My Fave Is Problematic: Stop!! Hibari-Kun!
Content Warning: racism/racial caricatures (including example screenshot), sexual harassment, transphobia, sexualization of minors
Stop!! Hibari-Kun!’s titular character is, for me, one of the best representations of a trans woman in media—made all the more shocking by the fact that it was made in the 1980s, a time when the concept of trans women was even more deeply misunderstood than it is now.
However, with that decade came many problematic aspects, such as casual transphobia, racism, and uncomfortable sexuality. The dichotomy of Hibari as both a progressive trans narrative and an ignorant product of its time showcases Japan’s complicated relationship with trans women and other marginalized groups. As a non-binary person myself, I certainly found a lot of fun and gender envy from Stop!! Hibari-kun. I discovered it two years ago, coincidentally around the time I was coming to terms with my own identity. The confidence with which she displays her femininity is something I’ve always admired. This ironically makes it all the harder to recommend, because Stop!! Hibari-kun also has aspects that I was incredibly uncomfortable with despite its great qualities.
Read it at Anime Feminist!
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Fasting, Kazuo Umezu - Eguchi Hisashi ( 1994 -1998)
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ストップ!! ひばりくん! illustration:hisashi EGUCHI 江口寿史 1981 #江口寿史 #hisashi EGUCHI #少年ジャンプ #ストップ!! ひばりくん ! #illustration #manga #Japan #stop!! hibari kun! #stop hibari kun #hibarikun
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江口寿史 x NEW PEUGEOT 208 GTi TIME DRIVER
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“If I Was Born As A Girl…”: Transfeminine desire in Stop!! Hibari-Kun
Content warning: discussion of transphobia
It was 1981. The smash-hit Urusei Yatsuradominated Weekly Shonen Sunday reader polls, while Pierrot’s popular adaptation of the interstellar sex comedy was just starting to take off on Fuji TV. The manga would eventually end in 1987 after thirty-four volumes, while the 195 episode anime would run until 1986. During this time, creator Takahashi Rumiko even found the time to pen another prolific romance manga: Maison Ikkoku.
At this time, artist Eguchi Hisashi had just wrapped up his bawdy detective comedy Hinomaru Gekijou and was on the hunt for a new concept. Living in this boom period for romantic comedy—which also included juggernauts like The Kabocha Wine and Kimagure Orange Road—Eguchi wanted to make his mark on the burgeoning genre. But the illustrator wasn’t interested in playing things safe or making a guaranteed hit. From the outset, Eguchi wanted to lampoon the genre and twist reader expectations by having the central love interest be “a boy who dressed as a girl.”
“As I was putting all my energy into drawing Hibari-Kun to be as cute as possible,” Eguch saidi to French program Toco Toco in 2017, “the story would become more and more twisted. There weren’t that many manga like this at the time.”
In a cafe, he drafted the first storyboard for what would become Stop!! Hibari-kun—its title a pun on Hisashi Sekiya’s hot-blooded boys’ sports series, Stop! Nii-Chan.
Stop!! Hibari-kun, at first blush, boasts a fairly conventional set-up for a screwball romantic comedy. After the death of his mother, Kosaku is sent to live with Ozora Ibari, a loud-mouthed, sleazy yakuza with four daughters. No sooner does the young man arrive, however, than he falls head over heels for Hibari: the playful and exuberant third daughter of the Ozora family. Hibari, bright blonde and full of tomboy energy, sticks out in comparison to her more reserved sisters. It’s fair to say Eguchi draws Hibari with more attention and care to detail than he does the other female characters, between her ultra-trendy threads and her numerous pin-up splash pages.
Read it at Anime Feminist!
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A collection of Fanart for Stop!! Hibari-Kun!
Might have already posted some of these but at least one of them is new
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