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sagaiv · 3 years

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My Thoughts on Brian K Vaughan’s works

I just want to starts off by saying I think Brian K Vaughan was my first “favorite writer” when it can to comic books. Y the last man was the first non-superhero comic I had ever read and it opened me up to so many new titles and ways to use the comic book medium. Brian K Vaughan has never failed to make me fall in love with his characters. I have so many fond memories of his comics. I went back and reread them all again this year and found that I loved them just as much or maybe even more than I did before.

He is very talented at exploring characters through the comic medium by using its specific strengths to do things that wouldn’t translate to other mediums and keep the same meaning or feel quite as sincere. This is just a complicated way of saying I think he uses the medium to explore characters in a way no other medium can. He is also much better at balancing humor, heart, and the serious aspects of his stories so that no one component feels too much. He loves giving his stories a bittersweet ending and for some reason I’m a real sucker for those kinds of endings. No character is safe in his series and yet I never felt like he went overboard with the “edginess” or tried to shock his readers just for the sake of shocking them. Rereading his series actually makes the seeds he plants for certain character’s deaths all the more obvious especially in Saga. Some of the deaths did shock me and I didn’t see them coming but it never felt gratuitous if that makes sense.

My “brief” thoughts on his series are below the cut. (The ones I want to talk about anyway. I couldn’t fit all of his series. There are some spoilers below the cut.)

Ex Machina: This was a title where the longer I sat with it the more I loved it. It just has so many ways that the story can be interpreted and it has a lot to say about the idea of free will. Mitchell Hundred is such an interesting main character and the questions of the extent of his free will keep me coming back to the series and character. This story is a tragedy almost anyway you interpret it. If he was acting 100% of his own free will then the descent of his character and morals in pursuit of power is sort of Shakespearean in it’s tragedy. There’s the questions on whether Mitchell was wearing a mask and the man he is at the end is who he really was all along. The plot point of him lying to Kremlin and Bradbury about the power canceling devices brings credence to the idea that he was being manipulative from the beginning. That he knew what he was doing in a way and once he realized he could gain more power by running for office than being a hero he manipulated Bradbury once again into making it so his win was assured. The loss of those around him was entirely his own fault. If he was being controlled or unconsciously pulled in the direction of his descent then it’s tragic because in a way his fate was sealed from the moment he got his powers, he was going to lose everyone in his life regardless if he wanted to or not. This comic really get you thinking and keeps you thinking long after you’ve finished and I love that.

Y the Last Man: Like I said above this was my first non-superhero comic book and returning to it could have been disastrous if it didn’t live up to the nostalgic memories I had of the series. Good thing Y the last man is a great comic. I really love the central trio in this series. Yorick, 355, and Alison Mann are all some of my favorite characters just in general. Yorick, 355, and Dr. Mann all go through a lot of growth and it makes their goodbyes and endings all the more saddening. I was devastated by both 355 and Ampersand’s deaths. These were some of the most emotional deaths in any of the comics I’ve read. “I’m so goddamn tired of killing.” The sadness of losing 355′s hard earned chance at peace in an instant, with no chance to fight back or even knowing she was in danger, was just so heartbreaking. She finally got a chance to break away from the suffering she’d experienced during life and the “being hard bullshit” and try to be soft for once. Her arc was just so well written that when it came to a close that way it was so heartbreaking in a way I hadn’t experienced with any other character until that point. And Ampersand has been through everything with Yorick so seeing his death was just as hard. Yorick’s growth was truly something special though. His journey from self-centered young man to a mature and caring last man was really something to see. He is a really great protagonist. BKV actually got me to tear up with this series and I have a hard time crying about any media (not because of lack of caring or empathy I just have a hard time letting myself show that emotion). I don’t know if there has been another final two issues of a comic book that hit me as hard as the ones for Y the last man. I really don’t know what I can say about this series that hasn’t already been said. I really do recommend this comic (just know that some views at the very start are a bit dated but by the end you can tell that BKV has a better understanding of those views. I wasn’t personally bothered by it but I know it’s something that people should go into knowing because not everyone is like me). I love this series and I love these characters and this is where I fell in love with BKV as a writer.

Saga: Brian K Vaughan’s magnum opus. I am so glad that it is returning this coming January. I just love just about everything about Saga. Marco, Alana, Prince Robot IV, Hazel, Squire, petrichor, and many more are all great characters. I love the way the comic shows the cycles of violence and how heartbreaking those cycles can be with their consequences. It touches on the cycles of violence in war, generational trauma and how that cycle can be perpetuated or broken, how violence shapes who a person is and who they become, etc. Violence has very real consequences. It can be the ptsd that Prince Robot very clearly has or the way the violence Marko and Prince Robot IV partake in in the first volume coming back to haunt them in the ninth volume or even in the ways Marko and Alana deal with certain aspects of their relationship and how they raise Hazel. You feel all of it. The series is about love, loss, and growth. This may be my favorite comic book series (my top 5 ish series flip flop a bit sometimes if I’m being honest but this is always within the top 3). The diversity of this comic is also a huge plus. It’s always refreshing to see a wide variety of genders, races, ethnicities, etc get the spotlight. I always welcome new perspective and representation so that others can see themselves in these characters. I know I always feel seen when I read about a character like me and it makes me feel less alone and knowing that there are many other people who can feel that way about any of these characters always makes me happy. I just love this comic a lot. (I’ve also personally struggled with intergenerational trauma and being a victim of the cycles of abuse so this story hit hard at a lot of points)

Paper Girls: I’ve seen this comic be described as Stranger things but centered around a group of girls instead of boys and while that is a great pitch to get people to read it I feel like it sells the comic a bit short. I love stranger things I just think that description doesn’t fully capture all the themes the story tackles about our time on this world and the mortality that we are faced with every day. It’s a bit ironic that a story that is talking about the importance of how we spend our time alive is based around time travel and I think that was fully intentional. The girls are all dealing with the reality of their futures and coming to terms with certain aspects of themselves that are a part of who they are. I really like the characters and concept. I wasn’t a huge fan of the fact that the character’s had their memories erased at the end because it felt a bit like the journey was meaningless. There were changes that stuck though and I liked that aspect at least. Mac has started developing feelings for KJ and has dialed back in her internalized homophobia and Erin isn’t as shy and is willing to ask to hang out with the other girls for longer than just their route. There is hope for a different future where the four of them remain friends instead of drift apart. At least Mac doesn’t have to live with the fact that she is going to die young and KJ doesn’t have to live with having killed a man to protect someone. Still a really good series just not as strong of an ending as the rest of his well known series in my opinion.

Private Eye: This series is the one where I was the least attached to the characters. The concept, world, and execution are what really draw you in. I liked the idea of a world where the generational divide with technology is essentially the reverse of what it currently is. The collapse of the internet and desperation to regain anonymity in a world where all the previous generation’s private information and search history has been made public to everyone is just really fun. It’s a good spin on the typical private investigator story. One thing I love about BKV is his ability to put a spins on common story ideas or genres I should probably say. For the post apocalypse he made Y the last man, for Private Investigator stories he made private eye, for star crossed lovers he made Saga, for time travel he made Paper Girls, for the retired superhero he made Ex Machina and I wouldn’t say that any of these stories were stereotypical. That may just be me but I like how he makes something unique and thought provoking for every seemingly basic story concept. Brian K Vaughan and Marcos Martin are also a very good duo and I enjoy their collaborations on The Walking Dead: The Alien and Barrier (Side note: I really like the decision not to translate for English readers and the art is so expressive you can understand what’s going on regardless). They work really well together.

Pride of Baghdad: I never thought I could feel this much about a pride of lions. That ending hurt me. I knew how it was going to end based on what I had heard of the real life events it was based on but I still wasn’t prepared when it happened. The optimism and cynicism of the characters towards their new situation contrasted really well. Safa was probably my favorite because of her tough outward portrayal contrasting with her fiercely protective nature especially towards Ali. The art was just gorgeous. I love what animation and comics can do with showing emotions on animals. The fact that I came to love these lions in the short page count is a testament to BKV’s character writing. I don’t want to say much about this title since not many people have read it. If you are reading this and haven’t yet picked this series up I highly recommend doing so.

#brian k vaughan #bkv #saga #y the last man #paper girls #pride of baghdad #private eye #saga comic #image comics

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beyondtheblonde · 3 years

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Waitress - Broadway (Previews)

March 30, 2016 | SunsetBlvd79’s master Format: VOB, with smalls

Cast: Jessie Mueller (Jenna), Keala Settle (Becky), Kimiko Glenn (Dawn), Drew Gehling (Dr Pomatter), Nick Cordero (Earl), Dakin Matthews (Joe), Eric Anderson (Cal), Christopher Fitzgerald (Ogie) Notes: Beautiful capture of this stunning Broadway transfer. This is the performance where the set broke and Sara Bareilles came out while it was being fixed. She sang (a cut song from the show and Part of Your World) and talked with the audience, which is included. A

Waitress - Broadway

June 14, 2016 | SJ Bernly’s master Format: VOB + smalls

Cast: Jessie Mueller (Jenna), Keala Settle (Becky), Kimiko Glenn (Dawn), Drew Gehling (Dr. Pomatter), Christopher Fitzgerald (Ogie), Eric Anderson (Cal), Dakin Matthews (Joe), Nick Cordero (Earl) Notes: Fantastic performances from the entire original cast. Jessie’s voice fits beautifully with the score, and she gives a gut-wrenching performance of She Used to Be Mine. Drew, Kimiko, Keala, and Christopher are each hilarious and endearing. Nicely captured with just a few quick dropouts and no major blackouts. There is one head on the left that can occasionally be seen, but it never blocks the action. There is some slight washout in some of the wider shots. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. Includes curtain call and playbill scans.

Waitress - Broadway

April 19, 2017 | SunsetBlvd79’s master Format: VOB, with smalls

Cast: Sara Bareilles (Jenna), Charity Angél Dawson (Becky), Molly Jobe (u/s Dawn), Chris Diamantopoulos (Dr. Pomatter), Christopher Fitzgerald (Ogie), Eric Anderson (Cal), Dakin Matthews (Joe), Will Swenson (Earl), Anastacia McCleskey (Nurse Norma), Stephanie Torns (Francine Pomatter), Molly Hager (Mother), Matt DeAngelis (Father) Notes: Beautiful HD capture of the new cast change as the composer, Sara Bareilles takes over Jenna. Her performance of "What Baking Can Do" will knock you onto the floor! Terrific and fresh cast with a ton of exciting energy! A

Waitress - Broadway (Audio)

November 19, 2018 | Unknown’s master Format: m4a

Cast: Nicolette Robinson [Jenna], Tiffany Mann [u/s Becky], Lenne Klingaman [Dawn], Drew Gehling [Dr. Pomatter], Alex Wyse [Ogie], Benny Elledge [Cal], June Squibb [Joe], Ben Thompson [Earl], Tiffany Denise Hobbs [s/w Nurse Norma], London Skye Gilliam [Lulu], Stephanie Torns [Francine Pomatter], Molly Hager [Mother], Dan Tracy [Father] Notes: June’s first as Josie.

Waitress - Broadway

July 2019 | StarCuffedJeans’ master Format: MP4

Cast: Alison Luff (Jenna), Dayna Jarae Dantzler (u/s Becky), Caitlin Houlahan (Dawn), Mark Evans (Dr. Pomatter), Noah Galvin (Ogie), Benny Elledge (Cal), Richard Kline (Joe), Ben Thompson (Earl), Arica Jackson (u/s Nurse Norma), Everleigh Rottuno (Lulu), Stephanie Torns (Francine Pomatter), Molly Hager (Mother), Dan Tracy (Father) Notes: Beautiful HD capture of a lot of new and old cast members, including newcomers Alison, Mark, and Noah, along with Caitlin’s return to the role and Richard’s short temporary residence in the Broadway company. Dayna is absolutely hilarious as Becky. Act One starts shortly after Earl's entrance. Please do not post screenshots of this video on Twitter ever. Gifs on Tumblr are okay after the NFT date, but don’t go linking things to actors and shows.

Waitress - Broadway

November, 2019 | StarCuffedJeans’ master Format: MP4 HD

Cast: Jordin Sparks (Jenna), NaTasha Yvette Williams (Becky), Caitlin Houlahan (Dawn), Drew Gehling (Dr. Pomatter), Christopher Fitzgerald (Ogie), Benny Elledge (Cal), Al Roker (Joe), Ben Thompson (Earl), Dayna Jarae Dantzler (Nurse Norma), Sophia Rodriguez (Lulu), Stephanie Torns (Francine Pomatter), Molly Hager (Mother), Dan Tracy (Father) Notes: Good HD capture of Jordin’s brilliant take on the main role. Act One starts right when “The Negative” begins. Act Two begins just a few lines into the Act. There are a couple of dropouts throughout the show but none lasting more than 10 seconds, with most being significantly shorter than that. Some very slight wandering as the master changed camera angles or focused on someone taking photos of the show with an iPhone. Please do not post screenshots of this video on Twitter ever. Gifs on Tumblr are okay after the NFT date, but don't go linking things to actors and shows. Trader’s notes: Jordin is my favourite Jenna ever so it was amazing to see her take on the role! The capture and audio are both amazing, and I love it a lot <3

Waitress - Broadway (Revival Audio)

17 October 2021 | smokeline’s master Format: mp3, tracked

Cast: Sara Bareilles (Jenna), Drew Gehling (Dr. Pomatter), Anastacia McCleskey (u/s Becky), Ashley Blanchet (Dawn), Ben Thompson (Earl), Christopher Fitzgerald (Ogie), Eric Anderson (Cal), Dakin Matthews (Joe), Gerianne Pérez (u/s Nurse Norma), Nora Lincoln Weiner (Lulu), Molly Jobe (Mother), Matt DeAngelis (Father), Stephanie Torns (Francine), Tyrone Davis, Jr., Henry Gottfried, Curtis Thomas, Nyla Watson Notes: Sara, Chris, and both Lulu's last show! A little overloaded during loud applause or particularly heavy bass, and the person sitting next to me was (understandably!) audible with laughter and appreciation several times. Huge, extended applause during and after She Used To Be Mine, as Sara Bareilles got too emotional to finish the song. Includes the speeches after the curtain call.

Waitress - Broadway (Revival Audio)

11 September 2021 | smokeline’s master Format: mp3, tracked

Cast: Stephanie Torns (u/s Jenna), Erich Bergen (Dr. Pomatter), Maiesha McQueen (Becky), Ashley Blanchet (Dawn), Ben Thompson (Earl), Nik Dodani (Ogie), Eric Anderson (Cal), Dakin Matthews (Joe), Olivia Lucy Phillip (Nurse Norma), Olivia Webber Olesen (Lulu), Molly Jobe (Mother), Matt DeAngelis (Father), Emily Koch (u/s Francine), Tyrone Davis, Jr., Henry Gottfried, Curtis Thomas, Nyla Watson Notes: I was close to a speaker, so the audio is a bit loud in some parts, but overall pretty good. This show had a lot of random bloopers - Stephanie dropped a cherry and a banana, Ashley dropped one of her wooden spoons in front of the diner counter right before the drumline, and Olivia didn't have her stethoscope during the heartbeat scene so they had to mime it. Probably the only blooper you can hear is that Nik fell at the end of Never Getting Rid Of Me; he had to repeat the last line so he could get up and jump into the chair. Then he ad libbed about falling a few times in the following scene. She Used To Be Mine was unreal. She had to stop before the last verse for applause.

Waitress - Broadway (Revival Audio)

November 13, 2021 | juniper47’s master Format: mp3, tracked

Cast: Stephanie Torns* (u/s Jenna), Erich Bergen (t/r Dr. Pomatter), Maiesha McQueen (Becky), Ashley Blanchet (Dawn), Ben Thompson (Earl), Nik Dodani (Ogie), Eric Anderson (Cal), Dakin Matthews (Joe), Olivia Lucy Phillip (Nurse Norma), Olivia Webber Olesen (Lulu), Molly Jobe (Mother), Matt DeAngelis (Father), Emily Koch* (s/w Francine), Tyrone Davis, Jr., Henry Gottfried, Curtis Thomas, Nyla Watson Notes: Beautiful clear stereo audio. A very supportive audience for Stephanie's last scheduled show as Jenna. Lots of well-deserved cheers for her entrance and a huge ovation after SUTBM.

Waitress - Broadway

December 4, 2021 | TheatreCouple14’s master Format: mp4 (with tracked mp3s too)

Cast: Ciara Renée (Jenna), Maiesha McQueen (Becky), Ashley Blanchet (Dawn), Joshua Henry (Dr. Pomatter), Tyrone Davis Jr. (Ogie), Eric Anderson (Joe), Andrew Fitch (Cal), Olivia Lucy Phillip (Nurse Norma) Ava Kacey Thomas (Lulu) Notes: 4x3 Wide-shot phone boot shot from the mid orchestra. Minor head on the left hand side, but doesn't cover anything important. Most of the action is captured. Act 2 is somehow darker than Act 1. Joshua is probably the best Pomatter I've seen. He plays the part so adorably and his voice is like pure butter. Great performances from literally everyone in the entire cast. I forgot how FUNNY this show was.

Includes video and Audio (Tracked by ShesMyDoctor and untracked)

Waitress - Broadway (Audio)

December 18, 2021 | smokeline’s master Format: mp3, tracked and untracked Cast: Ciara Renée (Jenna), Maiesha McQueen (Becky), Ashley Blanchet (Dawn), Joshua Henry (Dr. Pomatter), Tyrone Davis Jr. (Ogie), Benny Elledge (Cal), Dakin Matthews (Joe), Matt DeAngelis (u/s Earl), Olivia Lucy Phillip (Nurse Norma), McKenzie Melia Calderon (Lulu), Stephanie Torns (Francine Pomatter), Cherise Thomas (Mother), Andrew Fitch (u/s Father), Grace Stockdale (Ensemble), Henry Gottfried (Ensemble), Curtis Thomas (Ensemble), Mark Christine (Ensemble) Notes: Some of the audience members around me talked a bit, and there was a medical emergency in the audience right before When He Sees Me (someone yelled for a doctor and there was some chatter afterward - hope they're okay!)

#waitress #waitressbway

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nothingisliteral · 4 years

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Literary Agents Accepting Queries 2020

A note; these agents are according to my research as of June 12, 2020. To find more information on these agents, just look up their name and agency. How to query to these agents differ, so it would be wise to look into them more. Bolded is the categories, genres, and/or tropes that said agent is interested in. This list was put together by me, and it was only the agents who’s name start with A. Even though this is labeled as YA, many of these agents are interested in other genres.

* Adria Goetz (Martin Literary Management), Mill Creek, WA General fiction Suspense/thriller Fantasy/science fiction Juvenile fiction Religious

* Adriann Ranta Zurhellen (Foundry Literary + Media), New York, NY all genres and for all age groups, but has a penchant for edgy, dark, unusual voices, unique settings, and everyman stories told with a new spin. She loves gritty, realistic, true-to-life narratives with conflicts based in the real world; women’s fiction and nonfiction; accessible, pop nonfiction in science, history, and craft; and smart, fresh, genre-bending works for children.

* Adrienne Rosado (Stonesong Literary Agency), New York, NY adult and children’s fiction, as well as select non-fiction in the areas of pop-science, business, memoir, and humor. In both adult and children’s fiction, she is looking for contemporary, mystery, historical, thriller, fantasy, and anything with a wickedly dark sense of humor. She’s especially drawn to multicultural fiction, lgbtq+ works, and stories about people from atypical walks of life. She is not currently looking for poetry or children’s picture books.

* Agnes Carlowicz (Carol Mann Agency), New York, NY both fiction and non-fiction, with a special passion for literature that amplifies underrepresented voices and subverts the status quo. Among others, she enjoys: intersectional feminism, millennial self-care, female-driven memoir, true-crime, and humorous pop culture.

* Aimee Ashcraft (Brower Literary & Management), New York, NY busy seeking out stories that feature all-encompassing worlds and compelling female characters. She loves books that are told from an original point of view and are more addictive than a good Netflix binge

* Albert Longden (Albert T. Longden Agency), Bloomfield, NJ (AAR Member) General fiction, Mystery, Romance, Suspense/thriller, Fantasy/science fiction, Biography, Business/investing/finance, Sports, Paranormal (want writers that are preferably experienced and are willing to listen to productive critiques of their work)

* Albert Zuckerman (Writers House), New York, NY books in all adult categories, fiction and non-fiction. And lately I’ve been enjoying working with some YA and Middle Grade authors. I'm interested in working with a few more novelists, literary and commercial

* Alec Shane (Writers House), New York, NY mystery, thrillers (though he’s experiencing terrorist fatigue at the moment), suspense, horror, historical fiction, literary fiction, and middle grade and young adult fiction. He DOESNT want Romance, straight sci-fi, high fantasy, picture books, self-help, women’s fiction, food, or travel memoir.

* Alex Glass (Glass Literary Management), New York, NY General fiction, Mystery, Suspense/thriller, Juvenile fiction, Biography, History, Mind/body/spirit, Health, Lifestyle, Cookbooks, Sports, Literary fiction, Memoir, Narrative nonfiction, Pop culture

* Alexa Stark (Trident Media Group), New York, NY drawn to literary debuts with a unique voice and perspective, stories about dysfunctional friendships and families, edgy coming-of-age tales, character-driven suspense and thrillers, and fiction that delves into the surreal

* Alexandra Levick (Writers House), New York, NY Picture book author-illustrators, a wide range of middle grade and YA, and more speculative-leaning or genre-bent upmarket adult works. I’m committed to working with writers from diverse backgrounds and am looking to put forth a list of outstanding creators who will be able to provide windows, mirrors, and sliding glass doors (thank you, Dr. Rudine Sims Bishop) into all kinds of experiences. I’m particularly looking for own-voices stories about historically underrepresented characters, identities, and cultures.

* Alexandra Machinist (International Creative Management), New York, NY Commercial fiction Literary fiction Upmarket women's fiction Historical fiction Suspense Fantasy Young adult Middle grade

* Alexandra Penfold (Upstart Crow Literary), New York, NY specializes in young picture books, middle-grade fiction, and young adult

* Alexandra Weiss (Jennifer DeChiara Literary Agency), New York, NY contemporary, magical realism, and light SFF. I’d also like to see more rom-coms that make my heart feel warm. dedicated to representing marginalized creators and diverse books, including #ownvoices. I’m actively seeking LGBTQIA+, POC, gender fluid, neurodiverse, and disabled voices for all age ranges and across all genres.

* Alexis Hurley (InkWell Management), New York, NY domestic works in the areas of literary and commercial fiction, memoir, narrative non-fiction and more

* Ali Herring (Spencerhill Associates), Lakewood Ranch, FL I’m open to all YA: Contemporary, fantasy, sci-fi, speculative, horror, romance, issue books (though I have a few already on my list so not my top choice), etc. All the contemporary fantasy right now. Contemporary with a speculative element YA suspense/thrillers All the horror right now, or horror-bordering Anything with an edge Fun teen romance like To All the Boys I’ve Loved Before Vibrant Teen rom-coms Dystopian or failing Utopia/Utopian worlds (fresh government or control system in place or none at all) Near-future dystopian where the world is not cleaned up and pretty. I want a sense of the horror but without tons of gore. Bold unexplored settings

* Alice Martell (The Martell Agency), New York, NY Open to all/most Genres Excluding: Fantasy, Science Fiction.

* Alice Speilburg (Speilburg Literary Agency), Louisville, KY In YA Fiction, I'm looking for diverse retellings of classic stories, stories rooted in mythology, contemporary fantasy with magical/supernatural worlds alongside our own (but not necessarily "urban," rural & suburban magical systems could be nice). Across the board, I'm looking for an inclusive cast of characters, across gender, sexual orientation, race, religion, and mental health spectrums.

* Alice Tasman (Jean Naggar Literary Agency), New York, NY Alice's fiction tastes, for young adult and adult books, ranging from commercial, literary fiction and history to thrillers and suspense, and women's fiction.

* Alicia Brooks (Jean Naggar Literary Agency), New York, NY she is looking for Memoir, Narrative Nonfiction, Self-Help, Pop Culture, Literary Fiction, Commercial Fiction, YA Fiction, Mystery/Crime, and Historical Fiction

* Alison Picard (Alison J. Picard Agency), Cotuit, MA Adult fiction and non-fiction, children's and young adult NO: short stories, poetry, plays, screenplays or sci-fi/fantasy.

* Allison Hunter (Janklow & Nesbit Associates), New York, NY literary and commercial fiction, especially women's fiction, as well as memoir, narrative nonfiction, cultural studies and pop culture. She is always looking for funny female writers, great love stories, campus novels, family epics, smart beach reads and for non-fiction projects that speak to the current cultural climate

* Alyssa Jennette (Stonesong Literary Agency), New York, NY children’s and adult fiction and picture books, graphic novels, and select pop culture nonfiction. She values diversity and inclusion; in fiction she enjoys ensemble casts with distinct voices, stories about poor characters and communities, and formats that are specific to a story and give it its own context. Alyssa is particularly interested in art/art history/art conservation, archaeology, mythology, language/translation, and criminal justice reform

* Alyssa Reuben (Paradigm Literary and Talent Agency), New York, NY adult, young adult, and the occasional middle grade fiction as well as smart, platform driven, nonfiction ranging from pop-culture, lifestyle, cookbooks, and narrative to memoir. She gravitates toward voice-driven non-fiction presenting a fresh point of view and particularly loves novels with an edge or a great romance arc.

* Amanda Leuck (Spencerhill Associates), Lakewood Ranch, FL contemporary and speculative fiction that explore social issues, YA fantasy based in mythology across cultures, historical novels that spark my need to know more, characters with disability, chronic illness or mental illness - that doesn't necessarily drive the plot, #ownvoices, women and girls in STEM, romantic plots and subplots that surprise me, LGBTQIA+ characters, the intersection of science and religion, or magic and convention, where what is real is not clear, animal and ecological themes

* Amanda Rutter (Red Sofa Literary), St. Paul, MN Open to a broad Audience, including: Adults, Middle grades, Young adults. Fantasy. Science fiction.

* Amelia Appel (Triada U.S. Literary Agency), Sewickley, PA For YA, she is particularly interested in stories with a savvy protagonist and a slightly dark tone that deal with serious coming-of-age issues well.

* Amy Elizabeth Bishop (Dystel, Goderich & Bourret, LLC), New York, NY Fiction-wise, I'm interested in both upmarket and literary women’s fiction, mysteries, and fiction from diverse and underrepresented authors. I'd love more literary fiction from women of color. I'm choosy about my historical fiction, preferring it voice-driven and female-centric, focusing on the stories of those that history has largely chosen to not tell. [[A bit tuckered out from American Revolution, Civil War, WWII, and Vietnam War, so I'm not really looking in that space.]] I'm always interested in stories that are not set in Western Europe or the East/West Coast. I'd love to see more speculative fiction/light horror, though I'm not as interested in science fiction or fantasy in the adult space at this time. I'm also looking for a literary thriller/literary suspense a la THE TWELVE LIVES OF SAMUEL HAWLEY or BARBED WIRE HEART. In YA: would love a smart contemporary rom-com that isn't just boy meets girl in high school (or if it is, it has to be a seriously new story), a fascinating, creepy retelling in the vein of Carmen Maria Machado, and light horror. I'd love to find a multi-generational story and am particularly interested in the intricacies of family (and sister!!) relationships. I'm a sucker for stories that take place in closed environments (like boarding schools) and though I appreciate romantic elements, I'm also eager to see narratives where a happy ending for women isn't necessarily a relationship. #ownvoices, always, please. Anything with some serious creep to it!

* Amy Brewer (Metamorphosis Literary Agency), Kansas City, MO She’s seeking: Romances of all kinds; if your plot revolves around love or angst or both, send it to her. She is also looking for general fiction, LGBTQ+, women’s fiction, book club reads, and quirky humor.

* Amy Jameson (A+B Works), New York, NY loves children’s literature, and is actively seeking Middle Grade and Young Adult projects.

* Amy Rennert (The Amy Rennert Agency), Tiburon, CA General fiction Mystery Biography Business/investing/finance History Mind/body/spirit Health Lifestyle Sports Literary fiction Narrative non-fiction especially memoir and reportage

* Amy Stapp (Wolfson Literary Agency), New York, NY Mystery/suspense Contemporary romance Contemporary coming-of-age Historical fiction Southern Gothic

* Amy Stern (Sheldon Fogelman Agency), New York, NY Summer camps, boarding schools, reality television, kids who are in some way extraordinary, puzzles, puns. I really love stories that involve close family relationships that both enhance and complicate the protagonists' lives. I want to see more mental illness stories that aren't just about diagnosis and LGBTQIA+ stories that aren't just about coming out.

* Andrea Barzvi (Empire Literary), New York, NY General fiction Romance Suspense/thriller Juvenile fiction Biography Business/investing/finance Mind/body/spirit

* Andrea Somberg (Harvey Klinger), New York, NY Upmarket fiction (i.e., bookclub fiction) that has a twist or sheds light on an intriguing issue Novels that explore cultural heritage YA or Adult novels that are based on a true story from the 20th century YA contemporary love stories/romantic comedies Epic fantasy, especially ones set in a non-Western culture, military sf or space opera Magical realism for the adult, YA or MG market. YA and MG novels that feature diverse protagonists YA psychological thrillers MG mystery novels MG novels that are funny and are illustrated MG or YA novels that'll make me cry Nonfiction for MG or YA audiences Any novel with great characters and a compelling storyline Unique nonfiction

* Andy Ross (Andy Ross Literary Agency), Oakland, CA (AAR Member) narrative non-fiction, history, politics and current events, science, journalism, cultural subjects. We also work with literary and young adult fiction

* Angela Rinaldi (The Angela Rinaldi Literary Agency), Los Angeles, CA (AAR Member) I am actively looking for fiction commercial, literary, mainstream women’s fiction, multicultural, suspense, book club fiction – novels where the story lends itself to discussion.

* Anjali Singh (Ayesha Pande Literary), New York, NY Her interests are wide-ranging and include literary as well as popular fiction, young adult, women’s, African-American and international fiction. She is also seeking authors of nonfiction, including biography, history, popular culture, cultural commentary, and memoir. She is particularly drawn to distinctive, original voices.

* Ann Behar (Scovil Galen Ghosh Literary Agency), New York, NY searching for wonderful children's books, from picture books to YA, ever since. I am looking for anything that is beautifully written, with a strong, distinct voice and characters that come alive on the page. Ideally, a book should grab my attention from the very beginning and hold it there, and leave me thinking about it for a few days after I am finished.

* Ann Rose (Prospect Agency), Upper Montclair, NJ YA of all genres: But especially stories that have heart and humor. I want you to transport me to new worlds--even if those "worlds" are in the middle of Iowa. But especially if its fantasy, I really want you to take me there and show me something I haven't seen before. I'd love some fantasy that's based on something other than western cultures. I'm always looking for strong character who are willing to stand up for their convictions--whether it be with their brains or their brawn. Give me fabulous friendship stories (and some no so fabulous ones). LGBTQIA+ stories!!! I'd still really love a story where two girls are running against each other for class president and then they fall in love. In both YA and MG I don't shy away from stories that deal with issues kids are dealing with today. I will say, if you are going to discuss topics like suicide make sure you've done your homework--proper language matters. I'd love to see more YA thriller--not necessarily gore but a story that keeps me on the edge of my seat, guessing until the very end. I'm still looking for my YA version of CLUE (and if it has three different endings, even better.) Which means mystery is a go for me, too. I'd love some YA that deals with toxic masculinity. A funny how to survive high school book with tips and tricks how to make the most out of your four years would be good. Show me characters who are beautifully flawed doing the wrong things for all the right reasons. Give me body positive MC's. Unique sports books--crossfit, ultimate Frisbee, rock climbing, mountain biking, roller derby, and even speed walkers. Oh, and twins - good twins, evil twins, twins that get along, twins that don't, rom-coms where twins switch places and hijinks happen... anything goes. Historicals that tackle things other than WW2--bonus points if there are badass women in in history.

* Anne Bohner (Pen and Ink Literary), New York, NY commercial women's fiction, romance, YA and popular nonfiction.

* Anne Hawkins (John Hawkins & Associates), New York, NY (AAR Member) Fiction of all sorts, non-fiction (contemporary journalism, history, biography, etc.), juveniles (although primarily young adult and middle grades, since we don´t specialize in illustrators, but having said that I should add that we represent several of the best), science-fiction and fantasy.

* Anne Tibbets (Red Sofa Literary), St. Paul, MN Right now, she's acquiring YA and Adult: Thrillers, Mysteries, Horror, Romance, Science Fiction, Fantasy, and Historicals.

* Annelise Robey (Jane Rotrosen Agency), New York, NY women’s fiction, romance, historical fiction, YA, fantasy, mystery, and suspense, and is always looking for exciting new voices in fiction

* Arielle Datz (Dunow, Carlson & Lerner Literary Agency), New York, NY (AAR Member) She is looking for literary and commercial fiction (mostly adult, some YA), featuring unusual stories and voices.

* Ashley Lopez (Waxman Literary Agency), New York, NY Ashley is looking for literary and young adult fiction, narrative nonfiction, memoir, and cultural criticism. Most importantly she seeks authors with a strong point of view and an eye for language.

This is the end of my fist alphabetical list of agents accepting queries in 2020. I hope this list was helpful to you, and wish you good luck in your querying!

#writeblr #writblr #writing advice #writing tips #query #queries #querying #writing resources #publishing #isabellaspeaks

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tabloidtoc · 6 years

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Closer, March 4

Cover: Pat Sajak and Vanna White of Wheel of Fortune -- Our Secret Untold Story

Page 1: Contents, What I’ve Learned -- Drew Barrymore, Joke of the Week -- Dorothy Parker

Page 2: Generation Wow -- Satin dresses -- Rebecca Gayheart, Miriam Shor, Glenn Close, Leslie Mann

Page 3: Regina King, Jennifer Lopez, Jennifer Garner, Candace Cameron Bure

Page 4: Teddi Mellencamp Arroyave dishes on dad John Mellencamp’s marriage to Meg Ryan

Page 5: Faith Hill and Tim McGraw mourn the passing of her father, work and family keep Blythe Danner young

Page 6: Michael Douglas reveals the upside of aging

Page 7: Hellos & Goodbyes

Page 8: Picture Perfect -- Dolly Parton and Miley Cyrus

Page 9: Jane Seymour, Maria Menounos and her dog, Bill Murray

Page 10: John and Caitlin Stamos and son Billy, Hoda Kotb and Dr. Oz, Danica McKellar

Page 12: Kate Middleton, Giada De Laurentiis, Jessica Alba

Page 14: Big Bird and Jimmy Fallon, Busy Philipps and Katelyn Ohashi, Jennifer Lopez and Smokey Robinson

Page 16: Diana Ross -- still supreme at 75

Page 18: Cover Story -- Pat Sajak and Vanna White -- their chemistry may seem easy, but the co-hosts of Wheel of Fortune have endured personal misfortune and become the best of friends

Page 22: Inside Marilyn Monroe and Joe DiMaggio’s honeymoon album

Page 24: Melissa Rivers honoring her father and helping other families from losing loved ones to suicide

Page 27: Spot the Difference -- Chris Pratt and Tiffany Haddish

Page 29: Horoscopes -- Pisces Ron Howard

Page 30: Entertainment -- The Oscars, John Legend on joining The Voice, In the Spotlight -- Chris Noth

Page 32: Movies -- Cate Blanchett on How To Train Your Dragon: The Hidden World

Page 34: Television

Page 36: Great Escape -- Alison Sweeney on Queenstown, New Zealand

Page 38: Good Food -- please try a vegan diet

Page 40: 5 tips to avoid a cold

Page 42: Readers Ask -- Oscars, Mickey Mantle on Remington Steele, Whatever happened to the cast of Coach -- Clare Carey, Bill Fagerbakke, Craig T. Nelson, Shelley Fabares, Jerry Can Dyke

Page 43: Best Day of My Life -- Lisa Edelstein

Page 44: Who Am I? Dustin Hoffman, Sharon Stone, Tom Hanks’ hobby is collecting typewriters, It Happened This Week

Page 45: Closer to the Heart

Page 46: Taylor Dayne tells it from the heart

Page 50: Love Notes -- Anna Paquin and Stephen Moyer happily mix business with pleasure

Page 52: In Memoriam -- Albert Finney

Page 54: Susan Lucci opens up about her scary near-death experience

Page 56: The truth about Mike Wallace

Page 58: On the Move -- Bruce Willis

Page 60: The Big Picture -- Marilyn Monroe and Jane Russell in 1953

Page 62: Style -- Pencil Skirts -- Jillian Michaels

Page 63: Courteney Cox

Page 64: The Style of Gwyneth Paltrow

Page 66: Beauty -- Red Nail Polish -- Dolly Parton

Page 67: Lisa Vanderpump, Amal Clooney

Page 68: Best Friends -- Bo Derek, Suzanne Somers and her rescue cat Hank, Eartha Kitt and her dogs in 1959

Page 70: My Life in 10 Pictures -- Kelsey Grammer

Page 72: Flashback -- Dragon dresses on Anna May Wong in 1934 and Lana Condor now, celebrity shutterbugs Gina Lollobrigida in 1978 and Brie Larson now, Pretty Woman in 1990 and now, yellow slickers on Stefani Powers in 1991 and Coco Rocha now

#tabloid #pat sajak #vanna white #wheel of fortune #drew barrymore #dorothy parker #dolly parton #miley cyrus

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tvsotherworlds · 3 years

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architectnews · 4 years

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John Knox House Edinburgh Architects

Literature House for Scotland Edinburgh, John Knox House Building, Architects, Scottish Architecture News

Literature House for Scotland in Edinburgh

18 Dec 2020

Edinburgh Literature House Winning Architects

Winning Architects Team:

Witherford Watson Mann Groves-Raines Architects Studios Studio MB

Location: Edinburgh, Scotland

City Of Literature Trust Selects Architect-led Design Team To Create Edinburgh Literature House

Friday 18th December 2020 – Edinburgh UNESCO City of Literature Trust has selected Stirling Prize winning architectural firm Witherford Watson Mann to lead the next phase of development at the Literature House in Edinburgh. They will be working in partnership with Groves-Raines Architects Studios, who have an outstanding record in conservation, restoration and reuse of historic buildings in Scotland, and with Edinburgh-based Studio MB, a multi-award winning interpretive design agency who work internationally.

Photo taken on 26 Sep 2020, looking down the Royal Mile on its North side: photo © Daniel Lomholt-Welch

The team will join forces to create a Literature House for Scotland at John Knox House and the Scottish Storytelling Centre in Edinburgh. It will create a home for Edinburgh’s literary story, be a catalyst to develop the wider area and through their programming, offer an inclusive year-round welcome to everyone in the city.

The team will start work on the project in January with the intention of completing the feasibility study by the end of March 2021, and this will be followed by a phase of wider community consultation. This comes following a competitive public procurement process led by RIAS Consultancy.

Ruth Plowden, Chair of Edinburgh UNESCO City of Literature Trust, said: “In a strong field, this team was the unanimous choice of our panel both because of the excellence of their individual expertise and their shared vision for our ambitious project. With them on board we can take our first confident steps towards creating a Literature House for Scotland in the world’s first UNESCO City of Literature.”

Photo taken on 26 Sep 2020, looking across the Royal Mile to the historic building: photo © Daniel Lomholt-Welch

William Mann, Director, Witherford Watson Mann, said: “We are really looking forward to working with the City of Literature Trust on the Literature House project. We have put together what we feel is a very strong team, collaborating with Edinburgh-based creative and specialist practices. We share a lot of values with Groves-Raines Architects: we both have an affinity for historic fabric, we focus on progressive and sustainable design solutions, and we are committed to the regeneration of local communities. Studio MB are inventive and communicative storytellers who have made really vivid installations across the world. Together we hope to plant the first, robust seed of the Literary Quarter; to shape a building experience that invites and inspires, that hosts the warmth and heat of discussion, and that engages the imagination of visitors.”

Cllr Amy McNeese-Mechan, Culture and Communities Vice Convener, said: “We welcome the appointment of Witherford Watson Mann to lead the next step in this ambitious project to create a Literature House for Scotland – a place to discover Edinburgh’s literary heritage and contemporary creativity, and learn more about our capital’s incredible storytellers, and writers. I look forward to seeing the project begin and the benefits it will bring for literature and a literary quarter in the city.”

Dr Donald Smith Chief Executive of TRACS said: “As the lead programme partner at the Scottish Storytelling Centre, TRACS is delighted to support the Literature House vision for John Knox House. It will bring new profile to the area as a showcase for Scotland’s culture, and as a hub for creatives and learners alike, locally, nationally and internationally.”

The Edinburgh UNESCO City of Literature Trust gratefully acknowledges the support of the City of Edinburgh Council, the Architectural Heritage Fund and Edinburgh World Heritage.

Literature House for Scotland

Background

The Tender Process

RIAS Consultancy (The Royal Incorporation of Architects in Scotland) facilitated the tender process for The Trust. Members of Edinburgh UNESCO City of Literature Trust’s staff and Board as well as Ásta Ásbjörnsdóttir, General Manager, John Knox House and Scottish Storytelling Centre formed the panel, and were delighted by the calibre of the applicants.

They were hugely impressed with the range, detail and beauty of the architects’ work but were unanimous in their decision that Witherford Watson Mann best met with the strategic brief of the project and demonstrated the most thorough understanding of the Trust’s vision for the future. Witherford Watson Mann were one of the outstanding practices, out of 18 who submitted examples of their work, invited to present to the panel alongside Carmody Groarke Architects, Page and Park, Benjamin Tindall Associates and Collective Architecture.

Witherford Watson Mann Architects – https://ift.tt/18jkObo

A London-based practice established over twenty years ago, Witherford Watson Mann Architects design to make the most of what is already there. They distil the complexities of contemporary collectives, of urban sites and public processes into durable, economical solutions that remain open to future change. In 2013 they won the RIBA Stirling Prize for their work at Astley Castle and in 2019 won the People’s Vote for the Prize for their work at Nevill Holt Opera. The prize recognises those who have made the greatest contribution to the evolution of architecture in the past year. They are currently designing for higher education, for small businesses, and for older people.

image from architects

Witherford Watson Mann

Groves-Raines Architects Studios https://ift.tt/3mCp7ra

Based in Edinburgh, Groves-Raines Architects Studios are dedicated to the conservation and sustainable re-use of historic buildings. Established in 1972, the practice has been at the forefront of conservation in Scotland and Ireland for over 40 years, with a broad portfolio of exceptional, award-winning projects including Lamb’s House, Sumburgh Head Lighthouse and Kyle House. The team’s specialist skills in conservation planning and affinity for historic fabric ensure that their interventions are based on a deep understanding that allows the seamless integration of the old and the new.

Studio MB – https://ift.tt/3avbWpc

Founded in Edinburgh in 2004, Studio MB is a multi-award winning exhibition and interpretative design agency. They design and deliver immersive visitor experiences and stand out exhibitions for museums, heritage attractions and leading global brands the length of the UK, as well as internationally in the Middle East and India.

John Knox House Edinburgh Development, Scotland images / information from received 250920

Previously on e-architect:

25 Sep 2020

John Knox House Edinburgh Cultural Development

Location: Edinburgh, Scotland

Tenders Invited For Cultural Development

of 15th Century John Knox House In Edinburgh

Friday 25th September 2020 – The Edinburgh UNESCO City of Literature Trust is calling today for architects and designers to bring their expertise and creativity and enter a competitive Tender process to work with the Trust to create a Literature House for Scotland at John Knox House in Edinburgh. The development at John Knox House would be part of a wider ambition to enhance the Literary Quarter around the Netherbow area of the Royal Mile and invest in and develop the Scottish Storytelling Centre.

Alison Bowden, Director of the Edinburgh UNESCO City of Literature Trust, said:

“We’re excited and pleased to be entering this next stage in our long-term cultural development plan for John Knox House and the Scottish Storytelling Centre. We’re looking for a really excellent and inspiring design team to work with, and people who understand how special the location is and how important these buildings are to Edinburgh.

Once the team is appointed, our priority will be to complete some feasibility work so that in 2021 we will be able to present detailed ideas for the future of John Knox House and the Scottish Storytelling Centre. Working together with the Church of Scotland (who own both buildings), the City of Edinburgh Council, Traditional Arts and Culture Scotland, and the local community, our hope is that we will transform the way Scotland understands its literary story by reinvigorating this magnificent and historic building, and giving it new purpose as Scotland’s first Literature House.”

The Church of Scotland’s Chief Officer, Dave Kendall, welcomed the next stage of the Literature House project and said:

“The proposal to create a Literature House for Scotland at John Knox House has great potential and we welcome the energy and vision which has brought the project to this stage. The production of a high quality feasibility study is a critical step in ensuring that the project is set up for success and I am really looking forward to the next steps in the journey as the project moves forwards starting with the all-important preparatory phase.”

Dr Donald Smith Chief Executive of TRACS said:

“As the lead programme partner at the Scottish Storytelling Centre, TRACS is delighted to support the Literature House vision for John Knox House. It will bring new profile to the area as a showcase for Scotland’s culture, and as a hub for creatives and learners alike, locally, nationally and internationally.”

Cllr Donald Wilson, City of Edinburgh Council Culture and Communities Convener, said:

“We welcome this next step in this ambitious project to further develop this place to discover Edinburgh’s literary heritage and contemporary creativity, and learn more about our incredible storytellers, and writers.”

Cllr Amy McNeese-Mechan, City of Edinburgh Council Culture and Communities Vice-Convener, added:

“In addition to the benefits for literature and a literary quarter in the city, looking to the future role of the historic John Knox House is a positive statement of cultural ambition and intent in these challenging times.”

Ruth Plowden, Chair of Edinburgh UNESCO City of Literature Trust, said:

“The creation of Scotland’s first Literature House is a bold and fitting development for the world’s first UNESCO City of Literature. Our hope is that this new space will provide a home for our literary story, be a catalyst to develop the wider area, and offer a year-round welcome to everyone in the city.”

The Edinburgh UNESCO City of Literature Trust is working with RIAS Consultancy to tender for a design team through public procurement. The notice for the Tender can be found at www.cityofliterature.com

The Edinburgh UNESCO City of Literature Trust gratefully acknowledges the support of the City of Edinburgh Council, the Architectural Heritage Fund and Edinburgh World Heritage.

City of Literature Trust

The Edinburgh UNESCO City of Literature Trust is the development agency for Edinburgh as a UNESCO City of Literature. It works to bring literature to the streets of Edinburgh, involving people in the city’s literary life, bringing organisations to work together collaboratively for greater impact, and sharing Edinburgh’s literary story with the world. @EdinCityofLit / [email protected]

UNESCO City of Literature Designation

In 2004 Edinburgh was designated the world’s first UNESCO City of Literature, a permanent title celebrating Edinburgh’s status as a literary capital and pioneer in the UNESCO creative cities network, which now has 246 member cities in seven creative artforms. The concept of a City of Literature was devised in Edinburgh by the Trust’s founding members and there are now 39 UNESCO Cities of Literature in the world.

Literature House

We see the Literature House as being the home of Edinburgh’s literary story, providing a year-round welcome with information, ideas and inspiration to help individuals connect with Edinburgh as a literary city, and Scotland as a literary nation. This is the place to discover Scotland’s literary heritage and contemporary creativity, and learn more about our incredible books, storytellers, and writers.

Thanks to Funders, Donors and Partners

The Edinburgh UNESCO City of Literature Trust gratefully acknowledges the support of the City of Edinburgh Council, and thanks the donors and partners who make our work possible. The Literature House project is led by Edinburgh UNESCO City of Literature Trust in partnership with the Scottish Storytelling Centre and TRACS. It is supported by the City of Edinburgh Council, the Church of Scotland, University of Edinburgh, Edinburgh Napier University, The Saltire Society, Scottish Book Trust and The List.

John Knox House Edinburgh Development, Scotland images / information from received 250920

Related links:

Scottish Storytelling Centre in Edinburgh – on a e-architect sister website

John Knox House Edinburgh – on a e-architect sister website

Location: John Knox House, Old Town, Edinburgh, Scotland, UK

Edinburgh Buildings

Edinburgh Architectural Projects + Key New Property Designs, alphabetical:

Edinburgh Architecture Designs – chronological list

Edinburgh Printmakers Architects: Page \ Park photograph : Jim Stephenson Printmakers in Edinburgh, Scotland

Futures Institute for the University of Edinburgh Design: Bennetts Associates Edinburgh Futures Institute Building

St Martin of Tours, Dalry

Calton Hill Hotel

Innovation Centre and Campus Hub at Edinburgh University

Scottish Buildings

Contemporary Architecture in Scotland

Scottish Architecture Designs – chronological list

Scottish Buildings News

V&A at Dundee Design: Kengo Kuma V&A Dundee

New Macallan Distillery, Speyside, North East Scotland Design: Rogers Stirk Harbour + Partners photo © Speirs + Major New Macallan Distillery Building

Spyon Cop, Cairngorms National Park, North East Scotland Architects: Brown + Brown image : Touch 3D Contemporary Property in Cairngorms National Park

Edinburgh Library Architects: Bennetts Associates Edinburgh Library Building

Scottish Architecture

Best Building in Scotland Award

Comments / photos for the John Knox House Edinburgh Development, Scotland page welcome

Website : Scotland

The post John Knox House Edinburgh Architects appeared first on e-architect.

#e-architect

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sneakydragon · 5 years

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Sneaky Dragon Listening Party - Ep. 30

Hello, Party-goers! Time to pull out the garland, deck the halls, and put some jingle bells on your sleigh because we are going o’er some hills and laughing all the way with our guest David M.

Yes, David returns with a fresh batch of Christmas tunes to help Mary and Dave find their true Christmas Spirit!

So, with that preamble out of the way, here is this episode’s fine selection of songs:

Kate Rusby – Big Brave Bill Saves Christmas – Angels and Men, 2017

The Killers (feat. Dawes) – “Christmas in L.A.” – single, 2013

Tracey Thorn – “Joy” – Tinsel and Lights, 2012

John Legend with Stephen Colbert – “Nutmeg” – A Colbert Christmas: The Greatest Gift of All!, 2008

Sparks – “Christmas Without a Prayer” – single, 2015

Sting – “Bethlehem Down” – If on a Winter’s Night…, 2009

Argent – “Christmas for Free” – single, 1973

Dwight Twilley – Christmas Night – Have a Twilley Christmas, 2005

The Christmas Jug Band – “Santa Lost a Ho” – Uncorked, 2002

Aimee Mann and Michael Penn – “Christmas Time” – from the soundtrack to Hard Eight, 1996

John Prine – “Silent Night All Day Long” – A John Prine Christmas, 1994

Sam Ulano – “Santa and the Doodle-I-Boop” – single, 1955

Natalie McMaster and Alison Kraus – “Get Me Through December” – In My Hands, 1999

Eels – “Christmas Is Going to the Dogs” – Dr. Suess’ How the Grinch Stole Christmas: Original Motion Picture Soundtrack, 2000

Mel Blanc – “I Tan’t Wait Till Quithmuth Day” – single, 1953

No Fun – “Elf Toymaker” – The Five Wenceslases, 2015

The Cast of Futurama – The Elf Song (The Elves Have Rescued Christmas) – “A Tale of Two Santas”, 2001

Robin Gibb – “Noel” – My Favourite Christmas Carols, 2006

Thanks for listening. Have a Merry Christmas and a Happy New Year!

Sneaky Dragon Listening Party – Ep. 30 was originally published on Sneaky Dragon

0 notes

artofthemovies · 5 years

Photo

A beautiful woman… In a psychiatric hospital with a mad scientist… That’s trouble. And it comes in the form of Boris Petroff's 1957 horror thriller "The Unearthly", based on an original story by Jane Mann. At his psychiatric hospital 'Dr. Charles Conway' (played by John Carradine) is secretly experimenting on patients, using artificial glands to try and create immortality! Can beautiful new patient Grace Thomas (played by Alison Hayes) be saved before the horrific experimental surgery...?!? A real piece of retro 1950s horror. What a poster! #artofthemovies #horror #bmovies #1950s #theunearthly #originalmovieposter #filmposter #filmposters #vintagemovieposters #movieposter #vintageposters #hollywood #cinema #collectibles #vintage #poster #posters #film #art #films #interiordesign #homedecor #retro https://www.instagram.com/p/Bvyz6WhhGkB/?utm_source=ig_tumblr_share&igshid=xdy23iv8few0

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ariafsar2 · 7 years

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Trading

Hi guys just got some new audios and videos. Email me [email protected] if you’re interested in trading!

Here’s my full site.

Audios

Amélie - 05/05/2017 - Broadway - whenyourhome's master- Philipa Soo (Amélie), Adam Chandler-Berat (Nino), Savvy Crawford (Young Amélie), Tony Sheldon (Dufayal/Collignon), Alison Cimmet (Amandine/Philomene), Manoel Feliciano (Raphael/Bretodeaux), Maria-Christina Oliveras (Suzanne), Randy Blair (Hipoloto), Alyse Ann Louis (Georgette), Harriet D. Foy (Gina), David Andino (Blind Beggar/Garden Gnome), Paul Whitty (Joseph), Heath Calvert (Lucien). Notes: Crystal clear audio taken from the balcony on an iPhone 6s with an Apple headphone mic. Recorded the day after the closing notice for the show went out. [Limited Trades]

Anastasia - 03/23/2017 - Broadway - Christy Altomare (Anya), Derek Klena (Dmitry), John Bolton (Vlad Popov), Ramin Karimloo (Gleb), Caroline O'Connor (Lily), Mary Beth Peil (Dowager Empress Maria Feodorovna) Notes: First Broadway Preview, Christy drops the music box in Once Upon a December

Anastasia - 03/30/2017 - Broadway - Christy Altomare (Anya), Derek Klena (Dmitry), John Bolton (Vlad Popov), Ramin Karimloo (Gleb), Caroline O'Connor (Lily), Mary Beth Peil (Dowager Empress Maria Feodorovna)

Anastasia - 04/13/2017 - Broadway - Christy Altomare (Anya), Derek Klena (Dmitry), Mary Beth Peil (Dowager Empress Maria Feodorovna), Ramin Karimloo (Gleb), John Bolton (Vlad Popov), Caroline O'Connor (Lily) Notes: There are technical difficulties in the middle of act one when the train couldn't leave the stage. The show was stopped for a few minutes, and they started the show from the beginning of the previous scene, Ramin Karimloo breaks character once he sings the lyric "a temporary set back..." once he realizes how applicable it is to the situation. Act 2 starts starts right after the lyrics “and soon all Paris will be singing to you” at the beginning of “Paris Holds the Key (To Your Heart)”. This show also has the new version of “Paris Holds the Key (To Your Heart)” as well as the lyric changes to “Crossing A Bridge”.

Finding Neverland - 02/21/2017 - Tour - Pantages Theatre, Los Angeles - Billy Harrigan Tighe (J.M. Barrie), Christine Dwyer (Sylvia Llewelyn Davies), Tom Hewitt (Charles Frohman), Karen Murphy (Mrs. Du Maurier), Crystal Kellogg (Mary Barrie), Ben Krieger (Peter Llewelyn Davies), Finn Faulconer (George Llewelyn Davies), Mitchell Wray (Jack Llewelyn Davies), Jordan Cole (Michael Llewelyn Davies), Dwelvan David (Mr. Henshaw), Matt Wolpe (Mr. Cromer), Lael Van Keuren (Miss Jones), Victoria Huston-Elem (Miss Bassett), Corey Rives (Albert), Noah Plomgren (Lord Cannan), Thomas Miller (Elliott), Dee Tomasetta (Peter Pan). (First Preview)

Wicked - 11/29/2014 - Tour - Emmy Raver-Lampman (s/b Elphaba), Chandra Lee Schwartz (Glinda), Kyle Brown (u/s Fiyero), Etai Benshlomo (Boq), Jenny Florkowski (Nessarose), Kim Zimmer (Madame Morrible), Tim Kazurinsky (The Wizard), Tom Flynn (Dr. Dillamond), Kevin McMahon (Witch’s Father), Marina Lazzaretto (Witch’s Mother), Tess Ferrell (swing Midwife), Raymond Joel Matsamura (Chistery), Dina Bennett, Lauren Boyd, Nirine S. Brown, Rick Desloge, Timothy A. Fitz-Gerald, Sheila Karls, Trevor Ryan Krahl, Jonathan McGill, Kevin McMahon, Shanon Mari Mills, Cassie Okenka, Adam Perry, Daniel Switzer, Stephanie Torns.

Hamilton Chicago - 04/20/2017 - Miguel Cervantes (Alexander Hamilton), Samantha Marie Ware (u/s Eliza Hamilton), Daniel Breaker (Aaron Burr), Karen Olivo (Angelica Schuyler), Jonathan Kirkland (George Washington), Chris De'Sean Lee (Marquis de Lafayette/Thomas Jefferson), Wallace Smith (Hercules Mulligan/James Madison), Jose Ramos (John Laurens/Philip Hamilton), Aubin Wise (u/s Peggy Schuyler/Maria Reynolds), Alexander Gemignani (King George III), Yossi Chaikin (u/s Philip Schuyler/James Reynolds/Doctor), Jose Amor (Samuel Seabury), Robert Walters (Charles Lee), Malik Shabazz Kitchen (u/s George Eacker) notes: Samantha's first performance as Eliza. First known audio of Daniel Breaker. Another audio of the above show, .flac format (playable with .vlc player). Includes Playbill scans, encore photos and more. Small line flub during 'Wait For It' - at the beginning of the song, instead of singing 'we laugh and we cry and we break...', Daniel sings 'we rise and we cry....' [Limited Trades]

Hamilton Broadway - 04/25/2017 - Jevon McFerrin (s/b Alexander Hamilton), Lexi Lawson (Eliza Hamilton), Nik Walker (u/s Aaron Burr), Syndee Winters (s/b Angelica Schuyler) ,Bryan Terrell Clark (George Washington), James Monroe Iglehart (Marquis de Lafayette/Thomas Jefferson), J. Quinton Johnson (Hercules Mulligan/James Madison), Anthony Lee Medina (John Laurens/Philip Hamilton), Alysha Deslorieux (Peggy Schuyler/Maria Reynolds), Brian D'Arcy James (King George) [Limited Trades]

Videos

Phantom of The Opera - 08/12/2015 - Tour - Chris Mann, Katie Travis, Storm Lineberger, Jacquelynne Fontaine, Edward Staudenmayer, David Benoit, Anne Kanengeiser, Frank Viveros, Morgan Cowling, Mark Emerson, Eric Ruiz, Edward Juvier, Dan Debenport, David Foley Jr, Allan Snyder, Christy Morton. VOB

Sunday In The Park With George - 10/26/2016 - Encores! - Jake Gyllenhaal, Annaleigh Ashford, Brooks Ashmanskas, Phillip Boykin, Carmen Cusack, Gabriel Ebert, Claybourne Elder, Jordan Gelber, Lisa Howard, Zachary Levi, Liz McCartney, Ruthie Ann Miles, Solea Pfeiffer, Gabriella Pizzolo, Phylicia Rashad, Lauren Worsham, Max Chernin, Michael McElroy, Stephanie Jae Park, Jaime Rosenstein. VOB

#broadway bootleg #wicked bootleg #hamilton bootleg #bootleg trading #audio bootleg #Anastasia bootleg #amelie bootleg

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maddiesplaybills · 8 years

Text

Hi friends!

I’m seeing the Matilda tour in Minneapolis next week and I’m getting excited and feeling quite generous and I’ve realized that I have a bunch of audio masters from the past year that I’ve yet to share... so here they are, as a gift to you.

Beautiful: The Carole King Musical National Tour 11/28/2015 | Minneapolis, MN (full show) Cast: Abby Mueller (Carole King), Liam Tobin (Gerry Goffin), Becky Gulsvig (Cynthia Weil), Ben Fankhauser (Barry Mann), Curt Bouril (Don Kirshner), Suzanne Grodner (Genie Klein), Ensemble: Ashley Blanchet, Sarah Bockel, Andrew Brewer, Britney Coleman, Rebecca E. Covington, Josh A. Dawson, John Michael Dias, Paris Nix, Noah J. Ricketts, Salisha Thomas, Delaney Westfall, Dashaun Young

Newsies National Tour 02/13/2016 | Minneapolis, MN (full show) Cast: Joey Barreiro (Jack Kelly), Steve Blanchard (Joseph Pulitzer), Morgan Keene (Katherine), Aisha de Haas (Medda Larkin), Stephen Michael Langton (Davey), Zachary Sayle (Crutchie), John Michael Pitera (Les), Ensemble: Mark Aldrich, Josh Assor, Bill Bateman, Joshua Burrage, Kevin Carolon, DeMarius R. Copes, Michael Dameski, JP Ferreri, Sky Flaherty, Kaitlyn Frank, Michael Gorman, Melissa Steadman Hart, Stephen Hernandez, James Judy, Devin Lewis, Nicholas Masson, Alex Prakken, Jordan Samuels, Daniel Switzer, Andrew Wilson, Chaz Wolcott, Iain Young

The Book of Mormon National Tour 05/29/16 | Minneapolis, MN (full show) Cast: Ryan Bondy (Elder Price), Cody Jamison Strand (Elder Cunningham), Candace Quarrels (Nabulungi), Daxton Bloomquist (Elder McKinley), Sterling Jarvis (Mafala Hatimbi), David Aron Damane (General Butt Fucking Naked), Ensemble: Kevin Clay, Eric Geil, Jacob Haren, Daryn Whitney Harrell, Antwaun Holley, Eric Huffman, Kristen Jeter, Oyoyo Joi, Kolby Kindle, Ben Laxton, Will Lee-Williams, Melvin Brandon Logan, CJ Pawlikowski, Dereck Seay, Marcus Terrell Smith, Nichole Turner, Edward Watts

Fun Home National Tour 12/16/16 | Minneapolis, MN (full show) Cast: Kate Shindle (Alison), Alessandra Baldacchino (Small Alison), Robert Petkoff (Bruce), Abby Corrigan (Medium Alison), Susan Moniz (Helen), Pierson Salvador (Christian), Lennon Nate Hammond (John), Karen Eilbacher (Joan), Robert Hager (Roy/Mark/Pete/Bobby Jeremy)

Matilda Broadway 01/01/17 I figure that most people that want this audio already have it, but if you don’t, here’s mine! (full show) Cast: Willow McCarthy (Matilda), Bryce Ryness (Miss Trunchbull), Jennifer Blood (Miss Honey), John Sanders (Mr Wormwood), Lesli Margherita (Mrs Wormwood), Joseph Medeiros (Michael Wormwood), Phillip Spaeth (Rudolpho), Karen Aldridge (Mrs Phelps), Michael Minarik (The Escape Artist), Jennifer Bowles (The Acrobat), Michael Fatica (Party Entertainer/Sergei), Geoff Packard (Doctor), Evan Gray (Bruce), Serena Quadrato (Lavender), Gavin Swartz (Nigel), Brooklyn Nelson (Amanda), Ian Saraceni (Eric), Akira Golz (Alice), Talia Ryder (Hortensia), Trey Middleton (u/s Tommy), Ensemble: Colin Isarel, Marisa Kennedy, Travis Waldschmidt, Wesley Faucher Final performance of Matilda on Broadway

Sweet Charity Off-Broadway 01/02/17 (act 1 / act 2) Cast: Yesenia Ayala (Betsy/Panhandler/Daddy’s Assistant), Darius Barnes (Thomas/Marvin/Doorman), James Brown III (Man with Dog/Daddy’s Assistant/Barney), Sutton Foster (Charity Hope Valentine), Asmeret Ghebremichael (Nickie), Shuler Hensley (Oscar), Sasha Hutchings (Elaine/Rosie), Donald Jones, Jr. (Ice Cream Vendor/Philip), Nikka Graff Lanzarone (Carmen/Ursula), Emily Padgett (Helene), Joel Perez (Charlie/Herman/Vittorio Vidal/Daddy Brubeck), Cody Williams (Walter/Maitre D’/Manfred)

Falsettos Broadway 01/03/17 (full show) Cast: Stephanie J. Block (Trina), Christian Borle (Marvin), Andrew Rannells (Whizzer), Anthony Rosenthal (Jason), Tracie Thoms (Dr. Charlotte), Brandon Uranowitz (Mendel), Betsy Wolfe (Cordelia) This performance of Falsettos was filmed for PBS and includes a brief pre-show speech by the director

Dear Evan Hansen Broadway 01/04/17 (full show) Cast: Ben Platt (Evan Hansen), Laura Dreyfuss (Zoe Murphy), Rachel Bay Jones (Heidi Hansen), Jennifer Laura Thompson (Cynthia Murphy), Mike Faist (Connor Murphy), Michael Park (Larry Murphy), Will Roland (Jared Kleinman), Kristolyn Lloyd (Alana Beck)

Waitress Broadway 01/05/17 (full show) Cast: Jessie Mueller (Jenna), Joe Cassidy (t/r Cal), Caitlin Houlahan (Dawn), Charity Angel Dawson (Becky), Dakin Matthews (Joe), William Popp (Earl), Henry Gottfried (u/s Dr. Pomatter), Christopher Fitzgerald (Ogie), Cate Elefante (Lulu), Ensemble: Thay Floyd, Molly Hager, Aisha Jackson, Anastacia McCleskey, Jeremy Morse, Stephanie Torns, Ryan Vasquez Joe Cassidy’s first performance as Cal

Matildapalooza 54 Below 01/06/17 (full show) Featuring Sophia Gennusa, Oona Laurence, Bailey Ryon, Milly Shapiro, Paige Brady, Ava Ulloa, Eliza Holland Madore, Tori Feinstein, Brooklyn Shuck, Fina Strazza, Mattea Conforti, Rileigh McDonald, Mimi Ryder, Alexandra Vlachos, Ava Briglia, Willow McCarthy, Aviva Winick

As always, let me know if there are any issues with the links and please enjoy!

Side note: does anyone have any idea of how the rotation works for the Matilda tour? I’d love to see all three girls in the role but since I’m completely clueless as to how the rotation works I’m not sure if I’ll be able to. Thanks in advance for any info!

#broadway audios #beautiful the carole king musical #newsies #the book of mormon #fun home #matilda #sweet charity #falsettos #dear evan hansen #waitress #matildapalooza

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milady-milord-lj · 8 years

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Community Re-Watch Season 1: Pilot and Spanish 101

Community Re-Watch: Season 1

Pilot

I'm going to try to do something a little bit different here. Rather than re-hash the plot, I figured I'd pull up some interesting tidbits from the commentaries. So, away we go!

Commentary by Dan Harmon, Joel McHale, and the Russo Brothers

Jim Rash was cast the day before his first scene. They were half-way through filming the pilot at the time.

There was a minor argument about Jeff's costuming in the pilot. Some thought he looked like a bum, others thought he looked hip. The "hip" side won, at least for the pilot. It was also the last time Jeff wore sweatpants in an episode, so...maybe they didn't win after all?

Costuming in the pilot was done by Wes Anderson's costumer. She only did the pilot, though.

John Oliver hates doing retakes because it would require doing the same thing twice.

Chevy actually had people on set in stitches doing his regular Chevy-schtick in the cafeteria.

They spent a lot of time on the pilot. They did multiple takes of most of the scenes because they weren't sure who the characters were or the tone they wanted to strike.

Abed is the character who's "the most excited about the pilot" because he's never had "a family" of people he could interact with normally. So, according to Dan, Abed is somewhat playing "dumb" for the pilot and the first few episodes until more of his real personality could emerge.

There was a period of four or five months between shooting the pilot and filming the second episode.

The pilot was shot on location at the abandoned headquarters of collapsed bank WAMU (interior shots) and L.A. City College (exterior shots).

Annie was originally supposed be a combination "Tracy Flick" and girls Dan went to high school with. They also costumed her as "Elizabeth Hasselback" (conservative woman who dresses to show off her sexuality). Chevy was costumed as Bob Evans. Jeff was costumed as David Beckham. Duncan was costumed as Dr. Who.

Annie was really the antagonist of the pilot. She's the one who shows up uninvited, she's the one most likely to sniff out that Jeff is lying, she's the most aggressive member of the group in questioning Jeff, and she's the one who's the most "crazy" emotionally.

Alison Brie was the last member of the Greendale 7 to be cast. No one in the cast had met her until the first day they began shooting the pilot.

Annie is the reason why Jeff has to remain on guard throughout the pilot. She was supposed to be "the cop" and "the buzzkill" of the group. However, "the actor took over the character" (which Dan seems happy about) and they switched tracks for Annie and made her this archetype of the young woman who's blossoming and finding herself.

Abed's breakfast club speech (Bender's monolog) was an idea Dan had on the set, so Danny Pudi had to learn it on the set. The basically did this by streaming the scene on their iPhones and had Danny watch it until he learned it.

NBC suits expressed concern that Jeff was "too unlikeable" during filming of the pilot.

The last scene that was shot before the episode wrapped is the scene between Jeff and Britta (after he gets "the answers to all exams" from Duncan) where he confesses to Britta that he lied and he only did it because he wanted to go out on a date with her, and Britta promises (with fingers crossed behind her back) to go out to dinner with Jeff if he stops everyone in the study room from trying to kill each other.

Dan says that Jeff's "shark week" monologue is his "finest hour."

According to Dan, Jeff's saving grace is that he doesn't hate or really judge anyone. The bad news? It's because Jeff's too self-involved to hate anyone or get overly invested in other people's life choices.

Joel jokes that Jeff's sole motivation is to get laid. Dan says that's why Jeff can, on command, sincerely say he likes the "Elizabeth Hasselback girl" and say she's a hero, because it suits his purposes.

They admit that Britta had "no character development" in the pilot because she's got to "shoulder the story" by being Jeff's motivation for being in the study room. Meanwhile, all the other characters in the study group can actually show bits and pieces of their characters right off the bat. In short, Dan fully admits that Britta's a cipher and they had no clue what her motivation was or even if Britta realized that Jeff was a con artist from the get-go.

The Russos state that around episode six or seven, the actors wind up "taking over the set" because that's the point where they know their own characters better than anyone else, including the writers.

The Russos state the exciting thing about shooting a pilot is that you don't know what's going to happen or how it's all going to shake out. About 80% of the battle is in casting, because that's ultimately what dictates the direction the show will go in.

Line cut from the pilot when Jeff "diagnoses" Abed as having Aspergers is actually a line Britta says to Abed: "He's not qualified to make that diagnosis." Heh.

Dan fought to get Joel McHale cast as Jeff. Dan managed to win NBC over by showing them the closing scene on the steps outside the library.

The pilot was an homage to John Hughes movies.

Spanish 101

Commentary by Dan Harmon, Joel McHale, Chevy Chase, and Joe Russo

Joe says the second episode after the pilot is generally more interesting, in large part because a pilot is "the prototype" and kind of formless while everyone figures out what they're doing. The second episode is where you really try to figure out who you are going forward.

Joel seems a little relieved that he doesn't ever have to wear sweatpants again.

Joel, Dan, and Joe had explain to Chevy what a DVD commentary is and why they're doing it.

Speculation that they're big in Thailand because "Alison is big there."

Dan's really proud of Jeff's soda cup. The art department mocked it up as "Yummy Tummy Stop 'n Go."

Joe loves the steady cam shot around the table as Jeff strolls in and greets each member of the study group, but admits that as the season wore on they got less and less ambitious about using them.

Chevy points out that Joel's got a zit on his left cheek for this episode.

The Fortuneteller still has the original title card for Chevy, which is a cartoon woman with big boobs. NBC made them change it after it was broadcast.

The scene immediately after the opening credits had to be reshot because the original take was "too serious" and Britta was upset in a way that was more reminiscent of ER characters on their way to surgery, rather than the opening scene of a sitcom.

Joel remarks that the good thing about acting with Chevy is that he gets to act with someone who is his own height.

Chang's introductory speech took 45 minutes to shoot because they wanted to let him loose and not miss anything. It took them four days to edit the scene. They decided that it probably wasn't the best way to go about things.

Everyone except Chevy was recording the commentary in L.A. Chevy was recording from New York via live feed and was 57 seconds behind everyone else.

First appearance of Starburns. The reason why they asked Dino to do it is because they felt they couldn't ask an actor to sit in make-up for hours to create the star-shaped sideburns. Eventually, Dino just grew in his sideburns and shaved them into star shapes.

Joel had to shave his stomach with an electric razor blade for this episode. The scene where Abed and Jeff switch shirts, in which Jeff winds up wearing a shirt much too small for him, pretty much showed all this hair peeking up over his belt buckle and across his stomach. So costuming handed him the razor with the comment, "You need to take care of something."

Big revelation for Pierce's character is in this episode: Pierce is sterile, but characterizes it as having super sperm.

The scene where Jeff and Pierce are in the study room working on their Spanish project was shot at the end of a 13-hour day.

The "scotch" used in this episode was actually ice tea.

Exterior shots in this episode were shot at L.A. City College.

The writing on the chalk board behind Chevy is courtesy of both Dan and Chevy.

Pierce's character is meant to be an artistic type whose reach exceeds his grasp, and he covers it up by being pomous and being venomous. Dan admits that Pierce is his way of making fun of himself.

Jeff is meant to be a shallow, selfish asshole that you wind up rooting for despite yourself.

The tapes over everyone's mouth in the candlelight vigil scene had to be digitally colored to be darker.

Joel's favorite lines are the "you had bad breath" exchange between Abed and Troy.

The candelight vigil scene was still being shot at 2 a.m. (and they weren't done filming yet).

There is supposed to be a core of darkness to Pierce's character that they bob in and out of. Chevy notes that Pierce is neither a Griswald or a Fletch. He's his own person. Chevy states that Pierce is full of himself.

The idea to use the Amy Mann song came from a Channel 101 video. Dan made sure to ask permission from the person who did it from Channel 101. It was also a way to get around them actually presenting the horribly offensive Spanish Play.

It was Joe's idea to pull Alison into Pierce's and Jeff's Spanish Play as Pocahontas Chevy got mad at Joel for putting his put in Alison's face during that scene. Chevy informed him that Joel was "going to far" by doing that.

The triumph of the episode is that Jeff is willing to do something incredibly stupid.

#jeff x annie

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parsippanyfocus · 6 years

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PARSIPPANY — The Parsippany Hills High School Class of 2018 graduated on Thursday, June 21. 273 students received their diplomas after the Conferment of the Degrees by Principal Michael F. DiSanto. The diploma’s were presented to the Board of Education.

196 students, or 72% will be attending four year College or University, 50 students or 18% will be attending two year colleges, 3 students or 1.5% will be attending career education, 7 students or 2% will be continuing education, 8 students for 2.5% will be employed, 5 students or 2% will be taking a gap year and 4 students, or 1.5% will be joining the military.

The Class of 2018 Officers were Jacqueline Pascale, President; Maya Patel, Vice President; Yuti Shah, Secretary and Krunali Shah, Treasurer.

PHHS Band

Mayor Micheal Soriano walking in with members of the Board of Education

PHHS Teachers marching in graduation

PHHS Graduates marching in graduation

PHHS Graduates marching in

The message is very clear where this student will be attending in the fall

PHHS Graduation

PHHS Graduates receiving their diploma

Proud PHHS Graduates

Tara Antonucci with Bonnie Sturm

Board Member Frank Neglia and 2018 Graduate Nicholas Verducci

Judy Hernandez with her husband, Paul F Giovanelli, at the PHHS Graduation

Mrs. Brosnan with

Retiring Educator Carol Ordway with a teacher

Dr. Ahmed Kandil and Mamdouh Hassan

Graduate Adam Giovanelli and Dr. Ahmed Kandil

Sanjay Kao, Priya Shah, Victoria Mathew, Megha Mansuria, Maheem Hasan and Avani Goswami

Joshua Esperanza, Mr. Andy Nicholes and Nicolas Conti

Ellen Chen and Jenelle Ponnor

Rakshay Kanthadai and Matthew Kwan

Mr. Andy Nicholes and Stephanie Pascale

The Verducci Family

Janna Kathleen Belfiore, Nicolas Verducci and Nicolette Rose Kelly

Flanigan Family

Jared Stock, Mr. Andy Nicholes and Daniel Gardner

The 2018 Graduating Class

Kaitlin Abad Mazen Salah Abdulla Mikayla Marie Acree Alexander Kyle Adams Brian Nicholas Agostinho Colin Georges Aguesseau Edwin Aguirre-Rosas Dua Ahmad Ramzan C. Ahmad Zyad F. Ali Estephani Alvarado Liam Seamus Andersen Tara Rita Antonacci Julio Cesar Arenas-Toro Camilo Andres Arias John Asian Ryan Charles Astor* Alexander C. Azzizzo Emily Y. Baldarrago Lance G. Bancairen Francesca Marie Bard* Gabrielle M. Barrese Juan J. Bedoya Padrick Aengns Beggs Janna Kathleen Belfiore Taylor Alexa Bellardino* Donald John Bendzak Vinesh Bhalara Raj M. Bhatt Yash K. Bhawsar Vincent R. Bianchi Matthew A. Borecki Alyssa Catherine Borino* Nicholas Caccavale Hayden James Callan Julia M. Campbell Juliet Nicole Campbell Justin Lee Carpentieri Erika Castillo Luis Emilio Castillo* Miggy Yrell Celestino Matthew Chan Eric Johnson Chang Karan Pratap Singh Chauhan* Amayrani G. Chavelas Ellen Binhong Chen Karen Chen* Yonghao Chen Tia Rita Cherbaka Tanvi Chopra lshani Chowatia * Michelle Gloria Ciccarelli Stephania Clavijo * Nicholas Robert Conti Alyssa D. Courtney Nicole K. Courtney Gavyn William Crellin Brianna Lynn Crowley * Stephanie M. Cuervo Brittney Diana D’Mello Tyler V. Da Silva Bria S. Davis Corinne Renee Davis Juhi R. Desai Kavan S. Desai Rudra Devang Desai Eunice Dogbe Wilson D. Done Dylan Richard Dunn Joshua Evans Esperanza Steven Feng Kelly Grace Flanagan Jenna Nicole Gabriele Abigal Anna Garcia Benjamin Ryan Garcia Daniel Peter Garcia Daniel James Gardner Michael D. Gaudio Adam Paul Giovanelli* Avani Goswami* Shrusti Goswami* Katherine J. Grant* Victoria Marie Guarino* Kristine Guevara Justin Gurth* Ahmed Ebrahim Habib Maheem Hasan * Mamdouh Aly Hassan Samantha Hayek Kimberly Aveana Henriquez Aidan Elise Higginbotham Alexis Liana Higginbotham Erik Franklin Holmstrom Raynard Alain Horvath Yi-Hsuan Hsu Alphonse Lawrence Huss Amanda Stephanie lancu Kaitlyn Ann Jackson Vrinda Jain * Jena G. Jan Justin Anthony Jasiecki Katherine S. Jovel Enrique ltzam Juarez Duran Tara Krishnadas Kakkaramadam* Rakshay S. Kanthadai* Sanjay J. Kao* Hemil H. Kapadia Balkiran Kaur* Alison Rose Keane Nicolette Rose Kelly Koria Marie King* Matthew Kwan* Gabrielle Antonio La Rosa Richard Kevin Laforteza* Shauna Marie Lally Toan Le Amber Louise Lee Matthew Alexander Leggett Taylor Brianni Leonard Ching Laam Lin Thomas Mack Mark Frederick Maddox Kyla Isabel Magparangalan Adrian Majcher Brandon Malnarick Heather Mann Megha Mansuria* Vishal Mansuria Angelo Charles Martin Gaven Martung Joseph Louis Mastalia Victoria Elizabeth Mathew Suraj A. Maurya Lauren Rose McLaughlin* Alicia Ann Messina Nirmohi H. Mistry Alicia Marie Mitchell* Peter S. Mitrakos Ananta Moharana Mireilly Fajardo Montoya Brandon Moy Aleese Mukhamedjanova Aytana Muschajew Arjun Michael Nagendran* Sharen Nair Elizabeth Naumov Saketh V. Nibhanupudi Sebastian P. Nichols Shane P. O’Connor Danica Shane Alvarez Olaes Sherilyn Nicole Ostlin Gaetano Pace Ashley Nicole Page Jenna M. Palatini Swaraj Pandya Ravi Parekh* Sweta S. Parekh Andrew Park Jamaal Tyreece Parker Lydia Rose Parker Harsha! Parmar Andrew Pascale Jacqueline Marie Pascale* Sarah Pascale Stephanie Pamela Pascale Jeffrey Philip Paszko Akshay T. Patel Anjali Patel Deep S. Patel Krutarth J. Patel Kush B. Patel Mahik Patel Maya Kamal Patel* Mohit D. Patel Parth D. Patel Preya A. Patel* Rushil Nirav Patel Shashvat Patel Shivani T. Patel* Siddhanth Y. Patel Vritti Bhavesh Patel Zeal Patel Rucha Santosh Patil* Dabasha Paul Kevin R. Perez June Eileen Martin Perigo Jack Daniel Picado* Arijit M. Pingle Cindy Nicole Piza Janelle Ponnor* Jason W. Poon Gianni Posas Krishna J. Prajapati* Christina Proietto Emily Grace Ptashinski Steven Edward Puchalski Geet Bhavik Purohit Oscar Andres Ramirez-Loaiza Zaina Rathore Mairead Patricia Reo Nora M. Rigolosi Nicolas Rios Jeric Michael Robleza Joshua Matthew Robleza Andrea Kayla Rodriguez Paloma Rodriguez Ruby D. Rodriguez Jillian Mary Rogers* Randall Rosado Amanda R. Rovner Salvatore Zeppi Rubinetti Meliton Rulloda Isabel Sanchez Michael J. Sanford Nicholas Allen Sanford Olivia A. Santore Joshua Santos Zoe Saric Krunali Sundee Shah* Priya Saurabh Shah* Saloni Dipak Shah Sneh Shah* Yuti M. Shah* Jeremy K. Silber Jacob B. Simmons Jordan Kennedy Simpson Gagandeep Singh Prerana Singh Jarred P. Smith Jason Smith Sarika S. Soni Kaitlyn Mary Stearns* Emma Esther Steere Jared Raymond Stock Colleen Marie Sturges David Samuel Sudit Alexis J. Sundquist Brandon Sung* Kyle Sung* Hsin Tai Tammy Tang* Kirsten Rene Taylor Vincent Michael Thiessen Jeremy G. Thomas* Nyah A. Thornton Megan Ryan Tolosi Alan Tomy Crystal Van Tran* Lawrence S. Ullman, Jr.* Juliana T. Urbis* Diana Elizabeth Vargas Brittani E. Vecchia* Ashil Vekaria* Maulik Vekaria Keerthana Venkatesh Nicholas Patrick Verducci* Hannah Ververs* Nikole Abigail Viegas Benjamin Gannon Walek William Harrison Waller Justin C. Wan Albert Wang Adam D. Warner Harrison Tyler Weaver Timothy C. Weinacker Charlene M. White Victoria Witerska Karoline Xiong Yash Yadav Rishi Yagappan Samuel Shi Yu Yang* William Yang* Yuanting Yang Ian Liu Yeh Sarah Zigman Alexa Jean Ziler Eleni Zeis

Note: * denotes students are members of the National Honor Society Chapter.

273 students graduate from Parsippany Hills High School PARSIPPANY — The Parsippany Hills High School Class of 2018 graduated on Thursday, June 21. 273 students received their diplomas after the Conferment of the Degrees by Principal Michael F.

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tylerdoe1dafuq-blog · 7 years

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“Keine Pflicht wird so sehr vernachlässigt, wie die Pflicht, glücklich und zufrieden zu sein.”

Robert Louis Balfour Stevenson (13. November 1850 in Edinburgh; † 3. Dezember 1894 in Vailima nahe Apia, Samoa) war ein schottischer Schriftsteller des viktorianischen Zeitalters.

Stevenson litt an Tuberkulose und wurde nur 44 Jahre alt; jedoch hinterließ er ein umfangreiches Werk von Reiseerzählungen, Abenteuerliteratur und historischen Romanen sowie Lyrik und Essays. Bekannt geworden sind vor allem der Jugendbuchklassiker Die Schatzinsel und die Schauernovelle „Der seltsame Fall des Dr. Jekyll und Mr. Hyde“, die sich dem Phänomen der Persönlichkeitsspaltung widmet und als psychologischer Horrorroman gelesen werden kann.

Einige Romane sind heute noch populär und haben als Vorlagen für zahlreiche Verfilmungen gedient.

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Kindheit

Robert Louis Stevenson wurde als einziger Sohn des Ingenieurs und Leuchtturmbauers Thomas Stevenson und der Margaret Isabella Stevenson, geborene Balfour (1829–1897), in 8 Howard Place, Edinburgh, geboren. Ursprünglich lautete sein Taufname Robert Lewis Balfour; im Alter von 18 Jahren ließ der Vater „Lewis“ zur französischen Form „Louis“ ändern, um die Assoziation zu einem gleichnamigen politischen Radikalen zu unterbinden.

Sein Großvater Robert Stevenson, seine Onkel Alan Stevenson und David Stevenson, seine Cousins David Alan Stevenson und Charles Alexander Stevenson sowie sein Großcousin Alan Stevenson (1891–1971) waren allesamt Ingenieure und Leuchtturmbauer. Die Familie seiner Mutter führte ihren Namen zurück auf einen Alexander Balfour, der Ländereien bei Fife im 15. Jahrhundert besaß.

Margarets Vater, Lewis Balfour (1777–1860), war Pastor der Church of Scotland im nahe gelegen Colinton gewesen, wo Stevenson in seiner Kindheit oft die Ferien verbrachte. Der Schriftsteller Graham Greene war in der mütterlichen Linie ein Großneffe von Robert Louis Stevenson.

Stevensons Eltern waren ebenfalls in der Church of Scotland als Presbyterianer religiös gebunden. Margaret Stevenson hatte eine geschwächte gesundheitliche Konstitution, sie litt an Atemwegserkrankungen, einer Schwäche, an der auch Stevenson sein Leben lang leiden musste. Das schottische Klima mit kühlen Sommern und regnerischen, nebligen Wintern war für Mutter und Sohn äußerst ungünstig, und auf Rat des Hausarztes verbrachten sie viele Vormittage im Bett.

Um die Mutter zu entlasten, wurde im Jahr 1852 die Kinderpflegerin Alison Cunningham (1822–1910), genannt „Cummy“, engagiert, die mit ihrem strengen Calvinismus und den abendlichen Schauergeschichten den kleinen Louis so beeindruckte, dass er nachts Alpträume erlebte. Die Familie zog 1853 zur 1 Inverleith Terrace um. Da die Wohnung noch ungünstiger gelegen war, wurde ein erneuter Umzug im Jahr 1857 in die 17 Heriot Row erforderlich.

Bereits mit zwei Jahren wurde der kleine Louis zum Gottesdienst mitgenommen und hörte dort die Predigten mit den Geschichten beispielsweise über Kain und Abel, Daniel in der Löwengrube und über die Sintflut. Hinzu kamen „Cummy’s“ Schauergeschichten über die düstere schottische Kirchengeschichte, die den kleinen Jungen erschreckten, aber auch faszinierten. Sein Werk wurde von der frühkindlichen Erfahrung stark beeinflusst.

„Cummy“ kümmerte sich rührend um ihn, wenn er krank im Bett lag und las beispielsweise aus John Bunyans The Pilgrim’s Progress und aus der Bibel vor. In dem in Großbritannien noch heute beliebten Buch A Child’s Garden of Verses (Im Versgarten), das 1885 erschien, erinnerte sich der 35-jährige Stevenson an diese Zeit und versah es mit einer Widmung für seine Nanny.

Schule und Studium

Ab September 1857 besuchte Stevenson die „Henderson’s Preparatory School“, konnte jedoch aus gesundheitlichen Gründen nur zwei Stunden täglich am Unterricht teilnehmen. Nach wenigen Wochen beendete eine Bronchitis den regelmäßigen Schulbesuch, und er erhielt für die Dauer von zwei Jahren Privatunterricht. Nach vier Jahren wechselte er zur Edinburgh Academy, einer weiterführenden Schule, die er mit 13 Jahren verließ, um nach einem kurzen Aufenthalt in einem in Spring Grove nahe London gelegenen Internat ab 1864 wieder eine Privatschule in seiner Heimatstadt zu besuchen.

Während seiner Kindheit schrieb Stevenson ständig Essays und Geschichten; sein Vater hatte Verständnis dafür, hatte er doch selbst in seiner Freizeit geschrieben, bis ihm der eigene Vater sagte, er möge diesen Unsinn aufgeben und sich den Geschäften widmen. Das erste historische Buch des jungen Stevenson, Pentland Rising, das er in der Tradition der Romane von Sir Walter Scott verfasste, erschien im Jahr 1866 bei Andrew Elliot, Edinburgh.

Für den Verleger war es kein Risiko, hatte sich doch Vater Stevenson, wie damals üblich, verpflichten müssen, die zu einem festgesetzten Termin nicht verkauften Exemplare aufzukaufen. Dieser Fall trat ein. Der Roman war von geringem literarischem Wert, erzielte jedoch zwanzig Jahre später, als der Autor berühmt war, „Phantasiepreise“.

Im Jahr 1867 erwarb Thomas Stevenson ein Landhaus als Sommersitz, das Swanston Cottage, in der Nähe Edinburghs am Fuß der Pentland Hills gelegen, das im Lauf der Jahre in den Monaten von März bis Oktober häufig zum Refugium des künftigen Schriftstellers wurde.

Im selben Jahr immatrikulierte sich Stevenson an der Universität Edinburgh, studierte zunächst Technik und wechselte aufgrund seines labilen Gesundheitszustands 1871 zum Studium der Rechtswissenschaft. Sein Vater akzeptierte nur unter der Bedingung einer abgeschlossenen Ausbildung den Wunsch des Sohnes, Schriftsteller zu werden.

Reiselust

„For my part, I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move.“

„Ich für meinen Teil, ich reise nicht, um irgendwohin zu fahren, sondern um zu fahren. Ich reise um des Reisens willen. Die große Sache ist, sich zu bewegen.“

– Robert Louis Stevenson in “Travels with a Donkey in the Cévennes” (1879).

Durch Leslie Stephen, später Vater von Virginia Woolf, Herausgeber des Cornhill Magazine, lernte Stevenson 1875 William Ernest Henley kennen, der infolge von Knochentuberkulose einen Fuß verloren hatte. Mit Henley zusammen schrieb er später Dramen wie Deacon Brodie. Stephens Cornhill Magazine veröffentlichte unter anderem 1876 Stevensons Essaysammlung Virginibus Puerisque (1881 als Buch erschienen).

Stevensons Leben in dieser Zeit bestand aus Reisen im Sommer, Literaturstudien und dem Verfassen von Essays im Winter. Den Auftakt der Sommerreisen bildete ein Aufenthalt im Jahr 1872 mit seinem Jura-Kommilitonen und Freund Walter Grindlay Simpson in Frankfurt am Main. 1875 traf Stevenson seinen Cousin „Bob“, der Maler war, während einer Frankreichreise in Barbizon, wo dieser nach der Manier von Corot und Millet Malstudien betrieb.

Im Sommer 1876 wanderte Stevenson durch Ayrshire und Galloway und unternahm mit Simpson eine Kanufahrt von Antwerpen bis zur Oise; der Reisebericht darüber erschien 1878 unter dem Titel An Inland Voyage. Er traf Bob wieder in der Künstlerkolonie Grez-sur-Loing, wo er die amerikanische Amateurmalerin Fanny Osbourne, geborene Vandegrift, kennenlernte, die sich mit ihren Kindern, der achtzehnjährigen Isobel, genannt „Belle“ (1858–1953), und dem achtjährigen Sohn Lloyd Osbourne, dort aufhielt.

Heirat mit Fanny Osbourne

Die zehn Jahre ältere Amerikanerin Fanny Osbourne (1840–1914) war verheiratet, lebte jedoch von ihrem Mann Sam Osbourne getrennt, da dieser sie ständig betrogen hatte und ein unstetes Wanderleben führte. Fanny hatte Amerika mit ihren drei Kindern verlassen, um ihre Malerei zu vervollkommnen. Nach einem Aufenthalt in Antwerpen war sie nach Paris gezogen, wo der jüngste Sohn, Harvey, aufgrund der eingeschränkten Lebensverhältnisse an Tuberkulose verstarb. Sie entschloss sich daraufhin, mit Belle und Lloyd nach Grez zu ziehen.

Stevenson und sie verliebten sich ineinander, doch kehrte er im Spätherbst in die Heimat zurück. Bereits im Frühjahr 1877 reiste Stevenson wieder nach Frankreich, und das Paar wohnte eine Zeit lang gemeinsam in Paris. Er wollte heiraten, Fanny Osbourne konnte sich jedoch zu einer Scheidung nicht entschließen. Sie kehrte im August 1878 nach San Francisco zurück, um eine Entscheidung herbeizuführen.

Stevenson arbeitete im Sommer in Paris zusammen mit Henley an der Herausgabe der Zeitschrift London: The Conservative Weekly Journal und begann im Herbst eine Wanderung in Südfrankreich. Zur Beförderung des Gepäcks mietete er eine Eselin, die er Modestine nannte. Die Beschreibung ihrer störrischen Eskapaden sowie der kargen, doch reizvollen Landschaft bildete die Grundlage für seinen Bericht Reise mit dem Esel durch die Cevennen, der 1879 veröffentlicht wurde.

Im August 1879 reiste Stevenson – er hatte ein Telegramm erhalten, dass Fanny krank sei – auf der Devonia nach New York und anschließend mit dem Zug elf Tage quer durch Amerika nach Monterey in Kalifornien. Die Eltern waren nur durch einen kurzen Abschiedsbrief informiert worden. Fanny empfing ihn mit gedämpfter Freude, sie hatte sich immer noch nicht zu einer Trennung durchgerungen. Stevenson reiste zum Zelten ab, war aber von der Reise so erschöpft, dass er zusammenbrach und von Ranchern gepflegt wurde. Ein Bericht über diese Reise erschien unter dem Titel „The Amateur Emigrant“ (Emigrant aus Leidenschaft), der postum im Jahr 1896 veröffentlicht wurde.

Fanny Osbourne ließ sich mittlerweile scheiden, und am 19. Mai 1880 wurde das Paar von einem presbyterianischen schottischen Geistlichen in dessen Wohnung in San Francisco getraut. Wenige Tage vor der Hochzeit hatte Stevenson ein Telegramm mit versöhnlichen Worten aus der Heimat erhalten: „250 Pfund jährlich für Dich“. Das Paar machte zusammen mit Lloyd seine Hochzeitsreise für zwei Monate in eine verlassene, wenig romantische Bergarbeitersiedlung namens Juan Silverado in Napa County, nördlich von San Francisco.

Die Erlebnisse dort fasste Stevenson in dem Bericht The Silverado Squatters zusammen, der 1884 veröffentlicht wurde. Nach der Rückkehr in die Zivilisation buchte das Ehepaar für sich und Lloyd – Belle hatte kurz vor der zweiten Hochzeit ihrer Mutter den Maler Joseph Strong geheiratet – im August eine Passage nach England, um die endgültige Versöhnung mit Stevensons Eltern herbeizuführen und die Ehefrau vorzustellen. Stevensons Eltern erwarteten sie in Liverpool, als die „City of Chester“ am 7. August 1880 dort anlegte. Stevenson war über ein Jahr in den USA gewesen. Wider Erwarten verstanden sich der streng konservative calvinistische Thomas Stevenson und die geschiedene, Zigaretten rauchende Schwiegertochter ausgezeichnet.

Die Eltern erkannten, dass Fanny in der Lage war, im Krankheitsfall ihrem Sohn die notwendige Pflege zukommen zu lassen und dass sie ihm intellektuell eine Partnerin war. Unter der Anleitung ihres Mannes sollte Fanny schriftstellerisch tätig werden.

„Die Schatzinsel“ entsteht

Bald nach der Rückkehr und der Aussöhnung mit den Eltern verschlechterte sich Stevensons Gesundheitszustand dramatisch. Die hinzugezogenen Ärzte konstatierten den Ausbruch einer Tuberkulose. Im November 1880 siedelten die Stevensons mit Lloyd ins Kurhotel Belvedere in Davos über.

Stevenson erholte sich ein wenig, doch Fanny vertrug das Klima in den Hochalpen nicht. Hinzu kam der als trostlos empfundene Anblick der Berge, und der ausschließliche Kontakt zu Leidensgenossen wirkte sich auf das Befinden des Patienten ungünstig aus. Daher kehrte die Familie im April 1881 nach Schottland zurück und mietete in Braemar, einem kleinen Hochlanddorf in Schottland etwa sechs Meilen westlich vom königlichen Sommerschloss Balmoral Castle, ein Cottage.

Während einer Schlechtwetterperiode zog Stevenson sich eine starke Erkältung zu, musste seine Wanderungen aufgeben und widmete sich seinem Stiefsohn Lloyd. Er half ihm beim Malen: „Bei dieser Gelegenheit fertigte ich die Landkarte einer Insel an. […] Die Gestalt dieser Insel befruchtete meine Phantasie außerordentlich. Da waren Hafenplätze, die mich entzückten wie Sonette, und im Bewußstsein einer Schicksalsbestimmung nannte ich mein Erzeugnis ‚Die Schatzinsel‘“.

Auf diese Weise entstand die Anregung zu Stevensons erstem Roman, Treasure Island. (Die Schatzinsel), der für seinen Stiefsohn geschrieben und ihm gewidmet wurde. Der Protagonist Jim Hawkins sollte in Lloyds Alter sein; William Ernest Henley, Stevensons Mitherausgeber des London Journal, war als fußamputierter trinkfester Schotte das Vorbild für den Piraten Long John Silver.

Nach den ersten Kapiteln litt Stevenson jedoch unter einer Schreibhemmung. Aus gesundheitlichen Gründen war ein erneuter Aufenthalt in Davos notwendig; im Herbst war er dort wieder in der Lage, jeden Tag ein Kapitel zu schreiben. Die Schatzinsel erschien ab Ende des Jahres 1881 in mehreren Fortsetzungen in der Jugendzeitschrift Young Folks unter dem Pseudonym Captain George North und dem Titel The Sea Cook, or Treasure Island, fand jedoch wenig Beachtung.

Als im Jahr 1883 der Roman mit dem Titel Treasure Island in Buchform bei Cassel & Company in London veröffentlicht wurde, ausgestattet mit zahlreichen Holzschnitten von George Roux und der Schatzkarte als Frontispiz, wurde er ein Bestseller; bereits nach wenigen Jahren waren 75.000 Exemplare verkauft.

Aufenthalt in Frankreich und Bournemouth

Im April des Jahres 1882 war eine gesundheitliche Besserung eingetreten, und Stevenson verließ mit seiner Familie Davos Richtung Schottland. Er erlitt einen Blutsturz und siedelte auf Ratschlag des Arztes nach Frankreich über. Nach einem kurzen Aufenthalt nahe Marseille mussten die Stevensons wegen einer Typhusepidemie umziehen nach Hyères, wo sie das Haus „La Solitude“ mieteten.

Nach zwei Jahren kehrten sie wegen einer erneuten Epidemie – diesmal war es Cholera – nach Großbritannien zurück und bezogen im September 1884 das Haus „Skerryvore“ – benannt nach dem Skerryvore-Leuchtturm, erbaut von seinem Onkel Alan Stevenson – in Bournemouth, wo sie bis zum Juli 1887 lebten. Dort lernte Stevenson den amerikanischen Schriftsteller Henry James kennen, der sich als einer der ersten Kritiker ernsthaft, zugleich begeistert, mit seinem Werk auseinandersetzte. Es entstand ein reger Briefwechsel, und Stevenson empfing von ihm Impulse für seine Arbeit. Die Jahre in Bournemouth verbrachte er zum großen Teil im Krankenbett.

Im Jahr 1886 schrieb Stevenson Der seltsame Fall des Dr. Jekyll und Mr. Hyde, eine Schauernovelle, die auf einem authentischen Fall beruht, den Stevenson und Henley bereits mit dem Schauspiel Deacon Brodie im Jahr 1880 dramatisiert hatten. Deacon William Brodie war ein Kunsttischler aus dem Edinburgh des 18. Jahrhunderts, der tagsüber ein angesehener Handwerker war, nachts jedoch ein Verbrecher. Angeblich hat sich in Stevensons Kinderzimmer ein von Brodie geschreinertes Schränkchen befunden.

Die Novelle war noch nicht erschienen, als Stevenson bereits einen weiteren Roman vorbereitete, Kidnapped, (Entführt), eine Abenteuergeschichte aus dem Schottland des 18. Jahrhunderts, in der die Erlebnisse des 17-jährigen David Balfour geschildert wurden. Hintergrund der Handlung war die Ermordung des königlichen Statthalters Colin Campbell of Glenure durch den Stuart-Clan. Entführt erschien zunächst wieder als Fortsetzungsroman in der Zeitschrift Young Folk im Juli 1886 und kurz darauf als Buch bei Cassell in London sowie Scribner’s, New York.

Abreise aus Europa

Thomas Stevenson verstarb am 8. Mai 1887 in Edinburgh. Robert Louis Stevenson, der seiner Familie hatte nahe sein wollen und deshalb Bournemouth als Wohnort gewählt hatte, entschied sich auf ärztlichen Rat, das raue britische Klima zu verlassen, und die Familie siedelte mit der verwitweten Mutter nach Saranac in den Adirondack Mountains über, wo es ein Sanatorium für Lungenkranke gab.

Während eines Besuchs in New York im Jahr 1888 traf Stevenson Mark Twain, dessen Huckleberry Finn ihn begeistert hatte; im Washington Square Park saßen beide lange auf einer Bank und diskutierten. Ein Briefwechsel schloss sich daraufhin an.

In Saranac entstand der Beginn des Romans The Master of Ballantrae (Der Junker von Ballantrae) (erschienen 1889) sowie das von Lloyd Osbourne verfasste und von Stevenson redigierte Werk The Wrong Box (Die falsche Kiste). Fanny Stevenson hatte unter anderem eine Kurzgeschichte mit dem Titel The Nixie (1888) geschrieben.

Ein weiterer Text, den sie von Bob Stevensons Schwester übernommen und mit deren Einwilligung fertiggestellt hatte, zog einen heftigen Plagiatsvorwurf Henleys nach sich, der die Freundschaft zwischen diesem und Stevenson stark beeinträchtigte. Der Erlös aus den Veröffentlichungen war für eine seit längerem geplante Südseereise gedacht, die die Familie am 28. Juni 1888 auf dem Schoner „Casco“ in San Francisco antrat. Die Reise führte über die Marquesas-Inseln nach Tahiti und Honolulu auf Oʻahu, einer der acht Hauptinseln des Hawaiʻi-Archipels, wo sie Freundschaft mit König Kalākaua und dessen Nichte Prinzessin Victoria Kaʻiulani schlossen.

Stevenson verbrachte dort fünf Monate und gewann durch den König Einblicke in die komplizierten sozialen und politischen Verhältnisse in dieser Region. Als er 1893 nochmals für einige Wochen auf die Inseln zurückkehrte, war die letzte Königin Liliʻuokalani gestürzt worden, und das Land stand unter amerikanischem Einfluss.

Im Juni 1889 reisten die Stevensons mit dem Handelsschoner „Equator“ zu den Gilbert-Inseln. Im Dezember des Jahres besuchte Stevenson erstmals Samoa, wo er ein Anwesen am Fuß des Mount Vaea, unweit Apia auf der Insel Upolu erwarb. Im Februar 1890 reisten die Stevensons nach Sydney, machten von April bis August eine dritte Kreuzfahrt in der Südsee, kehrten nach Sydney zurück und siedelten im Oktober endgültig nach Samoa über.

Letzte Jahre auf Samoa

Der Plantage, die Stevenson für 400 Pfund erworben hatte, und dem Wohnhaus, das ab Januar 1891 in zweijähriger Bauzeit errichtet wurde, gab er den Namen „Vailima“ („Wasser aus der Hand“). Die Übersetzung „Fünf Flüsse“, die oft in Biografien auftaucht, beruht auf einem Missverständnis. Die für den zweistöckigen Holzbau im Kolonialstil anfallenden Kosten erbrachte der Verkauf des Wohnsitzes „Skerryvore“. Lloyd Osbourne war nach Bournemouth gefahren, hatte sich um die Veräußerung der Immobilie gekümmert, den Haushalt aufgelöst und Möbel sowie Hausrat und Bilder auf den Weg nach Samoa gebracht.

Auf Stevensons Wunsch hin zogen Belle und Joseph Strong und Sohn Austin nach Vailima, Mutter Margaret folgte aus Sydney. Stevenson holte sie von dort ab, erlitt jedoch einen Zusammenbruch, der die Rückreise verzögerte. Im Mai 1891 erreichten sie Samoa; der „Stevenson-Clan“ war komplett. Im gleichen Jahr erschien seine Kurzgeschichte The Bottle Imp (Der Flaschenkobold), deren Handlung bereits auf polynesische Verhältnisse zugeschnitten ist.

Belle trennte sich von ihrem Ehemann, der ihr untreu geworden war, führte Stevensons Haushalt und schrieb seine Manuskripte wie den Abenteuerroman Catriona (1893), die Fortsetzung von Entführt, ins Reine. Fanny kümmerte sich um die Pflanzungen und den Garten. Zwölf samoanische Diener wurden angestellt und wie Familienangehörige in den „Stevenson“-Clan aufgenommen. An Feiertagen trugen die Diener Lendentücher in Stuart-Farben. Stevenson war äußerst produktiv in dieser Zeit; begeistert schrieb er an seinen Freund Colvin: „So viele Eisen im Feuer hatte noch niemand.“.

Außer Catriona schrieb er The Beach of Falesá (Der Strand von Falesa), zusammen mit Lloyd The Ebb-Tide (Der Schiffbruch) und die Vailima Letters an Colvin. Verspürte Stevenson keine Lust zum Schreiben – oftmals arbeitete er an mehreren Werken gleichzeitig – vertrieb er sich die Zeit mit Flageolettspielen, oft vom Krankenbett aus, was für seine Mitbewohner nicht immer ein ungetrübtes Hörvergnügen war.

Die Einwohner der Insel gaben Stevenson den Namen Tusitala, der Geschichtenerzähler. Sie suchten seinen Rat, und er befasste sich mit dem schwierigen Konflikt um Samoa, der vom Konflikt der Vereinigten Staaten, Großbritanniens und Deutschlands, vertreten durch den Konsul Wilhelm Knappe sowie dessen Nachfolger, geprägt war. Stevenson bezeichnete die europäischen offiziellen Vertreter als inkompetent, und nach vielen vergeblichen Vorschlägen, die Lokalpolitik zu verbessern, schrieb er über die Ereignisse die Publikation A Footnote to History. Eight Years of Trouble in Samoa (1892).

Stevenson stand auf der Seite des samoanischen Oberhäuptlings Mataafa, der sich im Juni 1893 gegen den Rivalen Laupepa wandte und damit einen Bürgerkrieg auslöste. Das britische Foreign Office ließ ihn wissen, dass er sich allein auf das Schreiben von Novellen konzentrieren und die Politik außen vor lassen solle.

Deutschland drohte offen mit Verhaftung und Deportation. Als Mataafa unterlag und auf die von Deutschland kontrollierten Marshall-Inseln verbannt wurde, versorgten die Stevensons ihn und weitere Inhaftierte mit Lebensmitteln, Medikamenten und Tabak. Nach der Freilassung im September 1894 bedankten sich die Gefolgsleute Mataafas mit dem Bau einer Verbindungsstraße (genannt „Straße der liebenden Herzen“) mitten durch den Urwald nach Vailima zu Stevensons im Januar 1893 fertiggestelltem Haus. Vailima ist seit 1994 zu einem Robert-Louis-Stevenson-Museum umgebaut worden.

Werke

Robert Louis Stevenson hat ein umfangreiches Werk von Romanen, Novellen, Reisebeschreibungen, Theaterstücken, Gedichten, Essays und Briefen hinterlassen, die in neun verschiedenen Gesamtausgaben 10 bis 35 Bände umfassen. Die erste Gesamtausgabe, von seinem Freund Sidney Colvin herausgegeben, die „Edinburgh-Edition“ (1894–1898), umfasst beispielsweise 28 Bände, die seines Stiefsohns Lloyd Osbourne von 1921 bis 1923 in New York herausgegebene „Vailima-Edition“ 26 Bände. Es ist dem häufigen Ortswechsel Stevensons geschuldet, dass sein Nachlass weit verstreut archiviert ist.

So verwahren die Beinecke Rare Book and Manuscript Library der Yale University, die Pierpont Morgan Library in New York, die Huntingdon Library in San Marino, Kalifornien, die Widener Library an der Harvard University sowie die Edinburgh Public Library umfangreiches Manuskriptmaterial. Die erste deutschsprachige Werkausgabe erschien 1918 in München, die letzte 12-bändige Ausgabe 1979 in Zürich ist eine Neuedition der Übersetzungen von Marguerite und Curt Thesing aus den 1920er Jahren.

Die bisher vollständigste deutsche Ausgabe der Romane und Erzählungen (unter Ausschluss der Gemeinschaftswerke mit Lloyd und Fanny Osbourne) erschien 1960 in der Übersetzung von Richard Mummendey im Winkler Verlag München.

In Edinburgh wurde in einem Buchladen im Lady Stair’s House für Robert Burns, Sir Walter Scott und Robert Louis Stevenson ein kleines Museum mit dem Namen The Writers’ Museum eingerichtet, in dem einige ihrer Werke und persönliche Gegenstände ausgestellt sind.

Historische Romane und Novellen (Auswahl)

Treasure Island, Einband einer Ausgabe aus dem Jahr 1911

„Fünfzehn Mann auf des toten Mannes Kiste

Yo-ho-ho und ’ne Buddel voll Rum!“

– Robert Louis Stevenson, Die Schatzinsel

Der Erstdruck von Stevensons populärstem Werk Treasure Island (Die Schatzinsel), ein Jugendbuchklassiker, erfolgte als Mehrteiler in der Zeitschrift Young Folks in der Zeit vom 1. Oktober 1881 bis 28. Januar 1882. Die englische Erstausgabe in Buchform erschien 1883 in London und war sein erster schriftstellerischer Erfolg. Eine ins Deutsche übersetzte Ausgabe erschien erstmals 1897. Ursprünglich sollte der Roman The Sea Cook heißen.

Bei den Charakteren und Motiven hat sich Stevenson nach eigenen Angaben unter anderem von Daniel Defoe, Edgar Allan Poe und Washington Irving beeinflussen lassen. Die weltweite Wirkung dieses populären Jugendbuchs ist den Werken von Defoes Robinson Crusoe, Mark Twains Tom Sawyer und Lewis Carrolls Alice im Wunderland vergleichbar.

Der Roman Prince Otto, 1885 erschienen, erzählt in märchenhafter Weise die Geschichte eines jungen deutschen Adligen, dessen Gegenpart, Baron Heinrich von Gondremark, als machtbesessener Ränkeschmied fungiert, und der dem deutschen Reichskanzler Otto von Bismarck nachempfunden sein soll. Dieser Roman konnte nicht an den Erfolg der Schatzinsel anknüpfen.

Der historische Roman „Kidnapped“ (Entführt), erschienen 1886, spielt zur Zeit der jakobitischen Auseinandersetzungen zwischen England und Schottland im 18. Jahrhundert. Die Abenteuer des David Balfour verknüpfen mit dem zweiten Protagonisten Alan Breck eine weitgehend historische Figur in der Geschichte Schottlands, den Jakobiten Alan Breck Stewart. Dieser Roman fand 1893 in Catriona seine Fortsetzung. The Black Arrow. A Tale of the Two Roses (Der Schwarze Pfeil), 1883 als Fortsetzungsroman erneut unter dem Pseudonym Captain Georg North in den Young Folks erschienen, wurde 1888 in Buchform veröffentlicht.

Er behandelt die Zeit der Rosenkriege. 1889 folgten The Master of Ballantrae (Der Junker von Ballantrae) sowie zusammen mit Lloyd Osbourne The Wrong Box (Die falsche Kiste). Den 1893 begonnenen Roman St. Ives brach er 1894 zugunsten des Werks Weir of Hermiston (Die Herren von Hermiston) ab. Dieser Roman wird als sein literarisch reifstes Werk angesehen, Stevenson konnte es jedoch nicht vollenden. Das Fragment erschien postum 1896 in London, 1897 folgte die Veröffentlichung des Fragments von St. Ives.

Die Verwandlung, Poster aus den 1880er Jahren

Die Schauernovelle Der seltsame Fall des Dr. Jekyll und Mr. Hyde aus dem Jahr 1886, die von einer Persönlichkeitsspaltung erzählt, nimmt die Thematik des gemeinsam mit Henley verfasste Dramas Deacon Brodie wieder auf. Mary Shelley hatte bereits 1818 in ihrem Werk Frankenstein einen Wissenschaftler geschaffen, der von einem unbändigen Wissensdurst ergriffen war und keine Grenzen kannte. Dr. Jekyll war die Erfindung einer synthetischen Droge gelungen, die die Wandlung vom Wissenschaftler zum Bösewicht Hyde ermöglichte.

Nach Stevensons Angaben soll ihm die Idee zu der Novelle nach dem Erlebnis eines Albtraums gekommen sein. Aufgrund der Krankheit Stevensons gibt es Vermutungen, dass er das zu jener Zeit erhältliche opiumhaltige Laudanum eingenommen und daher unter Ängsten gelitten haben könnte. Das Buch wurde im Januar veröffentlicht und erwies sich als großer Verkaufserfolg. In Großbritannien wurden innerhalb von sechs Monaten 40.000 Exemplare umgesetzt; es folgte eine Lizenzausgabe in den USA und Übersetzungen in vielen Sprachen.

Der Theaterdichter Thomas Russell Sullivan dramatisierte den Stoff ein Jahr später und brachte ihn mit großem Erfolg 1887 in New York und ein Jahr später in London auf die Bühne. Im 20. Jahrhundert machte das neue Medium Film Dr. Jekyll und Mr. Hyde weltweit bekannt. Die erste deutsche Version von 1920 stammt von Friedrich Murnau mit Conrad Veidt in der Hauptrolle; die Hollywood-Fassung aus dem Jahr 1941 unter der Regie von Victor Fleming wurde mit Spencer Tracy, Ingrid Bergman und Lana Turner in den Hauptrollen besetzt. Weitere Adaptionen für Film und Fernsehen, wie beispielsweise der Fernsehfilm aus dem Jahr 2002, werden auch in der Gegenwart gedreht.

Stevenson pflegte einen außerordentlich geschliffenen Sprachstil. Seine Maxime war: „Kunst ist Handwerk“, daher ist sein Schreibstil geprägt von dem Ringen um genaue Wortwahl, Klangcharakter und Satzrhythmus; die zeitgenössische französische Literatur war ihm darin ein Vorbild.

Robert Louis Stevenson "Keine Pflicht wird so sehr vernachlässigt, wie die Pflicht, glücklich und zufrieden zu sein." Robert Louis Balfour Stevenson…

#Die Schatzinsel #Robert Louis Stevenson

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