#88.1 fm

[meteorologistaustenlonek]

"On Thursday, August 29th, the nonprofit National Park Partners hosts its annual “National Treasures: Party at Point Park,” starting at 5:30 PM.

On Monday, September 16th, the Moccasin Bend Lecture Series returns to downtown Chattanooga.

Also expected this fall: the results of an archeological study on a proposed site to replace the State of Tennessee’s Mental Health Institute on the Bend with a new facility."

[bluehourbaby]

[cellulardreams]

MUNA // NXNE 2017 by Indie88 | 88.1 FM Toronto Via Flickr: Photo by Nick Tiringer

[thelongstrangedrivehome2]

playlist for the ninth of may twenty twenty-four

Iggy Pop - Some Weird Sin

The White Stripes - I Fought Piranhas

The Chick s - For Her

Loretta Lynn - After The Fire Is Gone

Warren Zevon - Carmelita

The Raconteurs - Carolina Drama

Bob Dylan - Time Passes Slowly

The Cure - (I Don't Know What's Going) On

Tina Turner - Help Me Make It Through The Night

Miley Cyrus - She's Not Him

Rufus Wainwright - April Fools

R.E.M. - Hyena

David Bowie - Ashes to Ashes

Roger Waters - One Of My Turns

Beck - End Of The Day

Headless Chickens - Expecting To Fly

Janelle Monáe - Sincerely, Jane

David Bowie - Repetition

Warren Zevon - Model Citizen

MC5 - I Can Only Give You Everything

Brian Eno and David Byrne - The Jezebel Spirit

Amanda Palmer - The Killing Type

Neil Young - Comes A Time

Frank Ocean - Crack Rock

Massive Attack - Live With Me

Steve Earle - Colorado Girl

Bruce Springsteen - Atlantic City

Hey guys, serious question... How would you feel if I quit tumblr, and started posting these exclusively on Medium. I am already posting them on Medium as well

The Long, Strange Drive Home — East FM 88.1 107.1

@michaelatkinsprescott | Linktree

[boozeradly]

Check out the radio show we did with tape swap radio that aired on 88.1 fm WDIY

[cricketpress]

Our poster design for the Outside the Spotlight Jazz Series show...

Frode Gjerstad Trio with Steve Swell at the Singletary Center for the Arts President's Room

Saturday November 19 Sponsored by WRFL 88.1 FM Radio Free Lexington

Poster Details: 3 color screenprint 12″ x 18″ edition of 50 available at event

[darkmaga-retard]

On Speaking Truth to Empire on KFCF 88.1 FM independently owned and locally operated since 1975 in Fresno, Dan Yaseen interviews Oliver Boyd-Barrett, Professor Emeritus from Bowling Green State University, Ohio and from California State Polytechnic University, Pomona. He is an author, blogger and a geopolitical

analyst. They discuss American Imperial wars in Ukraine and Palestine, pager explosions in Lebanon and Putin’s warning to US and NATO.  You can access his blogs at https://oliverboydbarrett.substack.com

[christianblogr]

Thrive FM

Thrive FM: Western Kentucky's Beacon of Praise and Worship — In the heart of Western Kentucky, Thrive FM stands as a beacon of hope, faith, and community. Broadcasting at 88.1 FM from Hardin, Kentucky, Thrive FM reaches far and wide, touching lives across Western Kentucky, parts of Northwest Tennessee, and even Southern Illinois². #ThriveFM

Thrive FM: Western Kentucky’s Beacon of Praise and Worship — In the heart of Western Kentucky, Thrive FM stands as a beacon of hope, faith, and community. Broadcasting at 88.1 FM from Hardin, Kentucky, Thrive FM reaches far and wide, touching lives across Western Kentucky, parts of Northwest Tennessee, and even Southern Illinois². #ThriveFM Thrive FM My wife and I got to listen to this…

[msdroppinit]

#soundsystem​ #soundsystemculture​ #reggae​

BARRY CULTURE SOUND @ REGGAEMANIA 1992 Low Quality Sound (horrible) laaawd... it rufff unlisted exclusive audio accessed only through this link

Barry Culture Sound Friday Night 1992 Radio Station Toronto Ckln 88.1 Fm

Digital reggae sound system audio rescued Raw and uncut

[meteorologistaustenlonek]

"Imagine you’re at a music festival with huge crowds. Your friends are there, too. But somewhere along the way, you can’t find them, they can’t find you - and for whatever reason, your phones won’t reconnect you.

Totem is a startup here in #Chattanooga that is launching a friend-finding compass that needs no cell service, wi-fi or Bluetooth."

@WUTCFM #WUTCFM 88.1 Chattanooga Public Radio, University of Tennessee at Chattanooga

[sunaleisocial]

One of MIT’s best-kept secrets lives in the Institute’s basement

New Post has been published on https://sunalei.org/news/one-of-mits-best-kept-secrets-lives-in-the-institutes-basement/

One of MIT’s best-kept secrets lives in the Institute’s basement

When MIT’s Walker Memorial (Building 50) was constructed in 1916, it was among the first buildings located on the Institute’s then-new Cambridge campus. At the time, national headlines would have heralded Gideon Sundback’s invention of the modern zipper, the first transcontinental phone call by Alexander Graham Bell, and Charles Fahbry’s discovery of the ozone layer. It would be another 12 years before the invention of sliced bread, and, importantly, four years before the first U.S.-licensed commercial radio station would go on the air.    

In true MIT fashion, the past, present, and future of Building 50 seem to coexist within its hallways. Today, the basement of Walker Memorial is home to what some students consider to be one of the Institute’s best-kept secrets — something that likely never crossed the minds of its original architects: a 24-hour, high-fidelity radio station. 

Operating under the call sign WMBR 88.1 FM (for “Walker Memorial Basement Radio”), this all-volunteer troupe has endured many hurdles similar to those faced by others in the field as radio itself has largely changed over the years. But as general managers James Rock and Maggie Lin will tell you, there’s something special about this station’s ability to build deeper connections within the larger community.

“Students have the opportunity to get to know a bunch of our community members,” explains Rock. “Our tech director works closely with every student who wants to contribute, which involves anything from manning a drill to climbing to the roof of Walker and manually bending the antenna back into shape, which I did a couple of weeks ago,” laughs Rock. “Most of our student members are trained by someone who’s been around and really knows what they’re doing with radio after decades of experience.”

“It’s really fun,” says Lin. “It’s being able to hang out with people who love music just as much as you do. The older members of the station are such a cool resource for talking about different kinds of music.”

Now sophomores, Rock and Lin first arrived at MIT and WMBR two years ago. At the time, the station was mitigating the effects of the Covid-19 pandemic, during which WMBR went off the air temporarily. “We’ve been general managers since last spring, so the majority of our time at the station has been managing the station,” explains Lin. “We just came at a time when the station didn’t have many student members because of Covid.”

Lin recalls stories from disc jockeys who were at the station the night in 2020 when WMBR went off the air: “I’m told it was extremely sudden. There was someone here who said they finished their show and left a tote bag of records for the next time they were going to come back, and they left … and they still haven’t [returned].” 

However, resilience is a trait that WMBR has displayed in abundance throughout its storied 80-year history. First signing on as WMIT on Nov. 25, 1946, the station’s original equipment was built from the ground up by MIT electrical engineering students. In 1956, when the station’s call letters were licensed to a radio station in North Carolina, the Cambridge-based station became WTBS. And when the station was in dire need of cash for new equipment in the 1970s, its members found a creative solution: an agreement with media mogul Ted Turner to exchange the call letters WTBS for $50,000. This afforded the station the new equipment it dearly needed and allowed Turner to launch the Turner Broadcasting System. The station subsequently became WMBR on Nov. 10, 1979.          

So it’s no surprise how station members responded to the challenges posed by Covid. “The tech team pulled off something kind of crazy when they set that up,” says Lin. “Within weeks, they set up a system where people could upload files of shows they recorded from home, and then it would be broadcast live.”

“Sticking to the hybrid system means that especially new members have the flexibility to start out recording from home,” adds Rock. “That’s what Maggie and I did. It means if you’re scared, a little jumpy, or stutter as you speak, you can go back and edit.”

The station also expanded its slate of new content in the years following the pandemic. “I think the most lasting effect of Covid is that we are now 24/7,” says Rock. “Most of the time it’s fresh material now. The spring schedule is guaranteed fresh material from 6 a.m. to 2 a.m.”

“It’s a packed schedule,” adds Lin.

Considering the sheer amount of original programming now airing on WMBR, it would be easy to assume the station relies heavily on ad revenue to keep the lights on. But, thanks to one fundraising week held each November, the station keeps pumping out music and spoken-word shows such as “Music for Eels,” “Post-Tentious,” and “Crunchy Plastic Dinosaurs.”

“And operating an FM radio station is not cheap,” says Rock, “maintaining the antennas and buying new tech equipment, getting music, paying licensing fees, and ordering pizza to keep the students on board because the DJs have to be happy, etc. So it’s a real privilege that we are able to operate on that listener funding from that one week each year.”

“It’s kind of crazy, because when you’re broadcasting, it’s to Greater Boston, but you really don’t know how many people are listening,” adds Lin. “And I think it’s really awesome when you see fundraising week. It’s like, ‘Yeah, people really do listen.’” 

“And if a donor chooses to pledge to a show, generally the DJs will mail a postcard back as thanks for that donation. So, if you want a signature of Maggie’s or mine, support us in November!” laughs Rock. “Limiting [fundraising] to one week means that we never advertise, so as long as we keep that contained to one-52nd of the year, the rest of the time you just get the music and the DJ’s commentary you tuned in for. There’s no solicitation.”

In many ways, this highlights the paradox of WMBR: reconciling its undeniable audience of loyal listeners and passionate community members with the fact that many MIT students and employees have never heard of WMBR.

“I think a lot of people just don’t quite know that the radio station is something that exists,” explains Lin. “I understand it’s because people our age don’t really listen to radio much anymore, but I think the space is so amazing. A lot of the new students that we bring in are pretty awed by it, especially the record library; with hundreds of thousands of records and CDs, and the studios,” says Lin, referencing the station’s impressive collection of music, which fills a space so large that it once held a bowling alley. “It’s an opportunity that is kind of easy to miss out on. So I feel like we’re bringing in new members — which I’m really happy about — but I just want people to know that WMBR is here, and it’s really cool.”

“Yes. I second that,” says Rock. “MIT is so full of opportunities and resources that you can’t possibly take advantage of all of them, but we are hidden here in the basement of Walker Memorial where students don’t really make it [to] that often.”

“Listeners don’t even know,” laughs Lin. “We had someone pass by the door once, and they were like, ‘The radio station? It’s here?’”

“I didn’t know there was a campus radio station, and I frankly hadn’t really thought of campus radio until I walked into Activities Midway during my first CPW [Campus Preview Weekend], and maybe orientation,” adds Rock. “One of the great things about it is that you can share your own music tastes with all of greater Boston. You have the aux cord for an hour every week, and it’s such a privilege.”

“It’s kind of scary-sounding to think, ‘You’re going to go sit behind a microphone and all of Greater Boston will hear you,’” adds Lin. “But James is always full of confidence, so I just thought, ‘What if we did a show together?’ That’s another thing that we like as we get new students in: people who want to co-host shows together.” 

“We are always looking for new student members,” says Rock. “Whether you want to do a radio show, podcast, help with maintaining and upgrading our broadcast equipment, or gain valuable experience helping to manage and lead a nonprofit organization that is an eclectic mix of MIT students, staff, and members of the local community, let us know!”

Walker Memorial Basement Radio (WMBR) is currently on the air and streaming 24/7. Listen online here, or tune your dial to 88.1 FM. To find out more about joining WMBR, send a message to membership@wmbr.org.

[cellulardreams]

MUNA Katie Gavin // NXNE 2017 by Indie88 | 88.1 FM Toronto Via Flickr: Photo by Nick Tiringer

[thelongstrangedrivehome2]

playlist for the eighteenth of april twenty twenty-four

Staple Singers — Slippery People

The Clash — Tommy Gun

Gorillaz — O Green World

The Rolling Stones — 2000 Man

Frank Black — I Gotta Move

Tegan & Sara — Alligator

Lou Reed — Vicious

Yeah Yeah Yeahs — Cold Light

David Bowie — Starman

Wire — From The Nursery

Roxy Music — Oh Yeah

Bob Dylan — Mary Ann

Frankie Goes To Hollywood — Born to Run

Paul Simon — Rene And Georgette Magritte With Their Dog After The War

The Rocky Horror Show Original Roxy Cast — Sweet Transvestite

The Veils — Total Depravity

Miley Cyrus — You

David Bowie — Fantastic Voyage

Bob Dylan — Meet Me in the Morning

Willie Nelson - Me and Paul

Leonard Cohen - Anthem

The Chills -I Love My Leather Jacket

Grateful Dead - Mexicali Blues

Pink Floyd - Set The Controls For The Heart Of The Sun

Pixies - What Goes Boom

The Adverts - Gary Gilmore's Eyes

Tori Amos - Ring My Bell

Hey guys, serious question... How would you feel if I quit tumblr, and started posting these exclusively on Medium. I am already posting them on Medium as well

The Long, Strange Drive Home — East FM 88.1 107.1

@michaelatkinsprescott | Linktree

[jcmarchi]

One of MIT’s best-kept secrets lives in the Institute’s basement

New Post has been published on https://thedigitalinsider.com/one-of-mits-best-kept-secrets-lives-in-the-institutes-basement/

One of MIT’s best-kept secrets lives in the Institute’s basement

When MIT’s Walker Memorial (Building 50) was constructed in 1916, it was among the first buildings located on the Institute’s then-new Cambridge campus. At the time, national headlines would have heralded Gideon Sundback’s invention of the modern zipper, the first transcontinental phone call by Alexander Graham Bell, and Charles Fahbry’s discovery of the ozone layer. It would be another 12 years before the invention of sliced bread, and, importantly, four years before the first U.S.-licensed commercial radio station would go on the air.    

In true MIT fashion, the past, present, and future of Building 50 seem to coexist within its hallways. Today, the basement of Walker Memorial is home to what some students consider to be one of the Institute’s best-kept secrets — something that likely never crossed the minds of its original architects: a 24-hour, high-fidelity radio station. 

Operating under the call sign WMBR 88.1 FM (for “Walker Memorial Basement Radio”), this all-volunteer troupe has endured many hurdles similar to those faced by others in the field as radio itself has largely changed over the years. But as general managers James Rock and Maggie Lin will tell you, there’s something special about this station’s ability to build deeper connections within the larger community.

“Students have the opportunity to get to know a bunch of our community members,” explains Rock. “Our tech director works closely with every student who wants to contribute, which involves anything from manning a drill to climbing to the roof of Walker and manually bending the antenna back into shape, which I did a couple of weeks ago,” laughs Rock. “Most of our student members are trained by someone who’s been around and really knows what they’re doing with radio after decades of experience.”

“It’s really fun,” says Lin. “It’s being able to hang out with people who love music just as much as you do. The older members of the station are such a cool resource for talking about different kinds of music.”

Now sophomores, Rock and Lin first arrived at MIT and WMBR two years ago. At the time, the station was mitigating the effects of the Covid-19 pandemic, during which WMBR went off the air temporarily. “We’ve been general managers since last spring, so the majority of our time at the station has been managing the station,” explains Lin. “We just came at a time when the station didn’t have many student members because of Covid.”

Lin recalls stories from disc jockeys who were at the station the night in 2020 when WMBR went off the air: “I’m told it was extremely sudden. There was someone here who said they finished their show and left a tote bag of records for the next time they were going to come back, and they left … and they still haven’t [returned].” 

However, resilience is a trait that WMBR has displayed in abundance throughout its storied 80-year history. First signing on as WMIT on Nov. 25, 1946, the station’s original equipment was built from the ground up by MIT electrical engineering students. In 1956, when the station’s call letters were licensed to a radio station in North Carolina, the Cambridge-based station became WTBS. And when the station was in dire need of cash for new equipment in the 1970s, its members found a creative solution: an agreement with media mogul Ted Turner to exchange the call letters WTBS for $50,000. This afforded the station the new equipment it dearly needed and allowed Turner to launch the Turner Broadcasting System. The station subsequently became WMBR on Nov. 10, 1979.          

So it’s no surprise how station members responded to the challenges posed by Covid. “The tech team pulled off something kind of crazy when they set that up,” says Lin. “Within weeks, they set up a system where people could upload files of shows they recorded from home, and then it would be broadcast live.”

“Sticking to the hybrid system means that especially new members have the flexibility to start out recording from home,” adds Rock. “That’s what Maggie and I did. It means if you’re scared, a little jumpy, or stutter as you speak, you can go back and edit.”

The station also expanded its slate of new content in the years following the pandemic. “I think the most lasting effect of Covid is that we are now 24/7,” says Rock. “Most of the time it’s fresh material now. The spring schedule is guaranteed fresh material from 6 a.m. to 2 a.m.”

“It’s a packed schedule,” adds Lin.

Considering the sheer amount of original programming now airing on WMBR, it would be easy to assume the station relies heavily on ad revenue to keep the lights on. But, thanks to one fundraising week held each November, the station keeps pumping out music and spoken-word shows such as “Music for Eels,” “Post-Tentious,” and “Crunchy Plastic Dinosaurs.”

“And operating an FM radio station is not cheap,” says Rock, “maintaining the antennas and buying new tech equipment, getting music, paying licensing fees, and ordering pizza to keep the students on board because the DJs have to be happy, etc. So it’s a real privilege that we are able to operate on that listener funding from that one week each year.”

“It’s kind of crazy, because when you’re broadcasting, it’s to Greater Boston, but you really don’t know how many people are listening,” adds Lin. “And I think it’s really awesome when you see fundraising week. It’s like, ‘Yeah, people really do listen.’” 

“And if a donor chooses to pledge to a show, generally the DJs will mail a postcard back as thanks for that donation. So, if you want a signature of Maggie’s or mine, support us in November!” laughs Rock. “Limiting [fundraising] to one week means that we never advertise, so as long as we keep that contained to one-52nd of the year, the rest of the time you just get the music and the DJ’s commentary you tuned in for. There’s no solicitation.”

In many ways, this highlights the paradox of WMBR: reconciling its undeniable audience of loyal listeners and passionate community members with the fact that many MIT students and employees have never heard of WMBR.

“I think a lot of people just don’t quite know that the radio station is something that exists,” explains Lin. “I understand it’s because people our age don’t really listen to radio much anymore, but I think the space is so amazing. A lot of the new students that we bring in are pretty awed by it, especially the record library; with hundreds of thousands of records and CDs, and the studios,” says Lin, referencing the station’s impressive collection of music, which fills a space so large that it once held a bowling alley. “It’s an opportunity that is kind of easy to miss out on. So I feel like we’re bringing in new members — which I’m really happy about — but I just want people to know that WMBR is here, and it’s really cool.”

“Yes. I second that,” says Rock. “MIT is so full of opportunities and resources that you can’t possibly take advantage of all of them, but we are hidden here in the basement of Walker Memorial where students don’t really make it [to] that often.”

“Listeners don’t even know,” laughs Lin. “We had someone pass by the door once, and they were like, ‘The radio station? It’s here?’”

“I didn’t know there was a campus radio station, and I frankly hadn’t really thought of campus radio until I walked into Activities Midway during my first CPW [Campus Preview Weekend], and maybe orientation,” adds Rock. “One of the great things about it is that you can share your own music tastes with all of greater Boston. You have the aux cord for an hour every week, and it’s such a privilege.”

“It’s kind of scary-sounding to think, ‘You’re going to go sit behind a microphone and all of Greater Boston will hear you,’” adds Lin. “But James is always full of confidence, so I just thought, ‘What if we did a show together?’ That’s another thing that we like as we get new students in: people who want to co-host shows together.” 

“We are always looking for new student members,” says Rock. “Whether you want to do a radio show, podcast, help with maintaining and upgrading our broadcast equipment, or gain valuable experience helping to manage and lead a nonprofit organization that is an eclectic mix of MIT students, staff, and members of the local community, let us know!”

Walker Memorial Basement Radio (WMBR) is currently on the air and streaming 24/7. Listen online here, or tune your dial to 88.1 FM. To find out more about joining WMBR, send a message to membership@wmbr.org.

[iuicmontreal]

https://www.fm881whpr.com/

🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨🚨

IUIC DETROIT LIVE NOW ON LOCAL FM. RADIO…

TUNE IN NOW

[eljorgejavier]

MI EXPERIENCIA PROFESIONAL

EXPERIENCIA EN PRODUCCIÓN AUDIOVISUAL

2021 Realizador de contenidos en OnlypanasEC (medio digital) Agencia Parque Digital (abril - Actualidad)

2020 Asistencia de Producción en comercial Aspirina con Grupo Trébol (enero)

Producción en videos para redes sociales sobre el COVID-19 del Municipio de Quito (septiembre – diciembre)

2019 Asistencia de Dirección en tutoriales de VETO (diciembre)

2018 Location manager en Gloterra Films (Febrero – Junio)

2017 Productor de medios digitales en DemocraciaTV/Exa FM (Septiembre-Febrero)

2017 CEO de Anntena Web TV, canal web vía Facebook Live con streaming en tiempo real y manejo de redes del mismo (Marzo 2017-Mayo 2020)

2016 Realizador audiovisual en proyecto “ESPE TV” de la Universidad de las Fuerzas Armadas ESPE (Octubre-Diciembre)

2013 Auditor de producción en ECUAVISA Quito (Febrero 2013-Octubre 2015) Investigación de casos para el programa “Héroes Verdaderos” en Gama TV (Enero) 2012 Coordinador de producción en el programa “Oye mi Canto” para Ecuavisa con Zanelli Producciones (Agosto – Diciembre)

Embajador 2.0 para la Agencia de noticias del Vaticano Rome Reports (Enero – Agosto)

Realizador en el programa “ENTRE NOS” (piloto para Gama TV) (Agosto)

Realizador del programa “El Caldero de la Historia” (piloto para ECTV) (Agosto)

2011 Coordinación de producción, dirección en el programa “Cómplices” en Hoy TV (Febrero - Septiembre)

Profesor de reemplazo en universidades Iberoamericana e Israel (Abril y principios de Mayo) Cátedras varias sobre Puesta en Escena y Dirección)

2010 Jefe de sede en Festival de Cine “Cero Latitud”

Realizador de reportajes para la agencia de noticias china XINHUA

Asistente de sede en Festival EDOC (Encuentros del Otro Cine)

Realizador del programa “CANTOS DE LIBERTAD” (piloto para Canela TV)

Asistente de Producción en el cortometraje “DISPERSIÓN DE LOS  MUROS”

2009 Asistencia de Dirección en la película “DESDE ABAJO”

Coordinador de Producción del programa “NUESTRA CASA” en Asomavision           

2008

Coordinación de producción técnica en Asomavision (programas varios)

Coordinador general del área de televisión en ATRYO COMUNICACIONES en el programa “LUCES FUERA”

Realizador en ONLYFILMS T.V&Etc…(Productora Propia)

2007 Operaciones en Teleamazonas

2005 Jefatura de Piso, asistencia en producción en Ecuavisa Quito

Dirección de cámaras en Asomavisión (programas varios)

2002-2004: Operaciones en Gamavisión (Free Lance)

2000 Cámaras y asistencia de producción en el programa TV HOGAR en Asomavision

1997-2000 Asistencia de producción, y técnica en varias productoras independientes --------------------------------------------------------------------------

EXPERIENCIA EN RADIO

Locutor en el espacio “El Show del Humor” en América Stereo (Agosto 2021 – Abril 2022) Productor y conductor del espacio “Unica Style” en Radio Única 94.5 FM (Septiembre 2021 – Enero 2022)

Co - Locutor en el espacio Centro Music en Centro Ecuador 97.7 FM (Mayo – Agosto 2021) Productor y conductor de los espacios “Los Quiteños con F” e “Identidad Parroquial” para Radio Municipal FM 102.9 (Febrero 2020 – Diciembre 2021)

Productor y conductor del espacio “Los 2 a las Cinco” para Radio Ecos de Rumiñahui (Agosto 2018 – Mayo 2019)

Productor y conductor del espacio “Crónicas Paranormales” para Radio Dimensión Onix (febrero 2017-mayo 2020) Productor y conductor del espacio “Cultura sin Fronteras” para Radio Play Internacional (febrero 2016-Agosto 2016)

Productor y conductor del espacio “Con Mente Abierta” para Radio Latina 88.1 (febrero 2016-Agosto 2016) Locutor en el programa “Son Tantas Noches” en la Deportiva 99.3 FM bajo la dirección de Julieta Estrella (Septiembre 2014-Enero 2015)

Productor y conductor del espacio “Con Mente Abierta” para Pichincha Universal (enero 2013-Agosto 2013)

Co, conductor en el programa de análisis y opinión “El Maestro Juanito” de Radio Tarqui 990 AM y 98.1 FM Mundo (Agosto 2012-Enero 2013) Productor y conductor del espacio “Con Mente Abierta” para América Stereo (Junio 2012/Diciembre 2012) Realizador y conductor del programa “La Voz del Oyente” en Radio Tarqui (Agosto 2010-Agosto 2012) -----------------------------------------------------------------------------

EXPERIENCIA EN ARTE DRAMÁTICO Y PRESENTADOR DE TELEVISIÓN Presentador del espacio "Escuela para padres" de UNESCO bajo la producción de Urbano Films (Junio 2023)

Presentador del espacio "Escuela para Padres" de UNESCO, producido por Urbano Films (Mayo y Noviembre 2022)

Presentador del espacio digital "Onlypanas EC" producido por la agencia Parque Digital (Abril 2021 - Actualidad)

Presentador del programa “Entre Tu y Nosotros” en Radio TV Solidaridad (2021)

Actuación en Infomercial de Outlet TV y su productor “Super Air Fryer” (2021)

Actuación en videos ficcionados del Municipio de Quito (Protagonista) (2020)

Actuación en la serie “To the End of the Earth” producida por HCJB Global (2019)

Actuación en comercial UDLA a cargo de Sr. Miranda Studio (2019)

Actuación en video de formación para MegaKywi a cargo de “La Familia producción integral” (2019)

Actuación en video institucional Yanbal/Banco Pichincha (2019)

Presentador del reality show “Miss&Mister Belleza latina Ecuador 2018 en RTU (2018)

Actuación en la obra de teatro “Pedido de mano” del grupo “La IV Pared bajo la dirección de Fredi Zamora (2018)

Presentador del reality show “UIO Fashion Week TV 2018” (2018)

Testimonial en infomercial de Outlet TV y su producto “Claris” (2017)

Actuación en la serie “Retratos” para CNT Play con Urbano Films (2017)

Actuación en “La Virgencita Ecuador” en papel protagónico en el capítulo “Encerrado en mi Cuerpo” (Carlos) (2016)

Actuación en comercial “Permitido Recordar” en papel Secundario con Vértigo (Tramitador) (2016)

Actuación en comercial “Ley de Plusvalía” en papel protagónico con En el Ojo Films (Propietario) (2016)

Actuación en comercial “Presas Seleccionadas Mr. Pollo” en papel protagónico con Filmeikers (Padre de familia) (2016)

Actuación en infomercial para sitio web del BIESS en papel protagónico (Padre de familia) (2015)

Actuación en video de Coca Cola por el partido Ecuador-Uruguay en papel protagonico-monólogo (Ejecutivo) (2015)

Actuación en adaptación de la obra “Pedido de Mano” de Antón Chéjov bajo la dirección de Fredi Zamora (Iván Vasilievich Lómov) (2014)

Actuación  en capítulo “Destino” de la serie “MILAGROS” para Ecuavisa (Co-Protagónico) (2013) Actuación  en capítulos “Para que quiero tus besos”, ”El juego de la vida” y “ValeTodo” de la serie “SECRETOS” de Peky Andino para Ecuavisa (Co-Protagonicos) (2013)

Actuación en comerciales Pastas “YA” con Producciones y Servicios (Protagónico) y para Aceite Vivi con Octavo Arte (Secundario) (2012)

Presentador del programa “ENTRE NOS” (Piloto para Gama TV) (2012)

Co Presentador junto a Danilo Rosero en “Oye mi Canto” para Ecuavisa con Zanelli Producciones (4 últimos programas) (2012)

Actuación en la obra de teatro “EL ENFERMO IMAGINARIO” con el grupo de teatro Kayros (Cleonte) (2011)

Actuación en la obra de teatro “MORIR EN LA MITAD DEL MUNDO” del grupo La IV Pared bajo la dirección de Fredi Zamora (Dos personajes) (2011)

Actuación en la obra de teatro “LA VICTORIA DEL CENEPA” bajo la dirección de Annie Rosenfeld (General Moncayo y cabo Moya) (2010)

Actuación en la película “LA REVOLUCIÓN DE ALFARO” de Juan Diego Pérez (Eloy Alfaro joven) (2009)

Presentador de los programas especiales de Navidad y Año Nuevo de Asomavisión (2006 y 2007)

Presentador del programa LUCES FUERA en Asomavisión (2007)

Actuación en programa Camaraccion, piloto para Ecuador TV de Raul Khalifé (Actor/Presentador) (2007)

Actuación en video documental sobre Alfaro Vive bajo la dirección de Jorge Torres (Guerrillero-Co Protagónico) (2007)

Actuación en cortometrajes independientes de universidades y el Centro Cristiano de Comunicaciones (Papeles Varios) (2007)

Actuación en la película “Se que vienen a matarme” de Ecuavisa bajo la dirección de Carl West (Abelardo Moncayo) (2006)

Actuación en la Película “Pasaje de Ida” y “Vidas Vacías” de “De fe y esperanza producciones (Secundarios) (2006)

Obras de Teatro en laboratorios independientes de la IV Pared (2000)

Figurante y extra en capítulos de Pasado y Confeso, De La Vida Real e Historias Personales (1996 y 1999)