#HighLife Productions

[blueish-bird]

Logic’s album College Park why are there skits built in to the last half of the majority of these songs? why are they not separate tracks? im enjoying the saxophone on Clone Wars III only to be forced to listen to a drawn-out staged Carl’s Jr. drive thru order. in what context is this relistenable?

[lboogie1906]

Fela Aníkúlápó Kuti (Olufela Olusegun Oludotun Ransome-Kuti; (October 15, 1938 – August 2, 1997) known as Abami Eda was a Nigerian multi-instrumentalist, bandleader, composer, political activist, and Pan-Africanist. He is regarded as the pioneer of Afrobeat, an African music genre that combines traditional Yoruba percussion and vocal styles with American funk and jazz. At the height of his popularity, he was referred to as one of Africa’s most “challenging and charismatic music performers”. AllMusic described him as a “musical and sociopolitical voice” of international significance.

He and his band Africa 70 shot to stardom in Nigeria during the 1970s, during which he was an outspoken critic and target of Nigeria’s military juntas. In 1970, he founded the Kalakuta Republic commune, which declared itself independent from military rule. The commune was destroyed in a 1978 raid.

He attended Abeokuta Grammar School. He was sent to London to study medicine but decided to study music instead at the Trinity College of Music, with the trumpet being his preferred instrument. He formed the band Koola Lobitos and played a fusion of jazz and highlife. He moved back to the newly independent Federation of Nigeria, re-formed Koola Lobitos, and trained as a radio producer for the Nigerian Broadcasting Corporation. He played for some time with Victor Olaiya and his All-Stars.

He traveled to Ghana looking for a new musical direction. He called his style Afrobeat, a combination of highlife, funk, jazz, salsa, calypso, and traditional Yoruba music. He took the band to the US and spent ten months in Los Angeles. He discovered the Black Power movement. This experience heavily influenced his music and political views. He renamed the band Nigeria 70. The Immigration and Naturalization Service was tipped off by a promoter that he and his band were in the US without work permits. The band performed a quick recording session in Los Angeles that would be released as The ‘69 Los Angeles Sessions.

In 2008, an off-Broadway production about Kuti’s life, entitled Fela! inspired by the 1982 biography Fela, Fela! This Bitch of a Life. #africanhistory365 #africanexcellence

[motivateandinspiretoday]

Book Information: Jon and Jake grew up in a small town in Mississippi where everyone knows everyone. Most everyone in the town went to church on Sunday mornings while they were growing up. When the brothers got older and left town things in the small town began to change. Jon got married and moved back to the small town with his wife and young son. He came back to help out on the family farm. He was enjoying the life with his family. Jake made it big in Las Vegas by working as a casino floor manager. He was living the highlife. One day his boss offered him the chance of a lifetime, but he would have to move back to the small town. This move could be more costly than Jake ever imagined.

Xulon Press (Publisher) https://www.xulonpress.com/bookstore/bookdetail.php?PB_ISBN=9781545608296&HC_ISBN=

Amazon & Kindle https://www.amazon.com/Brothers-Divided-J-W-Worsham-ebook/dp/B071GZ1WPM/ref=sr_1_fkmrnull_1?keywords=Brothers+Divided+by+J.W.+Worsham&qid=1555108292&s=gateway&sr=8-1-fkmrnull

Barnes and Noble plus Nook https://www.barnesandnoble.com/w/brothers-divided-jw-worsham/1126586711?ean=2940157374013

Wal-Mart online https://www.walmart.com/ip/Brothers-Divided-Paperback-9781545608296/715485782?from=/search

iTunes & iBooks https://books.apple.com/us/book/brothers-divided/id1249314331

Better World Books https://www.betterworldbooks.com/product/detail/Brothers-Divided-9781545608296

Books a Million https://www.booksamillion.com/p/Brothers-Divided/J-W-Worsham/9781545608296?id=7902523449839

Bookshop.org https://bookshop.org/p/books/brothers-divided-j-w-worsham/10651535?ean=9781545608296&ref=&source=IndieBound&title=

#BrothersDivided #JWWorsham #Books #Read #reading #faith #family #love #father #mother #motivation #motivational #booktrailer #booksamillion #bookdepository #bookshop #subscribe #like #share #follow #Worsham #tiktok #America #instagram #Facebook #YouTube #twitterX #XX #reddit #Tumblr

[burlveneer-music]

RAH & The Ruffcats - Orile to Berlin

As one of the most sought after and technically sublime working bands in the German live music scene, Berlin based Ruffcats are something of an institution. This eight-piece outfit made up of some of the country’s most revered session musicians, pool all of their diverse influences and come together as Ruffcats to create a unique take on the music they love. Since forming in 2007, and via their live jams at Bohannon Soul Club in Berlin, Ruffcats have found themselves acting as the backing band for artists such as Georgia Anne Muldrow, Sweet Charles, Lady Alma, Jaguar Wright, Miles Bonny & many more. In and out of the studio, they have also worked continuously with German soul singer Flomega, and in 2013 the Ruffcats were the touring band for the first Voice of Germany winner Ivy Quainoo. In the meantime, and for over a decade, Rapturous Apollo Helios, better known as RAH, has been making a name for himself as one of Berlins' most outstanding rappers, songwriters and vocalists. Originally hailing from Lagos, Nigeria, RAH’s music has always been influenced by his environment as well as a rich history of black music from hip hop to soul and, of course, Afrobeat. Having crowned his journey from Lagos to Berlin with the release of his debut album, How Far? in 2018, RAH began the next stage of his sonic adventure by hooking up with long-time friends, the Ruffcats band. Their first single together, the Curtis Mayfield influenced Shifting Sands, dropped the same year to huge acclaim, and it wasn’t long before both parties looked towards working on a larger project together. After a pause for the pandemic, their collaborative process really began to bear fruit, and following the release of the warmly received singles Agidi, MoonSun and Sorry, they now present their debut full length LP. Entitled Orile To Berlin, the album marks RAH’s migration from the area he grew up in Lagos to the German capital he calls home today. It’s an LP steeped in Afrobeat and highlife but with funk sensibilities and a hip hop attitude. Produced by Jochen Ströh, producer for Ebo Taylor classics Love & Death and Appia Kwa Bridge, and mixing engineer for Pat Thomas and Kwashibu Area Band, it has a strong production pedigree. It represents the band’s own version of Afrobeat within the unwritten laws of this music, and without trying to make a Fela Kuti copycat record. The album draws on original Afrobeat influences with tracks like Agidi and Rodeo reminiscent of the golden age of the genre, albeit with RAH’s distinctive rasping hip hop vocals and perhaps a more concise and to-the-point framework than the Afro-political anthems of 1970’s Lagos.

[afrobeatsindacity]

ADEKUNLE GOLD IS CONSTANTLY EVOLVING

Adekunle Gold, the Lagos-born prolific singer, is one of the handful of Nigerian artists who can boast of a lasting presence in the highly competitive space that is the country's music industry. His was a journey of talent, consistency, invention and reinvention.

He was born Adekunle Kosoko, a member of the royal Kosoko family of Lagos Island, so when he chose to follow his passion in music, the name Gold readily appealed to him. Days spent riding to school with his father while they played Ebenezer Obey and King Sunny Ade, as well as lullabies sung by his aunt at bedtime, planted a love for music in the young Adekunle. With time, his love for listening to music spurred him to create his own. Like many other budding artists, he cultivated his talents first by joining the junior choir in his church and later, by forming a band with a close friend, Michael Bakare, before deciding to pursue a career as a solo artist. Michael remains a major musical pillar of Adekunle Gold’s career, his songwriting and production credits can be found as recently as Adekunle's latest album.

Nigeria's first introduction to the artist, however, was through his creative work as a photo editor. Prior to the release of “Sade” in December 2015, Gold had been given the title of 'King of Photoshop' for his creative editing of his images on pictures of actress Tonto Dike, OAP, Toolz and especially afrobeats queen, Tiwa Savage. A young Adekunle Gold had finished school with a diploma in Arts and Industrial Design and was putting his degree to good use, doing graphic design work for a number of YBNL artists, including Viktoh, Lil Kesh and even street-pop legend Olamide.

In 2014, Adekunle Gold released “Sade”, a cover of One direction's “Story of my Life”, and based upon a real life Sade who had turned his affections down. As the song gained ground, Pheelz, YBNL's in-house producer, saw there was more To Adekunle Gold's creativity than visual arts, and after conversations with label huncho, Olamide, Adekunle Gold was unveiled as a YBNL artist in March 2015. Then, he got a chance at a proper debut single, and "Orente" was born; a folksy Yoruba-supported love ballad, featuring distinct Yoruba instrumentation, which would grow to become his signature style. He followed this up with “Pick up”, which amped up production for a Juju-influenced song that would be an excellent fit for a live band.

All these built up to the release of his first studio album in July 2016, Gold that featured successes such as "Work", "Ariwo Ko", and another all time classic, "No forget", a duet with Simi, a friend and fellow artist who had previously mixed and mastered songs for him. His debut album was a critically acclaimed success, peaking at no. 7 on the Billboard World Album Chart.

His next studio album, About 30, was released in 2018 after exchanging amicable farewells with YBNL. He assembled a team of instrumentalists into a live band, named the 79th Element (Gold), and headed by Michael Bakare. As a result the album drew chiefly from his unique upbeat trad-style music which he christened Urban Highlife, and it housed a number of memorable songs like the energetic "Money", the evocative "Ire" and the sombre "Fame".

Until 2019 Adekunle Gold had operated firmly within the boundaries of his self-styled Afro Urban genre, where live instruments could meet with intoned delivery to channel some of the essence of Yoruba Juju music in a more modern setting. For the next step, though, it was time for an artistic refresh, and to achieve it, he will have to sacrifice some of his folksy essence for better mainstream appeal. And so he braided his boyish afro into a macho cornrow, while he discarded the Adire shirts for brightly coloured jackets and flowing kimonos, left unbuttoned to show his new buff physique, completing his look with tinted glasses and loose fitting pants. His switch in music was a lot less acute. For "Before You Wake Up", his first solo single of 2019, he maintained a similar delivery but production was different, employing more studio-made Afrobeats rather than the live drums and keys he was more popular with. Also subtle was his use of English and Pidgin for the entirety of the single, in the past Adekunle Gold had relied chiefly on Yoruba.

It was in 2020 that he properly donned the artistic personality he would take for his next era. First came "Jore", a duet with Kizz Daniel that leaned into Kizz's brand of casual afropop that was backed by catchy lyrics and a flowing beat. Then he released "Something Different", which was as it was named, a continual of the sonic detour he was making towards the mainstream. In mid 2020, “AG Baby" was released, the manifesto for his artistic vision; on the track he alludes to being the "street boy popping on the mainstream shit". “AG Baby’ was homonymous with his new persona, and on his next album, “Afro-Pop Vol. 1”, he delved properly into who he was now and what to expect of him. A song like “Okay” handled this orientation nicely, as he spun the mid-tempo pop groove into a song deriding his haters.

While AG Baby was morphing into the popstar, Adekunle Gold was settling into family life. His marriage to Simi was for many a bolt from the blue, but insiders into the couple’s lives knew they had been an item even before either of them made their debuts in the industry. Simi had produced, as well as mixed and mastered a chunk of Adekunle Gold’s Gold album, and Adekunle has gone on record to credit her with helping him find his music style. The pair had collaborated across a number of tracks over the years, each time bringing amazing chemistry that most fans did not know was the product of real life love they shared. On January 17th they released “Promise”, a tribute to their new union and the first official announcement of it. A little over a year later, in May 2021, “Happy Birthday”was released; a love letter to their daughter, Adejare on her first birthday.

2021 also saw him release three successful singles that would appear on his next album, “Catch me if You Can”, “Sinner” and “It Is What It Is” followed the laid back, less-is-more delivery of his newly perfected style. But “High”, featuring industry heavyweight Davido, was a different dish altogether; an Amapiano heavy hit, foreshadowing another shedding, or perhaps more accurately, an extra layering of personality that would lead AG Baby to give way to Tio Tequila. The lover boy Adekunle who had withstood the transition from Adekunle Gold to AG Baby evolved to another man for whom “Love is not enough”.

His latest project, Tequila Ever After, is named after this new persona, and here he slows down his Afropop cadences to take in parts of Dancehall and RnB. By far his biggest project, Adekunle Gold assembled RnB megastars like Pharrell Williams and Khalid as well as budding Nigerian street stars like Zinoleesky and Odumodublvck. He has already hit the charts with two singles, “Ogaranya” and “Party No Dey Stop”, so he will be hopeful others can quickly follow suit. More importantly, though, he will hope his new project, and the persona he introduces with it, can significantly advance his global intentions. Adekunle Gold has described his latest project as a celebration of his wins so far.

With a solid discography encompassing five successful projects, a recently bagged contract with an international label in Def Jam Records and a career about to reach the 10 year mark, a celebration is much needed and well deserved. As the artist readies himself to consolidate his position in the Nigerian market and expand his wings even further beyond the shores of the country, he can take a shot of Tequila and toast to his wins so far, because it only gets better from here.

This article was written by Afrobeats City Contributor Ezema Patrick - @ezemapatrick (Twitter)

Afrobeats City doesn’t own the right to the images - image source: Instagram - @Adekunlegold

[mywifeleftme]

278: Dur Dur Band // Dur Dur of Somalia Volume 1 & Volume 2

Dur Dur of Somalia Volume 1 & Volume 2 Dur Dur Band 2018, Analog Africa (Bandcamp)

I’m not going to stand here and tell you directly that Dur-Dur Band is the greatest African group of all time, but if the thought kinda worms around in your brain a lil, well, more to the good. Back in the ‘70s and ‘80s, Mogadishu, Somalia was one of the most happening cities on the continent, and Dur-Dur Band (Somali for Water Stream) held down a residency at a top hotel. They achieved enough local notoriety to have a chance to record some tapes, and their music was in heavy rotation on local radio. In contrast to Ghana and Nigeria, the most well-known loci for Afro-funk, Somalia lies on the east coast of the continent, and Mogadishu was traditionally a cultural hub in which Arabic and Indian influences mixed with the indigenous Somali culture. Colonial occupation by the Italians and the British thickened the stew, and as a result the milieu that produced Dur-Dur was cosmopolitan even by the standards of coastal Africa.

Released in 1986 and 1987 respectively and reissued as a triple LP in 2018 by Analog Africa, Dur-Dur’s Volume 1 and Volume 2 cover a ton of sonic territory, though their core sound is the type of exquisitely groovy horn-driven funk that drives aficionados nuts. The production is nice and raw (Volume 1 was recorded in a single afternoon session at a Mogadishu club) but robust and bass-heavy, and there are also some extremely tasty synth sounds that gesture towards the more electronic sounds happening at the time in places like South Africa. I don’t know what you’re supposed to do with yourself when something like the funk-centipede-conga-line “Doon Baa Maraysoo” kicks your door down and starts boogieing around the house other than join in.

While the band evidently played plenty of foreign music in their marathon stage sets, on record they focused on their novel fusion of these influences with local rhythms. The jittering “Jubba Aaka” matches dense hand-drummed percussion a la Sufi trance music and highlife horns with sassy boy-girl call and response vocals that wouldn’t be out place in a Bollywood dance number; the brief “Saafiyeey Makaa Saraayeey” is a trippy dub blues with fake-out record skips and ululating vocal runs redolent of Islamic prayer music; “Diinleeya” clearly pulls from classic reggae music, but also Dhaanto, a Somali folk dance with a similarly skanking rhythm. The compilation keeps you on your toes; “Salkuu Dhigey,” one of the previously unreleased tracks, has this insistent bleeping guitar figure and shifty beat that makes me think of a like, DJ Koze beat or something.

Basically everything on here slaps. Dur-Dur Band for World President.

278/365

[ammonitetestpatterns]

before and after production, undated but likely created around the middle of the eighties in japan. this tape warms to joy with the melodic liquidity of highlife guitars and impish girl charms, charging the idea by its spoken repetition.

[crazydiscodancer]

08 05 2025

what is the weather like where you are? do you like it?

morning:

tumbled into bed at nine last night and slept like a dead person, whole body aching - all better now

apart from the knees, one proves especially renitent and i should propably refrain from walking around too much today. there’s a storm warning anyway

light creeps along the horzion towards the platform. i wonder what they’re doing over there. propably drilling, baby, drilling. (this just in at 17:45: they're dismantling it after they caused a series of earthquakes with their fucking fracking lmao)

everyday away from berlin feels like two weeks spa holiday

thoughts and emotions have considerably slowed already and i feel myself getting back into more of a acceptance mindset. crazy what a whole nights sleep can do, eh. and fresh air, and birdsong, and greenery, and the sea, and the vast open sky above. also not engaging with anything whatsoever is a neat trick too. but a hard one

i wish i could go on a walk but the knee says no so vehemetly that i better obey or else

but its all so pleasant to the eye, i want to look look look and soak it all in, so that it may replace all the nastiness

affirmation:

i will give myself willingly and i’m not a product to consume

around noon:

dude, dude i don’t know what happened, last week i was all about the highlife (movement-wise) and these days i can hardly walk without getting terrible cramps and aches and what not. 100 —> 0 

of course i didn’t listen and went out but that almost did me in and now i’m back in bed, a wreck and googling about my certain impending death ha ha ha

i think i overdid it a tiny bit lately

just a tiny bit, mini, ok

mini bit

this is a deserved and aprecciated reality check

early evening: bit mopey again. of course: it’s raining 

but head’s still over water, work gorl

tune: w.h. lung - ARPi

serious nylon strung vibes fosho fosho

[kaknewsdotcom]

Akwaboah Brings Love to Life in the Stunning Music Video for “NEVER”

Ghanaian highlife sensation Akwaboah has unveiled the official music video for his latest love anthem, “NEVER.” Directed by the renowned GodFather Productions, the visual perfectly captures the essence of true love, loyalty, and commitment—a theme that runs deep in Akwaboah’s music. The music video opens with Akwaboah performing the song to a beautiful lady in a classroom setting, setting the…

[sweetpalmwine]

OF INTEREST <3

Aladja is a coastal town in Delta State, Nigeria. It is located on the bank of southern part of River Warri. The majority of the people are of Udu, a sub-group of Urhobo ethnic group. a section of the town was occupied by some people of Ijaw ethnic group who eventually migrated because of the bloody land disputes that existed between Urhobos and Ijaws in the 1990s. The Delta Steel Company (DSC), an integrated steel manufacturing industry is situated on hectares of land provided by both Ovwian and Aladja communities but the steel plant is currently redundant as a result of mismanagement. However, the federal government of Nigeria, is making concerted effort to privatize the plant. It was recently linked with a modern rail line from northern part of the country to ease the transport of raw materials (Iron ore) and finished products (steel) between the plant and other parts of the country. Aladja, as a coastal community, it has been a haven of commerce between the coastal people and hinterland since ancient times. The act of trade by barter is still being practiced in the popular Aladja Market to this day. Aladja has served for many decades as the route to old Warri mainland via its famous 'Aladja Waterside' until the construction of the Udu Bridge in 1975 as an alternative route to Warri and its environs.

Babá Ken Okulolo

BornSeptember 12, 1950 Aladja, Delta State,

Website: babaken.com

Babá Ken Okulolo (born September 12, 1950) is a Nigerian bassist and bandleader who was first seen in the U.S. in 1985 with King Sunny Ade's world-touring band. He has played with renowned Afrobeat creator Fela Anikulapo Kuti, highlife master Victor Olaiya, and was a founder of the Afro-rock group MonoMonoin the 1970s. Now based in the San Francisco Bay Area, he leads four bands that represent his various musical specialties: Kotoja (an international Afro-funk band); the Nigerian Brothers (traditional folk music); the West African Highlife Band (highlife hits of yesteryear); and the Afro-Beat Connexion (modern Afrobeat collaboration with other African and American musicians).[1] Babá Ken has also headlined such venues as Lincoln Center, The Fillmore, The Warfield, LACMA, the Oakland Coliseum, Yoshi's, The Greek Theater, and the Great American Music Hall.[2][3][4]

[ausoentertainments]

Best Music Production & Audio Recording Company in Nigeria Auso Entertainment Studio is Nigeria’s leading music production and audio recording company in Nigeria, known for creating world-class sound. Whether you're an artist, producer, or band, we offer top-notch services, including mixing, mastering, and recording. Equipped with state-of-the-art technology and a team of skilled professionals, we bring your musical vision to life. From Afrobeat to hip-hop, gospel, or highlife, we specialize in every genre. Choose Auso Entertainment Studio for unmatched quality, creativity, and a sound that stands out. Let’s make your music unforgettable!

[gospelhotspot]

[DOWNLOAD] You Saved Me - Minister Mex

US-based international gospel music singer, Minister Mex releases his much-anticipated single titled, “You Saved Me” produced by the renowned Phat-E Production. This powerful highlife-inspired gospel track is a heartfelt expression of gratitude to God for redemption, hope, and a new life. It combines soulful lyrics, uplifting melodies, and a message that resonates deeply with anyone who has faced…

[musicarenagh]

Wattle Releases Debut EP "EROS" Rising Afrobeats and Highlife artist Wattle has released his debut Extended Play titled “EROS” on Friday 22nd November,2024. The young singer shared this heartfelt project filled with his innermost thoughts stemming from his experiences with love so far in his life. The Highlife and Afrobeats project encompasses how Wattle has been unlucky with love. With so much of it to give, he seems to never get it reciprocated. These moments leave him thinking and comparing himself with the Greek god of love Eros (Cupid), always giving out love but never getting it back. Regardless of how one-sided it seems, how badly he is treated, he keeps professing his love over smooth productions to his lover. Wattle is definitely a talent to look out for with how his sound takes inspiration from an older generation and mixes his much recent outlook with it. Highlife and Afrobeats, his music is one that births something for the future. Stream EROS out on all platforms here

[earcandle]

ECP0983 Sila and the AfroFunk Experience, SF, Mezzanine 053009 C3T2

Ear Candle Productions captures Sila and The Afrofunk Experience at the Mezzanine. We brought several cameras to this event to capture as much action as we could. Here is camera 3, tape 2.

"Blending African highlife, soukous, and Afro-beat with American funk, hip-hop, Latin jazz, and reggae"-Bandmix/com/victorsila

An amazing band, with lots of talented characters, presented on stage in San Francisco at the Mezzanine 05/30/09.

Ear Candle Productions is a small music label, video production, and eLearning website. We also have a free, 24/7 global Ear Candle Radio program designed to bring creative ideas to the worldwide public at large.

The owners of Ear Candle Productions are the creatives, John Bassham (AKA J Neo Marvin) and Debra Nicholson Bassham (AKA Davis Jones). We live in San Francisco. Come visit our website, check out our YT, Bandcamp, Ear Candle Radio, Internet Archive, and other pages at https://earcandleproductions.com

[clonewatchperfect]

The top complication within reach: Baume & Mercier Livera Perpetual Calendar

Since its first appearance in 1973, Baume & Mercier Riviera has established its position in the field of luxury sports watches with its strong sports style and appearance that keeps pace with the times. Since its development, the first product is now the fifth generation of the series. The fifth-generation Riviera continues the distinctive dodecagonal bezel and adds 4 decorative screws. This "industrial style" coincides with works such as Royal Oak and Engineer SL. At the same time, the fifth-generation Riviera is no longer limited to the basic three-pin, and has expanded its functional categories to GMT, chronograph, and even perpetual calendar. (Model: M0A10786)

This is not the first time that the Baume & Mercier Riviera series has launched a perpetual calendar watch. On the occasion of the 50th anniversary of the series (1973), the brand released a limited edition watch with a sand gold dial (model: M0A10742). While the 2024 new model continues the design tone of the previous model, it adopts a new disk color scheme, and the price has also been adjusted to RMB 167,500.

As one of the "three top complex functions" of advanced watchmaking, the perpetual calendar is an important window for manufacturers to show their strength, so in the past, perpetual calendar watches were sold at a high price. The Baume & Mercier Rivera Perpetual Calendar is currently one of the few products that has this function in the price range of more than 100,000 yuan. It can be described as "the top complex watch within reach."

The stainless steel case is one of the reasons why this watch is priced like this. From the perspective of size, the watch integrates complex functional modules while still keeping the size within a relatively reasonable range: 40mm diameter and 11.8mm thickness, which is not much different from the regular three-pin models in the series.

It is true that when it comes to “the easiest perpetual calendar to buy”, Frederique Constant HIGHLIFE and Montblanc HERITAGE SPIRIT (discontinued) are ranked in front of Baume & Mercier. But in terms of practicality, Baume & Mercier is the most outstanding among competing products of the same level: the FC-775 movement equipped with the Frederique Constant HIGHLIFE Perpetual Calendar has a power reserve of only 38 hours; while the MB29.15 equipped with the Montblanc HERITAGE SPIRIT The movement is based on Sellita SW300-1. While the brand added functional modules, it did not improve the basic performance. Its power reserve is only 42 hours.

For perpetual calendar watches, the importance of movement reserve is self-evident. This can reduce the risk of shutdowns caused by insufficient power and reduce the number of unnecessary adjustments, thereby improving the user experience. Obviously, the Baume & Mercier Riviera Perpetual Calendar with a 120-hour long power reserve is even more practical.

Baume & Mercier’s perpetual calendar movement has gone through several stages of development. In the early days, the Clifton series used the Vaucher 5401 outsourced movement solution; in 2019, the brand launched its first (group) self-produced perpetual calendar movement BM13-1975-AC1. Now it has slightly modified the BM13-1975-AC2, with stable performance.

The BM13-1975-AC2 movement equipped on this work is the BM13-1975A model with a Dubois-Dépraz perpetual calendar module. The basic movement was developed by the ValFleurier movement factory under the Richemont Group. It achieves a power reserve of 120 hours under the premise of a vibration frequency of 28800VPH (4Hz). In addition, the BM13-1975AC2 movement also uses a silicon escapement, which not only reduces friction and improves transmission efficiency, but also effectively reduces the influence of magnetic fields.

Baume & Mercier’s perpetual calendar watches have always adopted a limited release strategy, and this new product is no exception: this watch is limited to 50 pieces worldwide, and the domestic price is RMB 167,500. With its sporty appearance that is in line with popular trends, and its “reachable” pricing, this piece has attracted much attention. The brand's original BM13-1975-AC1 movement has a 120-hour long power reserve, which can effectively reduce the risk of shutdown caused by insufficient power, and has certain anti-magnetic and waterproof properties. It can be said that it is the most practical one among the many perpetual calendar watches currently available.

[theweedythingsth]

High Standards: Navigating the Best Dispensaries in Bangkok

Bangkok, the vibrant heart of Thailand, has emerged as a cannabis enthusiast's haven, boasting an array of dispensaries that cater to those seeking top-notch quality and an exceptional shopping experience. In this guide, we'll navigate the flourishing cannabis scene in Bangkok, highlighting the best dispensaries in the city, while also shedding light on the cannabis landscape in nearby Pattaya.

Exploring the Best Dispensary in Bangkok

When it comes to finding the best dispensary in Bangkok, it's crucial to consider factors like product variety, staff knowledge, and overall ambiance. One standout cannabis store that consistently meets these high standards is "Green Oasis."

Green Oasis: Elevating the Cannabis Experience

Green Oasis stands out as a beacon of excellence in the heart of Bangkok. This dispensary prides itself on offering a diverse selection of premium cannabis products, from meticulously curated strains to innovative edibles and concentrates. The interior exudes a contemporary and welcoming atmosphere, creating a space where both seasoned enthusiasts and curious newcomers feel at home.

The knowledgeable staff at Green Oasis goes beyond the call of duty, providing personalized recommendations based on individual preferences and experiences. Their commitment to educating customers sets a high standard, ensuring patrons make informed choices about the products they purchase.

The Rise of Cannabis Culture in Bangkok

As cannabis gains wider acceptance globally, Bangkok is no exception. The city has witnessed a surge in cannabis culture, with dispensaries like Green Oasis leading the charge. Not only do these establishments provide access to high-quality products, but they also contribute to the destigmatization and normalization of cannabis use.

Cannabis Store Bangkok: A Hub for Connoisseurs

In the bustling streets of Bangkok, another standout destination for cannabis enthusiasts is "CannaHub." This store has carved a niche for itself by catering to connoisseurs with a discerning taste for premium cannabis products.

CannaHub boasts an impressive array of strains sourced from reputable growers, ensuring that each product meets rigorous quality standards. The store's interior reflects a sophisticated aesthetic, creating a space that mirrors the refined nature of its product offerings.

One unique aspect of CannaHub is its commitment to fostering a sense of community among cannabis enthusiasts. Regular events, workshops, and product launches contribute to a dynamic atmosphere that goes beyond the transactional nature of a typical dispensary visit.

Best Weed Shop Pattaya: Unveiling Hidden Gems

For those venturing beyond Bangkok's city limits, Pattaya emerges as a hidden gem in the cannabis landscape. The best weed shop in Pattaya, "Pattaya Greens," is a must-visit for anyone seeking a diverse selection of high-quality cannabis products.

Pattaya Greens has gained a reputation for sourcing rare and exotic strains, making it a favorite among cannabis enthusiasts looking to explore unique flavors and effects. The shop's friendly and knowledgeable staff add a personal touch, ensuring that customers receive guidance tailored to their preferences.

Best Cannabis Bangkok: A Culmination of Quality

When searching for the best cannabis in Bangkok, it's essential to understand that quality extends beyond the products themselves. It encompasses the entire experience, from the moment you step into a dispensary to the after-effects of enjoying your chosen cannabis product.

"HighLife Haven" embodies this holistic approach to quality. As one of the premier cannabis destinations in Bangkok, HighLife Haven combines an extensive product range with a commitment to customer satisfaction. The store's chic and modern aesthetic elevates the overall shopping experience, creating an ambiance that complements the premium nature of its offerings.

Navigating the Cannabis Landscape: Tips for Enthusiasts

Research and Educate Yourself: Stay informed about the latest strains, products, and consumption methods. Knowledge is key to making informed decisions about your cannabis experience.

Explore Different Dispensaries: Each dispensary has its unique offerings and ambiance. Take the time to explore different establishments to find the one that aligns with your preferences.

Engage with the Community: Many dispensaries organize events and activities. Engaging with the cannabis community not only enhances your knowledge but also provides a platform to share experiences and recommendations.

Ask for Recommendations: Dispensary staff are there to assist you. Don't hesitate to ask for recommendations based on your preferences, whether you're a seasoned user or a first-time visitor.

Bangkok's cannabis scene is flourishing, and navigating the best dispensaries involves a blend of exploration, education, and engagement. From the sophisticated offerings at CannaHub to the community-driven atmosphere of Pattaya Greens, each dispensary brings its unique flavor to the vibrant cannabis landscape.

As the city's cannabis culture continues to evolve, enthusiasts can look forward to a diverse and dynamic experience. Whether you're seeking the best dispensary in Bangkok or exploring the hidden gems of Pattaya, the journey through Thailand's cannabis landscape promises to be an adventure filled with high standards and unparalleled quality.