I think what I need most in season 2 of Dead Boy Detectives (because we stay optimistic in this house) is for somebody, just one person, to tell Charles that it's okay to be angry.
Tell him that anger itself is not a "bad" emotion. That feeling angry does not make him a "bad" person.
Tell him that anger is sometimes a necessary emotion. An emotion that motivates you to take action--to protect, to support, to right wrongs.
Because, of course he's angry. He has every right to be. He was dealt an absolute shit hand in life and an unjust and untimely death. I'm angry for him.
Tell him that it's what you do with that anger that makes the difference.
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PLEASE DO NOT TAG AS YOUR OWN OC OR PAIRING.
Nathan and Ruben share a bond more powerful than most; mutual understanding through past experiences no one should ever have to go through, and through past actions so horrible they cannot be spoken of. Their grief and the blood on their hands binds them to the STEM technology they created, which has alienated them from the rest of the world— but they give each other the comfort they have both longed for so desperately for years, and that is all they need.
They are each other's counterpart; you cannot imagine one without the other, like two sides of the same coin. Through their pain, their grief, their desire, and their regret, they have become one.
anna akhmatova, the guest // bones; equinox // 'i won't become' by kim jakobsson // agustín gómez-arcos, the carnivorous lamb // by oxy // achilles come down; gang of youths // czeslaw milosz, from 'new and collected poems: 1931-2001' // 'extended ambience portrait from a resonant biostructure' and 'migraine tenfold times ten' by daniel vega // a little death; the neighbourhood // marina tsvetaeva, from 'poem of the end' // by drummnist // katie maria, winter // 'nocturne in black and gold the falling rocket' by james abbott mcneill whistler // micah nemerever, these violent delights // body language; we are fury // 'the penitent' by emil melmoth // chelsea dingman, from 'of those who can't afford to be gentle'
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree
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Prefacing this TGCF post with: people can draw and write however they want forever and I support them and this is about my personal view of these characters.
Anyway.
I saw a post today that had Xie Lian singing "when will my life begin" from Tangled and it drove home what really bugs me about a lot of fan casts of Hualian onto popular media (see also my Howl's Moving Castle take). It's this idea that Xie Lian is, well, waiting for his life to begin, and Hua Cheng swoops in and makes it exciting, when this is imo so utterly antithetical, and in fact opposite, to canon.
Xie Lian has lived and lived and lived. He was a prince, he fought in wars, even during his 800 years fallen the whole book is an exercise in showing that he WASN'T just waiting around, he kept doing things the whole time - Fang Xin Guoshi and General Hua and and and. AND he also cultivated to the point of ascending again. Xie Lian is a fucking bad ass idealistic martyr who doesn't know when to quit and at least to me that's the whole point of his character and I love that about and for him so to see him inserted into existing franchise AUs as the wilting flower waiting for a moment to shine is utter character erasure and it makes me insane enough that I'm writing this post about it even though I think I shouldn't and even though I genuinely don't want to rain on anyone's fandom parade. But like. That's not him!
You know who it is?
It's Hua Cheng!
Hong Hong'er lives in Xianle, a kingdom where all this stuff is happening, and he just watches from the sidelines. He's an observer at the parade. He's just some kid. And then he falls (or jumps, or is pushed, you pick your interpretation) and he's caught by literally the coolest guy in the entire kingdom. He's the nobody who gets swept off his feet! And it changes his whole life! Like I think it wouldn't irk me so much to see Xie Lian get typecast that way if Hua Cheng wasn't right there literally living his "I met God and it changed my whole life for the better" fantasy. He seriously deserves to get recognized for this. I get that he's the loud flamboyant one so that makes it seem like he should get cast as a Howl or a Flynn or whoever, but like. He was waiting for his life to begin, and it does, when he meets Xie Lian.
And like. I get that these are kinda competing interpretations that depend on when you look at canon - I'm looking at the original 800 years ago events, others are looking at Hua Cheng coming in 800 years later - but still the "present" in TGCF isn't imo about Xie Lian having waited to be saved, he hasn't been in a hat shop for his whole life boredly making hats, he's never stopped moving and never stopped adventuring and never stopped striving to change the world. Hua Cheng is living out his "you saved me now I save you" fantasies but fundamentally they save each other over and over and over again and that's beautiful and I hate seeing it erased to make Xie Lian into the wilting flower. Like. The one who basically hasn't done anything that whole 800 years is ALSO Hua Cheng. We don't hear about him going off and having idealistic adventures. Everything we know of that he's done was directly related to Xie Lian (ie burning the temples). Other than that he seems to sit around in Ghost City chilling with his ghoulies. So again, finding Xie Lian is what pulls him out of his funk and prompts him to start acting for good, whereas Xie Lian has been acting for good the whole time.
Ugh. I should shut up now, just, I've been in this fandom for four years and this has become such a pet peeve of mine because it reflects such a huge disconnect between how I perceive these characters and how much of the rest of fandom does. And that frustrates me, cause I wish there was more content in line with my perception.
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if ever there was an important piece of advice that I could pass along to anyone who is considering getting married and making major purchases with another person, it's this:
do not, under any circumstances, settle for something that you don't feel is absolutely, one hundred percent, the right thing. this includes people, financial matters, etc etc etc etc. Do not so what you think other people want you to do, do not lay down and roll over and let others walk all over you in favor of keeping the peace. Because I promise you, you'll never quite know the peace you want because you will have buried your own feelings and desires for so long that you don't recognize yourself when it all inevitably blows the fuck up.
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(The last one I swear) Top 10 Gintaka moments
Arranged chronologically because it was too difficult to choose. Spoilers ahead.
1. Boke and tsukkomi
We get another glimpse into their relationship during the Shouka Sonjuku days through a memory of Zura. Gintoki appears annoyed about only fighting against Takasugi, though the latter reveals he is ahead 57-56, which means that in a short period they had already fought more than 100 times. This implies that, as the years went by, their duels became a little less frequent. But what is really interesting and adorable here is the way Takasugi acts as Gintoki's tsukkomi and playfully scolds him (ch. 563).
2. Kick the can
At Kurokono Tasuke's suggestion, they decide to play basketball kick the can. Although it is later revealed that Gintoki and Takasugi intended to counterattack the enemy the whole time, they were clearly engrossed in the game, as evidenced by the fact that they put small bushes on their heads to camouflage. This seems to be a tactic they learned from their teacher, considering Zura did it as well. Despite everything, he notices that Gintoki and Takasugi seem more enthusiastic about competing against each other to see who is the first to launch a surprise attack on the can rather than the actual war (ch. 453).
3. Naivety and embarrassment
Around a campfire, Gintoki discusses the course of the war with Sakamoto and Zura and whether they would eventually become imperial forces if their side won. Aside from this being the only occasion where Gintoki thought about a future for himself beyond rescuing Shouyo, Takasugi mocks the idea as naive. This scene appears to be after the one where they made their promise, because Takasugi is aware that Gintoki doesn't fight for the country or for fame, but for their teacher. Thus, with great confidence, he asserts that they know what they are doing and that is enough. However, the way he says it irritates Gintoki, who then proceeds to tease him about the name of the Kiheitai, followed by some insinuations that Sakamoto quickly picks up on and joins in (ch. 633).
4. Him or me
After the events with the Ikeda family, it is revealed that Takasugi and Nobu Nobu are behind the scenes. The latter notices Takasugi's hostility towards him, so he reassures him that he never intended to go after what he calls his prey, Gintoki. Upon hearing this, Takasugi quickly changes his demeanor to a more relaxed and confident one, asserting that he would not be able to take any of their heads. Before leaving, he threatens him that if he changes his mind, either Gintoki or he himself will finish him off. This is not only another occasion where Takasugi becomes upset when others talk about Gintoki in front of him, but it also shows how, even at this point and before their confrontation, he still felt some camaraderie and understanding towards Gintoki (ch. 468).
5. Lingering feelings
Gintoki didn't only become emotional in his final fight against Takasugi when he had to attack his possessed body. In their first real confrontation, there is a direct parallel between Gintoki's face before being forced to kill Shouyo and his face before cutting Takasugi. They had already been fighting for a while, but this shows that at this moment Gintoki was already on the verge of tears. He didn't want to do it, but if someone was going to stop Takasugi, it had to be him. Arguably, this is the first time it is shown how much Gintoki still loves and cares for Takasugi even after all this time and everything that has happened (ch. 519).
6. Only me
Takasugi asks Shinpachi not to let anyone else take Gintoki's head because only he can do it, which adds to other occasions where one speaks possessively about the other. But this time it is because there are still unresolved matters between them, so Takasugi asks, in his own way, that he survives, just as Gintoki asked him 10 years ago when they made their promise during the war (ch. 575).
7. Believe in him
When Hijikata interrogates Gintoki, he fills in the gaps regarding what happened with the Tendoushuu and how all the information points to Takasugi conspiring with the enemy. Despite this, Gintoki tries to defend him, highlighting the fact that Takasugi helped them two years ago and has no reason to ally with the Tendoushuu, to which Hijikata insists that Takasugi is the type to prioritize goals over the means to achieve them. Still, Gintoki refuses to speak and betray Takasugi in any way, prompting Hijikata to question his loyalty and if the reason he insists on protecting Takasugi is because he still believes in him while being interrupted by Robozaki (ch. 674).
8. Underwater fight
When Gintoki is at his limit, surrounded by a group of assassins, a boat with explosives arrives to save him, which is revealed to have been sent by Takasugi. Gintoki doesn't miss the opportunity to tease him, calling him "mastermind" or "Hikusugi-kun," a wordplay referring to his height, and teases him about his lingering affection for the Kiheitai, the latter provoking an offensive response from him. They bicker some more before they are attacked and thrown into the water, where they fight against their enemies while also fighting each other (ch. 677).
9. Shitty brat & crazy hoodlum
This is one of the most peaceful scenes that occurs between them since they reunited. Here they are not fighting each other or anyone else, but simply talking while walking, another glimpse of how their relationship used to be. They clearly look comfortable next to each other, smiling and joking, showing how happy they are to be together, although neither of them would admit it (ch. 683).
10. Go back
On multiple occasions during the final arc, Takasugi tried to convince Gintoki, both gently and harshly, to return to the Yorozuya and his loved ones in Edo. This shows how selfless his love for Gintoki was, that even if his heart was divided because he wanted to be by his side, at the same time what Takasugi most desired was for Gintoki to be happy, with the tragedy that he wasn't really aware that he was part of Gintoki's happiness (chs. 673/677/683/690/699/703).
Part (1) (2) (3) (4)
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