Tumgik
#Fo4 spoilers
anonymousgayrobot · 1 month
Text
Tumblr media
why does everybody write danse to be hella abstinent when this his room?!! and in rhe bunker theres two whiskey(?) bottles behind his alarm clock;; and the BOS has a whole ass bar?? bro should’ve been at the club
64 notes · View notes
aesthetic-shadows · 2 years
Text
Fuck the cancer I could've killed Shaun myself by pulling out some black pepper
no one has used any seasonings in 200 years. That man's piperine tolerance is in the negatives
990 notes · View notes
grymkoena · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Fallout 4
[OC: Sharon Markov]
37 notes · View notes
stoat-party · 3 months
Text
Tumblr media
This is Desdemona’s death quote. Very excited to hear she’s a member of the DeadSpouseGuy association.
Uh and uh here’s Glory’s, with some absolutely horrible line read directions attached
Tumblr media
:D hey what the heck
52 notes · View notes
elvishdemigod · 26 days
Text
Headcanon that Rhys had feelings towards Danse.
He just never pursued Danse because he was a "Duty before the heart" type of guy. On top of the BoS' homophobia, romance of any kind would be a weakness. (Spoiler ahead if you haven't finished the BoS stuff)
And when it came out that Danse was a synth, Rhys was horribly distraught. He just hides it because Duty over Heart, and believes that Danse had been lying about his identity. But he internally is just as saddened by the revelation as Haylen.
14 notes · View notes
typosandtea · 6 months
Text
Drawing the Fallout 4 companions once I max affinity with them: Piper!
Tumblr media
My thoughts about Piper below
Piper is an interesting character for sure. I did like her sarcastic quips.
Her hearts in the right place but her journalistic method is a tad too fear-mongering and suspicious in my opinion, I wonder if she sees the very real impact her paper has on the paranoia of the commonwealth.
I can also see why she is so vocal though, as so many people don’t do anything about the institute out of fear and she’s seen what being in the dark about a threat can do to the people she cares about.
It’s a shame we can’t adopt Nat as well or at least send Piper back to diamond city (if you’ve sent her to a settlement already) running away from your little sister while she runs your business for you is a bit sad and I feel sorry for Piper that she feels like she has to avoid Nat.
Excellent perk to get especially this early in my save. (Double experience for location marking and speech checks? hell yeah)
10/10 needs a hug, therapy and better writing that what she got in game.
23 notes · View notes
cormorantcolors · 1 year
Text
82 notes · View notes
telethrutime · 2 years
Text
Hey. Hey don’t cry. 23 boxes of Fancy Lad snack cakes okay?
64 notes · View notes
blackwolfflame · 6 months
Text
So, I just completed the main fo4 storyline with the Brotherhood of Steel.
Here's a stupid quote:
Line Break for spoilers and possible mild suicide trigger
~During Blind Betrayal, a quest where you either kill Paladin Danse or save him from himself and Maxson (I convinced Danse to live, and was now waiting untill the game let me convince Maxson to let Danse live)~
Maxson: {Monologue about how synths are evil and how since Danse is a synth that means he's evil and should be killed}
Me: {As Suction Cup Man} Oh, you're a BITCH~! YOU'RE A BITCH~! YOU'RE A BITCH! (Guitar sounds) Bitch!
Here's the song for reference.
4 notes · View notes
3scythes · 2 months
Text
current Far Harbor dilemma (spoilers if you haven’t played the dlc): brought Nick to FH after getting the misc quest to bring him to KYE, discovered he’s DiMA’s brother but I’m at the part in the quest where I can turn him in to the people of Far Harbor for judgement (which I intend to do, I’m not wearing Agatha’s Dress and the Minuteman general’s hat together for nothing, I need that charisma boost), so somehow I’ve gotta give Nick more time with DiMA but also then have him be killed by the people of Far Harbor in order to save Acadia but also have justice for real Avery???? But how will Nick feel about this?????
1 note · View note
anonymousgayrobot · 4 days
Text
one of my favorite things about fallout 4 is that story component of ‘waking up in a new world’ that fantasy stories sometimes use, is completely flipped on it’s ass. Because there is no magic, it’s just the sheer brutality of war. There is nothing left of Sole’s past, and there’s no going back. And how they’re given an artificial model of the son they never watched grow up, and will never continue to see grow—it’s like a slap in the face to that sentiment. Killing Kellogg can surely avenge your spouse and the theft of your son, but there’s no real closure there. You can’t pursue vengeance on Vault Tec for experimenting on your family, or on the employees that left you in that pod to die because they’re already dead. The Sole Survivor is forced to come to terms that their world is gone forever, there is no return but you’re still alive; you can still form new connections, be capable of more than just revenge or hate, fall in love again, breathe the dusty air and grill some radioactive cow in the ruins of your old neighborhood, surrounded by new faces, new lives. It’s complete renewal. I know all of this sounds super obvious but as someone who’s had to deal with unclosed trauma and the passage of time, it HURTS so uniquely bad.
Also, to be more survivor-specific; I can’t imagine what either spouse could’ve felt in that scenario. Nate, being a former soldier who thought he could narrowly escape that carnage, only to be reminded of their reality as the familiar sound of vertibirds fly overhead. To helplessly watch his wife be murdered the same as his old comrade-in-arms after everything he did to keep them safe.
And for Nora, who probably spent each day worrying and stressing for her husband’s safety while he was deployed. Only to watch him be murdered helplessly trying to shield their son, unable to do anything once again. To have that sense of a permanent future be swiped from them and wrecked into oblivion.
And then in 210 years, be face to face with the son they don’t know and never knew at all, unable to be saved and the embodiment of guilt—older than their own selves and completely unrecognizable. The way their voices welled with emotion as they saw the synth version of their son, believing him to be real and begging for him to follow. They come all this way and for what? Realize their own child is the enemy? When they watch from that rooftop as the Institute explodes, everyone celebrates but does Sole? Do they want to question if it was worth it? I also like the addition of the Silver Shroud missions because maybe it offered a chance for Sole to reminisce, live within their old life for a minute and be human. And they seemed really happy about it too despite everything.
or maybe im just overly empathetic uhhhhhh
18 notes · View notes
grymkoena · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Fallout 4
[OC: Sharon Markov]
12 notes · View notes
b1adelight · 10 months
Text
I am regretting that I got dima killed now more than ever. It’s way too late to go back. I am sorry. I am making up for it by drawing him a million times for a whole youtube video. It will not undo my past mistakes. I am in denial.
1 note · View note
cassandrapentayaaaaas · 10 months
Text
Nate says “you mean like that night in the park, a year ago?” to Nora in a 👀👀😘 tone. It is October 23, in game, at this time. Ergo, Father is either a Cancer or a Leo. Either outcome is as hilarious as it is fitting.
1 note · View note
m-u-n-c-h-y · 2 months
Text
Tumblr media
I postponed watching the last episode to make this...
635 notes · View notes
cormorantcolors · 1 year
Text
Thinking eternally about how in Far Harbor, Nick Valentine always pushes for people to learn the truth. He expresses disapproval with the Sole Survivor when they choose to withhold the truth from Avery and Jules about who they are, but if you follow that logic and convince DiMA to confess to Far Harbor instead of secretly turning people into synths, that’s when he dies.
58 notes · View notes