#Albert Roussel

[lesser-known-composers]

Albert Roussel (1869-1937) : Symphony No. 3 in G minor, Op. 42

Denève, Royal Scottish National Orchestra

[musicwithoutborders]

Albert Roussel, Music from Elpénor.Poème radiophonique. Op. 59: II. Modéré (Arr. for Flute and String Quartet) I Chamber Music Complete, 2006

[mozart2006]

Dreikönigskonzert - Stuttgarter Kammerorchester ed Emanuel Pahud

Foto ©Oliver Röcke Le quattro istituzioni orchestrali di Stuttgart si suddividono da sempre il compito di aprire il nuovo anno musicale. Continue reading Untitled

[hatsunomio]

23年コンサート#54

4月22日　NHKホール

パーヴォ・ヤルヴィ指揮NHK交響楽団　第1981回定期演奏会

ルーセル　弦楽のためのシンフォニエッタ

プーランク　シンフォニエッタ

イベール　室内管弦楽のためのティヴェルティスマン

フランス新古典主義、第二次大戦前後の作品特集。パーヴォのシャープでソリッドで、しかも抉るところは抉る、巧みさが存分に発揮されたプログラム。ふつうなら、曲の長さと編成の大きさからプーランクのシンフォニエッタを最後に据えるのだろうが、あえてイベールをトリに持ってきた。心にくいセンス。

爽快なプーランクも勿論素晴らしかったが、やはり今日はこれ、イベールのディヴェルティスマンだろう。もともと喜劇につけられた音楽からまとめられた組曲という曲の性格に相応しい、シャープでスタイリッシュでかつ遊び心いっぱいの演奏だった。近年、度々N響公演に出演するちょっと強面（でも熱く優しいひととお見受けする）長尾洋史氏の活躍も目覚ましい。そしてフィナーレではパーヴォのホイッスルに加えて楽員のパフォーマンス（坂口弦太郎さんの大ジャンプにびっくり、若手じゃないぞ）。その伏線には、サプライズの少し前、客席の思わ��笑い声を引き出したパーヴォのちょっと大袈裟な溜めがあった。楽き哉。

[yougetsu]

Books & B-T

Books/stories that might have inspired B-T lyrics or albums:

Salome by Oscar Wilde Midsummer Night's Dream by Shakespeare Hamlet by Shakespeare Mona Lisa Overdrive by William Gibson Neuromancer by William Gibson Solaris by Stanisław Lem Do Androids Dream of Electric Sheep by Philip K. Dick Alice in Wonderland by Lewis Lewis Carroll Season in Hell Arthur Rimbaud The Stranger by Albert Camus Fantomas by Marcel Allain & Pierre Souvestre Locus Solus by Raymond Roussel Les Enfants Terribles by Jean Cocteau The Fall of Icarus by Ovid Dada Manifesto by Hugo Ball The Surrealist Manifesto by André Breton The Rosicrucian manifestos The Story of Little Black Sambo by Helen Bannerman JoJo's Bizarre Adventure by Hirohiko Araki Hearts by Kumi Himeno The Soul of the Night by Chet Raymo Vita Mechanicalis by Inagaki Taruho Akira by Katsuhiro Otomo

Books mentioned by Acchan:

Villain by Shuichi Yoshida A Collection of Crime Stories by Shuichi Yoshida Ikari by Shuichi Yoshida Kokuhou by Shuichi Yoshida Kokoro by Natsume Soseki Audition by Ryu Murakami Coin Locker Babies by Ryu Murakami The World Five Minutes From Now by Ryu Murakami No Longer Human by Osamu Dazai The Setting Sun by Osamu Dazai Hakyoku by Tono Haruka Kairyou by Tono Haruka Neko Nari by Numata Mahokaru Shibireru by Numata Mahokaru Kugatsu ga Eien ni Tsuzukeba by Numata Mahokaru Yurigokoro by Numata Mahokaru On Decadence by Sakaguchi Ango Confessions of a Mask by Yukio Mishima  Death Spirits by Yutaka Haniya Living Tips by Itsuki Hiroyuki Grotesque by Natsuo Kirino Shiki by Fuyumi Ono Bride of Deimos written by Etsuko Ikeda & illustrated by Yuho Ashibe The Flowers of Evil by Charles Baudelaire The Picture of Dorian Gray by Oscar Wilde Crime and Punishment by Fyodor Dostoevsky Notes from the Underground by Fyodor Dostoevsky Night on the Galactic Railroad by Kenji Miyazawa Gedou no uta by Daisuke Watanabe Tokkou no shima by Satō Shūhō

Other authors mentioned by Acchan:

Junji Ito Randi Taguchi Ryunosuke Akutagawa Yasunari Kawabata Natsuhiko Kyogoku Ayatsuji Yukito Sakuraba Kazuki Nobuyuki Fukumoto Hermann Hesse Johann Wolfgang von Goethe

Sources:

nopperabou.net Jrockarchive This is not greatest site Buck-Tick Zone Vk BT group Book list gathered by fans (twt) FT bulletins Ongaku to hito interviews Kurumi chan no Heya (FM COCOLO) B-T profiles through the years I've saved Personal scans & magazines

Feel free to add more books/novels/mangas <3

[digitalfashionmuseum]

Cream Bobbin Lace Bra, 1930s, French.

Designed by John J. Roussel.

Victoria and Albert Museum.

[psalm22-6]

Comoedia, 5 February 1934 (note the picture of Harry Baur by the masthead!) So I learned that the 1934 Les Mis film premiered two nights before a far-right anti-government riot! And you can feel that there was a crisis about to happen in this account of the movie's premiere:

A rough start to the night: there’s the taxi driver’s strike and there’s the parliamentary crisis. The latest information passed from mouth to mouth and most journalists arrived late, bearing the most recent news. “So Emile Fabre is jumping ship?” [Fabre was the director of the Comédie-Française and was apparently being pressured to leave.] “It’s a scandal!” “It’s disgraceful!” “What folly!” “And who is replacing him?” “George Thomé.” [Thomé was a musician as well as the former director the Sûreté.] “Seriously?! They’re going to be cuffing the Comedie-Francaise.” Emile Fabre makes his entrance, followed by his charming daughter. He is just as soon surrounded and interrogated. “I don’t understand! I don’t understand!” “No one understands.” “There is too much to understand.” Our editor-in-chief, who has not always been fond of Emile Fabre, is spotted by his side; he shakes his hand cordially and I note that Pierre Lazareff [editor-in-chief of Paris-Soir] notes this effusive sympathy. A political star enters!...M. [François] Piétri [briefly the Minister of Finance]…thoughtfully and hurriedly, he passes by on swift feet which recently exercised a wise retreat that was, if I dare say, a step ahead of wisdom. He joins Mme. Piétri….It’s impossible to get him to open up!... Caught up in the commotion of the crowd, I hear this brief dialog between a political columnist and a deputy: “And how are your ‘misérables’ doing?” “They are waiting for their Monseigneur Myriel!” The huge Marignan theater is too cramped for this crowd of guests. Luckily Jean-José Frappa and his second in command, Mme. Audibert, thought of everything, took care of everything… And everyone is able to get to the coat check and find his place easily. Because the taxi strike and political events delayed hundreds of people, who then arrived all at once and with haste, this was not an easy task. Who was there? Tout-Paris...I randomly noted with my pencil: Messueirs Paul Abram, Achard, De Adler, Berneuil, Archimbaud, André Aron, Arnaud, Louis Aubert, Aubin, Kujay, Kertée, Azaïs, Bacré, Barthe, Baschet, Baudelocque, Harry-Baur, Bavelier, Robert de Beauplan, Antonin Bédier, Pierre Benoit, Mme Spinelly, Charles Delac and Marcel Vandal, Léon Benoit-Deutsch, André Lang, René Lehmann, Bellanger, Mag Bernard, Tristan Bernard, Jean-Jacques Bernard, Louis Bernard, Dr. Etiënne Bernard (all the Bernards!)...Bernheim, Bernier, Guilaume Besnard, Bétove, Bizet, Blumsteien, Mme Rocher, Boesflug, Pierre de la Boissière, Bollaert, Bouan, Boucher, Robert Bos, Pierre Bost, Paul Brach, Henry Roussell, Charles Burguet, Pierre Brisson, Simone Cerdan, Henry Clerc, Albert Clemenceau, Pière Colombier, Germaine Dulac,Henri Diamant-Berger, Julien Duvivier,Jean Epstein, Fernand Gregh, Mary Glory, René Heribel, Tania Fédor, Alice Field, Jacqueline Francell, Mary Marquet, Florelle, Marguerite Moreno, Françoise Rosay, Becq de Fouquière, Jean Servais, Vidalin, Maria Vaisamaki, Orane Demazis, Rachel Deviry, Rosine Deréan, Jacques Deval, Christiane Delyne, Renée Devillers, Jean Chataigner, Germaine Dermoz, Léon Voltera, Robert Trébor, our director, Jean Laffray, Lucie Derain, Paul Gordeaux, Jean Narguet, Parlay, Suzet Maïs, Antoine Rasimi, Renée de Saint-Cyr, Jean Toulout, Mady Berry, Yolande Laffont, Jean Max, Parysis, Charles Gallo, Léo Poldès, Jean Fayard, Edmonde Guy, Mario Roustan, Paul Strauss, Cavillon, Emile Vuillermoz, Josselyne Gaël, Charles Vanel, S. E. Si Kaddour ben Gabhrit, the duke and duchess of Mortemart, Madame Henry Paté, Marcel Prévost, Louise Weiss, Alfred Savoir, Henri Duvernois, Paul Gémon, magistrate Maurice Garçon, magistrate Campinchi, Sylvette Fillâcier, Jean Heuzé, Pierre, Heuzé, Mona Goya, Simon-Cerf, W.E. Hœndeler, Georges Midlarsky, Michel, Nadine Picard….and others I must be forgetting…pardon me!....Silence!....

In the glow of the half-light from the screen….there are applause! Not since les Croix de bois has a movie been so highly anticipated and now it is time for the verdict….Raymond Bernard can be sure that the audience is rooting for him. Our eyes are full with light and pretty colors. This Paris night is practically magical…and departing from that magic, we are plunged into the great river of les Misérables, into the furious waters of this social storm. Luckily André Lang and Raymond Bernard have made the trip for us. What contrast!  From the spectacle of an elegant and distinguished gathering, we move to the misfortunes of Jean Valjean.

The audience picks up on everything that could be an allusion to the present times. But of all these allusions, one stands out. It’s the lament of two gossips, at the moment when the barricades are rising. “What sad times!” “We’ve barely made it through the cholera…and here is the Republic!” Thunderous applause and mad laughter. When, on the barricades, the Republic calls on us to act, the spectators think of other promised actions which haven’t happened and they forget to applaud. But the whole audience is prodigiously virtuous; whenever a good deed is shown on the screen, when some sentence about the heart graces the white canvas, it is punctuated by applause. After the first film, stop!... Time to eat! There’s a mad dash to the punchbowl. In the haste of this day of crisis and running late, many in the audience did not have time for dinner….the buffet, in the blink of an eye, is emptied and the dry drinks make vindictive and impassioned discussions flow. High and low, here and there, everyone was speaking of the Parliment's chances and the intermission bell sounds in an atmosphere charged with electricity. The two other parts of the film, cut by another intermission, each end with a double ovation for Harry Baur, both in the lobby and in the theater. The little Gaby Triquet is passed from person to person towards a chocolate eclair, which she leaves a trace of on the cheeks of Harry Baur. And then as usual everyone rushes to the coat check.  Then we go to the fifth floor of the Marignan building. There, in an unoccupied apartment, dinner waits for us. There are more than a thousand of us around little eight-person tables. Ten thousand meters of film, that will make you hungry! Three orchestras pour out waltzes, tangos, and other tunes, while the masters of the hotel fill up our cups. And that continued to six thirty in the morning, in an atmosphere of charming cordiality as each person attested to the pleasure of seeing French cinema accomplish such a feat. Bernard Natan and Raymond Bernard were too surrounded for me to speak to them. Besides, what could I say to them that they haven’t already heard ten times, a hundred times, a thousand times that evening, which was the apotheosis of cinema and of Les Misérables. -Jean-Pierre Liausu

[nurhanarman]

Albert Roussel: Sinfonietta for String Orchestra op. 52

Albert Roussel: Sinfonietta op. 52

1. Allegro molto - 2. Andante - 3. Allegro

Sinfonia Toronto / Nurhan Arman, Conductor

Recorded live on November 16, 2018 at CBC Glenn Gould Studio, Toronto

https://youtu.be/ju7-NDZr3A0

#classicalmusic #orchestra #symphony #toronto #ontario

[rafiknyclassical]

Alexander Voormolen (1895-1980) Een zomerlied : voor orkest (1928) Orchestra: Omroeporkest Conductor: Kenneth Montgomery dedicated to Albert van Raalte

Alexander Voormolen was a Dutch composer. He studied composition in Utrecht with Johan Wagenaar and with Willem and Martinus. In 1916, on the recommendation of Rhené Baton (who conducted his overture to Maeterlinck's La mort de Tintagiles at The Hague in 1916), he went to Paris, where he worked with Roussel and became close to Ravel, Casella, Delius and Florent Schmitt. He returned to settle in the Netherlands in 1920, first in Veere and moved to The Hague in 1923. For many years he was music critic for the Nieuwe Rotterdamsche Courant, and then from 1938 to 1955 he was librarian of the Conservatory of The Hague.

[jeanetjeannepatin]

Mercredi 4 septembre 2024 à 19H, la Petite Boutique Fantasque reçoit Anne Moretti qui à partir de témoignages d'abus sur mineurs a construit une pièce de théâtre, Troubles du comportement, mis en scène par Tara Ostiguy. Elle sera présentée en fin de résidence le vendredi 6 septembre à 12H45 à la Fabrique (CIAM) de l'université Jean Jaurès. La représentation sera suivi d'un débat avec le public.

Programmation musicale : The heart asks pleasure first (Michael Nyman) Vocalise 1 (Albert Roussel) Marie Devellereau / Billy Eldi The two of me (Guillaume Poncelet) + un extrait d'une représentation de Troubles du comportement, comédiens Fabrice Delorme et Léa Mélini, musique Vincent A. Jockin.

Pour ceux qui auraient piscine indienne, ou toute autre obligation, il y a une possibilité de rattrapage avec les podcasts de la PBF : https://www.mixcloud.com/RadioRadioToulouse/troubles-du-comportement-la-petite-boutique-fantasque/

Sus aux Philistins ! 

[lesser-known-composers]

Albert Roussel (1869-1937) - Suite for Piano, Op. 14

00:00 - 01. Prélude 06:50 - 02. Sicilienne 12:42 - 03. Bourrée 17:28 - 04. Ronde

Performer: Alain Raës

[ulkaralakbarova]

A great French restaurant’s owner, Monsieur Septime, is thrust into intrigue and crime, when one of his famous guests disappears.  Credits: TheMovieDb. Film Cast: M. Septime, patron d’un grand restaurant parisien: Louis de Funès Le commissaire divisionnaire: Bernard Blier Sophia, la secrétaire du président Novalès: María Rosa Rodríguez Henrique, chef de la sécurité du président Novalès: Venantino Venantini Le président sud-américain Novalès: Folco Lulli Le sommelier buveur: Paul Préboist Le ministre: Noël Roquevert Henri: Yves Arcanel Le conspirateur français: Robert Dalban Le général conspirateur: Julián Antonio Ramírez Le complice de Novalès: Eugene Deckers Un conspirateur: Frédéric Santaya Un conspirateur: Albert Dagnant Le maître d’hôtel « Mon Dieu ! Mon Dieu ! »: Jean Ozenne Le second maître d’hôtel: Pierre Tornade Le troisième maître d’hôtel: Yves Elliot Petit-Roger, le serveur lèche-bottes: Michel Modo Un serveur: Jacques Dynam Un serveur: Guy Grosso Un serveur: Jean Droze Un serveur: Pierre Roussel Un serveur: René Bouloc Julien, un serveur et violoncelliste forcé: Maurice Risch Marcel, le chef cuisinier: Raoul Delfosse Marmiton Louis, le filleul de Marcel, le chef cuisinier: Olivier de Funès Le violoniste / Client qui dit que “ce n’est pas cher du tout”: Max Montavon Le Doktor Müller ” Kartoffeln und Muskatnuss “: Claus Holm L’invité ignoré du ministre: André Badin Un client du restaurant: Marc Arian Le pianiste: Roger Caccia Le second inspecteur adjoint: Henri Marteau L’agent de police: Jacques Legras …: René Berthier Le client satisfait: Bernard Dumaine Un client du restaurant: Roger Lumont Le client taché: Paul Faivre …: Julian Ramirez Le baron: Robert Destain La baronne: France Rumilly Film Crew: Writer: Louis de Funès Writer: Jean Halain Writer: Jacques Besnard Movie Reviews:

[odedmusic]

Albert Roussel - Marie-Claire Jamet - Impromptu pour harpe seule, Op. 21...

Today's Classical Corner... Frenchman Roussel!

https://en.wikipedia.org/wiki/Albert_Roussel

#OdedFriedGaon #OdedMusic #OdedTodaysClassicalCorner

[philippedurand8900]

RETRAITES - Meetings unitaire partout en France !

Retrouvez les meetings unitaires près de chez vous !

(Ordre chronologique. Liste mise à jour régulièrement avec les compléments d'informations et de nouvelles dates. )

PARIS - 25/01 à 19h30 Digital Village, 21 rue Albert Bayet. Avec Elsa Faucillon pour le PCF, Sandrine Rousseau (EELV), Arthur Delaporte ( PS), Sophie Taillé-Polian (EELV), Danielle Simonnet (LFI).

BEAUVAIS - 26/01 à 19h30 Salle du Pré-Martinet. Avec Stéphane Peu pour le PCF, Cyrielle Châtelain (EELV), Antoine Léaument ( LFI), Benjamin Lucas (Génération·s), Philippe Brun (PS).

AUXERRE - 27/01 à 19h - Salle de réception Jules Ferry rive droite. Avec Pascal Savoldelli pour le PCF, Florence Loury (EELV), Mani Cambfort (secrétaire départementale PS), Arnaud Legall (LFI).

NYONS - 27/01. Avec Jean-Marc Durand pour le PCF, Manuel Bompard (LFI), Marie Pochon (EELV).

MOULINS - 27/01 à 18h30. Avec Yannick Monnet pour le PCF, Marianne Maximi (LFI).

SOTTEVILLE-LES-ROUEN - 30/01 à 19h Salle buddicum. Avec Hubert Wulfranc pour le PCF, Alma Dufour (LFI), Gérard Leseul (PS), Julie Godichaud (conseillère municipale EELV).

TULLE - 30/01 à 19h30 Salle Latreille bas. Avec Nicolas Marlin pour le PCF, Damien Maudet (LFI), François Piquemal (LFI), Chloé Herzhaft (EELV).

LA COURNEUVE - 1/02 Salle des fêtes rue Gabriel Péri. Avec Soumya Bourouaha pour le PCF, Raquel Garrido (LFI), Fathia Keloua-Hachi et Stéphane Troussel (PS), parlementaire EELV.

SAINT-NAZAIRE - 1/02 à 20h Salle Alvéole. Avec Véronique Mahé pour le PCF, Matthias Tavel (LFI), Mathilde Panot (présidente du groupe parlementaire LFI), Philippe Brun (PS), Julie Laernoes (EELV), Arash Saedi (coordinateur national Generation·s).

DIEPPE - 2/02 à 18H Salle des congrès. Avec Sébastien Jumel et Fabien Gay pour le PCF, François Ruffin (LFI), Marie-Charlotte Garin (EELV).

LILLE - 2/02 à 19h. Avec Fabien Roussel pour le PCF, Marine Tondelier (EELV) ; Roger Vicot (PS), LFI, Generation·s.

TOURS - 2/02 à 19h30 Centre de vie du Sanitas, 10 Pl. Neuve avec Ian Brossat pour le PCF, François Piquemal (LFI), Charles Fournier (EELV), Evelyne Dourille-Feer, (économiste et membre d’Attac).

SAINT-AGATHON - 3/02 à 19h30 Salle de la Grande Ourse, 9 rue de Hent Meur. Avec Pascal Bonneau pour le PCF, Murielle LEPVRAUD, Manon AUBRY et François Piquemal (LFI), Hervé Guihard (Place publique), Gérard Mauduit (Ensemble), Christian Renard (POI), Tugdual Le Lay (Génération·s).

NÎMES - 10/02 à 19h Centre Andre Malraux 2 Avenue de Lattre de Tassigny 30000 Nîmes. Avec Fabien Roussel pour le PCF, Boris Vallaud (PS), Manuel Bompard (LFI), Raymonde Poncet (EELV).

CLERMONT-FERRAND - 10/02 à 19h Maison du Peuple. Avec André Chassaigne pour le PCF, Sophie Taillé-Polian (Génération·s), Christine Pires-Beaune (PS), Marianne Maximi (LFI).

[opera-ghosts]

OTD in Music History: Composer and pedagogue Vincent d'Indy (1851 – 1931) died in France. As a young man, D'Indy studied under composer Cesar Franck (1822 - 1890) at the Paris Conservatoire in the 1870's; for the rest of his life, he idolized Franck as his musical ideal, and ultimately wrote a celebrated biography of his cherished mentor in 1912. But in some ways, the entire decade of the 1870's was a veritable whirlwind of artistic inspiration for D'Indy -- during the summer of 1873 he visited Germany and met with met both Franz Liszt (1811 - 1886) and Johannes Brahms (1833 - 1897), and in 1875 he played a minor role – "The Prompter" – in the world premiere of Georges Bizet's (1838 - 1875) opera "Carmen." Finally, in 1876, he attended the very first production of Richard Wagner's (1813 - 1883) "Ring cycle" at Bayreuth; this made a great impression on him, and he quickly became a fervent Wagnerian. D'Indy's influence as a teacher was considerable: In 1894, he co-founded the "Schola Cantorum de Paris" (an important private music school), and he also taught at the Paris Conservatoire. His students included Erik Satie (1866 - 1925), Albert Roussel (1869 - 1937), (1866 - 1925), Arthur Honegger (1892 - 1955), Darius Milhaud (1892 - 1974), and -- of all people -- American Broadway composer Cole Porter (1891 - 1964). As a composer, unfortunately, d'Indy has languished. Few of d'Indy's works are performed regularly in concert halls today, and the Grove Dictionary of Music observes that his famed veneration for Ludwig van Beethoven (1770 - 1827) and Franck "has unfortunately obscured the individual character of his own compositions, particularly his fine orchestral pieces descriptive of southern France." Among his best-known pieces are the "Symphony on a French Mountain Air" for piano and orchestra (1886) and "Istar" (1896), a symphonic poem in the form of a set of variations in which the theme appears only at the end... PICTURED: A 1910 autograph letter written out and signed by d'Indy on his Scholar Cantorum letterhead, addressed to an unnamed friend and regarding various musical matters.