#Beaubrun brothers

[gogmstuff]

Baroque era dress (from top to bottom) -

Maria Leopoldine of Austria, Holy Roman Empress, 1632-1649 by Justus Sustermans (location ?). From tumblr.com/blog/view/catherinedefrance; erased spots & cracks w Pshop 2048X2579 @72 1.8Mj.

1655 Anna María Luisa de Orléans by Charles Beaubrun and Henri Beaubrun (Prado). From tumblr.com/blog/view/roehenstart; removed obvious spots & flaws in background w Pshop 1502X1858 @72 976kj.

Young aristocrat by Joachim von Sandrart (Hampel - 30Jun22 auction Lot 338). From invaluable.com-auction-lot-joachim-von-sandrart-1606-frankfurt-am-main-1688--338-c-35f4b3f83e 1330X1696 @72 3.2Mp 1330X1696 @72 3.2Mp.

1661 Lady by Gerard ter Borch (State Pushkin Museum of Fine Arts - Moskva, Russia). From tumblr.com/blog/view/shewhoworshipscarlin 884X1200 @72 205kj.

Marie Therese, Queen of France (1638-1683) attributed to Jean Nocret (Hermitage Fine Art - 8Jul20 auction Lot 573). From invaluable.com/auction-lot/jean-nocret-1615-1672-attributed-to-marie-therese-573-c-aa342d1aff 1000X1361 @72 231kj.

Marguerite Louise d'Orléans, Grand Duchess of Tuscany (1645-1721) by Henri and Charles Beaubrun (location ?). From tumblr.com/blog/view/roehenstart 1064X1600 @72 358kj.

ca. 1672-1675 Maria Isabella Capranica Cerri by Jacob Ferdinand Voet (Palazzo Chigi - Roma, Italy). From tumblr.com/blog/view/history-of-fashion; erased spots w Pshop 480X612 @72 107kj.

[jeaaa03]

My Kinship represents the family tree of dependents from Haiti. Starting with brother my grandmothers who was born in Haiti and grew up else where. My grandmother on my mom side was born in Haiti but lived in Aruba for most of her life before she went back to Haiti and had my mom and her siblings leaving them in Haiti to live in the US. Same as my fathers mom. She grew up in Haiti and migrated to the US later on in her years. She went back to Haiti and had my father and his siblings, and the evolution of the Beaubrun family began. My father has 4 sisters and my mother has 2 sisters and 2 brothers. All born in haiti but migrated to the US for the “American dream”. My family had no ideas what the American dream had consisted of but they just knew with the earthquakes and pollution happening in Haiti the best way to survive to to leave and that’s what they did.

[sartorialadventure]

Henrietta of England, 1661, from the circle of the Beaubrun brothers

[pwlanier]

CIRCLE OF THE BEAUBRUN BROTHERS

PORTRAIT OF KING LOUIS XIV AND HIS BROTHER PHILLIPE, DUKE OF ORLEANS

Oil on canvas.

Lyon and Turnbull

[becumsh]

Mme de Combalet

Most of Combaletta’s portraits dissapeared during the Revolution (by Champaigne, Ferdinande Elle, Charles and Henri Beaubrun brothers). For the sake of posterity and fangirling.

A dope webpage about her if you want to check her out

Idk who’s the author. But she got that Richelieu nose and something in the eyes. Or it’s just me. But I think she had a strong resemblance with her uncle.

Jean Leblond.

Balthazar Moncornet

I was on the fence about this one (small resolution, dubious origin) but I found b&w version and I Think it’s by  Paul Malepart de Beaucours or  Fauteux Aegidius. Think it hangs in Quebec (but I can’t exactly check lol, so idk).

A sketch by mysterious FM. In this picture she really really looks like Richelieu imo.

[thebowerypresents]

Lukas Nelson & Promise of the Real Make Quite a Ruckus at Webster Hall

Lukas Nelson & Promise of the Real – Webster Hall – June 12, 2019

Every tour, every show, every new tune, Lukas Nelson & Promise of the Real deepen their thing. What was years ago a fun and sturdy rock band is still a fun and sturdy rock band but one with that much more command of their strengths, doing more with them. The affable Nelson’s clearly learned so much both from dad Willie and frequent employer Neil Young, and the band celebrates the hallmarks of each while leaning fully toward neither, confident and comfortable cooking with (and in) their own creative juices. Those of us who felt earlier on like Promise of the Real weren’t the second coming of Willie’s band or Crazy Horse but the first coming of Lukas Nelson and his like-minded ruckus-makers have had our faith rewarded and then some. And increasing prominence and accolades—and the band’s much-documented brushes with Hollywood thanks to Nelson’s involvement in 2018’s A Star Is Born—haven’t changed a thing about their rollicking-good-time fundamentals. Damn, they’re a good time.

Promise of the Real landed at a very-sold-out Webster Hall Wednesday night in between stops on Willie’s Outlaw Music Festival. It was one of the few non-festival, Stateside, headlining gigs they have planned this summer, and although it’s never long between visits, they played like New York City hadn’t seen them in years. Stepping out already fastened and revving, they launched into the stomping “Something Real,” and it wasn’t three minutes before the band was loose, loud and their namesake was playing guitar with his teeth. “Four Letter Word” followed next—lithe and cockeyed, like country Doors— and then it was on to the newer “Bad Case,” a steel-dappled rocker in a Tom Petty vein and one of several stellar tunes shared from POTR’s new album. For a lesser band, a set list like this one might have felt like a hodgepodge. But Nelson and his cohorts—Corey McCormick, Anthony LoGerfo, Merlyn Kelly and Tato Melgar, plus brother Micah Nelson—are road-hardened and locked-in, able to keep the energy level high and balanced without a single lag in two hours. There was tender, topical acoustic folk (“Turn Off the News (Build a Garden)”). There was triumphant country-gospel (“Set Me Down on a Cloud”). There was roots with a hint of show tune (“Where Does Love Go”). There was a nod to the Woodstock generation (CSNY’s “Carry On”). There was gristly rock ’n’ soul (“Simple Life” and “Save a Little Heartache”). There was the big crowd swell of familiarity for signature tune “Find Yourself,” heard so often at this point but somehow even better for it given how much the band just flat-out enjoys living in its strutting groove.

Knowing they had the crowd firmly in hand, the band wrapped an originals-heavy set and closed by leaning hard into well-chosen covers, from Paul Simon’s “Diamonds on the Soles of Her Shoes” (jammed fun and bouncily with Music Heals International’s Paul Beaubrun guesting on guitar) to Petty (“American Girl”) and finally, Neil, with a “Powderfinger” that arrived like an old friend, coming through the front door with a beer and a big smile. These guys are awesome. They’ve earned their swagger. —Chad Berndtson | @Cberndtson

Photos courtesy of Jeremy Ross | jeremypross.com

@jeremyrossphotography