#Gisoo Kim

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Gisoo Kim

[jordi-gali]

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Gisoo Kim

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Gisoo Kim

[eahostudiogallery]

drawing the line

Joel Meyerowitz

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Gisoo Kim

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Mustafa Nodeh

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Sigurdur Gudmundsson - Rendez-vous, 1976

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Paul Sharits - Passare III #30 20

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Imogen Reid - Text(ile) Variation

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Brice Marden - Three Sisters

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Gene Davis - Rain Dance

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Emil Gataullin

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unknown photographer

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Eric Watt attribution

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Agnes Martin - Untitled, 1977

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Saul Steinberg

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Frederick Hammersley - Couplet, #15, 1965

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[formlab]

 Green Meadow, Gisoo Kim

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Green Meadow, Gisoo Kim

[pink-factory]

경계의 문화, 지역에 길을 묻다 (2015), 160쪽, 25,000원, ISBN: 979-11-957199-0-7; 참여작가: 권동현, 김기수, 이 C. + 레안 에스트라다, 용해숙, 유르겐 슈탁, 전수현, 정순호, 조습, 판 끄엉, 황세준; 글: 용해숙, 박찬경, 이수철, 이안 코이츤베악, 안소현, 김민관, 김용익, 변지수, 고현주

CULTURE OF BOUNDARIES, IN SEARCH OF REGIONAL PATHWAYS (2015), 160pp, 25,000 KRW, ISBN: 979-11-957199-0-7; ARTISTS: Donghyun Gwon, Kim Gisoo, C. Ree + Reanne Estrada, Yong Hae Sook, Juergen Staack, Jeon Su-hyun, Soonho Jeong, Joseub, Phan Quang, Hwang Sejun; TEXTS: Yong Hae Sook, Park Chan-kyong, Lee Soo Chul, Jan Creutzenberg, Ahn Sohyun, Kim Min-kwan, Byeon Ji-su, Kim Yong-ik, Ko Hyun Joo

[las-microfisuras]

/redlines @Gisoo Kim

[ions-in-the-ether]

Gisoo Kim

[jamieschoneveld-blog]

GISOO KIM

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/redlines @Gisoo Kim

[chrismakesit]

October Creative Meanderings

Make a lot of bad work to get to the good work

I finally wrestled all my paper ephemera into submission (well, for now!). As always with my somewhat overly analytical side, I researched how some of my favorite Instagram artists tackled the problem of being able to actually find the right piece to use in a collage. I settled on a combination of organizing by color and by some high-level subjects, and used recycled clear plastic sheets and a large ring binder.

Some of my favorite collagists include: Melinda Tidwell, Clare Youngs, Bhupali, Katrien deBlauwer, and Corey Peeke. In an interview published on the Paris Collage Collective, Peeke exhorts us to:

Make work, lots of it! You have to make a lot of bad work to get to the good work.

In the process of organizing my collage papers, I made a general sweep of all my boxes of art supplies that I‘d abandoned of late as I focused on stitching. It  revived my interest in working with paint and brush, or at least using up the tubes of paint or giving the stuff away to a good home. Instagrammers Laura Horn and Tracey Verdugo were offering short online painting classes, so I decided to take the plunge.

Those artists inspired me to experiment with watercolor and abstraction, neither of which is in my “comfort zone.” My attempt to do a large composition from imagination failed miserably, but thanks to my trusty little cardboard viewfinder, I harvested a ton of small compositions that I can use as a springboard to large mixed media pieces.

This month’s doses of inspiration:

The incredible work combining stitch, textiles, and mixed media produced by artists in the Textile Artist‘s Stitch Club. I especially responded to the portraits, journey maps, and momigami landscapes, and the work of Rhonda Stien and Linda Florio.

Anne Kelley’s new book, Textile Travels, in which she stitches her travels across the United States.

Ailish Henderson’s stitched portraits.

Vik Muniz’s postcards of famous cities, created from tiny pieces of postcards from those cities. A New York Times profile details his process.

Gisoo Kim’s stitched photographs.

Wendy Kirwood’s embroidery on leaves, and other work combining textiles and mixed media.

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Gisoo Kim

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Gisoo Kim

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Gisoo Kim

[las-microfisuras]

- Gisoo Kim.