#Bernard Rudofsky

[teconozcomascarita]

Baobab. Bernard Rudofsky, 1964 [De Architecture without Architects: A short introduction to Non-pedigreed Architecture]

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[anarchytecture]

Cave Architecture in Cappadocia

#spontaneous architecture

#061

[18electrons]

fully clothed man:

from https://www.cabinetmagazine.org/issues/15/rudofsky.php, by Bernard Rudofsky (1905–1988)

[abridurif]

Dos aux images (fragment)

J’écris en tournant le dos aux images. Si je les avais tout le temps sous les yeux, je ne pourrais pas écrire. Et puis, si elles constituent mon environnement immédiat, elles n’entrent pas pour autant directement dans le processus d’écriture. Concrètement, dans la pièce où j’écris, j’ai disposé deux portes sur tréteaux qui m’offrent ainsi un vaste bureau, sur lequel se déposent assez vite livres, cahiers, papiers imprimés, feuilles volantes, phrases recopiées à la main, images découpées, cartons d’invitation, crayons, feutres, stylos… tout un petit bazar dont j’ai besoin pour me sentir chez moi – mon lieu de vie devenant lieu de travail. Cette grande table trônant en plein milieu de la pièce, on peut en faire le tour, elle est décollée du mur où j’ai aimanté une constellation d’images découpées dans la presse, d’images photocopiées – couleur et noir et blanc – d’œuvres d’art qui m’accompagnent depuis longtemps. Un grand nombre représentent des espaces conçus par des artistes : des vues d’installations in situ se mêlent à d’autres, prélevées dans le livre de Bernard Rudofsky – Architecture sans architectes – que j’avais dégoté chez un bouquiniste lorsque j’étais étudiant, en même temps que celui de Georges Perec – Espèces d’espaces. À la question posée par Breton « Qu’est-ce que ton atelier ? », Giacometti répondait : « Ce sont deux petits pieds qui marchent. » Ainsi, je ne cesse d’aller et de venir entre le plan horizontal de la table et le pan de mur sur lequel je déploie mon atlas d’images en mouvement. Mais au moment de commencer un texte, je me saisis plutôt d’une bribe de phrase qui me turlupine que d’une image qui me fait signe. En revanche, par le travail d’écriture, je cherche à construire un espace d’images, en ayant toujours présent à l’esprit l’abri sous roche d’époque magdalénienne qui était dans le fond de la grange de ma grand-mère, à Enval, où des fouilles avaient eu lieu à la fin des années soixante, où ont été prélevés des outils en silex, des objets de parure, des plaquettes gravées, le fragment d’une vénus miniature. Le livre en cours renvoie à cet espace matriciel : terrier, grotte ornée, cavité que l’on creuse dans son propre sous-sol. Reste à savoir si le livre achevé correspond à la chambre excavée, déblayée, mise au jour, ou bien alors au monticule de déblais apparu à la surface, quelques pas plus loin, trié, réagencé, matériau pour un nouvel édifice.

[equatorjournal]

Cherrapunji, India, 1968. "Sometimes the borderline between clothes and habitation becomes blurred, as between a raincoat and a pup tent. Empty baskets may double as cover against the elements, portable roofs become umbrellas, and vice versa." From "Architecture without architects: a short introduction to non-pedigreed architecture" by Bernard Rudofsky, 1987. https://www.instagram.com/p/CplJAhRtLXd/?igshid=NGJjMDIxMWI=

[atlasparrichada]

La Parra Bernard Rudofsky & José Antonio Coderch Spain, 1968

[alexislegallo]

Costantino Nivola & Bernard Rudofsky, Nivola Garden-House, 1950

[jemimahdinatale]

Nivola House-Garden (Garden Wall), Amagansett, N.Y., 1949–1950 Bernard Rudofsky with Costantino Nivola, architects

[xxthedarkempathxx]

Bernard Rudofsky, a provocative social critic, has theorized that men find deep sexual excitement in the hobbling of women. Such a statement is darkly inflammatory but impossible to dismiss. To envision a Chinese nobleman’s wife or courtesan with daintily slippered three-inch stubs in place of normal feet is to understand much about man’s violent subjugation of women; what is less clear is the concept of exquisite feminine beauty contained within the deforming violence: the sensuous incapacitation and useless, ornamental charm perceived in the fused, misshapen bones. A lotus blossom with a willow walk: romantic imagery for man’s improvement over nature.

Pruned from childhood, her tiny foot was said to resemble the lotus, a most revered flower, and with the support of a long staff or leaning against a husband or servant, she walked like a whisper of wind through the willows, swaying tremulously with each timid step. Making love to the lotus foot, an elaborate art of manipulation, postures and poses, was a dominant theme in Chinese pornography for eight hundred years while the custom of footbinding flourished.

[hippodamoi]

“Each device of beautification restricted her freedom and weakened her strength; each provided a feminine obstacle course through which she endeavored to move with artificial grace. Each instrument of discomfort was believed by her to be a superior emblem of her privileged position and a moral requisite for correct behavior, and each ingenious constriction was sentimentalized by men as erotic in its own right, apart from the woman it was designed to improve. Bernard Rudofsky, a provocative social critic, has theorized that men find deep sexual excitement in the hobbling of women. Such a statement is darkly inflammatory but impossible to dismiss. To envision a Chinese nobleman’s wife or courtesan with daintily slippered three-inch stubs in place of normal feet is to understand much about man’s violent subjugation of women; what is less clear is the concept of exquisite feminine beauty contained within the deforming violence: the sensuous incapacitation and useless, ornamental charm perceived in the fused, misshapen bones.” It imposed an ingenious handicap upon a routine, functional act and reduced the female’s competence to deal with the world around her, rendering that world a more perilous place and the imbalanced woman a more dependent, fearful creature. It rendered a man more competent and steady—in other words, more masculine—by simple contrast."

Femininity, Susan Brownmiller.

[sticksoffatree]

An extract from the book “Architecture Without Architects” by Bernard Rudofsky. This extract describes how, in tropical Africa, Baobab trees can be hollowed out and used as human dwellings due to their immense diameter, sometimes reaching 50ft. It fascinates me that one life form can form someone’s home and continue its life relatively unbothered. It reminds me of how Mammoth carcasses were deconstructed and every part was used to build a tent by humans around 2000 years ago.

[anarchytecture]

Cave Dwelling in Shanxi(China)

The northwestern region of China belongs to the Loess Plateau, characterized by a generally dry climate and relatively hot summers. In contrast, cave dwellings maintain a nearly constant temperature throughout the year.

Moreover, the robust and upright nature of the loess soil makes it easy to excavate, and the resulting cave structures are durable and resistant to collapse.

#spontaneous architecture

#061

church of st. george lalibela ethiopia

[jumanjijumanjijumanji]

Les amphithéâtres de Muyu-uray, Pérou.

"Les contours de l'architecture ont été érodés par les éléments, le site s'est transformé en pâturages et terres agricoles... Le plus grand théâtre - probablement installé dans un cratère météorique - accueillait jusqu'à 60 000 personnes... On ne sait rien du genre de spectacle joué... " (la citation est tirée de "Architecture sans architecte" de Bernard Rudofsky)

[hakesbros]

Albuquerque, Nm News, Weather And Sports Koat Channel 7

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In Albuquerque, the mayor's workplace has struggled to address the complaints of residents about homeless encampments taking on public parks and about aggressive panhandling. The metropolis plans to develop a multimillion-dollar heart on Albuquerque's south aspect where the homeless can search services but the number of beds will meet only a fraction of the necessity. Features and functionality that streamline the development process, provide digital design experiences and provide real-time access to order and supply information. As the focus homes for sale in albuquerque nm of the Middle Rio Grande Conservancy District, the city is punctuated by agricultural acequias that distinction with the in any other case closely urban settings. Crops such as New Mexico chile are grown along the entire Rio Grande; the pink or green chile pepper is a staple of New Mexican cuisine and widely obtainable in restaurants, together with national fast-food chains. Albuquerque can be home to quite a few radio and tv stations that serve the metropolitan and outlying rural areas.

With over 1 million home professionals on Houzz, you’ll simply find the trusted Design-Build Contractor on your next project in Albuquerque, NM. The home was constructed around the architect and sandal designer, Bernard Rudofsky’s ideas and mixed a number of components. The home has onerous and gentle textures and old and new items that convey the Comeau couple’s eclectic taste new homes albuquerque. The firm’s founder, Kevin Evans, grew up within the development business, the place his father worked as a tile and drywall contractor in Farmington. Evans began his research in architectural drafting and design at the Phoenix Institute of Technology while working for a commercial drywall contractor.

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Ted puts the costs of each a part of the project on a spreadsheet that enables one to see where cash goes. The buyer is given a finances for home windows new home builders in albuquerque, doors, flooring, etc. The dealers, chosen by Ted, that the shoppers work with, are the best at what they do.

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[aniviashirtstore]

Tennessee 2022 Tennessee vs LSU score shirt

Just off McCarren Park in Brooklyn are the Tennessee 2022 Tennessee vs LSU score shirt Also,I will get this offices of Outlier and Willie Norris, its design director of seven years. Since establishing her Ideas series four season ago, Norris has expanded Outlier’s lexicon to subtly encompass her own intrinsically queer verbiage. Ideas 4: “New Math” sees her blur this line further. A starting point for her this season was Bernard Rudofsky’s 1947 essay “Are Clothes Modern?” and a twist on the title of his 1964 book “Architecture Without Architects.” “I’ve been trying to think about what fashion design is without fashion designers, or without the rules made up for us by us,” Norris says. This season, rather than projecting ideas for a collection into the future, she took it day by day, operating as a designer without the often self-imposed mania that comes with the job. But the exercise, healthy as it sounds, doesn’t enlighten us on the tangible tools she built her collection on. The answer is more straightforward, but just as sensible. Norris is a scrapbooker: she tends to write down words as they come to her rather than draw or sketch. By mixing loose concepts like “long blazer” and “skin” with cultural references like a tear out that reads “cheap chic homo,” she found her foundation. A concept she repeats that immediately takes prominence is “quotidian glamour.”