barragán for interview magazine, make-up by adrián gonzález, hair by evanie fausto, shot by torso ⋆
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Luis Barragán
Casa Egerstrom, Arboledas, 1968
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Gardens. In the creation of a garden, the architect invites the partnership of the Kingdom of Nature. In a beautiful garden, the majesty of Nature is ever present, but Nature reduced to human proportions and thus transformed into the most efficient haven against the aggressiveness of contemporary life.
Luis Barragán, 1980 Acceptance Speech, The Pritzker Architecture Prize
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victor barragán for interview mag. ph. torso
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Blonde Redhead (1995), La Mia Vita Violenta (1995), Fake Can Be Just As Good (1997), In an Expression of the Inexpressible (1998), Melody of Certain Damaged Lemons (2000), Misery is a Butterfly (2004), 23 (2007), Penny Sparkle (2010), Barragán (2014), Sit Down For Dinner (2023), Blonde Redhead
At first Blonde Redhead listened as a sort of less avant-theory-heavy Sonic Youth, but over three or so decades they’ve certainly proven to be much more than Gordon, Moore and co. lite. From noisy rock origins to pared-back interludes to modern-day sheen, they’ve been concocters of pieces equal parts tense and brittle, dreamy and ungraspable, driven and unrelenting.
Pick(s): ‘Astro Boy’, ‘(I Am Taking Out My Eurotrash) I Still Get Rocks Off’, ‘Bipolar’, ‘In an Expression of the Inexpressible’, ‘In Particular’, ‘23’, ‘Here Sometimes’, ‘Mind to Be Had’, ‘Before’
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