#And then you get a second and he's so different again it's like they're different creatures even though they came from the same root world

[luveline]

How about Steve with a reader who already has a kid? Like they're in their twenties and she has maybe 2 or 3 year old. Her ex isn't in the picture so it's just her. Maybe the fic is Steve finally getting to meet readers son/ daughter. Maybe she has to leave their date earlier due to a babysitter problem and Steve just comes along with her and they spend the night together.

ty for requesting <3 mom!reader, 2k

“Try not to show fear,” you’re saying, your hand pulled tight against his. He savours the softness of it even as the concrete steps to your house force you apart. 

“I’m not scared.” 

“I’m just saying, Steve. Toddlers know when you’re scared.” 

“But I’m not scared.” Steve has handled worse than toddlers. If your kid is anything like you, this will be a walk in the park. 

You grin at him and give him one of your cute shrugs, though shyness he recognises from your first date stiffens your shoulders again as you open your front door. 

Your home is small. The first thing he notices is the cramped space walking in, the tight stairs, but the second thing he notices is the amount of life, photographs that deck the walls and colour everywhere, clothes folded and waiting to be taken upstairs, little shoes in a stand by an open bathroom door. 

“Melanie?” you call. “You okay?” 

Melanie appears in the door with a huge watery frown, who Steve assumes to be your young son smiling on her hip, unperturbed. “I’m so sorry.” 

She’d been incoherent on the phone, though eventually squeezed out that it was nothing wrong with Noah. Melanie’s boyfriend appears to have broken up with her over the phone. 

You scoop Noah off of his babysitter's hip, holding him with far more ease. He drops his face with affection to the curve of your bare shoulder. It’s a shame you and Steve had to come home —you’re wearing the nicest dress he’s ever seen. But not a shame, because Steve’s excited to meet the baby. 

You could’ve sent him home. He assumes this means some level of trust and, better, permanency. If all goes well, he might be able to ask you to go steady soon. He’d love to do it tonight. 

“Don’t worry, Melanie, you can’t help it if something bad happens, can you? I’m really sorry about your boyfriend. Do you need me to drive you home?” 

Melanie sniffles miserably. “No, that’s okay, I can drive. I’m sorry.” 

You rub her arm. “It’s okay, really. We were just gonna have dinner and head home.” 

Steve internalises his reaction to that tidbit well. Melanie gives him a sad smile and passes by, her shoes heavy and smacking as she leaves with a mumbled farewell. 

“She’s a little emotional,” you say sympathetically, before turning your attention to the sleepy kid on your shoulder. “Sorry, Noah, guess you’re stuck with mommy and her new friend. Do you want to say hi?” 

Noah lifts his head, following your hand where you point at Steve, a smile like yours on his lips. 

Steve genuinely isn’t scared of kids, he loves them, and he loves talking to them. “Hi, buddy. It’s nice to meet you.” 

You hum appreciatively. “Go on, say hi to Steve.” 

“Hi,” Noah says quietly. 

Your voice is different around the baby, not any less pretty but softer, and quieter. It has Steve lowering his own voice in an attempt to mimic you. “Hi, bud.” 

“He’s my new best friend,” you explain, ushering Steve closer, your hand touching gently to his shoulder. 

Noah’s even more your image now he’s closer, all your eyes and smile and brightness, but he’s got someone else’s nose, and he’s got a bad case of yawns. You laugh at his scrunched nose, wiping your thumb lightly over his bottom lip. “You want to go to bed, sweet boy?” you ask. 

“No… buppy.” 

“You want your buppy. Okay, I’ll get it for you.” You pull your arm through Steve’s. “Let’s go.” 

He laughs and goes happily. Your kitchen is empty compared to the hallway, it’s surprising, but then you open a cabinet for the aforementioned bubby and a couple of things come tumbling out. “Whoops,” you say, popping Noah down on the floor. “Can you put those away for me, please? Thank you.” 

Noah tries his best, but everything he puts in comes tumbling back out, earning a few high-pitched giggles. You crack the fridge open for a pint of cows milk. 

“He doesn’t have formula?” 

“No, you can give them whole milk after a year, but he doesn’t really need it anymore, it’s just to help him self-soothe at nighttime.” 

“Mom, I can’t do it,” Noah laughs. Steve thinks that great, that laughing. He could’ve had a tantrum (Steve wouldn’t blame him). 

Steve crouches down. “Can I help?” 

Noah gives Steve a smile, eyes squinting nearly entirely shut. “Yes.” 

“Okay, awesome. Looks like your mom needs more cabinets for all your stuff.” He starts to pick up the pieces. 

“I need a whole new house,” you say, filling the bottle about three quarters before sticking it in your microwave uncapped. You set the timer for fifteen seconds and prop your chin in your hand, elbow on the counter. Steve thinks it’s your best angle yet, your dress, your arms, the friendly smile you’re wearing that hasn’t once ebbed since the first date. It all gets his chest in a twist. 

He knows getting your baby to like him is make or break. And he really wants to give this a shot, you and him, you and Noah. He thinks you’d be good together. (Maybe he’s crazy and too forward, but you really are beautiful in your dress.) 

“How’s that?” he asks, closing the cabinet behind a tower of bottles and baby bowls.

“Perfect! Good job, baby,” Noah says, tapping Steve on the knee. 

Steve snorts. “Thank you.” 

“He’s going through a phase of saying everything I say,” you explain, yanking open the microwave to test the milk on the back of your hand. 

You deem the milk sufficiently warmed and offer Noah your hand, swiping a takeout menu from the fridge as you pass, and once again grabbing Steve by the arm to drag him along. He’s content to be dragged. You lead everyone into the living room, and he’s again surprised by how small it is. 

You catch his look. “Are you judging me, Harrington?” 

“What? No? Of course not.”

“Messing with you. There’s an extension out back, on the kitchen? That’s where I keep the rest of the toys.” You drop down onto the couch with a sigh. “Come here, babe, come cuddle with mommy.” 

If Noah weren’t in earshot, Steve would make a joke about how he hopes you aren’t talking to him. It’s probably a good thing he doesn’t.

You lay back and Noah climbs up onto one side of you, his hands out ready for his bottle, while your arm stretches out for Steve. “Come ‘n’ sit.” 

Steve sits knee to knee with you. He’s not scared of kids, and he isn’t scared of you, either. He knows exactly what he wants, and he isn’t afraid to let you know it, taking your hand where it lies open on your thigh. 

“What were you gonna get?” you ask, nodding to the takeout menu. 

“I don’t know, I’ll have what you’re having,” Steve says. 

“What if you don’t like what I’m having?” 

“I’ll learn.” 

You tip your chin up at him, beaming. “Yeah? What if I like something completely unamerican?” 

“I gotta learn sometime, right?” He squeezes your fingers nicely. 

“Well, my Noah likes everything.” You kiss Noah’s forehead, stealing his attention from his bottle, bright eyes tracing your face and then your hand where Steve is rubbing the back of it. 

“Then he can have some of everything.”

You and Steve share a loving smile. Smiles smiles smiles, everybody’s getting on, this is the best sixth date anyone’s ever had, best date full stop, though your fifth date was a close second. You and Steve had spent hours together in a park in the city eating picnic foods and soaking in the sun together, your nose brushing off of his ribs, his jacket balled up under your head. He’d kissed you twice that night when you finally, sorrily had to go home, and you’d said, Aw, I really like you, as you held hands on the stoop. He should’ve asked you then to give it a proper go, but now he’s met Noah he figures it’s as good a time as any. 

“Hey,” Steve begins, clearing his throat, “would you–”

“Woh!” Noah shouts around the teet of his bottle. It falls from his lips. “We wiw hands,” he garbles, a bunch of baby flavoured gibberish as he leans over your stomach to cover your hand where it’s held in Steve’s. “Mom!” 

“What, babe?” 

“My hand!” 

“You’re not jealous, are you?” you ask with a laugh. 

“Mom!” he says, slapping your hands insistently with his own. 

Steve loosens your fingers, leaving a gap between your palms. “Quick, bud, put your hand in.” 

Noah climbs onto your leg and presses his hand into the fold, though he grows annoyed at the weird fit, and immediately starts to sniffle. Steve winces, but you’re used to it. “Aw, don’t start the waterworks. Come on, what happened to sharing? We’re good sharers.” 

Steve lets go of your hand. He’s reluctant, sure, but he doesn’t wanna be on anyone’s bad side. Noah cries for a few seconds like he’s forgotten why he’s upset, but he sees your open palm and the cog finishes turning. 

“Hold mommy’s hand,” you say, wiggling your fingers. 

Noah thinks about it. He ends up on his side across your leg staring at you, then at Steve, who smiles at him cheerfully. “He’s so handsome,” Steve says. “He has your face. Guess that’s why you’re so handsome, huh?” He shakes his head at Noah gently. “‘Cos you got all your good looks from your mommy.”

“He knows what that means,” you preen, leaning down to speak closer to Noah’s ear. “Don’t you? You’re my handsome boy.” 

Noah puts his hand in Steve’s with another tinkling laugh. 

“Oh! I see how it is, you wanna be Steve’s friend too. Can’t let me have anything for myself, can you?” 

“No,” Noah says cheekily. 

Steve collects Noah’s little hand in his. “Good!” he says. “You should get everything you want, just like mom.”

“Think so?” you ask. 

Steve nods. 

You cover Noah’s eyes with your hand and move up to press a quick kiss to Steve’s lips. “Like you?” you ask. 

Steve’s just stoked to have someone he likes actually like him back at the same level. Noah squirms away from your hand to squeeze Steve’s tighter. Two someones. 

“Like me,” he says, grinning. 

“Mommy, kiss!” Noah says urgently. “Kiss!” 

You pull your gaze from Steve’s. “Sorry, I’m sorry! Come here, baby, I’ll give you a kiss too. I guess I’m gonna be giving double the kisses I used to, my poor chapped lips.” You kiss kiss kiss Noah across the forehead. 

Steve flusters thinking about it, making a mental note to get you some chapstick. He’d go pretty crazy for a crown of kisses like that. 

[veliseraptor]

April Reading Recap

Stars of Chaos vol. 2 by Priest. I'm not quite grabbed by this one yet. I'm not not enjoying it, but the main relationship doesn't quite have me compelled, and the politics aren't quite sharp enough to get me either. I'm not totally sure I'll keep buying the published volumes, at least not at this time, and just read the rest online to see how I end up feeling about it as a whole before making the financial commitment.

Medea by Eilish Quin. Listen, I'm a Medea apologist, but I'm a Medea apologist who is very much of the "she absolutely did all the awful things she's accused of and she is valid" and the author here is going "she did all the awful things she's accused of but it's not as bad as you thought it was because she didn't mean it!" and I'm just. I'm not mad, just disappointed (again). I was so hoping for a book that would do something interesting with a Medea retelling but I probably should've known better than to think it'd be this one. Why, you may ask, do I keep reading myth retellings about my problematic faves when all I do is complain about them? Hope springs eternal, I guess.

She Who Became the Sun and He Who Drowned the World by Shelley Parker-Chan. Exceptional. Might be my favorite books I read in April. I'd already read She Who Became the Sun back when it was first published and knew I'd enjoyed it (was rereading to refresh my memory for the sequel), but I felt like I enjoyed it more the second time around, and I might've liked He Who Drowned the World even more than its predecessor. If you're looking for works of just-barely fantasy with delightfully fucked up queer characters, come get 'em here. I won't say most of them are happy (they're not) or that things end well (they don't), but boy is it good reading.

The Death of Jane Lawrence by Caitlin Starling. Decent horror but not particularly outstanding, in my opinion. I liked The Luminous Dead more.

Untethered Sky by Fonda Lee. I continue to struggle with novellas. This was a perfectly good novella but it felt like it could've been a stronger short story, which I guess is better than the other way I usually come out of novellas, which is "this was a fine novella but it should've been a novel."

The Mountain in the Sea by Ray Nayler. I really liked this. It has more of a thriller-ish edge than I expected, but for all that I think it's a thoughtful book with some interesting things to say, and I feel like it's one I want more people to read so I can talk to them about it. It's set in a sort-of spooky, near-future dystopia, but a lot of it is about, like, the nature of thought and consciousness. Anyway, I found myself compelled.

Islands of Abandonment: Nation Rebounding in the Post-Human Landscape by Cal Flyn. I found myself reading this thinking a lot about The World Without Us, a book I read many years ago and would kind of like to reread, and which I think I liked more than this (at least in my memory). I was hoping for more analysis than I got from this book, which was beautifully written but more nature/travel writing than science. One thing I did appreciate was the attention paid to the human cost of the "abandoned" places examined in this book - the pain that abandonment often signifies, and the trauma it indicates, in spite of the beauty that may come after.

Emperor of Rome: Ruling the Ancient Roman World by Mary Beard. I really liked the way that Beard chose to do this one - namely, taking it by theme rather than by emperor, and breaking down different areas of the emperor's life over time rather than trying to tell a linear narrative. It also let her do some of the better "skeptical" reading of sources that I've read in a popular book on ancient history, where she was actually digging into the "rather than what this says about what this person may or may not have actually done, what does it say about expectations, beliefs, and tropes that people had" kind of reading. And after some of the other popular histories of Rome I've read, thank god for that.

Metamorphoses by Ovid, trans. Stephanie McCarter. Continuing on with my "reading new translations (by women!) of classical epics" run (started with The Odyssey, The Iliad is on my list). It was fun to reread Ovid! As usual one of my favorite parts of this was reading the translator's note and introduction, and I wanted about 500% more of that through the text (tell me about the assonance you're preserving in the Latin!) but did get some of (thanks for the information on the penis/pubic hair puns!). Overall would recommend as a good translation of Ovid that very much does not flinch away from - and makes/keeps appropriately uncomfortable - the sexual assault.

Dark Rise by C.S. Pacat. Slightly more YA than I usually like, but I enjoyed it! I was a little :\ about it for a while, very much feeling the YA cliches of it all, but the late hour twist got me interested again, and I will be picking up the sequel. Did miss the full balls-to-the-wall iddy joy of Captive Prince, though, since I probably wouldn't have picked this book up without the author recognition.

Subversive Sequels in the Bible: How Biblical Stories Mine and Undermine Each Other by Judy Klitsner. I really liked this one, particularly for its commentary comparing and contrasting Eve, and the other women of Genesis, with later Biblical narratives. I don't know how much I buy all of her arguments when it comes to intentionality of all of the comparisons she's drawing, but it certainly makes interesting food for thought, and a good sampler for me of what literary-based Biblical scholarship can look like (and an indication that I'm interested in trying more of it).

Use of Weapons by Iain M. Banks. I read most of my way through this book continuing to really appreciate what Banks does with the Culture novels and planning to continue on reading the next one, but not enjoying this specific one as much as I did The Player of Games in particular, and then I got to the very end of it and went "hang on what the fuck???" but in a decidedly good way. And I'm still kind of thinking about That even though it's been a while, which I think is a positive. Anyway, I don't think I'd recommend this as a starting place for anyone to read the Culture novels, or as a must read, but it was on the upper end of a three star rating.

Juniper & Thorn by Ava Reid. I wanted this to be more gothic horror and less romance and it ended up being more romance and less gothic horror, was my feeling. Not necessarily the book's fault, but if anyone else is eyeing it wondering...now you know.

A Deadly Education by Naomi Novik. I really enjoyed this one! I was kind of skeptical going in - I'm not a big magic school person, as a rule, and the more I feel like something is hyped to me the more I tend to drag my heels about it - but Naomi Novik is really good at what she does and she clearly had a lot of fun here. It's tropey for sure, but I enjoy the narrative voice (very important, in a first person narration), and the action moves along with what I felt was pretty good momentum. The other thing I was worried about - that it'd feel too much like this was just ~commentary on/against Harry Potter~ without saying anything for itself - didn't materialize for me. I'm looking forward to reading the next ones.

The Monster Theory Reader ed. by Jeffrey Andrew Weinstock. I'm so rusty on my academic/theory reading and I felt it reading this collection, some of which was definitely better than others. Kristeva's essay on abjection was particularly rough as far as "I'm reading words and I know all the words but something about the order they're going in is just not making sense to me." Overall...it was a decent primer? There were a few very interesting essays in there; my favorite might've been the one on tanuki in modernizing Japan's folklore, but there were a couple on "monstrous" bodies that made me wish I had someone to discuss them with. That's probably my main problem reading academic works these days: I want a seminar to dissect them afterwards and I just don't have that.

The Sabbath: Its Meaning for Modern Man by Abraham Joshua Heschel. I'm trying to read something Jewish on Shabbat now and finally getting around to reading some Heschel after years of meaning to. I thought "oh, I'll start easy with something nice and short" - yeah, no, Heschel's got a very particular style of writing and there's a lot of theological depth packed into a very short volume. I'm looking forward to reading The Prophets, though.

The Husky and His White Cat Shizun vol. 5 by Rou Bao Bu Chi Rou. I think we're juuuuust about caught up now with the official translation to where I started reading the machine translation, so I'm very excited for (a) things I don't remember as well (b) reading it not in machine translation. Also looking forward to everything about what happened with Nangong Liu and Nangong Xu making more sense this time around, on account of not reading it machine translated, because I didn't follow it so well on my first read and I feel like I'm already doing better. (Though that could also be because it's a reread, no matter how different an experience of one.) Still feel real bad for Ye Wangxi, on so many levels. Mark that one down for 'characters I'd love to know more about what they're thinking.'

The Water Outlaws by S.L. Huang. I really enjoyed S.L. Huang's other work with the Cas Russell series, and I liked this book a little less than those. It felt like an almost winner, for me. Certainly I read through it quickly enough, and I can say I enjoyed it, but I'm not sure I'd give it an enthusiastic recommendation. It falls somewhere in the middle between "a fun action/adventure story" and "something I can sink my teeth into" in a way that didn't quite satisfy either itch. Still, it did make me curious about the source material, which is one of the Chinese classics (Water Margin) and I might go and find a place to read that, if I can; if I'd had that background going in I wonder if my experience of this work would've been more edifying.

--

I'm currently rereading A Memory Called Empire so I can (finally) read the sequel (A Desolation Called Peace); I also checked out from the library the next two Scholomance books so I'll be reading those. I'm going to try to throw some nonfiction somewhere in there (maybe The Genius of Birds by Jennifer Ackerman, which I also have out from the library, but maybe something else), but I've still got the sequel to The First Sister sitting on my shelf (also from the library).

Outside of that I've got no big reading plans - I'm working my way through some of the unreads on my own shelf (despite what it may look like, about the library books) and eyeing The Doors of Eden by Adrian Tchaikovsky or a reread of Foundryside by Robert Jackson Bennett so I can continue that series.

[whatwooshkai]

for the smoke & mirrors ask - have you had 16 yet?

"You do it! You're the leader!"

"I am not asking! Boulder, you ask."

"Okay-"

"Actually, nevermind. This is stupid. I'll just use my hoses-"

"No! You are not spraying me in the face again, you almost broke my optics-"

"Oh shut up, you were fine!"

"Barely!"

"Blades is correct, that level of pressure-"

"Stay out of this, Chase!"

"Seriously, guys, I don't mind asking-"

Cody sighs, lowering the lift all the way down before the rescue bots break out into an all out brawl. Five minutes of listening to them bicker and yet he still has no idea what they want.

"Hey guys!" he announces, and every helm snaps over. Cody is suddenly aware of the size difference. "Whatcha talkin' 'bout?"

The rescue bots' gazes flit between Cody and each other, seemingly having a silent conversation before Boulder pipes up and says, "We want you to wash our faces."

"Huh?"

"Our faces," Chase repeats. "We would like you to wash them."

"Yeah, I heard," Cody says, giving them a lopsided smile. "I just wanna know why."

"Well, back on Cybertron you'd have to go to a detailer to get your face properly cleaned," Blades explains. "Lots of small seams, big servos, it's not exactly easy to do it yourself. But we figured, since your servos are so small...?"

None of the rescue bots are looking at him. Boulder is very interested in their hands, Blades is scuffing his feet, Heatwave is tapping a beat on his arm that makes Chase's finials flick in time.

Oh my god. Are they... embarrassed?

Cody coughs into his fist to stifle a laugh. His dad says it all the time: "For a race of advanced alien robots, they're just as bad as us."

"I can wash your faces!" Cody assures them. "Frankie'll be here soon, and she'll be happy to help too!"

There's clear embarrassment radiating off the bots, but Cody decides not to let them stew in it and runs to the storage closet to grab the supplies, fumbling with his comm link at the same time.

"Hey, Frankie," he says, pressing his cheek to his shoulder as he puts the car soap in a bucket with some sponges and towels. "How far are you?"

"Walking in now," her voice crackles over the comm line. "Why?"

"The bots asked for their faces washed, so we're doing that," he explains, grabbing a second bucket.

"Why...?"

Cody shrugs, then realizes she can't see him. "Because they asked. Isn't that a good enough reason?"

Frankie sighs, but there's a smile in her voice. "I guess so. Coming down the lift now."

"Don't get off, we'll need some height." Cody carries his supplies out of the closet, past the bots who are currently greeting Frankie, up onto the lift beside her. He sets down their supplies and they divide them between each other, and Heatwave fills their buckets when prompted.

Boulder and Blades come forward first, sitting down and letting Frankie adjust the lift so they're at the perfect height.

Cody has been close to the rescue bots before. He sits on their shoulders, they carry him around in their hands, sometimes they sit him atop their helms! But he realizes that he's never been this close to their faces, and now he understands why they wanted this.

Boulder's faceplate isn't perfectly smooth, there are small grooves and seams and scratches and scuffs, there's little divots under their optics that almost look like tear ducts. Cody dips the sponge into the soapy water and starts on Boulder's cheek, but nearly drops it when the rumbling starts up.

Blades had slumped over immediately, leaning his chin onto the railing of the lift, and while Boulder was doing a better job of keeping themselves upright, twin rumbling rises from their chests, the unmistakable purr of an engine.

Frankie and Cody exchange looks, not wanting to ruin the moment. Like cats! Frankie signs excitedly, and Cody can't help but grin, because they are.

There's a shocking amount of dirt on Boulder's face, so it takes almost two hours to get the towel to come out clean when he wipes it across their cheek. Blades has fully fallen asleep.

Heatwave's tapping his arm impatiently while Chase has busied himself with a book, but his tapping foot is giving him away as well.

"All done!" Cody announces, clapping his hands together, and Boulder blinks sleepily, before giving him a big smile.

"Thank you!" they say brightly, standing up shakily and picking up Blades with them, making room for the other two.

Chase takes a spot in front of Frankie as Heatwave sits in front of Cody. He leans onto his hands to brings his face close enough for Cody to reach it.

Heatwave looks exhausted already, and far worse for wear than Boulder did. It almost seems like there's dark circles under his optics, there's dirt crusted into the scar on his cheek and in the seams of his jaw, and there's a dent just below his left optic.

He's asleep in minutes.

All four rescue bots' engines purr in time.

[deeply-unserious-fellow]

This shot is going to haunt me for at LEAST the next couple months. Like. It's driving me insane. And it's all because of one stupid, tiny detail.

The blood drips on Vox's mouth

Now, there are 3 reasons this is bothering me so much. 1 is obviously the fact that THEY ARE ON THE WRONG SIDE OF HIS MOUTH, 2 is that there's no real reason the blood drips would be appearing in this moment, and 3 is that this is part of a sequence where VAL AND ANGEL ALSO BOTH HAVE PINK LIQUID DRIPPING FROM THEIR MOUTHS.

Now, there are possible, very reasonable explanations for the blood drips(which I feel the need to clarify have been CONSISTENTLY on the left side of his mouth in every shot except for like one other): it could be an animation error, simple as that. It could also be that they just switched the sides so the blood drips would be more noticeable, but I'm not really sure why they would do that? Because A, I edited the screenshot so that the blood drips are in their normal position and it literally looks fine

And B, why would it be extra important for us to know the drips are THERE unless they have some kind of significance in the context of Poison? Every detail in an animated show is deliberate because each panel literally has to be drawn out. If they flipped Vox's blood drips to the other side in this scene in order to draw attention to it, then there's a REASON behind it, there is something important going on here.

I think it's also important to acknowledge the only OTHER time Vox's blood drips have been on the right, this shot in the finale:

Though in this shot there's also an extra drip on the left, and the two on the right are both different sizes, which. Isn't how they normally look. The drips in this frame just overall look a lot more natural then the usual ones? Which I haven't added a picture of yet but they look like this

Two, same sized red stripes on the left side of his mouth. Anyways those are the only two times they look different, and the two moments have literally nothing in common so I can't figure out why they would be different THERE. The best explanation I can think of for the one from the finale is that a story board artist made an artistic choice(hence the drips looking significantly more natural, mor like Alastor's at the end of Stayed Gone), and then it never got changed or corrected or whatever because the frame where his face is right up in the camera last for like a split second. But Idk. That explanation doesn't really apply to the Poison shot because they look EXACTLY the same aside from being on the wrong side and the Poison shot lasts a lot longer than the close up in the finale does.

I would also like to point out that the drips switching sides is NOT a Val make out session exclusive, because when they're making out in the finale, the drips are still on the left. Like you can see the right side of his mouth in this shot and it's completely drip free.

That was a LOT of text for just one section but ONTO REASON NUMBER 2!!!!!! There is no reason Vox would be doing the fucking mouth bleeding thing in that scene.

Those blood drips only appear on Vox's mouth when he's really, REALLY worked up. The times we see them he's typically REALLY angry or REALLY excited. Like, emotions that would typically cause an adrenaline rush. And there's no real reason he would be having an adrenaline rush in this scene? Like unless wanting to make out with someone real real bad gives you an adrenaline rush I wouldn't know I'm ace. But even if that IS the case, shouldn't the drips disappear after Angel interupts them?

There's no energy in his expression when he looks at Angel, no real evidence that he's feeling anything beyond "ugh this guy again". No reason he would still have the drips. And it's not even really an animation thing, because there was plenty of time to get the drips to subtly go away in this shot. But no. They stay for the whole time. Also, while looking through GIFs to find one of this scene, I noticed that Vox literally NEVER has the blood drips when he's frowning. There a couple shots where it would make sense for the drips to appear(like when he calls Adam a pussy for not killing Al), but they don't, and in all of those shots he's frowning. So for this to be the ONLY TIME the blood drips don't dissappear when he stops smiling? Idk seems kinda sus.

Now. The final, and possibly most concerning reason this scene won't leave me the fuck alone: Angel and Val are drooling to.

(IM SO SORRY FOR THE HORRIBLE QUALITY I HAD TO GET THE SCREENSHOT FROM A LOW QUALITY REPOST OF THE MUSIC VIDEO OFF OF YOUTUBE-)

It's really, really subtle, like to the point where I didn't actually notice it until I saw somebody else point it out, but in the scene where Angel is breaking down after all the SHIT Val put him through over the course of the Poison music video, he has a little bit of neon pink coming out of his mouth. He then wipes it away, looks at his hand, and turns to look at Vox & Val.

And Val has it to. All three of them have the same bright pink dripping from their mouths. And granted, Vox & Val are in a very limited color pallette, and the red in Vox's design got swapped for that same bright pink, and his drips are usually the same red as his eyes, but the fact that it's the same color as the spit(?) coming out of Angel & Val's mouths should at least be a little noteworthy, right?

ALSO!!!!!!! I literally just now put this together- the pink substance is coming off of the right side of Vox and Angel's mouths, but the left side of Val's. It's a small detail, but given that the main reason this scene is driving me up the goddamn walls is that Vox's drips are ON THE WRONG SIDE OF HIS MOUTH, there's gotta be something to it.

Anyways, these points have all been driven into the ground already. Everybody and their mother have been taking this scene and analyzing it, saying the same shit I just did in a bunch of different ways. I'm rehashing all of this because it's relevant to the conversation, but at this point it's kinda like just pointing out the obvious. BUT! I do want to try bringing something new to the table, something that might ALSO explain why Vox's drips are on the wrong side(again, same side as Angel's), so bear with me here:

I've pointed this out before, but Poison is a pseudo dream sequence. It's constantly cutting back and forth between Angel living it up vs him suffering extensively. This is the most obvious during the dance sequence with the giant blue screens(which I cannot provide a GIF of bcuz I have already reached the image limit for this post-). The very obvious dichotomy is meant to show us how Angel uses his mask to cope with the constant abuse, he literally says he's dissociating in the song, but it ALSO means that a lot of the stuff we're seeing in this sequence isn't literal. The scene with Vox and Val might be part of that.

Vox and Val are in a very different color pallette from everything surrounding them. They're both colored in dark blues and neon pink, purple & blue. The demon beside them, however, is not. That demon is colored more naturally. And while, from a technical stand point, I think it's mostly just to make sure Vox & Val pop and are the center of our attention, it could ALSO mean that this is specifically a part of Angel's dream sequence. It's how Angel sees them. And Vox's drips are on the wrong side.

Now, I don't wanna say that this means Angel feels that Vox is in a similar situation to him, because it feels. Weird. But then again, this shot is the only thing we have on Angel's view of Vox! We know plenty about how Vox views Angel, it's not like. Specific. It's just pretty obvious that Vox Does Not Like Him. But we have nothing concrete on Angel's view of Vox(or Velvette for that matter but that's not relevant rn). Which is interesting, because Angel DEFINITELY has oppinions on him. Vox is dating Valentino, Angel's abuser, and never does anything to stop the abuse. That's gotta lead to some built up resentment, y'know? But all we have right now to show us Angel's view of Vox is something that, if you look deep enough, seems to imply he feels more empathetic towards the guy then anything else? Again, Vox and Angel's pink drips are on the right. Valentino's pink drips are on the left. Vox's blood drips are almost always on the left. But they aren't here. They're on the same side as Angel's. You see what I'm getting at here? Wether Angel is RIGHT about Vox being "on the same side" as he is remains to be determined, but still.

Anyways, I could just be over thinking this. I have a long, storied history of taking small details that are probably just mistakes and blowing them completely out of proportion. Ask literally any of my friends abour Bird Teeth and they will confirm. Plus, I'm probably gonna end up over thinking this shit for all of May and completely change my mind on what the reversed blood drips mean, I have a tendency to do that. But for now this is my theory; the reason Vox's blood drips are on the wrong side of his mouth in Poison is because Angel views Vox as being in a similar situation with Valentino to the one he himself is in. Not the exact same, but similar enough to warrant sympathy at the very least.

[teddybeartoji]

CHALLENGERS (2024)

i've been racking my brain for quite some time now to come up with a way to really express how i feel about this film - and i think the best way to do it is just to say that it truly made me want to get into filmmaking. and that it made me feel so fucking alive. it felt like a different type of oxygen. like crack or something. this is obviously going to be a ramblepost so i apologize if it's super fucking messy. also big spoilers will come with a warning so don't worry abt that. i am going insane.

+ btw here's the trailer if u don't know anything abt this hehehehe

anywayy i've never sat through a WHOLE film with a smile on my face bc i was just so fucking excited. elated is a really good word here i think. all of the following thoughts and words are in fact coming from my lower tummy bc no other film has turned me on so much as this did. it's not about sex btw.

luca guadagnino understands. he really fucking does. this guy is everything i want to be. it's all about the intimacy and the closeness. the sweat. the colors. the eyes. the dialogue. the camerawork. the build-up. staging and blocking. lighting. it is about sex but not in the way that you think. forget about porn and smut and whatever the fuck you think sex is. it's about watching and observing. taking everything in. it's about your heartbeat. the warm and fuzzy feeling in your stomach. a tightening knot. want and desire. anger. the rawness of it all. just the way things should be. forget about quickies and think about your best friend thinking about your lover. it's hot, right? it's about the rush. it's about sharing and not sharing. it's about greed and envy. think about sore muscles - how good they feel. think about flashing lights and thrumming bass in your ears. it's about music that makes you feel alive. it's about nudity, it's about power. humility and the absolute lack of it. it's about real humans, real people. eroticism. kissing. disgust. need. spit and saliva. tongues dancing together. muscles. skin on skin. laughter. love and something that's very akin to it but not quite the same. extreme close-ups and moments in slow motion, followed by fast-paced cuts and scenes. slapping. teasing and bickering. it's about everything i could possibly want in this fucking life and luca just handed it all to me on a silver platter.

i'm trying so hard to make this as coherent as possible lmao please bear with me i quite literally shed a couple of tears just from the overwhelming feeling this film gave me.

the casual intimacy is insane in this. one really specific thing made me absolutely lose it - there are TWO scenes where art spits out his gum into people's hands. the first is with tashi and the second time it's with patrick - both times they stand so close together that they're almost brushing against each other and they keep eye contact. there's zero disgust, there's no ew you just spit your gum into my hand. they ask for it. both times, patrick and tashi, hold out their palms for art to do it, and they do it without a word. no please or spit it out. i loved it so fucking much i wish i was better with words bc this genuinely had such a big effect on me. this type of intimacy is so important to me. it feels so real.

the dialogue was fucking great. i feel like the script is often where i might get The Ick bc i just hate when it's just so clear that it was written down without a second thought abt whether or not people actually talk like that (ok this actually might just be a problem with every single film my country makes but still). this felt good!!!!! they talk over people, they talk about small irrelevant things. they repeat what they said, they giggle, they laugh - again, it just felt so real and i loved it.

also. men in shorts. sweaty men in shorts. with shirts and without shirts. biceps. more sweat. muscles. we need more of that in life actually. i think men should wear shorter shorts and they should bend over more. ALSO MIDRIFF. SHIRTS RISING UP JUST A LITTLE, GIVING US A GLORIOUS PEEK OF WHAT'S UNDERNEATH. WHEN I TELL YOU THAT LUCA UNDERSTANDS I FUCKING MEAN THAT SHIT.

THE SOUNDTRAAAACKKKKKK RRRRRAAAAHHHHHHH EVERYBODY SAY THANK YOU TRENT REZNOR AND ATTICUS ROSS WE LOVE YOU TRENT REZNOR AND ATTICUS ROSS!!!!!!!!!!!! i mean it's obviously not a surprise that the score slaps so hard bc well... these guys have yet to make a bad score lmao. but this one is genuinely one of my favourite scores i think. super fast paced, exhilarating - it suits the film so fucking good holy shit. fuck it i'll give you a few songs:

challengers: match point + yeah 10x + pull over +

the cast was incredible. and also very hot. i think they were all so fucking perfect and i have literally zerooo complaints abt them i loved them so much. but if i had to pick a favourite performance... it's josh o'connor as patrick zweig. fuuuuckkkk, man. ok maybe i'm a bit biased here i do wanna kinda eat him buTTTTTTT HE'S AN AMAZING ACTOR OKAY. i loved his character soooooo fucking much and i think he did such a good job at portraying this little silly fucked up guy. the way he looks at art, the way he acts around art...

here are two crazy fucking examples for you the churro + the chair uhhhhhhh i am very unwell abt them actually what the fuuuuckkkkk

oke but yeah i just might be really down bad bc i really do love overly cocky assholes with beautiful big smiles okay don't judge me

THE VISUALSSSSS OH MY FUCKING GODD THE COLORSSS!!!!!!!! IT WAS SOOOOOOOOOOOO BRIGHT AND PRETTY AND FUN AND ALIVEEEEEEEEEEEEEEEEEEEEE EVERYBODY CHEEERRSSS!!!!!!!!! it's such a big problem nowdays that all of the films are so fucking dark like bro where's the sun...... dark and just very dull you know??? and i hate it i hate it so much. this was great though. again - super birhgt and colorful, luca plays with the light like a god and he's really making me believe that the cinema is truly backk!!!!!!!!!!!!!!!!!!

they also mentioned spider-verse!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! i <3 luca fr

okay i think this covers most of it. i think. i have already decided that i'm gonna go and see it again next week so i'm sure that i'll be returning to this post!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! i hope you can all feel my love for this wonderful piece of art and i hope that you all will go and watch it aswell!!!!!!!!!!!!!!!!!!!1 ily thank you for reading<333333

[b0ylik3r]

I dont wanna get myself involved in any more ZADR discourse, but I also don't want misinfo to spread around and people to get discouraged or anything like I had been for a while. So I'm going to say this: Zim in Invader Zim is most likely a child.

There are a plethora of reasons I think this, but if you don't care then scroll. I'm going to provide my reasoning under the cut.

My first reason is that from a writing standpoint, there is absolutely nothing appealing about the dynamic between Dib and Zim if Zim is an adult. What would or do you find enjoyment out of their dynamic if they are not meant to be foils of one another like the show HEAVILY implies them to be NUMEROUS TIMES? If Zim is a child, their dynamic becomes "2 children want parental approval and go against each other for it, when in reality the approval and love they seek is unattainable because the parental figures will never give them it. They would be better off being friends or allies, but instead keep fighting to be loved because they're dumb kids and don't realize that it's fruitless and dumb". If Zim is an adult, their dynamic becomes "Immature man cannot beat child". What is to be enjoyed or explored there?

My second reason is that Zim acts like a child in a multitude of different ways. His interactions with The Tallest, his general immaturity, and even how he surrounds himself. He goes to school. He has made himself robot parents to support that idea. He needs different disguises to act like an adult. Again, from a writing standpoint, if he was an adult infiltrating a school building and pretending to be a kid, that's just fucking weird. I don't think Jhonen is that type of person. I don't think the writers are that type of people.

Also on this subject is the episode Tak: The Hideous New Girl. At the point of the episode, Zim was trying to impress and "crush on" and be the boyfriend of this middle school girl. It doesn't matter if Tak was actually irken. It doesn't matter if she is the same age as him actually. It doesn't change that Zim was trying to get into a human relationship with what he thought was a middle school girl. If he is an adult, that's pretty fucking weird. Again, I don't think Jhonen is that type of person and I don't think the writers are that type of people.

The "flying ships before you were born" only proves that on Irk, he was an adult or at least the age that would permit him to fly ships. Calendars are manmade, why would irkens use the same years? Zim's age could also easily translate into human years into the late tween years. We also have to think logically about things.

Also, I sometimes feel like people are forgetting that Irk is a dystopian society. They are a hyper-militarized alien race that codes people's brains on the daily and does not wait for the children to grow up even a little before they start military training (or, at least training for military training). What morals prevent them from using child labor or child soldiers? We also have to remember that in accordance to The Trial, Zim was a smeet or older allowed into violent chemicals and resources that can kill, like it did Tallest Miyuki and Tallest Spork. That, in a way, proves that Irkens are not above dangerous child labor.

One other argument I have is that in Enter The Florpus, during the species change clip, Zim, Dib and Gaz switch species. The thing is, Dib and Gaz look the same as Zim in this clip. They don't become little smeets, they don't become tiny kids. They become Zim's age. Zim also does not become an old man in this clip. He stays the same as Dib and Gaz. Being that these are their canon human/irken translations, I don't see how someone could still defend this.

You could take all of this and say "Okay, but ZADR is still proship because they are abusive to each other so why are you so pressed". But like I said in a previous post, there is a major difference between "haha 2 people fight each other n get hurt haha" and "this adult man is grooming this child sexually". That's not funny. That isn't cartoony. That is a fully serious topic taken seriously in every single media that it is represented in. Cartoony unserious fighting has been a staple for years in animation and media. Grooming is not cartoony. That is why so many people have a problem with it. Some people don't enjoy shipping things that are seriously fucked up in the real world like that, or shipping proships.

This all started because of one singular tweet Jhonen made that you all believed. I bet if he tweeted "guys invader zim didnt actually happen and dib was hallucinating the whole time, lmao dream theory is canon", some of you would believe it.

I leave you off with this: "If it looks, sounds & acts like a kid, it's a kid, no matter if it's actually 1000 years old or not."

[somegrumpynerd]

How absolutely wild must it have been for Nightmare to have like, minimum-to-no contact with mortals for hundreds of years and then the first two he has any regular close interactions with are Killer and Dust.

Like he must have a book in his castle somewhere of all the observations he kept like he was studying a new species

[chloecherrysip]

Mario watching his and Luigi's commercial in Punch-Out Pizzeria

[thats-a-lot-of-cortisol]

I know this has been ragged on a million times but I gotta

[systemofshadow]

any other systems / collectives / etc have alters / facets / headmates / etc who come out literally Just to do a bit. like the commitment to the bit is what they're here for

[dustgeonmeshi]

i respect people who like to see izutsumi as chilchuck's straight up adopted daughter post-canon but personally i like to see it a bit differently. like the fatherdaughterism is THERE but it remains unspoken forever. she does her own things and probably wouldn't confine herself to one spot. im sure she bounces around between all the main party members, whenever she's not on her own adventures. i find it more interesting to see their relationship as like...coming and going. she shows up at chilchuck's house or his shop at random, and stays for days at a time, and after a while they're able to fall into a routine as if it's second nature. they don't even talk all that much. their silences are comfortable. when she takes off again, he doesn't say anything sappy. he says something like "don't go eating a bunch of junk." or "don't go out of your depth and get yourself killed. this isn't the dungeon, you won't be resurrected." she hardly responds and leaves. she'll return again, maybe weeks or months later, and she'll stay for either a few hours or for a few days. and he'll appreciate the company without ever really saying it. and so it goes on

[tojisun]

!! nsfw; poly 141 ; sexting; fem reader

price gets a video, a measly six-second thing, from ghost.

he's used to getting all sorts of messages from his lieutenant, but a video has never been a part of them.

it was always soap who sends them videos upon videos—saved videos of things that make him lose his shit or links that are his new turn-ons. price even gets personal messages from the fella; sometimes it's his sergeant venting in lilted scottish, sent to price's personal number on a drunken whim, and sometimes they're videos of him pleading.

"sir, please... wanna cum."

kyle is still getting used to the dynamic. he's still a little shy, hesitant, although he seemed to be getting more bold in text. more pushy. descriptive.

then there's ghost. he is a whole different beast from the other two because instead of begging, instead of putting price above his own pleasure, he backs the captain into a corner, pushing him close to the edge with little taunts and teases.

price remembers the first time ghost has done it. he sent the captain a picture of a lacey panties hanging off of ghost's jean pockets, the rouge of the soft material drawing price's eyes to the distinct tent in his lieutenant's pants, leaving his throat dry. he remembers fisting his own cock at the image, mind running because of ghost's anecdote—

"you would like her."

john had never cum so fast when masturbating, and yet there he was, twitching on his office chair, chest heaving as ragged rasps of breaths passed through his clenched teeth.

"your girlfriend's got a good taste," price had messaged back.

"and me?" was what ghost replied with.

"you already know," price sent. then, "you always know how to make your captain proud."

that correspondence might have been what pushed ghost to keep sending more messages. more taunts. more teasing images that had price rubbing himself in any smidgen of a private corner he could find because simon was never one to disappoint.

so this video had set john's blood on fire, heat scorching from his spine and pooling towards his twitching cock. hairline fractures fill the sides of his phone's screen, leaving rainbow lines filing his eyes at every reflection of the light.

ghost had always liked to share you to him. price knew for a fact that simon had never sent pictures of you to the others—"need your permission first, sir."—but he also thought that simon had drawn the line there. that while he was eager to share snapshots of your pretty little lingeries or the way you marked up simon's tanned skin with deep punctures of what john knows must be straight teeth, simon was not going to indulge john any more.

and yet.

he feels his lungs burn. trembling fingers reach to play the video.

the sound of your squealed moans bouncing against the walls was what he registers first. ghost has you on your knees, and john traces the way simon's got a chokehold on the back of your neck. john watches as ghost uses it as a leverage, tugging you back to his cock—his pelvis is pressed flush against the fat of your ass, and price feels his gums throb with the need to sink his teeth into your flesh at seeing the ripples of your fat bunch up against the bulk of simon's muscles.

"si! si!" you sobbed, muffled as you have your head burrowed into the pillows. your hands are useless by your sides, limp and incapable of even fisting the sheets.

"s'right," simon's voice echoed from behind the screen. "show cap'n how you love moanin' my name."

simon's mention of john has him jolting, his breaths stuttering once again.

he thought this little thing they have was a secret. a dirty, little, desperate secret that only he and ghost had the privilege of knowing. the immorality of it had always pushed john to his orgasm faster than his every rub, and he thought that it would all change the moment you know.

but this is a better treat.

it's a feast.

because john sees it for what it is—a promise.

the video ends, reminding john how short it really was. but he is addicted, unable to let go now that he's been given a taste of what will be.

the next time he replays the video, he's got his erect cock in his hand.

he snaps a picture of his cum-filled palm and sends it to simon. he writes, "show her what she does to me."

it takes twenty-three seconds for simon's reply to come in. it isn't a message but a voicenote—"am i a good girl, cap'n?"

"yeah," john records himself say. "so, so good f'r us, doll."

—

sorta pt 02

[fordaryl]

REMEMBER.

minors dni. 2.6k words. smut. daryl dixon x fem!reader. protective daryl. hint of size kink. strength kink.

It's easy to forget his strength when his touch is always so gentle. When you're safe, he lets you forget everything he's capable of; the reason you've both made it this long.

Safety lets you forget.

And then—when it inevitably all it all goes to shit again—you remember.

"Get in!" he calls through the wall of bodies separating you. He keeps the attention of most of them, but there's a few stumbling in your direction—too many for you to handle alone. "Now!" he shouts as he takes another growling walker down.

It goes against every instinct you have—to leave him to fight this alone. But this was his domain. This was when you did whatever the fuck he told you to do. It was how you survived.

You drag the door of the container open, grunting as the heavy metal fights back. It's a makeshift prison cell, one that was supposed to be filled with live bait for the walkers. It would be if it weren't for Daryl. He was almost single-handedly dismantling whatever fucked up enterprise you'd both stumbled upon.

One of them reaches you before you'd manage to push the gate open enough to slip through.

One is fine. You can handle one.

Turning around to deal with it gives you a split second to check in on Daryl. He's making a dent in the mass of bodies, but it's not enough. Not with the shouts of the living making their way closer.

You kick the walker you've knifed back into the mass of bodies approaching, giving you just enough time to slip through the crack you've made in the sliding door and slam it closed behind you.

Locking it is another story.

You have no hope of accomplishing that.

Still, it's enough for now. It's enough to let Daryl keep his focus where it needs to be as you deal with as many as you can through the bars.

Then one gets shot down. Daryl, is your first thought. But then two are shot down at once. And then the voices reach your ears. Voices are bad. Walkers you can handle. The living was another story. Nothing stoked the fear constantly simmers in your gut like the voices of the living.

They shout over each other, calling directions as they pick off the mass with a spray of bullets. You can't see Daryl anymore. He's either dead or hiding.

Hiding. Hiding. Hiding.

You shift back into one of the dark corners of the container as the shouts draw nearer.

“What the fuck happened?! Don't shoot them you dumb fucks! Get any you can back into holding!”

Any second now... any second they'd find Daryl and your world would end. The living were different. The living were monsters of a different kind.

"They're bunched up around this one!" someone shouts.

You hold your breath.

"Well check it out then!" another demands.

Oh, fuck. You grip your pistol. Your aim was decent. You could take one out, maybe two. But there's a whole group... and they were coming for you.

You scramble to the other far corner as the last of the walkers are cleared from the entrance, hoping to take advantage of the darkest shadows. Daryl would be watching... waiting. Any extra moment you could give him could be vital.

"You better come out now," a man calls from outside. He's just out of your sights, prepared for you to be armed and ready to fight. You'd hoped to have the element of surprise. "I ain't asking."

You know what'll happened when they find you. It's the same thing each time. You're prey to people like these—something to hunt in a world without consequences for that kind of thing.

Your silence buys you less than a minute before the first of them are dragging the metal gate open. If you shoot, they'll shoot back. It's not something you'll survive cornered like this. So you bet on them being the same as the rest. You let them know you're prey.

"Please," you call, as meek and afraid as you can manage—vulnerable. Not a threat. "I'm—I'm unarmed."

Then a bright light blinds you.

"What the fuck?" one of them exclaims. Then, "Where'd the fuck this little thing come from?"

There it was. Little. Thing. You were nothing. You're not a threat. You'd bought Daryl more time.

"Come on out, girl. Come on." They call you like you're a dog, something less than human. That's how they see you. Something to use.

You take a small step forward, still blinded by their flashlights. Daryl was alive. He was alive and hiding and he was waiting for something.

You just had to stay alive.

"What do you... want with me?" you ask, still taking tiny steps towards the light. Weak. Vulnerable. No threat.

You get muffled laughter in response. Guards down. Distracted.

"What do we want? We want a little fun, honey. That's all. Just a bit of fun."

They're flash lights drop as you approach the entrance. They've pulled the gate all the way across.

Five. You count five. If you kill two...

"Why is she alone?" one of them questions. He's younger, a little less distracted.

The rest ignore him. Then one of them has you by the arm, dragging you the rest of the way out of the makeshift cell. They're hands send a wave of repulsion through your body as they grab at you, pulling you around and shoving you in front of them. They may as well be the undead the way their touch feels against your skin.

The young one doesn't move out of the way when you reach him. Instead he stares into you, suspicious and angry. "Who are you with?" he asks. Even then, his gun is lowered. Even to him you aren't a threat.

"Get the fuck out of the way," the man gripping your arm says, clearly irritated and impatient.

"But—"

"Now."

His eyes narrow, but then he steps aside—his back pressed to the wall to let the rest of the men past. It's now that you get a look down into the pit of walkers, the one's they've managed to recapture rather than take out. They reach up towards you, hands grabbing for you.

Then, only a few steps later—you're stopped. The man with his hand wrapped around your elbow leans over your shoulder, his rancid breath invading your nostrils as he speaks. "You alone?" he asks. "You tell me right now."

You blink away the burn threatening to pool tears in your eyes. Were you alone? If you were...

The man's grip tightens, the only warning you get before you're forced to your knees and staring down into the pit of hungry walkers. "Speak," he demands, nails carving into your skin. "I'd hate to waste you like this."

There's two other men behind you. Three surrounding you in total. You could take one out for sure. They hadn't even searched you for weapons. They expected nothing out of you at all.

But then there'd be two, only counting the ones in reaching distance. How long would it take the other two further away to aim their guns in your direction?

You were dying tonight if Daryl was dead, that was certain. Your only hope was that he was waiting and watching... but what would he be waiting for...

Your pistol sits at your hip, a comfortable weight.

You take a deep breath. You could wait to die. Or fight now and hope that's the moment he's waiting for... if he's waiting at all.

The man holding you drops to one knee behind you. He leans over to speak in your ear. You wouldn't need to rely on your aim for the first kill, only any that followed. It was a headstart you weren't likely to get again. You reach for your pistol and before the man can open his lips and taint your senses with his rot once more, you shoot him through the underside of his jaw.

Your ears ring as his body drops. But you were ready. The men behind you aren't.

You were nothing. Prey.

The few seconds that affords you are priceless. You manage to shoot one more through the head before he can get hands on his own weapon.

The third is another story. His gun is pointed at you for what must be milliseconds. They drag though, those moments with an enemy weapon pointed at your head always do.

But then Daryl is there, strangling the man with a rifle and shoving his body into the ground with a force that reverberates through the metal. It's only when he snaps the man's neck you spot the bodies behind him.

He'd been waiting for you.

You watch him stand, hair hanging in his face and his chest rising and falling with his deep breaths.

Then his eyes are on you.

Then his hands.

Those hands... the same ones he'd used seconds earlier to break a man's neck. His fingers are feathers across your skin as he brushes the hair back off your face. "Okay?" he asks, soft and a little shaky.

You nod.

"You did good," he says, that deep gravel back in his voice. "So good, sweetheart." His hand makes a trail down to your neck, gentle and slow over your pulse point to rest at your clavicle. "We gotta go," he says. "Stay close for me, yeah?"

—————

The first time after is always the same—after you're forced to remember. It adds something to the way his gentle hands feel as he reaches over your hips to dip between your legs. To the way his body feels pressed up behind yours.

His thick fingers slip between your slick folds as he holds you tight against his chest. Heat. It's an overwhelming heat. He crowds you, practically curled around you.

"You like that sweetheart?" His voice is almost sweet as his lips graze your ears and his long hair tickles your skin. "Huh? You like that?"

You nod with a small whine, pressing your hips back into him—desperate.

He sighs, finger prodding over and over at your swollen entrance—a teasing little hint of what's to come. He dips in slightly, his calloused fingertip pressing into your slippery, spongy entrance just enough to have you whimpering his name.

"Fuck," he grunts. "You need me here? Huh? You all fuckin' empty?"

"Yeah," you whine with a desperate nod. "Empty."

His grip around your ribs tightens for a moment before he's pressing you into the ground—cushioned by the few blankets you carry. He's rolled you onto your belly as he covers you completely, his warmth seeping into your skin from his calves to his hot breath on your neck.

"What do you need?" he asks. As if he doesn't know; as if he didn't always know.

"You."

"Hm?" he hums, sweet and coaxing. "How?"

You reach blindly to find his wrist, gripping it firmly. "Hold me tight," you gasp between jagged breaths. "Please... Please."

His weight is heavy over you as he drops his lips to your neck, a silent acknowledgement of your pleas.

Then he's scooping you up, lifting you and rearranging you exactly the way you want him to. Because he fucking knows.

He has you pressed to his chest with your tits against his skin as he lays back into the makeshift bed you've created for the night. His arms wrap around you, one across your shoulder blades and the other around your waist—secure and firm. His fingers press sporadically into your skin a little more than needed, like he's testing his grip on you; like he's testing he has you in his arms good and tight.

Then he hooks one leg under yours, a gentle guide to part your legs just the way he needs.

"You ready for me, sweetheart?" he breathes against your temple as one of his hands leaves you. It's temporary, you remind yourself. He'd be wrapping you up securely as soon as he'd buried himself deep; once his cock was guided safely into your throbbing cunt.

You nip at his neck in response, chasing with a delicate lick at his salty skin. "Please," you ask softly.

Then he's adjusting you against him a little, ensuring you're exactly where he needs you to be. "I got you," he says as his leaking tip prods at your entrance. "Got you," he repeats. He mumbles this way as he teases; as he plays. This was what he did: pushed you to the brink of desperate sobs as he guides his cockhead over your slippery, throbbing cunt... over and over.... and over...

Saying he liked you needy was an understatement.

Then, eventually, he slips inside. Just the tip.. and not far. Just enough so that he can wrap his arms around you again. Just enough that he can have you whimpering his name as he prevents you grinding down to take him deep inside.

This is when he gives you a hint of his strength. It's easy to keep you from your goal, his strong arms pressing you into his torso a little harder each time you attempt to resist.

He keeps you there, just with a taste of that fullness—a taste of having him as close as it was possible to be. "Kiss," he says, simple and a little croaky.

You obey, pressing your desperation between his lips. It's messy and interrupted by moments where you simply need to breathe, heavily—his lips chasing yours as you attempt to catch your breath.

"Daryl," you gasp eventually. "Now. Please."

His grip around you tightens a little as you drop your face to his neck.

Then he pulls you down to meet his cock, to fuck himself deep. It's hard, exactly like you need it—exactly the way he knows you want it. You bite into his neck weakly as he keeps you there, stuffed full—the thick throbbing length of him stretching you out so completely.

Then, "Like that?" he asks, that sweetness back in his voice—like he's offering you a gentle back massage instead of holding you down on his cock.

You nod weakly in response.

His fingers press into your skin moments before he's moving, fucking himself with your cunt as he pulls you down to meet his messy thrusts. You're completely pliant like this, all control relinquished.

He's got you.

His breathing is quickly transformed into uneven pants as he attempts to grunt broken sentences into your ear. "Sucking me in... sucking at my cock with your messy little cunt... aren't you, baby? Hm?"

One of his hands moves to your hair occasionally, a temporary and seemingly subconscious attempt to get a better grip—or just to hold you closer. His fingers tangle in the strands, never tugging hard—never hurting.

"My girl," he grunts. "My needy little girl."

It's only when he's nearing his end that he flips you onto your back and you get a real display. He grips your hips and tugs you down to meet him as he uses you, each thrust a slapping of skin and punching a helpless sound from your lungs.

Strength. Everything you've been forced to remember.

"Daryl," you gasp. "Daryl, fill me. Please."

His fingers dig a little more into your skin, his hair falling over his eyes. Then his lips part, a grunt... a broken, "Fuck."

He falls over you as he floods you, his cock twitching and pumping you full—just like you asked. But even then, even as he loses himself, he catches his fall—arms landing either side of your head to cage you in. "Got you," he gasps out between desperate lung fulls of air. "I got you."

[whateveriwant]

The 141 in a reverse harem

18+ content, GN!Reader, Reader is the ruler of an ancient kingdom

Soap

The moment you step into their communal quarters, Soap is always the first one to greet you, almost Iike he was sitting right beside the door

But nooooo, don't be silly. Of course he's not been impatiently waiting since your last visit. Though, you were 28 and ¾ minutes later than normal, not that he's been counting or anything

As you walk around their dwelling deciding on who to take back to your chambers for the night, he's following closely behind like a little horny whiny puppy

More than once, he's accidentally stepped on your robes because of just how close he likes to trail after you

Oh, but he's so terribly sorry! Here, let him make it up to you! Please, please let him make it up to you!

Because he tries to hog the limited time you spend with the men, it's earned him more than a few elbows to the ribs from his biggest “rival” in the group: Gaz. And speaking of which…

Gaz

Always trailing a little less desperately closely behind is the newest member of the harem: Gaz

Though he may be the youngest of the four, that doesn't mean he's any less experienced in these types of matters (and the young ones are always the most eager to please, aren't they)

Have you had a good day, darling? He knows you're very busy running a kingdom and all, so he for one is grateful you've taken time out of your hectic schedule to visit them

Oh, but your shoulders look so tense, darling! He can rub them for you if you'd like

And your poor feet! Those sandals of yours look awfully uncomfortable. Why doesn't he head back with you so he can show your full body the love it deserves

While he and Soap can't help but bicker when it comes to vying for your attention, on the rare occasion, the two have been able to put aside their differences and work together, if you know what I mean

Price

Unlike the two younger men, Price feels no need to fight for your time

No, he knows you'll eventually make your way over to him, swaying your hips in that way that makes him salivate like a dog

As the oldest and the longest resident of the group, he's become somewhat of a right hand of yours; almost like a concubine turned consultant, if you will

While of course he loves nothing more than to get down to the nitty gritty with you, these talks of yours are truly the highlight of his day even when they're entirely polite in nature

Why yes, he has done something different with his beard, thank you for noticing. He got some new oils from the market yesterday. Do you like it? Isn't it soft? Just wait until you feel it between your thighs

No matter who you're taking to your bed for the evening, Price always escorts you to the door of their quarters, leaving you with a kiss to the hand goodbye. Until next time, starlight

Ghost

Last but certainly not least is the man you have the most… interesting dynamic with, to put it one way

It's funny, really. He likes to pretend the sweet taste of you doesn't haunt his every waking moment, and you like to pretend that there was anyone else on your mind the second you walked through the door

But oh, he sees that you've arrived yet again... Well, this book of his is super interesting, so he's just going to sit in the corner and read, and absolutely not watch you out of the corner of his eye

What was that? No, he's not holding it in his lap for any reason. And no, his pant legs aren't shorter than normal. Why would you think that?

Oh, but the moment you hold your hand out for him, he has to stop himself from immediately tossing the dumb book aside and hauling you over his shoulder like some sort of rabid beast

Instead, he takes his time standing from his seat, almost indifferent as he takes your hand and lets you lead him back to your chambers

It's all a farce though, of course. Nothing makes his pride swell more than having you scream his name for the whole palace to hear, echoing all the way back to where the three other men are left to sit and mope

[steddiealltheway]

It had started out as a joke.

Okay, well Steve is pretty sure it started out as a joke to alleviate some of the anxiety before facing Vecna.

It was an innocent joke, too. Or somewhat innocent considering it was made right before they were just going to kill Vecna and maybe die in the process.

Eddie had said, "Hey, Steve?" And when he turned around, Eddie asked with a teasing smile, "A kiss for good luck?"

And Steve, in front of Robin, Nancy, and Dustin with an axe on his back, had just shrugged and walked up to him, planting a kiss right on his lips and lingering for a few seconds before pulling away. He whispered, "Good luck." Ignoring Dustin's whispered what the fuck.

"Make him pay," Eddie had kind of mumbled out in shock, and Steve just nodded, turning back to find Robin's jaw dropped. He just gave her a look that said What? It could be the end of the world. Sue me.

She had just raised her hands in defense while Nancy tried to hide a wide smile.

Later when Steve found Eddie's lifeless body in Dustin's arms, he didn't hesitate to press his lips against his again, trying to breathe life into him. When Dustin shouted something about feeling a pulse, Steve lifted Eddie up like he weighed nothing, and marched him to the gate, determined to save him.

After he was placed in a hospital bed next to Eddie, he was chastised a bit for working through the adrenaline and straining his own wounds while carrying Eddie. But Steve didn't care that it meant it would take a few more weeks for him to completely recover because Eddie was alive. And that's all that really mattered.

The first time Eddie went to physical therapy, Steve smiled at him and asked, "A kiss for good luck?"

Eddie laughed but reached out for Steve who bent over and pressed a soft kiss on his lips. It felt different this time. Less like the world was ending and more like a promise that everything would be okay.

Even after Steve was discharged from the hospital, he would come back for Eddie's physical therapy, offering a kiss for good luck before waiting for him to come back and tell him about the progress he was making.

But as his physical therapy sessions decrease as he gets used to his scars and new limitations, Steve finds himself still lingering around him.

He thinks Eddie notices. With the way he lingers around Steve as well, sneaking glances at him every so often, eyes dipping down to Steve's lips more often as he talks, he's sure Eddie knows what's on his mind.

So, it's really not a surprise when one day Steve, Robin, and Eddie are hanging out and Robin backs up with a piece of popcorn in her hand, she says, "Go long," to Steve, and Eddie asks, "A kiss for good luck?"

Steve doesn't hesitate to give him a quick peck before turning back to Robin and gesturing for her to toss him the piece. She frowns momentarily before tossing it.

Steve is almost upset when it lands in his mouth because it means no more chances of a good luck kiss.

But Eddie just smiles and says, "Maybe our kisses really do bring good luck."

Steve can't help but laugh a bit and nudge his shoulder as he grabs a piece of popcorn out of the bucket and leans back to toss it in Eddie's mouth.

Eddie leans forward this time, and Steve kisses him sweetly before pulling back and asking, "Ready?"

Eddie nods and opens his mouth, catching the popcorn easily.

Steve thinks that maybe their kisses really do bring good luck.

When Steve turns to Robin with another kernel, she jokes, "As long as you don't kiss me." But there's something in her tone that lets Steve know that they're talking about this later.

And soon, Eddie is leaving, and Steve can't help but kiss him again saying it's just good luck for the drive back to his new trailer. And of course, it's dark out, so maybe Steve puts a little more into this kiss than usual before they're both pulling away, breathing heavily into the small shared space between them. Eddie says, "Good luck here," before kissing Steve again and turning quickly to leave.

Steve lingers for a moment in the doorway, making sure Eddie drives off safely before closing the door.

"What the hell was that?"

"Jesus, Robin, how long have you been standing there?"

Robin crosses her arms. "I literally hugged him goodbye right before you two decided to make out in front of me. And since when has that been happening, dingus?" The hurt in her tone is loud and clear.

Steve leans back against the door with a sigh. "We've been doing the good luck kiss before all his physical therapy sessions. It's not a big deal though. It's just good luck. And tonight was the first time we've kissed for something other than physical therapy."

Robin's eyebrows furrow. "Steve, at one point he had PT three days a week. And how many sessions did you miss?"

"None," Steve confesses quietly.

"Oh my gosh," Robin says and walks to the living room.

"It's not like that!" Steve argues, following her.

Robin turns around and says, "Yes, it's not like you two have kissed multiple times for the past few weeks just for 'good luck' and nothing else."

Steve sighs and crosses his arms. "It's exactly like that." He pauses and looks away. "Okay, maybe I'm a little kiss-starved, but it doesn't mean anything!"

Robin worries her bottom lip as she stares at Steve looking conflicted. "Have you ever thought that maybe it might mean more to Eddie?"

Steve freezes before shaking his head. "It doesn't."

"Steve-"

"It's just not like that between us, okay?"

Robin stares at him for a few more seconds and quietly says, "You know that it's okay if it is, right?"

Steve nods, not really taking the words to heart. He doesn't feel that way about Eddie. Sure, he likes kissing him and seeing the way he lights up right before they kiss and the way he lingers after but...

It's just not like that.

Steve sighs and looks down. "I'll let you know if anything changes though, okay?"

"Okay," Robin says, sounding a little more satisfied with his answer. "Now you have to help me with my romance problems."

Steve sits back as he listens to Robin rant, trying to ignore the way she still associates him and Eddie with something romantic. And really the kisses are... they're just for good luck... Right?

-:-:-:-:-:-

Steve thinks that maybe the kisses are less for good luck the next week after he starts hanging out more and more with Eddie. They've started asking, "A kiss for good luck?" for just about everything - Eddie getting up to get him and Steve two Cokes, Steve grabbing a blanket for them to share, every time they say goodbye, when one of them shifts on the couch or bed to get more comfortable. Anything really.

But now the good luck kisses are no longer verbally prompted. Sometimes, Eddie will look at Steve, and he'll just know he needs the good luck. Or sometimes Steve will look at Eddie, feeling a random need for good luck.

Usually, it never goes beyond the intensity of their first goodbye-good-luck kiss. And they have a mutual silent agreement to have no good luck kisses in front of the kids. Robin is fine - although that comes with a question about his feelings and whatnot which Steve actively likes to avoid.

It's not like he's in denial about the fact he enjoys kissing Eddie. He's just very much in denial about how much he likes kissing Eddie, and he would like to keep it that way until Eddie finds someone else or ends this... whatever they have.

Unfortunately for him, he's forced to think about it when he gets a little too careless during a movie night with The Party.

Everything was going fine really. Steve had even managed to slip three good luck kisses to Eddie when the kids were away from them. And really, they both needed it because dealing with the kids was sometimes hell.

But Steve really had no excuse when he sat down next to Eddie and openly kissed him in front of all the kids. He only realized his mistake when he pulled back and noticed Eddie staring at him with wide eyes.

"Uh, what was that?" Max asks, looking somewhat delighted at the new development.

Steve quickly explains, "It was a good luck kiss."

"See! I told you guys I wasn't lying!" Dustin shouts excitedly at everyone.

Steve and Eddie turn to give him an unimpressed look at the same time.

Dustin holds his hands up as his voice gets a little higher. "What? They didn't believe me when I told them about it before."

"Okay, now we believe you, but what was this good luck kiss even for?" Will asks.

Eddie shifts next to Steve uncomfortably, but Steve easily answers, "Good luck with dealing with you guys. Plus, I needed good luck getting comfortable."

"Good luck getting comfortable?" Lucas clarifies slowly, not even trying to hide his smile.

"Yes," Steve says exasperatedly. "Now can we watch this movie?"

"Are you two dating?" El asks.

Steve tenses up and glances at Eddie.

"No," Mike says, tone dripping with sarcasm. "Friends kiss each other all the time for good luck."

Will shoots him a look. "When we were just friends, didn't you literally ask me for a good luck-"

"Hey," Mike says with wide eyes as he turns red. "Not helping."

"We're not dating," Eddie states and starts the movie, "But we are watching this movie."

Steve feels his heart sink at the confirmation. Why the hell is he so upset about Eddie telling the truth? Because that's exactly what it is. The truth. They're not dating so Steve isn't allowed to get upset.

For the rest of the movie, Steve tries to get into the plot, but he can't when Eddie is sitting right next to him, reminding him of what he said.

When the movie ends, Steve immediately gets up and starts cleaning up the mess left by the kids and hurries off to the kitchen to work on the mess in there too. He needs to call Robin.

He scrubs at the countertops and half-heartedly waves at the kids when they yell their goodbyes and rush out the door. He gets stuck at one spot on the counter that won't give and scrubs at it harshly until a hand rests over his.

"Hey," Eddie says softly. "You okay?"

Steve slowly turns to face him and lies, "Yeah. I'm fine."

Eddie's eyes lower to his lips momentarily, but he doesn't lean in. "Are you sure?"

Steve nods in response and turns back to the counter.

"Um, good luck with this."

"I'm going to need it," Steve says, leaning in to stare at whatever is stuck on the counter. He pauses when he realizes what Eddie just said and turns around. "Good luck with the kids."

"I'm definitely going to need it," Eddie says dramatically huffing.

"I could take half of them, you know."

Eddie shrugs and moves closer to him. "Or you could do something else for me."

"Yeah?" Steve asks with a smile, "And what's that?"

"Give me some extra good luck."

Steve snorts as Eddie smiles brightly at him. But he wraps his arms around his shoulders and says, "Extra good luck coming right up."

And this kiss... it feels... different.

It starts out sweet and slow like usual, just a soft press of their lips together before they readjust to get a better angle. But Steve remembers the extra Eddie requested and runs a hand through Eddie's hair, pressing in closer. Eddie's hands wrap around his waist as he turns and presses his back against the counter.

Steve breaks the kiss with a gasp, needing more air and filled with slight shock as all his feelings for Eddie suddenly rise to the surface. He pulls back to look at Eddie for a second, taking in his blown pupils and pink cheeks as he whispers, "Jesus H. Christ."

Steve doesn't waste a second before he kisses Eddie again, immediately deepening the kiss but cradling Eddie's face in his hands, trying to offset the desperation of the kiss with the gentleness of the touch. He wants to let him know we have more time now. Unlike their first kiss, and unlike any of the other ones that Steve couldn't suck it up and admit were real, this is the start of something new. Something-

A loud car horn goes off outside causing Steve and Eddie to break apart, but they linger in each other's arms, both staring, knowing they have more to say but not the time in this moment.

"I have to go," Eddie whispers.

Steve nods, but neither of them moves.

The horn goes off again, and Steve reluctantly moves away, grabbing Eddie's hand to drag him to the front door. He waits a second and says, "Eddie..."

"I know," Eddie says and leans in to kiss him gently. "I'll be back, okay? As soon as I drop the little demons off."

The car horn goes off multiple times in an obnoxious rhythm that Steve guesses is Dustin's own creation. He kisses Eddie on the forehead and opens the door. "Good luck."

"God, I'm going to need it."

Steve watches as Eddie jogs to the van yelling, "I'm coming! I'm coming! It's not like you guys are near your curfew so zip it!"

Steve smiles as the van takes off and Eddie blows him a dramatic kiss.

As soon as they're out of sight, Steve races to the phone and calls Robin.

"Robin speaking," she answers, sounding as if she wants nothing to do with the call.

"Hey," Steve sighs with relief.

"Thank god. I thought you were going to be some telemarketer or something. What's going on?"

"I have feelings for Eddie," Steve confesses immediately.

There's a rustling sound and Robin sighs, "You finally realized it."

"Shut up."

"You know I'm right."

It's true, but Steve isn't going to admit it.

"So, what made you realize?" Robin asks.

Steve leans back against the counter. "He told the kids we weren't dating which I couldn't let go because it hurt so damn much. Then, I kind of figured out when I basically stuck my tongue down his throat."

"Gross. You know I hate that phrase," Robin complains.

"And that's why I say it," Steve says with a smile that slowly turns into a softer one as he thinks about Eddie. "I think I'm going to ask him out."

"I wonder if he'll say yes," Robin jokes. At least, Steve hopes she's joking.

"That's a joke, right?"

"Yes, dingus. I'm pretty sure you guys have been sort of dating in the form of excuses this whole time."

"Don't make fun of us."

Robin snorts. "I'm not, I'm just stating the facts."

Steve sighs, trying not to give away again that she's right.

"I'm happy for you guys," Robin says with an obvious smile that Steve can hear. "And thank you."

"For?"

"Realizing it before I had to knock some sense into you."

Steve rolls his eyes affectionately, knowing she can probably tell even over the phone.

"And for telling me. Which hey, how are you feeling about it?"

Steve shrugs. "I mean, I'm scared, you know? None of my relationships work out, and I need this one to be different."

"I think it will be, but I was more asking about how you're dealing with the knowledge that you like guys."

Steve huffs, "Yeah, I'm not dumb. I knew I was attracted to Eddie, I just didn't want to get emotions involved. I thought you knew this."

"Hello, I'm the same person who couldn't tell that Vickie was into girls as well."

"That's true," he shifts the phone to his other ear and says, "God, I can't believe we're having this conversation over the phone."

"I prefer it to the dirty Starcourt bathroom floors."

"I don't," Steve says with a fond smile.

"Eliminate all the trauma before that moment, and yeah, maybe I do prefer it. Even on the floor."

"I can drag you into the Family Video bathr-"

"Not a chance, dingus," Robin says immediately.

Steve laughs and pauses before saying, "Thanks for letting me take my time to figure it out. Sorry that I was kind of an asshole before."

"You're always kind of an asshole. It's part of the charm."

Steve smiles and says, "Well, then I'm going to be an asshole and tell you I have to hang up, so I can prepare for this life-altering moment."

"Gosh, you two are both so dramatic. You're absolutely perfect for each other."

“Goodbye, Robin,” Steve sighs.

“I would wish you good luck, but I’m not there to kiss you!”

Steve groans as Robin laughs. “I’m hanging up.” He does just that after he hears Robin shriek with more laughter.

She’s never going to let him live this down. (Not that he minds really.)

When Eddie comes back later, the first thing Steve says is, “I need a major good luck kiss.”

“For what?” Eddie asks with a small smile.

“So this really amazing guy will say yes when I ask him out.”

Eddie smiles and wraps his arms around his waist. “You think I’m amazing?”

“So presumptuous of you, assuming I’m talking about you,” Steve jokes.

Eddie raises his eyebrows.

“Okay, yes. I’m talking about you.”

Eddie smiles and says, “Well, I don’t think you need any good luck then.”

“Yeah?” Steve asks with a smile so wide it almost hurts.

“Definitely. But I’m going to give you some extra good luck just in case.”

Steve kisses him with a smile, pulling back immediately to ask, “You’re saying yes, right?”

“I thought I said I was giving you extra good luck first.”

“Eddie.”

“Yes,” Eddie replies and frowns. “But now what am I giving you extra good luck for?”

“Us? Or maybe we could just call it making out.”

Eddie makes a face and sticks his tongue out. “Bleh, no. No making out in this relationship. Just extra good luck giving.”

Steve laughs and leans in. Giving his boyfriend as much good luck as he can.

[steviesbicrisis]

A Barbie AU where the Kens decide, in order to get some recognition, to get individual names.

Steve, who’s just a Ken very good with kids, is having an identity crisis after his Barbie, journalist Barbie, broke up with him.

Not even picking a name as unique and special as Steve, so much different than Ken, managed to cheer him up.

Everyone keeps saying he should be happy about the change, and discover who he is outside of Barbie’s orbit, but he can’t see what was so wrong in their relationship. He loved waiting all day for Barbie to look at him, even if it was for a brief second.

As if going through an existential crisis wasn't enough, he has to do it under the constant mocking of his archnemesis, Ke- Eddie.

Eddie, with his long curly and annoyingly gorgeous hair, who has a sense of style he would give all of his rollerblades for, and who's always there to notice whenever Steve makes a mistake.

Eddie even has his Barbie still by his side, cheerleader Barbie, and every time Steve sees them together he gets a sick feeling in his stomach, like a tummy ache. Doctor Barbie visited him a couple of times and found nothing wrong with him, he imagines he's a little jealous of Eddie for being with a Barbie.

Steve talks about this with Polyglot Barbie, his best friend, annoying her to death.

"Why are we talking about Ken, again?" she interrupts Steve's retelling of his last encounter with Eddie.

"It's Eddie" Steve corrects her.

"Right," she nods. She's very supportive of their silly-name-thing (how most Barbies call it), but she still has trouble remembering all the names, "why are we still talking about him?"

They're hanging out at the park, sitting under a tree, Barbie's leg on top of his, and they're holding hands. It's nice. Steve is happy to have a best friend like Barbie.

Steve looks up, meeting Eddie's gaze. He's sitting at one of the picnic tables not far away from them, doing nothing besides glaring at Steve.

Barbie squeezes his hand to get his attention back, and Steve looks away.

"Because he keeps tormenting me! he's even glaring at me right now, I'm gonna get stress wrinkles!" Steve finally replies, in a distressed tone.

"You're being dramatic," she says, matter-of-factly, "Eddie isn't so bad with you. You know, he kinda treats you like his Barbie."

If Steve had a beating heart, it probably would've stopped right at this second.

"What?"

"You know, he's always looking for you, he is always giddy whenever you give him a crumble of attention. He hangs out where you hang out... why do you think he's sitting all alone at a picnic table, just staring at you?"

"Maybe he's waiting for his girlfriend" he suggests.

"Are you talking about Cheerleader Barbie?" she giggles, "she's not his girlfriend, trust me."

"But he picks on me! all the time! Like this morning, I tripped and he made a comment about my legs!" He gestures at his legs with his free hand.

Barbie tilts her head to the side "you mean this morning at the beach when he held you in his arms for ten minutes to prevent you from falling and Barbie had to tell him to let you go?"

"… yeah” he manages to say. He hadn’t realized how long Eddie held him in his arms, he was upset about almost falling in front of him, but he also liked the feeling of his arms around him.

Everything feels different now.

Barbie's look softens "How does this make you feel?"

"I don't know" he answers, honestly "I just can't stop thinking about him."

A loud noise at their right startles them off of their conversation. They turn around to see Eddie lying on the floor, a trash can at his feet.

Steve doesn't give himself the time to realize that Eddie has probably heard their entire conversation and has tripped on that trash can because of it, he just rushes to Eddie's side to help him out.

Eddie stammers while Steve pulls him back up, not making much sense.

Steve is used to see Eddie as an intimidating guy, someone to compete with for Barbie’s attention. He never realized how much he liked to have Eddie’s attention instead, nor how he loved to give that attention back in equal amount.

“Nice legs” he tells him, repeating the same words Eddie told him that morning.

Eddie stops his incoherent stream of words when he hears him “what?”

“You heard me” Steve says.

“I did” Eddie admits. He pulls the trash can back up, to have an excuse to not look at Steve when he asks “you can’t stop thinking about me?”

For some reason, that’s the easiest question Steve has ever had to answer to “yes, I can’t.”

Eddie jolts back up startling Steve, the trash can falling out of his hands and hitting the ground once again.

“Cool” he says, using all of his willpower to hide his excitement by keeping a relaxed face, failing miserably.

“I guess” Steve grins. Knowing he has that effect on Eddie is making him the most confident he has ever felt in his life.

“So, since you can’t stop thinking about me…” Eddie repeats, in a tone that Steve would’ve mistaken for a mocking one until few hours ago “…we could hang out on the beach later. I’ll bring my guitar.”

“I’ll bring mine too then” Steve replies immediately.

Eddie panics “We can’t both have a guitar!”

Steve crosses his arms on his chest “who says that?”

Eddie opens and closes his mouth a couple of times then mutters, defeated, “fine.”

“Great!” Steve takes a step forward and gives Eddie a peck on his cheek “I’ll see you later.”

Eddie, who makes a face again trying to hide his excitement, nods and turns away “cool.”

He walks away slowly, towards the park’s exit. Right by the gate, he throws himself into an hedge. Steve can clearly hear him when he screams words along the lines of “FINALLY”, “I HAVE A DATE” and “SUBLIME”.

Steve turns to Robin who has witnessed the whole thing, while Eddie is still screaming random words from the bushes.

“I think I’m in love.”