#GeometricAbstraction

[aaagencyyy]

Urban Rabaglio

[luxurious-vision-nick]

Do the right thing, and your stage will find you. Every stroke, every choice, is a step toward the masterpiece of your life. ⦰𝖓𝖎𝖈𝖐

[ele--noir]

Girl In The Bathroom

[cln47]

DAILY - Nines Number 119 Sampling_composition_147_colour_02, Clemens Niewoehner (CLN47) Sampling compositions are colouring collages of recurring geometric elements

[abstract-breeze]

Duality in Motion The artwork features a dynamic interplay of geometric shapes, including circles and rectangles, in a bold black and white palette, accented by shades of gray and a single orange square. The composition evokes a sense of balance and movement, inviting contemplation.

[fineartandblueamber]

Principles of Kazimir Malevich’s Suprematism Philosophy

Suprematist art, specially drawn in out-of-proportion size with the art concept, was a small standing mirror in which the materialistic men of a materialistic century could look at themselves…Suprematism presented to the Russian people the greatest aspects of non-objectivity in art and by so doing, open the way to a deeper understanding of art. Malevich was an intelligent in his stratagems for appealing to the plain sense of his utilitarian countrymen while not compromising his art doctrine.

Step by step throughout its development, he would present the squares and circles as inventions to aid the peasant in life and in the end, it would seem seekers for eternal life. It is most likely that in the first instances of the non-objective creations, Malevich was trying to slip something into the art of the Communist overseer…but when he always failed to gain the serious notice of the public servant, he finally revealed the real aim of his Being.

Through this struggle for acceptance of his art doctrine, Malevich showed a large amount of mordant wit in his politicking with the Communist art organizers. In this weak state of the intellectual elite in Russia, it proves the theory that the artist, no matter how true and dedicated he may be, is always a servant to the age in which he lives…but in Malevich’s example, he is also a leader of the future.

When a single individual comes to represent the symbol of an entire age, it is because he bears within himself the secrets and the future of that age. Malevich’s Suprematism is the most absolute development of modernist sensibility; and the servant of it. It is for this reason that Suprematism, from its beginning in 1913 to the late 1920s, was primarily a cultural force, at least in the mind of its originator.

As a result, in the tumult of early 20th-century Russia, Malevich emerged as a beacon of Suprematist art, challenging the conventions of representation with his fervent embrace of non-objectivity. His art doctrine, meticulously crafted, sought to liberate Russian art from the shackles of materialism, offering instead a portal to abstract realms. Malevich, a visionary of Russian art, navigated the turbulent waters of Modernism with unparalleled audacity, spearheading the avant-garde movement with his bold strokes and geometric forms.

As the cultural force of Suprematism swept through the intellectual elite, Malevich stood as its unwavering advocate, confronting the entrenched ideologies of his utilitarian countrymen. Through his artistic innovation, he transcended the confines of symbolism, weaving a tapestry of abstract expression that resonated with the future of art itself.

Of this, “Suprematism of the Spirit” is an iconic example. (see note below) Matter of fact, “Suprematism of the Spirit” represents the culmination of Malevich’s artistic journey within the Suprematist movement, where he sought to push the boundaries of abstraction and express the ineffable through geometric forms and color.

In the years following the creation of his seminal work “Black Square” in 1915, Malevich continued to refine his ideas and experiment with geometric abstraction. His Suprematist compositions became more complex, incorporating a variety of shapes, lines, and colors arranged in dynamic compositions.

By the time he painted “Suprematism of the Spirit,” likely in 1919 or 1920, Malevich had fully embraced Suprematism as a means of expressing the spiritual essence of art. The title itself suggests a departure from the purely material or formal concerns of earlier Suprematist works towards a deeper exploration of metaphysical themes.

“Suprematism of the Spirit” may feature a composition dominated by geometric shapes and bold colors, typical of Malevich’s Suprematist style. However, it also likely conveys a sense of transcendence and inner harmony, reflecting Malevich’s belief in the ability of art to evoke spiritual truths beyond the material world.

Note: Seems that there were several versions made of “Suprematism of the Spirit”. The museum in Amsterdam has on on wood and the museum in Tel Aviv has one based on that. The version above (File:Suprematism-spirit-1919-1920.jpg – Wikipedia. ) is shown in Unovis No 1 Vitebsk 1920 as annex to the facsimile edition and in Jahrbuch der jungen Kunst, Klinkhardt Biermann in the article of Kallai, Ernst (Konstruktivismus p.375) Leipzig,1924 as well as El Lissitzky/Hans Arp (Die Kunstismen /Les Ismes de L’Art /The Isms of Art) in 1924-1914 Erlenbach Zürich München Leipzig 1925 Pp 23 (illustration 45) and many more.

[postmodernart]

Nicholaas Chiao, Biomorphic Abstract Forms on the White Ground #2, 2023, acrylic on paper, 24 x 18 inches

[dapple-soroka]

[cryptogenesisart]

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[acidmit]

📸✨ Embracing the Darkness, Illuminated by Art! 🌌🖼️

📸✨ Embracing the Darkness, Illuminated by Art! 🌌🖼️

Hey, Insta-fam! 🌟 Get ready to immerse yourself in a realm where darkness intertwines with artistic brilliance. Today, I unveil a new floor in my gallery—a dark and mysterious space, illuminated solely by the radiant light of my NFTs. 🌑✨

Imagine stepping into this enigmatic realm, where the obsidian walls fade into the shadows, and your senses become heightened. The air is thick with anticipation as you navigate through the space, guided by the captivating glow emanating from each artwork. 🌌🎨💡

In this poetic dance of shadows and luminescence, the focus shifts entirely to the art. Each NFT becomes a beacon of creativity, illuminating the darkness and drawing you deeper into their captivating narratives and emotions. It's a symphony of visual storytelling like no other. 🌟🖼️🔦

As you traverse this darkened floor, allow yourself to be swept away by the profound beauty that emerges from the interplay of light and shadow. Discover the intricacies, details, and emotions that flourish amidst the obscurity, celebrating the transformative power of art. ✨🎭🌑

Stay tuned for more glimpses into this ethereal space, where darkness finds solace in the radiance of my NFTs. Let their light guide you through the mysteries and unveil the hidden wonders that lie within. ✨🔍🌌 #ArtIlluminatesDarkness #NFTEnigma

P.S. Embrace the darkness and let the art be your guiding light. Allow yourself to be enchanted by the stories that unfold and find solace in the beauty that thrives within the shadows. Enjoy the journey! 🌌✨

[ardiziya]

Современный взгляд на авангард: иллюстрация, созданная нейросетью Midjourney, представляет собой яркий портрет женской красоты. Смелые сочетания лайма и синего на фоне абстрактных геометрических фигур создают загадочный и притягательный образ. Композиция, объединяющая сюрреализм и поп-арт, идеально подойдет ценителям моды и авангардного искусства, воплощая смелость, креативность и с��временную эстетику…

[jfishburnartworks]

Oz.

[luxurious-vision-nick]

《The Second Door》

Some doors open quietly, while others burst open suddenly like the birth of the sun. The second door is not a passage, but an ignition device. On the edge of destruction lies pure creation Truth melting, karma burning, new frequencies being born.

To cross it means to abandon the illusion of safety,And embrace the chaos that is developing.

You don‘t walk through the door you blend into it. ⦰𝖓𝖎𝖈𝖐

[tangerineduskbyka]

3 strikes

intertwined

How to free yourself from entanglements that have lived their purpose…

[cln47]

DAILY - Nines Number 111 Sampling_composition_139_colour_02, Clemens Niewoehner (CLN47) Sampling compositions are colouring collages of recurring geometric elements

[abstract-breeze]

Eclipsed Geometry and Emotion This abstract artwork features a dynamic arrangement of geometric shapes, primarily in red, black, white, and hints of blue. The overlapping forms create a sense of movement and tension, inviting exploration of space, balance, and contrast within the composition.