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tteokdoroki · 6 months

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☆༉ — RYOMEN SUKUNA. a better man.

about. you’re a girl that’s way out of his league and he’s the bad boy you couldn’t help but fall for. what happens when ryomen sukuna fails to meet you in the middle?

warnings. minors, blank and ageless blogs do not interact! sfw, fluff, suggestive towards the end, no curses!au, modern!au, it’s implied that sukuna is in a gang, mentions of fights, reader is a rich girl, they’re kinda in love :( bad boy!sukuna, fem!reader.

“you’re mad at me. aren’cha?”

sukuna mutters with an air of faux nonchalance as he lazily jogs up the final marble steps that lead up to the restaurant he was supposed to meet you at nearly two hours ago. the evening traffic zips by, red and white headlights parting through the rain to illuminate your boyfriend’s features. heavy water droplets take residence on the slope of his nose and Cupid’s bow, some even daring to cling on to the tips of dusty rose-coloured hair.

if you weren’t so angry right now, you might take a moment to appreciate how good sukuna looks in the moment — especially with the way the rain makes the designer tux you’d gotten for him cling to his skin. exposing every ridge and dip and curve in his muscle while his inky black tattoos become all the more visible.

“of course i’m mad.” you step aside to let sukuna under the shelter of the entrance, avoiding him as he swoops down for his usual hug and kiss. “tonight is important. it was important.”

“babe c’mon on, i was—“

“you were late. they’re serving dessert in there, ryomen.” your tone is coloured with shades of annoyance and a hint of warning. like a mother about to lecture her child. you’re pissed. it’s written all over your face too — in the way that your brows crease and you pout so adorably. he’ll try to play it off, like he doesn’t care, but it almost makes sukuna sick to his stomach to know that you’re angry with him.

the rain picks up outside of the restaurant and you continue. “all you had to do was show up on time. come to this stupid fancy restaurant and be there to meet my parents. but of course, you got yourself caught up in—“ you grab his dress shirt in frustration, noticing the blood on the collar that doesn’t belong to him. his split knuckles and the bruise on his lips. “— in whatever this is.” you roll your eyes, blood boiling.

“it’s nothin’ for you to worry your pretty little head about,” sukuna scoffs, lips spreading wide in his signature smirk. the excuse is lame, but he doesn’t want you to worry for him any longer. “since when did you care about what your parents think, anyways?” but you see it in his eyes, that same old worry. that he’s not good enough for you, that a scumbag like him doesn’t deserve a pretty girl like you. he’s always told you to find someone better, someone able to feed into the glitz and glamour that you were brought up in.

but you’ve always told ryomen sukuna that you have everything you need right there with him.

cupping his face, the heat of anger dispels from your body and you exhale deeply though your nose. “i don’t care about what my parents think. if i did, i wouldn’t be dating you.” you cast a thumb over the thick lines of ink decorating his face, accenting sukuna’s high cheekbones and chiselled features while the rest of your fingers sink into his smooth, dark undercut. “but that doesn’t mean i don’t want you to meet them. they’re just as special to me as you are. i want the most important people in my life to know each other.”

your boyfriend’s hands settle on your wrists as he grunts noncommittally, indicating that he’s aware of his wrong doings. if there’s one thing that sukuna hates, it’s upsetting you. he doesn’t care what the world thinks of him, it’s never mattered before. yet, even the slightest look of disappointment from you has the man in shambles. “‘m sorry,” he drawls, his grip on you shifting down to cup your waist — pulling you flush against him. “what can a guy like me do to make it up to you?”

“you can go on in there and charm the hell out of my rich, uptight parents so that we can hurry up and go home,” your voice lowers an octave as you stand on your tip toes for the extra height so that you can nip at the shell of sukuna’s ear. “where you can rip this dress off’a me.”

“such a dirty mouth for such’a prim ‘n proper girl, hm? i should wash it out with soap.” he purrs right back, leaning down to kiss at your neck until you’ve had enough of his frayed pink hair tickling your skin. he damn near melts when your fingers inch up to tug at his roots — earning a deep and thrilling growl from the man. “that was a dirty move. who taught you that?”

“my good for nothing boyfriend, he’s kind of a bad influence.” you tease back, despite having to physically push sukuna away in order to avoid setting off his inner beast before dinner with your parents is done — and instead, take to grabbing his larger hand in yours so you can lead him from the front of house to your family’s reserved table.

and like always, sukuna trails after you like a lost puppy enamoured with the person that found them, have them love and warmth. because, while you didn’t change him, you made him want to be better — to give up the knives in his back and the bullets looking over his head for something better. something softer.

something like you.

ryomen sukuna wanted to become the someone he thought you deserved.

that’s why he put on this stupid suit and tie, why he let you take his hand, why he follows you to the the table that’s sure to seal his fate with you.

behind all that rough exterior, is a man who loves you.

and in front of sukuna, is a girl who loves him and all of his flaws right back.

#sukuna x reader #sukuna x you #sukuna fluff #jujutsu kaisen x reader #jujutsu kaisen x you #jujutsu kaisen fluff #jjk x reader #jjk x you #jjk fluff #don’t look at me lawl #sukuna ryomen x reader #sukuna ryomen x you #✧ ₊˚੭ — writing #tteokdoroki #angelshubnetwork

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abd-illustrates · 1 month

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YOU!! I DONT KNOW IF PEOPLE SEND ASKS ABOUT HEARTLESS ANYMORE BUT I RECENTLY RESURFACED BACK TO IT AND I JUST *EXPLOSION SOUNDS* /pos

BRO I cannot express to you how much I think about Doppel and Glass and their character concepts and their dynamic and just generally the story. Man, I don't know what it is about those two, but like...AJHSJHD!!

I really like thinking about angst and ways that you can make both of them complex and stuff, you know, separating from just "haha silly comic relief guys!" I like thinking about them and how their not the same, and how they're both technically separate beings kinda? And how they're different and stuff and AA-

ALSO I love they're character design man? Like, it looks...crunchy. that's probably a bad way to put it, but they feel like those sensory videos where people take wax and slime and crush it all up and its really satisfying and crunchy.

AUGH they're all so awesome and I love love LOVE thinking about Heartless as a story and how it would play out and stuff. Keep up the good work and stuff, sorry for word bombing you I just suddenly got a lot of feelings and had to get it out somewhere

sgssgfjsgh thank u so much for taking the time to send this ask dude!

Seeing any love for the Heartless gang always sparks more joy than I can convey, no matter when -- but ur timing is uncanny haha, these two have been on my mind a lot lately too! (Especially since the new Madds Buckley song dropped 'cause it's just sO--- 👀😩🤌)

I'm not very articulate rn but pls take this doodle as a big thank u for the encouragement and for sharing ur thoughts about 'em! 🪞💜

#abd illustrates #heartless #doppel & glass #this was such a nice message thank u again (^^)/#I've been pondering their backstory (and a bunch of others) more recently #so ur not alone in the “heartless hyperfixation resurfacing” club haha #tis the season #I won't get into it rn but “Drivers Seat” has been on LOOP since it dropped and it sparks such an AMV in my mind about them

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cuddlytogas · 2 months

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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effetsecndaires · 9 months

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— 𝐭𝐨𝐦𝐚𝐧 𝐚𝐧𝐝 𝐛𝐨𝐧𝐭𝐞𝐧 𝐫𝐞𝐚𝐜𝐭𝐢𝐧𝐠 𝐭𝐨 𝐦𝐞𝐞𝐭𝐢𝐧𝐠 𝐦𝐢𝐤𝐞𝐲'𝐬 𝐩𝐫𝐞𝐠𝐧𝐚𝐧𝐭 𝐰𝐢𝐟𝐞 (𝐡𝐜𝐬)

INCLUDES | toman members [mentioned: draken, hakkai, mitsuya, pah-chin, peh-yan, takemichi, kazutora, chifuyu, baji.], bonten members [mentioned: takeomi, koko, kakucho, sanzu, ran and rindou haitani]

NOTE | headcanons for toman are set in the final timeline! everyone is in their mid/late 20s, happy & alive :) | request

— TOMAN.

When Mikey shows up with a pregnant lady at his side, most of the gang is stunned into silence. Curious gazes are exchanged, then everyone start whispering among each other, trying to make sense of the situation.

At first, nobody really connects the dots. They all assume you must be a friend in need or someone Mikey found and decided to help. They imagine that Mikey took you under his wing and promised to keep you safe – which would explain why he brought you here. Typical Mikey.

Imagine the absolute whiplash when Mikey starts the meeting by introducing you as his wife.

For some of them (especially Draken), it's kind of a hard pill to swallow.

A wave of realization hits him hard and he suddenly feels like he never really knew Mikey after all. His best friend, whom he hangs out with pretty much every day and has been looking after his whole life, has been married this entire time? He can't help but wonder how he missed all the signs and feels a mixture of emotions as he tries to process those unexpected layers of Mikey's life that he never knew existed.

But once he starts to grasp the reasons why Mikey did it, he begins to feel better about it.

He knows that Mikey has always been a responsible and thoughtful young man. The fact that he kept his wife hidden from the gang because he knew your presence might've made you a target for rival gangs or enemies seeking to exploit the slightest vulnerability in his life only made Draken more admirative of Mikey.

Over time, everyone in Toman gets accustomed to the situation and they all grow closer to you, much to Mikey's delight.

Hakkai has yet to get used to seeing you around all the time, but he tries his best. He really likes you and tries not to freeze completely when you talk to him. It's not easy for him, but he does manage to get a few words out when you start a conversation. It's cute to see him make the effort and face his shyness just to be able talk to you.

Baji and Chifuyu are like your personal bodyguards. They treat you like a younger sibling, always looking out for you and stealing you from Mikey to hang out or help with shopping for the baby.

As for Mitsuya, he'll put all his energy into making his own unique pieces of clothing for the baby. Before your child is even born, he's is already envisioning the most adorable designs to keep the little one cozy and stylish at all times. He'll design all sort of cute outfits, knit baby blankets, baby booties, and maybe even craft some nursery decor, because why not.

Everyone quickly realizes that you are an essential pillar of support for Mikey and they, too, end up finding comfort in your presence.

In moments of stress and anxiety, you always know how to calm them down. A gentle touch on the shoulder or a quick pep talk is all it takes to ease the burden from their shoulders. It's as if you have this innate sense of knowing when people need support the most, and you're always there to lend a listening ear or a shoulder to lean on.

You've practically become Kazutora's best friend and confident, and he often seeks your advice on important decisions. Your bond with him runs deep, forged through shared experiences and the understanding that you have for each other. He knows that you genuinely care about his well-being and will always have his best interests at heart.

After the baby's arrival, Pah-Chin and Peh-Yan turn into the typical pair of bickering uncles, always competing to hold the baby first (because of course, everyone gets to hold your baby at least once a day).

One day, their playful argument escalates and their voices disturb the baby's peaceful sleep, leading to Mikey landing a friendly kick on them, while Draken settles to giving them a rather harsh slap on the back of the head.

In the midst of the chaos, Takemichi eventually gets the privilege of holding the baby first. You could tell he was practically dying to ask, but simply didn't dare to.

You share a special connection with all of Mikey's friends, like a close-knit found family, and each of them wholeheartedly reciprocates your affection.

— BONTEN.

When Mikey holds a meeting to introduce his pregnant partner, the news doesn't really come off as a shock to anyone. Everyone in Bonten is used to sleeping around, and, well, they know that accidents can happen.

Mikey decided to be responsible and keep a prostitute and her baby? Okay, good for him. Maybe not the best decision, but that's none of their business.

What genuinely shocks them however, is finding out that you and your baby are actually far from being a mere accident or casual fling gone wrong.

In fact, you've been Mikey's wife for a little over a year now, and the main motivation behind his decision to introduce you to his gang is to ensure your safety at all times. He can't risk an enemy finding out about you before his allies do, especially now that you're pregnant.

They're not exactly thrilled by the idea of playing babysitter for their boss - but they quickly get used to having you around. (It's not like they have much of a choice anyway)

Takeomi handles you like literal porcelain. He doesn't leave your side, always following you around to make sure you don't trip, fall down the stairs or hurt yourself in any way shape or form.

His attentiveness is primarily driven by your position as the boss's wife rather than personal affection or genuine concern for you, though. He's just doing his job, knowing that any harm happening to you while he's in charge of watching you will result in him getting reprimanded by Mikey. You're a very nice woman, but he'd rather be tasked with more important business - hence the constant huffs and sighs when he's around you.

Koko, on the other hand, grows particularly fond of you and buys pretty much everything you need for yourself and the baby. Whether it be clothes, plushies, furniture for the nursery or your weird pregnancy cravings, he'll get you anything you desire. This baby is going to be spoiled rotten whether you like it or not. (Mikey complains about it more than you do)

Similarly, you and Kakucho develop a significant bond over time, the third-in-command becoming almost like an older brother to you. Among the gang, he stands out as the friendliest and least intimidating, Introducing a comforting and accessible presence in your life, something you've been missing for a while. Although you love Mikey dearly, being his wife presents its own set of difficulties and often leaves you feeling isolated.

Sanzu mostly minds his own business. He does his job and keeps an eye on you, but he has too much respect for Mikey to even consider befriending you. He wouldn't want his boss to get the wrong idea.

He mostly leaves the wifesitting job to the others, preferring to stay by Mikey's side and obey his more thrilling orders.

(And let's be honest, you're not complaining)

The Haitani brothers aren't big on befriending, and yet from time to time they'll buy some stuff for your baby, like little shoes or plushies. (That's mostly Rindou's doing, as he tends to be friendlier than his older brother).

When you find yourself alone at home, they're usually the ones assigned to stay by your front door, ensuring your security.

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