#Doris Salcedo

[mentaltimetraveller]

Doris Salcedo, Uprooted, 2020–22, 804 dead trees and steel, 98 1/2 x 21 2/3 x 16 1/2'. Installation view, Sharjah Biennial 15, Kalba Ice Factory, Sharjah Art Foundation, 2023. Photo: Juan Castro.

[artthatremindsmeofhannibalnbc]

Doris Salcedo, Uprooted, circa 2022 Sculpture

[milksockets]

'shibboleth' by doris salcedo, 2007 in xxl: when artists think big - éléa baucheron + diane routex (2014)

[woundgallery]

Doris Salcedo, Untitled, 2008, wood and concrete 85 5/8 × 95 1/4 × 40 in. (220 × 242 × 120 cm) Collection Museum of Contemporary Art Chicago

[bostonfly]

“Untitled” by Doris Salcedo (Istanbul, 2003):

This installation, which seemed both full of violence yet disquietingly empty, spoke of loss, mourning, absence and destruction. 

Although only now existing in photographs, and in the memory of those who witnessed it, the work makes us wonder where all these chairs came from, who they once belonged to, and what the lives of the people who sat on them were like, as they gathered with others and conversed. Were their lives turned upside down too?

[thinkingimages]

Doris Salcedo, ‘Untitled’, 1998 COURTESY: Doris Salcedo & Glenstone Museum / PHOTOGRAPH: Ron Amstutz

[strathshepard]

Doris Salcedo: Uprooted, 2020-2022, installation view. Photography Juan Castro. At the Sharjah Biennial, UAE, via Frieze’s top ten shows of 2023

[lostincitylight]

[ladyslut]

atrabiliarios - doris salcedo

[guy60660]

Doris Salcedo | studio_magga

[mentaltimetraveller]

Doris Salcedo

at Glenstone Museum, 2020-21

[jordi-gali]

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Doris Salcedo

[giantcypress]

Doris Salcedo, Untitled, 1998, wooden armoire, wooden table, concrete and steel, and Untitled, 2006, concrete, wood and steel. I saw these at Glenstone, in Potomac, MD.

[baradragon]

[woundgallery]

Doris Salcedo, Atrabiliarios (Defiant), 1992-2004; installation; shoes, animal fiber, and surgical thread

“As an artist, I have a responsibility. I have to look at historical events and work with whatever material is given to me. The memory of anonymous victims is always being obliterated; I’m trying to rescue it. That’s why my work does not represent something; it’s simply a hint of something- trying to bring into our presence something subtle that is no longer there.”

[slack-wise]

Doris Salcedo