ruggedandstrong · 1 year ago
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Callum Kerr’s tufts of hair and sweaty pits make me so happy
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jackbatchelor3 · 6 years ago
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Tonight’s Performances
Calum Courtney 👦🎶
D-Day Darlings ⛪️🎶
Jack & Tim 👨‍👦 🎸
Robert White 😂🎶
B-Positive Choir ⛪️🎶 (Wildcard)
Lost Voice Guy 😂♿️
Giang Brothers 👬🚨
Gruffydd Wyn Roberts 🧑🎶
DVJ 💃🕺
Micky P Kerr 😂🎶
Donchez Dacres 👨🏾🎶
Plus Guest Performers: Casts Of Tina: The Tina Turner Musical 👩🏾🎶 & Magic Mike Live 🕺🕺
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cherryredlips · 5 years ago
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The Tartan Tights Awards 2019
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Later than ever before but in their new and permanent position it’s finally time for The 2019 Tartan Tights Awards. I’ve decided to cut a few awards this year mainly due to it being a quiet year in certain areas and the fact I’m not as active on certain scenes as was once the case. So let’s see whose brightened up my life in the last 12 months and let’s get this show on the road.
As always I…
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tarexippus · 3 years ago
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1, 3, 4, 7, 11, 22, 26, 28 <3
1. Three songs that show up when you put your library on Shuffle This Too Shall Pass- OK Go
Favorite Poison- Fuller
The Sore Feet Song- Ally Kerr
3. three songs you were recently obsessed with
Sanity for Summer- City Mouth
RATS- Louie Zong
Super Duper Party People- Allie X
4. three songs that you know thanks to your parents
Orinoco Flow (Sail Away)- Enya
One Week- Barenaked Ladies
All the Small Things- blink-182
7. three songs you didn’t expect to like but eventually loved
Peanut Butter- Rupaul ft. Big Freedia
Moscow- Autoheart
The Queer Gospel- Erin McKeown
11. three favourite songs from movie or TV series soundtrack
I Was the Sun (Before it Was Cool) [Novakid Theme] - Starbound
Holding out for a Hero- Fairy Godmother, Shrek
Featherstone- The Paper Kites, Grey's Anatomy
22. three songs you listen to when you’re sad
Sharada- Skye Sweetnam
Keep on the Sunny Side- Trixie Mattel
Baby I'm Burnin'- Dolly Parton
26. three favourite non-English songs
Le Festin- Camille
Ding Dong!- KATYA, ft. Trixie Mattel
drop pop candy- Reol, Giga (though I usually listen to the English cover lol)
28. three best songs to get drunk or high to
Free Money- Calum Bowen
Attention- Todrick Hall
El Tango De Roxanne- Moulin Rouge- Ewan McGregor, Jacek Koman, Jose Feliciano
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claritalunaluna76 · 4 years ago
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The UK parliament’s Digital, Culture, Media and Sport Committee is working on its report (and recommendations) from its inquiry into the economics of music streaming. One of the big talking points during the inquiry’s evidence sessions was equitable remuneration (ER): specifically extending it from radio and TV to some streams.
The Broken Record campaign has made ER one of its key requests of the committee; labels have argued firmly against it; and (in our view, at least) the committee seems to be leaning more towards the former camp. But the committee isn’t the British government, so if ER is to be extended, ministers will need to be convinced too.
That campaign is already starting. A letter sent to Prime Minister Boris Johnson – and shown to Music Ally this morning – sees a who’s who of British musicians backing such an extension. Sir Paul McCartney, Annie Lennox, Chris Martin, Jimmy Page, Robert Plant, Kate Bush, Roger Daltrey, Damon Albarn, Noel Gallagher, Laura Marling, Sir Tim Rice… and many more.
“Only two words need to change in the 1988 Copyright, Designs and Patents Act. This will modernise the law so that today’s performers receive a share of revenues, just like they enjoy in radio,” argues the letter. But it also calls for a competition inquiry (or at least a government referral to watchdog the Competition and Markets Authority); for songwriters to get a bigger share of streaming royalties; and the establishment of a dedicated regulator “to ensure the lawful and fair treatment of music makers”.
Later today, we’ll publish our quarterly Music Ally report, including our analysis of the key talking points of the inquiry, and what might happen next. One of our suggestions was that while the DCMS committee seemed sympathetic to the Broken Record campaign’s arguments, the government ministers seemed to be leaning more towards labels’ view of the world.
The letter shows that the former group are going to work hard to change that, and in wheeling out the musical big guns, the intensity of the lobbying has stepped up several notches – even before the DCMS committee’s report has come out. Labels and their representative body the BPI must now decide how best to respond.
Here is the full text of the letter, and its signatories:
———-
Dear Prime Minister,
We write to you on behalf of today’s generation of artists, musicians and songwriters here in the UK.
For too long, streaming platforms, record labels and other internet giants have exploited performers and creators without rewarding them fairly. We must put the value of music back where it belongs – in the hands of music makers.
Streaming is quickly replacing radio as our main means of music communication. However, the law has not kept up with the pace of technological change and, as a result, performers and songwriters do not enjoy the same protections as they do in radio.
Today’s musicians receive very little income from their performances – most featured artists receive tiny fractions of a US cent per stream and session musicians receive nothing at all.
To remedy this, only two words need to change in the 1988 Copyright, Designs and Patents Act. This will modernise the law so that today’s performers receive a share of revenues, just like they enjoy in radio. It won’t cost the taxpayer a penny but will put more money in the pockets of UK taxpayers and raise revenues for public services like the NHS.
There is evidence of multinational corporations wielding extraordinary power and songwriters struggling as a result. An immediate government referral to the Competition and Markets Authority is the first step to address this. Songwriters earn 50% of radio revenues, but only 15% in streaming. We believe that in a truly free market the song will achieve greater value.
Ultimately though, we need a regulator to ensure the lawful and fair treatment of music makers. The UK has a proud history of protecting its producers, entrepreneurs and inventors. We believe British creators deserve the same protections as other industries whose work is devalued when exploited as a loss-leader.
By addressing these problems, we will make the UK the best place in the world to be a musician or a songwriter, allow recording studios and the UK session scene to thrive once again, strengthen our world leading cultural sector, allow the market for recorded music to flourish for listeners and creators, and unearth a new generation of talent.
We urge you to take these forward and ensure the music industry is part of your levelling-up agenda as we kickstart the post-Covid economic recovery.
Yours sincerely,
Full list of signatories:
Damon Albarn OBE
Lily Allen
Wolf Alice
Marc Almond OBE
Joan Armatrading CBE
David Arnold
Massive Attack
Jazzie B OBE
Adam Bainbridge (Kindness)
Emily Barker
Gary Barlow OBE
Geoff Barrow
Django Bates
Brian Bennett OBE
Fiona Bevan
Alfie Boe OBE
Billy Bragg
The Chemical Brothers
Kate Bush CBE
Melanie C
Eliza Carthy MBE
Martin Carthy MBE
Celeste
Guy Chambers
Mike Batt LVO
Don Black OBE
Badly Drawn Boy
Chrissy Boy
Tim Burgess
Mairéad Carlin
Laura-Mary Carter
Nicky Chinn
Dame Sarah Connolly DBE
Phil Coulter
Roger Daltrey CBE
Catherine Anne Davies (The Anchoress)
Ian Devaney
Chris Difford
Al Doyle
Anne Dudley
Brian Eno
Self Esteem
James Fagan
Paloma Faith
Marianne Faithfull
George Fenton
Rebecca Ferguson
Robert Fripp
Shy FX
Gabrielle
Peter Gabriel
Noel Gallagher
Guy Garvey
Bob Geldof KBE
Boy George
David Gilmour CBE
Nigel Godrich
Howard Goodall CBE
Jimi Goodwin
Graham Gouldman
Tom Gray
Roger Greenaway OBE
Will Gregory
Ed Harcourt
Tony Hatch OBE
Richard Hawley
Justin Hayward
Fran Healy
Orlando Higginbottom
Jools Holland OBE, DL
Mick Hucknall
Crispin Hunt
Shabaka Hutchings
Eric Idle
John Paul Jones
Julian Joseph OBE
Kano
Linton Kwesi Johnson
Gary Kemp
Nancy Kerr
Richard Kerr
Soweto Kinch
Beverley Knight MBE
Mark Knopfler OBE
Annie Lennox OBE
Shaznay Lewis
Gary Lightbody OBE
Tasmin Little OBE
Calum MacColl
Roots Manuva
Laura Marling
Johnny Marr
Chris Martin
Claire Martin OBE
Cerys Matthews MBE
Sir Paul McCartney CH MBE
Horse McDonald
Thurston Moore
Gary “Mani” Mounfield
Mitch Murray CBE
Field Music
Frank Musker
Laura Mvula
Kate Nash
Stevie Nicks
Orbital
Roland Orzabal
Gary Osborne
Jimmy Page OBE
Hannah Peel
Daniel Pemberton
Yannis Philippakis
Anna Phoebe
Phil Pickett
Robert Plant CBE
Karine Polwart
Emily Portman
Chris Rea
Eddi Reader MBE
Sir Tim Rice
Orphy Robinson MBE
Matthew Rose
Nitin Sawhney CBE
Anil Sebastian
Peggy Seeger
Nadine Shah
Feargal Sharkey OBE
Shura
Labi Siffre
Martin Simpson
Skin
Mike Skinner
Curt Smith
Fraser T Smith
Robert Smith
Sharleen Spiteri
Lisa Stansfield
Sting CBE
Suggs
Tony Swain
Heidi Talbot
John Taylor
Phil Thornalley
KT Tunstall
Ruby Turner MBE
Becky Unthank
Norma Waterson MBE
Cleveland Watkiss MBE
Jessie Ware
Bruce Welch OBE
Kitty Whately
Ricky Wilde
Olivia Williams
Daniel “Woody” Woodgate
Midge Ure OBE
Nikki Yeoh
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bbycal · 6 years ago
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Top 5 celebrity male and female crushes
Male: 1. Calum Hood 2. Tom Holland 3. Charlie Puth4. Thomas Rhett 5. Josh Dun
Female:1. Kylie Jenner 2. Dua Lipa 3. Miranda Kerr 4. Kendall Jenner 5. Martha Stewart
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thaimassagegreenock · 5 years ago
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Why is John Lamont ashamed to be a Conservative?
Greenock, Scotland news and updates.
This post was provided by Newsnet.scot.
The shy Tory's actual voting record
By Equality Nation
Tory candidates in Scotland are hiding their party allegiance in their election literature and it looks like a national strategy to save their seats. Clearly they think promoting any connection with the Conservative Party and Boris Johnson is to their disadvantage.
John Lamont, the former Conservative MP and now candidate in Berwickshire, Roxburgh and Selkirk is a case in point. Equality Nation does not think he is being honest with the electorate. John Lamont is now an ardent Brexiteer and a Johnson loyalist with a long record of voting against social justice and equality measures. Given his deliberate avoidance of declaring his Tory links we have published his voting record, based on data held by TheyWorkForYou and other sources because we believe this is in the public interest.
In Lamont’s election communication (below) there is no logo connecting him with the Conservative party and the word ‘Conservative’ does not appear anywhere on his leaflet or in the imprint.
Lamont’s leaflet includes a diagram of the 2015 general election result when he lost to the SNP’s Calum Kerr.
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Party and % vote for three parties but John Lamont doesn’t seem to know what party he is standing for
Three of the bars are marked with party identification showing the percentage vote share for the SNP, LibDems and Labour, but the dark blue for the actual conservative candidate in the 2015 general election is simply marked John Lamont, suggesting he is standing as an independent or for the John Lamont Party at the general election on 12th December.
His nomination papers, lodged with Scottish Borders Council, make it clear he is standing as a Scottish Conservative and Unionist candidate. So why is he afraid to be honest with the electorate? With his campaign material highlighting an election he lost in 2015, it is strange he is not more confident of winning this time when he was returned as the MP at the time of Mrs May’s ill-fated 2017 general election when she lost her majority. Lamont though was returned with a majority of 11,060.
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Couldn’t be clearer on the official paperwork. John Lamont is a Johnson Tory
Lamont’s recent record as an ardent Boris Johnson supporter and determined Brexit champion seems to be making him very nervous. He rebelled against the agreement Mrs May brought back from Europe. It was far from ideal, but it did include a range of protections within the legally binding agreement, including protection for workers rights. Boris Johnson’s agreement (there is no deal) is much more fluid with important EU protections we have benefited greatly from, moved from the legally binding section to the ‘political declaration’ that is no more than a vague expression of future possibility.
Could all this be something to do with the fact his party leader and current Prime Minister is Boris Johnson? Perhaps John Lamont wants to distance himself from Johnson, a leader for whom truth and accuracy in those bumbling statements is completely absent, just like Lamont’s connection to the Conservative party.
How close is John Lamont to being also economical with the truth? Given the absolute loyalty demanded by Johnson, Lamont’s omission of this crucial connection to his party suggests he is purposely misleading the people of Berwickshire, Roxburgh and Selkirk.
Climate change is one of the big and very real issues we face. Two years ago The Herald ran an exclusive by Paul Hutcheon on the Tories hypocrisy over their support for the environment. According to the article, John Lamont “benefited from a donation from a climate change sceptic.” The Herald reported “Lamont’s local party received £2000 from currency expert Neil Record who has helped fund the controversial Global Warming Policy Foundation” who maintained the science behind global warming was “contested” and has not been “settled”.
It is interesting that John Lamont’s election material sets out with great clarity which party has the best chance to beat him. We couldn’t possibly comment. There are three other candidates to chose from on 12th December who might more closely represent your views and interests. Who you vote for is your choice and democratic right.
This article was first published by equalitynation.org on 27th November. Equality Nation Scotland are a campaigning group set up under Electoral Commission guidelines. They campaign on social justice and equality issues, climate change and Scottish Independence.
You can find similar content on our blog: https://thaimassagegreenock.co.uk/blog/
Please let me have your feedback below in the comments section.
Let us know what topics we should cover in future.
source https://thaimassagegreenock.co.uk/why-is-john-lamont-ashamed-to-be-a-conservative/
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thestrangestpetonearth · 5 years ago
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Liminality (Temporal Impressions) was the fourth in the series of exhibitions featuring cross-disciplinary works:  including performance, sound and sculptural installations, experimental music and film, exploring ideas around time, consciousness and modes of perceived reality.  
It took place at Gallery 46 in Whitechapel from the 4th - 30th of July 2019.  The exhibition featured performances and artworks by:
Lisa Busby, Jake Chapman, Rupert Cole, Rose Dagul, Eden Girma, Florencia Guerberof, Guy Harries, John Harries, Dan Hayhurst, Seulgi Kang, Calum F. Kerr, Andrew Lisle, Bruce McClure, Robert McGlone, Field Notes, Lucy Oates, Kevin Quigley, James Roseveare, Wojciech Rusin, Shenggy Shen, Annabelle Simmons, Reuben Sutherland, Phill Wilson-Perkin and Mary Yacoob.
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geeide · 5 years ago
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Whitespace Talk
Today we had Russell Kerr, the Lead UX Designer from Whitespace along with Ed Manson and Calum Dixon, presenting their UX company for the class.
Whitespace is an innovation studio working closely with corporates and startups to accelerate their innovation concepts and products. 
They have offices in both Belfast and London and they have 30 people working across many fields like design, engineering and product and marketing.
They also won the Digital DNA Company of the year 2019 which is an award celebrating diverse range of talent in Northern Ireland across the Digital scene, from E-commerce to Media and Digital&Creative.
I really enjoyed the thorough descriptions of their work and the diversity of it all, such as ux strategy, research, product design, ux engineering, etc. 
It was also useful how they recommended different platforms on how to become a better UX Designer, such as design challenges, books and podcasts.
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cherryredlips · 5 years ago
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We Will Go To The Polls With A Spring In Our Step And Not Let The Tories Steal Christmas. (Why We Must Refuse Boris The Gift Of A Winter Election)
So Boris Johnson has said he will call for a General Election on Thursday 12th December. His reasoning for this is he said to get Brexit done as he claims parliament is not delivering the will the people which he tells us ad nauseam to the point of boredom is get the United Kingdom out of the European Union This is in my opinion a dangerous game of risk by the Prime Minister and it’s a game that…
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terrarowing-blog · 7 years ago
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Tawe Nunnugah – A Rowing Voyage
This story begins in the Outer Hebrides in the seventies. In front of me is a man sawing up a TV aerial.  Badly folded into his fifties, he is dressed in a tweed cap and a dungaree jacket.  A tweed weaver, he has served his time in the Royal and the Merchant Navies. His task is to replace the broken wooden shaft of a “croman”, a primitive cultivation implement. Presently this man, my father, turns from his labour and hands me his completed project. The ancient rugged hand-made iron head now sits at the end of a glinting aluminium alloy silver pole.
”There you are and don’t break it.”
He omits the “again”
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At this point I am a teenager helping my extended family manually dig up hunderweights  of Golden Wonder, Kerr’s Pink and King Edwards. Our household has no motorcar but soon we will have excavated sufficient potatoes to entomb a dog bone fronted Ford Escort.  I have spent my life looking out to sea, the Atlantic at my door, but fate has not put salt on my tail - instead it has pushed my sulky teenage face into the soil after putting a standard issue hand implement in my fist. The tune is in my head but I find myself pointedly at odds with the lyric once sung by local seaman Calum Zachariah of Bearnaraigh. He wrote in his eponymous song almost 2 centuries ago:
Ged is math a bhith seòladh
'S olc a tha i 'gam chòrdadh
'S mòr gum b' fheàrr a bhith 'm Bòsta
Cur an eòrna 'san raon
Although it is good to be sailing
It is an evil pleasure
Would that I were in Bostadh
Planting barley in the field
Òran Chaluim Sgàire circa 1850
He compared the speed of his vessel, with her new masts and white sails, to the grace of the roe deer in full flight. Born in 1822 by the age of 17 he was sailing on the schooner Express carrying salted fish to the Baltic. Well, he could have had my place anytime for I remained stranded ashore with no invitations of escape onto the ocean.
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It was, as a child, cutting peat together in sight of Eilean an Taigh at Loch Raoinabhat that my father first told me how the pirate Niall Odhar plied his trade of violence along this coast. With his Viking styled longship, reputedly black on one side white on the other - pirate Niall’s life was blighted by the state and in April 1613 they executed him at the Mercat Cross in Edinburgh for “the treasonable crimes of fire-raising, burning, murder, theft and piracy.”  My life was blighted by poor television reception and potatoes.
That was forty years ago. Those fields now lie fallow and now I am a fifty-something standing on the other extremity of the globe with a sea chart in one hand and a compass in the other. The sea evaded me my whole life. Until, like so many other scots, more than half of them women, I found myself stumbling into a St Ayles skiff and discovered a whole new world of experience. Here I stand on a Tasmanian shore beside the John Liddy, a traditionally styled 22ft, 4 oared rowing boat. A skipper apparently, awaiting my crew.
How did that happen? Well to explain that I would need to tell you a little about the whole Scottish Coastal Rowing project.
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Imagine a blackened coal miner and a fiery Viking holding hands, metaphorically at any rate. Seven years back, boat builder Alec Jordan was mourning the poor state of community rowing in the Fife harbours near his home, where between the wars and as recently as the 1950s coalminers had rowed and raced at their miners galas, using boats built with scavenged colliery timber liberated from their subterranean workplaces. So, teaming up with the Fife based Scottish Fisheries museum acclaimed boat designer Iain Oughtred was commissioned to come up with a design that would launch this modest endeavor. Beginning with a Fair Isle skiff for inspiration, itself the charming wee brother of much older larger Viking vessels, Oughtred set about creating an entirely new form of this ancient concept. Oughtred’s design - christened The St Ayles Skiff - was soon turned into a highly versatile, affordable, flat-pack marine plywood kit. At the last count there were over 190 completed St Ayles Skiffs registered with the Scottish Coastal Rowing Association. By fundraising and then building their own boat ordinary people are getting afloat and travelling to reconnect with many other coastal communities, locally and even globally. Using this DIY  Norse inspired kit - this handful of Anstruther enthusiasts has  quickly grown into an international rowing community of thousands.
Besotted with this phenomenon I found myself led up the Octupus’s Garden path to Tasmania’s wild and wondrous southern tip.
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Martin Riddle – the organiser of Tawe Nunnugah 2017 – is a retired marine biologist and one time punk rocker. Trained in Scotland he spent the last twenty years working on the Australian Antarctic program, in support of environmental protection. Always a smartly dressed sailor but with the poise of a man who may have done a bit of pogoeing in the past.
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“Tawe nunnugah means ‘going’ by ‘canoe’ in the local southern Aboriginal language. This reflects the fact that people occupied this land sustainably for tens of thousands of years, generation upon generation. Inspired by this, the Tawe Nunnugah Raid is a small boat rowing and sailing camping expedition. This year there were 31 vessels involved with about 100 participants each day. It goes from the most southerly point of Tasmania, over ten days, timed to arrive in Hobart on the first day of the Australian Wooden Boat Festival. Using a road crew to transport baggage, the fleet is able to camp on isolated hillsides and by distant beaches well off the beaten track. It’s all about enjoying the wonderful environment here in company, sharing the voyage of each day and then at night over a glass of wine or a beer happily exaggerating the experience to each other.”
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Almost 2 centuries previously Wooraddy of the Aboriginal Nuenonne clan, told of journeys by canoe to the Tasman Peninsula and across Storm Bay. In summer they hunted seals at the Maatsuyker and De Witt islands.
Friday 3rd February. Cockle Creek in Recherche Bay to Southport. WNW 10-20Knots at Noon 15-20 Knots later.  Distance 9.5 Nautical Miles
We set off from deserted beaches of golden sand leaving behind the beautiful wilderness of the Southern Cape.  My first crew: Shane, Sarah, Penny and Jill, row the John Liddy out the bay. Recherche takes its name from landing place of the d”Entrecasteaux expedition searching for missing explorer La Perouse way back in 1793.  Today it is the turn of our Tawe Nunnugah sail boats, stilled against their blank canvases to watch us rowers disappear. They sit becalmed in sunshine under darkening Hartz Mountains as we head up the coast.
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Further north we try to leave George The Third Rock to starboard. Somehow we manage to go dead bang over where it lurks sunken 6 ft below the surface.  Blessed with a very shallow draft, the margin for us is comfortable. On a moonlit night in 1835 the 400 ton rigged sailing vessel the George III did  much the same thing but with 200 convicts and 29 military guard on board.  The results were tragic. In all, the ship carried 310 souls, two children having been born at sea.
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She departed Woolwich on December the 14th 1834  under the command of Captain William Hall-Moxey. First, a careless fire almost got to the gun powder kegs in her magazine but for two convicts burning their hands crawling through the smoke to retrieve the hot copper powder kegs. 16 had died and 60 more were down with an outbreak of scurvy before she had reached the Tasmanian coast and foundered on this uncharted rock. A heavy ground swell set in, lifting and dropping the ship's bows heavily on the reef. It took about five thumps to stove her in. A strong guard with cutlasses and muskets were placed over the hatches but she began to fill rapidly and the mast collapsed. The guards fired their guns in order to quell rising panic. 133 lives were lost, including 128 convicts, many of them perishing in the hold.
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The wind has picked up considerably and the yachts are now roaring up behind, soon to over take us. We stop to take stock. When we turn the corner the wind will be directly on us and could be as high as 20 knots. The crew has bonded and is well prepared but our level of experience is very mixed. I have to be careful not to over commit. We have VHF radios and fleet safety boats so we are reassured.
A bottleneck has built up in the narrow between the shelter of Southport island and the point. Sailboats are now tearing past us: The Montagu, The Boxer, Theona and Hop the Wag all shoot by. One rowing skiff has rowed ahead and one lingers uncertainly behind us. I brief the crew over a quick lunch afloat. We are going to have a hard row against the weather aiming for the lee of Pelican Island.
The radio is buzzing with reports of capsizes and uncertainty about the conditions ahead, some of our fellow raiders, worryingly, are already in the water. I drift into a slight dream as we set off knowing I may have to distract and hold the crew happily to their task. Again I remember pirate Niall Odhar and that distant  Outer Hebridean day around 1600 when the red pumping fear invoked by the sight of his Birlinn (longship) inspired the famous rowing song An t-Iorram Niseach. “My heart fears greatly that this is Niall Odhar in his Birlinn  bearing down on us.” Sings Alan a’ Bhritheamh. He is rowing alone on one side of the boat while his two brothers both have an oar each on the other side, making the propulsion uneven. His mind is racing wildly everything is against him his world is tumbling apart in a flood of brine and straining sinew.
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Now he is singing, first praising and flattering his fine brothers and boasting of his own strength. Quickly it is apparent that this eulogy is not enough. Second by second homicidal Niall continues to close the gap, with his two-tone Birlinn . Alan fixes on his brothers with his song and paints them a different picture: “I have a dagger in my hand, in the hollow above the fort, Niall Odhar is beneath me, I plunge the dagger deep into the creel of his chest and watch as the blood fills his gusset.” This is a premonition of what shortly follows for Alan and his brothers but unfortunately the key roles are reversed. Sung as a work song for the best part of 400 years these days you are more likely hear it on iTunes than at sea.
My attention returns to the crew. I remember vaguely that Jill has more sea experience than the rest of us and ask her to take the tiller. I take my turn at an oar and begin to sing quietly.
The team comes together and, fighting off fatigue they rest briefly in the shadow of Pelican Isle before finally beaching the John Liddy on the Southport shore with a new dignity and hard-won self respect. It is with embarrassment that I remember that I spoke rather sharply to Jill during a rather distracted moment, as I later learn…
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With Jill Knight on the helm I was in better hands than Alan a’Bhritheamh could have hoped for. Although Jill is fairly new to this form of rowing, for thirty years she has travelled the world sailing single handedly on her 1894 built cutter, Cooee. Once, on the South China Sea, Jill, having received a radio call warning of pirates with only her cat Lucifer for company turned off the lights and sailed in darkness through the night to evade the buccaneers.
Jill recollects the earlier row to Southport. “I had no doubt that we could row all the way. After that day I understood why I suddenly love rowing. I have sailed for over 30 years but you feel more in control when rowing and less beholden to the whims of wind. Then there is the singing! “
“The 1894 New Zealand built cutter Cooee sailed into port and the owner, looking for crew, invited me aboard, offering to teach me navigation. I was totally hooked. We went to Asia, the Pacific, mainland China, which was unheard of back in 1985. Then I bought Cooee and went off on my own. I made every mistake there was to make and broke everything, one thing at a time normally! The learning curve went vertical. I went of to the Western Philippines, Borneo and muddled along with my strong-hulled boat. She looked after me for all those years. Then to Singapore, Sri Lanka and across the Indian Ocean via the Chagos Archipelago. That crossing, from Sri Lanka to Mauritius, involved more than five months without reprovisioning. Stowing a lot of rice, on the islands there was unlimited seafood and lots of coconut crabs, huge land crabs that can be a metre from claw to claw. You just eat the legs."
Her career as a writer took off with magazine articles and books. Describing the adventures of one woman sailing oceans with her cat Fletcher, shipmates for 20 years. Sadly the cat Lucifer who fled the pirates with her was short lived.
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Saturday 4th February. Southport to Dover. Wind WNW 18 Knots. Distance: 12 Nautical Miles
I have prepared meticulously for this voyage buying the cheapest fishing hand line on sale at Franklin Marine and a large bag of giant liquorice allsorts. Today this forethought pays off and I land a decent sized squid near Faith, Hope and Charity Islands. This frisky squid is in luck with this soft centered entirely female crew: Christine , Linda, Penny and Sarah, either it is his long legged charm that persuades them to make me let him go or perhaps they are afraid of getting inked. He makes his body bulbous and puckers up as I release him from the hook!
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Sunday 5th February. Dover to Randalls Bay. Distance: 10 Nautical Miles. Wind: N morning 10-15 knots  and  SW in the afternoon 15-20 knots.
Things start badly. A mob of raiders has gathered to helpfully carry the skiffs down the beach from above the high tide mark and turn them round to point bow to sea. As my boat, the John Liddy, becomes a multi-legged insect like creature and springs lightly up from the sand, I see disaster unfold. They are turning her anticlockwise. “Clockwise, clockwise!” I cry but to no avail. They have impishly gone purposefully anticlockwise. I can see Allan Macleod glowering at me on golden sand of Bostadh beach, way back in the Hebrides, as he told me “Always sunwise. Always!” In my native Gaelic this in principle is named as deiseal. This is ” the prosperous  course, turning from East to West in the direction taken by the sun”. As was observed by Druids states Edward Dwelly in his dictionary.
I am crestfallen. There is some teasing about sunwise in the southern hemisphere being anticlockwise and that perhaps Satan hasn’t really been summoned?
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The water is glassy and the wind slight as we round Esperance point.  It ripples and chinkles around the slender shoulders of the bow as you might sweep your hand through a delicate chandelier. The sun is burning strong and helmsman Will Hallinan narrows his eyes under the shadow of his wide brimmed leather hat. I can almost hear strains of Ennio Morricone music. Todays weather forecast certainly has elements of the good, the bad and the ugly –  first calm; then scorching sunlight; to be followed by a strong wind on the beam later. As we approach our lunch stop at Surveyors Bay, our ten dollar fishing line goes tight and we bring on board a tasty looking Australian salmon.
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Rower Will Hallinan grew up in Kerang in North Victoria.  Meaning ‘moonlight over water’ in the Aboriginal language, it was once an inland sea, he explains. To Will it is “The Land of the Lost Contour Line”.
“There is only one contour line and it keeps moving around because it is so flat. One night I was out chasing rabbits in the dark. I used to run rabbits down cos I didn’t have a gun. A rabbit can run fast but it cannot run far, only about a mile and a half, and I’d pop it on the head with a mattock handle.”
“I came from a big family - six brother and six sisters.” His mother died giving birth to the eleventh child. “Dad pretty well fell apart, he couldn’t manage the farm and the kids. He did as well as he could but he couldn’t manage without mum.”  Will spent time in an orphanage as his father tried to cope with running the farm and looking after the children.  “Eventually dad remarried and got us all back home again. It was never the same.”
“I work for the National Parks track working. I do things like maintenance and cleaning. Forest fires I do not enjoy at all. Canopy fires when they are huge, are like a jet roaring so loud that you cannot hear yourself think, and so tremendous is the heat you have to clear off or you’ll get cooked. I do enjoy peat fires deep in the ground. The peat gets so dry it just continues to burn underground and you’ve actually got to search for it with your hands. Often I take my gloves of and find the heat that way and dig it up or dowse it. You ‘ve got to be really persistent or they’ll just pop back up again.”
“I must say on that trip from Surveyors to Randall’s Bay when the wind was coming beam on and I was on the weatherside, it was really hard to time the waves and catch them or not get caught yourself. It felt immensely wonderful to come through it. Rowing is my form of meditation.”
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Terra Nullius is a latin phrase deriving from Roman Law meaning empty land. As recently as 1598 there was an unexpected outbreak of Terra Nullius in the Outer Hebrides. Shortly before unifying the crowns and expanding his horizons King James the VI of Scotland had tired of what he later described as “sic a unfamous byke of lawless lymmaris” that is: “such a wasps nest of thieving vagabonds”. He was referring to the population of the Outer Hebrides. His solution was to grant a charter to a syndicate of loyal sycophants to take possession of the island of Lewis from the invisible indwellers and establish a new colony. As historian W. C. MacKenzie puts it in his History of the Outer Hebrides in 1903: “This Syndicate of chartered buccaneers was brought into being, with aims which the most hardened association of money-grubbers of the twentieth century might hesitate openly to avow. By their King, they were directly incited to accomplish the process of "civilisation," much in the same manner as the early settlers in Australia "civilized " the aboriginal blackfellows.”
Unfortunately pirate Niall Odhar was not a subscriber to the doctrine and the invaders were repelled after only a few months. It distracted Niall badly from his true calling; the devastation of his own clan and extended family by internecine strife and murder.
Despite having taken up new lodgings in the far south, King James (by now known as The First of England) played his role in advancing a second invasion. It was executed in 1607 with a new directive for settlement by the new colonists "not by agreement with the countrey people, bot by extirpatioun of thame".
So called ‘justice’ finally caught up with Niall in 1613 when he was hung in Edinburgh at the Mercat Cross with his severed head displayed at the Netherbow Port.
Terra Nullius in Tasmania was much more devastating for the Aborigines. They were denied recognition as British Subjects and were defined as people who live “in a savage state”. In 1800 “Richard Atkins, the Judge Advocate in Sydney, ruled that it was impossible to bring an Aborigine to trial for a crime committed against either a colonist or another Aborigine…. At the same time it was becoming impossible for any colonist to be arrested and charged with the murder of an Aborigine.”
Lyndall Ryan writes in her book Tasmanian Aborigines.
There is no meaningful comparison between the two geographical experiences, only irony in observing the way in which the Scottish and British crowns expanded their ambitions after such modest beginnings with homegrown schemes and in how the victims of the earlier domestic plantations went on to become the settlers, who went out into the new world and brought catastrophe on a variety of indigenous peoples.
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Monday 6th February. Randall’s Bay to Simpsons Bay.  Distance: 12 Nautical Miles.
Clearly Satan was summoned yesterday by the bad, centipede-like John Liddy pirouetting anticlockwise. I have woken in my tent to find that my face is a potato. A bright baked lumpy one. My eyes will barely open. I look like a bust badly modeled out of old plasticine by a distracted child. I join my fellow campers and put half of them off their breakfasts. There are sympathetic remarks as to whether it is bad sunburn or an allergy. Kindly camp pharmacist, Rob Blackburn runs away to find some lotion, but I know what is. It is ‘breitheanas’. The sea god, Seonaidh, has been angered and this is retribution. Martin Martin describes how easily this can happen in his circa 1702 guide to the Western Isles of Scotland. Seonaidh can be pacified by an offering of beer but, looking at myself in my mobile phone, I know it’s far too late for any pale ale remedy
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Tuesday 7th Febrary. Wind: E 15-20 Knots ESE later. Simpsons to Quarantine bay on Bruny Island. Distance: 10 Nautical Miles.
My face has flaked off. I have no further use for sun cream. Instead I need a facial version of Head and Shoulders. Making our way north from Simpson’s Point we spend a time watching a family of White Bellied Sea Eagles sun their proud stomachs at Robert’s Point. They are not true eagles as they do not have feathered legs but are in fact giant kites with a taste for fish.
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Wednesday 8th February.
Wind: in excess of 30 knots.
Bad weather has us all land lubbered on Bruny Island for the day. We have been promised a special treat for lunch back at the camp to compensate for the unpleasant wind blowing out at sea. A deluded rumour spreads that it’s to be oysters so we fill in time by cajoling fellow sailor and rower Endra O’May into taking us on a tour of the nearby Aboriginal flint quarry at Quarantine Bay.
“The Aboriginal people go back 40 to 60 thousand years in Tasmania. For many hundreds of years the aborigines from around would have come here to make their flints because the stone is so good. They hit the stone and shards fall off the core stone. They lived here as well. You always get a midden on a point like this with fresh water and a lovely view. Every time they lit a fire and had a meal the leftovers were left right here”, explains Endra.
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“I started to row when I was about two. You rowed and sailed like other kids have bikes. It was very natural to grab a boat and a fishing line and off you would go. When you live on the land, doesn’t matter where in the world, the land moves through your body, you start to get the wisdom of the land, you get instinctive and intuitive about the land which is how the Aboriginals lived. When the white people first arrived they found the bodies of aboriginals placed carefully in the trees, like a burial tree. Truganini’s birth tree is a fair way inland from here. “
Born in 1812, Truganini became the most famous Tasmanian Aborigine woman. Many claiming at the time that she was the last full blooded Tasmanian Aborigine. Her father was Mangerner Chief of the Lyluequonny clan of the South East nation from Recherche Bay. By 1829 aged 17 she was living with her father at Rat Bay on Bruny Island, her mother had been killed, stabbed by sealers, her sister Moorinna had been accidentally shot after being abducted, her fiancé Paraweena was killed by sawyers who threw him out of a boat then cutting off his fingers as he tried to cling onto the side.
She saved George Augustus Robinson, the dubious Protector of Aboriginals from falling into the hands of the Tarkiner clan at the Arthur River by ferrying him across on an improvised raft using his garters and cravat to fasten the timbers. In 1841 she was in the company of two young warriors, Maulboyheenner and Pevay, who shot two whalers named Cook and Yankee. Maulboyheenner and Pevay hung for the crime but Truganini returned to the so-called Protectorate at Wybalenna on Flinders Island.
The Protectorate was moved to Oyster Cove, where there was a flint quarry that had been used by her late father and late husband. She visited her former home, Bruny Island, and got the opportunity to pass on skills and traditions to children. These included how to sing corroborree songs and how to read the stars. Her great fear was that on her death she would be mercilessly dissected, treated as a scientific curiosity, as befell her friend William Lanney in such gruesome fashion and that she would be subsequently displayed callously in a museum. She clearly stated her wishes that she be buried “in the deepest part of the D’Entrecasteaux Channel”.
She died in Hobart aged 64 in May 1876 with her beloved dogs around her. Despite the attempts of the Royal Society of Tasmania to obtain her corpse as “a valuable scientific specimen”, Truganini was given a decent burial at the old Female Factory at Cascades with her friends and family present. She was only accorded this human decency for two years after which, in contradiction to her and her supporters wishes, her bones were exhumed by The Royal Society of Tasmania, put in a box, before being articulated into a skeleton and put on public display at The Museum of Tasmania where this obscenity continued until 1951.
It was not until 1976 that her descendants succeeded in securing the return of her remains - allowing her cremation and the final granting of her wishes when her ashes were scattered according to her wishes, only a hundred years late.
The surprise lunch turns out to be a taco van arriving on the seaward edge of our tented village.  The tacos are delicious.
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Van Diemen's Land, as Tasmania was then known, was created in 1803 as a British penal settlement.  75,000 convicts were sent to Van Diemen's Land before transportation ceased in 1853.
We are on the second leg of the Tawe Nunnuggh and at the helm right now is Jodie Ebinger. No stranger to convicts, Jodie is a policewoman. “Dealing with offenders is like dealing with the water. My policy is to respect them,” she tells us.
Jodie grew up in Wangeratta in northeast Victoria. After moving to Melbourne to study, she worked for ten years in the social work disability field before becoming disillusioned with the continuing funding crisis. "I was doing some soul searching and ended up joining the police force. I’ve been in the police force for eleven years now."
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Five years ago her son Jesse was born with Down’s Syndrome. "I decided to take time off work, knowing that the long term outcomes are far better if there is quite dynamic early intervention. So, I‘ve been doing that but it’s very very exhausting. He’s always on the move. So, one day I saw an advertisement in the newspaper for this boat building in Williamstown and I’d just been speaking to another mum, in the same boat as me and we both love the water. It ticked the box! My friend and I had discussed that we need to do things for ourselves. I want my world to be bigger than just about my son. So I turned up for an information session, went for a row, loved it, met like-minded people and just instantly felt at home. It’s been great."
"With this rowing raid, I had reservations but I decided I’ll throw myself in the deep end. “Policing is very “interrupt driven” you gotta think on your feet, deal with whatever is thrown at you, the weather can change really quickly, it can get to the point of life threatening.
"One example stands out - a nasty domestic incident involving this guy, Maraffko. He had falsely imprisoned, bound and gagged his partner. Along with my female partner, I arrested and interviewed him. I remember at the end we had to get him accommodation as we often have to. He looked at me and said “You care." which left me feeling uncomfortable, but as I say, I was respectful and just did the job."
"Some weeks later I was on duty and a report came on the radio of a guy that had 'gone off' and had to be arrested right in the Main Street in the middle of the day. When the familiar name “Maraffko” came over the radio I knew what we were dealing with. They were calling for backup I began to fear that this might be a case of attempted suicide by police. By the time I we got there he had walked into a side street and the available units were trying to arrest him. Because I'd dealt with him before I called out to him and started to engage him. I felt safe enough to get closer bit by bit, enough to talk him down so that he could be peacefully arrested. Much later on I was listening to the news. Maraffko had been arrested for murder.  It was an awful scenario. A young mother killed in front of her kids. He'd used the same modus operandi that he had with our victim."
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“ You have to respect the person to get a better outcome, I see clearly it's the same on the water. Let the exciting or perhaps the dangerous times be the ones you can't avoid not the ones you create out of stupidity. And hey, your crew are more likely to want to hug you at the end."
Thursday 9th February. Quarantine to Mary Ann Bay at South Arm.
Wind: SSW 15-20 Knots later S. Distance: 13 Nautical Miles
As we depart Barnes Bay, a pod of dolphins accompanies us, almost translucent, swimming just beneath and beyond the oar tips. Coming up to South Arm an angry wind chop rises from the south. It laughs at us and at the forecast, exceeding 20 knots and erratically backing easterly. We are in the wrong place at the wrong time. The sea gradually takes away the crew's respect and affection for each other, tears it to pieces and throws it at our feet. The safety boat Stella Irene stands by unable to intervene but ready to pluck us out of the water if and when we go down.
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The responsibility hangs heavily around my neck. Consensus and communication disintegrates. The situation is a sobering one.  We have to overcome our difficulties and quickly get our wits about us. Grimly, we focus on staying afloat. The following sea is ragged, shape-shifting waves are breaking into the boat. We abandon our course and run before it. I am on the tiller the destination is now undefined. Anywhere but here. It appears to ease a little. Calling for hard on starboard we take a big one. Now we are all soaked and fatigue is kicking in. Salt water sloshes around our feet. It does finally ease and we get to our intended destination. We pull the John Liddy up the beach barely speaking to each other.
While I am shabbily setting about pitching my tent a lightly bearded man approaches me. He is our safety support from the Stella Irene. He states the obvious: "You had it rough out there."
“Yup” I say, tossing a bent tent peg aside. He offers to chair a debrief. I shrug and screw up my face, he keeps talking and I concede that it is the best option.
A small sea of unhappiness envelops us as we work our way through it all again but under Rob's leadership that is what we do - we negotiate it together once again. There is nothing easy or pleasant about it. I feel like shit. The talk peters out and Rob steers us to a conclusion.  
I have a few drinks and stay back from the camp laughter and chat. Before I head back to my tent I finally work up the courage to sneak a look at tomorrow’s sign up sheet for my boat, the John Liddy, fearing he will need to be re-gendered as the Marie Celeste. Illuminating the scrawled names with my phone, I feel a swell of emotion and my eyes brim. There they are, back again, my shipmates, willing to give me another chance and to share our triumphant last day as we join a fleet of boats to parade into Hobart on the first day of the Australian Wooden Boat Festival.
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Lyndall Ryan describes a sight near  present day Hobart in her book Tasmanian Aborigines:
On a cool spring day at the end of the first week in September 1803, a family of the Moomairremener clan for the Oyster Bay nation on the eastern shore of the River Derwent saw a large white bird near the rivulet at Risdon Cove. The next day they saw another draw up alongside. They had seen such birds before and believed the human strangers they carried were Wrageowrappers, devil men’s spirits…for the first time, some white devil women and children had come to stay.  
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Please allow us to introduce ourselves, modern Wrageowrappers in our little Scottish inspired plywood clinker built birds with our oars beating gently as we glide towards this town named after Lord Hobart, the Secretary of State for War and the Colonies until 1804 - no doubt a man of wealth and taste. We are followed by a wave of tall ships, yachts and all sorts of elegant traditional wooden vessels running on their attendant cloud of sails. What could be grander than the three masted James Craig, launched in Sunderland in 1874; the topsail schooner Enterprize and the towering Tenacious of ancient appearance but equipped with 6 wheel chair lifts - even one for ascending the mast. We all share a deep feeling of satisfaction and a sense of arrival but for me it does nt derive from the destination nor from today’s pageantry. It comes from the journey shared in these able little St Ayles boats, from friendly faces and the chequered feint ghosts of legend.  I am today as grey as the Lewisian Gneiss ridges that framed my childhood, age is eroding me but these journeys are carving an intricate inner coastline that I will visit and revisit for years to come. That’s my game.
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A salt-encrusted raid mob trudges to Hobart’s Hope and Anchor Tavern, opened in 1807 and with rifles and cutlasses still hanging on the walls. “Civilisation is only 3 beers deep,” advises Kiwi rower Don Currie and after a few jars a woman at the bar is cheerfully jostled and encouraged forwards by a tired and elated crowd. Caledonian skiff skipper Ali Grant steps forth and leads everyone into song “C’mon and roll...” starting a riotous improvised version of the ancient sea shanty “Roll the Old Chariots.” Rum bottles shake on the shelves. For as this version states “A damned good wash wouldn’t do us any harm.”
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Special thanks to Lyndall Ryan for permission to quote from her book  Tasmanian Aborigines  ISBN 9781742370682
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randomrpawards-blog · 8 years ago
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CATEGORIES (FINAL UPDATE, CLOSED)
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Mila kunis (Evyn Reese) Miley Cyrus (Shelby Cocktail x5, Stori Steele) Miranda Kerr Molly O Malia (Delilah Everett x9, Brinklae Wakefield) Naya Rivera (Alyissa Reese) Neels visser (Mattis Republic x7) Nina dobrev (Blair Cocktail x2, Adele Palmer x2, Mars Exottic, Evyn Reese, Shayla Ridette, Keely Czar x2, Lani Casinas) Niall horan (Sawyer Bowman x3) Nick Jonas Nicki Minaj Nicola peltz (Ryan Korsica x2, Chey Lacour x2) Niki Demartino (Ciona Belini x3) Noah Cyrus (Jo Manhattan) Normani Kodei (Ayla Republic) Olivia holt (Alexandria Mansfield x6) Paris Hilton (Paris Republic x2) Paul Wesley (Luke Lacour x3) Perrie Edwards (Jack Verikov x2, Piper Reese) Phoebe Tonkin (Paige Mayhem, Parker Zaccuri) Rachel bilson (Evyn Reese, Elodie Sixnine, Piper Reese) Remy ma Rihanna (Sophia ??? x2) Rowan Blanchard (Morae Verikov) Ryan gosling Ryan Reynolds Sabrina carpenter (Morae Verikov x2, Tragedy Dylan, Vixen Mustebait) Sammy Wilks (Max ??? x2) Saddy Roberson (Ashtlyn Exottic x3) Sailor Mars (Adele Palmer x3) Sarah hyland (Bronte Genji x2) Sasha Pieterse (Rhylin Verikov) Savannah montano (Evah Korsica x6, Ocean Republic x4)   Selena Gomez (Khrys Republic x2, Dom Legacy x7, Aveah Wantmore x2, Lucy Zaveri x4, Khrys Republic, Daniella Belini, Sage Reese, Millie Bourbon X3) Scarlett Leithold (Maia Lindes x5) Shay Mitchell (Kori Royal x4, Skyler Ryzette) Shawn mendes Stella hudgens (Savannah Belini x2) Shelley hennig (Paige Mayhem, Evelyn Bleeker x2) Sophia Bush (Evyn Reese, Julit Ridette, Aniroc Reese) Tana Mongeau (Baylor Styffe x2) Taylor Hill (Arsyn Republic x3) Taylor momsen (Tally Jerzak x2) Taylor swift (Colson Czar x4, Drew Reese, Evyn Reese) Tom Holland (Skyler Ryzette) Travis mills (Fox Korsica x4) Troian Bellisario (Amberle Burke, Piper Reese, Libby Verikov, Adele Palmer, Gwen Briggs) Tyler joseph (Calvin Pacer x2) Tyler posey (Devon Nirvana x4, Kyle Reese x2, Max Fallon) Vanessa hudgens (Christina Korsica x10, Isa Cocktai x2, Isa Belini x8, Morae Verikov x4, Pace Mayhem, Bri Verizon) Victoria Justice (Kami Zaveri)   Wesley stromberg (Parker Czar) Willa Holland (Suki Kudebek) Zac Efron (Gavin Baker, Decklan Shake x2) Zayn malik (Fox Korsica x3, Keilani Santoro) Zendaya (Stori Steele) Zoe sugg (Mattie Emerge x3) Zoey Deutch (Paige Mayhem)
^IF I MISSED ANYONE LET ME KNOW.
FUN CATEGORIES ~~~~~~~~~~~~~~~~~~~~~ COUPLES Best couple orp (Jazzy Lacour & Joel Korsica x4, Dover Korsica & Fox Korsica, Taber Lacour & Paris Republic x5, Brielle Verbeck & Gavin Baker x5, Binx Lacour & Mattis Republic x4, Giana York & Jensen Korsica x5, Max Santoro & Cindy Republic x4, Poncho Maine & Ayla Republic x2 )   Worst couple orp (Jazzy Lacour & Joel Korsica x8, Paris Republic & Taber Lacour, Mykel Zaveri & Hadley Zaveri) Who should be dating (Silas Santoro & Brooke Korsica x4, Colson Czar & Austin Campari, Etines Cocktail & Austin Campari) Who shouldn’t be dating (Taber Lacour & Paris Republic, Jazzy Lacour & Joel Korsica, Audrey Maine & Calvin Pacer) ---------------------------------------------------------------------- FAMILY Worst family ( The Korsica’s x6, The Republic's x2, The Cocktails x3, The Wantmore's, The Belini's x2) Best family (The Cocktail’s x4, The Korisca's x5, The Lacour's x2, The Republics x2, The Santoro's x2, The Verikov's x2, The Maine's x3 The Belini's, The Vigalitore's (are they still around??), The Excottis 's, The Reese's, The Ridette's) Most underrated family (The Exottic's x2, The York's, The Santoro's x3, The Verberks, The Belini's, The Ridette's, The Mayhem's) Most popular family (The Republic's x4, The Cocktail's x3, The Korsica's x4, The Wantmore's, The Palmer's, The Kasner's) Most fakest family (The Korsica’s x2, The Cocktail's x4, The Republic's x2) Most kind family (The Maine's x3, The Belini's, The Korsica's x5, The Cocktail's) Most realist family (The Korsica’s x4, The Ridette's x2, The Republics, The Verikov's, The Reese's, The Mayhem's) Most Annoying family (The Cocktail's x2, The Korsica's, The Lacour's) What family needs to leave rp (The Cocktail's, The Maine's x2, The Belini's) ---------------------------------------------------------------------- BIGGEST Biggest player orp (Silas Santoro x2) Biggest player (female) orp (Kat Hutton x2) Biggest bully orp (Dover Korsica x8, Paris Republic x2, Mike/Julie Korsica, Mattis Republic x2) Biggest catfish orp (Lola Fountain x3, Cindy Republic, Ryan ????, Megan Lee Barrett) Biggest liar orp (Aaron Republic x3, Shay Maine, Loki Untouched) Biggest “feud” starter orp (Paris Republic x3, The Korsica's x2) Biggest Heartbreaker orp (Brooke Korsica) Biggest Sweetheart orp (Brooke Korsica x7, Koltyn Lacour, Daxton Cocktail x2, Binx Lacour, Mattie Emerge) Biggest mouth orp (Monty Everett x3, Dover Korsica, Paris Republic, Arsyn Republic) Biggest Shopper orp (Dover Korsica) -------------------------------------------------------------------------- ORP King orp (Taber Lacour x5, Joel Korsica x4, Mattis Republic x3, Jack Verikov) Queen orp (Paris Republic x4, Jazzy Lacour, Shelby Cocktail x2, Anna Ridette, Binx Lacour, Dover Korsica, Morae Verikov, Adele Palmer) Realist person orp (Binx Lacour, Tally Jerzak, Shelby Cocktail, Ivie Luna, Piper Reese) Fakest person orp (Shelby Cocktail, Brooke Korsica, Monty Everett, Austen Cocktail, Austin Maine) Funniest orp (Arsyn Republic, Khrys Republic, Colt Exottic, Dover Korsica, Dom Legacy, Mattis Repubic, Paige Mayhem) Most genuine orp (Joel Korsica x3, Mattie Emerge, Giana York, Binx Lacour, Morae Verikov x2, Ciona Belini, Isa Belini, Shelby Cocktail) Noses person orp (Dover Korsica x3, Willa ???) Quietest orp (Giana York x3, Starlie Santoro x2, Binx Lacour, Libby Verikov) Worst typer orp (Brooke Korsica x2, Khrys Republic) Soupiest orp (Brooke Korsica) Dustiest orp (Christina Korsica x2) Trashiest orp (Dover Korsica, Tarae Ridette) God orp (Silas Santoro x2) --------------------------------------------------------------------------- OTHER Favorite friendship (Dover Korsica & Fox Korsica x3, Bonnie & Poppy Korsica, Anna Ridette & Mattie Emerge, Victoria Minky & Kat Hutton, Paris Republic & Mattis Republic, Aurora Korsica & Brooke Kosica x2, Pace & Paige Mayhem, Piper & Alyssia Reese, Kyle & Delilah Reese)   Favorite “feud” (Monty vs Everybody x3) Worst Friendship Best defaults (The Lacour's, The Republic's x2, Paris Republic, Sweet Peach Palette (really? lol), Paige Mayhem) Worst defaults (The Belini's x2) Best resource site (Scream Sources x2, Messy Sources) Best premade site (Flynpngs, Minxmades, Peachysrc) Best confession site (roleplayrumors x3, vicious secrets) Worst confession site Best Singer (Maksyn Ganja, Razlyn Styffe) Cutest rl pictures (Alix Chaysin x2, Pace Mayhem, Piper Reese, Paige Mayhem, Austin Maine) Cutest layout (Ivie Luna x2, Dover Korsica, Shelby Cocktail, Paige Mayhem) Ugliest layout (Jack Kalottie)   Professional Cry Baby (Fox Korsica, Monty Everett) Always has the best songs on their profile (Paris Republic x2, Skyler Ryzette) Who needs to delete (Monty Everett x4, Everyone x2, Eric Lacour, Loki Untouched) Who needs to stay deleted (Reyna Richie, Aaron Republic x2, Luna Fountain) Most Annoying (Hazel Korsica x5, Natalya Richie) Most Likey to cough during skype (Maksyn Ganja) Most Like their face claim (Maksyn Ganja, Paris Republic, Shelby Cocktail, Ciona Belini, Morae Verikov, Ivie Luna, Skyler Ryzette, Piper Reese, Paige Mayhem) Most Heroric (Evah Korsica, Dover Korsica)
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jamiemcdermott04-blog · 8 years ago
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Opinions on Calum kerr
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gdrunplugged · 5 years ago
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#RUSSIANROLETTE Il nostro Filippo Guaitamacchi accetta una #SFIDAIMPOSSIBILE per il #GIOCHIAMOA di martedi 24 settembre! Leggere e facilitare uno A CASO tra questi 794 (SETTECENTOVENTIQUATTRO) GIOCHI!!! STASERA ALLE 18 L'ESTRAZIONE CASUALE IN DIRETTA!!! #telegram #twitter #Feminism (Misha Bushyager, Lizzie Stark, Anna Westerling et al., 2017) 100 Creepy Things... 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Mannon, 2013) Mythos World (Russel Brown, 2018).pdf Nahual_Quickstart.pdf Never Tell Me the Odds (David Somerville, 2019) Nicotine Girls.pdf Night Forest (Mo Golden _ Ross Cowman, 2018) Night Witches (Jason Morningstar, 2015) Nights Black Agents.pdf Nine Worlds - Aristeia Edition (Matt Snyder, 2005).pdf No Country for Old Kobolds (Steve Wallace, 2016) No More Room In Hell (Grant Howitt, 2019).pdf No Stone Unturned Nobilis.pdf Nod (Simon Carryer, 2014) Noir World (John Adamus, 2018) Noirlandia (Evan Rowland, 2016) Non andare nel bosco d’inverno.rar Nova Praxis (Mike McConnell, 2013).pdf Numenera (Monte Cook, 2013) Ocean (Jake Richmond, 2009).pdf Of the Woods - Lonely Games of Imagination (Brie Sheldon, 2017).pdf Okult (Wilhelm Person, 2013).pdf Omen (Daniel Comerci _ Alberto Tronchi, 2016) On a bed of moss (Anna Anthropy, 2018).pdf On Mighty Thews (Simon Carryer, 2011).pdf One Can Have Her 7th ed. 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badpunkradio-blog · 6 years ago
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Calum F Kerr - mic Warren Conlon - mic Bjorn Strobe sculpture instrument - line in Christos Fanaras - moog / korg / Effects sub mix - :line in Kevin Quigley - Guitar / effects - guitar amp line out... Guy Harries - flute - mic / shield //
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josiemccoyart · 6 years ago
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The Ghost Tide
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THE GHOST TIDE
curated by Monika Bobinska and Sarah Sparkes Supported using public funding by the National Lottery through Arts Council England.
Thames-Side Studios Gallery, Thames-Side Studios,  Harrington Way, Warspite Road, Woolwich,  SE18 5NR www.thames-sidestudios.co.uk EXHIBITION DATES 20 October – 3 November  GALLERY OPENING HOURS Thurs-Sun 12pm – 5pm OPENING PARTY Friday 19 October 6pm - 8.30pm Gen Doy performance 7.30pm The Ghost Tide - coinciding with the festivals of Hallowe'en, All Souls and the Day of the Dead - takes as its starting point the perspective that ghosts exist as an idea, or as part of a belief system, across cultures, across national borders and throughout recorded history. Most languages contain words to describe the ghost, spirit or immaterial part of a deceased person. Often, these words - like the type of ghost they describe - have traversed borders and been assimilated across cultures. The exhibition, situated next to the Thames Barrier in South-East London, evokes ghosts as a migratory tide, washed up along the shore of the Thames their historical baggage in tow. It also explores the presence of artists in this part of London, as a migratory tide of creative flotsam and jetsam which ebbs and flows as the city gentrifies and develops. Featured works include sculpture, installation, film, sound, performance and wall based works. The exhibition will include installations and outdoor interventions, as well as public events.
The Ghost Tide features works by over 30 UK and international artists.  Artists featured: Andrea G Artz, Chris Boyd, Davies, Monaghan & Klein, Gen Doy, Sarah Doyle, Graham Dunning, Diane Eagles, Andrew Ekins, Charlie Fox, Katie Goodwin, Kio Griffith, Miyuki Kasahara, Calum F Kerr, Rob La Frenais, David Leapman, Liane Lang, Toby MacLennan, Laura Marker, Joanna McCormick, Josie McCoy, Jane Millar, Output Arts, Miroslav Pomichal, Brothers Quay, Anne Robinson, Edwin Rostron, Matt Rowe, Sarah Sparkes, Charlotte Squire, Sara Trillo, Yun Ting Tsai, Kate Walters, Patrick White, Heidi Wigmore, Neale Willis, Mary Yacoob, Neda Zarfsaz. About the Curators: Monika Bobinska is the director of CANAL, which organizes exhibitions and art projects in a variety of settings. She is the founder of the North Devon Artist Residency.  Sarah Sparkes is an artist and curator. She leads the visual arts and creative research project GHost (initiated in 2008), curating an on-going programme of exhibitions, performances and inter-disciplinary seminars interrogating the idea of the ghost. Her work, The GHost Formula, 2016, commissioned by FACT (Foundation for Art and Creative Technology) and funded by Arts Council England recently toured to NTMoFA (National Taiwan Museum of Fine Arts) as part of the exhibition No Such Thing As Gravity, curated by Rob La Frenais. CURATORS' TALK Saturday 20 October 3pm – 4pm DAY OF THE DEAD CLOSING PARTY Saturday 3 November 2pm – 7.30pm Papel Picado Workshop 2pm – 5pm   Make your own Day of the Dead 'cut - outs' with artist Sarah Doyle. Suitable for all ages, materials provided  Performances and Artist Led Walk 2pm – 5pm  Charlie Fox, Calum F Kerr, Joanna Mccormick, in and around the gallery Day Of The Dead Feast  5pm – 6pm   Refreshments served  International Film Screening 6pm  Screening of short films in the gallery: Chris Boyd, Liane Lang, Brothers Quay, Yun Ting Tsai and Neda Zarfsaz For more information, contact us on l 0786 606 3663 | 07900 208 711 | [email protected] www.ghosthostings.co.uk | www.canalprojects.info
Monika Bobinska | Sarah Sparkes
0786 606 3663       07900 208711
 Flyer image: Bad Omen | Matt Rowe | 2011
 The Ghost Tide #theghosttide
Thames-Side Gallery www.thames-sidestudios.co.uk
20 October - 3 November    Gallery open Thur-Sun 12-5pm
PV: Friday 19 October 6-9pm, with performance by Gen Doy at 7.30pm
Curators' talk: Saturday 20 October 3-4pm
Papel Picado papercut workshop: Saturday 3 November 2-5pm (suitable for all ages)
Closing feast: Saturday 3 November 5-6pm
Film screenings & performances: Saturday 3 November 6-7.30pm
 www.ghosthostings.co.uk | www.theghostportal.co.uk | www.canalprojects.info
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