#Become a Distributors

[ritwik-vaishnaw]

Unlocking Business Potential: Your Journey to Becoming a Distributor in India

[omegalerc]

ricky ricky i love you so much. you make me laugh and scream and kick legs every single time i read your posts. you're such a freak but a good freak. i wish you a lifetime of happiness with charles' omega slick yum yum

WAAAAA TY U R TOOOOO KIND TO ME I AM A CRAZY PERSON OKAY!!! im just happy i can entertain u that’s what im here to do ❣️❣️ be delusional and wonder how i can take anything related to formula one and make it about omegalerc and chussy

[flameswallower]

would you ever make a physical edition of body after body? i know it might not have a ton of interested readers, but it's genuinely my favourite book ever and i know several people personally who would pay a hand and a leg for a copy 👉👈

I would definitely consider it! If this were to happen, it would probably be next year, or maybe the year after.

[bourbontrend]

Eric LeGrand Spirits is now available in Massachusetts! Discover how LeGrand Bourbon is spreading joy with its delicious flavors and supporting a great cause. Read about this exciting expansion and find where you can grab your bottle today #Whiskey #Bourbon #EricLeGrandSpirits

[coxblogs]

Band T-Shirts That Will Match With Your Vibes This New Season

If you are a rocker, or even the truest of the metal heads, then there are certain t shirt designs that you can take a look at in this blog.

[aspink1]

become-distributor

Join us on our mission to bring the taste of Indore to every corner of the world. As a distributor, you can play a crucial role in making this mission a reality. Join our team and gain access to a wide range of premium food products.

Read More: https://foodarticles.in/become-distributor/

[neixins]

i have to wait until JUNE for some of the yotd art exhibition merch to arrive lmao

[hotels-etc]

Work from Home with Hotels Etc.

Working from home has become increasingly popular, and many opportunities are available across various industries. Here are some common work-from-home options: Remote Jobs: Many companies offer remote positions in various fields, including customer service, marketing, writing, programming, design, and more. Job search websites and company career pages are good places to find these…

[tutopialearningapp]

How to Become a Distributor: A Step-by-Step Guide to Success

To become a distributor is identifying the right industry and niche, researching potential industries and assessing market demand and competition is crucial for success.

[sbcdh]

"It wasn't one thing, you know, it was like, everything. Everything just kinda happened slow. It wasn't fast. It was slow.

It was, uhh... 1964, I think. LBJ was in office. Yeah, 1964. The government rolled out the whole hypnoeconomics thing in uh, sophomore year. Something like that. I didn't really watch the news, but I remember everyone talking about the election. I remember it being a big deal but, you know, seems like every time the government does something it's a big deal, you know? It's always like, fine. It's always fine.  

 I had just graduated from UC Santa Ana. I had a degree in photography. What do you even do with that? Photography. It was hard at first, shopping a portfolio around, doing weddings. I had a gig going for some real estate company. That was alright. Taking pictures of empty houses for speculators. Something like that. I didn't know the specifics. I was good at it. It's not hard once you know the equipment, and what the client wants. But you get tired of it, you know? You get tired of it.

My mom wasn't the nicest lady. She's my mom but, you know how mom's are. The only thing to do in west Texas was go to church. I was raised really Christian, and Santa Ana was just so different. I didn't know many people. I had a job that didn't feel right, no friends, no family, no church. So I was looking for a church. You got all sortsa stuff out here, you know? You know the Navigators right? That big megachurch? The first chapel was like, a 20 minute drive from student housing. There were always people out preaching in the quad.

It was a girl. Uh, Nadine. Nadine Galt. We had a 101 class together. Math, I think. We really hit it off. She was just funny, you know? She said she was from out of state too, had a really pretty gold cross necklace. I think she polished it. We had similar upbringings you know? Small Town girl, big city, not many friends. That sorta thing. She invited me to a party. A jewelry party.

I asked her "what was that" and she explained the whole concept to me. How she was an independent seller, how she had all these friends, how she was gonna buy us wine and food and show us the stuff she had this month. I liked her. It sounded fun. It was fun.

She said she did that every month. I didn't know too many people, and it was a good way to meet people, you know? I may have paid a bit much for some bracelets, but hey, she was good at selling bracelets. I looked forward to the jewelry parties. I did. Every month I looked forward to them.

I had been going for maybe a year, year and a half, and she asked me if I wanted to become a seller like her. She did it slow, you know, every once in a while she would ask me to stay after the party. I didn't think I could do it. I had a degree in photography, what did I know? But she layed it on thick. Told me I was just what she was looking for. And, well, she said the money was good. I needed money. Or, I had money, but I needed more you know? She made it sound so, well, important. Said we needed to do this, that a market needed competition, you know? That the hypnoeconomists couldn't really track people like us. She said we were "essential to a free financial dreamscape." She made it sound like we were a pair of cowgirls out on the open range together. She said I would be a natural.

And you know what? I was pretty good. At first at least. At first it was just helping out Nadine with her stuff, but she taught me how to talk, introduced me to her distributors, even taught me how to look for new clients. I held a party for some of my clients in real estate. Bought out a whole section of a fancy restaurant and invested in nice cases from the distributor. It didn't go well. I didn't make much profit at all. I think they were mostly pity-buying. I didn't make a cent.

All gold. Yep, all gold. And that wasn't a lie either. It had to be gold, or it wouldn't work.

Nadine went missing in, uh, 67 I think. I was heartbroken. And worried, you know? I was worried sick. Everyone was reaching out, asking if I was alright. Hell, excuse my language, even my mama reached out. Called me on the phone, said I was in her prayers.

The distributor reached out too. Colin. I didn't get another name. Just Colin. Called me one day to express his condolences. He had a nice voice, over the phone. Smooth. Kinda timid, but in a way you liked. I dunno how to describe it. You know what else he told me? He told me I was responsible for 89% of the profits for his channel. Eighty nine. Thinkin back now, I shoulda known that was a bunch of bullshit. He said he wanted to meet with me at the company headquarters in Pasadena. Once I was ready of course. Said he wanted to "talk shop." It was a bright spot, you know? A bright spot in a scary and lonely time. I went. Got a hotel and everything.

What was it like? You mean like what happened?...oh,  you mean like, the inside? Like of the building?

You know what? Now that I think about it. Weird. It was weird as hell. Lotsa gold and concrete. Like the jewelery. It was like every room was like, I dunno. It was like they were too big and too small at the same time. And there was a LOT of gold, in all sortsa patterns.

No. Yeah. Yeah I'm okay, I can talk about it. I'm okay to talk about it. I wasn't there long. I've heard the stories, you know. I don't know what you know, you probably know more than me, being the government and all, but lemme say that if you heard a story about something happening in 11414, it's probably true.

Anyways, Colin met me in his office. No windows. We talked shop. They asked me to arrive early and I skipped breakfast to get there on time and, it seems like every time I tried to bring up lunch he would wave it down. I had to damn near demand to get up for lunch. He invited me up to the cafeteria. The nice one, the one the distributors got to eat at.

It was nice, like, real nice. The plates had those same gold patterns on them. It was after that-

The pattern? Uh, I'll try, do you have a pen? It was really complicated. I'll do my best. It had all these criss-crossing... Hm? Yeah. Yeah you know what? That's exactly what it looked like.

Yeah, you know? I actually did ask him. I asked him about the pattern and he just kinda looked at me like I was in on a joke and said put a finger to his lips and he tapped on the back of his head. You know, where they put the plugs. And he said "you know, so they can't listen."

Yeah he offered to let me try one. He got all quiet, brought me to the lounge behind some curtains. Yeah they had the gold thing too. Started talking like he had a secret. He must've had fifty, sixty pills in a fancy little case that had the same pattern on it.

No I wasn't surprised. How else would they make that much money without hypnoregulation? It was kind of an open secret, you know? I didn't want any of that. But you can't say no, you know? Then you're implicated. You can't leave. I agreed to take one.

I still think about that, you know? How I got out of that. What a dodged bullet. Oh my god. It's kinda embarrassing, now that I gotta say so, but when I was little, I used to do magic. You know, card tricks, sleight of hand, all that stuff. I palmed the damn thing. Slipped it right into my pocket.

I sat there for a bit. Tried to copy him, you know. The lounge had a bunch of sub-finantial cortical wires hidden in the coffee table. He gave me one and told me to watch what he did while he fed it up his nose into his head. I sat there for a bit, trying to stay calm. His eyes rolled into the back of his head and he had the gold scalero, uh, scaleri, no, uh the white parts of his eyes...

Scalera! That's it. They were gold and everything.

I didn't know he would convulse so much. I thought something might've been wrong, but eventually they died down. I gotta say, I was so damn scared I couldn't move. I coulda been there for hours. I probably was.

I have a good memory. So eventually I worked up the courage and just...walked out.

Yeah. I walked out. You walk like you're supposed to be there, and you're kinda mad, you know? Like you're late for something and you can't talk right now. It's all about confidence. Nobody hassles you if you look like you know where you're going. I even said thank you to the secretary in the lobby. Nadine taught me that you know. It's all about confidence.

I made it to my car, got the engine going, and the moment 11414 was out of my rear view mirror I just started crying. Cried myself to fits. I didn't even know at the time. What was it? Six weeks later? How many dead?

Yeah, too many. Too many. I guess it doesn't matter.

I drove to a McDonald's for some food and at some point I turned on the radio. You know what was playing?

Yeah. It was that fucking Tremeloes song. You know the one."

[gael-garcia]

PALESTINE FILM INDEX

Palestine Film Index is a growing list of films from and about Palestine and the Palestinian struggle for liberation, made by Palestinians and those in solidarity with them. The index starts with films from the revolutionary period (68 - 82) made by the militant filmmakers of the Palestine Film Unit and their allies, and extends through a multitude of voices to the present day. It is by no means a complete or exhaustive representation of the vast universe that is Palestinian cinema, but is only a small fragmentary list that we hope nontheless can be used as an instrument of study & solidarity. As tools of knowledge against zionist propaganda and towards Palestinian liberation.

The century long war against Palestinians by the zionist project is one waged not only militarily but also culturally. The act of filmmaking, preservation, and distribution becomes an act against this attempted cultural erasure of ethnic cleansing. The power inherent in this form as a weapon against the genocidal project of zionism is evidenced in the ways it has been historically & currently targeted by the occupation forces: from the looting & stealing of the Palestine Cinema Institute archives during the siege of Beirut in 1982, through the long history of targeted assassinations of Palestinian filmmakers, journalists, artists, & writers (from PFU founder Hani Jawharieh, to Ghassan Kanafani, Shireen Abu Akleh, Refaat Alareer, and the over 100 journalists killed in the currently ongoing war on Gaza).

It is in this spirit of the use of film and culture as a way of focusing & transmitting information & knowledge that we hope this list can be used as one in an assortment of educational tools against hasbara (a coordinated and intricate system of zionist propaganda, media manipulation, & social engineering, etc) and all forms of propaganda that is weaponized against the Palestinian people. Zionist media & its collaborators remain one of the most effective fronts of the war, used to manufacture consent through deeply ingrained psychological manipulation of the general public agency. Critical and autonomous thought must be used as a tool of dismantling these frameworks. In this realm, film can play a vital roll in your toolkit/arsenal. Film must be understood as one front of the greater resistance. We hope in some small way we can help to distribute these manifestations of Palestinian life and the struggle towards liberation.

This list began as small aggregation to share among friends and comrades in 2021 and has since expanded to the current and growing form (it is added to almost every day). We have links for through which each film can be viewed along with descriptions, details such as run time, year, language, etc. We also have a supplemental list of related materials (texts, audio, supplemental video) that is small but growing. We have added information on contacts for distributors and filmmakers of each film in order to help people or groups who are interested in using this list to organize public screenings of these films. The makers of this list do not control the rights to these films and we strongly urge those interested in screening the works to get in touch with the filmmaker or distributors before doing so. This list was made with best intentions in mind, and in most cases with permission of filmmaker or through a publically available link, but if any film has mistakenly been added without the permission of a filmmaker involved and you would like us to remove it, or conversely if you are a filmmaker not included who would like your film to be added, or for any other thoughts, suggestions, additions, subtractions, complaints or concerns, please contact us at palestinefilmindex@gmail.com. No one involved in this list is doing it as a part of any organization, foundation or non-profit and we are not being paid to do this, it is merely a labor of love and solidarity. From the river to the sea, Palestine

[carsthatnevermadeitetc]

Steyr Puch Haflinger 700 AP Prototype, 1959. A lightweight off-road vehicle with astonishing off-road capabilities, thanks to its front and rear differential locks and low weight. This is the 48th one produced and left the factory on the October 22nd, 1959. Originally intended for the Austrian army, it was kept at the factory in order to create a prototype for the US market, identifiable by the size of its headlights and its odometer calibrated in miles. As it was never shipped to the USA, it was finally sold to Fiat (the brand’s distributor at the time) on the 24th October 1960 and then registered in Turin, becoming the first and only example delivered to Italy in 1960. The Haflinger was discovered in the small mountain village of Curiglia in Italy, hidden in a tool shed only accessible via a stone path. The restoration carried out has preserved the originality of this machine as much as possible. Since October 1959 it has travelled only 11,990 miles and will be offered at auction at Rétromobile 2025.

auction listing

[ef-1]

In light of Charles becoming the new brand ambassador for Puma, I want to remind everyone that Puma is one of THE main brands on the Boycott, Divestment, Sanctions (BDS) targets list.

Do not fall for this shit, I don't care if you like anything they come out with. People are purposefully obtuse about why Puma is on the Boycott list and ITS NOT BECAUSE THEY DRESS THE ISRAELI NATIONAL TEAM! Puma is the title sponsor of the Israel Football Association which sponsors teams that operate on illegal settlements on Palestinian land, these settlements are regarded as war crimes under international law. From the official BDS list:

In December of 2023, Puma announced that they would not renew their sponsorship with the Israel Football Association (after the death of 30,000 Palestinians at the time). However they remain on the Boycott list until 2025, when they actually commit to divesting from Israel because they have engaged in misinformation in the past when coming under sustained pressure. In 2021, Puma claimed to stop supporting Israeli teams on illegal settlements but an investigation by BDS found that they had lied and it was simply PR crisis management: (1) they lied about not supporting teams on illegal settlements, (2) they lied about having Israeli distributors who have branches operated on stolen land and (3) they lied that one of their main licencees does not operate on stolen land.

So until Puma officially abides by that divestment, BDS have kept them on the Boycott list because they have a history of lying.

+ reminder Puma also sponsor Ferrari and Mercedes.

Unless their cheap, ugly shit is worth more to you than Palestinian lives, you can wait until they officially divest from paying for illegal settlements, so that colonisers can play on stolen land.

[roseglazedlens]

⦑ THE FUCKING DEAD ⦒ 𝐏𝐫𝐨𝐥𝐨𝐠𝐮𝐞

➠ series masterlist | 🔃girl’s route | 🔃boy’s route |

𝐒𝐌𝐔𝐓┇𝐇𝐎𝐑𝐑𝐎𝐑┇𝐃𝐀𝐑𝐊𝐅𝐈𝐂┇𝐂𝐇𝐎𝐎𝐒𝐄 𝐘𝐎𝐔𝐑 𝐀𝐃𝐕𝐄𝐍𝐓𝐔𝐑𝐄 LEON S. KENNEDY & CARLOS OLIVEIRA X AFAB GN! READER ADA WONG & JILL VALENTINE X AFAB GN! READER chapter synopsis: You are amongst the top five selected for this infiltration to take down Glenn Arias. An argument unfolds between the agents and you are forced to pick a side. chapter content: smut in next chapter, resident evil: vendetta spoilers, zombies, haunted mansion, explicit themes throughout this series. a/n: welcome to my second series!! (need to finish my first one oops) on a thursday one month ago, i thought to myself 'zombie threesome hehehe', then i took the idea and sprinted with it and this series is born. so, uh... zombiefuckers rise up?? « 3.3 k words | general masterlist | ao3 | reblogs appreciated! »

Millions are dying—Mass infections are happening across the globe swamping the streets with an unbeknownst fear. The symptoms of this virus are faint, indecipherable next to an x-ray of a man who is perfectly healthy. Not even the carrier themselves are aware of how the virus lies underneath their veins, dormant, until a click of button is pressed from a commander far away, then their symptoms worsen: a headache, a cold, veins turning purple as the poison hatches in them, spreading, until the only thing that can manoeuvre their limbs is the word: KILL.

That’s the greatest strength of this virus. Anyone can be infected, and maybe, you already are.

This product first reached the underground market three months ago. Called the A-Virus; a bioweapon succeeded in the market for its ability to infect targeted communities remotely and leaving no evidence on the perpetrator, which no other distributors had successfully produced before.

Engineered by Glenn Arias, the researcher sold over thousands of this bioweapon, becoming a billionaire overnight at the cost of lives lost from the whims of the rich. He supplied the wealthy and corrupted, like insatiable brats, with new remote-controlled monster trucks, who only aims to tear down families and have their victims beg mercy to a monster that will not speak reason.

Hence, this problem brought attention to a global scale, having the DSO come in alliance with the BSAA and other independent mercenaries to hunt down the vaccine and put a stop to Arias’ grand schemes. Handpicking five agents who are equipped with both experience and skill to combat a zombie attack on this scale of doom and urgency.

Those five agents are Jill Valentine, Carlos Oliveira, Leon S. Kennedy, Ada Wong, and you.

A plan is already in place. A distraction concocted with your intel and the help of a senior researcher of all things bioweapons, Rebecca Chambers. While Arias is busy attending fake business meetings on the other side of the world, the five of you will infiltrate his private mansion to retrieve a concentrated sample of the A-Virus. Rebecca can use the sample to reverse engineer it into a cure and send her findings to facilities across the world.

The plan sounds brilliant in writing, but when you arrived his private mansion in Queretaro region, Mexico, something is off about this place.

Arias is a mastermind, you had been warned many times, in which you appropriately prepared all your best gear for this mission to treat it with utmost gravity. You’re thinking armed guards, well-equipped security, BOWs. But when the five of you pushed open the front doors of his mansion, it was quiet.

Empty. Not a single soul. Just five of you greeted by the whisk of wind through weakly hinged windows that somehow makes the humid air stick to your skin further. Did Rebecca get the wrong info? No one lived there. From what you heard when you were in town, not even the locals dare to venture anywhere near the odd gothic mansion on the top of the hill. They said it’s abandoned, cursed, rumoured to whisk away young children if they ever step foot inside.

It’s a story they say to stop the naughty kids, you remind yourself. It’s not haunted. And you’re not a kid anymore.

The inside is abandoned. Cobwebs lay thick between cornices and carved columns, the floors laced with a film of dust on the luxurious dark wood flooring, creaking with worn age as you take each step. Besides the chandelier, every single piece of furniture is either the same colour of black or red, or nothing else. The soft red velvet upholstery and the rug are made with the same fabric. And you can find the same dark wood in every corner of this house. It’s in the tables, the shelves, the chaise, the painting frames, and stone-like head sculpture whittled with the same exact dark wood, ridged the exact uniform way.

Then, you look at the wall. Black patches of mould smearing across the burgundy wallpaper like a crime scene.

Something creaks behind you. The hair on your arms stands up as you shiver, immediately followed by a wave of embarrassment. Despite the number of times you had taken down hordes of incoming zombies like they’re cardboard targets, why is a bit of wind freaking you out? It’s not a ghost, just old foundations, maybe mice, or wind kicking something off a table, like how every old house sounds like. You look around to see if anyone else catches you jumping at nothing, before Jill says, thankfully unaware of your worry:

“God, the smell. What have they done to this place?” Her hand flies over her nose as if that will help to shield any smell whatsoever. Unfortunately, the building is moulded far beyond salvageable that the stench lingers in every part of the mansion.

“I’m sure it’s not that bad. We get weeks-old corpses in body bags every day. It’s absolutely retching.” Jill’s earpiece fizzes into life, and she recognises the familiar playful lilt of Rebecca’s voice on the other side of the line.

“At least that’s refrigerated and contained, Rebecca. This fucking stinks.” Jill scrunches her face like she just ate something unpleasant.

“I’m sending my sympathies from my well-conditioned lab right now.”

Carlos appears from Jill’s behind, placing a firm, teasing hand on top of Jill’s shoulder. His wavy curls catch in the wind and his teeth glistens sparkly white. “Yeah Jill, got a problem with my natural musk?”

Jill shrugs his hand off, grimacing at his attempts at flirtation. “Take a shower first, then we’ll talk.”

In which Carlos laughs, holds his hand out at his heart as if it was just torn into shreds. “That hurts my feelings, Jill. Why aren’t you ever saying things like that to pretty boy over there?”

“I have a name, Oliveira.” The blond man turns around at the call of his nickname, familiar with the nickname, but it's not pleasantly received by him.

“I think pretty boy suits you more, Kennedy.” Carlos replies, a glint in his voice that hints something a bit less than friendliness between them.

“Ah, so you do know my name.” Leon quips back while staring directly into Carlos’ eyes, before getting cut off by Jill.

“I would, Carlos, but if I have to hear one more corny ass comeback from Leon’s mouth, I’ll throw myself out the window right now.”

“Takes a genius to get my humour.” Leon smirks.

Your eyebrows raise almost immediately to chime in. “Erm… I think we have different meanings for the word ‘genius’.”

Quiet chuckles ripple through the room. It helps that you have worked with these guys throughout the years and had come to know and get close to them—some a bit closer than just friends—but none of them are strangers by far. Usually, you would be working with only one or two of these guys, never in a big group like this, but it seems that everyone is already well-acquainted with each other.

You toss a glance at Carlos and catch him staring at you, smiling. Ah, you see now. Carlos must have been trying to lighten the mood because you had been jumpy ever since you had arrived. You nod at him, a silent thank you before the five of you venture deeper into the eerie atmosphere.

The goal is to arrive at Glenn Aria’s office. According to Rebecca’s intel, Arias hid a concentrated sample in a safe last time he was here. You will need Ada to crack the safe to retrieve the sample and deliver it to Rebecca. As you traverse the corridors, it twists and turns in different directions—whoever engineered this did not enjoy unexpected guests at all. But under Rebecca’s guidance, she walks you and your team through the labyrinth with ease and precision.

But unfortunately, not ease and precision on your part. You trip over your own leg and almost fall to the floor as you round a harsh turn according to Rebecca’s instructions, and Jill catches you right on the arm before you fall.

“Easy there.” Jill pulls you up the ground, and you regain some balance. “You good? Mind your step.”

“Why did I agree to babysit?” Ada speaks, finally, for the first time in this mission. Despite how quietly she spoke under her breath, her words abruptly cut through the air, and all attention is on her and the red sweater dress that curves into her frame perfectly now.

“Oh, I bet once you get your paycheck it will be worth it. Or will you be betraying us, huh, Ada?”

Leon smirks loudly. Ada’s face goes from tired to exhausted in one second. “You just can’t let bygones be bygones, can you?”

“That’s rich coming from someone who used to work for Wesker.” Ada’s heels come to a stop, and with a slow turn, she stares deeply into Leon’s eyes that speak a million threats without needing to be utter a word. Oh, and believe me, you do not want to be messing with Ada. You learnt that the hard way.

“Woah, guys. Let’s keep this civil. No need to get heated.” Carlos rushes to stand right between them as the duo glares at each other with passionate fury and resentment.

You nod, joining Carlos’ side to stand by him. “Carlos’s right. This is not the time to pick a fight.” But it falls on the deaf ears of Leon and Ada.

“Thousands were killed. I want what’s good for the people, and I’m not sure Ada here is on the same page.” Leon continues, adding fuel to the fire.

Ada lets out a disbelieved gasp in response, before recollecting herself and replying in her usual tone of calmness: “Someone has to pay the price. I’m just the executor.”

“Regardless of our motivations, we all are on the same side here.” Carlos attempts at resolution again, putting his hands up in between them, and fails embarrassingly once more.

The air is heated with hostility; Leon and Ada’s eyes are locked in a trance, a hazy spite that reigns their composure, that looking away from each other means forfeiting. You don’t see either of them walking away first, they are both prideful people after all.

“Uh… Jill? Some help?” Carlos looks around to find Jill, who is leaning against a wall, her arms relaxing by her sides, unphased by the fire stirring right in front of the crowd.

“Not my circus, not my monkeys.” Jill is merely waiting for either one of the parties roll over.

You feel speckles of flame through the two of them, as if steam is retreating over the top of their heads, burning not just them, but also everyone else in the room. Until the boiling point hits, and it erupts all in one second. The duo walks away, off to different directions in bitter adrenaline, until you and Carlos are just looking at each other.

“I guess we’ll take five. There’s a safe room up ahead.” Carlos is speaking, but you’re the one listening.

The five of you enters the safe room in silence. It is a storage room—despite its name, it’s quite large for a normal storage room—with boxes stacked on all ends that made the room seem smaller in comparison. A ceiling light illuminates the room dimly, but it isn’t enough to shade away years of old animosity from their past.

The lively conversations you had mere minutes ago is gone now. Just silence and awkward rustling as each of you sits in your own designated corner. Carlos and Jill find themselves a seat on top of a firm box. Leon and Ada giving each other the silent treatment, standing on farthest end of the room to each other. You are simply minding your own business, gathering materials to craft a flashbang to pass the time. Doesn’t hurt to have more supplies anyway.

There is a notable division on each side, an imaginary alliance that you choose to be on neither side. Until Leon crosses the boundary line, somehow making his way to you. He picks up an empty grenade case next to you, assembling the pieces together for your project.

“Sorry you had to see that.” A little guilt tugs at Leon’s voice.

“Not at all. I get why you felt that way.” Leon nods, a look of gratitude hanging softly through a smile. His other finger seals the flashbang cap and hands it back to you. “But you need to learn to control your temper. Especially when it comes to Ada.”

Speaking of Ada, a shiver runs down your spine suddenly. The feeling of someone sending laser signs and telepathic warnings towards you. You turn around towards the direction of the aura to find Ada, her back leaning against the wall, arms crossed without engaging or acknowledging anyone in the room. She stands by herself alone, and that’s how you had always known Ada—distant and in her own mysterious world. Not really a chatter, despite the number of times she had saved you in the past.

Ada does not look at you, but you can feel her glaring down—either you or Leon—with her entire body.

“Good to see the two of you getting along at least.” Carlos holds out two plastic water bottles to you two from a supply crate he found in the room, which Jill has finished downing two of them already.

You two gesture ‘no thanks.’ Ada does not spare Carlos a glance at his direction when he offers.

“You’re welcome, I guess.” Carlos says sarcastically, before taking in a generous sip from his drink.

There’s a moment of silence. Then, a moment of dry coughs; a squeak of footsteps, a joint click from a stretching neck. Then silence once more.

“I’ve had enough.” Jill slaps her hands on her thigh before pushing herself up from her seat. “You guys gonna keep acting like kids? Grow up, this isn’t high school anymore. Take your drama outside. If we’re gonna take down Arias, we have to get along. And yes, that means moving on from shit that happened… five years ago? Five years ago and you two are still hung up? Unlike you all, I’m actually looking forward to go home and get a decent shower, hopefully soon.”

You nod in approval as Jill speaks her mind, and you are glad at least the few of you have their priorities in order. Ada flicks her head away from Jill, but her silence is telling of how much she is thinking over Jill’s words.

“Leon, can you accept this?” Jill asks.

There’s a bit of reluctance in his voice, but he agrees anyway. “Fine.”

“Ada?”

Before Ada can respond, smoke is creeping into your vision, coming in quick. It merges into your view, obscuring it, and you whiff something artificial, some kind of chemicals that is piercing to your nose and eyes. You can’t help but wince, hands groping the air in attempts to find comfort in the person closest to you—anyone for that matter—to indicate you’re safe and is indeed not under attack. Your fingers find themselves in a fistful of someone’s shirt, muscles tensing tightly underneath the fabric on their shoulder cap.

“Leon. Is that you?” You cry out.

“It’s me. Stay close and don’t let go. It’s an ambush.” Leon pulls your arm towards him, securing your safety with his hand in yours.

There is some coughing through the air, faint panic in voices underneath the hissing of gas that seems to be coming from above. You hold onto Leon a bit tighter.

Carlos calls out desperately “Where are you guys? Is everyone okay?” as he flaps his hand around the smoke to stir it away. He finds you and Leon almost immediately, and looks down to your hands, finding them clasped tight against each other. Your hand lets go of Leon flying behind your back, but Carlos already saw it.

Jill is coughing deep from the smoke. “I-I’m here!”

“It seems like we’re all here.” Ada says, composed as ever despite the circumstances.

The smoke dissipates—until most of the fog fades away, escaping through the cracks underneath the door to the other side. Leaving the five of you standing in the same storage room darting eyes around, seemingly unharmed, and even more confused.

After what feels like a while later, Jill finally breaks the silence: “Huh. What was that?”

“No enemies.” Ada unholsters the pistol from her belt, inspecting the room and the door behind the room. “Clear on this side too.”

It’s strange. If this is an ambush, why isn’t there an attack?

Leon places a finger on his earpiece to activate his microphone. “Rebecca, come in. We’ve just been ambushed by some kind of smoke, but nobody’s hurt. Happen to know what’s going on?”

His earpiece buzzes into life. “Hmm, let’s see. From the architecture plans, I see the vents are connected to a lab below. It seems abandoned, there are no signs of anyone triggering an attack on my end.”

“Whatever it is, we need to investigate.” Leon’s voice is firm and serious. “I’ve got a bad feeling about this.”

You swallow deeply, fear settling back inside you. “You think it’s a trap?”

“I think…” Leon pinches his chin. “…Arias knows that we’re here.”

Your heart drops—Bundle of fear, anxiety and stress springing back into your nerves as you probe at the possibility of Glen Arias knowing where you are. What you’re trying to do. Making sure you will never reach that sample despite your hardest wills.

“He shouldn’t. Rebecca, didn’t Arias get on the jet?” Carlos is also thinking too.

“Affirmative. Security footage showed Arias walking into his private jet, and it took off four hours ago. He should still be in the air. No signal of them making a pitstop anywhere.”

You hear black pumps clacking against the hardwood floor. “I’m getting the sample.” Says Ada, her foot is already halfway out of the door. “Follow me or not, I don’t care. I’m here for the objective, and only that.”

“And what if something happens to you?” Carlos asks, genuinely concerned.

“I’ll deal with it if it happens.” Ada waves dismissively.

“Ada’s right, we could be set on a wild goose chase.” Jill chimes in. “Millions of lives are dying. We don’t have time to waste.”

“I guess it’s just you and me then, pretty boy.” Carlos rounds his arm around Leon’s neck, bringing him closer in an almost choking grip, a little too close and tight to his liking. And with Leon’s history with Carlos, Leon refuses to believe this is just a friendly gesture.

Leon grimaces, removing Carlos’ hand over him. “So that’s it? We’re splitting up?” The answer is unanimous. “Fine. I guess we’ll cover more ground if we split up.”

Rebecca, through the other side of your earpiece, speaks: “Be careful everyone. You don’t know what kind of schemes Glenn Arias had set up. Please stay safe.”

“We’ll be fine, as long as we don't have any traitors in our team.” Leon says the word ‘traitor’ while maintaining eye contact with Ada. She ignores him, simply deadpans.

“Well, what about you?” Leon nudges at your arm.

You are faced with two options. Indulge in your curiosity and find the source of the gas, or stick to mission as planned? Both options will be dangerous. So who will you trust with your life?

[OPTION A] “I’ll follow the girls.”

[OPTION B] “I’ll follow the boys.”

𝐭𝐡𝐞 𝐟𝐮𝐜𝐤𝐢𝐧𝐠 𝐝𝐞𝐚𝐝 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 thanks for reading! come check out my other works! —yours truly, rose. i love my beta reader @scar-crossedlvrs! series taglist: @j3llyd0nut @ovaryacted @daydreamrot @madcap-riflette @access--granted @obsolescent @briermelli @secretiveauthor @ghosty-frog @navstuffs @slowcryinginthedark @rentaldarling @lesbntired © roseglazedlens — please do not repost, plagiarise, or feed to ai.