#I can’t make this stuff up

[sinnadreams]

Apo is a fan of Kanye + Pharrell Williams and wants to be friends whereas Mile is a fan of Hyun Bin and imagines himself in place of Son Ye-jin

[chloeworships]

I found this today. WOW. I CANNOT BABES!!! Haha! Go check the message if you haven’t as yet.

Thank GOD I saw this because my heart was breaking while recording that video. I almost wanted to cry

😭💔

THERE IS STILL HOPE 🤞🏾 I’m not crying you are 🥲

Wow wow wow‼️ GO GET YOUR GIRL. HURRY‼️🤣

PS. Don’t hurt my girl anymore 😤😅😒 when God said she’s a GOOD WOMAN know that he ain’t lyin.

THANK YOU GOD FOR THIS CONFIRMATION‼️

God makes NO MISTAKES ☔️

[vanhelsingapologist]

Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.

They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.

They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.

Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.

On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.

[turtleblogatlast]

Love the thought of Leo just casually being well traveled to absurd degrees. Like one day they’re facing their new Big Bad of the year and like, Draxum or whoever says that the key to their fight is located somewhere in, like, Latvia or some place, but no one knows where to start.

Then Leo’s like “oh I know a place” and when asked how the heck he could know of one it smash cuts to Leo falling through the ceiling of said place due to a portal mishap.

Also love the idea of Leo, being as accidentally (and then later, purposefully) well traveled as he is, sometimes taking his family on outings to different places all over, maybe to some new Yokai spots he found along the way.

In these places, Leo 100% lets his bros get scammed by tourist traps.

[tinseltownie]

Look I’ve watched the BTS footage a 100 times already. The thing is Oscar didn’t have to pop in. And Lando most certainly didn’t have to keep the conversation going. But he did. And Lando did. And it was all soft and warm and “I want to know the most mundane details about this exact thing that I’ve done for 6 years already but did you have fun Oscar?? Did you? Have fun? Osc? Nice smoothie osc. Gonna copy your cute lil pose osc”.

Everything I’ve learned about Lando in the last few weeks is that he just wants friends? He keeps talking about how he missed out on the uni experience and how his friends are all through racing. And it explains why he’s kept Max on at Quadrant and all that side of it. (Not saying he’s buying Max’s friendship or anything) And he kept being friends with his teammates thinking they were safe but Carlos left and Daniel was fired. Which is the nature of the sport don’t get me wrong that’s fine. But I think Lando is really comfortable because Oscar is here to stay for a while. So Lando has Oscar.

And Oscar has always been better than the rest at this sport so it was hard to make friends with the other boys because he kept moving a step forward, quicker than everyone else. His Prema vids are sweet but there’s a sense that everyone in them is still trying to make it. Plus Oscar has 3 younger sisters but he’s never had a brother and he’s a little quiet and Lando was okay bulldozing his way into Oscar’s heart so now Oscar has Lando.

They both love their families but the sport makes it so they feel distant from them? Yes Adam is at almost every race and Oscar has a very loving relationship with his mom but all they’ve known is this sport forever. This sport where there’s no loyalty and no love and a lot friendships are actually just colleagues hanging out in a work setting.

That’s what makes Carlando so endearing. It’s that the friendship persisted beyond the contract mandated hangouts. That’s what makes Landoscar so special. They’ve found each other, a support system, a person who actually understands every nuance of the car, every corner that they race, every debrief in a way that really only their teammate can.

They are each other’s competition but they’re also each other’s comfort and I think that’s really special. Plus, Oscar’s quite tall isn’t he 😏

[fumifooms]

My world shattering when I realize that Chilchuck is underweight

Post-canon Chilchuck stops dieting and gains weight real

Edit: I am going to SCREAM

[starbuck]

the thing is, i love The Narrative, but i also absolutely adore a truly character-focused tragedy where everyone’s downfall is caused not by larger narrative forces, but by hundreds of tiny decisions made by characters who, despite their best efforts, just suck.

[atopvisenyashill]

i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-

Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.

Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.

I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.

[grasstimes]

The thumbprint scar I let define you

[corrodedcoughin]

some thoughts about Steddie and blowing kisses

It started as all things do with them, as a joke. He doesn't know when it started but it did, as part of his routine when he leaves Robin he blows her a kiss. Just a touch of his fingers to his mouth and a wave of his hand. Nothing elaborate. And Robin's response is equally routine, pretends to grab it and stick it in her shirt pocket.

Everyone is used to it, nothing new, just part of their relationship. Eddie is hanging out at family video with them both when Steve goes to take his break outside, desperate for some fresh air after being stuck in the stuffy store. As he is heading out the door, he sends Robin a kiss, she puts up her hand to catch it and that's when the routine changes. Eddie vaults over a display table of tapes and mimes grabbing the kiss and eating it. He’s like a wild animal, snorting and snuffling crouched on the ground, looking up at Steve when he's finished with a deranged smile

'Thanks for that Stevie, I was starving.'

Both Robin and Steve are trying so desperately not to laugh but they can't help it, Steve stumbles out the front door with a 'what the fuck' coming out between the gasps for air and Robin is applauding Eddie from inside the store. Eddie obviously gives a dramatic and over the top bow.

Eddie is involved in the kiss routine from then on and the response is always a surprise. Steve has witnessed his air kisses being hit by an imaginary bat achieving a home run with Eddie doing a victory lap around the parking lot, being clutched out of the air and stuffed in Eddie's back pocket 'for later', caught in Eddie's hands and let out the window like an unwanted insect, inhaled in like a hoover, cowered against and fought like it was a life threatening dragon 'Sir Steve, Lady Buckley stay close! I will slay the beast!'

They escalate and escalate until one day Eddie is standing next to Steve when he blows the kiss. Steve anticipates his response, he'd be lying if he said he's now only really blowing these kisses to see what Eddie will do, see the smile it brings to the other boy's face and tries to push down the butterflies in his own stomach when Eddie sends a wink to Steve at the end of the performance. This time though? Eddie pretends to grab the kiss out of the air, places it to his cheek, with a blush creeping up from his neck and leans forward. He leans and lets his lips brush Steve's cheek in return. Steve is frozen solid, trying desperately not to let his legs buckle in surprise and feels Eddie smile as he whispers 'figured I better start returning these. think I've got a lot to make up for.'

[kagoutiss]

as if it was never there at all.

[gayandfullofdismay]

KDJ: ugh I feel like I’m being electrocuted…

KimCom, electrocuting him: wtf why isn’t this working

[sincerely-sofie]

*gently places angsty Twig comic in your hands*

There comes a point in healing, sometimes, where you must grieve the child you never got to be, and bury her along with the desperate hope of one day somehow becoming her.

It isn’t fair. And it never will be.

But you grieve the child, still.

[comixandco]

ik that taako’s voice in the first episode was because justin was still figuring out his character but i like to imagine that before joining bob taako put on fake accents to avoid being recognised, since he was wanted for the whole poisoning incident, but also for the bit

and then kravitz changes accents mid-fight in crystal kingdom and then drops them during their date at the chug ‘n’ squeeze and taako’s like oh 😳 same hat 😳

[formerlyz]

Apparently whenever my delayed sleep phase disorder acts up I just draw them sleeping now.

Redraw of one of my first Kazurei drawings!

[turtleblogatlast]

People sleep on Leo’s ability to predict his family’s behaviors so in light of this consider him betting Donnie that Donnie can’t do something knowing full well that he could, simply because he’s bored and knows Donnie will get it done immediately out of pure spite and a need to prove Leo wrong.

He makes the bets with money he already won from Donnie previously but he’ll never admit to it, it’s too funny to.