#Giant Bombcast

[liugeaux]

Greatest Songs Ever - Part 21 (Off the Rails)

Never has one of these been as off-the-rails as this one seems. I promise it’s not on purpose. With Part 20 being much more close to home, naturally, part 21 veers the opposite direction. 

Some of these you might not know, and I encourage you to check them out. here’s your link to the ongoing playlist. Let’s do this!

2011 “Lock Down (feat. Leo the Lion)” -  Adam Skinner & Dan Skinner

We kick it off with the bop of the century. Maybe that’s an overstatement, but “Lock Down” crept into my life through the Giant Bombcast. The duders over there stumbled on this track in AudioNetwork, a royalty-free subscription music service. They played it during live stream downtime and their community ate it up. It became somewhat of an inside joke, while simultaneously being a banger. It’s categorized as “new-soul,” but its got a funk and a groove to it that gets your feet moving. I know nothing about Adam or Dan Skinner, and even less about Leo the Lion, but accidentally stumbling on such a fun track is kind of what this list is all about.  

1983 “Sharp Dressed Man” - ZZ Top

ZZ Top is a mood. I always feel like ZZ Top songs only have words to make them more marketable. If they could get away with a career full of songs like “Tequila” by The Champs, then they would’ve probably done that. Alas Billy Gibbons had to use his singing voice to entice the masses. With a sound like sandpaper on bone, Gibbons gravelly delivery is the perfect compliment to the almost sludgy guitar riffs on “Sharp Dressed Man.” Given how grimey and raw everything about this song is, the title feels like tongue and cheek irony. It’s a song whose guitar lick is so good it doubles as a chorus. A chorus that slices you in half everytime it churns back to the speakers. I like a lot of tracks in the ZZ Top library, but “Sharp Dressed Man” has a swagger that’s universal.  

2009 “TiK ToK” - Kesha

When my grand kids ask me what the late aughts sounded like, my answer will be “Tik Tok” by Kesha. This song is 100% a product of the pop music culture surrounding it. While Kesha’s talents as a songwriter eclipse this track exponentially, “Tik Tok” captured an energy and moment in music that cannot be recreated. Sanitized club beats, auto-tune, party-girl vibes, a hint of female empowerment and an odd Mick Jagger reference “Tik Tok” is hella weird. Even at the time I got a collective feeling from music fans, like we were looking at each other and saying “are we really doing this?” “Take On Me” is to the 80s what “Ice Ice Baby” is to the 90s, and “Tik Tok” is to the 00s. I’ve flirted with putting later Kesha songs on this list, but to do so before this seminal classic is an insult to an entire generation of music.   

1969 “My Way” - Frank Sinatra

Southerners don’t listen to Sinatra. Growing up I understood Frank Sinatra was a big deal and even had movies referred to me, but I couldn’t name a single one of his songs. My childhood wasn’t filled with Sinatra tracks, crooner numbers or Rat Pack hits, it was Elvis, The Beatles, Classic Rock and country. I purposely reached for “My Way” to see what the big deal was. I’d heard an American Idol contestant or two sing snippets of it, but I wanted to know why the song is so revered. Upon first listen, I thought it sounded much older than it actually is. I would have pegged this song as a track from the 40s. The sound quality of the backing symphony is reminiscent of much older Hollywood scores like The Wizard of Oz, so to learn that its newer than most of The Beatles’ library was shocking. As a celebration of individuality, it’s message isn’t too dissimilar from that of the US as an idea, and the lyrics’ acknowledgement of his “way” being imperfect is subtly beautiful. “My Way” is an anthem for the proud, and sadly I feel the rigidity of its message has been used to justify rejecting compromise. As one man’s celebration of himself and as a booming showtune, the song is outstanding.  

2021 “Sunroof” - Nicky Youre

Whenever I pick super-recent songs I know I’m rolling the dice on how time will effect this list. I have no idea who Nicky Youre is, but he knows how to capture the energy of youth. From the initial drop of “I got my head out the sunroof...” this song drips of innocence fueled youth. The freedom of your first car, having no worries and being consumed by the energy of a potential partner, it’s the magical spark of youth. Even the “La da, la da da, la la la“ part is laced with an envious carefree attitude. We are all longing for the feeling “Sunroof” is advertising, and that’s why it works so well. It’s like freebasing the idea of potential, “Sunroof” is a drug we should all be addicted to.  

2001 "Rhythm” - Awol One & Daddy Kev

For an oh-so-brief moment in community college, I brushed against being cool enough to know someone who knew this song. My bud Austin, a worldly brain of a person who, to my knowledge has never been bad at anything, at least not anything he put legit effort into, turned me onto this track. He played a lot of music for me back then and not much of it stuck, but “Rhythm” burrowed in like a tick. The stand-out on the track is the flute in the loop. I’m gonna do my best to avoid making a flute-loops joke, but I promise nothing. I don’t know anything about the production of the track but it strikes me as a song birthed from the tightness of the loop. Once that was established, I’m sure everything else fell into place. The rapping isn’t stellar, but it knows what it is, and stays out of the way. Awol One’s drawn out delivery feeds the stoner vibe the track carries, while never feeling scummy. Laid-back, groovy, and raw enough to feel like the underground gem that it is. “Rhythm” was never at risk of being a radio hit, but that’s kind of a badge of honor here. If one more person hears this song because of this write up, I will have done my job.

1993 “Chattahoochee” (Extended Mix) -  Alan Jackson

Look at that, yet another 90s country song gets added to the list! “Chattahoochee” is a country fan’s country song. It’s as story-telly as the fans demand, and Jackson’s delivery is exactly what you would expect from a pillar of the genre. However when you dig deeper, the lyrics are much more universal fro the casual listener. Like “Sunroof” there’s something inherently youthful about “Chattahoochee.” Youth, as a concept, is ripe for creative mining and Jackson chose a hyper specific venue for his slice-of-life story. Because the innocence of youth is so universal, even if you didn’t grow up on a river, you just get it. Your Chattahoochee river might be a drive-in movie theater, or a Sonic parking lot, or the pool tables at the local bowling alley. Calling a song shallow is only an insult if it doesn’t have a wide appeal. “Chattahoochee” is as shallow as that river probably is, and that just means everyone can relate. As for the (Extended Mix), it doesn’t add too much, but it does make the song feel more like an event. It’s got an extra breakdown or two that probably work well in a live setting. It’s just a better paced version of the same song.   

1970 “War Pigs” - Black Sabbath

When you Google “Who invented heavy metal” you get a passage about historians believing it was Black Sabbath. I like to think all metal songs share DNA with tracks like “War Pigs.” Loud, brash and with something to say, the track alternates between an Ozzy show-piece and a Tony Iommi guitar rocker. Its quiet moments are as important as its loud guitar solos, a practice almost lost to time I modern metal. “War Pigs” may not be as relevant today as it was in 1970 (I’d like to think humans have learned a lot from past wars), but it serves as a creative benchmark for commentary on socio-political statements in art. Let’s not forget about the slimy and iconic guitar work here, traces of thrash can be heard in the solos and that wouldn’t rise to prominence until the 80s. Sabbath is WAAAAAAAY more important than most realize and “War Pigs” is their masterpiece.  

2018 “Responsible Ver. 2″ (feat. Stan Taylor) - DUX

I really don’t know what to say about this one. DUX is a DJ, Stan Taylor is a vocalist, and “Responsible” is one of their collaborations. Due to their relative obscurity, they are oddly hard to Google. DUX seems Brazilian, and Taylor looks to be from Cali, but I don’t know if any of that matters. “Responsible” hovers between soul, techno, funk, and jazz, pretty cleanly. What initially stood out was the absolutely chewy bassline. The bass however, only gets you through the door, Taylor’s big soulful delivery hooks you, and the horn-filled bridge finishes the job. A beautiful melding of several reliable pillars of American music makes this into an unexpected modern classic buried in obscurity. “Responsible Ver. 2″ (definitely better than Ver. 1) would play well anywhere from a local pub to the biggest sporting event. If you check out any of these songs individually, please let this one be one of them.   

1969 “Haute Couture” aka “Temptation Sensation” -  Das Orchester Heinz Kiessling

There is so much to unpack with this choice. Yes, it’s the Always Sunny in Philadelphia theme, yes, that seems cheap, and no, I don’t care. I’ve always loved the simplicity of the theme and found its whimsy quite-heartwarming. Prior to last year, I had not heard the original track, or knew anything about it. This song is by a German composer named Heinz Kiessling, and its taken two different names in its release history, “Haute Couture” and “Temptation Sensation.” For what its worth, I prefer the latter. The song itself is an orchestral mushroom trip. Somehow, like “My Way” it was released as recently as 1969. Nothing sounds more like a 1942 instrumental as much as this track does. To put this in perspective, it was released a year before the almost modern sounding “War Pigs”. Was Germany so far behind America in sound production that “Temptation Sensation” just felt super old, or was that on purpose? Who knows. The internet doesn’t say anything about him being a Nazi, so there’s more good news. The song itself is so full of whimsy, and fluff, that its hard to hear without feeling like a burden has been lifted from your shoulders. As the theme from It’s always Sunny, it works stupendously because of the thematic dichotomy.

That was an exceptionally weird list of songs, but I promise next time will be a bit more mainstream. That is, unless my plans change, then, anything is on the table. *Insert excited emoji*    

[felassan]

on this episode the other day of Giant Bombcast, Jeff Grubb and co mentioned DA:D.

context: speculation segment about what will be shown in the SGF opening night live show.

Jeff: “What’s the biggest game you could see being at the show?” Mike: “Dragon Age. […] I know it’s not a new announcement but haven’t heard from that in forever.”

context: speculation segment about what will be shown in the SGF Xbox Showcase.

Jeff: “Dragon Age probably will also have an appearance here, that seems likely. […] I mean, like, you know, two hours, like probably around thirty games. We’ve mentioned a handful first party games and Dragon Age.”

[source]

[peacereturnedtothevalley]

I am Starting scallion (sort of). I’m listening to the intro to FatT episode that was technically created later than it is on the feed. So it would placed somewhere around partizan? Very funny to me conceptually to only to relisten to this once I hit that point.

Anyways it’s so fascinating how much things changes since even this intro was made… im just going to list a bunch of things:

- Austin mentions we might’ve heard them from emojidrome, waypoint radio, or a giant bombcast guest (rip rip and rip) (I guess giant bomb is still going I just assumed it died for some reason),

- sangfielle didn’t exist yet so it wasn’t there as another starting point

- c/w is still austin’s fav season (he still likes it but he mentioned in a gathering info that its not the end all be all which is good)

- it’s the old patreon structure

- and tm is still enemy #1 (was just not mentioned at all, which makes sense for not being a starting recommendation but I think at the point of release I could not have imagined how much tm will matter in palisade and how much I will be vindicated as a stan-)

Based on this do they need a new intro, idk. Most of the recs hold up (fall of magic, marielda, partizan) but maybe they want to include sangfielle on there

Wah the fall of magic theme at the end…

[news247planet]

#Giant #Presents #AEW Large Bomb Presents: Energy Bombcast: Lengthy Boiz https://news247planet.com/?p=846392

[breakingarrows]

Games Media in Review: Giant Bomb

I don’t have as long a history with Giant Bomb as I do IGN or Kinda Funny but the love and enjoyment from when I was a fan is definitely equal to those two. I have strong memories of listening to the Giant Bomb Game of the Year discussions in 2014 while pushing shopping carts around outside the Wal-Mart I worked at. I was a premium subscriber from June 2016 until I let it expire in March 2022. About a year ago I sat down to try and narrow down what my personal “golden age” of Giant Bomb was by counting the various shows or highlights put out in each year, this narrowed it down to the 2017-2019 period as being the strongest. Drew Scanlon’s departure was softened by the hiring of Abby Russell and Ben Pack, later joined by Jan Ochoa. Abby and Ben’s later departure, the COVID pandemic making in-person recordings no longer possible, and the later departures of Vinny Caravella, Alex Navarro, and Brad Shoemaker pretty much killed any and all enthusiasm I had for the site. Jeff Gerstmann’s firing (still such a strange warped reflection of his firing from GameSpot due to external ad-pressure which led to founding Giant Bomb, now being fired from that website) didn’t help any interest that may have remained, especially given the site’s response following his sudden departure.

Watching and listening to the current Giant Bomb for these past two weeks has been the most disappointing experience of this series so far. Kinda Funny may not have very strong critical bones, and I can’t say Giant Bomb really does either, both are more to provide entertainment than thoughtful critiques, but only one of them ever provided any laughs: Kinda Funny. I know some of this has to do with finding Dan Ryckert more obnoxious than funny, but also just the overall content I watched (34 videos checking over my YouTube history) wasn’t very fun to watch along with.

When discussing Kinda Funny I mentioned their adherence to enthusiast press talk of excitement and positivity above all else, and while I don’t think that is true of Giant Bomb, I did find their critical talk similarly lacking. Most of it I can attribute to the shadow Dan Ryckert casts over the site. Dan loves wrestling, and specifically loves reenacting the role of the “heel” from wrestling in his work life, a term referring to someone who plays the bad guy who is supposed to make the audience and other cast members mad at them for their behavior. Dan finds this funny, I find it obnoxious. At least during his previous employment at Giant Bomb he had Jeff Gerstmann, Vinny Caravella, and his fellow GameInformer coworker turned Giant Bomb staff Jason Oestreicher to somewhat counter his heel tendencies. All of them are gone now and it shows. During the Giant Bombcast 808 Dan explains why he didn’t like Red Dead Redemption 2 or The Lord of the Rings around 1:42:37, and it was at an early point in my watching that I began to question whether or not I really wanted to continue. It isn’t that I disagree with the opinion being expressed, that either can be/is “boring,” but it is the way this thought is explained that irritates me. This feeling is expressed by others as well. This has always been an issue with people when watching Dan, as I remember my wife never liked him once he started showing up in Giant Bomb east videos with Abby. To me, I’ve always found his critical thought skills severely lacking, and am still surprised he was a writer at GameInformer and for several years and was contributing his voice to the greater critical volume.

Blight Club is their “playing through a bad game” show, but since bad games are so different from bad movies, especially given the time required and the lack of any editing on the backend (which is completely understandable from a production standpoint), it never reaches the sort of fever pitch of RedLetterMedia’s Best of the Worst series revolving around watching bad movies together. I also just don’t find the concept of dressing up in cheap halloween costumes that amusing. Additionally, they’re never together; they're always on video calls with each other, something which really killed a lot of game coverage/channels for me when COVID hit. No more Business Dave Top 10’s on UPF as everyone was working from home now. This has led to some hijinks, such as Dan using layers to replay video during livestreams to the bewilderment of the participants. Again, the specter of his character casts a shadow that makes it something I find mildly amusing instead of laugh out loud funny. Zoom/Discord video chat recordings just do not have the same energy as being in the room together. It is unfortunate because I do support remote work but there is just something magical lost when you transition from doing UPF in the same room together to doing it over a video chat service. This is primarily why I never kept up with Nextlander despite consisting of the Giant Bomb members I’ve followed the longest, and would likely kill Jeff Gerstmann’s channel for me if he ever ends up expanding beyond being a solo show.

The Bombcast continues to be their general gaming podcast of “whatcha been playing?+news+reader emails”, Voicemail Dumptruck is an extension of reader emails in voicemail form. Quick Looks remain a varying-in-length playthrough of recent releases. Unprofessional Fridays are still mostly a grab bag of cooperative games to play together. Game Mess Mornings is the newest show to me, but is basically a version of Kinda Funny Games Daily, itself a version of many familiar morning shows viewed everywhere that runs through the news, now with commentary from Jeff Grubb and a guest. Demo Derby returned recently though with Dan at the wheel it went about as well as I thought it would, that is: he called Final Fantasy X [ten] “Final Fantasy X [x]”  and called Final Fantasy X-2 “Final Fantasy Twelve” to annoy Mike Minotti and beat it into the ground by the end of the demo.

In addition to the standard shows they also have Mortal Kombat playthroughs, and miscellaneous streams such as F-Zero 99 and Counter Strike 2. Checking the video feed from even just a year ago and I was wishing I had done this then instead of now as my perspective would probably be much more popular. They had these shows plus Albummer and Arcade Pit. Two years ago they didn’t have Arcade Pit but did have Bak 2 Skool, VoidBurgers Hot Takeouts, and the Very Online Show. Not only was the video feed more varied but the community was more populated. Comparing the most commented video for the last couple of weeks in September from 2013-2023 paints a pretty bad picture.

Essentially the trend has been ever downwards for the community participation on the site. I previously used comment counts to gauge the audience size of IGN versus GameSpot, and here on Giant Bomb comments on their main site are even more valuable due to their premium subscription. Prior to June 2022 when all premium shows were made free and premium subscription was changed to give you behind the scenes stuff and discord access (though knowing how discord works for large communities this is not a benefit for all but the terminally online), premium would get you exclusive shows like Unprofessional Fridays (where the crew would each bring a game of their choosing to play and show off for the others or for entertainment), Metal Gear Scanlon, Playdates, Game Tapes, Demo Derby, Mario Party Party, and many more. It is important to note in the chart above that prior to the change, five of the nine top commented videos were premium videos, meaning you also needed a subscription in order to comment.

A lot of Giant Bomb’s best content was on these premium shows, but now with premium no longer having any exclusive content, at least none that appear on the site’s premium feed, there doesn’t appear to be much draw to give them money. This conduit of funding was previously what set Giant Bomb apart from most other games media sites before the advent of Patreon, as their fan’s directly helped fund them meaning they could rely on more than just click-through rates to earn them money. Nowadays, with dwindling community engagement, I’m not so sure they have solid footing, especially given the ownership changes and layoffs. CBS sold off Gamespot, Giant Bomb, and CNET to Red Ventures in September 2020. Red Ventures then turned around and sold off everyone but CNET to Fandom in October 2022. Despite promises to keep things as they were, Fandom laid off around 40-50 people in January 2023, including Jess O’Brien and Jason Oestreicher of Giant Bomb.

Other signs of diminished community are that qlcrew has essentially stopped updating its member tags, instead pretty much serving as an RSS feed for the new content but still remains a great filter for older content based on timestamps and tags. Best of Giant Bomb stopped uploading in mid-2021 and has returned for monthly installments for the back half of 2022 and only three videos for 2023 as of this writing. The subreddit is clogged with posts from Jeff Gerstmann and Nextlander, speculation about potential drama and collaboration between those two new channels, and the usual doom-posting about the site you often find on dedicated subreddits. Some of that doom is warranted, however, not only by the comment metrics but also the YouTube views. Out of IGN, GameSpot, Kinda Funny, and Kinda Funny Games for the past four weeks of uploads (discluding trailers), Giant Bomb is at the bottom with an average of 6.68k and GameSpot surprisingly at the top with 257k average view, mostly thanks to their “ALL Fatalities - Mortal Kombat 1 4K Gameplay” video hitting 5.7 million views. Kinda Funny with 12.65k average, nearly twice as many as Giant Bomb, is the second-to-last ranking.

I’m just not sure what you can do with Giant Bomb at this point. I’m sure the backlog of premium content doesn't help with server costs, and with a low view count on YouTube and a guaranteed lower premium subscriber base than ever before I’m just not sure how long you can expect them around, especially given how much they rely on outside staff to help pump up the staff count and variety on their content. It’s sad to see how far the site has fallen. Despite my complaints I think Dan Ryckert is a capable production lead, some of the shows he created for old Giant Bomb were among the best (Burgle my Bananas and Mario Party Party), and I don’t have any ill will or blame for the individuals currently working there. It just is sad to be so disappointed returning to a channel that was once so beloved, and to see that this sentiment appears to be the prevailing one amongst the, admittedly, minority of online forum posters.

[best2daynews]

The Community Spotlight 2023.08.12 - trending

Welcome to the latest edition of the Giant Bomb Community Spotlight! I, @zombiepie, am once again honored to be your host as we look back at the best community creations from the previous week. Once again, the staff and site apologizes that a scheduling issue has prevented Jeff Jarrett from being on the Bombcast Dump Truck. Nonetheless, rest assured that guest-related issues normally do not…

[giantbombnonsense]

When moving a pinball table, heed the words of professionals. #Bombcast712

[currentkick]

Giant Bomb | Brad Shoemaker, Vinny Caravella, & Alex Navarro Leaving

Giant Bomb's Brad Shoemaker, Vinny Caravella, & Alex Navarro Are Leaving #giantbomb

Brad Shoemaker, Vinny Caravella, and Alex Navarro announced today via the Giant Bombcast on Twitch, that they are leaving Giant Bomb. This Bombcast was their final podcast and their last day will be Friday, 5/7/21. This one hits hard, folks. https://twitter.com/VinnyCaravella/status/1389680247273099266 I have been a fan of Giant Bomb since even before, day one. Look through my Video Game…

[scarymaskart]

“A Long Road” - 10 Years of Giant Bomb by Andrew Power

[shitilearned]

If Donkey Kong Was Supposed to Be Popeye, Who Was Diddy?

After failing to land the lucrative Popeye license, Shigeru Miyamoto "flesh[ed] out the idea for a game based on the concept [him and Iwata] had come up with" to make the first Donkey Kong game.

Giant Bombcast 711: OH EGG

[fuckyeahgiantbombdotcom]

[morkitten]

The new Cap’n Crunch packaging is kinda fucked @jeffgerstmann

[giantbombunprofessional]

This is still one of my favorite Bombcast segments. 

[son-of-a-sailor]

I am now 100% caught up on all the podcasts I am subscribed too...

So I think that means that its time for a TAZ re-listen

[news247planet]

#Giant #Presents #AEW Large Bomb Presents: Energy Bombcast: The Pores and skin Does not Fairly Match https://news247planet.com/?p=843613

[best2daynews]

Giant Bombcast 778: young elmo - trending

Jan and Grubb are joined by the homies Michael Higham and Jesse Vitelli to talk about their time with Final Fantasy XVI, adventures through Kirby’s Return to Dreamland Deluxe, Miyamoto not wanting us to worry, and even more! The Giant Bombcast is the world’s most beloved video game podcast, and now it’s available in video form. Feb. 28 2023 Cast: Jeff Grubb, Jan Posted by: Jan Source Link