#I am a weak and fragile man. Make sure to Like and re-Blog to keep my Bones from collapsing in the winds of the storm. Much appreciated

[s1ck-pupp3t]

I love, Ms Paint. CHEERS!

OK real art dump over. Click MORE for Real dumb stuff

something something They faces killing me why nobody gaf. Its a Transparent .PNg! You can put them any where to Not Care About.

[danganfan42069]

Why i hc Chihiro as transfem (but also think that nb and transmasc hcs are pretty neat too!)

A few warnings first, since you're here to read it I recommend reading these paragraphs extra to avoid stress for you and me :)

To be honest I'm not posting my opinion with the intention of changing someone's opinion or starting some kind of debate, I just want to express my opinion and that's all. It's like a public diary, it's one of the definitions of a blog after all ^_^

This isn't exactly a theory or an attempt to change anyone's mind and I know that none of this is canon and most likely not intended as I see it. I'm just want to talk in more detail about my headcanons and my lines of thoughts on them.

I already made a post with a carrd and article about transfem Chihiro and I also made a post about what I disagree with, now I would like to make a post that would be the parts that I agree with carrd and more other opinions of mine about it. (I will mostly use she/her for Chihiro since I hc her as transfem)

I see a lot of people talking that they think Chapter 2 had great critics about gender stereotypes and... I have to disagree.

In my interpretation I understood that Chihiro thinks that feminine = weakness, fragile lack of strength and that's it. And then she wants to become strong by running away from everything feminine.

This thought was never refuted and it was never explicitly established that women can also be strong, we have Sakura but she is seen as an exception and still doubted that she is a (cis) woman.

About this part, it seems to me that the writers simply have this transphobic mindset and see trans people as insecure with their own gender (this art could explain it in better words) or think that trans people are lying to everyone about their gender (when in reality is opposite, we feel like we are lying when we are in the closet and saying we identify with agab)

Just like I said before, it feels like the transphobic mindset where trans people are lying and insecure and being "just a phase"

And Mondo is a great ally (yes he killed her but it wasn't out of transphobia but an attack of anger and stress) and tried his best to keep Chihiro's secret

One thing I see a lot is people saying that hc Chihiro as transfem is erasing her entire backstory but it's important to remember that her backstory is completely fictional and nothing like this has ever happened in real life. Chihiro doesn't exist, but the people (mostly trans) who relate to her (the transcoded part of the character, I mean) exist.

This is why many people "reclaim" or hc Chihiro as transfem, transmasc and/or nonbinary. Chihiro is a very transcoded character, whether intentionally or not.

Despite not having Chihiro's hc be non-binary or transmasc, I understand where they're coming from. I can only remember the song Am I a Girl by Poppy for the non-binary headcanon. And for transmasc it's a cool interpretation too (still has the problem but feminine=weak but I'm sure whoever has this hc re-imagines that part in a non-sexist way) where Chihiro kinda comes out of the closet in chapter 2 to Mondo and wants to be himself. As I said before, Chihiro is a very trans coded character, like it or not, then every interpretation that trans people have about this character is valid. People can relate to this in a lot of very different ways and that's ok.

To me, anything is more interesting and makes more sense than a cis man in the closet. This is too nonsense to me. I know there are many things in the game that are also nonsense but I have my personal limits like everyone else (Ps: Not saying that whoever has the hc of Chihiro being a cis man is invalid because this is canon lol, its just not my cup of tea)

In summary, I have this headcanon of her being transfem because from the beginning she is presented as a woman and in all the merchs she continues to be treated as such, so that's what makes the most sense to me. Maybe if it was established that feminine doesn't equal weakness, maybe she would stay the same. And just look at the picture of her with her dad! He supports her unconditionally! It's a very beautiful thing to see and makes me happy.

I like to look at this scene as if someone were misgendering her, she wouldn't mind.

Edit: I found an excellent post that makes some great points too, here are some highlights:

[darkmulti]

Last Night Alive

Incubus!San and Jongin x female reader

⚠️Warnings: spanking, threesome, double penetration, (cold, juicy fucking), spitting, slapping, dacryphilia kink, fear kink, knife play (but it’s really claw play), blood, blowjob, death, violence, whipping, language, degradation, bondage, overstimulation

it’s an incubus smut, what do you expect? Rough fucking

No one asked, but it’s my blog🤷🏽‍♀️

——————————————————————————

“What do you want from me now? Leave me alone San!”

She rolls her eyes and slams the door on his face.

“But- but you didn’t even allow me to tell you what I want”

“Too bad!”

She yells from the other side of the door. Her arms cross and she turns on her heels, but just as she did, San’s face was an inch away. Her eyebrows scrunched up in confusion, and she immediately stepped back.

“Where are you going angel?”

San starts walking towards her.

“San how did you get inside my house?”

She puts her hand out and tries to stop him from moving any closer but it didn’t work. He grabs her wrist and twists it, making her release a cry of pain. In anger, he pushes her against the wall and grabs her neck. The furious male effortlessly slides her body up, against the door.

“San what are you doing? Let go!”

Her fingers rapidly taps on his hand and she even tries to pry his fingers off. Unfortunately, luck wasn’t on her side. She holds her breath for as long as she could, until San slams her onto the floor. Her head hits the ground and knocks the consciousness out of her body.

San grows his nails out to sharp points. He sits on her lower stomach and cuts lightly on her neck; imitating a “Cut here” instruction. Underneath the lines he writes, “I am owned by Choi San.”

With a satisfied but sinister smile plastered across his face, he licks all the blood off her neck, then proceeds to carry her unconscious state back to hell.

——

“My little brother outdid himself once again. She’s a real beauty, San.”

The man crouches down and cups the girls face, admiring her light, but complementing features. His touch tickled against her soft cheeks. She looked too good to be true.

“She’s a beauty and a brat. Make sure you fuck that attitude out of her, Jongin. If you don’t, then I will. You tend to be a little softy towards these worthless chicks.”

Jongin rolls his eyes at his little brother's comment and stands up.

“Yeah yeah whatever. Now get the fuck out of here.”

“Not so fast brother. I got you a girl, I want something in return.”

“Really? That’s so interesting San, but I don’t really give a shit. I have nothing to offer.”

He shrugs his shoulder until San speaks again.

“You will give a shit when you look at her neck.”

“What?”

Jongin quickly tilts her head up to reveal the cuts San had left earlier.

“What the fuck San?! You already marked her.”

He yells in disappointment.

“My dearest brother. Do you think I’m stupid? Of course my one and only dick of a brother wouldn’t give me back something in return. You can use her, but at the end of each day, she’ll come crawling back into my arms.”

With that, San leaves his older brother in the basement.

Jongin rubs his face, not knowing how to feel, which was ironic because he couldn’t feel anything.

Although he couldn’t have you as his, he shall continue to desire your body, mind and soul for as long as you live.

——

“THIS IS WHAT YOU GET WHORE!”

His arms swing back and whips her again, making her sob harder. Blood from the cuts were gracefully glided down to her thighs, as she struggled in the restraints.

“I FUCKING KNEW IT! YOU WERE FUCKING MY BROTHER THIS ENTIRE TIME, WITH THAT DISGUSTING LITTLE CUNT OF YOURS!”

“Please, I’m sorry daddy.”

“A sorry doesn’t fix anything. This is your punishment and if I see one more tear pop out of those pretty little eyes, this will definitely be your last night alive.”

Another sob leaves her pretty mouth. Her tears were uncontrollably. They just kept coming and coming.

“San! Please.”

This time his hand spanks her purple ass.

“What’s my name princess?”

San pulled the leash, making your head look up.

“Oh, I’m sorry daddy! It slipped I promise! Please believe me!”

She pleaded with guilt and tears packed in her eyes.

“Believe you? After you’ve fucked my brother, how many times?”

He spits on your face then slaps it after.

He completely ruined her.

From head to toe.

The lingerie that she was forced to wear was ripped into pieces scattered across the floor and bed. Blood was present on the bed sheets and her bruised body. Puddles of cum were all over the concrete floor.

San pushes her face into the mattress and opens the door.

“JONGIN! COME HERE NOW!”

In a blink of an eye, he was standing behind you, naked.

“I heard everything from upstairs, and I cannot be more ready for this. Did this dumb bitch really think that I loved her? She is indeed a dumb cunt.”

San shuts the door and makes his way back. He flips the clueless girl over, making her groan. Her heels kept her butt up from touching the mattress, before Jongin pulled her legs and she felt an unbearable sting on her buttcheek. She cries and cries, while the two demons get off by it.

Jongin strokes his cock, that’s standing strong and proud. He makes his way towards you and shoves it in without mercy. San hovers over your mouth and shoves his dick down your throat.

“This is what you get slut. I can smell Jongin’s cum on you, and you thought you were fucking slick. I know everything babygirl. Dumb whore is what you are. My brother told me all the nasty things you did to him.”

He pulls on her hair and shoves it deeper down her throat making her gag. San takes himself out and throws the half dead girl onto the floor. Her eyes were swollen from all the crying. She didn’t even try to get up.

San laughs at her pathetic figure.

“Already knocked out whore? We haven’t even gotten started.”

Jongin smirked at his younger brother's behaviour.

“Hmm, I guess you are rough in bed.”

The older demon walks to Y/N, picks her up and puts her back on the bed. He tied the leash onto the bed frame so she can’t leave. He also covered her mouth with a lovely tie.

“Shall we start the feast?”

The brothers give each other ‘the look’. San put her on all fours and slides underneath her. He guides her pussy onto his cock and let’s her sit down. Once the two were comfortable, Jongin slammed the cock inside her tight butthole, punching all the oxygen out of her. The fragile girl collapses on San, not being ready to take him in.

All they could do was chuckle at the helpless and hurt girl. San wraps his arms tightly around the upper half of her body and pulls her down. His hips thrusted up into her and signaled Jongin to also start.

The two demons started pounding into her, giving her no mercy. She winces and screams, but they simply ignore her and keep going faster and harder.

After a solid 3 hours of fucking, San gives her some of his blood to keep her alive. The blood dissolves on her tongues and she re-gains a little bit of strength.

“Remember darling? Remember when you slammed the door in my face? This is your punishment for it.”

His hips start moving faster than Jongins, and the brittle girl takes it all. Cum was leaking out of her mouth at this point, like a broken water pipe. She’s had multiple orgasms, yet the boys didn’t have one.

But a sudden yelp left the girl's mouth and she felt the man behind her, knead the sore ass. San kneads her tits and spits all over her face.

Her precious sweat dripped onto San’s muscular chest. She tried to get up to straighten her back, but her weak arms didn’t allow it.

“Stay with me darling. You’ve been doing so well.”

San rubs her back and continues his pace in her. She cuddles up into his neck and focuses on nothing but to breathe. Her eyes start to close on their own until Jongin pulls her up by her hair and makes you look at San.

“Apologize to him.”

“Why?”

She whimpers out.

“Why? For fucking cheating on him you whore.”

His cock went deeper inside you and you immediately apologize over and over to San.

Her desperation made both of their cocks twitch. Before she knew it, another painful orgasm rips through.

“OW OW OW OW, FUCK! STOP THRUSTING PLEASE IT HURTS!”

She begs.

The men release all their cum inside you, making her a cum bag. Her walls shiver on San’s cock, making him moan out. Her butthole was throbbing around Jongin’s fat cock. When he finally pulled out of her, cum came rushing out, dripping onto her thighs.

She trembles and cries. San pulls her down onto his chest, and Jongin lays next to him with the little one in the middle.

“Told you it was your last night alive. You’re officially dead, and stuck in hell with us.”

——————————————————————————

Whew, this wasn’t a request, but like why not? This also wasn’t very good and my apologies for that, it was really tough to think abt the story line.

Anyways I’m gonna do another request tmrw❣️

Hope you enjoyed❣️ edited🔐

Xoxo, N❣️

[manlyman06]

Katara and Toph or how to make strong women

I talk here about stRong in the term of good writing no just strong about badass skills even if this have a important part in their developement.

Let describes each of this character:

You will find the entire article in the great blog: http://femalefortitude.blogspot.com  I advise you to go take a look ;)

Katara :  She should have been the heroine  of the serie in my opinion, she is a young girl who despites her young age take many responsability, she take care of her family and organize the most part of the journey with their group, she is very interesting beacause despites having cleary amother role, she have goals she have doubts and defaults, she thinks about her and have a strong wil.

Her dreams it’s to becoming a Master in water bending, by make her dream comes true she doesn’t hesitate to steal a trarining parchement, that can be view as a bad thing but it is very coherent due to the situation that she see Ang becoming more and more powerful with the water bending, and i don’t think it’s jealousy i think is ambitious, but the moment in the serie where we see that is real deveolop character and not just a female support for the hero is in the  Northern Water Tribe episode.

 Having worked with Aang to develop her ability, Katara seeks a master to train her. Unfortunately, the best instructor available, Master Pakku, refuses her entry to his program. In the Northern Water Tribe, he tells her, female benders learn how to heal while their male counterparts learn how to do everything else. Katara rejects this model, saying, “I don’t want to heal, I want to fight!”

She soon gets her chance; Pakku dismisses her as a “little girl,” and Katara challenges him to a duel if he’s “man enough” to take her on There are in this scene a very important moment in my opinion where Ang says to her “  do not do it for me as if in every serie the female support doing thing only because of a male character, and she replies  i’m not doing this for you i’m doing rhis to teach him a lesson  Aware of her own inferior bending technique and the reality of her inevitable defeat, Katara nevertheless chooses to face Pakku and forces him to fight her

IInn “The Runaway episode,” Sokka reveals that he relies on Katara’s strength and responsible nature. He describes the role Katara has played in his life since their mother’s death: “I’m not sure I can remember what my mother looked like. It really seems like my whole life Katara’s been the one looking out for me.

Her important personal quest is getting revenge on the Fire Nation soldier who killed her mother. Both Sokka and Aang try to dissuade her, telling her that she should forgive the soldier and move on, but Katara says that that would be impossible. When Zuko tells her to save her strength, she tells him that she has plenty: “I’m not the helpless little girl I was when they came.” Implicit in this statement and in Katara’s recollection that her mother sacrificed herself to protect her is Katara’s feeling of guilt. She has immense power now, but she couldn’t protect her mother when it counted. She had to rely on her mother’s strength so that she could one day increase her own. For Katara, a child who not only suspects, but knows that her mother exchanged her life for her own, it would be impossible not to think of her death as Katara’s fault. Tracking down and punishing the man who physically did the deed might allow Katara to feel less responsible.

This doesn’t mean that Katara is above doing terrible things in her quest for revenge and redemption, which becomes evident when Katara bloodbends the man she suspects is Kya’s killer. When it proves to be the wrong man, she appears disheartened, but not particularly remorseful. The weapon that once horrified her is now just another in her arsenal. Still, when she finds the killer, she uses only normal waterbending, which suggests that some of that initial reticence has been restored. She still resists becoming Hama’s successor.

When it comes time to make a decision, Katara decides not to kill the former soldier. She explains the situation to Aang: “I wanted to do it. I wanted to take out all my anger at him, but I couldn’t. I don’t know if it’s because I’m too weak to do it, or if it’s because I’m strong enough not to.” Aang tells her that she did the right thing, and that forgiveness is the first step toward healing. Katara replies, “But I didn’t forgive him. I’ll never forgive him.” She does, however, forgive Zuko. This is a significant point in Katara’s characterization. Whole episodes are devoted to Aang learning how to let things go, and we know that he has had to overcome the loss of his people in order to become a better Avatar. We appreciate his thoughts about forgiveness because we know that he knows what he’s talking about. But Aang and Katara are very different people, and her inability to forgive is just as important to her character as his unwillingness to take revenge. After watching three seasons of A:TLA, the viewer knows that she holds grudges, that she has immense stores of rage, and that the loss of her mother has informed much of her personality. To take violent revenge would be to become Hama, but to forgive Kya’s killer would be to stop being Katara.

Source : http://femalefortitude.blogspot.com/2013/08/the-last-waterbender.html

Toph : Is my favorite in the entire show she is funny, endearing, stubborn or determined ^^, I find in her all the  i love about my girlfriend ^^

Toph’s introductory episode is an explicit rebuttal to the typical portrayal of people with disabilities. The first time we meet her, she is defending her title at a WWE-style earthbending competition as the Blind Bandit. Aang, Katara, and Sokka are initially skeptical; surely a tiny twelve-year-old blind girl couldn’t beat a bunch of full-grown men. However, she can and does, and she is only defeated when Aang unfairly uses airbending in his challenge for the title. 

Later in the episode, after she and Aang have been kidnapped, Toph’s father reveals that his primary reason for keeping her close is her blindness. When Sokka and Katara ask for her help to save Aang, her father states, “My daughter is blind. She is blind and tiny and helpless and fragile. She cannot help you.” Toph, confronted with her father’s low opinion of her ability, says simply, “Yes, I can.” Sokka and Katara offer to help her, but she declines. Then she takes on all seven adult earthbenders at once and she wipes the floor with them.

Toph’s father is presented as controlling and irrational, and the show condemns his point of view. He is wrong for controlling her and for viewing her in terms of what she can’t do instead of who she is. By condemning him, the show rejects the usual approach to the mainstream portrayal of disability. It strengthens this message by having Toph defend her actions with very little reference to her blindness, instead framing the conversation as a matter of agency versus control. She doesn’t explain that she has devised a method of sight that involves reading vibrations in the earth, thereby “overcoming” her disability. Rather, she points out that she’s good at fighting, that she loves it, and that she deserves to exist and be accepted as she is. Ultimately, she joins Team Avatar because they can give her that acceptance.

The shift in Toph’s loyalty from her biological family to her found family forms the bulk of her character arc, and it is best exemplified in the development of her relationship with Katara. In “The Chase,” nurturing team mom Katara comes into conflict with the recently liberated Toph. Toph refuses to help the others set up camp, claiming that she can pull her own weight. The tension increases over the course of the episode, in which Team Avatar endures a sleepless night spent fleeing from Azula’s relentless pursuit, eventually causing Toph to leave the group. She runs into Zuko’s uncle, Iroh, to whom she confesses, “People see me and think I’m weak. They wanna take care of me, but I can take care of myself, by myself.” Iroh tells her that there is nothing wrong with getting help from the people who love you, and she decides to rejoin the team.

Katara tries to re-define their friendship as a relationship between equals by offering to pull a scam with Toph. In this way, she can show Toph that she’s fun while hopefully removing the baggage of projected parental failure from their relationship. At the end of the episode, Toph tells Katara that she was right and asks Katara to help her write a letter to her parents, thereby relieving her of her role as maternal figure as Toph seeks to re-open communication with her actual mother.

The exchange that follows is remarkable. Katara tries to tell Toph that the girls had no idea what they were talking about, but Toph assures her that “It’s okay. One of the good things about being blind is that I don’t have to waste my time worrying about appearances. I don’t care what I look like. I’m not looking for anyone’s approval. I know who I am.” Still, she’s crying as she says it. Katara notices and tailors her response to reinforce Toph’s value as a person, even as she also addresses the unspoken question: “That’s what I really admire about you, Toph. You’re so strong and confident and self-assured, and I know it doesn’t matter, but you’re really pretty.” This response earns Katara the (should-be) coveted Beifong shoulder punch of affection.

This is particularly interesting in light of Toph’s complicated relationship with gender performance. Whereas Katara fights to be allowed access to traditionally male spaces, Toph’s domination in Earth Rumble V and VI proves that she’s already there. As far as we know, she spent all of her time at home with her parents and servants, with regular visits from her earthbending teacher, Master Yu. It’s no surprise that a sheltered, disempowered kid would want to emulate the competitive earthbenders’ overt displays of strength and forge a place for herself among them. Joining their ranks, however, necessarily requires her to immerse herself in their hyper-masculine subculture, based on violence and trash talking. Toph happily becomes a master of both.

ne of the incontrovertible truths of the A:TLAworld is that it is impossible to bend metal. Xin Fu says as much when he tells Toph, “You might think you’re the greatest earthbender in the world, but even you can’t bend metal.” For a time, even Toph believes this. As all of her ploys to get out of the box prove unfruitful, however, she looks to the metal itself. Overlaid on the scene is the voice-over of a guru, telling Aang that all of the elements are connected. Even metal, he says, is just “a part of earth that has been purified and refined.” Without the benefit of hearing this voice-over, Toph nevertheless finds the impurities in the metal box and physically pries it apart. When her captors come back to investigate, she imprisons them in the box, exclaiming as she leaves, “I am the greatest earthbender in the world! Don’t you two dunderheads ever forget it.” In this scene, we see the essence of Toph. She finds herself in a seemingly impossible situation, so she does the impossible to get out of it. She has been locked in a cage -- a metal box, the prison of her parents’ house, the jail of their controlling affection, or the dark dungeon that others assume she is confined to due to her blindness -- and she forges her way to freedom. Ultimately, Toph Beifong is a character who finds empowerment in disempowerment, turning perceived weaknesses into real strengths.

All the analysis belong to femalefortitude.blogspot.com

Source :http://femalefortitude.blogspot.com/2013/08/the-greatest-earthbender-in-world.html