I wonder what it is about the sport of hockey specifically that inspires this many poems. I've not seen any other fanbase like this one.
200 of those hockey poems are admittedly on me. but with that said, i dont know if hockey is any more romantic than any other sport. ive for sure been weird about other rpf pairings before hockey (read: brocedes) & ive seen wonderful cycling, motogp & baseball edits. i think it might just be that there's something so very real and beautiful about live sports.
(cue the mark halliday poem. you know the one)
do you see?? do you get it??? football!! romance!!!! high stakes!!! athleticism!! the simple act of catching a ball somehow being the most important thing in the world!! the precision of it!! P O E T R Y
i think everybody should be a romantic when it comes to sports.
A. Bartlett Giamatti
Hanif Abdurraquib
and as for poetry:
"The qualities I appreciate most in my favorite soccer players happen to be the same ones I appreciate in my favorite poets: beauty, creativity, flair, imagination, skill—all words, incidentally, that I’d attach to Pelé and Romário."
Duy Doan
Anselm Berrigan
and okay. a few more sports poems while im at it:
Ray Fleming
Jill McDonough
Hanif Abdurraqib
Peter Balakian
Naomi Shihab Nye
Oliver Evans
also Catch by Samiya Bashir which always reminds me of this poem by Trygve Skaug (@lemondropbois edit)
also these lines from "The crowd at the ball game" by William Carlos Williams:
So in detail they, the crowd, / are beautiful // for this / to be warned against // saluted and defied— / It is alive, venomous // it smiles grimly / its words cut—
Kevin Young's Brown is full of baseball poems and therefore incredible
i wont end on my own words. Abdurraqib makes this point more eloquently than i ever could:
it's really not just hockey..
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Hello :D
You're so cool
Anyway have you thought that in your rat sons au Splinter might outlive the boys?
You're very cool :D love your stuff dude
(tw for some blood, light gore, implied overdose (kinda??))
hi copper!!! this is a fantastic question!
so obviously typical irl rats have far shorter lifespans than the average irl tortoise. according to google (yes, be awed by my spectacularly in-depth wealth of research) the average pet rat lives between 2-4 years ish, and the oldest on record lived to be about 7. meanwhile, an African spurred tortoise (Splinter's species) averages more around a 50ish year lifespan in captivity, tho is suspected to possibly exceed 75 or more in the wild.
Now, the mutation does give us a lot of wiggle room for playing with these numbers. For the rat sons boys, id say their natural lifespan probably clocks in at about 45-55 years old? definitely not old by human standards, but not young young either. (though, its also important to note that the boys were exposed to the mutagen just days after being born.)
For Splinter, meanwhile, aging is slightly more complicated. He lived the vast majority of his life as a regular normal African spurred tortoise (well, non-mutated at least. there were perhaps some shenanigans of a more mystical variety going on before he was mutated, but thats a separate matter) He was about 70ish i think? when the boys were born and they were all exposed to the mutagen. so he is already distinctly an old man turtle papa. id guess he'd probably still have another eh lets say 25-30 years after his mutation. he could probably push it a little farther even with some mystic nonsense, but when push comes to shove id say his 'natural' post-mutation lifespan would put his death like a solid decade or two before his sons.
of course, the tricky part of the matter is that theres no way for Splinter to know any of this. theres no way for him to know how the mutation affected them all, or if it even affected them all in the same way. especially since the boys dont show many physical signs of mutation for the first few years, and just kinda look like normal rats, (albeit with a more human sort of intelligence) — what sort of health standard do you hold them to? what if they simply dont show external signs of sickness or old age anymore? how do you actually know if something is wrong?
for a while there Splinter is very worried that one of his babies will just essentially reach the end of their normal rat lifespan, fall and not get up again.
so mostly, he just tries to live in the moment, enjoying whatever time he does have with his little ones, taking each day as a gift <3
still,
that fear
never
really
goes
away.....
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I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.
Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.
But here's the thing: That piano is Louis' heart.
I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?
That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.
Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.
And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.
Yet, Louis keeps playing. He keeps singing. He keeps making jokes.
Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.
It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.
We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.
Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.
But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.
It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.
Then Marlon's dead. The song is over, and reality has arrived.
I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.
Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.
Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.
She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.
When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.
If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.
And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.
I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.
And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-
Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?
Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.
Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-
Listen. I am fine. I'm so normal about this. And fine. I'm fine.
But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.
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