#5001

[federer7]

La Vie Simple #5001. 2013-2019

Photo. Yamamoto Masao

[circusclowne]

woah

taking chronically online to another level

5000 is a lot

[gattogrigiobjd]

Feeling tweedy by Nadine Via Flickr: Circus Kane Dolls Nancy Luna, Dreamhigh Studio Shimeji, Blue Butterfly Dolls Blue, and Dreamhigh Studio Pocca

[every-tome]

[tippysattic]

Check out this listing I just added to my Poshmark closet: From Hawaii with love CD.

[berlinverkehr]

Straßenbahn: BVG-Tram so lang wie noch nie: Das ist die neue Straßenbahn für Berlin, aus Berliner Zeitung

03.07.2024 https://www.berliner-zeitung.de/mensch-metropole/bvg-tram-so-lang-wie-noch-nie-das-ist-die-neue-strassenbahn-fuer-berlin-li.2231191 Wer durch die ganze Bahn laufen will, braucht gute Schuhe und etwas Zeit. 50,89 Meter: Mit dieser Länge stellt die neue Berliner #Straßenbahn, die Platz für 312 Fahrgäste hat, alle bisherigen Vorgängerinnen in den Schatten. Am Donnerstag präsentierten…

[nosehair]

Day Five Thousand One　5001日目

Cloudy occasionally rain, 18.0 C Measured the length and poured water. Probably 1.1 cm long.

曇り一時雨　18.0℃ 長さをはかり、水をやる。おそらく全長1.1cm。

[corvianbard]

#5001

In the broken delusion Is no more valiance, For the execution Is upon its brilliance.

[damnfandomproblems]

Fandom Problem #5001:

Fans who who talk about love and kindness only to insult other people who don’t agree with their headcanons while acting high and mighty about their hcs

[srastrix]

Not that hours played is a measure of skill or anything. I just wanna see if people got as obsessed as me with the space ninja game.

[sunheart101]

OH SHIT A CHAIR!

SCP-5001-J is my favorite -J article I’m surprised I haven’t posted about it yet

[yossipossi]

what was your main inspiration/reason to write 5001?

Well, the reason is pretty obvious: I wrote it for the SCP-5000 contest. I intended to write an article to win, but it was my third article and so it wasn't particularly great, especially in comparison to the winner, but ah well.

As for the inspiration, I had a few sources, but my main source was Evangelion. Specifically, the scene in the first rebuild where they fire the energy weapon through Ramiel's core. That was such a tense scene and was so cool, and I wanted to recreate something along those lines. Even before I conceptualized all the details about the article, I knew I wanted a scene where a laser fires something into the center of something really big.

I actually remember where I was when I came up with the basic idea for SCP-5001: I was in the middle of my prayer services before school (I'm Jewish, to be clear), and I suddenly had a flash of inspiration: the theme was mystery, so what if there was an anomaly in a containment chamber that the Foundation found, and they had no idea what was inside of it until it breached? At the time, the placeholder images in my mind for this idea were "facility that contained something akin to Gears' Proposal, and it nearly breaches at the end before somehow being recontained, without anyone actually seeing the anomaly and living." It was a cool idea, but not really what I wanted.

The inspiration from Ramiel's death in Evangelion comes into play now, since I realized I didn't just want to anomaly to be never seen, but also be really fucking big. I knew that whatever was in this facility needed to be powerful and ancient, and I knew the Foundation needed to barely be able to recontain it through some last-minute ditch efforts using the most powerful weapons available to them. This is how I came up with the idea for HECOR (the High-Energy Concentration Orbital Railgun), and how I conceptualized the climax of the article.

As for what was actually inside the facility, I still had no idea. In fact, I didn't even come up with the Broken God connection until I was a ways into the article. I just had the basic idea and started writing. I did a bit of research into strong materials and came up with a general design for it, and decided where to put it. I chose the Russian wilderness at the time because it was unlikely to cause of Veil breach if big shit happened there, but it kinda made sense later for the Broken God connection.

Still, the article mostly shaped into its current form as I was writing it. A big part of my philosophy for writing SCPs specifically is using the format to my advantage by trying to make the document as clinical as possible. I included a history section for realism and to provide additional context for the circumstances of the object's history, and talked about all the technological discoveries due to SCP-5001 to help add some gravitas to the anomaly's function.

I think it was while writing the section on "OMEGA" that I finally realized this would be a perfect Broken God article. Not only that, but I realized it would be really interesting if I made SCP-5001 the heart of the Broken God that was missing from Kaktus's second SCP-001 Proposal. That's the idea I was working with as I went into the final section of the article.

I actually remember when I wrote that. I think I had a short break from high school, so I stayed up all night writing the final addendum in a fervor. I was listening to this cover of "In My Spirit" the entire time (like, six hours total), which also meant that the beginning of the Zuriel fight from the Evangelion rebuilds played a role in shaping the way the incident log escalated. (I highly recommend reading the incident log with the song playing in the background, btw!)

As for the ending... well, I'm kinda shit at writing endings. Anyone whose read my articles can tell you that it's usually the weakest part of my writing. If I wrote the ending of the article now I'd be a bit subtler, but I wanted to essentially show that SCP-5001 was the missing heart of the Broken God. I just wasn't very good at conveying that.

After I finished the article, I started getting critique, and while it was mostly positive, I did get some feedback that wasn't so encouraging. Still, it helped me refine the article quite a bit, and even if SCP-5001 was far from perfect, it's better than if I didn't get feedback at all. I remember getting some critique in the middle of our school's yearly ski trip lol

After I posted it, I remember being amazed at how fast its rating was growing, and for a few days I was actually in first place! Of course, Tanhony's "Why?" eventually overtook me, but I'll never forget the excitement of actually getting first place with my third article on the site for a while. I'm still quite happy with getting third place, though, and getting the SCP-5001 slot. :)

[hdmiports]

something something lesbianism

[communist-hatsunemiku]

[berlinverkehr]

#u-bahn #ubahn #5001 im #hauptbahnhof

#u-bahn #ubahn #5001 im #hauptbahnhof

[blueiight]

The show targeting white liberals like the type who watch amc shows like mad men, breaking bad etc especially Western Europeans who have weird opinions on prostitution/sex work like a lot of them prob think the government cracking down on prostitution was a bad thing (especially as it was instigated by Wilson who was hardly anyone’s idea of a good prez). it’s no surprise it goes over their heads esp since there isn’t a character who actively calls out his profession not even daniel (but then he is a white liberal just like a lot of the shows audience)

the president/s who drove prohibition policies & crackdowns on prostitution was motivated by the need to ‘whip their citizens into shape’ and was far more likely to blame & arrest the women then they would be to arrest & hold the pimps accountable. in most government initiated ‘crackdowns’ on prostitution, it is unfortunately, the victims who are targeted by the government & shamed by their friends/family for being ‘loose women’ rather than the tricks, pimps and buyers.. im not the smartest person nor do i have the solution in mind but i want ppl to understand my criticisms are centered around ppl on multiple echelons sharing the fundamental view that black women, especially poorer black women, are disposable. this view bleeds into their interpretation of even fictional characters, their understanding of the scale of ‘good’ v. ‘evil’. ur biases impede ur interpretations of whats on screen. its difficult for ppl to accept that louis is morally objectionable off the jump bc they do not think a black man getting rich off sexually marketing poorer [primarily] black women to racist city leaders is evil enough in their eyes. these women are not ‘desirable’ ‘worthy’ victims – theyre NPCs to the avg fan. the showrunners was brilliant to make ldpdl a pimp here, bc while the avg person who watch amc stuff/lib modern vamp fan can somewhat [doing a lot of heavy lifting here] understand the evils of being a white chattel slaveowner of the antebellum period, they r far more reticient when commenting on [what they view as] intracommunal power dynamics btwn the black man & black woman. i can think of dan giving lou some shit a few times: when louis tries to make a euphemism out of his old hustle [‘diversified portfolio of businesses’] daniel was like ‘ur a pimp’ & louis once again, dwelling in the semantics of it all, says the product was desire & dan just lets him go on. and in the s1 finale daniel was like ur 145 years old and still the pimp, paying a hoe to listen to u. cant say thats principled ‘critique’ or dan being motivated out of altruistic concern for the condition of black women in the gilded age [LOL] so much as it is dan being a smartass + reacting to lou, but if even the smug old white fictional character can recognize theres something off about pimping, so should the 3d human beings.. u shouldnt need a fictional chara to tell u right or wrong u should already understand it but alas