#Harry Willson Watrous

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The Chatterers, 1913 Harry Willson Watrous

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Harry Willson Watrous - "The Dregs". 1914

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Harry Willson Watrous - Fallen Pine at Hague, Lake George (1929)

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Harry Willson Watrous (American, 1857-1940) • Solitaire • c. 1900 • Unspecified location

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Harry Willson Watrous (American, 1857-1940) • The Dregs • 1914

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The Dregs (1914) by Harry Willson Watrous

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"The chatterers" by Harry Willson Watrous

The man loved a good lady profile, I respect that:

I get such Lady Loki vibes from all these

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The Chatterers

Our Flag Means Classics continues! This has been in the works since MAY 2022 - season 2 provided the last little bit of flavour needed to get me to finish it up.

Original by Harry Willson Watrous, suggested by khlara on the bird app way back when, tysm!

18.5*21" digital oils Rebelle 5 and Photoshop god knows how many hours

WIP shots over on my twitter

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The Chatterers, 1913 Harry Willson Watrous

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Harry Willson Watrous, The Chatterers,

1913, Oil on canvas

The Clark

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The Chatterers by Harry Willson Watrous + Innocence by Alfred Seifert

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Harry Willson Watrous

seasoflife

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The Chatterers, 1913 Harry Willson Watrous

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Harry Willson Watrous - The Drop Sinister—What Shall We Do with It? (ca. 1913)

Around 1913, Watrous painted The Drop Sinister, What Shall We Do with It?, which was visually similar to his other works at the time, but, by addressing an issue of social and moral concern, was unique among his paintings. It is said to be the first known portrait of an American interracial family. The father wears a clerical collar and holds a Christian newspaper in his hand; on the wall is a portrait of Abraham Lincoln and a quotation, "And God said, Let us make man in our own image after our likeness."

The painting caused a stir when it was exhibited at the National Academy of Design and at the Century Club in New York. "Harry W. Watrous preaches and paints well an interesting sermon on the negro question in The Drop Sinister," commented American Art News, which also called it "one of his best canvases." This "study in the fruits of miscegenation…caused an extraordinary amount of discussion, residents of one typically Southern city threatening to wreck the art museum if it was shown there."

The painting appears to depict a mixed marriage, which was illegal in many states at the time. The Crisis, the N.A.A.C.P. journal edited by W.E.B. DuBois, had a different idea about what was going on in the picture:

The people in this picture are all "colored"; that is to say the ancestors of all of them two or three generations ago numbered among them full-blooded Negroes. These "colored" folk married and brought to the world a little golden-haired child; today they pause for a moment and sit aghast when they think of this child's future.

What is she? A Negro? No, she is "white." But is she white? The United States Census says she is a "Negro." What earthly difference does it make what she is, so long as she grows up a good, true, capable woman? But her chances for doing this are small! Why?

Because 90,000,000 of her neighbors, good Christian, noble, civilized people are going to insult her, seek to ruin her and slam the door of opportunity in her face the moment they discover "The Drop Sinister." (source)

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Harry Willson Watrous (American, 1857-1940) ~ Solitaire ~ c. 1900

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Harry Willson Watrous (American, 1857-1940) ~ The Chatterers ~ 1913 ~ Clark Art Institute - Williamstown, Massachusetts