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ballinandcantgetup452 · 10 months ago

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Terry McGinnis is the only person who can be the next Batman

I don't normally make hard statements like this. I typically hate it when somebody makes hard statements like this, but hear me out.

No prior Batfamily character can be the next Batman. I'll keep it brief and explain why going person by person (obvious headcanon warning)

Dick is definitely a likelier candidate than most. He can cover for Batman if the need ever arises. But I believe that Dick Grayson hates the idea of actually becoming Batman. He can play the role. He was a circus kid and he's got the heart of a theatre kid, he can play the role all day long. But he was the first. He arguably saw Batman at his natural worst. He and Alfred, anyways. I'm going to drop some OP lore to further elaborate. My dad's a pastor. He's a really good pastor. He's a good man, and he may be an ass, but that's because I know him as "dad". For YEARS, people would tell me that I was just like him, and for a long time, I wanted to be him. It's what boys do when their dad is at the very least decent. But, as I got older, I saw the tapestry and saw the flaws. I saw how tired being a pastor made my dad. I saw how much of his life being a pastor was taking up. I would never tell my dad to stop being a pastor, because that's him. That's his calling; and if he was anything else, then he'd be a soulless, husk of a man. But I've seen what being a pastor does to you, and I don't want that. I want to be better than that. Dick Grayson has seen what The Batman does to a person. He's seen Bruce do things that Dick would never do, and the idea of being the next Batman is something that got soured to him. And it definitely doesn't help that that's what a lot of people used to do to him. So yeah, traumadumping aside, Dick would never STAY Batman. Even if he doesn't know it.

I honestly think it's best if Jason stays as far away from the idea of The Batman legacy as possible. Jason's at the best possible spot right now. He's taken his trauma and has turned it into his empowerment. I don't care what Three Jokers says, that's dumb. Joker's an ass, we don't listen to him. ESPECIALLY if he's swapped out his gun for a crowbar and has a no-kill rule, Jason could be Red Hood until he's 90 and it'll be narratively fulfilling.

Tim is one I see get thrown around a lot. However, I believe that The Batman would absolutely DESTROY him and he would be too stubborn to acknowledge it. One common denominator I believe every Robin goes through is the realization of "oh wow, Bruce is not okay" and trying to be better than that. While I do believe that Tim went through that, I also believe that Tim is arrogant enough to believe that he's better than that. Even putting all of the "alternate Tim evil gun toting Batman" futures aside, I think that Tim is obsessive enough as is. Giving him the mantle of The Batman would cause him to obsess even more to be like Bruce thus causing ANOTHER evil gun toting alternate future Batman. Tim is best as Red Robin. An independent agent that can go well with ANY Batman to keep them on the straight and narrow.

Babs is best as Oracle. No I will not be elaborating. If you want her to be Batgirl, then say that she can Batgirl every once and a while but doing it stresses out the microchip in her back.

Steph is best as Spoiler. She backdoored her way into the Batfamily by being competent enough as Spoiler. I honestly wish that she could be like Batwoman and establish herself as Batfamily adjacent and have her own supporting cast and such. If she does have one, then I'm sorry. Cassie is kind of a blind spot.

Sadly, Cassandra Cain, Duke Thomas, and Harper Row are even bigger blindspots of mine. From what I've seen of them, I can't think of any reasons they couldn't be Batman. However, I can't think of any reasons why they especially should be Batman.

Damian Wayne is my personal vote for becoming the next Batman out of everybody pre established. Not for any birthright reasons. That's dumb. Admittedly, DCeased really turned me on to the idea. I think that the idea of Damian being the child raised by Bruce that turned out the best is a really good idea. In retrospect, I guess the idea of birthright is technically why I'm choosing Damian. BUT, understand I'm doing it with the caveat that Damian is fully developed as a person and as a character. That is the END of his arc.

HOWEVER, Terry McGinnis takes the cake for me in terms of Batman successor. This is going off of the idea that he isn't a Bruce clone. I don't know how canon we've made that, but canon is relative, so I'm saying it's not for the sake of argument. Terry is an outsider. He has no baggage with the idea of The Batman. He's just a guy working through some grief with The Batman being used as a vehicle. He doesn't know any of the Bruceisms. He never had to explain to his friends that his dad is crazy and he's sorry he made contingency plans for all of them. Terry McGinnis gets to make Batman his own. And, luckily, he gets to have a fully realized Bruce to guide him along the way. I also think that it opens so much more story potential. It's essentially a soft reboot for The Batman as an idea. Everybody else can be out doing their own thing. But I think this works in the same way that Miguel O'Hara can ALSO be Spider-Man. I believe that every intimate Batfamily member would follow Bruce's footsteps by making Batman an UNHEALTHY obsession. Terry would be different, he'd lead the pack by turning The Batman into something HEALTHY.

Or maybe I don't read enough comics and all my interpretations are super surface level. Let me know. I'm willing to be wrong.

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radiodormouse · 2 months ago

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The Unfunnies by Mark Millar— Review by RadioDormouse

The Unfunnies prioritizes shock value over substance, presenting a series of grotesque scenes in lieu of a plot or compelling protagonist. As someone who appreciates underground comics, horror films, and "extreme" literature (also known as splatterpunk), I’m open to gritty themes when they offer an interesting perspective. However, The Unfunnies falls flat in that regard.

Unlike the cream of the underground comic or horror crop—which uses disturbing content to challenge the audience—The Unfunnies frequently employs cartoonish dialogue as a jarring contrast to its dark subject matter. Characters often break the fourth wall in the style of vintage Gold Key or Archie comics, but this is juxtaposed with disturbing contexts, such as a character being arrested for possessing child pornography. While this contrast can make certain scenes unsettling, it quickly becomes apparent that this is the only brush in Millar’s palette, and it grows tiresome.

Even when a more intriguing supernatural horror storyline emerges toward the end, it remains bogged down by filler content and shock tactics. A more structured approach with developed character arcs and organic plot progression could have elevated the series into a memorable horror comic. The premise—a cartoonist’s fictional world degenerating as he becomes a serial killer—is strong and could have provided a solid foundation. But rather than exploring that concept, Millar leans on disjointed, depraved vignettes, making the series feel more like a string of tasteless sketches than a cohesive story.

Millar has stated that The Unfunnies was intended as a comic counterpart to disturbing ensemble films like Happiness or Magnolia. Unfortunately, it lacks the believable character motivations and thematic interconnectedness that make those films work. Instead of resonating as an ensemble piece or anthology, it comes off as a scattered assortment of sketches made solely to offend.

Ultimately, The Unfunnies hints at interesting ideas but struggles to realize them due to its reliance on shock and cynicism. Millar is capable of producing fascinating characters and compelling narratives, but here he seems sidetracked by juvenile tangents. The result is a story that, while occasionally intriguing, is too unfocused to deliver on its potential.

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