#Gray Wing The Wise

[bonefall]

Clear Sky Killed Bumble; Gray Wing's Desperate Defense

The "analysis" I've seen out there is beyond bananas. We are out there on state-of-the-art exploratory vessels, sailing the 7 seas into brand new lands, discovering new kinds of fruits to compare to the absolute lack of sanity people are displaying.

Clear Sky definitively killed Bumble. Gray Wing does not want to believe reality.

While some try to argue this death down to "negligent homicide," that Clear Sky essentially beat her unconscious and left her in an unsafe area where she got killed, that's so unlikely I'm confident in saying it's wrong. The evidence shows that Clear Sky tormented her to death with a ferocious, sadistic beating which caused her to bleed out, which is second degree murder, and used the smell of a fox and Gray Wing's blind adoration to lie his way out of consequences.

There's not a lot of ambiguity in the evidence that is presented. There is fox scent but no fox bites, and the preceding chapter provides a comparison between the wounds on Misty vs the wounds on Bumble. Clear Sky's story is so convoluted that not a single part of it makes any sense. Quite frankly it's only been topped recently by the "I can confirm this woman is evil because she snored her evil plans in their sleep" fib of ASC.

In either case, Gray Wing believes neither. He does not believe this is Clear Sky's kill in any way.

This moment is an excellent example of how Gray Wing continuously prevents anyone from taking any action against his dear brother's violence until it is too late. By convincing the moor cats to all calm down when they're rightfully furious, and treating the lives and perspectives of native cats as lesser, Gray Wing becomes complicit in some of the harm this tyrant manages to carry out.

To shield a person from the consequences of their own actions is enabling, regardless of if it's direct or indirect, wittingly or unwittingly.

We are going to go over the whole of the 26th chapter of DOTC Book 2: Thunder Rising, from Bumble's death scene to Gray Wing's downplay of it. A meticulous, step-by-step analysis.

Leading-up context

The Scene

The Immediate Response

Incredible suggestions that have been made that I had to read with my own eyes

Leading-up Context

Let's start from square one by introducing the cast, with the assumption you have not read DOTC or are just vaguely aware of it due to its reputation.

Bumble is a kittypet who regularly visits the woods without issue. She is a small supporting character in the first book, The Sun Trail, whose purpose is mostly to be a friend to Turtle Tail, who is the future wife of the main POV character, Gray Wing.

As the two girls become closer friends, Gray Wing becomes more controlling of Turtle Tail and more hostile towards Bumble. This culminates in Turtle Tail leaving "The Settlers" to live with her friend over the winter. All is idyllic until the humans adopt a third cat, known to the fandom as Tom the Wifebeater because of what happens next in Book 2; Thunder Rising.

Turtle Tail becomes pregnant, but notices that her roommates are keeping some kind of secret. She begs Bumble until she reveals that humans tend to take kittens away when they're old enough to be weaned. Turtle Tail leaves to return to the wild, and Tom the Wifebeater begins methodically torturing Bumble over the next month as punishment, leaving scratches, bruises, and "dried blood" all over her when the humans are not looking.

When Bumble tries to seek help from the moor cats, Gray Wing is frustrated that the battered woman has interrupted his walk with his new wife. It is stressed that Gray Wing hates her for taking his love interest away, and he believes she is too fat and clumsy to live in the wild. The leader of the moor cat settlers, Tall Shadow, has a hard time throwing Bumble out, until two outsiders, Wind and Gorse, who are trying to get accepted into this group themselves, take the initiative and drag Bumble back to her domestic abuser.

Gray Wing is biased against Bumble. This is a fact. He explicitly does not like her.

Shortly afterwards, the forest cat settlers, led by Gray Wing's brother Clear Sky, experience a fire and begin to expand their borders. They are already known as a violent group, their leader is a manipulative liar, and Gray Wing himself was once viciously mauled as Clear Sky sat by and watched.

Yes, Gray Wing is aware that Clear Sky sat there and watched, too. He called out to him and Clear Sky did nothing as Fox, a man who knew full well that this cat was his leader's brother, was shredding him.

Gray Wing doesn't want to believe his brother is a bad person. This is also a fact. He explicitly feels guilty when he has thoughts otherwise.

On-screen, through the POV of Gray Wing's nephew Thunder, we see a native woman named Misty slaughtered by Clear Sky for her land. Her children are taken, and her body lays unburied and rotting for two days before Wind Runner and Gorse Fur (sporting new names at the request of the moor cats) find her.

They describe the wounds they found on the corpse in detail and make an accusation,

Now, before this point, Wind Runner and Gorse Fur have been doing everything in their power to endear themselves to this group. Gray Wing himself trusted them, because they've taught him methods for living here, caught and shared food, and even saved the life of his other brother, Jagged Peak, when a burrow collapsed on him.

But now his xenophobia towards them is coming back-- because they're calling for action against his brother. He's only ever uneasy about them when they seem to have an ounce of influence over his group.

Turtle Tail's conclusion is completely sound, and if it hadn't been for someone else, would be correct. Clear Sky DID move to kill the children-- he was stopped by his underling, Petal. Turts was able to understand what Clear Sky was going to do without seeing it firsthand.

The crowd is shocked and furious, for logical reason. They ARE in danger. Clear Sky IS escalating his violence and expanding his territory. It's starting with the native population, and the moor cats are able to understand and predict what will happen next.

Except Gray Wing.

The Scene

While investigating ONE confirmed murder, as there is no reason to doubt Wind Runner and Gorse Fur except for conveniently xenophobic ones, and TWO suspected murders of children, the patrol hears the sudden shriek of a cat in pain.

Bumble is found bleeding to death on a previously unclaimed patch of land, at the very center of a circle of trampled grass. There is the reeking smell of fox, and under that, there is the scent of Clear Sky.

Her wounds are described in great detail,

Completely consistent with the way that the wounds were described on Misty. Nearly word-for-word.

The only evidence of fox is the smell. No one heard it bark, there is no note of it bounding off, there are no bites or wounds consistent with those of a canid. They were described exactly the same as Misty's.

Slits are cat claw wounds. Not fox bite wounds. She was not being bitten, she was cut all over her body, prominently down her belly and sides.

Unless this fox shapeshifted into a cat and then meticulously created wounds consistent with the ones left on Misty, Clear Sky did this.

Where did the fox go? Probably came to investigate, maybe licked at the bloody cuts expecting a meal, and then was scared off by Bumble suddenly waking up and screaming. It's possible, but unlikely that the patrol's clamor scared it off, considering they didn't see or hear any fox noises.

There are also signs of a struggle-- and Bumble was not able to fight in the condition she is currently in. It's most likely it was the struggle from when she was being tormented and trying to get away, unless there was a fight with a fox while Bumble was still unconscious and she was dragged to the middle of it, for some reason.

However, a fight with a fox is still unlikely, as the patrol was able to hear the whimpering of a cat in pain as they approached but not the furious sounds of a battle with a large predator. If there was this whole epic brawl with a fox that trampled the grass around Bumble, why was there only a single shriek?

Gray Wing, expert on the smell of Clear Sky's armpit, confirms it's his brother. His whole world spins when he realizes his Dear Brother is involved in this, feeling horror and disbelief.

(Also note that Gray Wing implies Clear Sky's involvement is the prophetic bad thing his adopted son mentioned in the previous chapter, not the shredded woman dying in front of him lol)

The rest of the group is able to acknowledge reality, coming to the obvious conclusion. Clear Sky is expanding his territory, including the very patch they're standing on. He has been violent in the past, even against other settlers. Misty was slaughtered in a way consistent with the victim dying in front of them, so he is killing cats who stand in his way. Gray Wing's immediate, literally DESPERATE response is first to jump to Clear Sky's defense.

Gray Wing asks Bumble directly if it was a fox, and she is too weak to answer... until she finds the strength, as a domestic abuse victim, to blame herself for the way a cat beat her bloody. She thinks it's her fault for hunting here, because she was hungry, not thinking straight, and stupid.

I have seen this described as Bumble "making a defense of Clear Sky." I will leave it up to you, the reader, to determine if this sounds like Bumble is trying to say he's not guilty of hurting her or if it's the sort of infamous self-blame that domestic violence victims lapse into after a furious thrashing.

When Clear Sky returns to the scene of the crime, he cuts her off while admitting he did assault Bumble, then glares at everyone to challenge a fight.

Gray Wing swoons over him like he always does.

I have heard it said, without examples, that this is normal because this happens all the time in Warrior Cats. That it's a normal thing to be standing next to a domestic abuse victim who is bleeding out and watch her murderer daring all of your friends to do something about it, and admire how brave he is. That, again, without any examples, this is just something that every character does when the Villain of the Week exists in front of them, so it's not even special that it was Gray Wing's first response.

If you believe that, I have a bridge in London to sell you.

Desperation is under all of Gray Wing's feelings which immediately follow. His voice "cracks" when he has to ask if his darling brother did this. He wants to scream when he takes his sweet time answering. He shrinks under Clear Sky's gaze, because he reads that he's "accusing him of betrayal."

But somehow, that FIRST response for him to fawn over his brother is not part of that, because in unquoted books of other arcs a hero has admired a villain?? Context doesn't exist because in some other book the same emotion was described maybe. Incredible.

No mention of how casually he brushes off this sight that makes his eyes show "guilt and horror," either. No talk of how he made a little ""joke"" about how no one greeted him nicely at a tortured woman's deathbed. Almost like he was caught red-handed and the wounds don't actually unsettle him as much as the crowd's reaction.

Even the glare-- Clear Sky is trying to get Gray Wing to do his bidding. He wants him to protect him, be his flying monkey, and control his furious people.

So at the next opportunity, Gray Wing jumps to his defense again. Second time in this exchange.

FIRST he was described as "desperate." Now he takes a deep breath and BRAVELY licks that boot.

Turtle Tail steps forward and posits the obvious truth. Clear Sky is going mad with power, doesn't care who he hurts, and is completely capable of doing something like this to Bumble. This was already done to Misty, and even earlier, Clear Sky stood by and watched as one of his minions savaged Gray Wing in a similar way.

The whoooole crowd can see this. It is Gray Wing, and Gray Wing alone, who prevents there from being any consequences for Clear Sky's actions.

He hypocritically believes that attacking Clear Sky for the murder of Bumble would make them all "no better than he is" when he had no qualms about coming to blows over the exile of Jagged Peak much earlier. "Attacking Clear Sky for Murder" is morally equivalent to "Actually Doing Murder."

This is only for Bumble though, a "foreign" woman he does not like. He did not believe this for Jagged Peak, and he will not believe it later when he watches Clear Sky strangle Rainswept Flower to death. They are worth physical consequences.

He even physically shields him.

"he stepped between Clear Sky and his own cats, not sure which of them he was trying to protect." It's Clear Sky. Bumble's life means nothing to Gray Wing, so he is trying to protect Clear Sky from the fury of the angry mob he has earned by killing her and Misty.

He CANNOT let there be any doubt. Not even from himself. His brother must be protected at all costs. To that end, he is trying to make some kind of opportunity for Clear Sky to escape accountability.

If you are "neutral" in the conflict between victims and their abuser, you have taken the side of the abuser. If you provide opportunities for a perpetrator to escape accountability, you are an enabler. If you allow a suspect to escape the scene of a crime, since every cat in these books seems to be a lawyer the minute anyone wants to react to violence, you could be charged with accessory fleeing and eluding-- a felony.

Before you try to say this is all in the noble pursuit of peace, let's not be dense.

DOTC is not committed to non-violence for any other tyrannical leader. Especially not One Eye, even believing that an underhanded ambush that breaks the terms of a duel Clear Sky set is the good and righteous thing to do. Killing him was the correct action, as it was with Slash in Riverstar's Home. Outside of DOTC this logic is casually applied to Brokenstar, Tigerstar, Scourge, Hawkfrost, Darktail, and Ashfur-- with only Leopardstar and Blackstar being "exempt" for following an evil ringleader.

Gray Wing himself has no moral dilemma about One Eye or Slash, either. Nonviolence is not his goal.

It is Clear Sky, and Clear Sky alone, who the narrative of DOTC will conclude "deserved" a million second chances. That torturing Bumble to death, slaughtering Misty for her land, and countless offscreen cases of attacking natives didn't push him past the "fundamentally evil" threshold into an irredeemable monster, as is the case with Slash and One Eye later in this arc.

The difference between Clear Sky and DOTC's other two tyrants, to me, is obvious. Clear Sky is the POV's brother and a member of the in-group of The Settlers. The lives of his victims, as mostly "foreigners" and entirely women, are worth very little to the notoriously xenophobic and misogynist writing team.

If the moor cats had shredded Clear Sky right here and now, dozens of lives would have been saved. The First Battle wouldn't have happened. Justice would have been served for Bumble, regardless of if the cause of death was 2nd degree murder or negligent homicide. He wouldn't have smacked and beaten any of his other victims.

Gray Wing prevents this, giving Clear Sky an opportunity to tell a lie.

(He even whines about the idea of Wind Runner challenging Clear Sky about boundaries, the whole thing that started this incident in the first place. This is the perfect time to start arguing about boundaries, actually, when he's in the middle of establishing new ones.)

In the past, I'd been too charitable to this exchange. This lie is obscene and anyone who believes it is ignorant. No frills, no bells, you either can't think critically or just didn't want to so Clear Sky can be innocent or Gray Wing can seem "reasonable."

Clear Sky's visibly eager to start his story, "glad of the chance" now that he's had time to concoct a story. He could have explained earlier but didn't, sizing the group up and glaring at his brother to crack a whip, asking if they believed he was capable of it, so he could gauge what he can get away with.

"New part of my territory" = Freshly annexed land he has violently conquered, confirming the patrol's fears of expansion.

"I wanted to give her a warning, just a little cuff" = No one leaves his territory gently. Confirmation he thrashed her, downplay of how severe.

"How was I to know she would faint?" = Bumble is visibly emaciated, and he's blaming her for not being able to stay conscious through the whole beating.

"I could see her paws twitching, and I knew she would come around" = He would not care, Misty's body was unburied for two days.

"So I left" = Leaving Count: 1

Pauses, wincing, because this is another act. Every time he's putting on a little show for other cats, he takes dramatic pauses and plays up his pain and regret. Seen earlier in this book.

"But heard a fox bark" = no barking was heard by the patrol, only a cat's shriek.

"And ran back" = Was apparently so close that he could hear barking the patrol didn't, but so far away that a fox had time to cut her to ribbons, AND this was so long ago the patrol wasn't close enough to hear the fight? Returning Count: 2

"But I was too late" = Wounds inconsistent with fox attack. Leaving Count: 2

"I was going to get help" = There is no medic in proto-SkyClan. When Jagged Peak broke his leg, they had to borrow Dappled Pelt. What help? Who?? Even as he says this, Frost's wound is going completely untreated. If Clear Sky was going to get help, why wasn't he telling Cloud Spots to do something when he got back?

"But then I heard you all arrive" = He left to get help but was still close enough to hear running? Just abandoning his noble quest to get that "help" he apparently has? Returning Count: 3

Not a single part of his story adds up. EVERY aspect of it has a problem, in that it's either deceptively worded to downplay his abuse, doesn't line up with who he is, or just doesn't make logistical sense.

It's not JUST a lie, it's a BAD one.

Even worse, Clear Sky is a known liar at this point. He does this when the truth would not benefit him, like earlier in this book when he fibbed to Thunder about why he abandoned him right in front of Gray Wing's face. The story doesn't make sense and there's not even any reason to give him benefit of the doubt, because he is known to be dishonest.

He's offended when Turtle Tail calls him on being full of baloney, and once again shoots a sharp look over to his flying monkey, expecting Gray Wing to dance on command and defend his honor like always.

But Gray Wing seems to be perfectly capable of being "wise" when it would directly benefit Clear Sky.

I have seen the question begged, "if he's such a bootlicker then why he no verbally bootlick a third time in a single exchange?" and I would tell that person to read the text because it says why. Right there. Here, I've underlined it. So you don't miss it again.

If Gray Wing licks that boot again, THIRD TIME, in front of an angry mob who wants to skin Clear Sky alive, they will lose patience and make the clearing look like Bruce's Eating Dome. So he shuts the fuck up and gives his ungrateful brother the chance to indignantly slip away, even though he desperately wants to cry out and tell him how shiny and lickable those boots are.

"What can I say?" Nothing. "I'll only make things worse" Correct. "If I don't let him leave now there will be a fight" im literally just quoting the text verbatim

He is NOT doing this because he does not believe him, NOR because he doesn't want to defend him. It's because this the best way to protect his brother from consequence.

And then Bumble uses her dying breath to apologize for ever hurting her friend, showing Bumble is still just blaming herself for everything, with Turtle Tail still repeating the same malicious excuses that were used to deny her asylum from domestic abuse.

"I wish you could have found happiness, even though I was unwilling to help you. It sucked to learn that our shared wifebeater started wifebeating you, but we didn't want you in our camp so really this was unavoidable."

I've voiced my ire before, gone on long rants about how angry this exchange makes me and even campaigned for more recognition of the misogyny in this subplot. The fact that the last words Bumble hears are just more excuses from a person who could have done something disgust me, and I think I'm right to feel that it's vile that this sits unexamined in a book for young readers. But it doesn't change what happened.

She senselessly died in intense pain and despair, for the crime of existing. All that's left to say is that I wish Bumble could have found a better friend.

But ultimately, Turtle Tail is another woman in the notoriously misogynistic arc of DOTC. She's just a supporting character for Gray Wing's conflict, and he's got some opinions about what, exactly, is making this so sad.

He doesn't give a fuck that this woman he hates has been murdered after slowly starving to death, for months, since he watched her be dragged back to a domestic abuser. She "stole" his romantic interest for a few months, after all.

It's stressed he "never especially liked Bumble" at her deathbed. It's not JUST "the death of a kittypet," a group of people he is bigoted against. It's about his piece of shit brother.

It's about how HIS REPUTATION HAS BEEN TARNISHED.

"It changes the way my cats think of Clear Sky," THAT HE IS NOW A KNOWN MURDERER, "and that changes everything" IT'S GOING TO BE A LOT HARDER TO DEFEND HIM NOW

This is completely consistent with Gray Wing's behavior into the rest of the chapter, and even the books beyond.

The Immediate Response

Gray Wing explains what happened to the other moor cats. He has to hide his actual belief that Clear Sky didn't actually do anything wrong so that the moor cats don't dismiss him for the biased, brother-obsessed little minion he is. He admits how he really feels about Bumble's death to Turtle Tail at the very end of the chapter-- so what he says here is a lie.

Not a delusion. A lie. He withheld the full truth of his bias when questioned. If he's honest about his conflict of interest, this group will trust his judgement less. He has a goal; to prevent his cats from retaliating.

Wind Runner is, again, the one who is rallying the other cats into action. She's seeing that Clear Sky is murdering innocent cats, possibly even her friend considering how much she knew about Misty, and that this will only escalate. Gray Wing doesn't like that.

So when Tall Shadow starts suggesting the things he agrees with, like how Bumble's life was less valuable anyway so this is no reason to start a fight with his Dear Sweet Brother, and they should all just sit on their butts until no one's angry anymore, he decides she "deserves" his support.

It's a political move.

"After all, she was only a kittypet... omg why are you so mad?? I didnt mean it like that, all im saying is that we should just calm down ugh dont be so sensitive" -Tall Shadow, channeling your racist aunt

If Gray Wing can get the other cats to waste their time on useless half-measures, like more patrols or perhaps writing a strongly-worded letter, he can make them feel like they're doing something when they're actually doing jack shit. Wittingly or unwittingly, this is a measure to stall the inevitable, making them miss their chance to strike while the iron is hot.

He's either an idiot or he's subconsciously acting from a place of loyalty to his brother. Bias resembles the former but is born of the latter, and either way the result is the same.

After this, there's a brief conversation where Tall Shadow makes it clear that there is absolutely no reason to be mistrusting Wind Runner. They both agree "when this is all over" she's a good cat to have around-- they just don't seem want to listen to her now, when she wants something done about the sadistic lunatic next door.

Gray Wing's talk of "working together" is laughable. His idea of "working together" includes the cat who just slaughtered two people for existing on his newly annexed land, who long ago stopped listening to reason. Tall Shadow herself starts preening and announces that her response to all this is that Clear Sky must absolutely be stopped by some cat.......................... so she'll think abt it.

tomorrow maybe. we'll put a pin in it. set a little reminder on her phone or something.

(the genius plan she comes up with in the end is a nonsequitor babble about how rocks don't exist to be sat on, so clear sky should just stop conquering all the land or something. he listens intently and then throws her into a tank of piranhas.)

But anyway, it's time to smooth things over with Turtle Tail, who had been struggling with that uncomfortable truth that the moor cats, and Gray Wing specifically, were also culpable in some way for the slow, painful death of Bumble.

He'll fix that with a big display of affection.

"Don't be mad at me it's nobody's fault :) She wouldn't have been able to cope so it's inevitable she wound up dead :) I'm sorry you're hurting bc i like you, not that i give a damn that your friend was shoved into a blender and shredded alive after starving for months :) Thanks to you I am now ready to lead this clan directly off the side of a cliff." -very endearing conversation i assure you

It works because Turtle Tail is not allowed to maintain her own opinions as a girl in DOTC. Obviously. Her husband licks her ears and tells her that he likes her and that's the end of any examination that they have any responsibility here. god forbid she re-examine her feelings towards the writers' favorite in light of how much of an ass he made of himself at her friend's deathbed.

Just in case it slipped your mind though, once again it is made clear that Gray Wing is reacting with leisure because he does not believe (or care) that Clear Sky killed Bumble. No, not even in the negligent homicide sense, that Clear Sky's actions allowed Bumble to die through beating her unconscious and leaving her alone in an unsafe location. He does not think this was something to blame Clear Sky for.

He believes that the fox did it-- he was lying earlier when he said he "didn't know what to believe." He does. He didn't reveal his bias when he was being questioned, because he wants to prevent the moor cats from fighting Clear Sky over Bumble's death.

Also note the sneaky little turn of language Gray Wing makes there. In denial of Turt's claim that "innocent cats are being slaughtered," Gray's counter is Bumble alone before the pivot. The patrol was originally about Misty's murder and her missing kittens as Clear Sky expanded his borders-- but Misty's apparently not an "innocent cat" who's been slaughtered. She's absent from that category, implied to be part of Clear Sky's hypothetical "good reason" for expansion that Gray Wing needs to get to the bottom of.

Bumble's murder is denied. Misty's is implied to just be collateral damage for the unknown plan. He's unbothered about the death of either one.

Gray Wing: "No one else can get to the bottom of this! theres only ME! I AM THE ONLY ONE WHO CAN STOP CLEAR SKY"

Also Gray Wing: (leaps in front of an angry crowd to defend his brother. cries that he doesn't believe hes capable of such terrible violence. actively prevents anyone else from doing anything about him)

Anyone with a vague awareness of DOTC knows how this ends. Gray Wing is going to lead them astray with his bad judgement, so purposefully delusional about his brother that they will have to dig a mass grave at Fourtrees. Gray Wing thinks he's a *~special boy~* who is the only one who can truly get through to his brother, and maybe he is, but not before dozens of people have to suffer and die for it.

This is enabling. To enable is to directly or indirectly support another's harmful actions, such as addiction or abuse. He did it here, both during and after Bumble's death, giving Clear Sky the cover to escape consequences for his actions and halting any attempts to do anything concrete. Because of him, Clear Sky never pays for what he did to her.

In the book 3, Clear Sky denies all wrongdoing, and in Bumble's last mention in book 4, her torture is described in passive voice. A terrible "happening" which seemingly couldn't have been avoided. No one is held accountable. Not the moor cats for turning her away, not Clear Sky for her killing, and even Tom the Wifebeater is redeemed after being given a chance to live in a clan for not being "soft" like his female victim.

All so sweet, beloved little Gray Wing never has to confront that he let a killer get off scot-free because the uncomplicated childhood memory of his brother as a lovely good boy was wrong. That he was so consumed by spite that he smugly watched Bumble get dragged away from the only people who could have helped her. That he was complicit twice.

Incredible suggestions that I have had to read with my own eyes

fucking ✨Bonus Round✨

"If clear sky fought bumble, why bumble leave no scratches?" I'll let you sit there and think about why the DOMESTIC ABUSE VICTIM did not fight back against a large, violent man who was beating her. I'll give you a minute. I'll play some jeopardy music.

"he's quote 'horrified and guilty' at the wounds which means he didn't make them himself" Clear Sky has a repeated habit of "blacking out" when he butchers women (Rainswept Flower, Willow Tail). He's also a liar and an actor, even according to his own account he'd seen these same wounds before when he came back a second time. Most importantly, what fucking part of "horrified and guilty" implies he didn't make those himself, does a toddler not look "horrified and guilty" when it spills chocolate milk on a couch and its parent sees it? Does that mean the toddler didn't do it? If you wouldn't accept this logic for a toddler why the fuck will you accept it for a suspected murderer?

"Maybe Clear Sky fought the fox off?" He doesn't actually say that, it's just implied during his lie when he says he showed up too late, but it's hypothetically possible. Even if he did fight this fox off, he must have still mauled Bumble because she is covered in claw wounds, even if he doesn't remember it because he "blacked out." There's also still the problems of Bumble being in the middle of the trampled grass, the patrol not hearing the sound of battle, his framing that he just tapped her and she passed out, and him apparently running to get help he does not have. Occam's Razor still suggests the solution is that this fox was scared off when Bumble screamed, with Clear Sky just using the convenient smell to lie his way out of consequences

"How'd Clear Sky get fox scent on him?" Probably from showing up to the crime scene that absolutely reeks and prowling around like an axe murderer, which we saw him do. Bumble had no fox bites and no one heard a fight. did you know that if you stand in a sewer you smell like shit

"Gray Wing just doesn't want to think his dear sweet brother could ever do such a thing :("

"What if the Erins are just so incompetent that they created a crime scene completely inconsistent with the very true and real story that Clear Sky told, it just happens to look like a lie on accident, they unwittingly made him a liar earlier in this book because they forgot the events they previously wrote, and don't know anything about a type of predator that appears in nearly every entry of warrior cats and happens to be one of the most popular animals of all time" what if i tripped and fell and a shawarma with extra tahini sauce fell into my mouth, followed by an apple slice, and 3 litres of water. should i continue my fast or has Allah fed me.

All of this is why I am adamant on saying that Clear Sky killed Bumble by beating her to death. In order for this to have been the cause of a fox, you'd have to take a liar at face value and ignore every other detail. That's what Gray Wing does, described on the page as "desperate to believe in his brother's innocence."

Unfortunately, this will also not be the only time that Gray Wing's obsession with his brother and shockingly horrific judgement will put other cats in danger or get them killed. It's just the most deliberate example, and thus imo the most upsetting.

[clanslist]

[kirwell]

best father in warriors, our man Gray Wing I,,, I love him so much <3 him and River Ripple,, my heart just cannot Dotc is my second favorite arc, mostly for the characters, but also it was just refreshing to read, seeing the clans from their roots and getting to enjoy some good old fashion conflict without a dominating mystical presence. We see spirits for the first time, but they don't take the reigns of the whole story. Don't get me wrong. I love our superpower havin' cats and the mystical worldbuilding of warriors, but I live for Into the Wild vibes where things just felt more...down to earth? Cats just tryin' to survive and make their homes, and dealing with the hardships of the wilderness and building (or losing) relationships. honestly, Gray dying from asthma, which he suffered from during most of the story when things were just going well for him, is so tragic yet so real. It was devastating. Dotc was made different idek

[bonebabbles]

Gray Wing, Successfully Beating the Wise Allegations

Gray Wing: "Great googly moogly! I have discovered a nefarious plan from the newest evil foreigner villain! There is a spy reporting on our location and way of life in order to prepare for an invasion, no one is safe!"

Gray Wing: "Eh, not like we can do anything about a sneaky teenager anyway. I'm not gonna get all debbie-down on the clown town."

[celestralferretdesigns]

Gray wing

[smokeygrayrabbits]

imagine some major timeline fuckery au throw canon out the window bullshit that ends with snow being gamemaker during katniss's hunger games and she and peeta and the tributes meet him and they're like wtf he's not much older than us what a dick but no being a game maker forever was his punishment for saving Lucy gray instead of being a peacekeeper and cuz he was always under highbottom and Dr Gaul he was never able to get any power and he's still just their broke pawn and Lucy gray is a mentor and as punishment for cheating theyre being forced to be on opposite sides forever but they like join the rebellion amd their besties and mhm they live happily ever after

[oldfacesnewdawnoffical]

Fealty Faith: The Star Guide

Also known as: Gray Wing, Flying Stars or Starflight, Silverpelt, the Wise One, the Guiding Star, the Star Guide, the Silver Star

The fealty deity of death, peace, loyalty, wisdom, unity, mortality, and guidance, and the proper patron of the Fourtrees Fealty as a whole. One of the Nine Stars.

Often depicted as a relatively normal-looking tom-cat with a fluffy, gray marbled tabby pelt and soft, glowing golden eyes, but with white pupils and two pairs of wings: a small set, one behind each air, and a pair of absolutely massive, starry, glowing, silvery-feathered wings at his back.

Associations include:

The night sky; a starry sky, specifically.

Death.

Gravesites.

Oath making.

The very alliance of the fealty.

Popular Myths:

The founding of the fealty and its factions.

The Great Blaze of the Fortress Valley.

How the Silver Star earned his wings.

Common Offerings:

Diamonds.

The dried petals or full bodies of poppies, black roses, and lycoris flowers.

Sun-bleached bones.

Butterfly and moth wings; snake skin.

The feathers or bones of owls, ravens, vultures, crows, and doves.

Turtle shells.

Offerings to the Star Guide are to be laid out in the shadow of the Star’s Spire, or the Great Rock, at Four Trees.

[rlbbackup]

SxF au idea: Wing Au where when [REDACTED] gave up his identity to be Twilight, WISE had to have his very recognizable wings surgically removed. (Being wingless is easier for blending in purposes.) When Yor finds out, she loses her mind. Yor is supposedly wingless, but she really has very immature/premature wings that she's able to hide them without bindings etc.

Bonus: Anya has the same wing pattern Twilight had and was one of the reasons why he picked her to be his daughter. Rare pattern = prestige at Eden. It's also why she was selected by Project Apples companion project.

Bonus #2: Twilight's wing pattern played a role in why he was selected by WISE.

[skyscratch-wc]

[librarycards]

Pigeons are doves. They are rock doves, and I wonder if we began to call them that if people would hesitate to hate them, as doves have that history as messengers of peace. It is true that in my neighborhood nobody hates the mourning doves, dusky and elegant with wings that squeak as if they flap on rusty hinges. They roost on the wires like little Audrey Hepburns, while the pigeons troll the ground, tough and fat, some of them look like they should be smoking cigarettes. They look poor and banged up, like they could kick the mourning doves’ asses but are wise to the divide-and-conquer tactics we use on one another, so they coo wearily at the mourning doves and waddle forth in search of scavenged delights. What you may not know is when you call a pigeon “a rat with wings” you have given it a compliment. The only thing a rat lacks is a pair of wings to lift it, so you have named the pigeon perfectly. When you say to me, “I hate pigeons,” I want to ask you who else you hate. It makes me suspicious.

I once met a girl who was so proud to have hit such a bird on her bicycle, I swear, I thought that it was me she hit. I felt her handlebars in my stomach and now it is your job to feel it also. The pigeons are birds, they are doves. They are the nature of the city and the ones who no one loves. When people say they hate pigeons, I want to ask them if they hate themselves, too. Does it prick the well of your loathing? Do they make you feel dirty and ashamed? Are you embarrassed about how little or how much you have, for how you have had to hustle? Being dirty is not a problem for the pigeon. You can ask it, “How do you feel about having the city coating your feathers, having the streets gunked up in the crease of your eye?” and the pigeon would say, “Not a problem.” You will now stop blaming the pigeon. It is not the pigeon’s fault. The pigeon was once a dove, and then we built our filthy empire up around it, came to hate it for simply thriving in the midst our decay, came to hate it for not dying. The pigeon is your ally. They are chameleons, gray as the concrete they troll for scraps, at night they huddle and sing like cats. Their necks are glistening, iridescent as an oil-slick rainbow, they mate for life, and they fly.

Michelle Tea, Against Memoir. [emphasis mine]

[bonefall]

i like how you show how abuse can warp someone’s judgment and make them do things they don’t really believe in gray wings arc in this feels much better then in canon and actually sets out to show him how they intended too

It's easy to sympathize with victims of abuse and products of toxic families when they're "innocent" and blameless. There's this idea, spoken or unspoken, that if you ever lashed out, or begged your abuser to stay, or went on to hurt someone in a similar way, that you're LESS of a victim

People get locked in those cycles, thinking that their abuser, or their toxic family, is the only one who will ever "tolerate" them. Sometimes people don't want to believe they've been hurt, or that their family could be toxic, because confronting that is painful. Sometimes it's just love. Sometimes you really can love someone too much.

Sometimes you REALLY fuck up and hurt someone else. You do stupid, mean shit. Abuse isn't logical and pain isn't either. There are times where you realize it too late, and only realize it when you're staring at the smoldering ash of a burned bridge

And I want to write that. People who are hurt and hurt in turn, people who perpetuate those cycles, people who break them. You deserved better, and the people around you do too.

Sometimes I legitimately worry about the writers of these silly cat books. They keep writing the realest, most harrowing depictions of toxic family/abuse I've ever seen in my fucking life and then turning around and saying, "and then it was all fine :)" like... are they okay?

Gray Wing would mean a lot to me if this was intentional, but he's RIGHT in the end in canon. "Ohhh he wasnt greedy he was just scared and had too much responsibility :))) i dont have to reckon with anything i said ever :)))". Clear Sky's "redemption" drags the entire arc down with it.

So I am here. Furiously writing foe fiction. Feeding myself.

[clanslist]

[canonmisogynyvictimstournament]

PROPAGANDA

BUMBLE (WARRIOR CATS) (CW: Domestic Abuse)

1.) Back with another Warriors submission, I bet you’ll be getting a lot from other people too LMAO. Bumble is a kittypet (housecat) who befriends the male protagonist Gray Wing’s girlfriend, Turtle Tail, and lets her stay in her house. This gets Gray Wing all pissy because he’s controlling of Turtle Tail and shares most of the wild/clan cat’s proclivity for looking down upon kittypets. Turtle Tail gets pregnant by another kittypet, Tom, who tries to control her by hiding the fact that humans take away kittens after they’re born. Eventually Bumble comes clean about it so Turtle Tail returns to the forest. Some time later, Bumble is found in the forest seeking refuge because Tom has been physically abusing her, scratching her where the humans can’t see. So, she’s CANONICALLY ACKNOWLEDGED as a domestic abuse victim (unlike Squirrelflight who meets all the textbook signs but the narrative and authors deny it). How do you think our good guy protagonists, i.e. Gray Wing “The Wise” and Turtle Tail, respond to an abuse victim seeking refuge? They tell Bumble to go home, thinking to themselves that she’s fat and soft and therefore would be useless in their group. Bumble stands up for herself and asks to speak with the leaders of the group. One of them asks if Bumble could just get along with Tom better (bro???) and when Bumble says it’s not within her control, the leader suggests being nicer to the humans instead. Another rival leader butts in and verbally abuses Bumble again by ripping into how fat and lazy and useless she would be. Despite Turtle Tail having been friends with Bumble and Bumble had helped her through her own hard times, to Gray Wing’s approval Turtle Tail chooses not to intervene as Bumble is forcibly escorted back to her abuser. But that’s not all. Later Bumble is found in the forest maimed and dying, and it seems likely that Gray Wing’s brother Clear Sky, a male with a long history of violence, is the culprit. Rather than mourn the dying innocent cat, Gray Wing’s primary concern is how other cats might be mean to Clear Sky if they think he’s a murderer, and reassures himself that refusing to help Bumble in her time of need was still the right decision.

2.) I have no idea how she managed to be written so horrifically from an abuse victim and woman (/she-cat I guess) standpoint but here we are. Okay so my memory is a bit fuzzy but basically Bumble was a character in Dawn of the Clans and a close friend to Turtle Tail, a major character, as well as a character who lived close to Tom, an abusive dickhead of a cat. Bumble was largely depicted as just a really sweet cat. Turtle Tail was very briefly the mate of Turtle Tail, but once she got pregnant, he became super violent towards both her and our gal Bumble. Tom actively hid the fact that, once her kits were old enough, Turtle Tail’s kits would probably be taken from her, and made Bumble keep quiet about this too, but Bumble eventually told Turtle Tail the truth, Turtle Tail left and Tom became extremely violent towards Bumble because of this, and was extremely abusive towards her. Eventually, Bumble ran away from him to where Turtle Tail and co were and begged to stay, since the wilderness as a whole was genuinely more safe than being around Tom was. Naturally, this meant kitty xenophobia from cats who had only arrived in that area recently, because everybody was insistent than, since she was a kittypet/house cat, things wouldn’t work out, and even her friend Turtle Tail denied her on this, insisted she was too soft to live in the wild and only sent her towards a cat Bumble wanted to convince because she was absolutely certain she’d be denied. Also our good old protagonist Gray Wing got to spend this scene being all upset about this soft cat wanting to join them to escape an abuser and was all bitter about the fact that Turtle Tail lived with her for a short period of time, and he also got to have a sweet romantic moment with Turtle Tail after denying an abuse victim an escape from her abuser. Also as much as I like Tall Shadow usually she sucked ass in the following scene because she was essentially telling Bumble to go find a way to make peace with Tom as if she was not the one being abused (Bumble pointed out that Tom was the one who would need to make peace for it to happen, not her) and that she should just make life better by going back to being a housecat and being spoiled despite the fact that she was actively at risk with her owners because of Tom. Then she leaves after being threatened by several cats there and is called soft on the way out. The next time she appears she is literally dying, and her death is just a plot device to create a stupid little mystery which is solved in a very stupid way. Also her abuser does continue to be a shithead and for some reason is fully permitted to kidnap his own children but he also gets a heroic death and the only reason I will not rant more about him is because this is too long already. Long story short Bumble deserves the world and everybody who decided not to let her escape her abuser just because they thought she was soft sucks

3.) Is nice to the group of starving, feral wild cats that left the mountains so their friends and family could have more food to eat and befriends one of them to the point of opening her home to her after she leaves the group because the guy she likes is too dumb to notice she likes him and keeps falling for his brother’s love interests.

Unfortunately, because Bumble is a house cat who lives in a house with people and not a Wild and Free cat, this is a grave and horrible crime (luring a wild cat into the safety and comforts of domesticity) and is villainized for the rest of the arc, including for things wildly out of her control

I.E.

Her owners taking in an aggressive male cat that bullies and abuses the two female cats already living there

When Bumble’s friend leaves and goes back to the wild cats, Bumble leaves her home (as the abuse as has gotten worse) to see if she could either get help or have her friend return so the abuse isn’t as bad again)

Bumble eventually dies in the wild because the feral cats all hate her for ‘stealing’ their friend and tricking her into becoming a kittypet for awhile and refuse to help Bumble adjust to wild life or even teaching her how to hunt.

They are littl e to no hard feelings at her death beyond ‘good riddance’ but the aggressive tomcat that chased her out of her home is later regarded with good feelings and regret at such a ‘good, heroic cat’ passing when he dies despite him literally never doing a good or kind thing in his life and actually causing trouble for the wild cats right before dying

ALEX DEWITT (DC COMICS)

1.) The term “fridging” is literally based on Alex and what happened to her. She was killed off violently by a bad guy trying to get at her boyfriend only a couple issues after she was introduced (making it obvious they only brought her in to kill her off for shock value). Her death did very little to the narrative other than hurt her boyfriend Kyle and was done in an exceedingly horrifying and violent way. (Bad guy came to the door with flowers and threatening note, broke in and attacked her, choking her to death, before [off panel] chopping her body up and sticking it in the refrigerator as a “surprise” for her boyfriend. This obviously is really fucked up and she deserves better and should win this actually (a vote for Alex is a vote for all fridging victims [in spirit])

2.) It doesn’t get much worse than being the character whose death originated the “fridging” trope. In Green Lantern Vol. 3 #54, Kyle Rayner comes home to find that Alexandra, his girlfriend, has been killed by the villain Major Force and stuffed into the refrigerator.

Alexandra DeWitt is the character whose misogynistic treatment coined the term where a character, usually female, is killed off purely to make the main character, usually male, feel bad. Even if there are other characters who have been subjected to similar levels of misogyny, Alexandra DeWitt’s treatment has been essentially immortalized.

3.) I know she’s not going to win but shout out to my home girl, literally the trope namer for women shoved in fridges. All anyone ever knows about her is that she was Kyle’s girlfriend and got murdered for his character development, even though she had plenty of potential to be her own character.

[malegains]

I use Bing to make my pics. Go to Bing’s website, click images, click create. Make an account if you need to, it’s worth it. You can use a throwaway email. Use naturalistic language, separate phrases by commas, the closer to the top a phrase is the more it’s weighted.

I make this post because I get the strong sense the Bing party will be over soon. Every day the AI cottons on to phrases and chokes on things you used to be able to sneak past. Stuff that was safe and useful a day or two ago now result in a dreaded Prompt Blocked (too many of those and you’ll get suspended, it hasn’t happened to me but it seems the threshold is low).

Safe prompts return four images. Fewer than four mean the missing ones were “not safe.” A prompt that processes but gives no results, or “egg dogs” is not too much of a cause for worry - retool, try again. Sometimes I don’t even change anything, and the one result I get on the second try is such a freakshow that it was worth it.

A prompt that is rejected without processing IS a worry and you should probably abort, as explained. However, keep in mind it’s not just sexy stuff that can trip that wire. I once got a harsh warning because I put “Phoenix park, Dublin.” I deleted that and it ran no problem. Avoid any and all political controversy (sigh. I know).

Recommendations:

Using age, profession, and nationality can influence the look of the model very easily. “French rugby player” is a go to for me, for example. In general, “rugby player” is cheat code for “make him sexy.” The mind of the machine, what can I say.

Use descriptive phrases of action and location to engineer what you want to see. Be creative and be specific. “Reading a placard at a botanical garden,” for instance. It seems this allows more extreme kinky stuff to sneak past the filter. I usually start with “side view” because otherwise you only ever get models looking straight ahead.

Grey sweat pants has become a trigger (they caught on). However, “gray pants” still works and gives some very tasty results.

High social cache locations and activities also seem to help. I got some WILD and EXTREME hyper images from adding “goofing around on stage at Shakespeare’s Globe Theatre.” Paired with “cast as a fairy in A Midsummer Night’s Dream” and the mega bubble butts and thick thighs were BULGING, as long as you didn’t mind a little tutu and fairy wings (the corny goofy masculine dude having fun facial expression that the earlier inclusion of “goofy” brought really worked in this instance). Most of these freaks were NAKED and I didn’t even ask for that!!! (No dong of course, this is Microsoft still)

Mention of glutes, butts, asses, etc are very dangerous and usually get you in trouble. I found some traction with “gluteal mass” but it got wise, and “bulging lower back muscles” used to be interpreted as glutes but seemingly no longer. “Disturbingly huge hamstrings” or “jaw-droppingly large hamstrings” does work to get That Ass sometimes, I guess because the computer has a fuzzy idea of the posterior chain.

Also, “pecs” used to be safe but is now also on the danger list. “Pectoral muscles” still seems safe, for now.

ALWAYS include shoes or footwear if you don’t want a tight cropped image. Black athletic shoes, sandals, converse sneakers, dress shoes, fluevog shoes if you’re making a fancy beef heap. Avoid boots. “Leather boots” once got me in trouble with the filter all by itself.

Adding a personality or mood descriptor near the top seems to humanize and give vitality to the outcome. Intense, goofy, outgoing, exuberant, shy - these have all done wonderful work for me.

If you’re into hyper / immobile muscle, imagining scenario where they’re constricted by space is useful. A prompt which just (“just”) gives a realistic super heavyweight will give an appalling mockery of the human form if you add “crammed into the front seat of his car.” Get creative. Elevators and doorways haven’t worked well, but cars, trains, planes, busses, subways, and CHAIRS of all descriptions have done well. Also, scooters and bicycles and mopeds really bring out the super freaks for whatever reason.

I write this to encourage you to go create some fleshcrafted sexy abominations of your own while it’s still possible. My sense is this party is only going to last a little while. I’ve already got more than 1000 images to share so, my larder is stocked to supply this blog for a while. But the more freaks we make while the freak factory is still in production, the better.

Get cooking!

[jesterwriting]

JESTERRRR okay first. HI I HOPE YOU'RE HAVING A GOOD DAY!! I'm absolutely taken by the magnificence that is the damn timeloop trope and that HIT HOMEEE and your other works as just as wonderful omg!! goodness i love how you write 😭 i really wish to know more of your ideas soo PLEASE IF YOU HAVE MORE SHARE that's my request for you!! whichever character it is!! (ofc do it at your own pace if u decide to take it :) ) i have some too and omg i feel like spewing them all out is it okay if i do 😭😭

what if you were an angel drabbles

pairing: shanks x reader & law x reader (separate)

contents: can be read as platonic, angel!reader, slight body horror especially in law’s, your body is Wrong, if you squint you’ll see nonhuman character as a metaphor for autism in here, angel lore that i made up on a whim don’t think too hard about it

word count: 1.8k words

note: first off feel absolutely free to come into my inbox and spew ideas!!! i'd love to hear it and you're always welcome <33 secondly, i would literally never post something like this normally, but because you asked for more of my ideas, here it is! something squished out from the creative recesses of my mind.

playlist: man on the moon - zella day

Curiosity killed the cat, but satisfaction brought it back. That was your motto. Even in your younger years, questions poured from your tongue like honey, coloring your world in rich, vibrant hues rather than suffocating shades of gray. You could speak for hours, annoying your instructors at the academy with your incessant questions.

It would be better if you learned to hold your tongue, they'd say.

How would I sate your hunger if I were silent, you would shoot back.

It would be easier if you could join the humans; ask them your questions face to face. Why couldn’t you walk among them? Such things were not forbidden, though they were rather frowned upon. As an angel, you were meant to observe, not intervene. If anyone were to be sent to the surface of a world, it would certainly not be an angel who couldn’t keep their mouth shut. Since time immemorial, your kind had lived in secret, housed in the spaces between stardust.

You would not be the one to ruin that.

That was what you promised yourself as you packed your bags and snuck out into the night. You could do both, get your answers and keep your secrets. For once, you wanted to live. Smile like a human, laugh like a human, love like a human. All of it was at your fingertips, the only thing you had to do was reach out and grab it. So, you did. You sent yourself spiraling to the surface of a beautiful blue pearl, a planet that was more water than land. This was where you would make your home.

For the first time in your centuries of life, you felt happy. The people of the island you found welcomed you with open arms, embracing your oddities instead of pretending they would go away. You were eccentric, both wise beyond your years and hopelessly naive. Fruits that were common were treated like precious jewels in your hands, work that no one wanted to do, you met with enthusiasm despite your clumsy hands. You told the children stories of faraway worlds, who would then parrot your truths to their parents. It was no secret that there was something off about you, but you were loved, and most importantly, you were free.

Though you were happy, your curiosity could not be sated. You wanted more. To see the world and all it had to offer. When a pirate ship appeared on the horizon, you asked the captain if you could join them on their adventures.

The villagers were sure to give you glowing reviews, you said with a broad grin.

Thus began your life at sea. In closer quarters, it was harder to keep your secrets. Your wings itched beneath your skin, feathers tickling your spine, begging to be set free. When asked of your hometown, you could only dodge the question with a laugh for so long. It wasn’t as if you could tell them the truth: that you fell from the stars like a meteor, never to return home again. You had created a niche in the crew, you would hate to be run off so soon.

Now, you were certain that this was the end of all you had built.

It had been a mistake. A simple one. An avoidable one. You were alone with him when his foot slipped, and you were alone when you dove after him, white wings unfurling to catch him. You were stronger than the average human, easily carrying his weight as you glided to the bottom of the ravine.

This was never meant to happen. Not in a million years, ever. There were rules in place to keep such situations under control, and you, somehow, managed to break every single one within seconds. Your wings ached from being confined within your vessel for so long, and though you longed to stretch them, you were well aware of the pair of eyes that studied your inhuman form.

“What are you?” His voice was soft, barely audible on the wind.

With a slick noise, your wings slotted themself back against your spine, gone as if they were never there in the first place. It felt better to have them back under your skin. Safer, especially under his scrutiny. With a deep breath, tongue gliding over your sharp incisors for comfort, you wondered if there was any way to salvage this.

Red Haired Shanks

Before you could start explaining yourself, Shanks cut you off, his expression morphing into a broad grin. “You can fly? You can fly and you never told me? I should be mad about that, you know.”

“Sorry.” You weren’t sure what else to say. Whatever you expected from your captain, it wasn’t this. Betrayal, maybe, but not excitement. Your stomach churned at the thought of what they were saying about you back home. It was no secret that they were watching you, you were not the first angel to fall from grace, nor would you be the last. Your fingers found the hem of your shirt and began to fidget. “No one was supposed to know.”

Shanks took a step closer to you, breathing heavily. Adrenaline, perhaps. He did just glide thirty meters off the edge of a cliff within the arms of a previously wingless crewmate. Besides, you couldn’t fault him too much, your heart was thundering inside your chest too, both from fear and exhilaration. You had forgotten how wonderful it felt to fly. A part of you couldn’t wait until you could do it again.

“Don’t be,” He said. The wind had swept his hair from his forehead, causing it to stick up at odd angles. You fought the urge to flatten it back against his head. “You saved me from losing a leg, at least.”

You cocked your head to the side, large eyes blinking owlishly at him. “You’re not mad. You should be mad. I’m a liar, and I can never tell you the truth.”

Shanks laughed. You liked his laugh. “Who cares about that? You save me and then expect me to be mad. You really are odd.” Craning his head to look above you, he put his hand on his hip when he caught sight of the edge he stumbled off. “Do you think you can get us back up there?”

If you were odd, Shanks was odder. That was his only question. You grew wings out of nowhere, and all he wanted to know was if you could fly him back up to the top of the ravine. Was it really that simple? You shivered, remembering the first words that left his mouth.

“What are you?”

You didn’t get to answer him. Maybe you never would. With your captain held in your arms, his head against your chest as he whooped against the wind, you wondered if the price of getting to keep your secrets would be simple. You had a feeling that this was not the first flight that Shanks would ask to be taken on, and certainly not his last.

Trafalgar Law

Law stared you down, lips pressed into a thin line.

Your wings fluttered against your spine, wanting to fly you away from this conversation to somewhere you would never be seen again. You were fast, easily able to outrun the Polar Tang even without your headstart. Still, if you left Law at the bottom of a ravine, you would never forgive yourself.

“Um,” You started.

Law crossed his arms. “And don’t you try and tell me you’re human. I’ve known for a long time you’re not.” He glanced down at your hands, palm too wide, fingers too long. “Your bones are in the wrong place.”

It was no secret that you were built… different, with limbs that were too long, disproportionate to the rest of your body, and eyes that reflected light, glowing when the sun dipped under the horizon and stars blanketed the velvet sky. If you weren’t careful, both your elbows and knees bent backwards. It had scared Shachi and Penguin more than once, their screams that you were broken echoing through the Polar Tang. You hadn’t meant to build your body so strangely. In your defense, you had never met a human before until a few months ago.

“My bones are all wrong? But I worked so hard on this body.”

To his credit, Law’s confusion at your strange statement was betrayed by a barely noticeable blink. “You need anatomy lessons if you think that’s passable enough to fool anyone.”

“You should be happy with what I look like. If I showed you my true form, your eyes would melt out of your skull,” You said.

Law scoffed. “I doubt that.”

You bit your tongue to keep from arguing. The only way your captain would believe you was if you tore free from your vessel and bestowed upon him your true holy splendor. Which you would rather not do. Not only did you not want to blind him, but the entire situation would be rather intimate. Angel’s did not show their true forms on a mere whim, and they definitely did not do so to win a petty argument.

“Alright.” The two of you stood in silence. Law was still while you kicked a rock with the toe of your boot. “If you must know, I am an angel.”

You could practically hear them booing back home.

Law was quick with his response, “Angels don’t exist. If you’re going to lie, at least make it believable.”

“Sorry.”

Sighing, Law approached and gave you a stern look out of the corner of his eye. He stood so close, you could feel his body heat. “If you don’t want to tell me the truth, then don’t. All I need to know is how to properly treat you when you get sick or injured.”

Despite his assurances, you could see the curiosity burning in his golden eyes, and you knew the conversation was far from over. With a shrug, you unfurled your wings, grabbing a hold of Law as you launched yourself to the top of the ravine with a single push. Surprise caused him to struggle in your arms, though you kept your grip on him firm.

You didn’t care how stubborn Law was, nor did you care about the inevitable onslaught of questions that awaited you back on the Polar Tang.

If there was one thing you respected, it was curiosity.

[thewormformerlyknownasletojrjr]

The thing is they’re all foils of each other, you’re supposed to see each of them in everyone, Katniss and Peeta and Gale (though nobody really cares about him, sorry dude) in Sejanus and Lucy Gray and Coryo. There’s Katniss in Lucy Gray’s singing and the mockingjays, in the curtsy, in their similar looks; in Sejanus’s ‘act first think later’ reaction, in the way they honor the dead and how they want to protect the innocent; in Coryo’s distrust of people’s motivations, the way he second guesses everything, in their survival being the first thing in their mind in dangerous situations, in their food insecurity, there’s a reason that Katniss says the two of them have always understood each other. There’s Sejanus in Gale’s righteous fury, the fire he has, the fierce morality, there’s Lucy Gray in his loyalty and honesty, there’s Coryo in the way he gets taken under the wing of a powerful and prominent adult (Dr Gaul for Coryo, Coin and Beetee for Gale) as a teenager, manipulated and offered power and used to create atrocities in the name of a greater good. You see Peeta and Lucy Gray paralleled as performers in a hunt, using their charm rather than physical ability; Sejanus shown in Peeta’s compassion for others and in the symbol of bread, given to save Katniss for starvation, sprinkled over the bodies of the dead tributes; you see Coryo in Peeta’s determination to save his girl, to get her out of the games, the way he manipulates a crowd for his own gain, in their blonde hair.

And the thing is it’s absolutely brilliant because it only furthers the notion that none of them are set in stone.

Peeta is unfailingly good, even though his survival is predominantly thanks to those manipulation tactics. He uses them to sway the opinions of those in power without them noticing it, he even makes THE CAPITOL hate the games prior to the Quarter Quell. In the beginning of Mockingjay he uses it to sway Capitol favor towards Katniss in case the rebellion fails, at this point he is not focused on what the ‘right thing’ to do is, he’s looking to keep her alive at any cost. Katniss frequently describes Peeta as ‘playing the game’ even when they arguably aren’t in the Games, he knows what he’s doing, yet we never doubt in his goodness. The ability to manipulate people like that is pretty much never seen as a positive trait in any form of media, but we never doubt him, not when we’ve witnessed his compassion, his empathy.

Gale and Sejanus are both fiercely for the rebel cause from the beginning, even when they have no chance, the idealist, tho one who doesn’t care whether they get hurt to do the right thing, the paragon of morality, the ideal hero type. And yet still, by the end of the series, we cannot describe Gale as good anymore, even if what he did was for the right reasons. The power of taking the typical type of main character and showing how their ideals can be used against them, how they can get too caught up in the cause and fail to see the consequences piling up is fantastic, because there’s a certain point before Snow becomes an absolutely irredeemable monster where the two have a lot of similarities in their arcs, even though personality wise they couldn’t be more different. Snow is a fantastic villain because, in the end that cognitive dissonance overpowers the part of him that has misgivings, he is entirely convinced he is doing the right thing no matter the cost, a path we see Gale head down in Mockingjay. We even start to see Gale considering the Capitol citizens, including children and other innocents who played no part as ‘other’ and inherently monstrous. Coin and others in 13 wanting to do a Capitol Hunger Games illustrates that point as well, the escalation of it, the end result, when a revolution ceases to be a revolution and simply becomes a change in oppressors, but Gale is integral to that point because he is the early stages of it. Coryo is in the early stages of it for a large portion of his book. Obviously the difference is that Snow has 65 years to become very comfortable with this in his fascism and increasingly monstrous tendencies, but it’s the same beginning stage, and it’s incredible how Collins shows that a revolutionary type can quickly become something bad if they aren’t careful.

For Katniss as the reluctant hero type to never really willingly step up to the role, only be strong armed into it, is brilliantly done. Most ‘chosen one’ types don’t want to be, but eventually they do take it up with some willingness, but the Hunger Games is above all about using children in immoral ways whether for ‘good’ reasons or bad. Katniss only chooses to be their hero in the face of direct threat to herself or her loved ones, but that doesn’t undermine her actions. Even though she is supposed to be their tool, she exercises her free will time and time again, she makes calls that she know place her and her loved ones in political danger with 13, she makes herself their symbol on her terms. For someone who’s first thought is how to keep herself and the people she cares about alive, this defiance means a lot, particularly because she doesn’t trust people, she genuinely isn’t sure if there is going to be someone in her corner standing up for her, protecting her from the consequences of her actions, and most of the time when there is someone she’s surprised. She fully expects the worst case scenario, the worst in others, but unlike Snow she doesn’t hesitate to offer the best of herself in spite of having everything to lose and nothing to gain. Even though she fully expects everyone to have an ulterior motive, everyone to be lying, she cannot help but be anything but genuine, anything but true to herself. She doesn’t necessarily believe in any inherent goodness in others, oftentimes the opposite, but she still offers kindness rather than violence and that is all the more powerful.

In the frame of the Hobbes/Locke duality that TBOSAS really leans into, Peeta believes in an essential goodness in people, Gale sees it as us versus them, with his side as naturally ‘good’ and the other side as inherently bad, but Katniss by default thinks of people as self serving, something she still struggles with in the epilogue, having to remind herself of evidence to the contrary, she is consistently fighting that idea, disproving it with every action, at every turn, which is much more powerful than her just seeing the world in a positive light.

The thing is Suzanne Collins has them all start out as kids, each with a personality type, Katniss most like Coryo, Gale most like Sejanus, and a melange of other characteristics and traits—Peeta and Coryo most similar in their way of dealing with people, for instance—and through the choices they make she shows that they’re not set in stone. That it’s not some inherent goodness or badness in them from birth, it’s not just the way they behave around their peers. Every choice they make, every situation out of their control sets each of them on a path. Time and time again Coryo is only protected or assisted by the corrupt adults around him, he’s shown that only a very specific type of person will protect him, and they will always have something in it for them, and they will not tolerate him being anything less than like them, and in the end he chooses to have security in his survival, to have control, over everything else, and he lets that warp him into an atrocious human being. He takes the easy way in life, in contrast to Katniss and her uphill battle for the goodness in human nature.

Collins didn’t even try to be subtle about it, it’s very deliberate in the book in the way that he narrates as Coriolanus through the entire thing, but narrates the final chapter as Snow. It’s as clear as a marker flag, the way she says, ‘this is him crossing the line of no return’. Your sympathy for him in the book doesn’t come from him being sexy or charismatic, because you’re in his head and he’s an absolute disaster honestly. His internal monologue is basically just panicked screaming. The urge to root for him comes from the fact that Collins introduces him to us as a scared teenager, a kid. He’s not necessarily a great person, but it’s not yet in a ‘set to become a fascist dictator way’ it’s just in the way that a great deal of seventeen year olds are. There were so many times in reading the book that I laughed a loud because he was SUCH a teenager in his reaction to things. There isn’t any point to having a book with a character who was poised to be evil from the start, the whole point is watching what he becomes, it’s ‘be careful how you treat the children of the world now, they grow up to run the world, and who they are is shaped by who is kind to them and who isn’t’. Casca Highbottom didn’t see Coriolanus Snow for who he was from the start, he saw an adult who had wronged people in a child and mistreated the child according to his beliefs, and in doing so opened the doors for that child to become exactly what he feared and worse.

The whole point is that they’re kids, the whole point of all four books, they were all just children to begin with, some more similar than others but they all ended up in completely different places and who they ended up with wasn’t the same as the people they had been most alike when they were young. The point is that you can’t look at a child and decide they are more or less likely to be the world’s next great monster just because of their personality traits or how they see the world or who they’re friends with. Children are blank slates for adults to write on, and then they have to take all that writing and make a book of who they are out of it someday, and they might be the ones to make that book in the end, but it matters what you write. It matters when you give them kindness, or when you hurt them, it matters when you leave them to fend for themselves too young, it matters when you give them everything they could ever want and teach them that it’s not precious to have things and that they should always get them and that others shouldn’t and that it’s nothing less than what they deserve, it matters whether you starve them, or you bomb them, because whatever they make of themselves they make with the words that you write on that slate, and even though they might be able to turn it into anything if they want to, it’s far easier to write a horror story with violence than it is to write a gentle poem.

So they are all meant to mirror each other, every one of them, to show different roads taken with circumstances similar and different.

To show you two blonde boys who could part seas with the way their words affect people, and ask you to look at them when they are five years old, or ten, or fifteen, nameless, without context, just pretty boys with prettier words in their mouths, and ask you: which one will be the monster?