#CreativeSoundDesign

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Native Instruments' Guarneri Violin for Unparalleled Download

Experience the unparalleled realism and emotional depth of the Guarneri Violin by Native Instruments, Download a groundbreaking virtual instrument that redefines the art of expression in digital string libraries. Immerse yourself in the rich, nuanced tones of a meticulously sampled Guarneri violin, capturing the essence of one of the world's most revered string instruments with astonishing authenticity and detail.

The Guarneri Violin is a testament to Native Instruments' commitment to sonic excellence and innovation. Crafted in collaboration with world-class violinists and master luthiers, this virtual instrument delivers an unparalleled level of realism and responsiveness, allowing musicians to express themselves with unparalleled clarity and emotion. Whether you're a composer, producer, or performer, the Guarneri Violin offers a level of authenticity that transcends the limitations of traditional sample libraries.

Delve into a world of expressive articulations, dynamic performances, and lifelike nuances that capture the essence of the Guarneri violin's legendary sound. From delicate legato passages to impassioned crescendos, every note is imbued with the unmistakable warmth and character of this iconic instrument. The intuitive interface ensures that musicians of all levels can harness the full potential of the Guarneri Violin, with intuitive controls that allow for effortless customization and shaping of the sound.

More than just a virtual instrument, the Guarneri Violin is a powerful tool for musical expression and creativity. Elevate your compositions with the emotive depth and authenticity of real strings, adding a layer of realism and sophistication to your music. Whether you're scoring for film, producing classical compositions, or experimenting with new genres, the Guarneri Violin empowers you to capture the essence of human emotion and bring your musical vision to life.

[ecotone23]

KORG Opsix Native (MAC) Download

Looking to elevate your music production game? The KORG Opsix Native (MAC) is your gateway to a world of unmatched sound design possibilities. This native plug-in version of the legendary opsix hardware synthesizer brings the revolutionary Altered FM synthesis engine to your Mac, offering endless creative potential for music producers of all levels.

Key Features of KORG Opsix Native

Cutting-Edge Altered FM Synthesis Go beyond traditional FM synthesis with the opsix's powerful operator mixer and flexible sound engine. The unique “Altered” FM design allows for dramatic sound manipulation, offering everything from vintage tones to futuristic soundscapes.

A Full-Spectrum Sound Library Instantly access hundreds of expertly crafted presets, designed to inspire creativity across genres. Whether you're producing electronic, cinematic, or experimental music, opsix Native ensures you have the tools to stand out.

Seamless Integration Compatible with leading DAWs like Ableton Live 11, Logic Pro X, Cubase Pro, and more, opsix Native is a dream for music producers. Its intuitive interface provides a bird's-eye view of all parameters, making sound customization effortless.

Optimized for macOS With full support for macOS 10.14 Mojave and later, including M1 processors, opsix Native ensures smooth performance. AU, VST3, and AAX compatibility means you can integrate it effortlessly into your existing workflow.

Exclusive Crossgrade Offer Own the hardware version? Unlock the native version at a significant discount using the opsix Sound Librarian.

System Requirements

OS: macOS 10.14 Mojave or later

CPU: Apple M1 or Intel Core i5 (Core i7 recommended)

RAM: 8GB minimum (16GB recommended)

Storage: 8GB free disk space (SSD recommended)

Plug-in Formats: AU, VST3, AAX (64-bit only)

Why Choose KORG Opsix Native?

KORG Opsix Native combines innovation, versatility, and ease of use to redefine FM synthesis. Whether you're diving into intricate sound design or crafting polished tracks, opsix Native gives you unparalleled control over your sonic palette.

👉 Download Now: KORG Opsix Native (MAC)

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Download Soundiron – Rust 3

Discover the true essence of industrial soundscapes with Soundiron – Rust 3, a versatile sample library that redefines experimental audio design. Designed for producers, composers, and sound designers, this collection combines organic textures with mechanical timbres to craft evocative, cinematic experiences. Whether you’re scoring a dystopian thriller or enhancing your electronic music with a gritty edge, Rust 3 delivers unmatched quality and creative freedom.

Unmatched Sound Diversity

Soundiron – Rust 3 is a treasure trove of meticulously recorded metallic objects, resonant surfaces, and tonal percussion. From deep tonal drones to sharp, percussive hits, this library allows you to explore new sonic territories. The package features an extensive array of metallic impacts, scrapes, resonances, and tonal elements, offering endless possibilities for creating ambient textures, industrial beats, or even rhythmic grooves.

Exceptional Recording Quality

Every sample in Rust 3 is recorded with state-of-the-art equipment to ensure pristine sound quality. The sounds are clean, authentic, and perfectly balanced, making them easy to integrate into any project. The natural reverb of the sampled environments adds a unique spatial depth, allowing your compositions to feel immersive and lifelike.

Customizable Sound Design Tools

Rust 3 isn't just a sample library—it’s a comprehensive toolkit. With its built-in interface for Kontakt, you can tweak and manipulate sounds effortlessly. Layer different samples, adjust envelopes, add effects, or create entirely new textures with the intuitive controls. This flexibility makes Rust 3 an invaluable asset for creative professionals looking to push the boundaries of their projects.

Perfect for Various Applications

From film scores to electronic tracks, Rust 3 fits seamlessly into diverse genres and styles. Use its dark tonal layers for a suspenseful cinematic moment or add metallic accents to create a unique percussive pattern in your EDM or techno tracks. Its versatility ensures that it’s equally suited for traditional music production, experimental sound design, and even game audio development.

Key Features of Soundiron – Rust 3

Over 500 individual samples of metallic impacts, scrapes, and resonances.

High-fidelity recordings with natural environmental reverberations.

Fully customizable Kontakt interface with layering and effects.

Includes tonal percussion and rhythmic textures for creative versatility.

Ideal for cinematic soundscapes, industrial tracks, ambient music, and more.

Why Choose Rust 3?

The Rust series by Soundiron has been celebrated for its innovative approach to sampling, and Rust 3 takes this legacy to the next level. It’s not just about the sounds—it’s about the stories they tell. Each sample is crafted to inspire creativity, whether you’re producing music, designing sound for games, or creating audio for films. Rust 3 gives you the power to transform simple metallic sounds into compelling auditory experiences.

Seamless Integration

The library is designed to work seamlessly with Native Instruments Kontakt, ensuring smooth integration into your workflow. With advanced features like dynamic layer blending, custom reverb, and sound morphing tools, Rust 3 adapts to your needs, providing a professional-grade experience.

Get Started Today

Don’t miss the chance to elevate your sound design with Soundiron – Rust 3. Explore new realms of creativity and craft sounds that leave a lasting impression. Download now and start your journey into the world of industrial soundscapes!

👉 Download Soundiron – Rust 3

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Download Plugin Alliance Unfiltered Audio BYOME for (Windows)

Are you ready to transform your audio productions with unparalleled creativity and flexibility? Look no further than the Plugin Alliance Unfiltered Audio BYOME (Build Your Own Modular Effect). This revolutionary plugin for Windows is designed to offer sound designers, producers, and musicians an all-in-one modular effects solution that pushes the boundaries of what’s possible in audio processing. Whether you're crafting intricate soundscapes, innovative beats, or unique vocal effects, BYOME is your ultimate toolkit for sound design.

A New Paradigm in Modular Effects Plugin Alliance Unfiltered Audio BYOME is not just another effects plugin; it’s a modular powerhouse that allows you to build custom effects chains from a vast library of modules. From basic EQ and reverb to advanced granular synthesis and spectral processing, BYOME covers all the bases. The intuitive drag-and-drop interface makes it easy to combine modules and create complex effects chains tailored to your specific needs. This flexibility means you can design effects that are as simple or as complex as your project demands.

Key Features Extensive Module Library BYOME comes with over 40 high-quality effect modules. These include classic effects like delay, reverb, and chorus, as well as more unique options like granular pitch shifters and spectral effects. Each module is designed with precision and can be used in countless combinations to achieve the exact sound you're looking for.

Intuitive User Interface The plugin’s user interface is designed to be both powerful and easy to use. The drag-and-drop functionality allows you to quickly add, remove, and rearrange modules. Each module has its own set of parameters that can be tweaked to perfection. The real-time visual feedback helps you understand how each module is affecting the sound, making it easier to create complex effects without getting lost in the details.

Deep Modulation Capabilities One of the standout features of BYOME is its modulation system. You can modulate any parameter of any module with a variety of modulation sources, including LFOs, envelopes, and step sequencers. This opens up a world of possibilities for dynamic and evolving soundscapes. The modulation system is intuitive, allowing you to drag modulation sources onto parameters and adjust their influence with ease.

Preset Library For those who want to get started quickly, BYOME includes a comprehensive library of presets created by professional sound designers. These presets cover a wide range of styles and genres, providing a great starting point for your own creations. Whether you’re looking for subtle enhancements or drastic transformations, you’ll find a preset that fits your needs.

High-Quality Sound Unfiltered Audio is known for its high-quality sound, and BYOME is no exception. Each module is designed to deliver pristine audio quality, ensuring that your effects chains sound professional and polished. Whether you're working on a commercial project or a personal experiment, you can trust BYOME to deliver the sound you need.

CPU Efficiency Despite its power and flexibility, BYOME is designed to be CPU efficient. This means you can use multiple instances of the plugin in your projects without worrying about overwhelming your computer. This efficiency is particularly important for large projects with multiple tracks and complex effects chains.

Integration with Other DAWs BYOME is compatible with all major DAWs, including Ableton Live, FL Studio, Logic Pro, and Pro Tools. This makes it easy to integrate into your existing workflow, regardless of the software you’re using. The plugin’s seamless integration ensures that you can start using it immediately without any compatibility issues.

Why Choose Plugin Alliance Unfiltered Audio BYOME? Choosing BYOME means choosing a plugin that offers unparalleled flexibility, creativity, and quality. Whether you’re a seasoned professional or a beginner, BYOME provides the tools you need to take your sound design to the next level. Its modular approach means that you’re not limited by predefined effects; instead, you have the freedom to create exactly the sound you envision.

Conclusion Plugin Alliance Unfiltered Audio BYOME for Windows is a game-changer for anyone involved in audio production. Its extensive module library, intuitive interface, deep modulation capabilities, and high-quality sound make it an essential tool for sound designers and music producers. By choosing BYOME, you're investing in a plugin that offers limitless creative possibilities and professional-grade audio quality.

Don't miss out on the opportunity to elevate your sound design. Download Plugin Alliance Unfiltered Audio BYOME for Windows today and start exploring the endless possibilities of modular effects.

[soundband]

Explore the Depths of Sound: Download Dark Intervals – Artefact

Description:

Delve into the realm of sonic innovation with Dark Intervals – Artefact Download, a captivating sound library meticulously crafted to push the boundaries of electronic music production and sound design. Developed by Dark Intervals, this exceptional collection offers composers, producers, and sound designers an expansive toolkit to create immersive soundscapes, pulsating rhythms, and atmospheric textures that defy conventional genres.

Artefact features a diverse array of meticulously designed sound elements, ranging from haunting atmospheres to glitchy textures, industrial rhythms to ethereal pulses. Each sound is meticulously crafted to evoke intrigue and captivate the listener, providing endless opportunities for sonic experimentation and creative expression.

Seamlessly integrating into your digital audio workstation (DAW), Artefact provides an intuitive platform for sculpting and shaping your sonic creations. With a wide range of presets, effects, and modulation options, you have the flexibility to craft sounds that are as unique and expressive as your imagination, whether you're scoring for film, producing electronic music, or designing sound for multimedia projects.

Whether you're seeking cinematic ambiences, futuristic soundscapes, or experimental rhythms, Artefact offers the sonic versatility and depth to bring your creative visions to life. With its pristine sound quality and intuitive interface, this library empowers you to explore new sonic territories and create compositions that resonate with depth and emotion.

Download Dark Intervals – Artefact today and unlock a world of sonic possibilities. Let the immersive sounds and dynamic textures of Artefact inspire your compositions, adding a layer of intrigue and mystery to your music productions.

Artefact isn't just a sound library; it's a testament to the artistry and innovation of Dark Intervals. With its exceptional sound quality, diverse range of sounds, and intuitive interface, Artefact sets a new standard for electronic music production and sound design, empowering you to push the boundaries of creativity and create compositions that defy expectations.

Join the community of composers, producers, and sound designers who rely on Dark Intervals – Artefact to bring their creative visions to life. Your journey into sonic innovation begins here.

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Elevate Your Music with SM Dubbed Vocals: Sample Packs for Mesmerizing Melodies

Are you ready to infuse your music with the hypnotic allure of Dubbed Vocals? Look no further than our collection of Sample Packs dedicated to this captivating genre. SM Dubbed Vocals Sample Packs are a treasure trove of audio gems that will elevate your music productions to new heights. Whether you're a seasoned producer or just starting your musical journey, these packs offer an unparalleled opportunity to create mesmerizing melodies that resonate with listeners.

What are SM Dubbed Vocals Sample Packs?

SM Dubbed Vocals Sample Packs are meticulously curated collections of vocal samples, loops, and one-shots, expertly designed to bring the soulful essence of Dub into your music. Derived from hours of passionate recording and sound engineering, these packs encapsulate the ethereal beauty and mystique of Dubbed Vocals.

Why Choose SM Dubbed Vocals Sample Packs?

Authenticity: Our sample packs are created in collaboration with seasoned vocalists and producers who understand the intricacies of Dub music. The result is an authentic and immersive Dub experience that captures the essence of this genre.

Variety: We offer a wide range of packs, each with its own unique flavor and style. From classic Dub reggae to modern electronic interpretations, you'll find a plethora of options to suit your musical vision.

Flexibility: These sample packs are designed to be versatile. You can use them as standalone vocal elements or blend them seamlessly with your existing tracks, allowing for endless creative possibilities.

Quality: We prioritize audio quality. Expect crisp, clean recordings, and professionally mixed samples that ensure your music sounds polished and professional.

What's Inside SM Dubbed Vocals Sample Packs?

Soulful Dub Vocals: Immerse yourself in the rich, soul-stirring vocal stylings of Dub. These packs feature a range of vocal phrases, ad-libs, and harmonies that evoke emotion and depth in your music.

Dub-Inspired Effects: Elevate your tracks with Dub-inspired effects, from delay-drenched echoes to reverb-soaked atmospheres. These packs offer an array of soundscapes to add a touch of Dub magic to your productions.

Dubstep Infusions: Dive into the fusion of Dub and Dubstep with packs that combine heavy basslines, wobbles, and impactful vocals to create a unique and powerful sound.

Tag: #DubbedVocals #SamplePacks #MusicProduction #DubMusic #CreativeSoundDesign

SM Dubbed Vocals Sample Packs are your gateway to a world of music that's steeped in tradition yet ripe for innovation. Whether you're crafting chill beats, dubstep anthems, or experimental soundscapes, these packs will add that extra layer of authenticity and intrigue to your creations. Elevate your music today with SM Dubbed Vocals Sample Packs and embark on a sonic journey like no other

[bleepsandpops]

Tension and the Range of Extension

I recently did some work exploring a property of atmospheric or ambient sounds in film identified by Chion as the range of extension (Chion 1994).  Extension refers to the breadth of the offscreen environment represented in the soundtrack, which can range from Vast, as heard in Bladerunner and Rear Window, where all the sounds of their respective cities can be heard, to Null, as used in Red Road where only the close personal foley of the onscreen characters is heard, nothing of surrounding environments.

I was interested in using the range of extension as a means by which to evoke tension in a scene, so I created 3 new soundtracks for a scene in Predator where the soldiers are wading through the jungle, before they encounter the Predator for the first time.  Their scout senses possible danger ahead and the squad comes to a halt.  There are a few silent moments as the soldiers wait while the scout tries to evaluate the danger, before he dismisses it as "probably nothing" and moves on.

The video below shows the first version, which has a null extension.

In this version I added only the personal foley sounds for the characters seen in the camera frame, including footsteps, brushing through foliage, rustles of clothing and some soft metallic sounds from their weapons.  I found this version of the soundtrack was quite effective at evoking tension.  The null extension draws the audience close in amongst the characters, and the near silence highlights the scout's strain to see or hear what might be lying in wait ahead of them.  However, the scene is perhaps too long to maintain this approach throughout, as the minimal amount of sound could lead to disinterest at points, despite the established tension.

The next video shows a version of the scene with a vast extension.

I took the null version and added several layers of ambience to suggest the wider jungle environment.  I began with some library recordings of rainforest ambiences, and built up layers of animal and bird sounds.  My intention was to create tension by using the soundtrack to give an oppressive, smothering feel to the jungle, so I added layers of sound that had a more constant, noise-like characteristic such as  insect noise, wind and running water.

Again however, I felt that the scene was too long to adopt this approach throughout.  Thought it does help give oppressive feeling I was trying to achieve, the constant nature of the background sounds tends to even out the overall dynamics of the soundtrack, thereby diminishing its impact.

The next video shows a version which varies the extension of the soundtrack.

In this version the extension starts vast, establishing the oppressive feeling of the jungle.  After the first cut to the predator point-of-view, the extension begins to narrow down to near-null at the peak point of tension in the scene, and is restored to vast at the final cut where the tension is released.  I used the cuts to the Predator POV to disguise the removal of ambience layers and drops in the ambience volume.  I also made use of points where the audience are focused on foreground sounds, such as footsteps or dialogue to apply subtle fades to further reduce the ambience.

This version is quite effective at both building and releasing tension and maintaining an interesting dynamic over the course of the scene, and gives support to Chion's position that variation in the range of extension within scene can be a useful cinematic tool.

References

Chion, M., 1994. Audio-Vision: Sound on Screen. New York: Columbia University Press.

Predator is copyright of Twentieth Century Fox Film Corporation

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Download Artistry Audio Scorpio

Artistry Audio Scorpio is a cutting-edge, rhythmic engine designed to elevate your sound design and music production. Whether you are a seasoned producer, composer, or sound designer, Scorpio is the ultimate tool for crafting complex, evolving sounds that stand out in any mix. With its versatile features, intuitive interface, and expansive sound library, Scorpio offers endless possibilities for creating unique rhythmic patterns, textures, and sonic landscapes.

Unleashing Creativity with Scorpio Scorpio’s engine is a powerhouse of sound design, offering users the ability to manipulate, modulate, and morph sounds in ways that were previously unimaginable. At the heart of Scorpio is its intuitive step sequencer, which allows you to easily create intricate rhythmic patterns. The step sequencer is complemented by a host of modulation options, including LFOs, envelopes, and macro controls, giving you the ability to add movement and dynamism to your sounds.

The built-in effects suite further enhances Scorpio’s capabilities, offering everything from reverb and delay to distortion and modulation effects. These effects can be applied to individual steps or across the entire sequence, allowing for deep customization and sonic sculpting. Whether you're looking to create pulsating basslines, shimmering pads, or intricate percussive patterns, Scorpio provides the tools you need to bring your musical ideas to life.

A Vast Library of Sounds One of Scorpio’s standout features is its extensive sound library, which includes a diverse collection of presets and samples designed to inspire creativity. The library covers a wide range of genres, from electronic and cinematic to ambient and experimental, ensuring that there is something for every type of producer.

The presets are meticulously crafted by professional sound designers and are fully customizable, allowing you to tweak and modify them to suit your needs. Whether you're starting from scratch or building upon an existing preset, Scorpio's sound library provides a solid foundation for your creative endeavors.

Intuitive Interface for Seamless Workflow Artistry Audio Scorpio is designed with the user in mind, offering an intuitive interface that makes it easy to navigate and use. The interface is clean and uncluttered, with all the essential controls easily accessible. The visual feedback provided by the step sequencer and modulation options allows you to see exactly how your sounds are being shaped and manipulated in real time.

Scorpio’s drag-and-drop functionality makes it easy to assign modulation sources to parameters, while the macro controls allow you to create complex soundscapes with just a few clicks. The interface is fully resizable, ensuring that it fits seamlessly into your DAW environment, whether you're working on a small laptop screen or a large multi-monitor setup.

Seamless Integration with Your DAW Scorpio integrates seamlessly with all major DAWs, including Ableton Live, FL Studio, Logic Pro, and Cubase. The plugin is available in VST, AU, and AAX formats, ensuring compatibility with your existing setup. Installation is quick and easy, with minimal system requirements, allowing you to start creating music with Scorpio right away.

The plugin also supports MIDI input, allowing you to trigger sequences and modulate parameters using your MIDI controller. This makes Scorpio an ideal tool for live performances, where you can manipulate sounds in real time to create dynamic and evolving performances.

Unmatched Versatility for Every Genre Scorpio’s versatility makes it an indispensable tool for producers working in a wide range of genres. Whether you're producing electronic music, scoring a film, or creating soundscapes for a video game, Scorpio provides the tools and flexibility you need to achieve your creative vision.

The plugin’s rhythmic capabilities are particularly well-suited for genres that rely on complex and evolving patterns, such as techno, house, and ambient music. However, Scorpio’s potential extends far beyond these genres, making it a valuable addition to any producer’s toolkit.

Conclusion Artistry Audio Scorpio is more than just a rhythmic engine; it is a creative tool that empowers you to explore new sonic territories and push the boundaries of your music production. With its intuitive interface, expansive sound library, and powerful modulation capabilities, Scorpio offers endless possibilities for sound design and rhythmic creation.

Whether you're a seasoned professional or just starting your music production journey, Scorpio provides the tools you need to bring your ideas to life. Download Artistry Audio Scorpio today and experience the future of rhythmic sound design.

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Download Rigid Audio Limerence

In the dynamic world of audio production, having the right tools at your fingertips can make all the difference. Enter Rigid Audio Limerence, a powerful, feature-rich software that transforms your sound design experience. Whether you're a seasoned music producer or an aspiring audio engineer, Limerence is designed to meet your creative needs, providing you with an extensive library of sounds, samples, and effects that inspire and elevate your projects.

Unparalleled Sound Library

Rigid Audio Limerence boasts an extensive sound library that caters to a wide range of genres and styles. From atmospheric pads and lush soundscapes to cutting-edge synth leads and deep basslines, Limerence offers over 500 high-quality presets that you can seamlessly integrate into your productions. Each sound is meticulously crafted to ensure it stands out in your mix, giving you the versatility to explore new sonic territories.

Intuitive Interface for Seamless Workflow

One of the standout features of Rigid Audio Limerence is its user-friendly interface. The software is designed with both novice and experienced users in mind, offering an intuitive layout that makes sound manipulation easy and accessible. The interface allows you to quickly browse through presets, tweak parameters, and apply effects with minimal effort, ensuring that you spend more time creating and less time navigating complex menus.

Advanced Sound Shaping Tools

Limerence is not just a preset library; it's a powerful sound design tool that lets you sculpt your audio to perfection. The software includes a range of modulation options, including LFOs, envelopes, and filters, giving you complete control over the shape and movement of your sounds. Whether you're looking to create evolving textures or sharp, punchy sounds, Limerence provides the tools you need to achieve your desired results.

High-Quality Effects

Enhance your sound with the high-quality effects included in Rigid Audio Limerence. The software features a variety of effects such as reverb, delay, distortion, and chorus, allowing you to add depth and character to your tracks. Each effect is fully customizable, giving you the flexibility to dial in the perfect settings for your project. Whether you're looking to create a spacious, ambient sound or a gritty, overdriven tone, Limerence has you covered.

Streamlined Workflow with Advanced Preset Management

Managing presets has never been easier, thanks to Limerence's advanced preset management system. You can quickly save, organize, and recall your favorite sounds, ensuring that your creative ideas are never lost. The software also includes a powerful tagging system that allows you to categorize your presets by genre, mood, or style, making it easy to find the perfect sound for your project.

Compatibility and Integration

Rigid Audio Limerence is compatible with all major DAWs (Digital Audio Workstations), making it a versatile addition to any studio setup. The software supports VST, AU, and AAX formats, ensuring seamless integration with your existing production environment. Whether you're working on a Mac or PC, Limerence is optimized to deliver high performance and low CPU usage, allowing you to focus on your creativity without worrying about technical limitations.

Expand Your Sound Palette with Limerence Expansions

For those looking to further expand their sonic arsenal, Rigid Audio offers a range of expansion packs specifically designed for Limerence. These expansions provide additional presets, samples, and effects, giving you even more creative possibilities. Each expansion is tailored to a specific genre or style, allowing you to tailor your sound library to suit your unique musical vision.

Why Choose Rigid Audio Limerence?

Rigid Audio Limerence is more than just a sound library; it's a comprehensive sound design tool that empowers you to create professional-quality audio with ease. Whether you're producing electronic music, film scores, or game soundtracks, Limerence provides the sounds, tools, and flexibility you need to bring your ideas to life. Its intuitive interface, advanced sound-shaping capabilities, and high-quality effects make it an essential addition to any producer's toolkit.

Get Started Today

Don't miss out on the opportunity to elevate your audio productions with Rigid Audio Limerence. Download now and experience the difference that professional-grade sound design software can make. Whether you're crafting your next big hit or experimenting with new sounds, Limerence gives you the tools to turn your creative vision into reality.

Product Link: Download Rigid Audio Limerence

[bleepsandpops]

My entry for the Waves sound design competition. A full description of how the sounds were made is on the vimeo page.

[bleepsandpops]

This is a screen grab video of a modified version of Super Tux Kart v0.6.2a that uses the new set of sounds I created.

[bleepsandpops]

A show-reel video of the new sound effects I created for Super Tux Kart

[bleepsandpops]

New Sounds For Super Tux Kart

I created a new set of sound effects for the Super Tux Kart, an open source racing game.  The game has a set of different characters and karts that you can choose to race, but they all used one of two engine loop sounds.  I thought it would make for better gameplay if each kart had its own distinct sound.  Also the original sound effects for weapons and power-ups, etc, varied greatly in quality and intelligibility, so I created a new set of sounds that were cleaner and clearer, and made them more percussive so that they are able to stand out more from the engine sound and music, to better provide feedback to the player.  

I'll release the sounds under the Creative Commons Sapling Plus 1.0 license and pass the files onto the Super Tux Kart project to do with as they see fit.  However, if you would like to try the game with the new sounds, I have created a modified version of the game, based on the v0.6.2 release, that will run on Macintosh computers with Mac OS X 10.6 or higher.  Download the modified game below:

Download the modified game for OS X 10.6

[bleepsandpops]

A New Sound Design for Battlestar Galactica

I really like this scenes from the final episode of Battlestar Galactica, where the ship makes its last FTL jump and buckles as a result, so I decided to create a new sound design for this scene for a recent Creative Sound Design project.  See my previous post for a full description of how the sounds were made.

Note the audio in this video contains a lot of low frequency ‘bass’ sounds, that might not be heard on small computer/laptop speakers - you may need head/ear-phones or larger speakers to hear it all.

Battlestar Galactica® is a registered trademark and copyright of Universal Entertainment.

[bleepsandpops]

A New Sound Design for Battlestar Galactica

I really like the scene from the final episode of Battlestar Galactica, where the ship makes its last FTL jump and buckles as a result, so I decided to create a new sound design for this scene for a recent Creative Sound Design project.  The finished design is in the video above.  For a full report on how the sounds were created, click the 'read more' link below.

Battlestar Galactica® is a registered trademark and copyright of Universal Entertainment.

DESIGN OVERVIEW

With this project there were two high level aims I wanted to achieve.  Firstly, the Battlestar Galactica is a very large ship and the sound design must portray this size.  The pitch and reverberance of the sounds of the ship's frame buckling, heard from both the internal and external points of view, are therefore critical.

Secondly, I also wanted to achieve a distinction between the internal and external points of view.  Somewhat in keeping with the style of the original production, I felt that using deeper and more reverberant sounds for the outer space scenes would give a sense of the vast emptiness of space.  With a more natural frequency range available for the internal scenes, the high pitched sounds of smashed glass, electrical sparks and explosions would provide a dramatic contrast with the exterior.

With this framework in mind, the main elements of the sound design would be the alien atmosphere, the FTL jump, the stresses and groans of the buckling ship from the external point of view, the various impacts an explosions within the ship’s interior and the ship’s main engines.

IMPLEMENTATION

Alien Atmosphere

The environment at the beginning of the scene is an energetic and rocky atmosphere, and I wanted to create a harsh sound that portrayed that energy.  Additionally I wanted this sound to be dense and rich to contrast with the silent, empty space that the ship escapes to.  

The main component of this sound was created with a recording of cutlery being shaken that was slowed down extremely to give a percussive, low frequency sound.  This was then convolved to a sample of thunder, which gave a more rounded and echoing sound.  Added to this was the sound of someone eating crisps, slowed to around a tenth normal speed to give the 'crunchy' sound of the small rocks and asteroids colliding in the atmosphere.  Finally some regular wind sounds were added to fill out the sound and help give a sense of energy.

FTL Jump

For the FTL jump I wanted to create a powerful sound that portrayed the large amount of energy involved.  I also wanted an unnatural, yet clean sound that gave a sense of the impressive futuristic technology driving the jump.  Therefore I felt the sound should have two distinct components: the first a clean and ringing tone, giving the impression of the exotic technology involved, the second a lightning crackle type element conveying the 'tearing' of space, and tying to the flashing visuals.  

The first component was constructed from the sound of a bow 'twanging' convolved with a chime that had been slowed without changing pitch using granular recombination.  This convolution was mixed with a slowed and de-tuned wine glass squeak.  These sounds were enveloped to give a sharp snap at the beginning of the jump, then quickly dropping down to a long, quiet, ringing tail.

The cracking component was made by granular-slowing of a reversed lightning sample, mixed with breaking glass and enveloped to give a percussive shape.

However, these components alone did not gave a sense of the weight and force of the jump, so deeply pitch-shifted gunshots were mixed in to give a more powerful sound.

External Sounds

For the external sounds I wanted long, deep resonant groans to accompany the flexing of the ship, giving a sense of the ship’s size, with more percussive elements used for the sudden snaps and buckles of the hull.  I also wanted to capture the various puffs of escaping atmosphere.  However, as described above, I wanted the external sounds all to fit within the lower frequency range, and to have a soft reverberation to create the impression of viewing from outer space.

The main groaning sounds were created from numerous samples of doors creaking and various wood and metal groans and squeaks.  The door and wood sounds were slowed to various speeds around the 10-25% range, with further downwards pitch shifting for some of the higher pitched sounds, to give long, deep, resonant groans.  The slowing and pitch shifting created some grainy artifacts, and these were removed with a low pass filter.  The sounds were edited to fit with the movements of the ship, and mixed together to give fuller or thinner sounds based on the amount of movement.  The metal sounds were pitched down a small amount, to give an impression of greater size, and used for the shorter and faster movements of the ship and to add richness to the deeper groans.  Reverb was added to further portray the size of the ship and keep the sounds in fitting the the style of the external segments.

The sounds of the explosions and sudden buckling movements were created from samples of thunder and gunshots.  These were slowed and pitched down, low pass filtered and had reverb added to fit with the groans and match the external style.

The atmosphere venting from the ship used white noise and a mix of various compressed gas sounds.  As with the other external sounds, these were slowed and low pass filtered before having reverb added, again in keeping with the external style.

Stereo panning was used to match the location of these various external sounds with their visual counterparts, and panning automation allowed the sounds to move with the ships movements.

A 45Hz hum was added at various levels to each external scene to help portray the size and power of the ship.

Finally, a very deep rumbling sound was added as 'space tone' - a background sound for empty space.  This can be heard at the beginning of the video when the ship jumps into empty space and at the end when the camera pans away from the ship.  This helped retain a natural immersion in the video when there are no sound producing objects on screen.

Internal Sounds

I waned the internal sounds to be more busy and frantic to give the impression of the chaos within the ship as it warps and buckles.  Additionally, I wanted to make use of a fuller frequency range, to create a sharp contrast with the style of the external sounds.

Some of the groaning sounds from the external scenes was reused in the background of the internal scenes.  In the internal scenes these sounds were pitched higher, and had longer reverberations, giving a sense of the larger movements of the ship and retaining a connection with the external scenes.

For the shattering screens, ten individual glass/window smashing sounds were mixed together to create a very dense sound with strong percussive moments at the beginning of each smash.  This dense sound was then pitch shifted to 200% to give a piercing sound that gave the impression of the glass breaking into tiny fragments.  The original and pitch shifted versions were mixed together creating a rich final sound.  The higher frequency range of this sound helped create the contrast with the style of the external sounds.

Various electrical buzzing and cracking sounds were used for the sparks and electrical fires.  These were pitched up and had a long reverb applied to give them a softer and more continuous sound.  At points were there were explosions of sparks these sounds were mixed together to give a denser sound, to which an envelop was applied giving them a percussive shape.  Added to this were electrical snaps and cracking sounds, from lightning and welding samples that were pitched to fit below the frequency range of the crackles.    For moments where particularly fast or dense sets of sparks are seen, some granular randomization was used the increase the harshness of the sounds.  Finally, some of the external explosion sounds were reused to fill out the bottom end of the frequency range.  Again, the fuller range of these sounds helped with the contrast to the external sounds.

The FTL computer sound was created with a pulsing sine wave, with granular randomization of speed, pitch and grain location used when the computer screen glitches.

Additional debris, impact and rumbling sounds were added to fill out the scenes.  Panning was used to locate the various internal sounds with their visual counterparts.

Engine Sounds

I felt that the engine sounds in particular were vital to portraying the size of the ship.  I wanted to give a sense of energy of the engines themselves, contained within the ship, and the power of the thrusters on the exterior.  

For the engine sound, I convolved two electrical humming sounds to create a deep, rich tone.  This was then convolved with the sound of a large aircraft engine, giving a sense of life and movement to the sound.

For the thrusters I wanted to achieve something akin to the sound of a NASA rocket blasting off.  I took a sample of a gas furnace, slowed it slightly, pitched it down and then passed it through a low pass filter.  This gave a deep rocket thruster type sound, but it didn't fully match the visuals, which have a crackling blue light that gives the impression of electricity.  I then mixed in the sound of electrical crackling that was slowed, pitched down and smoothed out some with reverb.  This gave the thrusters a fuller, more believable sound, while still fitting with the overall style for external sounds.

[bleepsandpops]

Granular Audio

This was a sound design task to create a soundtrack for the video using only granular synthesis/recombination techniques.  All the sounds in this video were created by manipulating a sample of HAL 9000 from the film 2001: A Space Odyssey.  The original sample is tacked on to the end of the video.

Note the audio in this video contains a lot of low frequency ‘bass’ sounds, that might not be heard on small computer/laptop speakers - you may need head/ear-phones or larger speakers to hear it all.