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#Daniel B. Updike
uwmspeccoll · 1 year
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Typography Tuesday
A new addition to our collection is American Type Designers and Their Work, a brief catalog for an exhibition held at the Lakeside Press Galleries of the R. R. Donnelley & Sons Company in Chicago, Illinois, 1947-1948.There are no type samples presented in the catalog, but it lists 48 American type designers who today are luminaries in the American type design constellation. 
The catalog was designed by Carl Purington Rollins, the master printer to Yale University from 1920 to 1948. The text is set in Monotype Garamont, designed by Frederic Goudy in 1923, with Trafton Script, designed by Howard Trafton for Bauer Type Foundry in 1933. The illustration of the 19th-century type caster was redrawn form a wood engraving in J. Luther Ringwalt’s American Encyclopedia of Printing, Philadelphia, 1871. The simplified illustration of a matrix-cutting pantograph routing machine was supplied by Limited Editions Club and Heritage Press founder George Macy. 
Rollins acknowledges the influence of the English Arts & Crafts movement on early 20th-century American type designers and notes that “With the invention of the pantograph punch cutter [invented by Linn Boyd Benton, the father of Milwaukee-born Morris Fuller Benton, the most prolific type designer of the 20th century] type design became an ‘art’ rather than a craft, and as might be expected the personality of the designer became for various reasons more important.” He continues, 
Good types have character and power that we neglect at our peril.. . . A faulty choice can pull against the message and the purpose, even as the veriest jackass. A sound and happy choice can lend wings to words. . . . 
Rollins follows this with an admonition from the great American type historian, printer, and founder of the Merrymount Press Daniel B. Updike:
If we do not judge types rightly, they will judge us -- the penalty of foolish choice being the penalty we pay for choosing foolishly in life. We are punished by getting what we want!
View more Typography Tuesday posts.
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rbolick · 4 years
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Books On Books Collection - Heavenly Monkey
Books On Books Collection – Heavenly Monkey
Francesco Griffo da Bologna: Fragments and Glimpses (2020)
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Francesco Griffo da Bologna: Fragments and Glimpses (2020) Rollin Milroy H234 x W159 mm, 114 pages. Edition of 50, of which this is #32. Acquired from Heavenly Monkey, 4 November 2020. Photos: Books On Books Collection.
Several collections of Aldine volumes made themselves known around 2015, the 500th anniversaryof the death of Aldus…
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tossingwater · 2 years
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A–Z Book Recommendations
I Mean How Could I Not:
A: Atlas Shrugged by Ayn Rand
B: Bad Lands by Jonathan Raban 
C: Cat’s Cradle by Kurt Vonnegut
D: Desert Solitaire by Edward Abbey
E: Electric Kool-Aid Acid Test by Tom Wolfe
F: The French Lieutenant’s Woman by John Fowles
G: The Good Soldier by Ford Madox Ford
H: Hell’s Angels by Hunter S. Thompson 
I: In Her Shoes by Jennifer Weiner
J: Jude the Obscure by Thomas Hardy
K: The Kitchen God’s Wife by Amy Tan
L: Lonesome Dove by Larry McMurtry 
M: Middlemarch by George Eliot
N: The Night Circus by Erin Morgenstern 
O: Of Human Bondage by W. Somerset Maugham
P: Pere Goriot by Honoré de Balzac
Q: The Quiet American by Graham Greene
R: Rabbit, Run by John Updike
S: She’s Come Undone by Wally Lamb
T: The Time Traveler’s Wife by Audrey Niffenegger 
U: The Unbearable Lightness of Being by Milan Kundera 
V: A Visit from the Goon Squad by Jennifer Egan
W: Wuthering Heights by Emily Brontë
X: Roxana: Or, The Fortunate Mistress by Daniel Defoe (don’t hate me for this one, Roxana technically has an X in it and you should be reading Danie Defoe if you haven’t yet)
Y: The Year of Magical Thinking by Joan Didion 
Z: Zombie by Joyce Carol Oates
You’re Welcome.
Peace Out, 
Katie 
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riceli · 4 years
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BANNED CLASSICS
Banned Classic Books - banned in various countries, time periods, etc. Non-fiction, children's, modern, etc.
How many have you read?
1
The Great Gatsby (F. Scott Fitzgerald)
2
The Catcher in the Rye (J. D. Salinger)
3
The Grapes of Wrath (John Steinbeck)
4
To Kill a Mockingbird (Harper Lee)
5
The Color Purple (Alice Walker)
6
Ulysses (James Joyce)
7
Beloved (Toni Morrison)
8
Lord of the Flies (William Golding)
9
1984 (George Orwell)
10
Lolita (Vladimir Nabokov)
11
Of Mice and Men (John Steinbeck)
12
Catch-22 (Joseph Heller)
13
Brave New World (Aldous Huxley)
14
Animal Farm (George Orwell-1945)
15
The Sun Also Rises (Ernest Hemingway)
16
As I Lay Dying (William Faulkner)
17
A Farewell to Arms (Ernest Hemingway)
18
Their Eyes Were Watching God (Zora Neale Hurston)
19
Invisible Man (Ralph Ellison)
20
Song of Solomon (The Song of Songs, also Song of Solomon or Canticles, is one of the megillot found in the last section of the Tanakh, known as the Ketuvim, and a book of the Old Testament.)
21
Gone With the Wind (Margaret Mitchell)
22
Native Son (Richard Wright)
23
One Flew Over the Cuckoo's Nest ( Ken Kesey)
24
Slaughterhouse-Five (Kurt Vonnegut)
25
For Whom the Bell Tolls (Ernest Hemingway)
26
The Call of the Wild (Jack London)
27
Go Tell It on the Mountain. (James Baldwin)
28
All the King's Men (Robert Penn Warren)
29
The Lord of the Rings (J. R. R. Tolkien)
30
The Jungle (Upton Sinclair)
31
Lady Chatterley's Lover (D. H. Lawrence)
32
A Clockwork Orange (Anthony Burgess)
33
The Awakening (Kate Chopin)
34
In Cold Blood (Truman Capote)
35
Sophie's Choice (William Styron)
36
Cat's Cradle (Kurt Vonnegut)
37
A Separate Peace, by John Knowles
38
Naked Lunch (William S. Burroughs)
39
Brideshead Revisited (Evelyn Waugh)
40
Women in Love (D.H. Lawrence)
41
The Naked and the Dead (Norman Mailer)
42
Tropic of Cancer (Henry Miller)
43
An American Tragedy (Theodore Dreiser)
44
Rabbit, Run (John Updike)
45
The Adventures of Huckleberry Finn (Mark Twain)
46
Candide (Voltaire)
47
Sons and Lovers (D.H. Lawrence)
48
The Autobiography of Malcolm X (Alex Haley and Malcolm X)
49
Bury My Heart at Wounded Knee (Dee Brown)
50
Fahrenheit 451 (Ray Bradbury)
51
Howl ( Allen Ginsberg - a poem)
52
Leaves of Grass (Walt Whitman)
53
Moby-Dick (Herman Melville)
54
Our Bodies, Ourselves (a book about women's health and sexuality produced by the nonprofit organization Our Bodies Ourselves (originally called the Boston Women's Health Book Collective)
55
The Red Badge of Courage (Stephen Crane)
56
The Scarlet Letter (Nathaniel Hawthorne)
57
Sexual Behavior in the Human Male (Alfred C. Kinsey, Wardell R. Pomeroy, and Clyde E. Martin)
58
Stranger in a Strange Land (Robert a Heinlein)
59
A Streetcar Named Desire (Tennessee Williams)
60
Uncle Tom's Cabin (Harriet Beecher Stowe)
61
Where the Wild Things Are (Maurice Sendak)
62
The Crucible (Arthur Miller)
63
Anne Frank: the Diary of a Young Girl (Anne Frank)
64
The Bell Jar (Sylvia Plath)
65
Arabian Nights (Richard Francis Burton & Geraldine McCaughrean)
66
Gullivers Travels (Jonathan Swift)
67
I Know Why the Caged Bird Sings (Maya Angelou)
68
Madame Bovary (Gustave Flaubert)
69
Moll Flanders (Daniel Defoe)
70
A Wrinkle in Time (Madeleine L'engle)
71
Bridge to Terabithia (Katherine Paterson)
72
The Chocolate War (Robert Cormier)
73
The Perks of Being a Wallflower (Stephen Chbosky)
74
Harry Potter (J. K. Rowling)
75
The Giver (Lois Lowry)
76
Alice in Wonderland (Lewis Carroll)
77
The Handmaid's Tale (Margaret Atwood)
78
Flowers for Algernon (Daniel Keyes)
79
The Outsiders (S. E. Hinton)
80
The Adventures of Tom Sawyer (lMark Twain)
81
That Was Then, This Is Now (S.E. Hinton)
82
The Golden Compass (Philip Pullman)
83
Charlotte's Web (E. B. White)
84
Charlie and the Chocolate Factory (Roald Dahl)
85
The Giving Tree (Shel Silverstein)
86
The Lion, the Witch and the Wardrobe (C.S.Lewis)
87
The Wizard of Oz (L. Frank Baum)
88
James and the Giant Peach (Roald Dahl)
89
Grimm's Fairy Tales (Jacob Grimm and Wilhelm Grimm)
90
The Little Mermaid (Hans Christian Anderson)
91
Scary Stories to Tell in the Dark (Alvin Schwartz
92
Winnie-The-Pooh (A. A. Milne)
93
Siddhartha (Hermann Hesse)
94
The Metamorphosis (Franz Kafka -1915)
95
Frankenstein (Mary Wollstonecraft Shelley)
96
The Canterbury Tales (Geoffrey Chaucer)
97
The Well of Loneliness (Radclyffe Hall)
98
All Quiet on the Western Front (Erich Maria Remarque)
99
The Master and Margarita (Mikhail Bulgakov)
100
Heart of Darkness (Joseph Conrad)
“A book banned” sounds like a joke.
Are people a bunch of idiots that have to be controlled by some System that decides what can be read and what can not?
It is ridiculous.
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bluewatsons · 6 years
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Galen Strawson, I am not a story, Aeon (September 3, 2015)
Some find it comforting to think of life as a story. Others find that absurd. So are you a Narrative or a non-Narrative?
Each of us constructs and lives a “narrative”,’ wrote the British neurologist Oliver Sacks, ‘this narrative is us’. Likewise the American cognitive psychologist Jerome Bruner: ‘Self is a perpetually rewritten story.’ And: ‘In the end, we become the autobiographical narratives by which we “tell about” our lives.’ Or a fellow American psychologist, Dan P McAdams: ‘We are all storytellers, and we are the stories we tell.’ And here’s the American moral philosopher J David Velleman: ‘We invent ourselves… but we really are the characters we invent.’ And, for good measure, another American philosopher, Daniel Dennett: ‘we are all virtuoso novelists, who find ourselves engaged in all sorts of behaviour… and we always put the best “faces” on it we can. We try to make all of our material cohere into a single good story. And that story is our autobiography. The chief fictional character at the centre of that autobiography is one’s self.’
So say the narrativists. We story ourselves and we are our stories. There’s a remarkably robust consensus about this claim, not only in the humanities but also in psychotherapy. It’s standardly linked with the idea that self-narration is a good thing, necessary for a full human life.
I think it’s false – false that everyone stories themselves, and false that it’s always a good thing. These are not universal human truths – even when we confine our attention to human beings who count as psychologically normal, as I will here. They’re not universal human truths even if they’re true of some people, or even many, or most. The narrativists are, at best, generalising from their own case, in an all-too-human way. At best: I doubt that what they say is an accurate description even of themselves.
What exactly do they mean? It’s extremely unclear. Nevertheless, it does seem that there are some deeply Narrative types among us, where to be Narrative with a capital ‘N’ is (here I offer a definition) to be naturally disposed to experience or conceive of one’s life, one’s existence in time, oneself, in a narrative way, as having the form of a story, or perhaps a collection of stories, and – in some manner – to live in and through this conception. The popularity of the narrativist view is prima facie evidence that there are such people.
Perhaps. But many of us aren’t Narrative in this sense. We’re naturally – deeply – non-Narrative. We’re anti-Narrative by fundamental constitution. It’s not just that the deliverances of memory are, for us, hopelessly piecemeal and disordered, even when we’re trying to remember a temporally extended sequence of events. The point is more general. It concerns all parts of life, life’s ‘great shambles’, in the American novelist Henry James’s expression. This seems a much better characterisation of the large-scale structure of human existence as we find it. Life simply never assumes a story-like shape for us. And neither, from a moral point of view, should it.
The tendency to attribute control to self is, as the American social psychologist Dan Wegner says, a personality trait, possessed by some and not others. There’s an experimentally well-attested distinction between human beings who have what he calls the ‘emotion of authorship’ with respect to their thoughts, and those who, like myself, have no such emotion, and feel that their thoughts are things that just happen. This could track the distinction between those who experience themselves as self-constituting and those who don’t but, whether it does or not, the experience of self-constituting self-authorship seems real enough. When it comes to the actual existence of self-authorship, however – the reality of some process of self-determination in or through life as life-writing – I’m skeptical.
In the past 20 years, the American philosopher Marya Schechtman has given increasingly sophisticated accounts of what it is to be Narrative and to ‘constitute one’s identity’ through self-narration. She now stresses the point that one’s self-narration can be very largely implicit and unconscious. That’s an important concession. According to her original view, one ‘must be in possession of a full and explicit narrative [of one’s life] to develop fully as a person’. The new version seems more defensible. And it puts her in a position to say that people like myself might be Narrative and just not know it or admit it.
In her most recent book, Staying Alive (2014), Schechtman maintains that ‘persons experience their lives as unified wholes’ in some way that goes far beyond their basic awareness of themselves as single finite biological individuals with a certain curriculum vitae. She still thinks that ‘we constitute ourselves as persons… by developing and operating with a (mostly implicit) autobiographical narrative which acts as the lens through which we experience the world’.
I still doubt that this is true. I doubt that it’s a universal human condition – universal among people who count as normal. I doubt this even after she writes that ‘“having an autobiographical narrative” doesn’t amount to consciously retelling one’s life story always (or ever) to oneself or to anyone else’. I don’t think an ‘autobiographical narrative’ plays any significant role in how I experience the world, although I know that my present overall outlook and behaviour is deeply conditioned by my genetic inheritance and sociocultural place and time, including, in particular, my early upbringing. And I also know, on a smaller scale, that my experience of this bus journey is affected both by the talk I’ve been having with A in Notting Hill and the fact that I’m on my way to meet B in Kentish Town.
Like Schechtman, I am (to take John Locke’s definition of a person) a creature who can ‘consider itself as itself, the same thinking thing, in different times and places’. Like Schechtman, I know what it’s like when ‘anticipated trouble already tempers present joy’. In spite of my poor memory, I have a perfectly respectable degree of knowledge of many of the events of my life. I don’t live ecstatically ‘in the moment’ in any enlightened or pathological manner.
But I do, like the American novelist John Updike and many others, ‘have the persistent sensation, in my life…, that I am just beginning’. The Portuguese writer Fernando Pessoa’s ‘heteronym’ Alberto Caeiro (one of 75 alter egos under which he wrote) is a strange man, but he captures an experience common to many when he says that: ‘Each moment I feel as if I’ve just been born/Into an endlessly new world.’ Some will immediately understand this. Others will be puzzled, and perhaps skeptical. The general lesson is of human difference.
According to McAdams, a leading narrativist among social psychologists, writing in The Redemptive Self: Stories Americans Live By (2006):
Beginning in late adolescence and young adulthood, we construct integrative narratives of the self that selectively recall the past and wishfully anticipate the future to provide our lives with some semblance of unity, purpose, and identity. Personal identity is the internalised and evolving life story that each of us is working on as we move through our adult lives… I… do not really know who I am until I have a good understanding of my narrative identity.
If this is true, we must worry not only about the non-Narratives – unless they are happy to lack personal identity – but also about the people described by the developmental psychologist Erik Erikson in Identity: Youth and Crisis (1968):
various selves… make up our composite Self. There are constant and often shocklike transitions between these selves… It takes, indeed, a healthy personality for the ‘I’ to be able to speak out of all these conditions in such a way that at any moment it can testify to a reasonably coherent Self.
And the English moral philosopher Mary Midgley, writing in Wickedness (1984):
[Doctor Jekyll] was partly right: we are each not only one but also many… Some of us have to hold a meeting every time we want to do something only slightly difficult, in order to find the self who is capable of undertaking it… We spend a lot of time and ingenuity on developing ways of organising the inner crowd, securing consent among it, and arranging for it to act as a whole. Literature shows that the condition is not rare.
Erikson and Midgley suggest, astonishingly, that we’re all like this, and many agree – presumably those who fit the pattern. This makes me grateful to Midgley when she adds that ‘others, of course, obviously do not feel like this at all, hear such descriptions with amazement, and are inclined to regard those who give them as dotty’. At the same time, we shouldn’t adopt a theory that puts these people’s claim to be genuine persons in question. We don’t want to shut out the painter Paul Klee, writing in his diaries in the first years of the 20th century:
My self… is a dramatic ensemble. Here a prophetic ancestor makes his appearance. Here a brutal hero shouts. Here an alcoholic bon vivant argues with a learned professor. Here a lyric muse, chronically love-struck, raises her eyes to heaven. Here papa steps forward, uttering pedantic protests. Here the indulgent uncle intercedes. Here the aunt babbles gossip. Here the maid giggles lasciviously. And I look upon it all with amazement, the sharpened pen in my hand. A pregnant mother wants to join the fun. ‘Pshtt!’ I cry, ‘You don’t belong here. You are divisible.’ And she fades out.
Or the British author W Somerset Maugham, reflecting in A Writer’s Notebook (1949):
I recognise that I am made up of several persons and that the person that at the moment has the upper hand will inevitably give place to another. But which is the real one? All of them or none?
What are these people to do, if the advocates of narrative unity are right? I think they should continue as they are. Their inner crowds can perhaps share some kind of rollicking self-narrative. But there seems to be no clear provision for them in the leading philosophies of personal unity of our time as propounded by (among others) Schechtman, Harry Frankfurt, and Christine Korsgaard. I think the American novelist F Scott Fitzgerald is wrong when he says in his Notebooks (1978) that: ‘There never was a good biography of a good novelist. There couldn’t be. He is too many people if he’s any good.’ But one can see what he has in mind.
There is, furthermore, a vast difference between people who regularly and actively remember their past, and people who almost never do. In his autobiography What Little I Remember (1979), the Austrian-born physicist Otto Frisch writes: ‘I have always lived very much in the present, remembering only what seemed to be worth retelling.’ And: ‘I have always, as I already said, lived in the here and now, and seen little of the wider views.’ I’m in the Frisch camp, on the whole, although I don’t remember things in order to retell them.
More generally, and putting aside pathological memory loss, I’m in the camp with the French philosopher Michel de Montaigne, when it comes to specifically autobiographical memory: ‘I can find hardly a trace of [memory] in myself,’ he writes in his essay ‘Of Liars’ (1580). ‘I doubt if there is any other memory in the world as grotesquely faulty as mine is!’ Montaigne knows this can lead to misunderstanding. He is, for example, ‘better at friendship than at anything else, yet the very words used to acknowledge that I have this affliction [poor memory] are taken to signify ingratitude; they judge my affection by my memory’ – quite wrongly. ‘However, I derive comfort from my infirmity.’
Poor memory protects him from a disagreeable form of ambition, stops him babbling, and forces him to think through things for himself because he can’t remember what others have said. Another advantage, he says, ‘is that… I remember less any insults received’.
To this we can add the point that poor memory and a non-Narrative disposition aren’t hindrances when it comes to autobiography in the literal sense – actually writing things down about one’s own life. Montaigne is the proof of this, for he is perhaps the greatest autobiographer, the greatest human self-recorder, in spite of the fact that:
nothing is so foreign to my mode of writing than extended narration [narration estendue]. I have to break off so often from shortness of wind that neither the structure of my works nor their development is worth anything at all.
Montaigne writes the unstoried life – the only life that matters, I’m inclined to think. He has no ‘side’, in the colloquial English sense of this term. His honesty, although extreme, is devoid of exhibitionism or sentimentality (St Augustine and Rousseau compare unfavourably). He seeks self-knowledge in radically unpremeditated life-writing, addressing his writing-paper ‘exactly as I do the first person I meet’. He knows his memory is hopelessly untrustworthy, and he concludes that the fundamental lesson of self-knowledge is knowledge of self-ignorance.
Once one is on the lookout for comments on memory, one finds them everywhere. There is a constant discord of opinion. I think the British writer James Meek is accurate when he describes Light Years(1975) by the American novelist James Salter:
Salter strips out the narrative transitions and explanations and contextualisations, the novelistic linkages that don’t exist in our actual memories, to leave us with a set of remembered fragments, some bright, some ugly, some bafflingly trivial, that don’t easily connect and can’t be put together as a whole, except in the sense of chronology, and in the sense that they are all that remains.
Meek takes it that this is true of everyone, and it is perhaps the most common case. Salter in Light Years finds a matching disconnection in life itself: ‘There is no complete life. There are only fragments. We are born to have nothing, to have it pour through our hands.’
And this, again, is a common experience:
Examine for a moment an ordinary mind on an ordinary day. The mind receives a myriad impressions – trivial, fantastic, evanescent, or engraved with the sharpness of steel. From all sides they come, an incessant shower of innumerable atoms; as they fall, as they shape themselves into the life of Monday or Tuesday, the accent falls differently from of old; the moment of importance came not here but there; so that, if a writer were a free man and not a slave, if he could write what he chose, not what he must, if he could base his work upon his own feeling and not upon convention, there would be no plot, no comedy, no tragedy, no love interest or catastrophe in the accepted style, and perhaps not a single button sewn on as the Bond Street tailors would have it. Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.
It’s hard to work out the full consequences of this passage from the essay‘Modern Fiction’ (1921) by Virginia Woolf. What is certain is that there are rehearsers and composers among us, people who not only naturally story their recollections, but also their lives as they are happening. But when the English dramatist Sir Henry Taylor observed in 1836 that ‘an imaginative man is apt to see, in his life, the story of his life; and is thereby led to conduct himself in such a manner as to make a good story of it rather than a good life’, he’s identifying a fault, a moral danger. This is a recipe for inauthenticity. And if the narrativists are right and such self-storying impulses are in fact universal, we should worry.
Fortunately, they’re not right. There are people who are wonderfully and movingly plodding and factual in their grasp of their pasts. It’s an ancient view that people always remember their own pasts in a way that puts them in a good light, but it’s just not true. The Dutch psychologist Willem Wagenaar makes the point in his paper ‘Is Memory Self-Serving?’ (1994), as does Tolstoy’s Ivan Ilyich on his deathbed.
In his poem ‘Continuing to Live’ (1954), Philip Larkin claims that ‘in time/We half-identify the blind impress/All our behavings bear’. The narrativists think that this is an essentially narrative matter, an essentially narrative construal of the form of our lives. But many of us don’t get even as far as Larkinian half-identification, and we have at best bits and pieces, rather than a story.
We’re startled by Larkin’s further claim that ‘once you have walked the length of your mind, what/You command is clear as a lading-list’, for we find, even in advanced age, that we still have no clear idea of what we command. I for one have no clear sense of who or what I am. This is not because I want to be like Montaigne, or because I’ve read Socrates on ignorance, or Nietzsche on skins in Untimely Meditations (1876):
How can man know himself? He is a dark and veiled thing; and whereas the hare has seven skins, the human being can shed seven times 70 skins and still not be able to say: ‘This is really you, this is no longer an outer shell.’ (translation modified)
The passage continues:
Besides, it is an agonizing, dangerous undertaking to dig down into yourself in this way, to force your way by the shortest route down the shaft of your own being. How easy it is to do damage to yourself that no doctor can heal. And moreover, why should it be necessary, since everything – our friendships and hatreds, the way we look, our handshakes, the things we remember and forget, our books, our handwriting – bears witness to our being.
I can’t, however, cut off this quotation here, because it continues in a way that raises a doubt about my position:
But there is a means by which this absolutely crucial enquiry can be carried out. Let the young soul look back upon its life and ask itself: what until now have you truly loved, what has drawn out your soul, what has commanded it and at the same time made it happy? Line up these objects of reverence before you, and perhaps by what they are and by their sequence, they will yield you a law, the fundamental law of your true self.
‘Perhaps by what they are… they will yield the fundamental law of your true self.’ This claim is easy to endorse. It’s Marcel Proust’s greatest insight. Albert Camus sees it, too. But Nietzsche is more specific: ‘perhaps by what they are and by their sequence, they will yield… the fundamental law of your true self.’ Here it seems I must either disagree with Nietzsche or concede something to the narrativists: the possible importance of grasping the sequence in progressing towards self-understanding.
I concede it. Consideration of the sequence – the ‘narrative’, if you like – might be important for some people in some cases. For most of us, however, I think self-knowledge comes best in bits and pieces. Nor does this concession yield anything to the sweeping view with which I began, the view – in Sacks’s words – that all human life is life-writing, that ‘each of us constructs and lives a “narrative”, and that ‘this narrative is us’.
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your-dietician · 3 years
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Drug Overdoses on the Rise as Top 10 Diagnoses Unveiled
New Post has been published on https://depression-md.com/drug-overdoses-on-the-rise-as-top-10-diagnoses-unveiled/
Drug Overdoses on the Rise as Top 10 Diagnoses Unveiled
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Author – Search by Author –Adele L. Towers, MD, MPH, FACP Ahmed Abuabdou, M.D., MBAAlba Kuqi, MD, RHIA, CDIP, CCS, CSMC, CICA, CRCR, CCDS , CCMAlixis SmithAllen R. Frady, RN, BSN, CCS, CCDS and Rob Kopec, MDAllen R. Frady, RN, BSN, CCS, CCDS, AHIMA Approved ICD-10-CM/PCS TrainerAndrea Clark, RHIA, CCS, CPC-HAndres Jimenez, MDAndrew H. Dombro, MDAndrew N. Cohen, PhDAngela CarmichaelAngela Phillips, PTAnita Archer, CPCAnita Majerowicz, MS, RHIAAnny Pang Yuen, RHIA, CCS, CCDS, CDIPAutumn Reiter, BSN, RN, CCDS, CDIP, AHIMA-Certified ICD-10 TrainerBarbara Hinkle-Azzara, RHIABarry Libman, MS, RHIA, CDIP, CCS, CCS-P, CICBeth Friedman, RHIT, BSHABeth Wolf, MD, CPC, CCDSBetsy NicolettiBetty B. Bibbins, MD, BSN, CHC, C-CDI, CPEHR, CPHIT, CPHIMSBill Rifkin MD, FHM, FACPBilly Richburg, M.S., FHFMABonnie S. Cassidy, MPA, RHIA, FAHIMA, FHIMSSBrad JustusBrigid T. Caffrey, BA, BS, MS, CCSBrooke Palkie, MA, RHIACareer StepCari Greenwood, RHIA, CCS, CPC AHIMA approved ICD-10 TrainerCarol Lester, RN, BSNCarol Spencer, BA, RHIA, CCS, CHDACassi Birnbaum, MS, RHIA, CPHQCatherine Harrison-Restelli, MDCathie Wilde, RHIA, CCSCesar M Limjoco, MDCharles Winans, MDCheryl E. Servais, MPH, RHIACheryl Ericson, RN, MS, CCDS, CDIP Chris Liguori, MBAChris Powell, Chief Executive Officer, PrecyseChuck BuckCindy Doyon, RHIAColleen Deighan, RHIA, CCS, CCDS-O Cynthia D. Fry, PhDDavid Jury MD, MSDawn Valdez, RN, LNC, CDIP, CCDS; CCDIPDeborah Grider, CPC, CPC-H, CPC-I, CPC-P, CPMA, CEMC, CCS-P, CDIP, Certified Clinical Documentation Improvement PractitionerDebra Beisel Denton, RHIA, CCS, CCDS, CDIPDee LangDenise M. 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Brewton, RHIT, CCS, CHCA, CPC, AHIMA-Approved ICD-10-CM/PCS TrainerSandra Routhier, RHIA, CCS, AHIMA Approved ICD-10-CM/PCS TrainerSarah Laird, RHIA, CCSSarguni Singh, MD, Hemali Patel, MD, and Debra Anoff, MDScot Nemchik, CCS, AHIMA-Certified ICD-10 Trainer, and Patty T. Sheridan, MBA, RHIA, FAHIMAShannon DeConda CPC, CPC-I, CEMC, CMSCS, CPMA®Sharon Easterling, MHA, RHIA, CCS, CDIP, CRC, FAHIMASharon Lee Savinsky, MSN, RN CDISSheri Poe Bernard, CCS-P, CPC, CRC, CDEOSherry WilsonSheryl Markowitz, LCSW, LISWsStacey Elliott, CCS, CPCStanley Nachimson, MSStefani Daniels, RN, MSNA, ACM, CMACStephanie Thompson, ICD10monitor National CorrespondentStephen Sokolyk, MD, MHASusan Gatehouse, RHIT, CCS,CPC, AHIMA-Approved ICD-10-CM/PCS TrainerSusan M. Howe, RHIT, CCS, CASCC, and an AHIMA-Approved ICD-10-CM/PCS trainerTammy Combs, RN, MSN, CDIP, CCS, CCDSTerrance Govender, MD Terry Fletcher, BS, CPC, CCC, CEMC, CCS, CCS-P, CMC, CMSCS, CMCS, ACS-CA, SCP-CA, QMGC, QMCRCTerry MillerdThomas Ormondroyd, BS, MBATiffany Ferguson, LMSW, ACMTim BavosiTim McMullen, JD, CAETimothy Powell, CPATina Ferguson, RN, CCDSTorrey BarnhouseTracy Boldt, RN, BSN, CCDS, CDIPValerie Fernandez, MBA, CCS, CPC, CIC, CPMA, AHIMA-Approved ICD-10-CM/PCSValerie J. Watzlaf, PhD, MPH, RHIA, FAHIMAVictoria M. Hernandez, RHIA, CDIP, CCS, AHIMA-Approved ICD-10-CM/PCS TrainerVinita Manoraj, MD, CHCQMWilbur Lo, MD, CDIP, CCA, AHIMA-Approved ICD-10-CM/PCS TrainerWilliam L Jonakin, MD, CPC, CRC
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vampireadamooc · 7 years
Link
Friendly reminder that the FBI Files are publicly available - updated weekly as FOIA Requests are processed.
Direct Links to A-P (August 4th 2017)
The Vault Index
The FBI has converted many FOIA documents to an electronic format (PDF), and they may be viewed below. In the case of voluminous pages, only summaries or excerpts from the documents are online. Subjects are sorted alphabetically by first name. You can also use your browser's find feature to locate subjects on the page.
Al Capone Animal Mutilation Ali Hasan Al-Majid Al-Tikriti (Chemical Ali) Albert Anastasia ACLU Aristotle Onassis American Friends Service Committee Aryan Nation Anna Nicole Smith Anthony Blunt Alfred Kinsey Abner Zwillman Albert Einstein Anthony Spilotro ABSCAM Arthur Flegenheimer (Dutch Schultz) Alcatraz Escape Alcoholics Anonymous Al Gore, Sr. Amerithrax Anwar Nasser Aulaqi Amelia Boynton Abbie Hoffman Adolf Hitler Asian American Political Alliance Amelia Mary Earhart Andrew Phillip Cunanan Anthony Salerno All American Anti Imperialist League American Nazi Party Arthur Rudolph Aryan Brotherhood Atlanta Child Murders Aryan Circle Almighty Latin Kings Abe Fortas Arthur R. "Doc" Barker Arnold Palmer Armando Florez Ibarra Alvin Francis Karpis Attempted Assassination of President Ronald Reagan Alger Hiss Ariel Sharon Art Modell
Black September Bertolt Brecht Billy Carter Bishop Fulton Sheen Bonus March Barker-Karpis Gang Summary Bloods and Crips Gang Bonnie and Clyde Black Dahlia (Elizabeth Short) Basque Intelligence Service Bugsy Siegel Bayard Rustin Benjamin Hooks Benjamin Crowninshield Bradlee Black Guerilla Family Black Mafia Family Bernard Baruch Black Panther Party BOMBROB Betty Shabazz Bureau Aviation Regulations Policy Directive and Policy Guide Bernard Julius Otto Kuehn Bettie Page Billy Martin Barker/Karpis Gang
Caryl Chessman Cardinal Francis Spellman Cambridge Five Spy Ring Carmine John Persico, Jr. Custodial Detention Clyde A. Tolson Clark Gable Charles Manson Council on Foreign Relations Charles Lindbergh Clarence Smith (aka 13x) Clarence Darrow Carl Sagan Carmine Galante Conference Cost Reporting and Approvals to Use Nonfederal Facilities Policy Directive 0927D Charlie Chaplin Casey Kasem Cartha DeLoach Christopher (Biggie Smalls) Wallace Charles "Chuck" Wendell Colson Contract for Assistance Regarding Syed Farooks iPhone Charlie Wilson Courtney Allen Evans Claudia Johnson Carlo Gambino Christic Institute Cesar Chavez Clergy and Laity Concerned about Vietnam Charles Rebozo Charles Kettering Claudia Jones Christian Identity Movement Carl Sandburg Charles (Sonny) Liston Columbine High School Criminal Profiling Coretta Scott King Charles Arthur (Pretty Boy) Floyd Custodial Detention Headquarters Carlos Fuentes COINTELPRO Custodial Detention Security Index
Danny Kaye David Koresh Daily Worker Dinah Shore Dorothy Dandridge Duquesne Spy Ring Director Comey Letter to Congress Dated October 28, 2016 Diversity and Inclusion Program Policy Guide Policy Directive 0842D Daniel David "Dan" Rostenkowski Daniel Inouye Daniel Schorr Demonstrations against Lyndon B. Johnson Desi Arnaz Diana, Princess of Wales D. Milton Ladd Dr. Samuel Sheppard Dwight David "Ike" Eisenhower Director Comey Letter to Congress Dated November 6, 2016 David Hahn Debbie Reynolds David Howell Petraeus Daniel Patrick Moynihan D. B. Cooper
Erich Fromm Emmett Till E. B. (William) Dubois Extra-Sensory Perception Eliot Ness Electronic Recordkeeping Certification Policy Guide 0800PG Edward Irving "Ed" Koch Elizabeth Taylor Everette Hunt Edward Abbey Elizabeth Arden Edward Kennedy (Duke) Ellington Elvis Presley Eugene McCarthy Eddie Cantor Eleanor Roosevelt Evelyn Frechette Eric Wright (Eazy-E, EZ E) El Rukns Elijah Muhammad Ernest Hemingway Eugene “Gene” Curran Kelly Explanation of Exemptions
FBI Miami Shooting, April 11, 1986 Frances Perkins Fred Hampton Frank Capone FBI History Francis Gary Powers Frank Sinatra FBI Technical Surveillance Countermeasures Classification Guide Fred W. Phelps, Sr FBI Ethics and Integrity Program Policy Directive Policy Guide FBI Student Programs Policy Guide 0805 PG Fannie Lou Hammer Frank Rosenthal FBI Domestic Investigations and Operations Guide (DIOG) FBI Undercover Operations FBI Terrorist Photo Album Five Percenters Frank Wortman FBI Use of Global Positioning System (GPS) Tracking Frank Malina FDPS FBI Sign Language Interpreting and Reading Program 0889D FBI Seal Name Initials and Special Agent Gold Badge 0625D FOIA DISCLAIMER Fidel Castro Freedom Riders FBI Assistance Provided to Local Law Enforcement During the Black Lives Matter Movement FBI Recreational Association(s) 0465D FOIA Requests Containing the Word Trump Fritz Julius Kuhn Fred G. Randaccio Fred C. Trump
George (Bugs) Moran Greenlease Kidnapping George (Machine Gun) Kelly Groucho Marx Guy Hottel Gov. Edmund Gerald (Pat) Brown, Sr. Gene Siskel German American Federation/Bund Geraldine Ferraro Gangster Disciples Grace Kelly Greenpeace George Jackson Brigade Guantanamo (GTMO) George Burns George Lester Jackson General Douglas MacArthur General Telecommunications Policy 0862D George S. Patton, Jr. Gay Activist Alliance Ghost Stories: Russian Foreign Intelligence Service (SVR) Illegals Gamergate Gregory Scarpa, Sr George Orson Welles George Steinbrenner
Hugo Black Henry Louis (H.L.) Mencken Henry A Wallace Herbert Khaury (Tiny Tim) Highlander Folk School Hanns Eisler Henry Miller Howard Zinn Huey Percy Newton HEARNAP Honoraria Policy 0867D Herman Barker Harold Glasser Hubert H. Humphrey Helen Keller Harland David "Colonel" Sanders Hindenburg Harry S. Truman Hillary R. Clinton Howard Robard Hughes, Jr
Interpol Irgun Zvai Leumi Irving Berlin Impersonation of Bhumibol Adulyadej Imperial Gangsters I Was a Communist for the FBI (Motion Picture) Irwin Allen Ginsberg Ian Fleming Irving Resnick
Jack Soble Jefferson Airplane Jack Benny Jack the Ripper Jesse James James Cagney John F. Kennedy Jr. John Murtha Joseph Aiuppa Jonestown (RYMUR) Summary Joseph Lash John Ehrlichman John L. Lewis John (Jake the Barber) Factor Joseph P. (Joe) Kennedy, Sr. John Steinbeck John Arthur (Jack) Johnson Janis Joplin Jimmy Hoffa Jessica Mitford Jeffrey Lionel Dahmer Jack Anderson John Wilkes Booth Joe Paterno Jay David Whittaker Chambers John Joseph Gotti, Jr James Marshall "Jimi" Hendrix James Baldwin Joseph Losey John Siegenthaler Jeannette Rankin Jack Roosevelt Robinson Judith Coplon James Joseph Brown John Wayne (Marion Robert Morrison) Jerry Garcia Jane Addams John Chancellor John Wayne Gacy Jack Roosevelt (Jackie) Robinson John D. Rockefeller, III John Dillinger John (Handsome Johnny) Roselli John Profumo (Bowtie) J. Edgar Hoover Julius and Ethel Rosenberg J. Edgar Hoover Appointment and Phone Logs Jesse Helms Jonestown J. Edgar Hoover Official and Confidential (O&C) Files Joe Louis Joan Alexandra Rivers Jack Dempsey John Denver James Farmer James McDougal John Updike Jerry Heller Josephine Baker Joseph Paul "Joe" DiMaggio John Winston Lennon
Kent State Katherine Oppenheimer Kent State Shooting Ken Eto Kansas City Massacre Kiss
Lady Bird Johnson Louis Allen Leander Perez, Sr. Legal Handbook for FBI Special Agents Louis (Lepke) Buchalter Liberace Lyndon B. Johnson Laboratory Reference Firearms Collection Policy LD0020D Louie Louie (The Song) Louis Francis Costello Lucia Stepp Lewis F. Powell, Jr. Lillie Belle Allen League of Women Voters Lillian (Lily) Hellman Lester Joseph Gillis (Baby Face Nelson) Lenny Bruce Lucille Ball Luis Buñuel Louis Terkel Langston Hughes Leonid Ilyich Brezhnev Leon Trotsky Leonard Bernstein Lloyd William Barker
Marilyn Monroe Motion Picture Copyright Infringement Mississippi Burning (MIBURN) Case Michael (Mike) Royko Martin Luther King, Jr. Melvin Purvis Malcolm X Muriel Rukeyser Marilyn Sheppard Madalyn Murray OHair Mack Charles Parker Mexican Mafia Mafia Monograph Morris and Lona Cohen Medgar Evers Moorish Science Temple of America Mary Jo Kopechne (Chappaquiddick) Majestic 12 Marian Anderson Michael Jackson Machine Gun Kelly Murray Humphreys Michael Hastings Michael Whitney Straight Melvin Belli Marvin Gaye Marlene Dietrich Malcolm Little (Malcolm X) Meir Kahane Mario Savio Mohammed Khalifa MAOP Margaret H. Thatcher Myron Leon "Mike" Wallace Miami Boys Mario M. Cuomo Muammar Qadhafi Mattachine Society Meyer Lansky Mickey Mantle MIOG Mark Felt Martin Dies, Jr. Muhammad Ali Marcus Garvey
Nikola Tesla Norman Mailer Neil Armstrong National Rifle Association (NRA) New Alliance Party Nuestra Familia National Security Letters (NSL) National States Rights Party NAACP National Investigations Committee on Aerial Phenomena (NICAP) National Organization for Women (NOW) Nation of Islam Nelson Mandela National Gang Threat Assessment Next Generation Identification Monthly Fact Sheets Non-Retaliation for Reporting Compliance Risks Naming and Commemorating FBI Buildings and Spaces 0910D
Osage Indian Murders Owen Lattimore OKBOMB Original Knights of the KKK
Pearl Buck People for the Ethical Treatment of Animals (PETA) President Richard Nixon's FBI Application Purple Gang (aka Sugar House Gang) Project Blue Book (UFO) Philip Ochs Protests in Baltimore, Maryland, 2015 Pablo Escobar Patriot Act Paul Harvey Paul Robeson, Sr. Pulse Nightclub Shooting Personal Services Contracts Policy Directive 0957D Percy Sutton Pentagon Spy Case Policy: Custodial Interrogation for Public Safety Policy Directive 0481D Physical Fitness Program Policy Directive and Policy Guide 0676PG
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gethealthy18-blog · 5 years
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101 “I Love You” Quotes To Express How You Feel
New Post has been published on http://healingawerness.com/getting-healthy/getting-healthy-women/101-i-love-you-quotes-to-express-how-you-feel/
101 “I Love You” Quotes To Express How You Feel
Harini Natarajan Hyderabd040-395603080 June 28, 2019
George Sand said it right. “There is only one happiness in life. To love and be loved.”
But you know what’s very important to keep the love alive? Express it. Say it out loud. Sometimes, a simple ‘I love you so much’ can be enough. Sometimes, you need more!
Looking for quotes to tell them how special they are to you? We’ve got you covered! Here’s a round-up of 101 best “I love you” quotes.
101 Quotes To Say “I Love You”
“The hours I spend with you I look upon as sort of a perfumed garden, a dim twilight, and a fountain singing to it. You and you alone make me feel that I am alive. Other men it is said have seen angels, but I have seen thee and thou art enough.” – George Moore
“I seem to have loved you in numberless forms, numberless times, in life after life, in age after age forever.” – Rabindranath Tagore
“A kiss, when all is said, what is it? A rosy dot placed on the “i” in loving; ‘Tis a secret told to the mouth instead of to the ear.” – Edmond Rostand
“Whatever our souls are made of, his and mine are the same.” – Emily Bronte
“The ultimate test of a relationship is to disagree but to hold hands.” – Alexandra Penney
“Love is a promise, love is a souvenir, once given never forgotten, never let it disappear.” – John Lennon
“Love makes the wildest spirit tame, and the tamest spirit wild.” – Alexis Delp
“Falling in love consists merely of uncorking the imagination and bottling the common–sense.” – Helen Rowland
“When you love someone, you love the whole person, just as he or she is, and not as you would like them to be.” – Leo Tolstoy
“When you like someone, you like them in spite of their faults. When you love someone, you love them with their faults.” – Elizabeth Cameron
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“True love is spelled G–I–V–E. It is not based on what you can get, but rooted in what you can give to the other person.” – Josh McDowell
“Love is something eternal; the aspect may change, but not the essence.” – Vincent Van Gogh
“Love does not consist in gazing at each other but in looking together in the same direction.” – Antoine de Saint–Exupery
“Once you love, you cannot take it back, cannot undo it. What you felt may have changed, shifted slightly, yet still remains love.” – Whitney Otto
“The quickest way to receive love is to give; the fastest way to lose love is to hold it too tightly; and the best way to keep love is to give it wings.” – Anonymous
“All’s fair in love and war.” – Francis Edwards
“Love, like a river, will cut a new path whenever it meets an obstacle.” – Crystal Middlemas
“If I had one more night to live, I would want to spend it with you.” – Pearl Harbour
“When men and women are able to respect and accept their differences then love has a chance to blossom.” – Dr. John Gray
“You know you are in love when you see the world in her eyes, and her eyes everywhere in the world.” – David Levesque
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“Love is strong yet delicate. It can be broken. To truly love is to understand this. To be in love is to respect this.” – Stephen Packer
“We sat side by side in the morning light and looked out at the future together.” – Brian Andres
“Love is a canvas furnished by nature and embroidered by imagination.” – Francois Marie Arouet
“Love is a symbol of eternity. It wipes out all sense of time, destroying all memory of a beginning and all fear of an end.” – Anonymous
“The first duty of love — is to listen.” – Paul Tillich
“The greatest weakness of most humans is their hesitancy to tell others how much they love them while they’re still alive.” – A. Battista
“Love can never grow old. Locks may lose their brown and gold. Cheeks may fade and hollow grow. But the hearts that love will know, never winter’s frost and chill, summer’s warmth is in them still.” – Leo Buscaglia
“When you love someone, all your saved-up wishes start coming out.” – Elizabeth Bowen
“I never saw so sweet a face. As that I stood before. My heart has left its dwelling place … and can return no more.” – John Clare
“All that you are is all that I’ll ever need.” – Ed Sheeran
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“I love her, and that’s the beginning and end of everything.” – F. Scott Fitzgerald ​​
“Love recognizes no barriers.” – Maya Angelou​
“Love is composed of a single soul inhabiting two bodies.” – Aristotle
“We are most alive when we’re in love.” – John Updike
“The heart has its reasons of which reason knows nothing.” – Blaise Pascal
“Love is friendship that has caught fire.” – Ann Sanders
“You can’t blame gravity for falling in love.” – Albert Einstein
“If you find someone you love in your life, then hang on to that love.” – Princess Diana
“I fell in love the way you fall asleep: slowly, and then all at once.” – John Green, The Fault in Our Stars
“A simple “I love you” means more than money.” – Frank Sinatra
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“Everything I do, I do it for you.” – Bryan Adams
“… it’s a blessed thing to love and feel loved in return.” – E.A. Bucchianeri
“It’s easy to fall in love. The hard part is finding someone to catch you.” – Bertrand Russell
“Love is like a mountain, hard to climb, but once you get to the top the view is beautiful.” – Daniel Monroe Tuttle
“You’ll never really know when he really loves you till he looks you in the eyes, grabs your hand, and says it.” – Meg Rogers
“When I saw you I fell in love, and you smiled because you knew.” – William Shakespeare
“Love is not blind – It sees more and not less, but because it sees more it is willing to see less.” – Will Moss
“Love is an act of endless forgiveness, a tender look which becomes a habit.” – Peter Ustinov
“Once in a while, in the middle of an ordinary life, love gives us a fairy tale.” – Anonymous
“Ain’t no sunshine when she’s gone. It’s not warm when she’s away. Ain’t no sunshine when she’s gone, and she’s always gone too long, anytime she goes away.” – Bill Withers
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“You Deserve Love, And You’ll Get It.” – Amy Poehler
“I want all of you, forever, you and me, every day.” – Nicholas Sparks, The Notebook
“If you live to be a hundred, I want to live to be a hundred minus one day, so I never have to live without you.” – Winnie The Pooh
“True love stories never have endings.” – Richard Bach
“There’s nothing that I wouldn’t do to make you feel my love.” – Bob Dylan
“Tis better to have loved and lost, than never to have loved at all.” – Alfred, Lord Tennyson
“To be brave is to love someone unconditionally, without expecting anything in return.” – Madonna
“You know you’re in love when you can’t fall asleep because the reality is finally better than your dreams.” – Dr. Seuss
“I love being married. It’s so great to find one special person you want to annoy for the rest of your life.” – Rita Rudner
“The best thing to hold onto in life is each other.” – Audrey Hepburn
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“You should be kissed and often, and by someone who knows how.” – Rhett Butler, Gone With the Wind
“I like you very much. Just as you are.” – Bridget Jones’s Diary
“Personally, I love a great love story.” – Meghan Markle
“Love is the flower; you’ve got to let it grow.” – John Lennon
“Maybe I don’t know that much but I know this much is true, I was blessed because I was loved by you.” – Celine Dion
“When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.” – When Harry Met Sally
“Love loves to love love.” – James Joyce
“Nobody has ever measured, not even poets, how much the heart can hold.” – Zelda Fitzgerald
“Love is an endless act of forgiveness.” – Beyonce
“The smile is the beginning of love.” – Mother Teresa
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“Some love stories aren’t epic novels. Some are short stories, but that doesn’t make them any less filled with love.” – Sex & The City
“All you need is love.” – The Beatles
“Love was made for me and you.” – Nat King Cole
“I’d never lived before your love”.– Kelly Clarkson
“At the touch of love everyone becomes a poet.” – Plato
“You had me at Hello!” – Jerry Maguire
“True love stories never have endings.” – Richard Bach
“Rare as is true love, true friendship is rarer.” – Jean de la Fontaine
“Two things you will never have to chase: True friends & true love.” – Mandy Hale
“True love will triumph in the end—which may or may not be a lie, but if it is a lie, it’s the most beautiful lie we have.” – John Green
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“True love bears all, endures all and triumphs!” – Dada Vaswani
“True love is selfless. It is prepared to sacrifice.” – Sadhu Vaswani
“True love is usually the most inconvenient kind.” – Kiera Cass
“True love comes quietly, without banners or flashing lights. If you hear bells, get your ears checked.” – Erich Segal
“True love lasts forever.” – Joseph B. Wirthlin
“True love, especially first love, can be so tumultuous and passionate that it feels like a violent journey.” – Holliday Grainger
“True love is eternal, infinite, and always like itself. It is equal and pure, without violent demonstrations: it is seen with white hairs and is always young in the heart.” – Honore de Balzac
“True love brings up everything – you’re allowing a mirror to be held up to you daily.” – Billy Graham
“True love doesn’t happen right away; it’s an ever-growing process. It develops after you’ve gone through many ups and downs, when you’ve suffered together, cried together, laughed together.” – Ricardo Montalban
“The course of true love never did run smooth.” – William Shakespeare
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“Life is a game and true love is a trophy.” – Rufus Wainwright
“True love cannot be found where it does not exist, nor can it be denied where it does.” – Torquato Tasso
“I love true love, and I’m a woman who wants to be married for a lifetime. That traditional life is something that I want.” – Ali Larter
“True love doesn’t come to you it has to be inside you.” – Julia Roberts
“True love is inexhaustible; the more you give, the more you have. And if you go to draw at the true fountainhead, the more water you draw, the more abundant is its flow.” – Antoine de Saint–Exupery
“True love, to me, is when she’s the first thought that goes through your head when you wake up and the last thought that goes through your head before you go to sleep.” – Justin Timberlake
“Love is pure and true; love knows no gender.” – Tori Spelling
“It can only be true love when you enable your other half to be better, to be the person they’re destined to be.” – Michelle Yeoh
“He felt now that he was not simply close to her, but that he did not know where he ended and she began.” – Leo Tolstoy
“You know, true love really matters, friends really matter, family really matters. Being responsible and disciplined and healthy really matters.” – Courtney Thorne–Smith
“Only true love can fuel the hard work that awaits you.” – Tom Freston
Which quote is your favorite from this compilation of quotes and sayings? Is there any popular one we missed out? Let us know in the comments below!
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Source: https://www.stylecraze.com/articles/i-love-you-quotes/
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uwmspeccoll · 4 years
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It’s Fine Press Friday!
This week we present selected pages from In the Dawn of the World, with 25 original wood engravings illustrating a portion of the Book of Genesis by British artist and designer Edward Burne-Jones (1833-1898), and printed in 1903 by D. B. Updike in an edition of 185 copies on handmade Alton Mill paper at the Merrymount Press in Boston for Charles E, Goodspeed, with a note on the designs by Burne-Jones’s son Philip. The type used here is the font designed for Updike by Bertram Grosvenor Goodhue, based on Nicolas Jenson’s type of 1470, for the first Merrymount Press productions beginning in 1894.
The designs for the illustrations were originally produced as part of a large Bible project to be produced by the Kelmscott Press, but the death of William Morris in 1896 put an end to the undertaking. Burne-Jones had completed a number of drawings in pencil, but after Morris’s death they were laid aside, and Burne-Jones himself died two years later. In 1901, Burne-Jones’s widow Georgiana Macdonald decided to publish a selection of 25 of the drawings and commissioned Burne-Jones’s wood engraver Robert Catterson-Smith to complete the project. The results were printed here for the first time in America. Philip Burne-Jones describes the working process of his father and Catterson-Smith:
The design was first made roughly in pencil, and afterwards elaborated and carefully completed in the same medium. A photograph of the finished drawing was then taken, laid down upon cardboard, and gone over with ink, under my father’s supervision. The strong black outline thus secured was again photographed on the wood block, which was then cut. During his long apprenticeship to this work under my father’s eye, Mr. Catterson Smith gained much skill and experience. . . .Had my father seen these reproductions he would have been well satisfied.
Our copy of In the Dawn of the World is another gift from our friend Jerry Buff.
View other work by Edward Burne-Jones.
View more Fine Press Friday posts. 
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uwmspeccoll · 6 years
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Daniel Berkeley Updike: Birthday Anniversary
On February 24, 1860, Daniel Berkeley Updike was born in Providence, Rhode Island. He was an only child who supplemented his private school education by visiting libraries. Due to financial constraints, he was unable to attend college but instead went to work at Houghton, Mifflin & Company. He went from errand boy to having substantial responsibilities within the company over the course of twelve years. During this time, he absorbed the details of fine printing.
In 1893, after spending a couple of years at the Riverside Press in Cambridge, Massachusetts, Updike started his own printing business and in 1896 began to publish under the name Merrymount Press.
In the Fleuron No. 3 published in London 1924, there is a piece written by W. A. Dwiggins titled “D. B. Updike and the Merrymount Press.” In this essay Dwiggins talks about his first encounter with Updike at a dinner of the Society of Printers of Boston in 1905.
“He made his enterprise after a pattern of his own. He came into the game unhampered by any great knowledge of how it should be played.”
Updike had, it seems, from the start an inherent knowledge of what good printing and typography were. He would not compromise the work he did. No matter if it was a book, pamphlet, or a label he sought to “do common work well.”
“To be either artist or man of business is not particularly difficult. To be both at one time is complicated. Updike is both.”
The output from Merrymount Press was substantial; however Updike kept the business small. 
“It has been kept small with the purpose that all of it should be directly under the eye of one person.”
The period of the early 20th century saw changes occurring in the world of print. Updike sometimes had to steer clients away from the “artistic atrocity” of flourishes and scrolls toward more simple designs. One can recognize good typography and good press work without knowing about the process or the art. The work of Merrymount Press exemplifies this aesthetic. It just looks right.
Dwiggins sums up Daniel Berkeley Updike like this
“A connoisseur of life, a good judge of men, a wit, a retailer of anecdotes, a social creature. An accomplished performer in that lost art, conversation; but timid withal, when forced to speak formally before an audience. A man of no school, graduate of no major academy; but a finished scholar, with an adequate technique of research and criticism… Citizen of that vivid world of scholars and gentlemen that we call the Renaissance; citizen not quite so easily, perhaps, of this world of machines and wrecked idealisms; quite willing citizen of all the country that stretches between. Citizen of the world, in any event.”
Updike’s work on the history of print and typography continue to be studied. We celebrate the man and his work today with images from his collaboration with Dwiggins The Poetical Works of John Milton: With a Life of the Author and Illustrations published by R. H. Hinkley Company in Boston in 1908. It was printed by D. B. Updike and designed by W. A. Dwiggins. The image of the portrait is from The Work of the Merrymount Press and its Founder, Daniel Berkeley Updike (1860-1941) an Exhibition Prepared by Gregg Anderson published by the Huntington Library in 1942.
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