matthew needed something, he would call Dom and be like “Dom-Dom, Dom-Dom, you know....“ He always says “Dom-Dom” twice in succession (laughs). There was also a classmate of theirs named Tom (Kirk), and the four of them were originally best friends, but Tom went off to college and didn't play in the band. But they continued to be good friends, and eventually became like an external coordinator for Muse. You see, the world is closed, so they need that kind of existence (laughs).
Abe: Matthew is a little bit different. He is rather shy, so it would be difficult without Tom. Well, he's about as shy as I am. ...... So shy people interview each other and get interviewed by each other....... It's the worst (laughs).
Picture: Matthew cools off with a mini fan given to him by a fan. He said, “Back then, I would have gladly used any gift from my fans.”
[2000/Summer Sonic 2000] Horita: When Matthew had blue hair. Chris got a tattoo in Japan after his son Alfie was born. I went with him to Harajuku, and we went into a store owned by a very seedy foreigner, and he got it done by a female assistant who said she had just started working there (laughs). I was like, “Oh my God, are you sure this is a good place to get a tattoo?" She showed me a font sample book, and I just put the letters exactly as they were in the book. I wrote “Alfie” as “Zaibu Ryo” (在父良/Father-in-law) in big letters at ....... But he looks so happy!
Abe: That doesn't exist, does it? (laughs)
Horita: Matthew seemed to be very interested in it. I think that's why he let Chris try it out (laughs).
Abe: I didn't do any interviews at that time. I did see Summer Sonic, though. I remember they were already playing “Plug in Baby” at that time. It was the first show of the morning, and it was on a grand scale. It was so hot that I almost collapsed, but I heard that Matthew almost collapsed too.
Horita: Speaking of Summer Sonic, Coldplay['s Chris Martin] and Matthew were talking backstage at the Osaka show. Then one of the tour managers at the time asked me to take a picture of them. I was like, “Hey, let's take a picture now!“ And I thought to myself, “Well, Coldplay is in a higher position than Muse.“ They didn't really know each other that well, but Matthew, who was shy, talked a lot. Matthew is a very cunning guy (laughs), and he will go for anyone who benefits him or interests him. He is a surprisingly calculating man (laughs). Also, maybe it has something to do with the fact that his grandmother is a medium, but he seems to have a divine power or something out of the ordinary. There is a little bit of evil spirituality in him (laughs). It's great because that kind of thing is sublimated into the music!
Picture: At Kiyomizu-dera Temple in Kyoto, where we stopped by during the Osaka performance. These two are always a set.
[2001/London coverage] Abe: At that time, they did two days at the Brixton Academy and it was a great success. I think I went to see both days.
Horita: The first day was just the day I arrived or something, so I just went to see the show without any equipment. Matthew backstage was very funny. I think there was a tax accountant or someone in a suit there, and he was talking seriously about something like, “From now on, I'll take care of the money!“ As I said earlier, Matthew is very calculating and businessman-like. Their previous manager was someone who looked like someone from the industry, so I guess he thought he would be taken advantage of if things continued like this.
Abe: With all the money they had, they also bought a house to share among the three of them [Note: Presumably they're talking about Matt, Dom, and Tom's time of living together]. So, because of the formalities involved, we arrived very late to the hotel where the interview took place (laughs). During the interview, Matthew and Dom talked about the house all the time.
Horita: It was around this time that they suddenly became aware of themselves as members of society...... A tax accountant and a house! The next time I interviewed them in London, they had already moved to a different house (laughs).
Abe: Oh yes, it was a house with a studio. On the second day in Brixton, they had 2ManyDJs [aka Soulwax] in the afterparty, and it was Matthew's birthday party. 2ManyDJs at a live venue were still cute back then (laughs).
Picture: Matthew is not much of a drinker, but these two are the type that drink until morning. Chris in particular is the type that is easy to get along with.
[2001/performance in Japan] Horita: This was the time when the dark side of Muse was in full bloom. They were selling out at once, they had money coming in, and they had more than enough talent, especially Matthew (laughs). The number of groupies increased to the point where I wondered, “How many groupies are there nowadays?“ (laughs).
Abe: Chris was a serious guy and never played around...he lost his wedding ring at a show in 2004 and turned blue.
Horita: Oh yes, once Chris got very drunk and lightly kissed someone. The next day he was depressed and said, “What have I done? I'll never get drunk again!“ (laughs) It was painful to watch, but he was so cute.
Abe: Yes, he was. He really cherished his wife. Did he have his fifth child this year?
Horita: Yes, yes. His wife is a very plain, ordinary person. She is very different from Matthew, who is now a celebrity (laughs). Dom is a mystery! Even if he cheats on me, I feel like I'll never find out. On the other hand, I don't think he is clean for sure.
Abe: Come to think of it, Dom is always clean [i.e. hygienic]. Chris is always clean, too. But Matthew never takes a shower even when he is sweaty at a show. (Laughs) Even when they play until morning.
Horita: Matthew's eccentricities are many. They were staying at the Nikko Hotel at the time, and when we were in the cafe on the first floor, he came down from his room in his hotel gown and slippers. When the hotel staff was upset with him, he told them that he was “dressed in African formal wear“, and they forgave him (laughs).
Abe: He had a look on his face that said, “If I say this, they will never be angry with me.“
Horita: He was once scolded for suddenly playing the transparent grand piano displayed at Kawai Omotesando without permission (laughs).
Abe: Well, even if he did that, it still looks good, in Matthew's case.
Horita: The thing about Matthew is that he is easily drawn to things like “white pianos” and “transparent pianos.” It's simple and cute in that way.
Abe: He likes to play the piano as soon as there is one. He must think “I'm so cool!” playing it more than the guitar (laughs).
Horita: On the piano, he can play Chopin and other pieces right away, but he's not actually that good at it. But on the guitar, even though he is so good, his movements are unique.
Abe: Speaking of Matthew, he always went back to the hotel after rehearsal. Dom and Chris stayed at the venue. I don't know what it is like now.
Horita: Yes, and that sometimes caused him to come back to the venue about 10 minutes before the show started, which made the people around him nervous. I don't know what he’s doing, but I really want to go back!
Abe: Is it some kind of ritual to concentrate?
Horita: Some kind of ritual to bring down the god of live performance? After all, he is a spiritual person (laughs).
Abe: Maybe he’s preparing confetti to be taken out of his pockets during the show (laughs).
Picture: The pass from the 2001 Brixton Academy show in London, which was attached to Abe-san's press notebook.
[2003/Reporting in London] Abe: Before [the release of] “Absolution,” we were in London again for an interview. At that time, they had a confident but calm impression. They took a long break before making the album, and all three of them had that good feeling. I would say that all three of them had grown up while still maintaining an aura of being rock stars. They also set up our own studio. It was just a renovated flat.
Horita: Yes, there were computers and office desks in one room, and a huge pile of equipment in the next room. There was a grand piano, so it was not small, but there was no table or anything like that, so it was just a place for recording as a hobby.
Abe: But he said he went there three to four times a week.
Horita: What surprised me was Matthew's new car. It was a very nice [Toyota] Solara, the kind of car that only [Japanese] yankees drive nowadays, and it was a white convertible (laughs)! It had a tachometer that looks like something you would never expect to see on a car like this (laughs).
Abe: But I was convinced. No matter how you try, only Matthew could drive a car like that!
Horita: It's the same as the idea of the white piano (laughs). Dom drove a maroon BMW or something, so he was totally normal. After the interview, they both said, “Goodbye,” and went home.
Abe: It was a bit of an inconvenient location, and we were at a loss because we couldn't get a cab. Dom said, “I'll wait with you until the car comes,” and bought us a drink at the pub next door! Really, Chris is like a good father and he is very kind.
[2004/performance in Japan] Horita: Before the Bay NK Hall show, I caught up with the guitar tech at the venue when the band members were not there, and he let me take pictures of the equipment. Matthew was just passing by and said, “You can film anything you want! There's no secrets.” When I first came to the show [back in 2000], he was very reluctant to have his effects equipment photographed, but I could see that he was gaining confidence. Matthew was wearing a weird “Matrix”-style coat and sunglasses, and there was a big fuss about “Take a picture! Take a picture!“ Matthew may be a dorky guy, but his personality and sense of aesthetics remain consistent. But that is out of tune with the world's sense of beauty (laughs).
Abe: He always likes things that are futuristic. He likes to wear a ring with a cybernetic design that was given to him by a Japanese fan. He was wearing it during the photo shoot, but I guess it wasn't fanservice, he really liked it.
[Thereafter.....] Abe: After they moved to Warner, we stopped doing interviews with this trio. They had a worldwide breakthrough and became an unreachable band.
Horita: They were five years after their debut... a country bumpkin who succeeds, falls to the dark side, and realizes who he really is... It was like the “Star Wars Trilogy” (laughs).
Abe: By making a good album, you grow as a person. That must have been how Matthew was able to make such a big leap forward.
Horita: I think Dom, Chris, and Tom were instrumental in that. If it had been just Matthew, he would have destroyed himself by not being able to use his abundant talent. Also, it was good that he didn't have any impatience like, “I want to sell [out] in America! I want to be big!“ Even though Coldplay had achieved success, they [Muse] were not in a hurry, and they worked slowly and deliberately, and finally achieved success. But he might have had a desire to play in a big venue and hypnotize everyone in the room......
Abe: Yes, he just needed a place to present his sense of aesthetics.
Horita: That hasn't changed. I haven't met him (Matthew) yet, so I can't tell you more about him. I met Chris and Tom when they came to Japan in January, and I was happy to see that they had not changed at all.
Abe: Well, I think I was very lucky to catch a glimpse of Muse, who have now become such a great band, on their way to the top, and I have really good memories of them. I would like to continue to support them from behind to see where they are headed.
Translator's Notes: This is actually one of my favourite and unique Muse interviews I encountered so far in the STYLE magazine, because it's an interview/conversation in the point of view of those who actually interviewed and photographed the band themselves and witnessed their growth over time in 5 years, and gives interesting insight of stuff that they picked up, such as:
-Matt calling for Dom's attention by going all "Dom-Dom, Dom-Dom!" and he does it twice in succession!
-Matt's sense of fashion in the past was just that... eccentric/bad enough that nobody could ignore it LOL
-Not even his choice of car was spared from Abe and Horita's low-key savage mocking LMAO
-The journalist and photographer are like "Yeah, Matthew is a weird dork, but that's what makes him so cute!" LMAO
-Matt's preference for white or transparent pianos were actually noticed since 2001.
-The true story behind Chris' first tattoo and the absolute horror by Horita at the choice of tattoo shop and being forced to pick the kanji letters that sound the closest to what 'Alfie' would be pronounced as.
-Matt actually enjoys receiving gifts from fans and would use/wear them.
-Their observation that Matt and Dom always stick together as a set. My heart...
-The imagery of the boys' first trip to Japan being like "I'm on a field trip!" to them shall live in my head rent free.
#Matt Bellamy#Dom Howard#Chris Wolstenholme#Muse#Showbiz era#Origin of Symmetry era#Absolution#my scan#translation#interview#this interview is legit funny yet heartwarming at the same time#it's really worth the read#STYLE Series#STYLE Series 004
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drunk - val
farrah: i watched your vlog earlier today. you looked soooo good and i love the way you connect with your audience so easily. i loved the necklace you had on, and the earrings that matched. farrah: can i just say one thing? the backdrop. girl it washed you right out, and i don't think the sweater you had on helped. it was like a maroon, burgundy colour, i think. try some rust colours. red, orange, even a light pastel shade. it'll save you so much time in post with colour correcting.
#╰ › answered ﹕ 004.#╰ › text messages﹕ 018.#╰ › text messages﹕ valentina flores.#farrah is the most virgo muse i've ever had
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new tag dump — !
˒ *。:・ 001 : ( v : main ) *・゚✧ ⎸ 𝙶𝙾 𝙰𝙷𝙴𝙰𝙳‚ 𝚄𝙽𝙳𝙴𝚁𝙴𝚂𝚃𝙸𝙼𝙰𝚃𝙴 𝙼𝙴.
˒ *。:・ 002 : ( v : ANH ) *・゚✧ ⎸ 𝙸’𝙼 𝙸𝙽 𝙸𝚃 𝙵𝙾𝚁 𝚃𝙷𝙴 𝙼𝙾𝙽𝙴𝚈.
˒ *。:・ 003 : ( v : ESB ) *・゚✧ ⎸ 𝙽𝙴𝚅𝙴𝚁 𝚃𝙴𝙻𝙻 𝙼𝙴 𝚃𝙷𝙴 𝙾𝙳𝙳𝚂.
˒ *。:・ 004 : ( v : ROTJ ) *・゚✧ ⎸ 𝙲𝙰𝙻𝙻 𝚃𝙾 𝙶𝙻𝙾𝚁𝚈.
˒ *。:・ 005 : ( au : dr. solo ) *・゚✧ ⎸ 𝙵𝙾𝚁𝚃𝚄𝙽𝙴 & 𝙶𝙻𝙾𝚁𝚈‚ 𝙺𝙸𝙳‚ 𝙵𝙾𝚁𝚃𝚄𝙽𝙴 & 𝙶𝙻𝙾𝚁𝚈.
˒ *。:・ 006 : ( au : warframe ) *・゚✧ ⎸ 𝚆𝙰𝚁𝚁𝙸𝙾𝚁-𝙶𝙾𝙳𝚂‚ 𝙲𝙰𝚂𝚃 𝙸𝙽 𝚂𝚃𝙴𝙴𝙻 𝙰𝙽𝙳 𝙵𝚄𝚁𝚈.
˒ *。:・ 007 : ( au : blade runner ) *・゚✧ ⎸ 𝙳𝙾𝙴𝚂 𝚃𝙷𝙸𝚂 𝚄𝙽𝙸𝚃 𝙷𝙰𝚅𝙴 𝙰 𝚂𝙾𝚄𝙻?
˒ *。:・ 008 : ( au : mass effect ) *・゚✧ ⎸ 𝚂𝚃𝙰𝙺𝙴𝚂 𝙳𝙾𝙽'𝚃 𝙶𝙴𝚃 𝙷𝙸𝙶𝙷𝙴𝚁 𝚃𝙷𝙰𝙽 𝚃𝙷𝙸𝚂.
˒ *。:・ 009 : ( au : underbelly ) *・゚✧ ⎸ 𝚂𝙼𝚄𝙶𝙶𝙻𝙴𝚁’𝚂 𝙶𝙰𝙼𝙱𝙸𝚃.
˒ *。:・ 010 : ( au : exodus ) *・゚✧ ⎸ 𝙷𝙾𝚄𝚂𝙴 𝙾𝙵 𝚂𝙾𝙻𝙾: 𝚃𝙷𝙴 𝙷𝙴𝙸𝚁.
˒ *。:・ 011 : ( au : imperial ) *・゚✧ ⎸ 𝙾𝚄𝚁 𝙱𝙾𝙳𝙸𝙴𝚂 𝚂𝙴𝙴𝙳 𝚃𝙷𝙴 𝚂𝚃𝙰𝚁𝚂 𝙾𝙵 𝚃𝙷𝙸𝚂 𝙶𝙰𝙻𝙰𝚇𝚈.
˒ *。:・ 012 : ( au : prequels ) *・゚✧ ⎸ 𝙸𝙵 𝚃𝚁𝙾𝚄𝙱𝙻𝙴 𝙷𝙰𝙳 𝙰 𝙵𝙰𝙲𝙴‚ 𝙸𝚃’𝙳 𝙿𝚁𝙾𝙱𝙰𝙱𝙻𝚈 𝙻𝙾𝙾𝙺 𝙻𝙸𝙺𝙴 𝙼𝙸𝙽𝙴.
˒ *。:・ 013 : ( v : modern ) *・゚✧ ⎸ 𝙸𝚃’𝚂 𝙽𝙾𝚃 𝚃𝙷𝙴 𝚈𝙴𝙰𝚁𝚂‚ 𝙸𝚃’𝚂 𝚃𝙷𝙴 𝙼𝙸𝙻𝙴𝙰𝙶𝙴.
˒ *。:・ 014 : ( v : semi-modern ) *・゚✧ ⎸ 𝙱𝚁𝙴𝙰𝙲𝙷𝙸𝙽𝙶 𝙼𝙰𝙲𝚁𝙾𝙲𝙾𝚂𝙼𝚂.
˒ *。:・ 015 : ( v : coda ) *・゚✧ ⎸ 𝚃𝙷𝙴 𝙴𝙿𝙸𝙻𝙾𝙶𝚄𝙴.
˒ *。:・ 𝙱𝙻𝙰𝚂𝚃𝙴𝚁’𝚂 𝚂𝙴𝚃 𝙵𝚁𝙾𝙼 𝚂𝚃𝚄𝙽 𝚃𝙾 — *・゚✧ ⎸ ( queue )
˒ *。:・ 𝙸 𝙲𝙰𝙽 𝙰𝚁𝚁𝙰𝙽𝙶𝙴 𝚃𝙷𝙰𝚃‚ 𝚈𝙾𝚄 𝙲𝙾𝚄𝙻𝙳 𝚄𝚂𝙴 𝙰 𝙶𝙾𝙾𝙳 — *・゚✧ ⎸ ( starter )
˒ *。:・ 𝚈’𝙺𝙽𝙾𝚆‚ 𝙰𝙽 𝙾𝙻𝙳 𝙶𝙰𝙼𝙱𝙻𝙴𝚁 𝙸 𝙺𝙽𝙴𝚆 𝙷𝙰𝙳 𝙰 𝚂𝙰𝚈𝙸𝙽𝙶 — *・゚✧ ⎸ ( psa )
˒ *。:・ visage. ( solo ) *・゚✧ ⎸ 𝚂𝙾𝙽 𝙾𝙵 𝙲𝙾𝚁𝙴𝙻𝙻𝙸𝙰.
˒ *。:・ ( hc ) *・゚✧ ⎸ 𝙽𝙾𝚃 𝙸𝙽𝚃𝙴𝚁𝙴𝚂𝚃𝙴𝙳 𝙸𝙽 𝙾𝙿𝙸𝙽𝙸𝙾𝙽𝚂‚ 𝙶𝙾𝙻𝙳𝙴𝙽𝚁𝙾𝙳.
˒ *。:・ ( anon ) *・゚✧ ⎸ 𝚆𝙷𝙰𝚃’𝚁𝙴 𝚈𝙾𝚄 𝙶𝙾𝙽𝙽𝙰 𝙳𝙾‚ 𝚃𝙰𝙻𝙺 𝙼𝙴 𝚃𝙾 𝙳𝙴𝙰𝚃𝙷?
˒ *。:・ ( answered ) *・゚✧ ⎸ 𝚃𝙷𝙴𝚈 𝚂𝚃𝙰𝚁𝚃 𝚆𝙰𝙽𝚃𝙸𝙽’ 𝙼𝙴 𝚃𝙾 𝙲𝙰𝚁𝙴 𝙼𝙾𝚁𝙴‚ 𝙰𝙽𝙳 𝙸 𝙹𝚄𝚂𝚃 𝙳𝙾𝙽’𝚃.
˒ *。:・ ( dash game ) *・゚✧ ⎸ 𝙵𝙾𝚁𝚃𝚄𝙽𝙴 𝙵𝙰𝚅𝙾𝚁𝚂 𝚃𝙷𝙴 𝙱𝙾𝙻𝙳‚ 𝙰𝙽𝙳 𝙸’𝙼 𝙵𝙴𝙴𝙻𝙸𝙽’ 𝙻𝚄𝙲𝙺𝚈.
˒ *。:・ ( meme ) *・゚✧ ⎸ 𝙱𝙾𝚁𝙸𝙽𝙶 𝙲𝙾𝙽𝚅𝙴𝚁𝚂𝙰𝚃𝙸𝙾𝙽 𝙰𝙽𝚈𝚆𝙰𝚈.
˒ *。:・ ( save ) *・゚✧ ⎸ 𝙸 𝙻𝙾𝙾𝙺 𝙵𝙾𝚁𝚆𝙰𝚁𝙳 𝙰𝙽𝙳 𝚂𝙴𝙴 𝙼𝚈𝚂𝙴𝙻𝙵 𝙻𝙾𝙾𝙺𝙸𝙽𝙶 𝙱𝙰𝙲𝙺.
˒ *。:・ ( crack ) *・゚✧ ⎸ 𝙸 𝙽𝙴𝚅𝙴𝚁 𝙴𝚇𝙿𝙻𝙰𝙸𝙽 𝙼𝚈𝚂𝙴𝙻𝙵—𝙸𝚃’𝚂 𝙰 𝙱𝙰𝙳 𝙷𝙰𝙱𝙸𝚃.
˒ *。:・ ( hanluke ) *・゚✧ ⎸ 𝚈𝙾𝚄 𝙰𝚁𝙴 𝚃𝙷𝙴 𝚂𝚄𝙽‚ 𝙸 𝙰𝙼 𝚃𝙷𝙴 𝙵𝚄𝙻𝙻 𝙼𝙾𝙾𝙽.
˒ *。:・ ( hando ) *・゚✧ ⎸ 𝙻𝙾𝚈𝙰𝙻𝚃𝚈 𝙸𝚂 𝙰 𝚂𝙼𝚄𝙶𝙶𝙻𝙴𝚁’𝚂 𝚆𝙾𝚁𝚂𝚃 𝚅𝙸𝙲𝙴.
˒ *。:・ ( hanjyn ) *・゚✧ ⎸ 𝙰 𝙳𝚄𝙼𝙿𝚂𝚃𝙴𝚁 𝙵𝙸𝚁𝙴.
˒ *。:・ ( hanleia ) *・゚✧ ⎸ 𝚈𝙾𝚄 𝙻𝙸𝙺𝙴 𝙼𝙴 ’𝙲𝙰𝚄𝚂𝙴 𝙸’𝙼 𝙰 𝚂𝙲𝙾𝚄𝙽𝙳𝚁𝙴𝙻.
#˒ *。:・ 001 : ( v : main ) *・゚✧ ⎸ 𝙶𝙾 𝙰𝙷𝙴𝙰𝙳‚ 𝚄𝙽𝙳𝙴𝚁𝙴𝚂𝚃𝙸𝙼𝙰𝚃𝙴 𝙼𝙴.#˒ *。:・ 002 : ( v : ANH ) *・゚✧ ⎸ 𝙸’𝙼 𝙸𝙽 𝙸𝚃 𝙵𝙾𝚁 𝚃𝙷𝙴 𝙼𝙾𝙽𝙴𝚈.#˒ *。:・ 003 : ( v : ESB ) *・゚✧ ⎸ 𝙽𝙴𝚅𝙴𝚁 𝚃𝙴𝙻𝙻 𝙼𝙴 𝚃𝙷𝙴 𝙾𝙳𝙳𝚂.#˒ *。:・ 004 : ( v : ROTJ ) *・゚✧ ⎸ 𝙲𝙰𝙻𝙻 𝚃𝙾 𝙶𝙻𝙾𝚁𝚈.#˒ *。:・ 005 : ( au : dr. solo ) *・゚✧ ⎸ 𝙵𝙾𝚁𝚃𝚄𝙽𝙴 & 𝙶𝙻𝙾𝚁𝚈‚ 𝙺𝙸𝙳‚ 𝙵𝙾𝚁𝚃𝚄𝙽𝙴 & 𝙶𝙻𝙾𝚁𝚈.#˒ *。:・ 006 : ( au : warframe ) *・゚✧ ⎸ 𝚆𝙰𝚁𝚁𝙸𝙾𝚁-𝙶𝙾𝙳𝚂‚ 𝙲𝙰𝚂𝚃 𝙸𝙽 𝚂𝚃𝙴𝙴𝙻 𝙰𝙽𝙳 𝙵𝚄𝚁𝚈.#˒ *。:・ 007 : ( au : blade runner ) *・゚✧ ⎸ 𝙳𝙾𝙴𝚂 𝚃𝙷𝙸𝚂 𝚄𝙽𝙸𝚃 𝙷𝙰𝚅𝙴 𝙰 𝚂𝙾𝚄𝙻?#˒ *。:・ 008 : ( au : mass effect ) *・゚✧ ⎸ 𝚂𝚃𝙰𝙺𝙴𝚂 𝙳𝙾𝙽'𝚃 𝙶𝙴𝚃 𝙷𝙸𝙶𝙷𝙴𝚁 𝚃𝙷𝙰𝙽 𝚃𝙷𝙸𝚂.#˒ *。:・ 009 : ( au : underbelly ) *・゚✧ ⎸ 𝚂𝙼𝚄𝙶𝙶𝙻𝙴𝚁’𝚂 𝙶𝙰𝙼𝙱𝙸𝚃.#˒ *。:・ 010 : ( au : exodus ) *・゚✧ ⎸ 𝙷𝙾𝚄𝚂𝙴 𝙾𝙵 𝚂𝙾𝙻𝙾: 𝚃𝙷𝙴 𝙷𝙴𝙸𝚁.#˒ *。:・ 011 : ( au : imperial ) *・゚✧ ⎸ 𝙾𝚄𝚁 𝙱𝙾𝙳𝙸𝙴𝚂 𝚂𝙴𝙴𝙳 𝚃𝙷𝙴 𝚂𝚃𝙰𝚁𝚂 𝙾𝙵 𝚃𝙷𝙸𝚂 𝙶𝙰𝙻𝙰𝚇𝚈.#˒ *。:・ 012 : ( au : prequels ) *・゚✧ ⎸ 𝙸𝙵 𝚃𝚁𝙾𝚄𝙱𝙻𝙴 𝙷𝙰𝙳 𝙰 𝙵𝙰𝙲𝙴‚ 𝙸𝚃’𝙳 𝙿𝚁𝙾𝙱𝙰𝙱𝙻𝚈 𝙻𝙾𝙾𝙺 𝙻𝙸𝙺𝙴 𝙼𝙸𝙽𝙴.#˒ *。:・ 013 : ( v : modern ) *・゚✧ ⎸ 𝙸𝚃’𝚂 𝙽𝙾𝚃 𝚃𝙷𝙴 𝚈𝙴𝙰𝚁𝚂‚ 𝙸𝚃’𝚂 𝚃𝙷𝙴 𝙼𝙸𝙻𝙴𝙰𝙶𝙴.#˒ *。:・ 014 : ( v : semi-modern ) *・゚✧ ⎸ 𝙱𝚁𝙴𝙰𝙲𝙷𝙸𝙽𝙶 𝙼𝙰𝙲𝚁𝙾𝙲𝙾𝚂𝙼𝚂.#˒ *。:・ 015 : ( v : coda ) *・゚✧ ⎸ 𝚃𝙷𝙴 𝙴𝙿𝙸𝙻𝙾𝙶𝚄𝙴.#˒ *。:・ ( ooc ) *・゚✧ ⎸ 𝙾𝚄𝚃 𝙾𝙵 𝙲𝙰𝚁𝙱𝙾𝙽𝙸𝚃𝙴.#˒ *。:・ ( tbd ) *・゚✧ ⎸ 𝚂𝙾𝚁𝚁𝚈 𝙵𝙾𝚁 𝚃𝙷𝙴 𝙼𝙴𝚂𝚂.#˒ *。:・ ( mobile ) *・゚✧ ⎸ 𝙲𝙾𝙼𝙻𝙸𝙽𝙺 𝚂𝙸𝙶𝙽𝙰𝙻 𝙻𝙾𝚂𝚃.#˒ *。:・ ( promo ) *・゚✧ ⎸ 𝙶𝚁𝙴𝙰𝚃‚ 𝙺𝙸𝙳—𝙳𝙾𝙽’𝚃 𝙶𝙴𝚃 𝙲𝙾𝙲𝙺𝚈.#˒ *。:・ ( musings ) *・゚✧ ⎸ 𝙰 𝙱𝚁𝙴𝙰𝙲𝙷 𝙾𝙵 𝙿𝚁𝙾𝚃𝙾𝙲𝙾𝙻.#˒ *。:・ ( mun art ) *・゚✧ ⎸ 𝙳𝙸𝙳 𝙶𝙾𝙻𝙳𝙴𝙽𝚁𝙾𝙳 𝚃𝚁𝚈 𝙵𝙸𝙽𝙶𝙴𝚁𝙿𝙰𝙸𝙽𝚃𝙸𝙽𝙶?#˒ *。:・ ( mature cw ) *・゚✧ ⎸ 𝙳𝙾𝙽’𝚃 𝙴𝚅𝙴𝚁𝚈𝙾𝙽𝙴 𝚃𝙷𝙰𝙽𝙺 𝙼𝙴 𝙰𝚃 𝙾𝙽𝙲𝙴.#˒ *。:・ 𝙱𝙻𝙰𝚂𝚃𝙴𝚁’𝚂 𝚂𝙴𝚃 𝙵𝚁𝙾𝙼 𝚂𝚃𝚄𝙽 𝚃𝙾 — *・゚✧ ⎸ ( queue )#˒ *。:・ 𝙸 𝙲𝙰𝙽 𝙰𝚁𝚁𝙰𝙽𝙶𝙴 𝚃𝙷𝙰𝚃‚ 𝚈𝙾𝚄 𝙲𝙾𝚄𝙻𝙳 𝚄𝚂𝙴 𝙰 𝙶𝙾𝙾𝙳 — *・゚✧ ⎸ ( starter )#˒ *。:・ 𝚈’𝙺𝙽𝙾𝚆‚ 𝙰𝙽 𝙾𝙻𝙳 𝙶𝙰𝙼𝙱𝙻𝙴𝚁 𝙸 𝙺𝙽𝙴𝚆 𝙷𝙰𝙳 𝙰 𝚂𝙰𝚈𝙸𝙽𝙶 — *・゚✧ ⎸ ( psa )#˒ *。:・ visage. ( solo ) *・゚✧ ⎸ 𝚂𝙾𝙽 𝙾𝙵 𝙲𝙾𝚁𝙴𝙻𝙻𝙸𝙰.#˒ *。:・ ( hc ) *・゚✧ ⎸ 𝙽𝙾𝚃 𝙸𝙽𝚃𝙴𝚁𝙴𝚂𝚃𝙴𝙳 𝙸𝙽 𝙾𝙿𝙸𝙽𝙸𝙾𝙽𝚂‚ 𝙶𝙾𝙻𝙳𝙴𝙽𝚁𝙾𝙳.#˒ *。:・ ( anon ) *・゚✧ ⎸ 𝚆𝙷𝙰𝚃’𝚁𝙴 𝚈𝙾𝚄 𝙶𝙾𝙽𝙽𝙰 𝙳𝙾‚ 𝚃𝙰𝙻𝙺 𝙼𝙴 𝚃𝙾 𝙳𝙴𝙰𝚃𝙷?#˒ *。:・ ( answered ) *・゚✧ ⎸ 𝚃𝙷𝙴𝚈 𝚂𝚃𝙰𝚁𝚃 𝚆𝙰𝙽𝚃𝙸𝙽’ 𝙼𝙴 𝚃𝙾 𝙲𝙰𝚁𝙴 𝙼𝙾𝚁𝙴‚ 𝙰𝙽𝙳 𝙸 𝙹𝚄𝚂𝚃 𝙳𝙾𝙽’𝚃.#˒ *。:・ ( dash game ) *・゚✧ ⎸ 𝙵𝙾𝚁𝚃𝚄𝙽𝙴 𝙵𝙰𝚅𝙾𝚁𝚂 𝚃𝙷𝙴 𝙱𝙾𝙻𝙳‚ 𝙰𝙽𝙳 𝙸’𝙼 𝙵𝙴𝙴𝙻𝙸𝙽’ 𝙻𝚄𝙲𝙺𝚈.
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Bullying : successful
#000 ( ❖ ) ─── ( ooc ).#004 ( ❖ ) ─── ( answered ).#w4stelanders#lmao as if i stood a chance between hank being a bad dad and my friends interest in hurting their muses.
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niwa one-liner starter call .
#* // ♦︎ 004. — › S T A R T E R / C A L L#// multis specify your muse please!#// since kazuha is doing memes I can detail him here#// this will probably be a rarer thing since he's a character of the past#// so dw this is still a kazuha main blog 100%#// but I have brainrot rn
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Homura's been awfully quiet over this situation, leaving Celestia to do all the talking... How's she feel about this? Not the timeline she was expecting to deal with?
"To say that it's the least expected outcome would be the smallest way to put it really." "Despite what seems like hundreds of times I've woken up to the first of the month and the cycle repeating as it does, somehow I've been casted away into somewhere that's completely off course."
"Normally I'd blame the cat and say it's the reason I'm here, but I'm not even sure if it would be capable of doing such a thing, and even if it could... Why decide to use it now rather than earlier?" "Either way, I haven't been thinking much about food and smaller things that aren't involved with figuring a way out of this house."
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@serabellyms said: [COMFORT]: sender cups a distressed receiver's face in their hands and steadies them by resting their foreheads together. + reverse - kat & garrus 🥺
REASONS TO CUP A FACE / ACCEPTING ↷
❝ Shepard? ❞ His uninjured mandible twitches, pressing tight against his face in concern & tension. What does one do with a visibly distressed commanding officer?
Garrus is not sure she even hears him. His subvocals emit a stress-chirp, beyond human hearing range. What does one do? It doesn’t feel appropriate to touch her; he’s not sure where their boundaries lie.
What does one do with a visibly distressed close friend? Spirits, that’s what he should have asked himself to begin with. That is easier. How is it, that after all this time, even with how easy their camaraderie and banter is, even after all the sincere talks they’ve had, it’s so hard for him to know when to be a friend, when a squad member? This isn’t the Hierarchy, where rules & customs are clear, where one’s place in society is one’s rank. This is a friendship... and this is deep care, such that, for him, has long since ventured beyond friendship alone. The way he grieved her. They way he loves her, from afar yet from right by her side.
❝ Look at me, ❞ he says, voice low and steady. He rests his hands at her face, gently guiding her head. ❝ I’m right here. ❞ He can’t promise her that it will all be OK.
So he does the only thing he thinks to do; leaning down to meet her, he touches his forehead to hers. The gesture is one of profound intimacy, yet he feels comfortable, natural, offering it; he loves her, yes, but... It is not over the line? He’s wanting to tell her she’s not alone. Turian parents and children do it, turian friends do it; just because he’s in love with her... doesn’t make this inappropriate? No. Of course not. Silly, feeling such a need to justify it to himself. Her skin is cool against his. And oh so alive.
#serabellyms#PINING.#; garrus vakarian ❪ muse. ❫#; just like old times ❯ garrus vakarian ❪ verse / second game. ❫#; serabellyms / kat & garrus / 004
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alfred pennyworth upon seeing a rat in the batcave, circa 1997 (source: "guided tour: the batcave" in batman: secret files and origins #1)
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anonymously tell me how you feel about me // accepting. @drolliic // [kicks door down] HENLO, I'm here to say that I'm impressed w/ your level of organization to keep everything running smoothly bc god knows this website is held together by a shoelace and the search barely works. That aside, I also wanna say that I adore the amount of attention you put in the little details that make your muses up and put them aside, giving them your own unique spin. Annnnnddd we may have not interacted yet, but I still think you're awesomesauce! :D
#002. ❝transmissions: down with the fallen.❞ — answered#& saved — positive words#004. ❝transmissions: carnivore.❞ — ooc#drolliic#( this is so nice??? )#( honestly i overcompensate w/ organising because otherwise i would be so disorganised it would make tumblr look good )#( & i adore the way you write your muses too )#( you also have really unique ways of writing the muses you have & i love reading your posts about them )#( i think you're awesomesauce too )
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seduce and destroy. pierce and enjoy
nome: adella
idade: 29 anos
qualidades: convincente, energética, extrovertida, persistente
defeitos: rancorosa, vingativa, impulsiva, influenciável
gostos: mar, fazer as unhas, mini saias, batom vermelho, flores, calor, sol, espelhos, cantar
desgostos: comidas apimentadas, altura, frio, insetos, pesca
biografia:
Já sabia que não era a favorita, mas não tinha problema com isso! Adella sempre foi confiante e gostava de pensar que sempre teria tudo que quisesse - porque se esforçaria para ter! Diferente das outras irmãs que temiam os humanos, Adella sempre pensou que era injusto que ficassem apenas no oceano enquanto os humanos tinham todo o resto - queria conhecê-los e entendê-los, aliar-se a eles ou quem sabe destruí-los.
Quando as irmãs foram a Tão Tão Distante, não perdeu tempo em segui-las. Percebeu então que a vida humana é bastante diferente da que esperava - e logo se apaixonou. Se apaixonou uma, duas, três, muitas vezes. Percebeu porque eles eram considerados maldosos, porque eram capazes de partir corações muito fácil. Mas Adella era persistente e remoía os corações partido dentro do estômago. Partiu a ser ela a partir! Seu hobby? Seduzir e destruir. Tornou-se especialista em tornar as pessoas tristes - e a cada vez, sentia-se melhor.
Atualmente, Adella tem trabalhado cantando - em bares, restaurantes e onde bem entender. Foi desenvolvendo uma habilidade comum em sereias de utilizar sua voz e sua música como forma de entrar na mente alheia. É capaz de convencer e também de fazer com que sintam emoções diferentes.
#001. development#002. convos#003. sms#004. visage#005. musing#006. extras#007. fashion#008. ask game
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STYLE Series #004 - Muse (August 2010)
Revealing all of the terrifying aesthetics depicted by Muse
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𝙄 𝘾𝘼𝙈𝙀 𝙃𝙀𝙍𝙀 𝙏𝙊 𝙈𝘼𝙆𝙀 𝙊𝙉𝙀 𝙏𝙃𝙄𝙉𝙂 𝙁𝙐𝘾𝙆𝙄𝙉𝙂 𝘾𝙇𝙀𝘼𝙍․ austin sopp aka austin gunn aka 1/2 of the gunn club –– written and tolerated by a ! portrayal is strictly keyfabe․ plotting information and connections are under the cut․
in regards to plotting i am open to any and all connections, chemistry or pre plotted please give them all to me ! if you're interested in plotting with austin, please give this post a ♡ and i'll slide into your im's. [ discord is available upon request ] i'll update this with taken plots as he gains them.
#*⠀001⠀⠀⠀interactions⠀⠀⠀⧽⠀⠀⠀𝘆𝗼𝘂⠀𝗻𝗲𝗲𝗱⠀𝘁𝗼⠀𝘄𝗮𝘁𝗰𝗵⠀𝘁𝗵𝗲⠀𝘄𝗮𝘆⠀𝘆𝗼𝘂⠀𝘁𝗮𝗹𝗸𝗶���⠀𝘁𝗼⠀𝗺𝗲⠀.#*⠀002⠀⠀⠀private⠀⠀⠀⧽⠀⠀⠀𝗶𝗳⠀𝘆𝗼𝘂⠀𝗱𝗼𝗻'𝘁⠀𝘀𝗵𝘂𝘁⠀𝘆𝗼𝘂𝗿⠀𝗺𝗼𝘂���𝗵⠀.#*⠀003⠀⠀⠀musings⠀⠀⠀⧽⠀⠀⠀𝗵𝗶𝘁⠀𝘆𝗼𝘂⠀𝘄𝗶𝘁𝗵⠀𝘁𝗵𝗲⠀𝗽𝘂𝗻𝗸⠀𝘁𝗮𝗰𝘁𝗶𝗰𝘀⠀.#*⠀004⠀⠀⠀visage⠀⠀⠀⧽⠀⠀⠀𝗹𝗶𝘀𝘁𝗲𝗻⠀𝘂𝗽⠀𝗯𝗶𝘁𝗰𝗵⠀𝗶⠀𝗰𝗮𝗺𝗲⠀𝘁𝗼⠀𝗲𝗮𝘁⠀.
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tag drop (redo: general & peter)
#PBP. TERRIFIED OF CHANGE / 001. pre homecoming verse#PBP. MANKIND’S NEW FRIEND / 002. homecoming verse#PBP. HATES MONUMENTS / 003. far from home verse#PBP. THE END OF A LONG ORIGIN / 004. no way home verse#PBP. JUST ME N MY 23 TABS / 006. college verse#PBP. IN THE EPICENTER / 008. 911 verse#ARTS & CRAFTS / self promos#MUSEUM HALLS / promos for lovely people#RAMBLING NONSENSE / ooc#MAYBE A 100 BAD DAYS MADE A 100 GOOD STORIES / memes#INQUIRE WITHIN / asks#TIME CAPSULES / archives#PBP. WEBHEAD / visage#PBP. STILL TURNING OUT / headcanons#PBP. MADE IN NYC / musings & aesthetics#PBP. A FILM BY / 001. post no way home (main)#PBP. BE OPEN TO THE GOOD / 002. ted lasso verse#PBP. NOW I GROW WINGS AND RAGE / 003. overwatch verse#PBP. JUST THE GUITAR GUY / 004. musician verse#PBP. JUST ME AND YOU / dyn. may parker#PBP. WHEN I SEE YOU AGAIN / dyn. michelle jones watson#PBP. ONE AND ONLY BEST FRIEND / dyn. ned leeds#PBP. THREE IS A MAGIC NUMBER / dyn. peter 1 & 2 & 3#PBP. POE DAMERON?!!? / dyn. marc spector (bledf1rst)#PBP. YOU CHANGED ME & I YOU / dyn. verity (automnic)
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