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#Does he not know of the roman empire
toastedwigeon-blog · 4 months
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Playing fallout Vegas and this guy just called it "Kay-zars" legion.
My boy how did that go down in the recording studio
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sammyshuno · 3 months
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𝓱𝓸𝓷𝓮𝔂 𝔂𝓸𝓾'𝓻𝓮 𝓯𝓪𝓶𝓲𝓵𝓲𝓪𝓻 𝓵𝓲𝓴𝓮 𝓶𝔂 𝓶𝓲𝓻𝓻𝓸𝓻 𝔂𝓮𝓪𝓻𝓼 𝓪𝓰𝓸
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The way Katniss is just stumbling through the Hunger Games like "I can keep Peeta alive through sheer willpower combined with how much everyone loves him cause he's the most wholesome and perfect person in the whole universe" and Peeta is out here making these elaborate plans; i.e., "she came here with me", "if it weren't for the baby", the locket with pictures of her mom and Prim, and GALE??? Wanting to make alliances.
Like, one of you is Haymitch's carbon copy and it shows.
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casualavocados · 3 months
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If a few words can kill him, I'll die with him. Don't always talk about death. You are still young.
KISEKI: DEAR TO ME Ep. 06
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brother-emperors · 1 year
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CAESAR AUGUSTUS AND MARCUS LICINIUS CRASSUS
this is about the spolia opima that crassus was robbed of lmao. like, yeah okay octavian could've asked him not to claim it, but nevertheless. a kind of theft happened there.
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Fact and Fiction: Crassus, Augustus, and the Spolia Opima, Catherine McPherson
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skitskatdacat63 · 11 months
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2023 Brazilian Grand Prix - Podium - Fernando Alonso
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coke-vapor · 4 months
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adding onto this post i made yesterday:
sally finds nico sobbing one night on the balcony of her apartment a few months after he decided to stay with the jacksons when he isn’t at camp - which took so much of percy and annabeths convincing - and she doesn’t say anything she just hugs him and once he’s calmed down enough all he says is “he died a year ago” and she knows who he’s talking about. she never got to meet jason grace but from what percy and annabeth told her, he was the bravest and kindest person they’re ever met. she knows he must’ve meant a great deal to nico, who isn’t the type of person to cry over people, or cry at all really. sally just keeps holding onto nico, letting him be the one to choose if he wants to say anymore or just sit in silence. they stay quiet for a while, before nico speaks, barely heard over the late night breeze “he was the closest thing i had to a brother. i have percy but… jason- he never looked at me different. he cared so much about me, more than i could understand probably. he shouldn’t have died.” and the finality in the way nico says that last sentence breaks sallys heart even more. jason grace shouldn’t have died. a child forced to become a soldier, who never got to become more. who died too soon. who has no idea the grief that still surrounds his loved ones. jason grace died a hero, but never got to be a child.
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faux-ee · 4 months
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being into stavrovensky is weird bcs one second I'm sitting here going omfg over this queer-coded dark academia anti-everything twink who would destroy himself and the world and more a thousand times over for his sun who is his better half but also really is just super depressed and the worst and most beautiful guy on earth and eternally bored but he laughs when Pyotr /flies into the room with impulsive curiosity/ literally just emotionally impaired walking personality disorders torturing and being silly with each other and the next i have fifty two tabs and twelve books open trying to crack the underlying philosophical political religious aesthetic layers of this crazy ass yaoi and i just
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gaylotusthatexists · 9 months
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straight men are so funny bc why did my emotional support cishet man just message me asking if the fanfic i wrote was inspired by some events from the fucking roman empire 😭😭😭
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villainanders · 8 months
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Ok actually I think what’s going on is that Steven saylor isn’t handling any of the complicated historical topics any better BUT the main character’s adopted son (who was originally born a slave and had a deeply traumatic childhood before being adopted into a household of mostly well-off Roman citizens) has joined up with Julius Caesar and is so fiercely dedicated to him he’s also rumored to be (and probably is) his lover (but in a way where this relationship also keeps getting played against his relationship with his father) which is constantly bringing him into conflict with his roman upper middle class father who as much he loves his son can never truly understand the two different worlds they were coming from, and that his love for his family can never replace what his son perceives as his duty to rome and to caesar. and the whole thing is so wildly compelling to me I’m just zipping past everything else
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afatkidclub · 4 months
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Older Boyfriend Simon Riley
Thanks to the notes on my last post, I will be posting this blurb here. It's just for shits and giggles.
Older Boyfriend!Simon Riley who has been the best boyfriend you have ever had.
Refuses to let you call a handyman. Leaky sink? He had it fixed before you even knew there was a problem. Squeaky desk chair? Suddenly completely silent. 
Gets really competitive with Mario Kart and refuses to play again after losing a couple of rounds. Gets really into Minecraft but doesn’t let you help build things because “You’re doing it wrong” even though you’re the one who taught him how to play
Does not understand girl math. 
-- “The fuck you mean it’s not real money
-- “If I use cash, it’s free because it doesn’t come out of my account. Therefore it’s not real money.” 
-- “I’m pretty sure that’s not how it works.” 
-- Now drops cash in your purse so that you have “fake” money to use. 
Hates girl dinner only because he knows that a bowl of popcorn or a couple crackers and cheese is not a full meal. 
A year of his life drops off every time he hears you saying “I’m doing it for the plot.” 
Refuses to download tiktok but will watch them on your phone with you for hours at a time
Went on a very long lecture about the Roman Empire and how it came to be (talk specifically about the military aspect) once you mentioned something was your Roman empire. Didn’t even notice you had fallen asleep halfway through the lecture. Still doesn’t know what you mean when you say something is your Roman Empire. 
Has absolutely no idea what you mean when you say “same.” 
-- You had to explain that it was just something you said when you found anything relatable
-- “What the bloody hell could be relatable about a plastic bag blowing across the road.” 
Has attempted to use the word slay in a sentence and it only ended with you in the longest laughing fit known to man. 
Listens to you explain celebrity beef and wonders why you talk about them like you know them personally and how you know all this information. 
Vine references, goes right over his head. 
-- One time quoted “Road work ahead, uh yeah I sure hope it does” after you had done it so many times, you nearly choked to death on air that day. 
Emojis are his worst enemy. Never gets the message when you try to hint at something using emojis. 
Learns very early on that anytime you two go out for errands, you require a sweet treat. 
-- Uses going out to get a sweet treat as an excuse to take you out on dates 
-- Also makes sure to buy you a sweet treat anytime you complete a task you didn’t want to do.
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chuluoyi · 6 months
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࿐ ࿔ 🕰️ 「 07:55 A.M 」
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a little drabble based on this outrageous ask :)) and half-inspired by some lines from the broken ring: this marriage will fail anyway—that's my new roman empire everyone ehe🥹 and who can resist domestic husband!gojo?😋
a part of gojo's love entries
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“you’re cheating on me.”
morning breakfast. satoru stopped chewing his toast at your wild accusation, his baby blue eyes blinking rapidly as he processed your words before turning to you and bursting out—
“huh?!”
“last night,” you charged, eyes narrowing in distaste. “i can’t believe you.”
“whaaa?” he tensed up, racking his brain for any indicators that he might have wronged you in any way, until he came across an irrefutable truth—
“wait no, last night, you almost made me lose it in my pants!” even satoru’s face reddened slightly while recounting your nightly tales. “before i busted it inside you. how is it possible that i’m committing adultery?!”
you huffed, looking away from him righteously. “in my last night’s dream, you did.”
. . .
“eh...” satoru blinked again, fully absorbing your words, before stupidly smiling. “what? you dream about me?”
you scowled, picking at your omelette. “yes. about you running away with five bimbos, banging them in a cottage in the middle of the woods, and leaving me here waiting for you like an idiot.”
he burst into uproarious laughter, so loud and crisp it made him wheeze. “what? seriously? you— ahahahaha!”
you threw him an unamused look, mildly irked.
“hey, wifey,” satoru nudged you, his grin stretching wide in sheer delight. “no one else can make my body react the way it does around you, you know~”
“…”
“this here,” your husband then shamelessly gestured towards his crotch. “—is broken already. my happy friend here can’t get up anymore if it’s not you.”
“…”
“i mean it! you’re the only one who can give me an erection!”
you whipped your head around him, scandalized. “ew! satoru, you—!”
“well, that’s the fact! nothing too embarrassing— we’re married!” he shrugged as you bulged a vein. “besides, shouldn’t you be proud? you've truly got me wrapped around your pinky~”
seeing how you were cutely pouting throughout breakfast, still all giggly, satoru led you back to bedroom to cuddle you.
“there, there, sweets... happy now?” satoru pulled you closer and pat your back, his body still slightly shaking with suppressed laughter.
“hmph.” you put your hands around his torso with pursed lips, squeezing him in return.
“look at this, it’s only when she’s spooked that the wife shows me any affection,” satoru exclaimed with a dramatic sigh. “so, what else did the dream version of me do to you, huh?”
“you bend each bimbo on every surface, lied to me that you’re on a long mission,” you huffed, grimacing as you recalled your dream vision. “you’re the worst.”
satoru still had that dopey grin on this face, and right this second, he thought you were the absolute cutest, because how could you think that he is capable of looking at anyone else the way he looks at you?
you have his heart, body and soul already. hasn't he told you that?
“is that so, poor you,” he retorted with mock sympathy. “but since you’re so worried...”
and suddenly, he rose from the bed with his arm around your back and another under your knees, cradling you in a princess carry. and with the smuggest smirk he whispered—
“...well, i have to make it up somehow. how about i bend you on your vanity desk now, hmm?”
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norrisainz33 · 2 months
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Just a Crush || OP81
☆ summary: Swimmer, y/n, is headed to the olympics and little does she know she’s f1 driver oscar piastri’s celebrity crush
☆ pairing: oscar pisatri x olympian!reader
☆ f/c and warnings: none
☆ requested: this was suggested!! tysm for the wonderful idea for a swimmer reader 🫶🏻
゚. ✿ ୨❤︎୧⠀✿ . ゚⠀
ynuser made a post
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liked by yourbff, thenzteam, vogue, yoursibling, oscarpiastri, iamrebeccad, and 87,457 others
ynuser: your girl is in her model era 🌿 thank you to vogue for having me! make sure to check out the july issue where i talk about what it means to me to be headed to the olympics to represent new zealand, my daily routines, and my life outside of swimming! see you all in paris 🤍
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yourbff: you are so effortlessly gorgeous please 😫
thenzteam: we are lucky to have you y/n!
user1: my favorite kiwi
user2: omg not y/n revealing she’s a huge fan of f1!! wait till oscar hears about this
user3: oscar who?
user2: he’s a formula 1 driver who has a massive crush on y/n
user3: omg not a vroom vroom aussie for my girl 😭
user4: stop they would be perfect 😭 they give the same energy
user2: he’s hiding in the likes 👀
iamrebeccad: some of the best shots i’ve ever seen! congrats on being in vogue and going to the olympics ❤️
ynuser: i took notes from the pro 🫶🏻
user2: omg rebecca is here too
williamsracing has posted a video
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user12: LOSCAR MY LOVES
user5: alex and logan are my fav duo im going to miss them so much
user6: james when i catch you!!! how dare you break up our family
user4: GUYS Y/N MENTIONED
user9: the way oscar blushes omg
user10: mans is down bad we have to get her to notice him
user11: alex best be texting lily rn to make that connection! our boy has like no game
user12: stoppp i’m sure he has some 😭
user11: idk he’s so quiet and reserved
user12: nahhh it’s always the quiet ones ok
user8: y/noscar is my roman empire
user13: let’s get my man to the paris
ynuser posted a story
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view story replies
user10: hey babes, congrats on the olympics. im here to lyk abt a very cool, very polite young man named oscar piastri
yourbff: make us proud y/n
ynuser: i’ll do my best 😭
user2: you should visit monaco and oscar piastri next
lilymhe: yayyyy let’s goooooo y/n!!! i’ll be cheering for you!!
ynuser: omg lily!! it’s been too long since i’ve seen you! let’s do something once i’ve won the gold 😉
lilymhe: yes please 🫶🏻
lilymhe: also alex told me to tell you that you have got to come to a grand prix soon - zandvoort maybe?
oscarpiastri: good luck y/n!
ynuser has made a post
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liked by alex_albon, thenzteam, oscarpiastri, vogue, ilonamaher, lilymhe, and 98,657 others
ynuser: you’re looking at the fastest woman in the 1500 freestyle! semifinals here we come 🇳🇿
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yourbff: being able to be poolside cheering you on is my favorite thing
ynuser: i love you
alex_albon: congrats y/n! can’t wait to see you soon 😉
user16: ALEX WHAT ARE YOU EOING HERE
user18: SEE YOU SOON????
user22: alex is taking his job as matchmaker seriously
thenzteam: aotearoa is so proud you ❤️
ynuser: 🤍
oscarpiastri: congrats y/n!! you’re going to get the gold i just know it
ynuser: thank you oscar!! i’m certainly going to try
user2: oscar jumping up and down in his driver room rn
landonorris: user2 he is celebrating yes
user2: LANDODNJE
logansargeant: oscarpiastri thanks for saving my dog from that burning building the other day
alex_albon: thanks oscarpiastri for lending me your lambo last week
ynuser: wow! oscarpiastri can you lend me your lambo?
oscarpiastri: ynuser that can be arranged
thenzteam has made a post
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liked by ynuser, nz_swimming, yourbff, iamrebeccad, alex_albon, oscarpiastri and 67,455 others
thenzteam: she’s done it!!! y/n has won gold in the 1500 freestyle! you have made new zealand, aotearoa so very proud 🌿🇳🇿
view all 203 comments
ynuser: beyond proud to be a kiwi! 🤍
yourbff: you are a star!!! i’m so proud of you
thenzteam: we love you 🫶🏻 now it’s time for you to get some rest!
user18: LETS GOOO Y/N!!!!
user20: i love watching women succeed
lilymhe: CONGRATS MS GIRL
alex_albon: yes!!! congrats ms y/n!!!!!
oscarpiastri: bwoah!! let’s go!
user22: oh oscar is this all you’ve got
landonorris: user22 nah he’s got more just give him a minute
oscarpiastri: lando please
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ynuser has posted a story
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lilymhe: i missed you so much my olympic golden girl. i’m so glad you’re here 🫶🏻
ynuser: i missed you too my queen 🧡
user28: OMG YOURE IN ZANDVOORT OMG OMGOMGOGKGOGMGMGG
iamrebeccad: the way i jumped for joy when you told me you were coming!!! i can’t wait for dinner tonight
ynuser: neither can i!! i am really looking forward to meeting carlos too
user44: zandvoort!!! on race weekend!!!!! you’re giving our polite cat a chance!!!!
user45: girly we know exactly where you are 🤭
ynuser has made a post
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liked by alex_albon, iamrebeccad, lilymhe, oscarpiastri, thenzteam, and 91,234 others
ynuser: some much needed downtime after paris but don’t worry i still got some laps in 🥹
tagged: lilymhe, iamrebeccad, mclarenf1
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user56: not her tagging mclaren and not oscar LOL
user87: THOUGHT YOU COULD SNEAK IN THATBLAST PIC HUH
user45: that’s gotta be oscar
user87: it’s absolutely him ain’t no way
mclarenf1: was wonderful getting to have an olympic gold medalist in our garage this weekend!! thank you for visiting 🧡
ynuser: thank you for having me mclaren 🧡
oscarpiastri: hey that’s my car
ynuser: yeah and you didn’t let me borrow it like you said you would 😭
oscarpiastri: i’ll lend you one that’s a little less dangerous! you’re precious cargo after all 😉
landonorris: ok , leave me out of the pics… i thought we were friends??
ynuser: my bad dawg! didn’t realize we were chill like that
landonorris: well we’re not anymore!!
alex_albon: my work here is done! team torque for the win
logansargeant: mission accomplished
lilymhe: girls u know everyone can see your comments
user45: CONFIRMED! THANKS ALBONO AND LOGIE
user46: AHHHHHHHHHHHH
゚. ✿ ୨❤︎୧⠀✿ . ゚⠀
a/n: another olympic reader!!! i love sports player reader. next up - olympic!tennis!reader.
a/n: made some updates to my blog and made a masterlist wahoo!! ty for all the support
゚. ✿ ୨❤︎୧⠀✿ . ゚⠀
© norrisainz33: please do not rewrite, translate, or copy any of my works posted here on to any other platform
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I get variations on this comment on my post about history misinformation all the time: "why does it matter?" Why does it matter that people believe falsehoods about history? Why does it matter if people spread history misinformation? Why does it matter if people on tumblr believe that those bronze dodecahedra were used for knitting, or that Persephone had a daughter named Mespyrian? It's not the kind of misinformation that actually hurts people, like anti-vaxx propaganda or climate change denial. It doesn't hurt anyone to believe something false about the past.
Which, one, thanks for letting me know on my post that you think my job doesn't matter and what I do is pointless, if it doesn't really matter if we know the truth or make up lies about history because lies don't hurt anyone. But two, there are lots of reasons that it matters.
It encourages us to distrust historians when they talk about other aspects of history. You might think it's harmless to believe that Pharaoh Hatshepsut was trans. It's less harmless when you're espousing that the Holocaust wasn't really about Jews because the Nazis "came for trans people first." You might think it's harmless to believe that the French royalty of Versailles pooped and urinated on the floor of the palace all the time, because they were asshole rich people anyway, who cares, we hate the rich here; it's rather less harmless when you decide that the USSR was the communist ideal and Good, Actually, and that reports of its genocidal oppression are actually lies.
It encourages anti-intellectualism in other areas of scholarship. Deciding based on your own gut that the experts don't know what they're talking about and are either too stupid to realize the truth, or maliciously hiding the truth, is how you get to anti-vaxxers and climate change denial. It is also how you come to discount housing-first solutions for homelessness or the idea that long-term sustained weight loss is both biologically unlikely and health-wise unnecessary for the majority of fat people - because they conflict with what you feel should be true. Believing what you want to be true about history, because you want to believe it, and discounting fact-based corrections because you don't want them to be true, can then bleed over into how you approach other sociological and scientific topics.
How we think about history informs how we think about the present. A lot of people want certain things to be true - this famous person from history was gay or trans, this sexist story was actually feminist in its origin - because we want proof that gay people, trans people, and women deserve to be respected, and this gives evidence to prove we once were and deserve to be. But let me tell you a different story: on Thanksgiving of 2016, I was at a family friend's house and listening to their drunk conservative relative rant, and he told me, confidently, that the Roman Empire fell because they instituted universal healthcare, which was proof that Obama was destroying America. Of course that's nonsense. But projecting what we think is true about the world back onto history, and then using that as recursive proof that that is how the world is... is shoddy scholarship, and gets used for topics you don't agree with just as much as the ones you do. We should not be encouraging this, because our politics should be informed by the truth and material reality, not how we wish the past proved us right.
It frequently reinforces "Good vs. Bad" dichotomies that are at best unhelpful and at worst victim-blaming. A very common thread of historical misinformation on tumblr is about the innocence or benevolence of oppressed groups, slandered by oppressors who were far worse. This very frequently has truth to it - but makes the lies hard to separate out. It often simplifies the narrative, and implies that the reason that colonialism and oppression were bad was because the victims were Good and didn't deserve it... not because colonialism and oppression are bad. You see this sometimes with radical feminist mother goddess Neolithic feminist utopia stuff, but you also see it a lot regarding Native American and African history. I have seen people earnestly argue that Aztecs did not practice human sacrifice, that that was a lie made up by the Spanish to slander them. That is not true. Human sacrifice was part of Aztec, Maya, and many Central American war/religious practices. They are significantly more complex than often presented, and came from a captive-based system of warfare that significantly reduced the number of people who got killed in war compared to European styles of war that primarily killed people on the battlefield rather than taking them captive for sacrifice... but the human sacrifice was real and did happen. This can often come off with the implications of a 'noble savage' or an 'innocent victim' that implies that the bad things the Spanish conquistadors did were bad because the victims were innocent or good. This is a very easy trap to fall into; if the victims were good, they didn't deserve it. Right? This logic is dangerous when you are presented with a person or group who did something bad... you're caught in a bind. Did they deserve their injustice or oppression because they did something bad? This kind of logic drives a lot of transphobia, homophobia, racism, and defenses of Kyle Rittenhouse today. The answer to a colonialist logic of "The Aztecs deserved to be conquered because they did human sacrifice and that's bad" is not "The Aztecs didn't do human sacrifice actually, that's just Spanish propaganda" (which is a lie) it should be "We Americans do human sacrifice all the god damn time with our forever wars in the Middle East, we just don't call it that. We use bullets and bombs rather than obsidian knives but we kill way, way more people in the name of our country. What does that make us? Maybe genocide is not okay regardless of if you think the people are weird and scary." It becomes hard to square your ethics of the Innocent Victim and Lying Perpetrator when you see real, complicated, individual-level and group-level interactions, where no group is made up of members who are all completely pure and good, and they don't deserve to be oppressed anyway.
It makes you an unwitting tool of the oppressor. The favorite, favorite allegation transphobes level at trans people, and conservatives at queer people, is that we're lying to push the Gay Agenda. We're liars or deluded fools. If you say something about queer or trans history that's easy to debunk as false, you have permanently hurt your credibility - and the cause of queer history. It makes you easy to write off as a liar or a deluded fool who needs misinformation to make your case. If you say Louisa May Alcott was trans, that's easy to counter with "there is literally no evidence of that, and lots of evidence that she was fine being a woman," and instantly tanks your credibility going forward, so when you then say James Barry was trans and push back against a novel or biopic that treats James Barry as a woman, you get "you don't know what you're talking about, didn't you say Louisa May Alcott was trans too?" TERFs love to call trans people liars - do not hand them ammunition, not even a single bullet. Make sure you can back up what you say with facts and evidence. This is true of homophobes, of racists, of sexists. Be confident of your facts, and have facts to give to the hopeful and questioning learners who you are relating this story to, or the bigots who you are telling off, because misinformation can only hurt you and your cause.
It makes the queer, female, POC, or other marginalized listeners hurt, sad, and betrayed when something they thought was a reflection of their own experiences turns out not to be real. This is a good response to a performance art piece purporting to tell a real story of gay WWI soldiers, until the author revealed it as fiction. Why would you want to set yourself up for disappointment like that? Why would you want to risk inflicting that disappointment and betrayal on anyone else?
It makes it harder to learn the actual truth.
Historical misinformation has consequences, and those consequences are best avoided - by checking your facts, citing your sources, and taking the time and effort to make sure you are actually telling the truth.
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FATUM NOS IUNGEBIT 1/4
(König x F!Reader)
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Summary: You have seen him in your dreams. The seer has divined his coming. But nothing has prepared you for witnessing him in the flesh. (Historical AU where König fights for the Roman Empire in an auxiliary unit, finds a cute barbarian woman and decides to keep her as his own.) Word count: 5.3 k Tags/warnings: 18+ ONLY. Spoils of war/enemies to lovers trope, graphic depictions of violence, historical gruesomeness, pining, odd banter, mixed feelings, romantic fluff, dubcon cuddling, eventual smut. Captor/captive dynamic. König is a brutal warrior... and a gentle giant. A/N: Lol what now? König dual wields 2 swords, goes Mike Tyson on his enemies, teaches his captive girl constellations in German, cuddles her and feeds her grapes, buuut mainly just tries to get into her pants (which historically did not exist at the time) A bit of a slow burn, but don't worry, they'll bang eventually ^^
AD 90, somewhere in the untamed frontiers of the Roman Empire…
The end of the world is here.
Not only have the crops failed for two years in a row, making chieftains beggars and beggars food for the fish, but now there are rumours that the god of war has arrived to destroy the land. The accursed Romans had turned their eagle gaze back to your land after years of sending their troops elsewhere, making it seem like they were not interested in your distant land after all. Untamed, they called it, harsh and barren and therefore inferior – your lush, abundant, beautiful land. No doubt they spat on it in their war councils because your roads were not paved, because your crops and villages were modest, and the women sometimes fought alongside men. Their storytellers immortalized false tales about you, calling you barbarians, but the only barbarians you could think of were the Romans themselves – crude, filthy and boorish creatures, drowning in wine and shit in their cities.
Rumours started to get fat and distressed when the troops approached your village. They said there was a giant at the head of the army, that the Romans followed a Titan's son who loved to eat men, torture women and impale children. They said he didn't accept proper food but preferred to eat his fallen enemies, washed his weapons with the blood of children, and split captured women apart with his cock, as long and sharp as his sword. They told that the Titan ordered his soldiers to poison the wells and destroy the growing crops with salt and vinegar. The rumours said that his tent was bigger than any chieftain's house and that he still struggled to stand at full height inside it. 
Even the land itself seemed to bow before him. Good weather followed his conquest wherever he went; ambushes failed, scouts got caught and tortured, exposing more villages to pillage and ruin. Your brother told you to flee the village, but how could you survive without your clansmen? You didn't know how to hunt; you barely knew how to fish. Your task in the village was to gather clams from the shore, dye wool and help the old Seer. How long could you survive on sorrels and clams alone?  
. . .
The old woman calls you to see her on the brink of war, and tells you to prepare for a ceremonial offering. Two horses, black as night if possible, brown at the very least, to appease the Great Mother of the Earth and quench her thirst for blood. If the Mother is satisfied with your offering, She will perhaps stop the approaching army or convince the Titan to leave your village alone.
She does a small rite before you, and you need to stay with her through her visions. You hate the smell of the leaves she burns, and try to cover your nose with your tunic to prevent breathing in the bitter fumes. The seer looks like she’s just lying herself down to sleep, but it’s always a burden when the spirits arrive and she starts to talk. You turn your back on her to coax them to rise: a mortal stare annoys the chthonic ones. You nearly fall asleep too as you wait, wanting nothing more than to go back to your own hut and have a good night’s sleep. Perhaps because you’re lousy tonight, and less vigilant as you should be, the spirits arrive sooner than either of you thought.
“He’s strong,” the seer croaks from the earthen bed, and you fight the urge to turn around and peek at the old woman, currently in the clutches of spirits. 
“Invincible… Hungry... The horses…won’t suffice…”
She drifts someplace else, and you try to memorize every word, every intonation, as cryptic or as simple as they are, for later interpretation.
“I see you,” she says in a slightly more cheerful tone, which is odd because the old woman is never happy or satisfied, no matter how bright the sun shines or how much food there is in the storages and pits.
“Me?” You dare to speak even though you’re not allowed to disturb the spirits. You could slap yourself for blurting out a single word, but luckily, the hungry ones don’t attack you for your insolence.
“You.. will be his downfall,” she speaks as if you are having a conversation here. “Be there. When he arrives.”
“...Be there? Why?” You dare to utter again, more concerned about what the Mother implies than the potential fury of some lowly earthen spirits. You haven’t got the faintest clue about what She might be suggesting. Why do you have to participate in the battle? How can you be there without getting killed? You’re not a warrior… The Mother has it all wrong. 
Suddenly, you curse the night, you curse the whole day, knowing your brother’s late proposal was perhaps a warning, a hint from the gods to leave, and leave quickly.
The old woman laughs dryly on the ground - the throaty, outright sick cackle makes you flinch. 
You don’t like this... You don’t like this at all.
“Mother. What must I do?” You demand to know, thinking about how all the gods, spirits, old women, and Titans should go to hell.
“Become a tree,” the old woman offers as if it’s the easiest thing to do. “A flower. Me...”
. . .
You become a marten first, then a bird. Then perhaps a tree.
You climb a spruce and wait there. You wait until the sunrise; you wait until noon. You wait until you see the glint of the Roman spearheads and hear the sound of their march.
You’ve dreamed of the Titan ever since you left the seer’s hut. You’ve dreamed of him slaying everyone in the village; you’ve dreamed of him driving a thick spear into the ground and grabbing you with an intent to raise you into the air and impale you on it. You’ve dreamed of him behind you, above you, inside you. You wake up one morning only to see that half of the people have left. You don’t know where they have gone, and you can’t follow them even if you did because the old woman waits for you in front of her hut and gives you a nod the instant you walk into another beautiful, sunny day.
That’s why you’ve turned into a branch in a tree, but for what purpose, you have no idea. You can’t understand why you must be here to witness the world’s end.
Your men scream and shout and roar as they crash into the thick forest of spears. The enemy is silent: it’s eerie, how the world burns and falls into ruin around you, people are screaming; everyone who has a soul and a heart is screaming for Mother as they die, but the men behind the Roman shields refuse to emit a sound. They don’t curse or shout or summon their gods; they simply stand their ground and pant mist into the air as wave after wave of men break on their shields and die before their feet. Somebody loses his spear because it gets stuck between your clansman’s ribs, but the Roman simply draws his sword in its stead: it’s the only sound among the pitched wails that cut through the forest – the cold, clear ring of a gladius being pulled from its sheath.
That is why you flinch at the sound of the first shout, a brutish command that sends all the shields to the side, only to present more shields: the Romans switch positions in their formation as if they’re not even human beings like the rest of you, just a single enormous creature made of iron and leather and bone, operating it's flat forest of weapons.
And then you see him: the giant of your dreams, the hungry titan everyone has told you about. He rises from the tide of helmets like a summoned god, concealed as one of the soldiers and only now revealing his true nature. He stands at least two heads taller than the rest, pushes his own soldiers to the side and breaks out of the formation these vicious Romans love so much. You knew he would be strong and big, but you didn't know he refused to show his face… You wonder what kind of a monster hides behind the black cloth with nothing but two eye holes ripped on it. As if this man needed the additional effort to stand out from other soldiers...
He's like a God of War, just like the survivors said: his armour is of Roman design, but the amount of metal that had to be scraped together to cover this man's shoulders and chest must've demanded a fortune in gold. He doesn't seem to care about the Roman ways, however: he throws his shield away as soon as he's out of the cumbersome formation as if he has carried it only as a decoration up until this point. He draws another sword in its stead – if any other man did such a stupid thing, traded his shield for a weapon, you would snort. But not now.
Standing between the Romans and your clansmen like a challenge, a threat, a deity, even the men possessed by the seer's blood spells hesitate to approach him. But when they do, the god unleashes carnage: the first warrior gets his stomach slashed open, and the two thick swords look like toothpicks when wielded by this man. A stomach wound is a gruesome, slow way to die - but just before the warrior's entrails spill to dangle between his feet, the brute grants him mercy by sweeping his head off with a single blow of his gladius. 
A roar finally rises from your enemy: they cheer Death on as the head of your neighbour meets the mud next. The soil is already soaked in blood, but the Mother is hungry still. The forest booms with Her bloodlust as the god moves around like a slow tempest of muscle, metal and darkness: he breaks every Roman rule by fighting as his own man instead of demeaning himself as one of them, a lowly part of this odd metal beast before you. He sends a limb flying in the air with a swing of a sword; he uses the same weapon as a bludgeon to bash in someone's skull. He crushes a man's chest simply by sinking down onto one knee, breaking bone, tendon and flesh to splinters as a whole ribcage gets crushed under his massive weight. 
Warriors flee before him, they fall under the combined wrath of the Mother and the Titan's sword. The dead seem to fall eternally, along with your heart, before meeting the ground with a hollow thud. 
Your chieftain is among the last men standing, meeting this unstoppable foe with admirable courage. Not having succumbed to the spells of bloodlust in years, he meets his death as a seasoned but old warrior. With his fighting years behind him, your chief doesn't have a chance against this man, but you have to grant the beast a feather's worth of honour, because he recognizes your chieftain as the veteran he is and salutes him with his sword. Then he proceeds with the bloodbath: flinging your leader's sword and axe easily to the side, he walks straight into his arms like he would into a hug, grabs him by the waist, and raises him into the air like he's nothing but a child. 
Your scream never leaves your lungs as you watch how the Titan raises the draping cloth from his face, just enough to sink his teeth into your beloved chieftain’s neck. The noise that erupts from your elder is not that of a man but a tortured animal. It’s not from this world, what you witness next: the giant tears a hunk of flesh from your chief like he’s a piece of roasted meat. Blood streams forth, his screams fade away all too slowly, and you hear your own weak wail in the air as the Titan lets go of the heap that used to be a strong male and a wise leader. 
Your chieftain is dead; his essence spills to the earth in spurts to appease the God of War, who spits blood and flesh to the ground, making you gag into the cold spring air. 
Then he raises his swords towards the sun, and the forest erupts into a roar with him: the thundering, ear-splitting cheer from his warriors makes the very earth quake beneath your tree. It seems to shake the branches of the forest, and before you know it, the giant’s howl of triumph breaks the one you’re curled around, and you fall, fall, fall into the mud beneath you. 
You're not a tree anymore. No: you’re very much a human woman there in the dirt as the sound of shouting ceases like a distant dream. 
And he turns. 
Death turns.
Mother always said you were a curious creature, which is perhaps why you search for his eyes, even though you should be running. She also said you were a smart one, which is why you know that running is futile. Your limbs wouldn’t carry you far anyway. It is a cruel joke from the gods to have what little strength you have left pour out of you into the ground and up to the feet of the enemy who is already strong, both in body and in will.
The Titan looks at you with genuine wonder, a curiosity that surpasses your own. To your odd thrill, you find that his eyes are blue: the same blue of the sea which you used to collect delicious clams from. 
The soldiers behind him shift with lust – their gear clinks as they devour you with unbridled hunger. The Titan is the only one who looks at you like you’re simply a cute little squirrel who happened to fall from a tree right there at his feet. Then his eyes drop to your breasts, and the familiar hunger that lives in men gives the ocean of his eyes a clouded look. When his stare finds yours again, he's a different man: the treacherous beast of your dreams.
You had hoped for a swift death… Violent but quick. But it’s clear that it’s not death he has in store for you as he takes a step towards you. It’s not a quick nor a slow death; it’s not death at all, because–
No.
No.
You’d rather have your arms torn off and fed to the Romans rather than have him thrust the sword between his legs, his third weapon, inside you. If you’re going to die screaming, it will not happen on your back; you will not amuse this beast with your womanhood and tears.
You scramble forward to pick up something, anything: a bronze dirk from a fallen warrior. The giant’s eyes fall on the sad excuse of a weapon, then on the sorry excuse of you. He thinks you’re planning to fight him with that thing, and the corners of his eyes crease a little from the prospect of having to subdue you. You’re proving to be quite the entertainment, and you curse those eyes, looking so kind and lively when just moments ago, the same eyes were inhuman and possessed. His are the eyes of a wayfarer, a wanderer, not a soldier: you catch a hint of sadness in them and curse again.
He’s not human, you remind yourself and show him what actual humans are made of. What women are made of. You give him another name, Giant, because you’ve always feared giants and hated the stories about them. Dumb and reckless creatures they are, stupid destroyers who always place their trust in their size. You never meant to fight him, and he only catches up on it as you turn the dagger towards yourself and guide it to point straight at your heart. 
You will be his downfall, just like the seer said.
“Nein–Warte,” the Giant speaks his first words, surprisingly soft to belong to a man like him. 
The sorrow in his stare consumes you in full now. It gushes forth like a tide, causing your breath and hands to shake when they need to be stern. You straighten your spine, jut your chin forward, and call for Mother: you don’t even know if you’re yelling for your bearer, or the Great Mother, or the earth that gives life to all. Perhaps you call them all to gather around and witness your sacrifice, higher in price than any of the Titan’s offerings combined. The blood you’re about to spill onto the soil will surely appease the land and raise it to arms to finally fight against this beast. 
He says something else just before you pull the blade back to strike it into your chest, and you curse for the third time in your mind: giants aren’t supposed to move that fast; they aren’t supposed to interfere in your last ritual. 
But the worst of it is that even when he finally subdues you, even as he wrestles the blade away from you, he ends up drawing a large gash on his forearm… As if he is trying his best to protect you from accidentally cutting yourself.
. . . 
You are brought to his tent, screaming. 
It’s not as big as a chieftain’s house; it’s barely the size of yours. But it is larger than the tents you saw when you got carried there: as a spitting, screeching, hissing package of what these brutes would no doubt consider a true barbarian woman with uncivilized manners and a fuckable cunt. They will talk about you around their campfires tonight: about you getting broken in by their true commander. It’s enough to satisfy them for now: to imagine their champion to fuck you bloody and sore. And who knows: perhaps they’ll receive the scraps if the Titan gets tired of you.
The precious dagger is somewhere in the mud, probably trampled there like it’s nothing but a piece of worthless metal. Your own trampling is only about to begin as the Giant marches into his abode and sends the men away, giving you uneasy looks in the process, perhaps checking if any of them had enough time to have a go at you. Luckily for him, you’re in the same condition as he left you: legs together, safe and pretty, because he bound them with a rope along with your hands. You are nothing but a delivery, thrown on the floor of dirt and a few animal skins. He just nods at you, happy to acknowledge that you are untouched by the others, as if it would somehow be worse for you to be raped by ten of those petite men than be raped by him: a cruel, bloodthirsty Giant with a giant cock. 
Your ankles and wrists get sore as you watch him doff his armour. He takes off the helmet, the belted straps, the segmented plates of his shoulder guards and the heavy Roman cuirass. The gods have truly favoured this man, not only gifting him tremendous height but insurmountable strength too. His muscles are large and lean and quiver with latent power as he moves; his back is so broad it almost competes with the wide mouth of the tent. He doesn’t seem to suffer from the cold either, but he keeps his mask on for whatever ghastly reason. Even if there is a monster under that mask, his body speaks of virility: he’s a man in his prime, a giant at his strongest, making you feel like an elf, a tiny little creature in the feet of this man who must be descended from titans indeed.
You continue to watch as he washes his hands in a small basin, cleans his mouth and neck, too. You reckon the water in that bowl is blood red and dark when he finally dries himself with a white cloth. He stands before you in nothing but his mask and the dark red tunic he had under the armour. He ties it from the waist with a simple leather belt, and it only now makes sense to you why Roman soldiers dye their clothes red: you’re pretty sure you can still see the darker spots on the hem of that tunic, the ones that used to be the lifeblood of your clansmen and kin.
He has the audacity to ask you - wordlessly - to clean his wound, the one you caused him. He sets you free from your bounds, and you are given fresh water and another cloth. He even opens a smallish wooden box of salve that has a familiar smell to it: pine tar and honey, used by your people to treat minor wounds and prevent bad spirits from getting into the wound. You wonder how he even knows about such a balm: is this warrior a Roman at all, or is he some odd creature hauled from the edges of the world to fight for them? You wonder if he has made the salve himself, extracted the tar from the pine and foraged the wax and honey himself, then cursed with his coarse language when he got stung by multiple bees…
You drive away the thoughts that threaten to make this brute human by snorting at his injury. The damage he gave to himself when he tried to guide the blade away from you at the price of his own blood. 
It still troubles you that he did it. Even a tiny wound like this can bring any man down if it starts to fester. The cold winds and rains of spring can easily get into the gash and make it rot. 
The idea of this giant being forced to his knees because of some filthy dagger wielded by a squirrel of a woman makes you smile inside. It would be a fitting fate for this man. But the vision also makes your heart sting. The thought of him dying of a simple flesh wound, alone and far away from his home, makes your heart grow kinder than it should. 
You decide there is nothing you can do but treat his arm, strong and scarred from previous battles. He sits down while you get to stay on the ground, and you try to ignore it that your face is now level with his groin. He sits with a wide spread in those powerful thighs, and you wonder if it's because the rumours about his cock are true. You keep your eyes everywhere else except the hem of that tunic and what's going on under there. He purrs at your touch, making it clear that it doesn't need much more than your soft fingertips to get him hard after a triumphant day on the field of battle. 
The wound is not deep, but you clean it carefully, trying to ignore the way his eyes seem to bore into you as you take care of him. Your hand is somewhat steady as you treat the damage with the nice-smelling salve, but you flinch as his hand suddenly meets your cheek. You look up at him, heart plummeting, thighs instinctively pressing together from the gentle way with which he cups your face.
“Schön,” he says, again with a tender voice and an adoring, almost worshipful stare. You don’t have a clue what he’s saying, but you know now for sure that it's not the tongue of the Romans he speaks. The scent of pines and bees lingers between you as he brushes a thumb over your lower lip. You are weak enough to give him a breath, a helpless, hot little exhale that meets his hand like a gift.
“Schön wie eine Fee,” he rumbles, sounding intoxicated or like he's under a spell of sleep.
“What the hell are you saying,” you whisper in your own tongue: just a meek little sputter, a tiny, horrified breath, but the giant’s eyes narrow with a smile.
“Sie redet,” he says happily, and your shoulders sink – you are on the verge of screaming from frustration alone. Whatever you do seems to only amuse this man, and you snap your mouth shut. Your cheeks heat up with recurring waves of odd fever. The ground beneath your shins is all but warm, and yet you feel warm all over: a dangerous sign, you know, and oddly tied to the peculiar bodings you have seen all week.
Because there have been many omens in the air lately. 
It’s just that none of them were portents of war. 
The cranes started to mate early this year, and you have found a lot of clams from the shore every day. Even your brother encountered a boar with nine piglets; everyone celebrated him as some holy man who had seen the Great Mother when he returned to the village that day. The wind started to blow from south soon after, and the moon has grown along with your womb: this morning, on the brink of war, you woke up wet and restless. 
All the omens speak of fertility, of growth, of a new cycle and of birth: of spring and life. There’s nothing about death and decay, nothing except what the people have told you about… him. The death himself. The war god.
“König,” he says as if he can hear your thoughts and wishes to correct them. You look up and see he’s pointing to himself, or rather, holding his hand over his heart. You fight the urge to scoff at the gesture. As if this beast had a heart…
“König,” he repeats the word and pats his chest, and you realize he’s trying to tell you his name. You wrinkle your nose in distaste, and he smiles. It’s easy to tell when he does, even with the cloth that covers his face: you can see the joy clearly from his eyes, the boyish grin that must be occurring under that mask.
“Du?” He points at you next, inquisitive. He has an odd way of pointing: with two fingers, slightly crooked, and you understand very well what he’s asking of you. You refuse to tell him your name, however, settling for pouting a lip at him next. The smile in his eyes only deepens.
“Fee,” he pokes you gently on the shoulder and leans back in his odd Roman chair, seemingly content with having now named you. 
And Mother was right: you are curious, so incredibly curious to know what this beast has chosen to call you and why. Are you a rat to him…? Some bird? Perhaps simply a girl?
He is so pleased with your conversation that he pours himself some wine and drinks the whole cup with one gulp. Great, you sigh inside your head, a beast and a drunkard. He pours another cup and tries to offer it to you, and when you don’t make a move to grab the clay mug, he brings it to your lips. You entertain him with a tiny sip: you’ve heard of wine and know that Romans are fond of it, but you have never tasted it yourself. 
The tart, bitter flavour almost makes you cough. You thought wine was supposed to be sweet: everyone always describes it as something like milk or honey or juice from an overripe apple. It very much is not, and you almost choke on it and then make a wry face at your captor. He - König - only laughs. It’s another thing that catches you off guard: first those boyish, sad eyes and now this hearty, grown man’s laugh. You have proved to be such an amusement to him that he doesn’t force you to drink any more wine and enjoys the rest of it himself. 
Then he rises and makes you shrink from him again, towers above you for a moment, and looks at you with that warm curiosity that makes your heart race.
“Müde?” 
He tilts his head, the bag of darkness shifts, the blue eyes behold you fondly, and for some reason, you whimper an answer to yet another question you can’t even understand. He takes your little squeak as a yes and falls to crouch before you, then raises a massive hand to the leather strings that keep your demure little dress up. 
To your horror, he pulls the knotted tangle open before you can stop him. Your dress falls from your shoulders and drops to pool around you, and you simply and verily stop breathing.
His eyes wash over you, he examines every little part of exposed skin like an entire treasure chest has suddenly opened before him. You pray to all the gods that he would find it in his heart to be gentle tonight. Your nipples perk up – from the cold or from his stare, you don’t know. 
The rough callous of his palm meets your breast and encloses it in warm support. He cups you, weighs you like he would a fruit, and then he squeezes you, rather hard, too: a deliberate attempt to make you squeal again. He replies to your pathetic mewl with an approving rumble, and you look up at him with all the helpless tenderness of the Mother, hoping that Her gentle pleas might persuade this man not to hurt you.
“Please don’t,” you whisper, and his eyes dart to your mouth, to your eyes, then back to your lips again. He immediately softens his touch. Then he lifts you from inside your poor dress, picks you up like you weigh nothing at all, and carries you to his broad bed, the sturdiest you have ever seen. 
This man feels like the strangest of fates, like a hopeless destiny, as he sets you on the skins and straw mattress, right next to your fluttering heart. Your insides ache as he undresses before you, entirely without shame. He’s hard under the tunic he rips off and tosses on the cold ground. Your eyes are glued to the legendary cock you’ve heard so much about, the cock that splits women apart: and it’s true that it's huge. It resembles the ones you’ve seen on horses, not on men, and your thighs are glued together as he comes next to you while that pale, monstrous cock sways long and heavy between his thighs. He moves you around a little, and you squeal from how weak you feel: weak as a mouse as he covers you with one of those rich furs he has in plenty on the bed. Then crawls under it too, right next to you.
Your heart almost wrenches itself out of your chest as a strong arm pulls you against him: the swell of your ass meets his thighs, solid and broad like treetrunks, and your lower back meets the hot, almost too hot horse cock. It starts to leak and throb against your skin the instant your flesh is pressed against his. You try not to whimper and moan as the Giant, König, curls around you like you two have always done this.
He takes a long, earnest inhale from your neck and hair, rumbles deeply and contently, and tightens his grip. Apparently, you smell and feel good… 
You wait and wait to be plundered and raped, but König only settles for holding you tightly, like you’re a children’s toy made of the softest straw and purest undyed wool. You relax slowly, and he purrs against your back, starts to fondle your breasts, ardently, until your body betrays you and you find yourself wet again; he squeezes and squishes your teats slowly, approvingly, then pinches your nipple once before finally falling into a heavy, deep sleep.
Please forgive your author for any historical inaccuracies and other silly things you find facepalmable <3 During this time König would've probably spoken some form of Old Saxon but since I'm not a TOLKIEN we have to settle for modern-day German here. I don't have a taglist for this fic so please check my pinned masterlist for future updates.
Translations
Nein, warte - No, wait
Schön - Beautiful 
Schön wie eine Fee - Beautiful as a fairy
Sie redet - She talks
Du? - You?
Müde? - Tired?
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quasi-normalcy · 1 year
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Things that I SWEAR I'm not making up about the Star Trek franchise:
A shifty alien bartender, his brother, and his nephew were what happened at Roswell
There are three mutually contradictory canonical explanations for what exists at the centre of the Galaxy, none of which are "A fuck-off gigantic black hole"
Two of these things are, respectively, God and the Devil
(The crew got along well enough with the Devil, but Spock had to blow-up God with a torpedo)
One of the most compelling and sympathetic characters in the franchise is a hologram of Professor Moriarty who gained enough self-awareness to realise that he didn't need to be evil just because he was written that way
If you fly too fast, you turn into a salamander
(Said salamanders are actually the inevitable endpoint of human evolution)
The universe is balanced on the back of a giant koala (why is it smiling? What does it know!?)
There have been three separate groups of Space Nazis (not just aliens with a fascist government; literal Nazis with armbands and swastikas)
There are also: two (2) cowboy planets, two (2) planets that are just post-apocalyptic versions of Cold War-era Earth, one (1) planet ruled by Chicago mobsters from the 1920s, and one (1) version of Earth where the Roman Empire never fell
The Roman planet has its own Jesus
There is an anthropological law governing parallel planetary development that holds that planets are likely to recapitulate eras from Earth history
Because of the intervention of an ancient race of ur-humanoids, most sentient races in the galaxy look like human actors with rubber prostheses glued to their foreheads
There are so many planets centred around sex and hedonism that people in the fandom use the term "Roddenberry Sex Planet" to describe them
Jack the Ripper was an alien ghost
Amelia Earhart was abducted by aliens
If you have a high ESP score, you turn into a god when you try to fly outside of the Galaxy
The major antagonists are: Space Vikings/Samurai, Space Romans (not the Romans mentioned earlier), Space Fascists (not any of the nazi groups mentioned earlier), the Space British Empire (ruled by goo people), and Space Bees (except you'll turn into one if they sting you)
Klingons have two dicks
Borg assimilation can be catalyzed by eating car batteries
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