I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]
Installation view of Freedom Square: The Black Girlhood Altar at the Chicago Cultural Center
The exhibition at the Chicago Cultural Center opens with the installation “Homegoing.” The work is a suspended image depicting a screenshot from Ma’Khia Bryant’s personal TikTok. In the photo she’s laying her edges, her jet-black hair shining, her baby face clean and free of makeup. Below the printed photo is a collection of candles, stuffed animals, and a bouquet. On April 20, 2021, Ma’Khia was killed by an Ohio police officer in what was later determined a justifiable homicide. She was 16 years old.
In the gallery titled Rest and Recess: The Courtyard, the exhibition transports the viewer to the Caribbean where Black girls play together unburdened and hopeful. A tree, sculpted by Robert Narciso and made from branches from Rekia Boyd’s family home, sits in the center of the room casting a protective shadow over everything. From its branches hang yellow paper hearts scribed with the hopes and dreams of little Black girls. The sound of their joyful cacophony activates the space.