#Did my own Lil version of their swap designs | Explore Tumblr Posts and Blogs

ayz0 · 5 years

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holy crap these are soooo much better than my old 2015 designs

Currently imagining a Warrior Cats arc 1 role swap AU where Greypaw ("Fluffy") is the kittypet and Firepaw is the Clan-born cat.

Other changes in the AU:

Firepaw's family are Clanborn too

Princess ("Leafpaw") leaves the Clan before their Warrior ceremony, and becomes a kittypet, then having Cloudkit, so that arc continues as it is in canon --Jake met Nutmeg/"Seedpelt" (Fire's mom) within the Clans

Willow is a rogue, having Darkstripe first with Tawnyspots. She gave Darkkit to his father, as she was certain a Clan wouldn't take her in. Tawnyspots brought the kit into ThunderClan with a story of 'finding a lost kit'. Willow then became a kittypet when pregnant with Greykit

(btw, I saw that Greystripe's father is now just "unknown" on the official family trees, so I feel that him having an unknown kittypet father works out, here. It used to be Patchpelt, but since he's been removed now, it works if Willow isn't related to Patchpelt whatsoever either. It’s not like Willowpelt or Patchpelt ever played a huge role in books where they were growing up - Spottedleaf and Redtail were the focused-on siblings out of the four. I think in the books Willow and Patch are never even mentioned as being siblings? Thus, Willow gets to not be a part of the family anymore lol since it doesn’t change anything important there)

Into The Wild events

"Fluffy" grew up with Willow's stories of his older half-brother, whom he thought very brave and lucky, and heroic, for living in the wild. So, he sought to do the same in Into The Wild, and met Firepaw. Willow ended up coming with him, not wanting to lose another son this time.

Willow and Fluffy enter ThunderClan together, and Willow feels that a certain dark, striped cat looks very familiar... Tawnyspots had died at this point, and had told Darkstripe of his origins before he'd passed. Darkstripe, resentful at his heritage, is the one to fight Fluffy.

During the fight, Willow realizes that Darkstripe is indeed her son. Fluffy beats Darkstripe similarly to how Rusty beats Longtail in canon (it isn't Longtail in this scenario as I feel he is more Firepaw's rival), he becomes Greypaw

Wanting to stay with her sons, Willow pleads to become a part of the Clan as well, and is hesitantly accepted. She becomes Willowpelt, and similarly to how Firepaw was mentored by Bluestar, Tigerclaw, & Lionheart, Willowpelt is taught by Darkstripe (begrudgingly) & Whitestorm

At this current time, Lionheart is Firepaw's mentor, and thus while Willowpelt is educated by following along with Darkstripe & Dustpaw, and Whitestorm & Sandpaw, Greypaw is educated alongside Lionheart & Firepaw and Tigerclaw & Ravenpaw. similar to canon here.

During this time, Willowpelt manages to mend her relationship with her son Darkstripe slightly, but he still resents her past and her actions. Willowpelt also grows close to Whitestorm at this point, and he later becomes her mate to sire Sorrelkit, Rainkit, Sootkit - as in canon.

After a time of temporary mentorship, Greypaw is then eventually officially apprenticed to Bluestar, as Firepaw was in canon. Greypaw is probably going to one day be Greystar in this AU, if he's truly role-swapping with Firepaw. Lol

Fire and Ice & Forest of Secrets events

Still debating whether the Silverstream romance happens with Greystripe, or not. I think it still would. But then he’d truly go and pull a Bluestar and give up his kits to RiverClan to become deputy, and only Fireheart knows of all this. Silverstream remains alive during the birth, as she stays in the RiverClan camp instead of seeking out Greystripe like in the books - thus she was able to get medical attention as soon as her labour began.

Greystripe does not join RiverClan here, as the Wiki states “To avoid a battle, Graystripe brings Stormkit and Featherkit to RiverClan and decides to stay with them since they are the only living connections he has to Silverstream.“ Since Silverstream is still alive, they simply continue their secret meetings, and although he wishes to be with his family, he does not gain the desire to join RiverClan.

However, she did still suffer heavy blood loss and anemia, and was not able to fully recover and only got worse over time - especially considering that she still sneaks off with her kits to go see Greystripe in secret, instead of resting - so she does still die later on, before the kits are apprenticed.

Before she passes, Silverstream wishes for the kits to join their father in ThunderClan, as they’ll have no remaining kin in RiverClan after her passing. As her final action, she attempts to sneak out one last time to take them to Greystripe, but is far too weak due to anemia complications. Her best friend Mistyfoot finds her outside of the camp, as she was keeping a closer eye on her weakening friend. Silverstream tells Mistyfoot of who Featherkit & Stormkit’s father is, and is determined for her final action to be passing them on to their father. Mistyfoot believes the kits belong with RiverClan, but wants to honour her dying friend’s wish, and helps to get them all to the border.

Greystripe had been at Sunningrocks at the time, worried about the decreasing condition of his mate, plus he hadn’t been seeing her as often, and commonly waited near the area in case she arrived. The scene of her death is in the same place ad plays out similarly to Silverstream’s death in canon, with the exceptions that their kits and Mistyfoot are present, and it’s not a birth scene lol. Greystripe still panics and Fireheart fetches Cinderpaw (who is still med-apprentice, as Fireheart was still the one to suspect Tigerclaw, and Tigerclaw still tried to trap and kill him, causing Cinderpaw’s accident), with Tigerclaw in tow. Silverstream is too far-gone, however, and passes away with her kits and mate next to her.

Thus, Stormkit & Featherkit join ThunderClan, and Silverstream still passes away and is buried at the same area that she does in-canon. (and Cinderpaw is still traumatized the same way because she couldn’t help the dying cat)

Mistyfoot accompanies the group back to ThunderClan to ensure the kit’s safety on the way. Greystripe is devastated by the loss, and doesn’t keep it a secret anymore that he is a dad, and he dotes on his kits just, SO much, same as in canon haha. Anyway, ThunderClan finds out, obviously, about Grey’s half-clan babs, and Bluestar is initially furious (because oops, somebody made the same mistake she did! and omg, it was her own apprentice!!!) but Mistyfoot defends Silverstream’s family and tells Bluestar off for being so harsh while they’re grieving a loss. She says that TC should be grateful that ThunderClan is gaining two amazing cats, and they’re only here because of her best friend’s dying wish, and that she’d whisk them back to RC if they weren’t appreciated here. Bluestar then softens up at her (secret!!!) daughter’s words.

After Mistyfoot leaves and returns to RC, Bluestar enters the nursery where Greystripe and Fireheart are with the kits. (oh dude that sounds like Fire’s their second dad? i’m gonna do it. make em dads make em GAY parents and fire totally adopts storm & feather and grey has his bf to help him thru this extremely tough time UNLIKE IN CANON WHERE HE WAS ALL ALONE TO GRIEVE WTF ERINS) Anyway, Bluestar still explains the same as in canon how she’s mistyfoot and stonefur’s mother, etc, except in this version Fireheart isn’t the only one she tells, Greystripe now knows as well.

Fireheart & Greystripe are stretching their legs and taking a break from the nursery, with Fireheart’s apprentice Cloudpaw in-tow. The shit with Tigerclaw still goes down, but this time it’s Greystripe who saves Bluestar’s life (Fireheart heads straight for the nursery and guards Featherkit & Stormkit in this AU, so it’s Greystripe who sees Tigerclaw heading into Bluestar’s den) and she makes him deputy for multiple reasons - she sees her missed chances in him and wants him to have the full, happy life that she didn’t get the chance to. and she trusts him as much as she does Fireheart in this AU since Grey didn’t turn traitor in this one (and i mean he was her apprentice too so they’re pretty close!)

Rising Storm, A Dangerous Path events

Pretty standard role-swap AU from here as far as Greystripe and Fireheart are concerned, other than the fact that Fire is still Cloud’s mentor, that didn’t swap at all lol.

Fireheart isn’t stretched as thin as Greystripe is the deputy, leaving him more time for Cloudpaw’s training. Cloudpaw doesn’t behave as difficult as he does in canon about doing kittypet things. He’s still a lil shit though

Greystripe is healing quite nicely from Silverstream’s passing, as he is in his own familiar clan, has his children and his best friend BOYFRIEND with him, and has his deputy duties to thoroughly distract him and keep him on his feet. Bluestar is still degrading mentally, the same as in-canon, so he worries about her as well

Fireheart is still the one to find out about Tigerclaw and the dog pack, and their attack, and he is still the one to try and rescue Bluestar and be with her at her death along with Stonefur and Mistyfoot. Greystripe is with his kits at the time of evacuation, leading the Clan to safety as well

(This is such a cool contrast btw!!! omg cause the wiki says “After his leader's death, Fireheart looks at Graystripe. The dark gray tom dips his head in the deepest respect, and Fireheart is horrified because he realizes he is now the leader of ThunderClan, and has lost the easy friendship he shared with Graystripe.” and GOD my AU is like, holy shit, the exact opposite with their relationship. they are closer than ever! this is cool as hell)

The Darkest Hour events

Greystripe becomes Greystar. Mysteriously, he is not granted a 9th life, as the cat destined to give him that life is not present. He has no time to be confused, however, as the ceremony is still interrupted by a prophecy, as it is in-canon.

Whitestorm is still the one appointed deputy

Greystar is extremely conflicted and disappointed in his kin when he is forced to exile Darkstripe. Happens similar to canon, but it’s Greystar instead of Firestar of course

Not entirely sure yet what brings the gang over to RiverClan to save Misty & Stone from being executed. Also not sure if Stone is still going to be killed like in canon, or if I’ll let him live in this version.... I’ll figure it out tho

After Whitestorm dies, Fireheart is obviously appointed as Greystar’s deputy

Firestarheart’s Quest events

When Willowpelt dies in the beginning of the book, Greystar is obviously devastated, and has even more reason to stay with his remaining family during this time - hence, I did not swap his role with Fireheart’s role for this book’s journey.

Fireheart & Sandstorm still journey together to restore SkyClan

They become very good friends on the quest and do indeed still become mates and have Leafkit & Squirrelkit (Greystar sees them as much as family as he could! Cats are basically one big family community after all. Besides, with Fire and Grey’s relaxed and extremely close relationship, I don’t think that Grey would feel threatened or jealous over Sandstorm at all! So Fireheart can totally be Greystar’s bf as well as Sandstorm’s husband at the same time :D)

#role swap #au #alternate universe #warrior cats #firepaw greypaw #warriors #thunderclan

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konekoryuugamine · 5 years

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Chaos Critic’s Top 10 Disliked Anime

Oh man I am going to get SO much flack for this one . . . I know, I know" so many anime are out there, and so many are like this, and yadda yadda - Look, I wanna do this, I wanna help people steer clear of these shows, and if someone likes these shows, more power to ya, but I don't like them, this is only opinion, and I prefer that no one calls me a liar or a jerk for saying something about an anime that is all speculation and varied per person. Anyways, I don't own these animes, and please read and enjoy, no flames, thanks a bunch. Let me say this now: not all anime rock. I have been an avid anime watcher since I was in the 5th grade, and when I realized anime were released every year, in the hundreds, I was flipping over in cartwheels. Vampires, dragons, wizards, ninjas, rock and roll - all of those in my favorite animation style that is pretty much SO flipping awesome in so many ways - made me so happy. I ended up binging anime on Toonami, (still do), and joined several anime sites to get the latest anime dishes and series that I could muster up enough free time to watch. My parents grew concerned about me watching so much of it to the point where I would have been addicted, but then I ended up telling them it was where my heart laid, and they accepted, it with somewhat unwilling protectiveness. After all these years of watching anime and reading manga, I ended up developing tastes that ranged from very horroreqsue anime with suspense and mystery to ridiculous comedy with great puns on words. 'Bakemonogatari', everyone.

However, with these tastes and genres came some of the weird and strangest animes I have ever seen, and am currently watching. Does this mean I think all 'weird' anime are bad? Heck no - 'Bobobo-Bobobobo', "Panty and Stocking with Garterbelt" and "FLCL" are some of my favorites, although I consider Bobobo a guilty pleasure. I did run into some strange and bad anime, however, and it made me wonder whether or not getting into anime at all was a good or bad idea. It even made me think that these were the animes that gave other great ones bad wraps - hence the stereotype of Japanese anime always being about ten-year-old girls and tentacles. No idea why, honestly. The more I do think about it, however, I do feel there are some pretty bad anime out there on the internet, and if you ask any anime fan, they will list some anime that are bad, their favorites, and even one they watch when they choose to. Many a conversation I had often resulted in me talking about the ones I liked more than the ones I hated, to my relief. But otherwise, I feel these anime I'm about to list carry their ideas a bit too far, go too far with anime as a format, or are just overhyped and bad as heck . . . just because an anime is weird, strange, badly dubbed or whatever else does not mean I have to hate it. I have my reasons. So, without fault, here's my top ten anime I dislike more than others. Keep in mind that these are the anime I dislike for certain reasons, and if someone out there does like these, and calls me out for hating them, then I accept it. Just because I hate something doesn't mean you can make me like it.

And here they are. NUMBER 10: " Lil' Pri" I thought this series would be cute to watch for a while, and I decided to watch a few episodes. I ended up binging the whole series and started thinking too much about it. Then I realized it wasn't really that good. Ringo Yukimori, a young girl who enjoys Snow White's stories, literally bumps into two other girls at a concert for a super famous singer named Wish. The other girls, Leila Takashiro and Natsuki Sasahara, also enjoy the stories of Princess Kaguya and Cinderella. The suddenly then run into three adorable talking animals, Sei, Dai and Ryoku, (a bird, a squirrel and a dragon), who are looking for their princesses in the human world. The main idea behind this series is that the three girls turn into older versions of themselves with the embedded spirits of Snow White, Cinderella, and Princess Kaguya to help bring human happiness, "happiness tones", to Fairyland and save it. Humans' happiness and believe in the fairytales has dwindled, decreasing the happiness tones. So, the girls agree to help retrieve those, and along the way, they figure out Wish is the Queen's 'long-lost' son, who can turn into a rabbit . . . Yeah see where I'm going here? The anime is, for all intents and purposes, as straightforward as a magical girl series can get. There are no hidden meanings to Ringo, Leila or Natsuki, and their names pretty much are dead giveaways to what stories they enjoy most. Prince Chris, a.k.a. Wish, is immediately given focus at the beginning of the series, and there are no real surprises until the last few episodes of the series when the girls give up their magic, hint-hint, and leave Fairyland after retrieving all the happiness tones. Let me tell you, that can get kind of boring . . . The main problem I have with this series overall is how bland it is and how it seems to take ideas from several other little girls' magical shows, such as Ojamajo Do-re-mi or Pretty Cure. The concepts of having normal girls become heroes to save other lands, rescue royalty and adapt to their situation are something I've heard before and seen more excellently done, in other shows. The fact the girls also become idols onstage is an interesting quirk, but it reminds me too much of the Witchlings' maid outfit changes from the fourth season of Ojamajo.

It doesn’t help the CGI in the anime comes off as awkward, leaving the concert scenes clunky and hard to watch. Their movements are stiff, and their voices are not exactly the best. They do get better in vocals as the series progresses, but everything else stays the same. When I also state how bland the series is, I'm also referring to Ringo, Leila, and Natsuki, reluctantly. The audience is told and can understand the heroines well enough to the point where we wish they had more depth. They all love Wish, they love fairytales, Ringo loves apples and has seven brothers, Leila is half Italian, Natsuki loves sports - we get it. The problem is that they have no other depth than being cardboard cutouts of anime heroines. We are never given any character conflicts, they never have issues that expand over the series, they never really get the kind of development other series like Sailor Moon receive for magical girl heroines. I know I may get flack for mentioning that, but I have seen development of Usagi Tsukino in both the manga and the new anime adaption of the series. The girls don't really receive any development here, aside from the minor mentioning of growing up and accepting happiness as it comes rather than forcing it on others. The reason this one ranks so low on my list is because I do still enjoy the cuter designs of the characters, and give it points for trying to come up with a good driving plot that does bring to mind the idea of growing up and being happy. It’s a cookie cutter style idol show but it has heart to it. It tries to overstep its bounds, but never gets the chance to. At the same time, I also think Show By Rock!! and Zombieland Saga did the “idol concept with a twist” take much better, what with one being a Sanrio based product that combines an isekai with an idol show, and an idol show about zombie girls that satirizes the entire idol industry. NUMBER 9: " Full Metal Alchemist" I am going to get SO much flack for this one . . . Before someone eats my liver, let me say I love the series as a whole, but compared to Brotherhood, this series has become something that both baffles me and makes me confused. The series revolves around Edward and Alphonse Elric, who try to bring their mother back from the dead using the practice of alchemy. Strictly taboo, and stricken with grief, they decide to bring her back and return to their happiness. However, something goes horribly wrong and Alphonse's body is taken as compensation for their mother, who doesn't truly return. Ed sacrifices his arm and leg to save his brother and bring him back in a suit of armor. After the incident, in the anime, Ed decides to join the military of Risembool and hunt down the Philosopher's Stone, which is implied heavily to be something that can work real miracles. I enjoyed watching the series, and I empathized with both Edward and Alphonse. They lost everything, tried to get it back, and lost more in return. Their tackling of the philosophy of equivalent exchange and getting something for nothing is truly moving, and the deep symbolization of The Philosopher's Stone being hope and realization is something that I know I will never see duplication of. Then . . . I saw the ending episodes of the first series. And I got mad. I expected an epic climax, much like what happened in "Full Metal Alchemist: Brotherhood". I wanted Ed to get his limbs back, Al to get his body back, Ed to marry Winrey, Hoenheim to die and accept his flaws, for the Philosopher stone to dissolve, and for Scar to repent himself . . . Instead, we got something that felt rushed, confusing and strange to me. Something that throws the entire series out of whack because of it. The leader of the Homunculi, who had been chasing Ed and Al all over the place until they reached Liore again, were being led by Dante. The old lady who taught Izumi, their teacher. The old lady who was killed by Greed in episode 33. Who had an assistant who had that strange alchemic tablet. Dante, as it turns out, was a lover of Hoenheim, much to everyone's shock, and when Hoenheim and she gave up their souls for the stone, they created something that they could use to swap their bodies and minds, intelligence included, into other beings, sort of like the plot of "Quantum Leap" without the randomness and depth. She was jilted because Hoenheim left her, (reasonably succumbing to his guilt over killing so many people to make the stone), and she decided to make and use the Homunculi to chase down HIS sons and make a new stone. In other words, she ended up wanting to make another stone, and her real motives for why are never explained, although her anger over Hoenheim leaving her for another woman, then using HIS KIDS to make a new stone, is petty in terms of evil levels. She toyed with the Elrics, taunted them throughout the series, and ended up controlling things to make a new Philosopher's stone. That part, however, is hard for me to buy. Dante being the villain behind everything, including the making of the second Philosopher's stone, and bringing back Rose for no other reason than to use her as a 'figurehead' then possess her, is hard for me to take in. This would mean she'd have to have tabs on the Elrics at all times, be involved in the Risembool military, use more than one person at one point or another, display that she knew about the war and probably was the one who started it in the first place. There were no indications to me that Dante was the villain all along through the series, as the Homunculi were given more screen time than her, her assistant and later body double Lyra was shown twice and was bland as other minor characters, and things don't connect well for me to buy it logically. If she was the one behind everything, and she was supposed to have been fake-killed by Greed, then when did she successfully possess Lyra? How long has she kept tabs on the Elrics? Was she involved somehow in Trisha's illness, that kickstarted the entire flipping hunt for the Philosopher's Stone? If she was also involved, why drag Rose into the battle to just tick off Edward? And furthermore, if Hoenheim knew if she was behind everything, and knew he'd be killed otherwise, then why didn't he just come right out and explain everything to the brothers when they first got involved with the Homunculi? Was he just afraid of dying? Of killing others?

The more confusing thing is how this ending was created. Anime depends on the manga in most cases to flesh out the story. If the manga is over several volumes, like One Piece or Bleach, episodes will be released and designated in arcs and storylines. If the manga is ahead of the anime, then the writing process for the episodes can be ad-libbed thanks to the story that’s already present.

When the manga halts or goes on hiatus, the anime must do something to fill in the extra space while the mangaka continues their work. Hence “filler arcs”. Like the extra few filler arcs in Bleach that involve the new captain or the Bounts, or the filler arcs in Naruto that everyone wishes didn’t exist. They exist to not only extend the anime’s lifespan but to try and flesh out the worlds of these series to make them feel more alive.

In this case, this was a filler ending for the Full Metal Alchemist anime series. The manga had gone on hiatus and they had nothing to conclude the show with, so they had to deal with what they had. I wanted to like it, but after looking at everything, I just find that nothing fits. Either way, the ending of the original anime just befuddled me with an antagonist who was barely connected to the story to me, and the threads that bound her fingers to her puppets were about as thin as fishing line to me. . . . Not to mention I'm still wondering how the anime connected itself to the 'parallel-world' of 'Germany' and how Edward was stuck there through the movie "Conqueror of Shamballa", but that movie did try to tie up the original anime series with a bow.

Of course, this leads me to say why I dislike it so much: because Full Metal Alchemist: Brotherhood exists. It’s an amendment to the series that aims to follow every detail of the manga. We see more progressive action and character development from start to finish, and we see an expansive world that was never given to us in the original anime. Fans of the show were rewarded with Ed and Al getting what they wished for, intense and awesome animation, and a marriage proposal that is adorable no matter which way you put it.

However, I will say the first 10 to 13 episodes of the original anime are far better introductory episodes than the first few episodes of Full Metal Alchemist: Brotherhood. We see the Elrics grow and reach their respective early goals quick, and we actually get to know Alexander and Nina before Shou Tucker fucks things up. We also get deeper motivation for Ed’s reasons to become a State Alchemist.

If I did have to recommend this series to people who’d never seen it, I’d say go watch the first 10 episodes of the first FMA series, then watch Brotherhood in its entirety. Get the context and emotional development first, then come back in for what else is in store. And now I'm gonna put on this football helmet while I wait for the hate mail. NUMBER 8: " Ghost Hound" This one is a special case of bad to me. There was a point where I got hooked on the anime "Serial Experiments Lain" and I got into the idea that many anime were deeper than they seemed. Lain was a dimensional protagonist who I felt much in common with, and developed a sense of what I wanted to know about ESP. I decided to get into shows involving the subject, and later developed a taste in supernatural shows and law dramas. Or anything that often touted lighter themes of horror. I found this anime on accident one day when I was looking up scary anime. And after finding out it was done by Production I.G. and Shirow Masamune, I was ecstatic. I was disappointed when I watched it. The entire story revolves around a boy named Taro, who was kidnapped with his younger sister Mizuka on September 22nd, 1996. His sister died, but he survived the horrific situation. Since then, he's been seeing a therapist and has horrible PTSD-induced nightmares involving the situation. He also develops the ability to astral project himself into The Unseen World, which is the space between the living and the dead, and he uses his ability to better himself and his friends Makoto and Masayuki, who have also suffered similar traumatic childhood situations. They are led on this journey by their psychologist, who has his own agenda on the matter, but wants to help solve the supernatural insanity in the boys’ lives due to his own interactions with The Unseen World. On its own, this idea is rather interesting, and you feel it can be done well over the course of 13 episodes, with an added OVA of how the entire conflict is resolved with death being a part of life, how having a power means it comes with greater responsibility and how everyone has issues they must come to terms with. And in the case of Masamune’s anime, delve deeper into the human understanding and structure of the conscious and unconscious mind. However, the anime takes a rather . . . interesting, turn in its story. And when I say interesting, I mean something that may or may not work, depending on who you ask. When the boys get together and go after the one who kidnapped Taro and his sister, they come across Miyako Komagusu, who has spiritual powers thanks to her miko line. She chooses to help them and Taro soon becomes fixated on Miyako due to her appearance, which is eerily similar to his sister.

Soon, the whole kidnapping element is thrown out the window, same with the title of the anime being only Makoto's astral-projection form, and comes in with a religious sect underneath Makoto's family and the fact his grandmother tries to make Miyako the new head after her father is hospitalized. And it's later revealed that the Ogami Religious Cult has ties to an underground group of illegal drugs, medical enhancements, MUTANTS, and child kidnappings . . . At this point, I was saying "why?" On the one hand, it's a dark turn for an anime that started out with ESP, traumatic incidents, and they do save Miyako from the group of psychos. Whether or not the group remained standing was unclear to me, and the more I thought about how deep this went, the further I ended up in mental spirals of how logic had to be invoked. On the other hand, it's a mish-mash of every cliche involving some evil mastermind group I can think of: the bad guy actually did this to such and such, who became the main guy's best friend, and now they want the girl who the main character has a connection with, and they all have supernatural powers, and they get others who betrayed the bad guys to help them. This overlay of genres, and the fact the ESP is forgotten at about halfway through the anime for my liking, (along with there not even being MUCH of the supposed 'ghost hound'), there is also a stunning issue I had with the design of the characters not fitting the backgrounds. Whereas the designs were simple, the backgrounds were overly lush, too detailed, too mesmerizing. Not like in "Over the Garden Wall", but still. All in all, 'Ghost Hound' is a mixed bag to me. It does provide some good food for thought and an interesting storyline, but the second half ruins the story and eliminates the ESP the story was embedded into. NUMBER 7: " School Days" I am aware this will be on others' hate lists, but hear me out . . . yeah, it's that bad in the anime form. "School Days" is based on a visual novel game of the same name by Overflow, and has quickly garnered a reputation. The series involves this character, Makoto, as he makes his way into high school and develops a crush on adorable and shy Kotonoha. At the same time, depending on which way the player goes, he'll also fall for his best friend, his best friend's cousin, the other girls IN his class - well, you get where I'm going with this. But before I get to the anime, let me explain a bit more about the game itself. It incorporated motion and sound into the visual touch, making it look like you were playing an interactive anime, which wasn't that bad of an idea. There were also numerous cut scenes, (including graphic content might I add), that depicted the characters, and something that made the series very popular online: the death scenes. What made this game unique from others is that it included graphic and detailed executions of main characters in several gorey fashions, along with some of the worst bad ends that can ever be imagined when it comes to one main character screwing over someone else. One death scene in particular involved Kotonoha committing suicide from a tall building in front of Makoto and Sekai, and you can HEAR THE CRUNK AND BUBBLE OF HER BODY AS SHE HITS THE PAVEMENT. THAT ALONE TELLS YOU WHAT IS AT STAKE IN THIS GAME IF YOU SCREW UP. But, because of how varied the main character's answers can get, and how many cut scenes are available at the time of the first go-around, someone will have to play the game multiple times before a Good ending is unlocked, like the super-rare harem-esque relationship between Makoto, Satonaka and Kotonoha. (Apparently, it's impossible to get because of how many things you can say, but I digress). Now, to explain how the game became an anime . . . and I really don't want to . . . The anime adapts the storyline of the game, following Makoto in high school, and he tries to get Kotonoha to fall for him, and Sekai tries to help him, then she falls for him. In short, it's a typical anime that depicts a three-way love triangle. Until about the fourth or fifth episode. After he gets Kotonoha as a girlfriend, he dates Sekai, with the knowledge of everyone, and LIES about breaking up with Kotonoha, AND HAS SEX WITH SEKAI, for the purpose of making things better with Kotonoha. He then goes around and sleeps with OTHER GIRLS IN HIS CLASS and AVOIDS KOTONOHA to keep up this whole thing. That is called "sleeping around" and "being a jerk". The reasons why people list this anime on their worst list is mostly because of the annoying voices, or because of the stilted and bland colors in the background, but to me and numerous others, it's because of Makoto Ito being a two-timing jerk who also has sex with numerous girls while still having one intimate girlfriend. No, what also cements it for me, are the last three episodes: Sekai announces she's pregnant to the class, Makoto is reasonably cut off from his friends, Kotonoha, who had been RAPED, is devastated, and Makoto blames Sekai for ruining his life when he was JUST as much at fault in the first place. He goes out with Kotonoha, and right as he gets home, Sekai, reasonably ticked off, stabs him brutally with a butcher knife, and Kotonoha kills her and affirms she was lying about her pregnancy, then takes Makoto's head and sails off. This was about the only way I could have expected this entire mess to conclude. Someone had to die, Makoto had to be given his karmic payback for sleeping with so many women, and for cheating and leaving Kotonoha to be raped and blaming Sekai for everything when he had his own faults, and Kotonoha had to take revenge or grow a backbone because of how everything bad happened to her for some reason. In other words, the conclusion is more satisfying to me than the show itself, and that actually saved it a few places on my list. Watching it from start to finish is terrible, and the way you know about Makoto's sleeping around makes you want to slap some sense into him. Or stab him with a knife, but I digress. NUMBER 6: " Bludgeoning Angel Dokuro-Chan" AND now we get to something that's both bad and comedic. And for once I'm not talking about Spongebob. "Bludgeoning Angel Dokuro-Chan" is an anime that combines hentai and comedy, and as for the brand of humor, it relies on what is known as the continuous running gag. To understand what I mean, let me give you a few examples of continuous anime running gags: Team Rocket blasting off in every episode of "Pokemon" and doing some kind of farfetched scheme to capture Pikachu, how Joey Wheeler is also denoted as being immature or a punk, and as of more recent anime I've seen, how Tsukune is subjected to being fought over by Moka and the other girls. The reason I'm bringing this up is that these are the gags I've seen being used in shows that quickly got stale . . . and were still being used as the show went along. 'Pokemon' is still the biggest offender of this since Pokemon Co. got a hold of the dubbing and anime creations in both Japan and America. The gag of Team Rocket blasting off is okay for a season or so, but seeing them just get pounded again and again makes me feel sorry for them, and makes me want to slap them and say "Stop blowing yourselves up all the time!", thinking they'd learn. But hey, I can dream can't I? The issue with that is the issue with this anime completely. "Bokotatsu-Tenshi Dokuro-Chan", or "Bludgeoning Angel Dokuro-Chan" is an anime that focuses on a boy named Sakura Kusanabe, who is a normal boy going to school and having a crush on his classmate. Apparently, 20 years into the future, he invents a machine that prevents the aging process on women after the age of 13, making them . . . physically younger. They literally call this in the anime a "pedophile's dream world". So, God, in the future, sends an angel, Dokuro, to go and assassinate him so he can't make this crazy machine . . . if you are laughing right now, I was too. The plot is ridiculous, as par for how it's supposed to be a comedy, but the manner of ridiculous ends there and it becomes more mindbogglingly annoying with each passing episode. Dokuro, when she gets to Sakura, decides to live with him and convince him to not build the machine, and in the process, does so with her rambunctious energy, super-human strength, her annoying voice, and often times, KILLS HIM WITH HER KANABO CLUB CALLED EXCALIBOLT. That is the gist of the entire show. He tries to impress a girl, he 'insults' the over-sensitive Dokuro, she kills him, she brings him back to life. He tries to make some friends, she gets offended, she kills him, she brings him back to life. And so on and so forth. For about thirteen episodes. I ended up watching the series with my younger sister when I was about 15, and I couldn't help but laugh ad how dumb it was. And because I knew I couldn't change the videos because of my younger sister saying "Show me more, show me more! I wanna see him die again!" . . . I felt a part of my soul die. (I also learned never to show my sister that kind of anime again . . . until she watched "Attack on Titan"). so, Anyways! The entire anime, dub or sub, is annoying, high pitched, and the characters are all flat as boards. Dokuro's entire character is her crush on Sakura and the fact she wants to help him while never learning she accidentally causes his deaths. Sakura is a perverted young boy who is trying to get by, and ends up falling for Dokuro in a stereotypical fashion. There's also other angel characters, such as one who uses a . . . cattle prod, and she has ram horns . . . and one who is a . . . transvestite punk goblin? To be honest, I never bothered to remember their names because I forgot about them after another two episodes. Same with Dokuro's sister. The only reason I remember her was because the show made her look hot for a 7-year-old, and she used a wet towel as a weapon. And everyone in the school thought she was hot. . . . I'm gonna stop on this one now before I get angry again and say that this anime isn't very good, but it does do a good job in setting up something that is both hilarious in context and causing some of the better memes in AMV Hell 3. NUMBER 5: " Sonic X" From contrived and humorous to awkward and strange. I first watched this show, much like others, on the Fox Box, (among other anime that were terribly dubbed by 4Kids). It was . . . strange, to see a talking hedgehog with blue quills run about with a two-tailed yellow kitsune, and on Earth no less. I had to change the channel every few seconds or so because I felt so strange watching them. I ended up feeling the same thing when I was watching 'Sonic Underground'. I know now that the feeling was 'awkwardness'. The story follows Sonic and his friends from the planet Mobius as they get transported to Earth because of some unintended calculations from Sonic screwing with Dr. Eggman's machine. Because they don't how it happened, and they don't know how to go back, they have to adjust on Earth, and they do just that. In the process, Sonic befriends a human, Chris, whose father is a scientist. And the wacky adventures are supposed to continue from there . . . I'll go ahead and say this now: combining humans in a world of anthropomorphic animals has to either be done well or not at all. I'm cool with anthropomorphism being talking animals, like Bubbie from 'Flapjack', or like Fred the horse or Beatrice from 'Over the Garden Wall'. I also don't mind if they have only the humanistic approach, and cannot talk, like the animals from 'Wicked'. But if it's full anthropomorphism, like Looney Tunes or Tom and Jerry, then it has to make sense as to why they are there and how they can fit in with the environment. It comes down to three basic things: environment, history and art style. If the environment is okay, and the history of there being anthropomorphism is established, and the art style is in turn okay, then it is okay in the long run. This is why I enjoy "The Looney Tunes Show". The environment is more modern and bent to match reality, the history of the characters is established early on and build on episode by episode, (and there's the references that add to it with Looney Tunes jokes from previous shorts from the 60's), and there are confirmed humans in the show who don't notice the anthropomorphism, and the art style blends it all together in a clean swipe of hilarity and animation brilliance. This is also why I enjoy the movie "Cats Don't Dance": it takes anthropomorphism of animals and turns it into a metaphor for racism in 1940's Hollywood. It combined a relative environment of a historical timepiece, added the necessary elements of anthropomorphism with its own rich metamorphic history and the art style made all of it look like it was a classic cartoon. If the environment works, and the history is laid down, and the art style manages to work it together, then anthropomorphism in shows is alright and well done in my book. But, (and I do have to be honest when I say this), if even one of these is never touched on, or brought too much into focus, then questions will be raised and things can be turned awkward. This is what I feel happened when I watched 'Sonic X'. The environment was Earth and all humans, with no mentions of Sonic being real before, and then out of the blue Sonic and his friends fall to Earth, "like Magic". The art style made it harder for me to watch because of how cartoonish Sonic and his friends looked compared to the humans and Eggman. It also could have been because every line looked SO SMOOTH, and there were no detailed areas or specifics, but I could have been wrong. To me, this series started off awkward, and continued to get more awkward with the introduction of Shadow, Eggman's schemes and the later part of season one. The conclusion of season one was, and I'll say it lightly, okay. Chris saying goodbye to Sonic and his friends at the expense of never seeing them again was heartfelt, and he did act reasonably when it came to seeing them leave. (Although the CGI could have been better for their transition back). THEN . . . season two happened . . . then season two happened . . . Just like how I feel with "Sword Art Online", I feel season two of 'Sonic X' is weaker than the first. Chris coming back because he longed for Sonic all these years and building a machine to send him to Mobius, and he happens to turn into a kid again because of the time differences on planets? Sure, I'll buy that, albeit it sounds like Sonic 06 to me. And Cosmo being the key of life for an evil overlord, and later performs a sacrifice of herself to save everyone and Tails is left in the Friend Zone? Cliche, painful to watch, predictable and overall weaker than the previous season. I don't want to spend too much on this season either because the plot and Chris made it weaker than when we witnessed Sonic and his friends adapting to Earth and humanity. Introducing an annoying character again and adding a character who becomes the key for hope is something I feel has been done better before. I hate feeling this way because I watch "Sonic Boom" now, but I feel that one is better than this . . . I hate to feel that way, but I do. NUMBER 4: " Eiken" Stop me if you've heard this before: a new male student to a school, desperate to make friends, ends up tripping and falling, literally, for a busty babe who is perfect. Then he has to do something insane, meet her friends, and tries to hook up with her only to be shut down as lucky, a pervert or a complete loser. If you answered me with "That's the opening plotline for Rosario+Vampire", then you're close. I also would have accepted "Stop talking, that sounds like every hentai anime out there", but fair enough. This is also, word for word, the opening scenes of the OVA series "Eiken". THIS one is BAD. Originally an 18 volume manga series, "Eiken" involves a boy named Densuke Mifune, who transfers to Zashono Academy at the start of a new year. He accidentally gropes one of the school's most attractive girls, Chiharu Shinonome, and gets drafted into the Eiken Club, which is run by her friend, the lively and flirtatious Kirika Misono. He is then subjugated to being tortured by the club members while he tries to get Chiharu to like him. . . . there is a catch to this one aside from being stereotypically harem/hentai anime. "Eiken" has become infamous in the anime community for having female characters possess pronounced, er . . . "tracts of land". Yeah, I said it. The entire manga and two-episode OVA series follow hentai taken to ridiculous extremes, involving large boobs. I don't know how the joke came about, or how people come to know about this, (probably in the same manner that people know about Boku no Pico), but dang it, I hate that I know about this one. The only reason this isn't my number one pick is that I found other clips on AMV Hell about it, and decided to check it out. Now, I bet you're wondering: why would a straight-laced, highly intelligent young woman like myself watch a two-episode OVA involving girls with 'humorously' large breasts and a perverted boy who day-dreams of bondaging his crush in measuring tape? I'll let Alucard get channeled here for that reason. Ally? (Alucard: Fuck you, that's how.) Thanks, ya fuck-mothering vampire. Aside from hitting all the earmarks of cliche and hentai moments in the book, the OVA adds to it by adding as much fanservice as physically and mentally possible, such as the bananas, the table dresses, the bondage day-dreams, etc. If someone wanted to make a hentai porn, those already exist. This is trying too hard to be something like porn without being it. And kind of doing it poorly. The games of the academy also are involved in some kind of rigging, which is contrived and makes no sense whatsoever, and Chiharu is involved with the bad guy, who is also cliche and makes no sense, and the entire resolution is easily predictable. It's dull, and only served to make me angry when I watched the OVA to see what the frick it was about. I really do regret it. I cannot stress how much hatred and pity I have for those who read this and actually enjoy it. If you do, more power to you; but just remember something. THEY GAVE A 10-YEAR OLD BOOBS THE SIZE OF BASKETBALLS. NUMBER 3: " Black Butler II" Before ANYONE says anything, YES I consider the second season of "Black Butler" to be another anime entirely. Makes separating the two much easier. For the record, nothing is wrong with "Black Butler". The series is wonderful, the pacing is perfect, the storylines between the manga and the show differ greatly, but either way the conclusions are perfect, the artstyle and metaphoric coloring is syched, the voicing acting is awesome - shall I go on? So, when I finish the first season and see the second one, I decide to watch it. I really, really, REALLY wish I hadn't. The first season was, in all definitions of the words, "a work of art". The second season too it, and decimated every last loose end that was tied up in the first season finale. Why am I being so hard on this series? For a couple of reasons. First of all, the plot. The second series picks up with a new young blond gentleman, Alois Trancy, who has recently been found by his family after a kidnapping incident. Because of his trauma, he's become a bit of a jerk and often harms others. At his side is a handsome and elegant butler, Claude, who looks eerily closer to Sebastian than I can stand. They take the mansion over, and Alois goes about his merry way to be happy, albeit in the worst of ways, by torturing his female maid Hannah and the triplet servants. If this is starting to sound like a warped Ciel Phantomhive to you, then you are feeling the exact same thing I felt when I first watched it. Of course, the first episode delves right into these two firsthand, how Alois is a bit of a prick, (the fact he wears booty shorts), and how he is not above hurting others to get what he wants.

Something I don't remember Ciel ever wanting to do or exhibit. So, in episode one, a strange man with a large suitcase comes to the door and Alois lets him in. The man is later revealed to be Sebastian Michaelis, who was searching for something. In the suitcase is Ciel Phantomhive's soulless body, and Sebastian leaves the mansion with a tea box, holding a familiar blue ring. Alois is ticked, Claude is pissed and Ciel comes back from the dead. The reason for this is pretty much left obvious for the viewers through flashbacks: in the first series finale, Sebastian was about to take Ciel's soul, when a contrived demon spider, Claude, swiped his delectable soul away from the raven demon. Sebastian, reasonably ticked off, went after him and gave him his soul back, but now Ciel's memories of the previous season are gone, he has lost his revenge sought, and doesn't remember how he helped to save London. There's a reason I hate this anime. Claude stealing Ciel's soul and him having amnesia are just more contrivances that serve nothing more than to force the plot of there being another demon-master team for Sebastian and Ciel to go up against. Rather than build up to something in the previous season, everything in this one is left readily explained, and it just hurts to see how everything goes swiftly to dog poop. The second reason, the behavior of Claude and Alois Trancy. I've seen several worst anime character lists over the web, and Alois Trancy often dominates because of his smarmy attitude, his devastating contrasts to Ciel and how he harms others and begs to be saved by Claude at every instant notion of danger.

And, I can see why. Alois was, without a doubt, raised in a hellish environment, and all he had to look forward to was his 'brother', who is actually a saving grace for the anime and the blond. However, the severe deaths and mass village murders that took place because of his brother's pact with Hannah the Demon just wrecked everything for him. If the writers wanted to make Alois more relatable, like Ciel, then more emotional touching could have been done. Instead, Alois is often shown not regretting his actions, causing trouble and damage at every beck and call, and like in one episode, begs for help from Claude. I can tell he's supposed to be a contrast to Ciel, but it's too far. Especially when you count in how he also has three servants and Claude. As for Claude, he's not off the hook either. His mannerisms are more unique than Sebastian, but aside from that, he's the same dandy as Sebastian. All he does differently is be more cold-hearted and go back on his bargain made with Sebastian in the second episode. And to explain that in further detail, he and Sebastian ended up making a blood pact using roses and their own blood to see who would get Ciel Phantomhive's soul: a who would win kind of scenario with a yaoi prize going to the winner. Claude was the one who suggested it, and he was the jerk who broke it. Sebastian even pointed this OUT, and still, Claude wanted Ciel's soul. Not . . . to mention when Ciel and Alois' souls combined, he acted a bit . . . creepy around Ciel. (Dude kisses his leg . . . pedophilia there.) Three, the introduction of Hannah and her role in the story. Hannah is literally the Deus-ex-machina in this story, and I will not lie when I say I genuinely believe it. The maid, Hannah, later in the episodes, is revealed to be a demoness, (whom Sebastian never noticed before, even when Clyde used her as a sword sheath), and was never brought into full use as a demoness and user of magic until the final three episodes. She is given a very cliche and bland personality at first, which gives way to how she was putting on a facade to get close to Alois, because she felt what his brother felt when he made the pact with her. As much as I feel Hannah is a saving grace of the anime, I have to ding some points off because of how she exposites her role in Alois' past to him, in Ciel's body no less, and ends up performing a final act, that should not be possible, until she dies with Clyde and Alois. She could have been a better part of the story if she was given more of a stronger personality when Alois was being cruel, without going too sappy. Not much else about her makes me want to hate her as much as hug her. She does has a reason to be near Alois, she does care about him unlike Clyde, and does win him over in the end. But in all cases, she was a little bit of a good thing in a large bad thing. And as for the fourth reason, the flipping ending of the second series. Oh . . . MY GOD . . . Here's what happens as a recap, and stay with me here.

Ciel and Alois' souls are combined so he can be used by Claude as a last-ditch effort to win over Sebastian, and Sebastian gets reasonably ticked. Claude acts creepy, Ciel and Alois fight over Ciel's body and a maze is conjured that is fixed by Alois to let Claude win and take Ciel's soul away. Sebastian and Claude fight in the maze, Grell is there for no reason, Hannah is trying to talk to Alois who is in control, and Ciel's will takes over and changes the maze again. Alois finds out Claude lied and did want Ciel's soul, and Alois is ticked. The butlers complete the maze, and see Hannah over a passed out Ciel/Alois, and now with a new mark on him. The butlers are then escorted by Hannah to a demonic isle where they fight, and Alois' final contract with Hannah is revealed: he decided if Ciel's soul was so valuable, then he didn't want anyone to have or love it. So he wished that Ciel was a demon. Ciel Phantomhive becomes a demon, and his last command to Sebastian before this happened was to follow his order and help him. . . . The slap mark on my forehead is red. Alois, being jealous of Ciel, wished him into a demonic being, and now Sebastian, who ended up with a happy ending in the first series, is now stuck with Ciel for all eternity. And as a bonus punishment, Ciel is immortal and has to retreat with Sebastian to the demon world and never return. I was so angry when I watched this episode that I threw my phone across the room in a rage. Thank god for the Otterbox, or else it surely would have broken. There are several problems I have here with this ending, one of the most obvious being how Hannah could get Alois to get another contract in when he was already in one with Clyde, and how Ciel's body could handle THREE contract pressures at once and not feel any kind of soul degeneration, or something by then. But no, the largest problem is how and why the writers turned Ciel into a demon. The point of 'Black Butler" was to become associated with the concept of revenge and learn that it is not often what others are searching for. It's to be accepted that people will do bad things, and often get away with it. It doesn't mean taking revenge is the best option. While it is fulfilling, oftentimes it's not. Here, the concept of revenge is taken to the extreme with Alois turning Ciel into a demon because he was jealous. There's nothing in the lines of retribution here, aside from the fact he sacrificed his life to save Ciel's and Sebastian's. All that he did he did for petty jealousy. Ciel never did anything wrong in this series, so it was as if Alois was the torturer and Ciel was the poor dude strung along on the wall. The revenge within this series was also manipulated and forced between Ciel and Alois, compared to how Ciel had to sleuth out who to kill in the first series. Forced elements are never good. They always end badly. And this series is just proof of it. Having Hannah use her power to turn Ciel into a demon is also a stretch, as it is never implied she could do something like that before. I blame it more on the writers going "This is a good idea' and inserting it into the anime for kicks. . . . or to create a 'hint-hint-yaoi-hint-hint' product to establish a new fanbase. BUT, that just about sums up this one: contrived, bad characters, and ruining the first season of what made it good. And now I will put on a helmet . . . because the second one is going to make SO many people angry at me . . . NUMBER 2: " Sword Art Online" I can feel the fury from much hate-mail coming my direction, but let me explain my piece before someone goes all out and eats my liver. I like sci-fi tech stories in anime. .Hack//Sign is one of my favorite anime, and it still stays as one of the better examples of video games in anime, next to "No Game No Life" and "Log Horizon". It takes gaming into another level and gives you a video game world you want to participate in, and characters you want to root for. Yet this anime is where I draw the line when it comes to intense immersion. Aside from the stunning artwork and the stellar designs of the characters and worlds, I don't know much else I can commend about this anime, aside from the fact that it was also a fanfiction that became a thing. (Remind you of anything?) Now, back to what I was saying. SAO follows a boy, Kazuto Kirigata, or as he goes in the game(s) "Kirito". In the first arc of the anime and stories, he gets stuck in a game called "Sword Art Online", along with about a thousand other players. The mastermind behind it, one of the creators of the game, got them stuck there, and to leave, the players have to reach level 100 of the entire game and defeat him. And they can’t be forcefully removed from the game system due to it being hooked to their nervous system. Sure, it's a good idea, and sure I thought it was okay, but a part of me instantly disliked this idea because the same instance occurred in '.Hack//Sign', except the main character was the only one stuck in the game, it was psychological aspects with less action and the main character was a male avatar with a female body in the real world. I just thought it was a rip-off of the series, and when I decided to watch the rest . . . I had to nope out. About two to three episodes into the series, the players of SAO start to think the beta-testers for the game are beating everyone else easily because they know the mechanics and grinding points. So they try to force beta-testers to help them get information about the game and everything that entails it. And of course, no good comes from it because someone has to be the sacrificial lamb. This also spawns the term “beaters”, beta-testers who are ‘cheating’ in the game because of their foreknowledge.

Kirito then gets the idea that since he was a beta-tester for the game, and knows the details of the game and knows everyone hates his ass now, he can beat the game himself. So, he gives a shortwinded diatribe about being “The Guy” and goes it alone. This is given the fact he also seems to have no motivational aspects for this, nor does he TRY to reach out to other members of the SAO player communities that are stuck in the game, but the other players treat him and other beta-testers of the game as jackwagons. Beta-testers of games are beta-testers for a reason; they OK a game and game-play for little to no money, or much, and most of the time are good gamers. And the nicest people. I should know; I know a dude who beta-tested Destiny. Here, they're treated like jack-wagons, and Kirito just enforces the whole idea by acting like a jackwagon and walking away from other players to continue the game because why not. Aside from that, Kirito's personality is one of disinterest and expressionless pity. He wants to get out, but he continues alone until he meets Asuna, who for all intents and purposes, is the BEST character in Part I. Their relationship is easily one of the better things in this anime, albeit ham-fisted and later turned to sludge in the second and third parts, but still. Seeing them happy was a GOOD thing midway through this anime of darkness. It did give Kirito and Asuna something to fight for, but it never really fleshed either of them out for me. Skewer me later, I have a LOT more to point out. AS the show progresses, the plot becomes more and more linear, it never forks, Asuna is later RAPED IN THE SECOND PART, IN GRAPHIC DETAIL, and Kirito's flat sister comes into play as well. My disinterest in the characters and hatred of the second villain of the anime was enough to make me switch to something else. I'll be finishing this anime up for a full in-depth analysis later, but for now, I'll go ahead and say my piece here and leave it at that. I know people like this anime, and it makes me happy to see they like something collectively. I may not like it, like how I may not like One Piece as much as I used to, but for people to come together about an anime is okay. It's just I don't like this anime, and I don't mind others liking it. The pacing of the story measures out for almost an eternity, Kirito's ambitions and goals and behaviors are never really justified, the second part's villain made NO flipping sense, Asuna was degraded as a character and as an archetype, Kirito is in desperate need of development, reasons are needed for how they can be so OP in many parts, and I want some more answers on how his sister came into the picture. And . . . for the love of god . . . I want a redo on this anime's second half. . . . and I think most people do as well. . . . I don't think I can continue this part until I can get the FINAL and WORST anime I have ever seen out of my system. And believe me when I say . . . it's BAD. NUMBER 1: " Pupa" This anime. This . . . anime . . . I found this anime after scrolling around on Crunchyroll for something to watch in the Summer of 2014. I was interested in the genre and cover of the anime and decided to give it a try. . . . I want to erase it from my brain. Utsutsu Hasegawa and his little sister, Yume, are exposed to a rare and monstrous virus called 'Pupa'. Yume becomes a vicious man-eating monster, while Utsutsu gains regenerative powers. They are then approached, almost as if by magic, by a researcher who wants to contain Yume and Utsutsu and use them as guinea pigs for research. Utsutsu allows it, saying he'll do anything for his sister, and decides to become his sister's food source so she can assume a normal life. While the concept is golden and has the potential for deeper symbolic meaning, like how it used the teddy bears as the shattering of Yume's humanity and innocence, and how Utsutsu's relationship with his sister was put to the ultimate test, it becomes . . . hard to watch. In more ways than one.

The anime episodes are 4 minutes long each, leaving the entire series at a binge-able time of 1 hour. There’s not much to do with that much time, and it can’t be a fast-paced comedy like Hetalia. It’s a horror series. Horror series need to work quickly but have context and depth, or else the deeper meaning is lost. Since this is also animation, it means the drawings and backgrounds need to be visually appealing or eyecatching so the viewer can keep watching without problem.

Artistically speaking, the characters are well designed, but in animation terms, their movements are as bad as an early Studio Deen production.

And that’s where the praise ends.

There is an episode of the anime, each being five minutes long, of Yume just eating her brother, and saying "Utsutsu" over, and over, AND OVER again . . . If you get the idea of where I am going with this, then you know exactly WHY I do not like this anime. The concept itself is the driving force for the anime, and after that, NOTHING HAPPENS. Yume is kidnapped and experimented on, like Utsutsu, but he saves her and still decides to be her food source. She feeds on him, they love each other, they live normal lives, yadda yadda. Nothing. Conventional. Or concrete. Happens. Characters are introduced, but they come and go and are never touched on again unless the plot calls for them to make an appearance. Utsutsu and Yume's mother is cold and sees Yume as a monster, which may or may not be her delusions given how she was also abused by the kids' father, who is ALSO never developed outside of being a wife-beater, and both are who I consider to be the worst parents of all time. Yume and Utsutsu, for all purposes of the anime, are the most developed and touched on characters. But, they never do much outside of adapting to their own hellish nightmare. Never do they ask Maria the scientist for a cure, never do they try to escape or move along with their lives. They just get stuck in their nightmare, forever to be mad. I hate it when animes like this come around. It introduces an interesting scenario, only to forget plot and context in favor of showing more and more grotesque imagery and disturbing content. I know it's rated M, but in all honesty, the incest insinuations and the fact that no one helps these kids out of this problem is enough to make me mad. I will say it has beautiful designs.

I will say it had an interesting idea. I will not say it's a good anime. And, now you know why. Well, there you have it. Those are the top ten anime I personally dislike, and in a few cases, hate to the core. But, just because I hate these anime doesn't mean that others can't enjoy them. That's the power of the internet and personal opinion. Now . . . I'm gonna go back to writing MLP reviews . . . I've been getting rusty, and I feel like I'm gonna get so much flack for these . . .

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