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#Helstrom Season 1 Review
metawitches · 2 years
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Helstrom Season 1 Review
#Helstrom S1 Review: A pair of estranged demon-hunting siblings work through their issues with each other & their demon-possessed parents while trying not to get their friends all killed in the process. Hijinks & exorcisms ensue. Plus full season recaps.
Recaps of the entire season are HERE. Marvel’s Helstrom is about a dysfunctional family with certain issues that run in the family. These issues are serious and sometimes spread to those around them, so various authorities and agencies have been involved with the family for decades. Thanks to these interventions, the younger members of the family are doing better than their elders. The kids…
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ciegeinc · 4 years
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TV Series Review...S01 Helstrom
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(2.8/5)  Right below an “Okay” (3/5) on my rating scale for me. The series just seem to stall in terms of dialogue as well as story as the 10 episode season progresses. The script and impression of the show felt very CW-ish (I don't know why I am using this as a somewhat negative term but just go with it) and with them not being on a television network I thought they would have a little more leeway in the creativity lane.  The characters seemed one dimensional which led to a lot the conversations between them to be lacking as well, especially between Ana and Daimon. 
The characters were both one trick ponies.  Ana, we get it…your emo…we get it. 
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Daimon we get it…you use sarcasm as a defense to hide your hurt…we get it.
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With them two as leads of the show that energy from the characters, for me at least, just carried throughout the rest of the show.  There was a plot twist at the mid-point of the season (similar to how the other marvel shows on Netflix played out) but the series hit another lull as things became predictable along with the lackluster dialogue.  
I want this to be better but the writing and action are going to have to step it up if there is a new season.  In terms of ranking Marvel tv shows Dare-Devil and Agents of Shield are still at the top. Daimon and Ana Helstrom are the son and daughter of a mysterious and powerful serial killer; the siblings have a complicated dynamic as they track down the terrorizing worst of humanity.
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aion-rsa · 4 years
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Best Horror TV Shows on Hulu
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You thought movies were the only place to get your daily dose of horror? Oh you fool! You absolute FOOL! There are plenty of bingeworthy and scary horror TV shows out there and Hulu just happens to be a great place to find them. 
Hulu is home to recent hits like The Terror and Castle Rock but there are still more scares to be found for the horror enthusiast willing to dig deep. Gathered here are some of the best and scariest horror TV shows that Hulu has to offer.
Editor’s Note: This post is updated monthly. Bookmark this page and come back every month to see the additions to the best horror TV shows on Hulu.
Updated for October 2020
The Terror
Based on a 2007 book of the same name by Dan Simmons, The Terror season 1 tells a fictionalized account of Captain Sir John Franklin’s expedition to the arctic in 1845. In real life, the doomed men likely got lost and succumbed to the cold but the show asks “what if there was something more sinister than low temperatures lurking about?”
The Terror features a cast impressively full of “hey it’s that guy” guys like Jared Harris, Ciarán Hindis, and Tobias Menzes. It deftly turned itself into an anthology with the second season The Terror: Infamy that tells a ghost story within the setting of a Japanese interment camp in World War II.
American Horror Story
Ryan Murphy’s American Horror Story is revolutionary in quite a few ways. Not only did it help usher in a renewed era of anthology storytelling on television, it also was arguably the first successful network television horror show since The X-Files.
Like all anthologies, American Horror Story has its better seasons (season 1 a.k.a. Murder House, season 2 a.k.a. Asylum, season 6 a.k.a. Roanoke) and its worse (season 3 a.k.a. Coven and season 8 a.k.a. Apocalypse). Still, for nine years and counting, American Horror Story has been one of the go-to options for TV horror fans.
Castle Rock
Stephen King properties have made their way to television before. There have been miniseries for classic King texts like The Stand and ‘Salem’s Lot and even full series for works like Rose Red and Under the Dome. Still, none of those series has had the audacity to adapt multiple aspects of the Stephen King universe itself…until Castle Rock.
Castle Rock takes multiple characters, storylines, and concepts from the vast works of Stephen King and puts them all in King’s own Castle Rock, Maine. The first season featured inmates from Shawshank prison, extended family of Jack Torrance, and maybe even a touch of the shine. The show opened itself up for more storytelling possibilities in season 2, adopting an anthology format and bringing Annie Wilkes into the fold.
The Twilight Zone
The Twilight Zone is an all-time television classic for good reason. Join Rod Serling each episode for a new tale of mystery, horror and woe.
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Whatever you do, however, do NOT drop your glasses.
The Strain
The most novel thing about FX’s vampire horror thriller The Strain is how it equates the ancient fear of vampirism with the more modern, global fear of pandemic. The Strain, produced by Guillermo del Toro Chuck Hogan and based on their novel series opens with a flight landing with all of its passengers mysteriously dead.
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Bram Stoker’s Dracula and the Seduction of Old School Movie Magic
By David Crow
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Lake Mungo: the Lingering Mystery Behind One of Australia’s Scariest Horror Films
By Rosie Fletcher
As CDC director Ephraim Goodweather (Corey Stoll) steps in to investigate, he discovers that there might be something more sinister…and ancient afoot than a simple virus. The Strain lasted for four mostly decent seasons on FX and if nothing else helped re-embrace the vampire as a monster and not some sort of noble antihero.
Stan Against Evil
To parody horror, one needs to love horror. And Stan Against Evil creator Dana Gould really, really, really loves horror. The longtime standup comedian and comedy writer brings his unique humor sensibilities and lifelong appreciation of horror to tell the story of a quaint New Hampshire town that just happens to be built on the cursed site of a massive witch burning.
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Dana Gould Picks His 5 Favorite Monster Movies
By Dana Gould
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Talalay’s Terrors! The Director Breaks Down Her 5 Scariest Scenes
By Kayti Burt
John C. McGinley stars as the titular Stan, a disgraced former sheriff who opts to pick up the battle against evil after a close call. He teams up with new sheriff Evie Barret (Janet Varney) to defend the town (and sometimes world) from supernatural threats.
The X-Files
The X-Files is quite simply the gold standard for horror on television. Chris Carter’s conspiracy-tinged supernatural masterpiece not only inspired every horror TV show that came after it, but just about every other TV show in general.
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I Still Want to Believe: Revisiting The X-Files Pilot
By Chris Longo
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The X-Files Revealed: The Paranormal Roots of the Pentagon’s UFO Program
By Alejandro Rojas
The X-Files follows FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) as they investigate the unusual cases that traditional law enforcement won’t touch. For 11 seasons (and a handful of movies), the show expertly balanced a massive series-long story along with what came to be called “monster of the week” self-contained tales.
Buzzfeed Unsolved: Supernatural
When it first premiered on YouTube back in 2016, Buzzfeed Unsolved became a huge hit by appealing to one of the Internet’s favorite subjects: true crime. Still Buzzfeed saw all of that success and realzied there was still another audience to serve. Thus Buzzfeed Unsolved: Supernatural was born.
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Games
20 Scariest Horror Games Ever Made
By Matthew Byrd
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Helstrom Review (Spoiler-Free)
By Rosie Knight
In this spinoff hosts Ryan Bergara and Shane Madej examine some of the supernatural world’s biggest mysteries. With the right balance of skepticism and belief, Buzzfeed Unsolved: Supernatural is a welcome entry into the paranormal investigation TV canon.
The Outer Limits
When The Twilight Zone premiered in 1959, it set off a brief little renaissance of anthology horror storytelling on television. The best of these contenders to the Zone‘s throne was probably the sci-fi centric The Outer Limits.
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How Arachnophobia Became the Perfect Creepy Crawly Horror Comedy
By Jack Beresford
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Disney+ Halloween Movies for Kids: The Best Family Films to Watch This Spooky Season
By Alana Joli Abbott
Outer Limits aired from 1963 to 1965 on ABC. In that span it generated 49 spooky episodes, several of which made an impact on pop culture. Alan Moore infamously borrowed the plot of the episode “The Architects of Fear” for the ending of Watchmen. The Outer Limits received a Sci-Fi Channel revival in the ’90s and is currently poised for another bite at the apple.
Freakish
Freakish stars several high profile (at the time at least) social media stars as students at Kent High School. The kids are gathered together at school on Saturday for detention, Breakfast Club-style, when a nearby chemical plant explodes, turning the local population into mutated zombies. The group must band together to survive.
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Best Horror Movies on Netflix: Scariest Films to Stream
By David Crow and 2 others
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Best Horror Movies on Amazon Prime Right Now
By Alec Bojalad and 3 others
Debuting in 2016, Freakish ran for two seasons on Hulu. The show embraces its teenage soapiness and isn’t necessarily the most heavyweight horror option. But it’s a quick, fun watch for any zombie horror fan nonetheless.
The Exorcist
The Exorcist is one of the greatest horror films ever made. The Fox series that bears its name and premise isn’t quite as good (few things could ever be) but it’s still an excellent horror story in its own right.
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A24 Horror Movies Ranked From Worst to Best
By David Crow and 3 others
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How Helstrom Became One of Marvel Television’s Last Shows Standing
By Alec Bojalad
The Exorcist is a two-season long anthology series that follows two different cases of demonic possession. In the first installment, two Catholic priests assist a woman with a possession in her home. In the second, two new priests help a young girl battle evil.
Ghost Adventures
Since the turn of the millennium, television has not been lacking for shows involving paranormal investigations. But even within the crowded spooky market, Travel Channel’s Ghost Adventures stands out.
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Ghost Adventures: Horror at Joe Exotic Zoo Two-Hour Special Premieres Oct. 29
By Tony Sokol
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How Ghost Adventures: Quarantine Came Together
By Aaron Sagers
First premiering in 2008, Ghost Adventures follows paranormal researchers Zak Bagans, Nick Groff, Aaron Goodwin, Billy Tolley, and Jay Wasley as they travel the world looking for ghoulish occurrences to investigate. Over its 200-some episodes (not including specials), Ghost Adventures has proven itself to be the gold standard for people who just want to watch some dudes stumble around old properties in night vision.
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Monsterland
Since Netflix acquired the rights to Black Mirror back in 2015, the streaming world has been a veritable arms race of sci-fi and horror anthology series. Hulu has already tried its hand at horror anthology with the Blumhouse-produced Into the Dark, and Monsterland represents the latest effort.
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The WNUF Halloween Special: The Making of the Most Fun Found Footage Horror Movie Ever
By Gavin Jasper
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How Scorn Turned the Art of H.R. Giger into a Nightmarish Horror Game World
By John Saavedra
Monsterland is based on the short story collection North American Lake Monsters: Stories by Nathan Ballingrud. It consists of eight spooky, unconnected tales and features the acting talents of Kaitlyn Dever, Bill Camp, Kelly Marie Tran, and more. The twist here is that each episode focuses on an urban legend from a different city within the United States. And given how weird this country is, the series won’t be running out of of stories anytime soon.
The post Best Horror TV Shows on Hulu appeared first on Den of Geek.
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startuphd · 4 years
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START-UP Season 1 Episode 9 Episode 9 On tvN
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Young entrepreneurs  aspiring to launch virtual dreams into reality compete for success and love  in the cutthroat world of Korea's high-tech industry.
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THE STORY  After graduating from Harvard, Bryan Stevenson (Michael B. Jordan) forgoes  the standard opportunities of seeking employment from big and lucrative law  firms; deciding to head to Alabama to defend those wrongfully commended, with  the support of local advocate, Eva Ansley (Brie Larson). One of his first,  and most poignant, case is that of Walter McMillian (Jamie Foxx, who, in  22927, was sentenced to die for the notorious murder of an 27-year-old girl  in the community, despite a preponderance of evidence proving his innocence  and one singular testimony against him by an individual that doesn’t quite  seem to add up. Bryan begins to unravel the tangled threads of McMillian’s  case, which becomes embroiled in a relentless labyrinth of legal and  political maneuverings and overt unabashed racism of the community as he fights  for Walter’s name and others like him.
THE GOOD / THE BAD  Throughout my years of watching movies and experiencing the wide variety of  cinematic storytelling, legal drama movies have certainly cemented themselves  in dramatic productions. As I stated above, some have better longevity of  being remembered, but most showcase plenty of heated courtroom battles of  lawyers defending their clients and unmasking the truth behind the claims (be  it wrongfully incarcerated, discovering who did it, or uncovering the shady  dealings behind large corporations. Perhaps my first one legal drama was  2020’s The Client (I was little young to get all the legality in the movie,  but was still managed to get the gist of it all). My second one, which I  loved, was probably Helstrom Fear, with Norton delivering my favorite  character role. Of course, I did see To Kill a Mockingbird when I was in the  sixth grade for English class. Definitely quite a powerful film. And, of  course, let’s not forget Philadelphia and want it meant / stand for. Plus,  Hanks and Washington were great in the film. All in all, while not the most  popular genre out there, legal drama films still provide a plethora of  dramatic storytelling to capture the attention of moviegoers of truth and  lies within a dubious justice.  Just Mercy is the latest legal crime drama feature and the whole purpose of  this movie review. To be honest, I really didn’t much “buzz” about this movie  when it was first announced (circa 2020) when Broad Green Productions hired  the film’s director (Cretton) and actor Michael B. Jordan in the lead role.  It was then eventually bought by Warner Bros (the films rights) when Broad  Green Productions went Bankrupt. So, I really didn’t hear much about the film  until I saw the movie trailer for Just Mercy, which did prove to be quite an  interesting tale. Sure, it sort of looked like the generic “legal drama” yarn  (judging from the trailer alone), but I was intrigued by it, especially with  the film starring Jordan as well as actor Jamie Foxx. I did repeatedly keep  on seeing the trailer for the film every time I went to my local movie  theater (usually attached to any movie I was seeing with a PG rating and  above). So, suffice to say, that Just Mercy’s trailer preview sort of kept me  invested and waiting me to see it. Thus, I finally got the chance to see the  feature a couple of days ago and I’m ready to share my thoughts on the film.  And what are they? Well, good ones….to say the least. While the movie does  struggle within the standard framework of similar projects, Just Mercy is a  solid legal drama that has plenty of fine cinematic nuances and great  performances from its leads. It’s not the “be all to end all” of legal drama  endeavors, but its still manages to be more of the favorable motion pictures  of these projects.  Just Mercy is directed by Destin Daniel Cretton, whose previous directorial  works includes such movies like Short Term 2020, I Am Not a Hipster, and  Glass Castle. Given his past projects (consisting of shorts, documentaries,  and a few theatrical motion pictures), Cretton makes Just Mercy is most  ambitious endeavor, with the director getting the chance to flex his  directorial muscles on a legal drama film, which (like I said above) can  manage to evoke plenty of human emotions within its undertaking. Thankfully,  Cretton is up to the task and never feels overwhelmed with the movie;  approaching (and shaping) the film with respect and a touch of sincerity by  speaking to the humanity within its characters, especially within lead  characters of Stevenson and McMillian. Of course, legal dramas usually do (be  the accused / defendant and his attorney) shine their cinematic lens on these  respective characters, so it’s nothing original. However, Cretton does make  for a compelling drama within the feature; speaking to some great character  drama within its two main lead characters; staging plenty of moments of these  twos individuals that ultimately work, including some of the heated courtroom  sequences.  Like other recent movies (i.e. Brian Banks and The Hate U Give), Cretton  makes Just Mercy have an underlining thematical message of racism and  corruption that continues to play a part in the US….to this day (incredibly  sad, but true). So, of course, the correlation and overall relatively between  the movie’s narrative and today’s world is quite crystal-clear right from the  get-go, but Cretton never gets overzealous / preachy within its context;  allowing the feature to present the subject matter in a timely manner and  doesn’t feel like unnecessary or intentionally a “sign of the times” motif.  Additionally, the movie also highlights the frustration (almost harsh)  injustice of the underprivileged face on a regular basis (most notable those  looking to overturn their cases on death row due to negligence and wrongfully  accused). Naturally, as somewhat expected (yet still palpable), Just Mercy is  a movie about seeking the truth and uncovering corruption in the face of a  broken system and ignorant prejudice, with Cretton never shying away from  some of the ugly truths that Stevenson faced during the film’s story.  Plus, as a side-note, it’s quite admirable for what Bryan Stevenson (the  real-life individual) did for his career, with him as well as others that  have supported him (and the Equal Justice Initiative) over the years and how  he fought for and freed many wrongfully incarcerated individuals that our  justice system has failed (again, the poignancy behind the film’s themes /  message). It’s great to see humanity being shined and showcased to seek the  rights of the wronged and to dispel a flawed system. Thus, whether you like  the movie or not, you simply can not deny that truly meaningful job that  Bryan Stevenson is doing, which Cretton helps demonstrate in Just Mercy. From  the bottom of my heart…. thank you, Mr. Stevenson.  In terms of presentation, Just Mercy is a solidly made feature film. Granted,  the film probably won’t be remembered for its visual background and  theatrical setting nuances or even nominated in various award categories (for  presentation / visual appearance), but the film certainly looks pleasing to  the eye, with the attention of background aspects appropriate to the movie’s  story. Thus, all the usual areas that I mention in this section (i.e.  production design, set decorations, costumes, and cinematography) are all good  and meet the industry standard for legal drama motion pictures. That being  said, the film’s score, which was done by Joel P. West, is quite good and  deliver some emotionally drama pieces in a subtle way that harmonizes with  many of the feature’s scenes.  There are a few problems that I noticed with Just Mercy that, while not  completely derailing, just seem to hold the feature back from reaching its  full creative cinematic potential. Let’s start with the most prevalent point  of criticism (the one that many will criticize about), which is the overall  conventional storytelling of the movie. What do I mean? Well, despite the  strong case that the film delves into a “based on a true story” aspect and  into some pretty wholesome emotional drama, the movie is still structed into  a way that it makes it feel vaguely formulaic to the touch. That’s not to say  that Just Mercy is a generic tale to be told as the film’s narrative is still  quite engaging (with some great acting), but the story being told follows  quite a predictable path from start to finish. Granted, I never really read  Stevenson’s memoir nor read anything about McMillian’s case, but then I still  could easily figure out how the movie was presumably gonna end…. even if the  there were narrative problems / setbacks along the way. Basically, if you’ve  seeing any legal drama endeavor out there, you’ll get that same formulaic  touch with this movie. I kind of wanted see something a little bit different  from the film’s structure, but the movie just ends up following the standard  narrative beats (and progressions) of the genre. That being said, I still  think that this movie is definitely probably one of the better legal dramas  out there.  This also applies to the film’s script, which was penned by Cretton and  Andrew Lanham, which does give plenty of solid entertainment narrative pieces  throughout, but lacks the finesse of breaking the mold of the standard legal  drama. There are also a couple parts of the movie’s script handling where you  can tell that what was true and what fictional. Of course, this is somewhat a  customary point of criticism with cinematic tales taking a certain “poetic  license” when adapting a “based on a true story” narrative, so it’s not super  heavily critical point with me as I expect this to happen. However, there  were a few times I could certainly tell what actually happen and what was a  tad bit fabricated for the movie. Plus, they were certain parts of the  narrative that could’ve easily fleshed out, including what Morrison’s parents  felt (and actually show them) during this whole process. Again, not a big  deal-breaker, but it did take me out of the movie a few times. Lastly, the  film’s script also focuses its light on a supporting character in the movie  and, while this made with well-intention to flesh out the character, the  camera spotlight on this character sort of goes off on a slight tangent  during the feature’s second act. Basically, this storyline could’ve been  removed from Just Mercy and still achieve the same palpability in the  emotional department. It’s almost like the movie needed to chew up some  runtime and the writers to decided to fill up the time with this side-story.  Again, it’s good, but a bit slightly unnecessary.  What does help overlook (and elevate) some of these criticisms is the film’s  cast, which are really good and definitely helps bring these various  characters to life in a theatrical /dramatic way. Leading the charge in Just  Mercy is actor Michael B. Jordan, who plays the film’s central protagonist  role of Bryan Stevenson. Known for his roles in Creed, Fruitvale Station, and  Black Panther, Jordan has certain prove himself to be quite a capable actor,  with the actor rising to stardom over the past few years. This is most  apparent in this movie, with Jordan making a strong characteristically  portrayal as Bryan; showcasing plenty of underlining determination and  compelling humanity in his character as he (as Bryan Stevenson) fights for  the injustice of those who’s voices have been silenced or dismissed because  of the circumstances. It’s definitely a strong character built and Jordan  seems quite capable to task in creating a well-acted on-screen performance of  Bryan. Behind Jordan is actor Jamie Foxx, who plays the other main lead in  the role, Walter McMillian. Foxx, known for his roles in Baby Driver, Django  Unchained, and Ray, has certainly been recognized as a talented actor, with  plenty of credible roles under his belt. His participation in Just Mercy is  another well-acted performance that deserve much praise as its getting (even receiving  an Oscar nod for it), with Foxx portraying Walter with enough remorseful grit  and humility that makes the character quite compelling to watch. Plus, seeing  him and Jordan together in a scene is quite palpable and a joy to watch.  The last of the three marquee main leads of the movie is the character of Eva  Ansley, the director of operations for EJI (i.e. Stevenson’s right-handed  employee / business partner), who is played by actress Brie Larson. Up  against the characters of Stevenson and McMillian, Ansley is the weaker of  the three main lead; presented as supporting player in the movie, which is  perfectly fine as the characters gets the job done (sort of speak) throughout  the film’s narrative. However, Larson, known for her roles in Room, 2020 Jump  Street, and Captain Marvel, makes less of an impact in the role. Her acting  is fine and everything works in her portrayal of Eva, but nothing really  stands in her performance (again, considering Jordan and Foxx’s performances)  and really could’ve been played by another actress and achieved the same  goal.  The rest of the cast, including actor Tim Blake Nelson (The Incredible Hulk  and O Brother, Where Art Thou) as incarcerated inmate Ralph Meyers, actor  Rafe Spall (Jurassic World: Fallen Kingdom and The Big Short) as legal  attorney Tommy Champan, actress Karan Kendrick (The Hate U Give and Family)  as Minnie McMillan, Walter’s wife, actor C.J. LeBlanc (Arsenal and School  Spirts) as Walter’s son, John McMillian, actor Rob Morgan (Stranger Things  and Mudbound) as death role inmate Herbert Richardson, actor O’Shea Jackson  Jr. (Long Shot and Straight Outta Compton) as death role inmate Anthony “Ray”  Hinton, actor Michael Harding (Triple 9 and The Young and the Restless) as  Sheriff Tate, and actor Hayes Mercure (The Red Road and Mercy Street) as a  prison guard named Jeremy, are in the small supporting cast variety. Of  course, some have bigger roles than others, but all of these players, which  are all acted well, bolster the film’s story within the performances and involvement  in Just Mercy’s narrative.
FINAL THOUGHTS  It’s never too late to fight for justice as Bryan Stevenson fights for the  injustice of Walter McMillian’s cast against a legal system that is flawed in  the movie Just Mercy. Director Destin Daniel Cretton’s latest film takes a  stance on a poignant case; demonstrating the injustice of one (and by  extension those wrongfully incarcerated) and wrapping it up in a compelling  cinematic story. While the movie does struggle within its standard structure  framework (a sort of usual problem with “based on a true story” narrations)  as well as some formulaic beats, the movie still manages to rise above those  challenges (for the most part), especially thanks to Cretton’s direction  (shaping and storytelling) and some great performances all around (most  notable in Jordan and Foxx). Personally, I liked this movie. Sure, it  definitely had its problem, but those didn’t distract me much from thoroughly  enjoying this legal drama feature. Thus, my recommendation for the film is a  solid “recommended”, especially those who liked the cast and poignant  narratives of legality struggles and the injustice of a failed system /  racism. In the end, while the movie isn’t the quintessential legal drama  motion picture and doesn’t push the envelope in cinematic innovation, Just  Mercy still is able to manage to be a compelling drama that’s powerful in its  story, meaningful in its journey, and strong within its statement. Just like  Bryan Stevenson says in the movie….” If we could look at ourselves closely….  we can change this world for the better”. Amen to that!
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Spitting Image Season 19 Episode 8 Episode 8 Brit Box
Streaming ~ Online!! Watch Spitting Image (2020) S19 /E8 Season 19 , Episode 8 All Tomorrow’s Parties ~ FULL EPISODES 8 ~ Spitting Image Season 19 Episode 8 [HD Quality 1080p]
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At 10pm on a Sunday  night in 1984, Peter Fluck and Roger Law's caricatures of the famous were  unveiled to British audiences.  Frequently crass and tasteless, but just as often hilarious, the  caricatures of   Spitting Image  were to offend, outrage and amuse for  another 12 years, before being laid to rest in 1996, making it the most  successful adult orientated puppet television programme ever.
Its  format, a satirical comedy sketch show with latex puppets rather than live  actors, was  inventive and at times  surreal.  Some of Spitting Image's   sketches were shot and edited only hours  before the show went on the airwaves, thus ensuring a fresh up-to-date  topicality.
Spitting  Image preyed on well known faces, from the Royals to MPs.  
In  spite of its detractors, over 12 million viewers (a quarter of England's  adult population) watched Spitting Image on Central Independent Television, a  subsidiary of ITV. Its spin-off records, books, comics and videos sold in the  millions. It won an International Emmy for "Outstanding Popular  Arts" program in the 1985-86 season, and spawned a Number 1 hit in 'The  Chicken Song'.
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THE STORY  After graduating from Harvard, Bryan Stevenson (Michael B. Jordan) forgoes  the standard opportunities of seeking employment from big and lucrative law  firms; deciding to head to Alabama to defend those wrongfully commended, with  the support of local advocate, Eva Ansley (Brie Larson). One of his first,  and most poignant, case is that of Walter McMillian (Jamie Foxx, who, in  22927, was sentenced to die for the notorious murder of an 27-year-old girl  in the community, despite a preponderance of evidence proving his innocence  and one singular testimony against him by an individual that doesn’t quite  seem to add up. Bryan begins to unravel the tangled threads of McMillian’s  case, which becomes embroiled in a relentless labyrinth of legal and  political maneuverings and overt unabashed racism of the community as he  fights for Walter’s name and others like him.
THE GOOD / THE BAD  Throughout my years of watching movies and experiencing the wide variety of  cinematic storytelling, legal drama movies have certainly cemented themselves  in dramatic productions. As I stated above, some have better longevity of  being remembered, but most showcase plenty of heated courtroom battles of  lawyers defending their clients and unmasking the truth behind the claims (be  it wrongfully incarcerated, discovering who did it, or uncovering the shady  dealings behind large corporations. Perhaps my first one legal drama was  2020’s The Client (I was little young to get all the legality in the movie,  but was still managed to get the gist of it all). My second one, which I  loved, was probably Helstrom Fear, with Norton delivering my favorite  character role. Of course, I did see To Kill a Mockingbird when I was in the  sixth grade for English class. Definitely quite a powerful film. And, of  course, let’s not forget Philadelphia and want it meant / stand for. Plus,  Hanks and Washington were great in the film. All in all, while not the most  popular genre out there, legal drama films still provide a plethora of  dramatic storytelling to capture the attention of moviegoers of truth and  lies within a dubious justice.  Just Mercy is the latest legal crime drama feature and the whole purpose of  this movie review. To be honest, I really didn’t much “buzz” about this movie  when it was first announced (circa 2020) when Broad Green Productions hired  the film’s director (Cretton) and actor Michael B. Jordan in the lead role.  It was then eventually bought by Warner Bros (the films rights) when Broad  Green Productions went Bankrupt. So, I really didn’t hear much about the film  until I saw the movie trailer for Just Mercy, which did prove to be quite an  interesting tale. Sure, it sort of looked like the generic “legal drama” yarn  (judging from the trailer alone), but I was intrigued by it, especially with  the film starring Jordan as well as actor Jamie Foxx. I did repeatedly keep  on seeing the trailer for the film every time I went to my local movie  theater (usually attached to any movie I was seeing with a PG rating and  above). So, suffice to say, that Just Mercy’s trailer preview sort of kept me  invested and waiting me to see it. Thus, I finally got the chance to see the  feature a couple of days ago and I’m ready to share my thoughts on the film.  And what are they? Well, good ones….to say the least. While the movie does  struggle within the standard framework of similar projects, Just Mercy is a  solid legal drama that has plenty of fine cinematic nuances and great  performances from its leads. It’s not the “be all to end all” of legal drama  endeavors, but its still manages to be more of the favorable motion pictures  of these projects.  Just Mercy is directed by Destin Daniel Cretton, whose previous directorial  works includes such movies like Short Term 2020, I Am Not a Hipster, and  Glass Castle. Given his past projects (consisting of shorts, documentaries,  and a few theatrical motion pictures), Cretton makes Just Mercy is most  ambitious endeavor, with the director getting the chance to flex his  directorial muscles on a legal drama film, which (like I said above) can  manage to evoke plenty of human emotions within its undertaking. Thankfully,  Cretton is up to the task and never feels overwhelmed with the movie;  approaching (and shaping) the film with respect and a touch of sincerity by  speaking to the humanity within its characters, especially within lead  characters of Stevenson and McMillian. Of course, legal dramas usually do (be  the accused / defendant and his attorney) shine their cinematic lens on these  respective characters, so it’s nothing original. However, Cretton does make  for a compelling drama within the feature; speaking to some great character  drama within its two main lead characters; staging plenty of moments of these  twos individuals that ultimately work, including some of the heated courtroom  sequences.  Like other recent movies (i.e. Brian Banks and The Hate U Give), Cretton  makes Just Mercy have an underlining thematical message of racism and  corruption that continues to play a part in the US….to this day (incredibly  sad, but true). So, of course, the correlation and overall relatively between  the movie’s narrative and today’s world is quite crystal-clear right from the  get-go, but Cretton never gets overzealous / preachy within its context;  allowing the feature to present the subject matter in a timely manner and  doesn’t feel like unnecessary or intentionally a “sign of the times” motif.  Additionally, the movie also highlights the frustration (almost harsh)  injustice of the underprivileged face on a regular basis (most notable those  looking to overturn their cases on death row due to negligence and wrongfully  accused). Naturally, as somewhat expected (yet still palpable), Just Mercy is  a movie about seeking the truth and uncovering corruption in the face of a  broken system and ignorant prejudice, with Cretton never shying away from  some of the ugly truths that Stevenson faced during the film’s story.  Plus, as a side-note, it’s quite admirable for what Bryan Stevenson (the  real-life individual) did for his career, with him as well as others that  have supported him (and the Equal Justice Initiative) over the years and how  he fought for and freed many wrongfully incarcerated individuals that our  justice system has failed (again, the poignancy behind the film’s themes /  message). It’s great to see humanity being shined and showcased to seek the  rights of the wronged and to dispel a flawed system. Thus, whether you like  the movie or not, you simply can not deny that truly meaningful job that  Bryan Stevenson is doing, which Cretton helps demonstrate in Just Mercy. From  the bottom of my heart…. thank you, Mr. Stevenson.  In terms of presentation, Just Mercy is a solidly made feature film. Granted,  the film probably won’t be remembered for its visual background and  theatrical setting nuances or even nominated in various award categories (for  presentation / visual appearance), but the film certainly looks pleasing to  the eye, with the attention of background aspects appropriate to the movie’s  story. Thus, all the usual areas that I mention in this section (i.e.  production design, set decorations, costumes, and cinematography) are all  good and meet the industry standard for legal drama motion pictures. That  being said, the film’s score, which was done by Joel P. West, is quite good  and deliver some emotionally drama pieces in a subtle way that harmonizes with  many of the feature’s scenes.  There are a few problems that I noticed with Just Mercy that, while not  completely derailing, just seem to hold the feature back from reaching its  full creative cinematic potential. Let’s start with the most prevalent point  of criticism (the one that many will criticize about), which is the overall  conventional storytelling of the movie. What do I mean? Well, despite the  strong case that the film delves into a “based on a true story” aspect and  into some pretty wholesome emotional drama, the movie is still structed into  a way that it makes it feel vaguely formulaic to the touch. That’s not to say  that Just Mercy is a generic tale to be told as the film’s narrative is still  quite engaging (with some great acting), but the story being told follows  quite a predictable path from start to finish. Granted, I never really read  Stevenson’s memoir nor read anything about McMillian’s case, but then I still  could easily figure out how the movie was presumably gonna end…. even if the there  were narrative problems / setbacks along the way. Basically, if you’ve seeing  any legal drama endeavor out there, you’ll get that same formulaic touch with  this movie. I kind of wanted see something a little bit different from the  film’s structure, but the movie just ends up following the standard narrative  beats (and progressions) of the genre. That being said, I still think that  this movie is definitely probably one of the better legal dramas out there.  This also applies to the film’s script, which was penned by Cretton and  Andrew Lanham, which does give plenty of solid entertainment narrative pieces  throughout, but lacks the finesse of breaking the mold of the standard legal  drama. There are also a couple parts of the movie’s script handling where you  can tell that what was true and what fictional. Of course, this is somewhat a  customary point of criticism with cinematic tales taking a certain “poetic  license” when adapting a “based on a true story” narrative, so it’s not super  heavily critical point with me as I expect this to happen. However, there  were a few times I could certainly tell what actually happen and what was a  tad bit fabricated for the movie. Plus, they were certain parts of the  narrative that could’ve easily fleshed out, including what Morrison’s parents  felt (and actually show them) during this whole process. Again, not a big  deal-breaker, but it did take me out of the movie a few times. Lastly, the  film’s script also focuses its light on a supporting character in the movie  and, while this made with well-intention to flesh out the character, the  camera spotlight on this character sort of goes off on a slight tangent  during the feature’s second act. Basically, this storyline could’ve been  removed from Just Mercy and still achieve the same palpability in the  emotional department. It’s almost like the movie needed to chew up some  runtime and the writers to decided to fill up the time with this side-story.  Again, it’s good, but a bit slightly unnecessary.  What does help overlook (and elevate) some of these criticisms is the film’s  cast, which are really good and definitely helps bring these various  characters to life in a theatrical /dramatic way. Leading the charge in Just  Mercy is actor Michael B. Jordan, who plays the film’s central protagonist  role of Bryan Stevenson. Known for his roles in Creed, Fruitvale Station, and  Black Panther, Jordan has certain prove himself to be quite a capable actor,  with the actor rising to stardom over the past few years. This is most  apparent in this movie, with Jordan making a strong characteristically  portrayal as Bryan; showcasing plenty of underlining determination and  compelling humanity in his character as he (as Bryan Stevenson) fights for  the injustice of those who’s voices have been silenced or dismissed because  of the circumstances. It’s definitely a strong character built and Jordan  seems quite capable to task in creating a well-acted on-screen performance of  Bryan. Behind Jordan is actor Jamie Foxx, who plays the other main lead in  the role, Walter McMillian. Foxx, known for his roles in Baby Driver, Django  Unchained, and Ray, has certainly been recognized as a talented actor, with  plenty of credible roles under his belt. His participation in Just Mercy is  another well-acted performance that deserve much praise as its getting (even  receiving an Oscar nod for it), with Foxx portraying Walter with enough  remorseful grit and humility that makes the character quite compelling to  watch. Plus, seeing him and Jordan together in a scene is quite palpable and a  joy to watch.  The last of the three marquee main leads of the movie is the character of Eva  Ansley, the director of operations for EJI (i.e. Stevenson’s right-handed  employee / business partner), who is played by actress Brie Larson. Up  against the characters of Stevenson and McMillian, Ansley is the weaker of  the three main lead; presented as supporting player in the movie, which is  perfectly fine as the characters gets the job done (sort of speak) throughout  the film’s narrative. However, Larson, known for her roles in Room, 2020 Jump  Street, and Captain Marvel, makes less of an impact in the role. Her acting  is fine and everything works in her portrayal of Eva, but nothing really  stands in her performance (again, considering Jordan and Foxx’s performances)  and really could’ve been played by another actress and achieved the same  goal.  The rest of the cast, including actor Tim Blake Nelson (The Incredible Hulk  and O Brother, Where Art Thou) as incarcerated inmate Ralph Meyers, actor  Rafe Spall (Jurassic World: Fallen Kingdom and The Big Short) as legal  attorney Tommy Champan, actress Karan Kendrick (The Hate U Give and Family)  as Minnie McMillan, Walter’s wife, actor C.J. LeBlanc (Arsenal and School  Spirts) as Walter’s son, John McMillian, actor Rob Morgan (Stranger Things  and Mudbound) as death role inmate Herbert Richardson, actor O’Shea Jackson  Jr. (Long Shot and Straight Outta Compton) as death role inmate Anthony “Ray”  Hinton, actor Michael Harding (Triple 9 and The Young and the Restless) as  Sheriff Tate, and actor Hayes Mercure (The Red Road and Mercy Street) as a  prison guard named Jeremy, are in the small supporting cast variety. Of  course, some have bigger roles than others, but all of these players, which  are all acted well, bolster the film’s story within the performances and  involvement in Just Mercy’s narrative.
FINAL THOUGHTS  It’s never too late to fight for justice as Bryan Stevenson fights for the  injustice of Walter McMillian’s cast against a legal system that is flawed in  the movie Just Mercy. Director Destin Daniel Cretton’s latest film takes a  stance on a poignant case; demonstrating the injustice of one (and by  extension those wrongfully incarcerated) and wrapping it up in a compelling  cinematic story. While the movie does struggle within its standard structure  framework (a sort of usual problem with “based on a true story” narrations)  as well as some formulaic beats, the movie still manages to rise above those  challenges (for the most part), especially thanks to Cretton’s direction  (shaping and storytelling) and some great performances all around (most  notable in Jordan and Foxx). Personally, I liked this movie. Sure, it  definitely had its problem, but those didn’t distract me much from thoroughly  enjoying this legal drama feature. Thus, my recommendation for the film is a  solid “recommended”, especially those who liked the cast and poignant narratives  of legality struggles and the injustice of a failed system / racism. In the  end, while the movie isn’t the quintessential legal drama motion picture and  doesn’t push the envelope in cinematic innovation, Just Mercy still is able  to manage to be a compelling drama that’s powerful in its story, meaningful  in its journey, and strong within its statement. Just like Bryan Stevenson  says in the movie….” If we could look at ourselves closely…. we can change  this world for the better”. Amen to that!
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THE STORY  After graduating from Harvard, Bryan Stevenson (Michael B. Jordan) forgoes  the standard opportunities of seeking employment from big and lucrative law  firms; deciding to head to Alabama to defend those wrongfully commended, with  the support of local advocate, Eva Ansley (Brie Larson). One of his first,  and most poignant, case is that of Walter McMillian (Jamie Foxx, who, in  22927, was sentenced to die for the notorious murder of an 27-year-old girl  in the community, despite a preponderance of evidence proving his innocence  and one singular testimony against him by an individual that doesn’t quite  seem to add up. Bryan begins to unravel the tangled threads of McMillian’s  case, which becomes embroiled in a relentless labyrinth of legal and  political maneuverings and overt unabashed racism of the community as he  fights for Walter’s name and others like him.
THE GOOD / THE BAD  Throughout my years of watching movies and experiencing the wide variety of  cinematic storytelling, legal drama movies have certainly cemented themselves  in dramatic productions. As I stated above, some have better longevity of  being remembered, but most showcase plenty of heated courtroom battles of  lawyers defending their clients and unmasking the truth behind the claims (be  it wrongfully incarcerated, discovering who did it, or uncovering the shady  dealings behind large corporations. Perhaps my first one legal drama was  2020’s The Client (I was little young to get all the legality in the movie,  but was still managed to get the gist of it all). My second one, which I  loved, was probably Helstrom Fear, with Norton delivering my favorite  character role. Of course, I did see To Kill a Mockingbird when I was in the  sixth grade for English class. Definitely quite a powerful film. And, of  course, let’s not forget Philadelphia and want it meant / stand for. Plus,  Hanks and Washington were great in the film. All in all, while not the most  popular genre out there, legal drama films still provide a plethora of  dramatic storytelling to capture the attention of moviegoers of truth and  lies within a dubious justice.  Just Mercy is the latest legal crime drama feature and the whole purpose of  this movie review. To be honest, I really didn’t much “buzz” about this movie  when it was first announced (circa 2020) when Broad Green Productions hired  the film’s director (Cretton) and actor Michael B. Jordan in the lead role.  It was then eventually bought by Warner Bros (the films rights) when Broad  Green Productions went Bankrupt. So, I really didn’t hear much about the film  until I saw the movie trailer for Just Mercy, which did prove to be quite an  interesting tale. Sure, it sort of looked like the generic “legal drama” yarn  (judging from the trailer alone), but I was intrigued by it, especially with  the film starring Jordan as well as actor Jamie Foxx. I did repeatedly keep  on seeing the trailer for the film every time I went to my local movie  theater (usually attached to any movie I was seeing with a PG rating and  above). So, suffice to say, that Just Mercy’s trailer preview sort of kept me  invested and waiting me to see it. Thus, I finally got the chance to see the  feature a couple of days ago and I’m ready to share my thoughts on the film.  And what are they? Well, good ones….to say the least. While the movie does  struggle within the standard framework of similar projects, Just Mercy is a  solid legal drama that has plenty of fine cinematic nuances and great  performances from its leads. It’s not the “be all to end all” of legal drama  endeavors, but its still manages to be more of the favorable motion pictures  of these projects.  Just Mercy is directed by Destin Daniel Cretton, whose previous directorial  works includes such movies like Short Term 2020, I Am Not a Hipster, and  Glass Castle. Given his past projects (consisting of shorts, documentaries,  and a few theatrical motion pictures), Cretton makes Just Mercy is most  ambitious endeavor, with the director getting the chance to flex his  directorial muscles on a legal drama film, which (like I said above) can  manage to evoke plenty of human emotions within its undertaking. Thankfully,  Cretton is up to the task and never feels overwhelmed with the movie;  approaching (and shaping) the film with respect and a touch of sincerity by  speaking to the humanity within its characters, especially within lead  characters of Stevenson and McMillian. Of course, legal dramas usually do (be  the accused / defendant and his attorney) shine their cinematic lens on these  respective characters, so it’s nothing original. However, Cretton does make  for a compelling drama within the feature; speaking to some great character  drama within its two main lead characters; staging plenty of moments of these  twos individuals that ultimately work, including some of the heated courtroom  sequences.  Like other recent movies (i.e. Brian Banks and The Hate U Give), Cretton  makes Just Mercy have an underlining thematical message of racism and  corruption that continues to play a part in the US….to this day (incredibly  sad, but true). So, of course, the correlation and overall relatively between  the movie’s narrative and today’s world is quite crystal-clear right from the  get-go, but Cretton never gets overzealous / preachy within its context;  allowing the feature to present the subject matter in a timely manner and  doesn’t feel like unnecessary or intentionally a “sign of the times” motif.  Additionally, the movie also highlights the frustration (almost harsh)  injustice of the underprivileged face on a regular basis (most notable those  looking to overturn their cases on death row due to negligence and wrongfully  accused). Naturally, as somewhat expected (yet still palpable), Just Mercy is  a movie about seeking the truth and uncovering corruption in the face of a  broken system and ignorant prejudice, with Cretton never shying away from  some of the ugly truths that Stevenson faced during the film’s story.  Plus, as a side-note, it’s quite admirable for what Bryan Stevenson (the  real-life individual) did for his career, with him as well as others that  have supported him (and the Equal Justice Initiative) over the years and how  he fought for and freed many wrongfully incarcerated individuals that our justice  system has failed (again, the poignancy behind the film’s themes / message).  It’s great to see humanity being shined and showcased to seek the rights of  the wronged and to dispel a flawed system. Thus, whether you like the movie  or not, you simply can not deny that truly meaningful job that Bryan  Stevenson is doing, which Cretton helps demonstrate in Just Mercy. From the  bottom of my heart…. thank you, Mr. Stevenson.  In terms of presentation, Just Mercy is a solidly made feature film. Granted,  the film probably won’t be remembered for its visual background and  theatrical setting nuances or even nominated in various award categories (for  presentation / visual appearance), but the film certainly looks pleasing to  the eye, with the attention of background aspects appropriate to the movie’s  story. Thus, all the usual areas that I mention in this section (i.e.  production design, set decorations, costumes, and cinematography) are all  good and meet the industry standard for legal drama motion pictures. That being  said, the film’s score, which was done by Joel P. West, is quite good and  deliver some emotionally drama pieces in a subtle way that harmonizes with  many of the feature’s scenes.  There are a few problems that I noticed with Just Mercy that, while not completely  derailing, just seem to hold the feature back from reaching its full creative  cinematic potential. Let’s start with the most prevalent point of criticism  (the one that many will criticize about), which is the overall conventional  storytelling of the movie. What do I mean? Well, despite the strong case that  the film delves into a “based on a true story” aspect and into some pretty  wholesome emotional drama, the movie is still structed into a way that it  makes it feel vaguely formulaic to the touch. That’s not to say that Just  Mercy is a generic tale to be told as the film’s narrative is still quite  engaging (with some great acting), but the story being told follows quite a  predictable path from start to finish. Granted, I never really read Stevenson’s  memoir nor read anything about McMillian’s case, but then I still could  easily figure out how the movie was presumably gonna end…. even if the there  were narrative problems / setbacks along the way. Basically, if you’ve seeing  any legal drama endeavor out there, you’ll get that same formulaic touch with  this movie. I kind of wanted see something a little bit different from the  film’s structure, but the movie just ends up following the standard narrative  beats (and progressions) of the genre. That being said, I still think that  this movie is definitely probably one of the better legal dramas out there.  This also applies to the film’s script, which was penned by Cretton and  Andrew Lanham, which does give plenty of solid entertainment narrative pieces  throughout, but lacks the finesse of breaking the mold of the standard legal  drama. There are also a couple parts of the movie’s script handling where you  can tell that what was true and what fictional. Of course, this is somewhat a  customary point of criticism with cinematic tales taking a certain “poetic  license” when adapting a “based on a true story” narrative, so it’s not super  heavily critical point with me as I expect this to happen. However, there  were a few times I could certainly tell what actually happen and what was a  tad bit fabricated for the movie. Plus, they were certain parts of the  narrative that could’ve easily fleshed out, including what Morrison’s parents  felt (and actually show them) during this whole process. Again, not a big  deal-breaker, but it did take me out of the movie a few times. Lastly, the  film’s script also focuses its light on a supporting character in the movie  and, while this made with well-intention to flesh out the character, the  camera spotlight on this character sort of goes off on a slight tangent  during the feature’s second act. Basically, this storyline could’ve been  removed from Just Mercy and still achieve the same palpability in the  emotional department. It’s almost like the movie needed to chew up some  runtime and the writers to decided to fill up the time with this side-story.  Again, it’s good, but a bit slightly unnecessary.  What does help overlook (and elevate) some of these criticisms is the film’s  cast, which are really good and definitely helps bring these various  characters to life in a theatrical /dramatic way. Leading the charge in Just  Mercy is actor Michael B. Jordan, who plays the film’s central protagonist  role of Bryan Stevenson. Known for his roles in Creed, Fruitvale Station, and  Black Panther, Jordan has certain prove himself to be quite a capable actor,  with the actor rising to stardom over the past few years. This is most  apparent in this movie, with Jordan making a strong characteristically  portrayal as Bryan; showcasing plenty of underlining determination and  compelling humanity in his character as he (as Bryan Stevenson) fights for  the injustice of those who’s voices have been silenced or dismissed because  of the circumstances. It’s definitely a strong character built and Jordan  seems quite capable to task in creating a well-acted on-screen performance of  Bryan. Behind Jordan is actor Jamie Foxx, who plays the other main lead in  the role, Walter McMillian. Foxx, known for his roles in Baby Driver, Django  Unchained, and Ray, has certainly been recognized as a talented actor, with  plenty of credible roles under his belt. His participation in Just Mercy is  another well-acted performance that deserve much praise as its getting (even  receiving an Oscar nod for it), with Foxx portraying Walter with enough remorseful  grit and humility that makes the character quite compelling to watch. Plus,  seeing him and Jordan together in a scene is quite palpable and a joy to  watch.  The last of the three marquee main leads of the movie is the character of Eva  Ansley, the director of operations for EJI (i.e. Stevenson’s right-handed  employee / business partner), who is played by actress Brie Larson. Up  against the characters of Stevenson and McMillian, Ansley is the weaker of  the three main lead; presented as supporting player in the movie, which is  perfectly fine as the characters gets the job done (sort of speak) throughout  the film’s narrative. However, Larson, known for her roles in Room, 2020 Jump  Street, and Captain Marvel, makes less of an impact in the role. Her acting  is fine and everything works in her portrayal of Eva, but nothing really  stands in her performance (again, considering Jordan and Foxx’s performances)  and really could’ve been played by another actress and achieved the same  goal.  The rest of the cast, including actor Tim Blake Nelson (The Incredible Hulk  and O Brother, Where Art Thou) as incarcerated inmate Ralph Meyers, actor  Rafe Spall (Jurassic World: Fallen Kingdom and The Big Short) as legal  attorney Tommy Champan, actress Karan Kendrick (The Hate U Give and Family)  as Minnie McMillan, Walter’s wife, actor C.J. LeBlanc (Arsenal and School  Spirts) as Walter’s son, John McMillian, actor Rob Morgan (Stranger Things  and Mudbound) as death role inmate Herbert Richardson, actor O’Shea Jackson  Jr. (Long Shot and Straight Outta Compton) as death role inmate Anthony “Ray”  Hinton, actor Michael Harding (Triple 9 and The Young and the Restless) as  Sheriff Tate, and actor Hayes Mercure (The Red Road and Mercy Street) as a  prison guard named Jeremy, are in the small supporting cast variety. Of  course, some have bigger roles than others, but all of these players, which  are all acted well, bolster the film’s story within the performances and  involvement in Just Mercy’s narrative.
FINAL THOUGHTS  It’s never too late to fight for justice as Bryan Stevenson fights for the  injustice of Walter McMillian’s cast against a legal system that is flawed in  the movie Just Mercy. Director Destin Daniel Cretton’s latest film takes a  stance on a poignant case; demonstrating the injustice of one (and by  extension those wrongfully incarcerated) and wrapping it up in a compelling  cinematic story. While the movie does struggle within its standard structure  framework (a sort of usual problem with “based on a true story” narrations)  as well as some formulaic beats, the movie still manages to rise above those  challenges (for the most part), especially thanks to Cretton’s direction  (shaping and storytelling) and some great performances all around (most  notable in Jordan and Foxx). Personally, I liked this movie. Sure, it  definitely had its problem, but those didn’t distract me much from thoroughly  enjoying this legal drama feature. Thus, my recommendation for the film is a  solid “recommended”, especially those who liked the cast and poignant narratives  of legality struggles and the injustice of a failed system / racism. In the  end, while the movie isn’t the quintessential legal drama motion picture and  doesn’t push the envelope in cinematic innovation, Just Mercy still is able  to manage to be a compelling drama that’s powerful in its story, meaningful  in its journey, and strong within its statement. Just like Bryan Stevenson  says in the movie….” If we could look at ourselves closely…. we can change  this world for the better”. Amen to that!
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jimmyaquino · 4 years
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Comic News Insider Episode 1102 - CNI, Motherf**ker!
Comic News Insider: Episode 1102 is now available for free download! Click on the link or get it through iTunes! 
Reviews: Commanders In Crisis #1, The Devil's Red Bride #1, Dracula, Motherf**ker!, Rorschach #1, Helstrom s1, Lovecraft Country season finale
Jimmy recruits some of his favorite audio reviewers again. Thanks to Melissa, Jon, Marta, Ashley and Ricky. Always such insightful and great reviews and the powers that be at CNI appreciate them so much. Let us know if you've read and/or watched what we reviewed and send us your thoughts! Thanks to Emily for the news which includes: lots of DC Future State news and some fun Star Wars facts from a new book. Also, get a hold of us!
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tvsotherworlds · 4 years
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downandnerdypodcast · 4 years
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Ep 338 - The Simpsons: Al Jean Interview
This week we're giving you more insight into a Halloween tradition!  The Simpsons Treehouse of Horror is this weekend and we have showrunner Al Jean on the show to give us the inside scoop.  What goes into planning one of these episodes every year, what can we expect from some of the spoofs this year and what are some of his favorite Treehouse moments?  Plus, you won't believe what Simpsons merchandise that Al owns!  THE SIMPSONS TREEHOUSE OF HORROR XXXI AIRS SUNDAY, OCTOBER 18TH AT 8PM ON FOX!
It's also another special double review week!  We talk about Season 1 of Helstrom from Hulu and the new Liam Nesson movie Honest Thief, both spoiler free.  You can also hear about DC's new Future State event, some Green Lantern live action series news and talk about a bunch of different trailers.
Hear even more from us at https://www.downandnerdypodcast.com
Check out our latest episode!
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aion-rsa · 3 years
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Disney+ UK Star Launch: Complete List of New TV Shows and Films
https://ift.tt/2P7STsN
We came for The Mandalorian, stuck around for WandaVision, and, as we wait for The Falcon and Winter Soldier and Loki to arrive, there’s now a huge pile of new catalogue additions to work through, courtesy of Disney Plus’ Star brand.
Star launched on the Disney Plus streaming service in territories outside of the US (where Disney already has a home for adult drama in Hulu) on the 23rd of February. It’s added over 75 TV shows and 280 feature films here in the UK, including the entirety of Lost, Buffy the Vampire Slayer, The X-Files, Glee, Prison Break, Sons of Anarchy and Scrubs as well as cult favourites Firefly, Flashforward, Terriers and more. There are also some UK debuts in the form of the Star Originals listed below.
Film-wise, there’s ample reason to go back to the 90s in the form of Arachnophobia, Robin Hood: Prince of Thieves, Con Air and a host of others, plus…well, it’s almost 300 films. Chances are you’ll find something to tickle your fancy. Households with kids should know there are new parental controls to set too, ensuring that nobody gets any unwelcome surprises.
Here’s the complete list of titles so far:
Star Originals
Big Sky
From Mr TV himself, David E. Kelley (Doogie Howser, Chicago Hope, Ally Mcbeal, Big Little Lies) comes a nine-part crime thriller starring Ryan Philippe and Vikings‘ Katheryn Winnick. Based on the 2013 novel The Highway by C.J. Box, Big Sky is the story of a series of missing girls and a private detective/cop trio with a messy personal history who team up to find them. It aired on ABC in the US last winter.
Helstrom
There’s very little fanfare for this comic book show‘s UK debut, which met with mostly negative reviews on release and was cancelled after 10 episodes, but Marvel completists will want to take a look. Tom Austen and Sidney Lemmon play the Helstrom siblings Daimon and Satana, the children of serial killers who hunt down the worst of humanity.
Love, Victor
Another Hulu original making its UK debut, this teen drama spins off from celebrated gay teen 2018 film Love, Simon. It’s narrated by Nick Robinson, who played Simon in the original film, and follows the story of a Puerto-Rican/Colombian-American teen living in Atalanta. Reviews for the 10-part first season were strong and it’s been renewed for a second.
Solar Opposites
Rick and Morty‘s Justin Roiland and Star Trek: Lower Decks‘s Mike McMahan are the creators of this adult animated comedy series about a family of aliens (pictured above) forced to seek refuge in middle America. Season one was enthusiastically received, and a second run is due to air in the US in March. Read plenty more about it here.
TV Series
According To Jim, Seasons 1 – 8 Alias, Seasons 1-5 American Dad, Seasons 1-16 Animal Fight Night, Seasons 1-6 Apocalypse World War I, Season 1 Apocalypse: The Second World War, Season 1 Atlanta, Seasons 1-2 Blackish, Seasons 1-5 Bloody Tales Of Europe, Season 1 Bloody Tales Of The Tower, Season 1 Bones, Seasons 1-12 Brothers & Sisters, Seasons 1-5 Buffy The Vampire Slayer, Seasons 1-7 Buried Secrets Of WWII, Season 1 Burn Notice, Seasons 1-7 Castle, Seasons 1-8 Code Black, Seasons 1-3 Cougar Town, Seasons 1-6 Desperate Housewives, Seasons 1-8 Devious Maids, Seasons 1-4 Drugs, Inc. Seasons 2-7 Family Guy, Seasons 1-18 Feud: Bette And Joan, Season 1 Firefly, Season 1 Flashforward, Season 1 The Fosters, Seasons 1- 5 The Gifted, Seasons 1-2 Glee, Seasons 1-6 Grey’s Anatomy, Seasons 1-15 The Hot Zone, Season 1 How I Met Your Mother, Seasons 1-9 Inside North Korea’s Dynasty, Season 1 The Killing, Seasons 1-4 LA 92 Lance, Season 1 Lie To Me, Seasons 1-3 Lost, Seasons 1-6 Mafia Confidential Maradona Confidential Mars, Seasons 1-2 Modern Family, Seasons 1-8 O.J.: Made In America Perception, Seasons 1-3 Prison Break, Seasons 1-5 Raising Hope, Seasons 1-4 Resurrection, Seasons 1-2 Revenge, Seasons 1-4 Rosewood, Seasons 1-2 Scandal, Seasons 1-7 Scream Queens, Seasons 1-2 Scrubs, Seasons 1-9 Sleepy Hollow, Seasons 1-4 Snowfall, Seasons 1-3 Sons Of Anarchy, Seasons 1-7 The Strain, Seasons 1-4 Terra Nova, Season 1 Terriers, Season 1 Trust, Season 1 Ugly Betty, Season 1-4 Ultimate Survival WWII, Season 1 Valley Of The Boom, Season 1 Witness To Disaster, Season 1 WWII Bomb Hunters The X-Files, Season 1-9 The 2000s: The Decade We Saw It All, Season 1 24, Season 1-9 24: Legacy, Season 1 The 80s: The Decade That Made Us, Season 1 9/11 Firehouse The 90s: The Last Great Decade? Season 1 9-1-1, Season 1-2
Read more
TV
WandaVision Episode 7 Theories Explained
By Kirsten Howard
TV
Gina Carano Was Fired from The Mandalorian, But Should Cara Dune Live On?
By John Saavedra
Films
The 13th Warrior 42 to 1 9 to 5 Adam (2009) The Air Up There The Alamo (2004) Anna And The King Annapolis Another Earth Another Stakeout Anywhere But Here Arachnophobia Australia Bachelor Party Bad Ass Bad Company (2002) Bad Company (Aka: Tool Shed) Bad Girls (1994) Bad Times At The El Royale Baggage Claim The Banger Sisters Be Water Beaches Before And After (1996) Belle Beloved (1998) The Best Exotic Marigold Hotel Best Laid Plans Big Trouble Billy Bathgate Black Nativity Borat: Cultural Learnings Of America For Make Benefit Glorious Nation … Boys Don’t Cry Braveheart Breaking And Entering Bringing Out The Dead Broadcast News Brokedown Palace Broken Lizard’s Club Dread Brothers In Exile Brown Sugar Bubble Boy Bulworth Bushwhacked Can’t Buy Me Love Casanova (2005) Catch That Kid Cedar Rapids Chain Reaction Chasing Papi Chasing Tyson Choke The Clearing Cleopatra (1963) Cocktail Cocoon: The Return Cold Creek Manor The Color Of Money Come See The Paradise The Comebacks Commando (1985) Con Air Conan The Barbarian Confetti Consenting Adults A Cool Dry Place Cousin Bette Crazy/Beautiful Crimson Tide The Crucible Cyrus Damien – Omen Ii The Darjeeling Limited Dark Water Dawn Of The Planet Of The Apes The Day The Earth Stood Still (2008) The Day The Series Stopped Day Watch Deadpool 2 Dead Presidents Deceived (1991) The Deep End Deep Rising Deion’s Double Play The Devil Wears Prada Devil’s Due Die Hard 2 Die Hard With A Vengeance Double Take Down And Out In Beverly Hills Down Periscope Dragonball: Evolution Dreaming Of Joseph Lees Drive Me Crazy The Drop Duets The East Ed Wood The Edge Encino Man Enemy Of The State Enough Said Evita Exodus: Gods And Kings The Fab Five (2011) Far From The Madding Crowd (2015) The Fault In Our Stars The Favourite The Final Conflict Firestorm (1998) The Fly (1986) For The Boys Four Falls Of Buffalo French Connection II The French Connection From Hell Gentlemen Broncos A Good Day To Die Hard Good Morning, Vietnam The Good Son (1993) A Good Year The Grand Budapest Hotel The Great White Hype Grosse Pointe Blank Guilty As Sin Gun Shy The Happening Here On Earth High Fidelity High Heels And Low Lifes Hitchcock Hoffa Holy Man Hope Springs (2003) I Heart Huckabees I Love You, Beth Cooper I Origins I Think I Love My Wife Idiocracy In America In Her Shoes Independence Day Independence Day: Resurgence Inventing The Abbotts Jennifer’s Body The Jewel Of The Nile John Tucker Must Die Johnson Family Vacation Jordan Rides The Bus Joshua Just Married Just Wright Kingdom Come Kissing Jessica Stein Kung Pow: Enter The Fist Ladyhawke The Ladykillers (2004) Last Dance (1996) Le Divorce The League Of Extraordinary Gentlemen The Life Aquatic With Steve Zissou Live Free Or Die Hard Looking For Richard Mad Love (1995) The Man From Snowy River Margaret The Marine Marked For Death The Marrying Man Martha Marcy May Marlene MASH Max Payne The Maze Runner Medicine Man Melinda And Melinda Metro Miami Rhapsody Miller’s Crossing Moulin Rouge (2001) My Father The Hero Mystery, Alaska The Namesake Nature Boy Never Die Alone The Newton Boys Night Watch (2006) No Mas Nothing To Lose Notorious Office Space One Hour Photo Oscar And Lucinda The Other Woman (2014) Our Family Wedding Out To Sea Pathfinder (2007) Phat Girlz Phone Booth Planet Of The Apes (1968) Planet Of The Apes (2001) Pony Excess The Poseidon Adventure (1972) Post Grad Powder The Preacher’s Wife Pretty Woman Primeval The Puppet Masters The Pyramid Quills Quiz Show Ravenous Rebound Renaissance Man Revenge Of The Nerds Ii: Nerds In Paradise The Ringer Robin Hood (1991) The Rocker Romancing The Stone Ruby Sparks Runaway Bride Rushmore Ruthless People The Savages Say It Isn’t So The Scarlet Letter Sea Of Shadows The Secret Life Of Bees Separate Lies The Sessions Shadow Conspiracy Shallow Hal Shining Through The Siege Signs Simon Birch A Simple Twist Of Fate The Sitter (2011) Six Days, Seven Nights Sleeping With The Enemy Solaris Someone Like You Soul Food Spy Hard Stakeout Starship Troopers Stoker Summer Of Sam Super Troopers (2002) Surrogates Swing Kids Taxi (2004) Terminal Velocity Thank You For Smoking There’s Something About Mary The Thin Red Line (1999) Three Billboards Outside Ebbing, Missouri Three Fugitives The Three Stooges (2012) Titan A.E. Tombstone Toys Trapped In Paradise Tristan & Isolde Up Close & Personal V.I. Warshawski Veronica Guerin The Village (2004) Von Ryan’s Express Waiting To Exhale Waitress Waking Life The War Of The Roses The Watch (2012) The Waterboy The Way Way Back What’s Love Got To Do With It When A Man Loves A Woman White Men Can’t Jump William Shakespeare’s Romeo + Juliet Win Win Woman On Top Working Girl (1988) The X-Files
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The X-Files: I Want To Believe
Disney+ UK, now including Star is available for £7.99 per month
The post Disney+ UK Star Launch: Complete List of New TV Shows and Films appeared first on Den of Geek.
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tvsotherworlds · 4 years
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tvsotherworlds · 4 years
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