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#I don’t think katara would have found aang to be the most empathetic person with her when it came to her mom’s death
zuko-always-lies · 3 years
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Why Azula Staying a Villain Will Only Lead To Bad Stories Part 2: Negative Effects on Other Characters, World Building, Lore, and Thematic Expression[Submitted by justanotherthrowaway1950]
Part 1 Link: https://zuko-always-lies.tumblr.com/post/662081384160067584/why-azula-staying-a-villain-will-only-lead-to-bad#notes
I know already in part 1 how I briefly mentioned how keeping Azula a villain causes everyone to start acting stupid and incompetent (and thus denigrating them and their arcs/character growth) whenever Azula is involved so Azula can remain a credible threat despite The Gaang all being masters in their respective fields and having the resources of several nation-states at their beck and call plus a PMC (The White Lotus).
But I understand that I didn’t go into details and so my analysis was lackluster at best and very controversial at worse. So I am going to go into detail based on importance and with that said here I go.
Zuko (The Search)
Realistically, other than some minor complaints most people agree that TV!Zuko’s arc is one of the greatest in Western Animation. For the tale of someone who had at times almost given into his abuse and conditioning but, with the help of loving Uncle, his travels, and mercy/compassion showed to him by his enemies/future friends, he had managed to overcome it and start the journey of not only becoming a better person, but also help his country heal after several decades of propaganda and brainwashing.
And part of said arc is what he comes to realize about Azula: that she is not worth emulating; that she is abusive to him and the people he cares about like Mai and Ty Lee; and that she (a genocidal authoritarian colonizer) needs to be stopped and locked up by any means, even if it hurts him. For it is the only way that the world and his country can achieve peace and balance once again…that is until Azula starts showing signs that either she has realized the error of her ways or that she wants to take a new path, but needs help finding it.
But, in an effort to allow Azula to become a villain again, Bryke has Zuko engage in several actions that not only betray his character growth, but worse, aren’t really explained and negatively reflect on him.
Like, during that conference concerning Yu Dao where Zuko “realizes” that the sorry state of his nuclear family negatively reflects on him, why would Zuko care suddenly about what his subjects think of him? 
Did Zuko forget that basically he not only betrayed his nation and caused them to lose a war they had already won, but is also forcing them to pay reparations (as is said in North & South)? 
And that he is going to remain a pariah in his subject’s eyes until he manages to undo the decades of brainwashing considering his only real allies are foreigners, Iroh (who is just as much of a traitor in the FN’s eyes as Zuko), and Mai (who committed treason that led to the FN’s lost) & Ty Lee (who did commit a less extreme version of treason but immediately post-war left to join a foregin military/PMC, which would look suspect in the populance’s eyes)?
But things really start to go sideways when he goes to Azula’s asylum to get Azula to extract intel from Ozai about Ursa, allows the two to talk alone, and foolishly wheels Azula alone while promising to move her back into the palace.
Like when he went to the asylum, how come he didn’t ask them about Azula’s treatment and whether it was safe to take her out to see Ozai (her abuser and co-conspirator), let alone take her back to the palace? Maybe he would have found out she was being abused in the asylum and he could have done something about it so Azula and her fellow inmates could be treated better.
But maybe not considering it is Azula and she deserves to be abused for making Zuko’s life hard from the moment she was born.
Like why would he allow Azula and Ozai to talk alone considering their conniving natures and the fact that they are the two biggest threats to his regime (at least politically)?
Why would he wheel Azula alone, especially after Ty Lee told him that the chi-blocking is wearing off? For I know this depends on how much Ty Lee knows about chi-blocking and its effects (I’ll talk about this more in Ty Lee’s section), but Azula has already shown that she is still hostile/violent towards Zuko. That in combination with her previous showings of being able to escape nearly any situation she finds herself in should have made Zuko wary of being alone with Azula when the chi-blocking wears off instead of trying to have a soft brother-sister moment.
And then that whole sequence where Azula breaks free, and manages to burn every single letter in Ozai’s chest, save for the “Zuko is Ikem’s bastard” letter before blackmailing him into going on the search free, unbound, and with dignity. *Sigh*
Like why would Zuko shoot a fireball of the perfect size and speed that would allow Azula to break free of the chains on her legs instead of, I don’t know, calling the rest of his elite guard to subdue Azula? Especially after she has managed to bullshit instant lighting out of nowhere and thus has tricks that Zuko does not know about?
After Zuko had caught up to her and found out that she had supposedly burned every single letter and tried blackmailing him into going on the search for Ursa free and unbound, how come Zuko didn’t pat her down? For even if he had no way of knowing that she had that “bastard” letter, wouldn’t it be wise to check if she hid any letter on her body? 
I mean this is one of the most trickiest characters in the franchise so why not be extra cautious?
And the whole blackmail situation? Look I understand why Zuko agreed to Azula’s terms for who doesn’t want to find out what happened to their beloved mother? But doesn’t Zuko have a responsibility and duty to the world and his subjects to make sure that Azula remains in jail until she at least tries to reform herself? 
I know this sounds callous, but the moment Azula tried blackmailing him, he should have told her that finding Ursa was not worth letting Azula free and should have jailed her again. For why run the risk that Azula could do something horrible or escape? I mean what could go wrong if she escaped…?
Also, even if she had to be free, unbound, and travel with dignity, why didn’t Zuko have a small platoon with him? For even if he did have The Avatar and the world’s greatest waterbender by his side, shouldn’t Zuko have taken precautions in the event that Aang and Katara got separated from them, leaving just him (I know Zuko is stronger than Crazy!Azula but not to the point that she couldn’t cheapshot him) and Sokka (I know he is a badass, but as of current canon he is still weaker than Crazy!Azula) with her?
But most galling is the fact that he made this decision unilaterally without asking Mai and Ty Lee for their opinion, or, if he was adamant about agreeing to Azula’s terms, not providing them with 24/7 security until Azula was safely back in the asylum and/or prison.
For Azula was not just Zuko’s abuser, she was Mai and Ty Lee’s abusive friend and commander before almost killing Mai (The Boiling Rock Part 2 script said Azula was going to generate lightning) and then throwing the two into jail for life.
Considering that Mai saved Zuko’s life, that Ty Lee saved Mai (who is the love of Zuko’s life) and is part of Zuko’s current protection team, and that the both of them are closest thing to childhood friends that Zuko has, why didn’t Zuko treat them with the respect they deserved? Especially since post-redemption Zuko is someone who is supposed to be empathetic and caring?
But moving on to the rest of The Search, how come after Zuko found out about the “bastard” letter, how come he didn’t burn it? For even if he did want to find out the truth, isn’t it more important that he prevents a civil war by not allowing his “illegitimacy” to become public knowledge. At least until he can give power to Iroh in the case that he was truly a bastard?
Or, even if he didn’t want to burn the letter until Ursa confirmed the accuracy of it, why would he allow Azula to keep it on her person? I mean, what would have happened if she had managed to escape with it on her person? 
Sunshine and roses or a bloody civil war that threatens to undo everything Zuko and his friends fought for in the war?
Which ties into my last point about Zuko’s behavior in The Search (and to segue way into Smoke and Shadow) why the hell did Zuko not chase after Azula?!
For even if he would be risking his life and potentially Noriko’s, couldn’t Zuko have seen the danger in letting Azula free? Especially considering as far as he knew she still had the letter on her person?
Or, once Ursa had her face and memories restored, how come he didn’t leave Katara with Ursa and her family, and search for Azula with Aang and Sokka?
Did Zuko forget that it was all his fault in the first place that his life, as well as Noriko’s, was in danger and that he had a responsibility to the world, his country, and his friends to make sure Azula got back into his custody?
But anyway, even if Azula was still free, at least Azula is no longer a threat to Zuko, his regime, and/or anyone he cares about? 
Right?
Zuko (Smoke & Shadow)
After searching for Azula for a couple of weeks, he goes home and tells Ursa that he “tried.”
But did he really? Cause if we take his word at face value do you know what that means?
(Note: I think his statement could be interpreted to mean that Aang, Katara, Sokka, and him spent weeks searching the old fashioned way. But if that was the case he really didn’t try considering all the options he had. So I am taking Zuko’s statement at face value.)
That means a mentally broken Azula with no allies or no resources, managed to avoid an Avatar State powered seismic sense, June’s shirshu, Toph’s seismic sense, as well as anyone Iroh and/or the White Lotus sent over to help Zuko find his sister.
Do you know what that implies about the competency of everyone involved? How bad that makes them all look?
Anyway moving on, it appears that not only did Zuko fail to issue a public proclamation that Azula had escaped but also failed to give Ty Lee and Mai (and their families) protection. 
For if he had issued a proclamation maybe Azula would have been found earlier instead of being able to break six girls out of her asylum or manipulate the New Ozai Society (NOS)/Safe Nation Society. And in regards to Ty Lee and Mai, even if he felt they didn’t need protection while Azula was free but by his side, the moment she managed to escape him, he should have given them and their families protection.
For Zuko didn’t know that Azula wasn’t seeking revenge; as far as he knew she probably was going to kill everyone between her and the throne, including everyone who betrayed her. And even if Zuko hadn’t seen Mai since their break up, Ty Lee is part of his detail and thus Zuko should have realized how paranoid and scared she was and asked her what he could have done to alleviate her fears as well as her best friend Mai’s as well.
And Zuko still makes similar grave errors even after he finds out that Azula is behind the kidnappings and after he had found out that she had been manipulating the NOS/Safe Nation Society as part of a long-term plan to turn Zuko into a tyrant.
For after Kiyi’s kidnapping, instead of issuing curfews, searching Caldera City citizen’s homes without cause, and engaging in mass jailing of anyone who was on the streets when the Safe Nation Society was rioting he should have called all of the Gaang and had Iroh call the White Lotus before starting an all out manhunt for Azula and her followers.
And he especially should have done this after she told him his plan and he found that Aang had gotten knocked out by Azula’s henchwomen.
For not only has Azula basically gotten rid of his trump card over her (lighting redirection), she has become the GOAT lighting manipulator and H2H fighter in ATLA. That, combined with her and her Fire Warrior’s smoke bending abilities, makes them the biggest threat to Zuko’s throne and world peace. 
Thus, Zuko should have spent every waking moment hunting down Azula instead of doing stupid shit like going on a diplomatic trip to the South Pole. 
For I admit the image of the leaders and the most important people in the four nations eating with each other is a powerful one, but it is still hollow as long as the biggest threat to the post-world order is still roaming free and plotting to bring it to an end.
Aang (The Search)
Right off the bat when Zuko told him about the whole blackmail situation he should have either said ok but call in Toph as well as anyone else who he thought was needed or told Zuko that finding his mother was not worth it since the was a chance, no matter how small, that Azula could escape and put Azula back in the asylum himself.
For yeah, I know the first point sounds OOC but Aang out of all people should know how dangerous Azula is (the lighting wounds on his left foot and back say hi) and thus take the proper precautions. 
And yes, I know the second point sounds really OOC but doesn’t Aang know that his duty isn’t to his friends but to the world? And thus even if it hurts, he has to prioritize the world’s safety over his friend’s well-being and thus not allow arguably the most dangerous (both politically and bending wise) non-Avatar person in the world any chance of escaping?
Especially when it appears the only thing Azula regrets is losing and not any of the actions she took during the war?
But alas, this blatant disregard towards his duty as an Avatar continues not only when he finds that “bastard” letter with Zuko, but also when he fails to give chase to Azula after helping Ursa restore her face and memories.
For even after Zuko refused to burn the letter because he wanted to find out the truth, Aang should have taken the letter and burned it, or at least not let the letter get back into Azula’s hands.
For if that letter ever became public, it would ruin everything that Aang fought for in the war, for either Iroh (an old man who has no inclination to produce heirs as far as canon is concerned) would have to take the throne to prevent Ozai and/or Azula for taking it or it would cause a massive civil war considering Zuko is already on thin ice with his subjects.
And once he had helped Ursa restore her face, he should have entered the Avatar State and used his seismic sense before entering his elemental shield to look for Azula. 
For even if Azula is mentally broken at that point, she is still a Top 4 fire-bender, at worst, in the world with a strong claim to the throne and thus should be his highest priority. Not staying by Zuko’s side, especially now that he has been reunited with his mother and can adequately protect Ursa and her family now.
Aang (Smoke and Shadow)
Assuming that we take Zuko’s comments at face value about how he tried, what does that say about Aang that Azula not only managed to escape his Avatar powered seismic sense, but also that even with his elemental shield providing unmatched mobility, he still couldn’t find Azula?
But moving onto something that requires no assumptions: what he did, or didn’t, do after finding out that Azula was behind the Kemurikage kidnappings due to working with the New Ozai Society.
Why didn’t Aang call in the rest of The Gaang and/or White Lotus to help apprehend Azula? For the worst case scenario has happened and Azula is actively working to restore the old regime (as far as Aang knows at this point), has become the strongest firebender and H2H fighter in the world, and has regained her sanity (as far as he knows).
Considering all the harm Azula has caused, and is currently causing, how come Aang didn’t take every measure to make sure that Azula would get back into their custody as well as make sure the kidnapped kids were in no danger whatsoever?
How come when he went into that room to help rescue the kids, how come he didn’t have his guard up or enter the room with his elemental shield up?
For Aang knows that The Fire Warriors have smoke-bending abilities, it was smoke (combined with volcanic gases) that had killed his predecessor, and that the Fire Warriors are seditious, mass child kidnappers in league with Azula. 
So why didn’t Aang take them seriously?
For if Aang wasn’t protected by the fact that he has to die as a 66 year old man (LoK), after the Fire Warriors had knocked him out, they would have killed him instead of monologuing just long enough for Mai and Kei Lo to save him by knocking out the Warriors.
And then what? A world without a fully realized Avatar that is liable to fall back into war long before his successor could be identified and become a fully realized Avatar. Especially if Azula had killed Zuko in after their tomb shuffle, leaving no one really able to fight back against The Fire Warriors as they consolidate power and restart the 100 year war as far as Aang knows.
But most galling in my opinion is how Aang doesn’t drop everything and lead an all out manhunt for Azula and The Fire Warriors, especially once he found out that their true goal is to break Zuko and make him into a tyrant. For Aang out of all people should know what Azula is capable of when she is “sane.”
So why does he fuck off?! 
What is he going to say when The Fire Warriors do something irredeemable and/or unfixable and so Zuko and him and have to explain to the world community why Azula got free in the first place, why they lied about her involvement with The Kemurikage kidnappings, and why she has managed to avoid capture despite no longer having a nation-state backing her (and her lack of resources in general considering she is a homeless, penniless fugitive), and the fact that she is no match for the Avatar State (or even a bloodlusted 4 element Aang)?
Mai
A lot of people hate on Mai, calling her a bad, high-maintenance girlfriend who doesn’t understand Zuko and an undeveloped character among other things.
But I think TV!show Mai was a loving girlfriend who was trying her best with a boyfriend dealing with trauma on top of his precarious position in court before ultimately betraying her and her country without any warning from her POV.
Moreover, for a tertiary character, I think her arc is short, sweet, and powerful: she was a girl who was heavily implied to be forced into an abusive friendship for the sake of her father’s political career in addition to having to suppress her true emotions.
But, thanks to her boyfriend having the courage to stand up against their abusers, she learns to stand up against her abuser, while also helping her real best friend find the courage to also stand up against their mutual abuser, and is on the path to healing and learning how to establish healthy relationships.
In other words, Mai learns that she doesn’t have to put her head down and ignore her emotions/capacity for love. And it is this realization that allows her to help create the promise for a better day for herself, her boyfriend, her best friend, and the rest of the world, including her own nation once they come to the same realizations as she has.
But instead of continuing on that path, the comics have her completely forget the realization she had and have her behave OOC, in my opinion, in several contexts.
For even if she, like Ty Lee, where completely done dirty by Zuko in that he let Azula free without asking them how they felt about it before losing her and having the gall to not assign protection to them and their families until he recovers Azula, it doesn’t excuse the fact she hid from Zuko/the proper authorities the existence of the New Ozai Society and that her father and “boyfriend” where members of it, with her father leading and funding it as well.
For it is quite obvious what are the out-of-universe explanations for why Mai didn’t go straight to the palace after The Rebound (so Azula, who no longer has a nation-state backing her, would have the means and funds to manipulate terrorist groups as well as house her kidnapped kids as part of a longer plot to make Zuko snap) and tell Zuko but there is no good-in universe answer that is inline with her previously established character.
For when did Mai suddenly care about her father to the point that she was willing to commit treason by supporting, or at least covering up, his seditious plot? 
For didn’t Mai, as part of betrayal at the Boiling Rock, essentially betray her father and the rest of her family in favor of Zuko?
Moreover, why would she prioritize her father and his potential political power considering what would happen if Ozai ever got back into power? For I know Avatar is a children’s franchise but I am pretty sure one of Ozai’s first acts once he got back on the throne after he had Zuko, Ursa, Iroh, Noren, and Kiyi killed, would be killing her and Ty Lee for their treason. 
Especially considering that if hadn’t turned when she did, half the Gaang would have died and Ozai would have very likely won the war. For without Aang learning lighting redirection, unless rock-kun (rock-kun is the younger cousin of Naruto’s swing-kun) intervenes much earlier, Aang dies to Ozai’s lighting spam and no one else on the remaining Team Avatar is a match for Comet!Ozai except in the very unlikely chance Katara manages to develop 24/7 blood-bending in the aftermath of her brother’s death.
But alas, Mai decides to act in an OOC manner and hides from Zuko the existence of The New Ozai Society/Safe Nation Society until her Zuko’s half-sister, along with her brother, have been kidnapped by The Fire Warriors after Zuko, Ursa, Noren, and Kiyi barely survived a New Ozai Society ambush.
And by barely, I mean if it wasn’t for the combination of Ukano’s monologue, Kei Lo’s last minute heel-face turn, and Zuko managing to bullshit the greatest non-Avatar fire redirection feat in the franchise, Zuko and his family would have been burned to death and/or brutally stabbed to death.
But even more galling, when confronted with her treason, Mai claims that Zuko out of all people should know how hard it is to betray your father as if there wasn’t a difference between betraying the all powerful ruler of your country who has a cult of personality, has burned you before, can quickly fire off lethal amounts of lighting on command, and has said before he wanted to kill you versus betraying your mentally and physically weak father who rejected being integrated into the new government and seeks to put someone back in power who would likely kill you for committing treason against him.
Especially that Zuko accepts her explanation and no one in-universe or the narrative never challenges Mai on why she committed treason again.
For I understand that Mai is a tertiary character, and thus can’t have the same narrative focus in regards to her redemption arc like Zuko. But if the narrative is going to treat Mai as a hundred percent redeemed good guy, she should be held to the same standards and be criticized when she acts in a villainous manner.
But yet again, the comics fail to challenge Zuko for almost restarting the Hundred Year War instead of calmly showing Aang and Kuei why he revoked his unconditional support for the Harmony Restoration Movement so why should we expect any “hero” to face any criticism?
Ukano
How come Ukano was willing to work with Azula to restore Ozai for the sake of his nation and family when not only is Fire Lord Zuko indebted to him for life due to Mai saving him at The Boiling Rock (not to mention Zuko offering him a job when his governorship disappeared after Bumi retook Omashu), but also when one of the first things Ozai would do after taking back power is killing Mai for her treason (imo, it is clear that after Zuko’s defection, the only punishment for treason was death, with no chance for life in prison like Iroh had)?
What is Ukano’s plan for dealing with a fully realized Avatar considering that Ozai with Sozin’s Comet got utterly stomped by Aang? I don’t think it is wise, or in line with someone leading a vast seditious conspiracy, to rely on Azula getting another cheap shot on Aang or The Fire Warriors able to get one over Aang using their smoke-bending.
Also, as a matter of storytelling, why should I root for his heel-face turn and acceptance of his prison sentence when one of the last things he does before being sent to prison is subtly imply that he was manipulated/coerced by Azula.
For in-universe, didn’t Ukano have several opportunities to tell Aang and Zuko about the kidnapped kids? And out of universe, even if Azula is extremely dangerous, it is kind of pathetic to hear a grown-ass man essentially be bullied by a bunch of mentally ill teenagers.
I mean how would you react if someone in a similar situation tried pulling Ukano’s excuse? 
Sympathy or mockery?
But in any case, how am I supposed to feel that even if Ukano has to go to jail, he at least did good by standing up to Azula and her followers if Ukano tries to deflect blame by blaming Azula?
I mean, would Zuko’s apology to The Gaang during The Western Air Temple felt as sincere if he blamed Azula’s manipulations and the promise of his father’s love for why he acted the way he did during The Crossroads of Destiny even if it were valid explanations for his behavior? 
Would the audience have so readily accepted Zuko into The Gaang if Zuko didn’t take sole responsibility for his actions?
Ozai & Ursa (The Letter)
Note: Ursa is a kidnapping victim who is highly implied to never had consensual sex with Ozai and thus her kids were highly likely to be conceived without her consent. The combined trauma combined with the fact that Ozai had all the power in the household in addition to his emotional and (heavily implied by artwork) physical abuse explains almost all of her bad parenting decisions and behavior towards Azula and Zuko…except for what I am going to describe below imo. So the point of this is just to make it clear that I don’t blame Ursa for what went wrong in Zuko’s or Azula’s life, for the responsibility solely lies on Azulon and Ozai’s shoulders, I am just criticizing one particular choice she made in-universe and the creators’ out of universe decision to make her act in that fashion.
Most people talk about the letter in relation to Zuko and how it affects him but I have a very hot take: the letter only really exists to allow Azula to be a credible antagonist during The Search considering her still mentally broken state and the fact that Zuko, Katara, and/or Aang where keeping eyes on her at all times. 
That and to also facilitate a means for Azula to get free of her restraints and eventually escape Zuko’s custody because without blackmailing Zuko, Azula would have never been free, unbound, and treated with dignity.
Also, the letter serves to unnecessarily woobify Zuko but that is not the focus of this post.
So with that in mind, let’s delve into what that letter implies Ursa’s and Ozai’s characters.
In regards to Ursa, I find it hard to believe that someone who basically begged for her son’s life and constantly shielded him to the best of her abilities would reckless endanger Zuko’s life by writing a letter that claimed Ikem, not Ozai, was Zuko’s father.
For Ursa, out of all people, should know that she, along with Zuko, only have value to the Royal Family if Zuko is Ozai’s kid. And that if Ozai was so inclined, he could have used the letter to kil Zuko and/or herself.
And even if it is a hundred percent Ozai’s fault that he used the letter as an excuse to essentially treat Zuko as a bastard (though personally I think Ozai just continued treated Zuko the way he previously did and just said that to further emotionally abuse Ursa), why would Ursa ever give Ozai the means to (further) torment her beloved son? Especially when she knows Ozai, and most likely Azulon considering how quick he was to order Zuko’s death to punish Ozai, has it out for Zuko?
In regards to Ozai, the letter, and what he did and didn’t do with it, makes him even more incomptenent than what previous canon suggested.
For even if he couldn’t have used the letter during Azulon’s reign to get rid of Zuko and/or Ursa (ex. Due to fear of retaliation from Azulon due to being a “cuck”), how come he didn’t use the letter to disinherit Zuko, instead of burning Zuko and having to cover it up?
Or, after Zuko went full traitor, how come Ozai didn’t use the letter to ensure that Zuko could never inherit the throne…at least through his claim as Ozai’s son (Iroh could have adopted Zuko and then abdicated in favor of Zuko)?
Iroh
I understand that Iroh is technically retired and doesn’t have to do anything. Moreover, I understand that the adults in child/teenage led action-adventure series can’t really be as proactive and/or responsible as IRL adults due to the constraints of the genre.
But Iroh is still involved in politics as seen by his willingness to serve as Zuko’s temporary Fire Lord when Zuko is gone. Moreover, Legacy of The Fire Nation does say that Iroh is still a White Lotus Grandmaster during the period the White Lotus becomes the Avatar world’s version of the UN Peacekeepers.
So with that in mind, we can criticize his lack of proactiveness in regards to Azula. For even taking away the assumption that Iroh offered the White Lotus’ help to find Azula after she ran into The Forgetful Forest, how come after Azula has been found to be masterminding the Kemurikage kidnappings, or after Azula revealed her plan to turn Zuko into a dictator, Iroh didn’t drop everything, call up the White Lotus, and lead a manhunt for The Fire Warriors?
For not only is Azula the biggest threat to world peace and balance in their world, she is the biggest threat to Zuko throne and safety. Especially after she has removed Iroh and Zuko’s one trump card over her (lighting redirection) and is arguably way stronger (at least as a combatant) than Ozai ever was.
For someone who lost his son and watched his beloved nephew be abused due to the effects of the Fire Nation’s imperialism and authoritarianism, why doesn’t Iroh make sure that the horrors of the past just stay in the past? Especially when he has the power, means, and connections this time around to make sure no one ever gets hurt again, not now and not in the future?
Ty Lee
In regards to The Search, Ty Lee was mistreated by Zuko when he first took Azula out without asking Mai or her about their feelings and then when he had the gall to lose her without granting her and Mai (and their families) 24/7 protection.
Though if Ty Lee is as much of a chi-blocking master as the narrative implies, when she warned Zuko that Azula’s chi-blocking was wearing off, she should have also warned him that there would be a period of time that Azula would be super flexible and have full control of her muscles and chi.
For even if Ty Lee had no idea that Azula had apparently learned instant lighting in the two years she had spent in the asylum, Azula is still capable of short bursts of fire that could have disoriented Zuko, leading to a similar outcome as to what actually happened in canon once Azula had the above period of time.
But moving on to something much more concrete, Ty Lee remembering the Fire Nation Palace’s secret tunnels and being able to pinpoint locate the one leading to Azula’s secret lair has some very negative implications about Ty Lee.
For even if she says it in a really roundabout way, The Sisters comics has Ty Lee say that she joined The Kyoshi Warriors at least in part to make up for the imperialism she helped perpetuate under Azula’s command.
Moreover, The Kyoshi Warriors agreed to be Zuko’s bodyguards in order to help protect the fragile peace that The Gaang helped establish at the end of the war. And in order to do so that means they have to be able to secure the Fire Nation Palace to the best of their abilities.
However, despite knowing about these secret tunnels, Ty Lee apparently never mentioned them in the year that the Kyoshi Warriors had been in The Fire Nation (The Promise takes place one year after Sozin’s Comet Part 4; The Kyoshi Warriors become Zuko’s bodyguards during The Promise; The Search takes place one year after The Search with the main plot of Smoke and Shadow taking place a couple of months after the climax of The Search).
And this lead to not only The Fire Warriors being able to walk into the palace and almost kidnap Kiyi unmolested (in fact, if it wasn’t for their smoke, The Fire Warriors would have kidnapped Kiyi without anyone being wiser), but for an entire conspiracy to operate right under their noses.
Not to mention what could have happened if The Fire Warriors where a little bit less mentally ill and used the fact that they had access to secret tunnels that no one knew about to do the obvious: carry out covert assassinations of all their enemies, which, depending on the time, could include important foreign figures like Aang, Katara, and Sokka.
Making things worse is that just like Mai really wasn’t challenged narratively or by anyone in-universe for her treason, Ty Lee is never challenged by the narrative or by her fellow warriors, Zuko, and/or Aang for knowing such a gaping security hole and not telling anyone earlier.
I mean the lack of knowledge of the secret tunnels could help, partially at least, explain why Zuko faced so many assination attempts, like Kori’s, that got frighteningly close to killing him. 
For instead of his original guard being disloyal and/or incomptenent, they could have had a lack of knowledge about the tunnels and thus didn’t know how to protectly seal them off and/or monitor them for threats.
Like I understand Azula being freed probably impacted her ability to think rationally (Ty Lee all but says she hasn’t had a peaceful night of sleep ever since Azula got out) but it doesn’t excuse the fact that she forgot to tell anyone about this security gap beforehand.
For doesn’t Ty Lee have a professional and moral duty to protect the Fire Nation palace and The Royal Family to the best of her abilities?
Kei Lo
I don’t hold him to the same standards as the heroes and outright adults in this analysis since  most of Rebound and Smoke and Shadow was about his heel-face turn and redemption arc.
But there is one thing that does bother me about post-redemption Kei Lo’s actions and this is when he attacked Azula in The Garden of Tranquil Souls without any apparent plan and got himself turned into a (brief) hostage.
For I understand that it was a moment to not only show how far Kei Lo had, but also to show Azula evilness by mocking Mai’s taste in men and implicitly threatening his life for daring to touch her/interrupt her “dialogue” bullying, assault, and psychological torture of with Mai.
But looking at Kei Lo’s actions from the bigger picture, they don’t really make sense and don’t paint a good picture of Kei Lo at all.
For Kei Lo had not only seen Mai defeat an entire NOS hideout with a toddler strapped to her back, Kei Lo was in fact the last person she fought before she left (spoiler alert: it was a total curb stomp battle).
Moreover, during the time that he had spent dating Mai and spent with Zuko and Aang, it is highly unlikely that the topic of Azula didn’t come up even if there was no comic panels showing us this (when you have limited space, you can’t waste panels on “superfluous” dialogue) and should have known that just like Mai was way out of league in terms of combat prowess, Azula is similarly beyond his abilities.
In addition, even if he didn’t believe what people mostly likely told him about Azula, he should have believed his own eyes as he wanted Azula basically toy with Mai despite Mai actually fighting with true lethal intent (I know some people might disagree with me but the art makes it clear that Mai was trying to kill Azula and not just pin her).
And finally, instead of rationally thinking and trying to get Zuko and/or Aang’s attention so someone way more equipped could help rescue Mai, he charges at Azula. But instead of using his knife or trying to get Azula into a chokehold, he just shoves her. 
Allowing Azula to not only shoot him with concussive lighting but then hold him at firepoint, forcing Mai, who had been able to stand up to Azula, albeit terribly I admit, to basically beg for Kei Lo’s life and leave herself vulnerable to Azula’s attacks as well.
For I know they are not analogous situations, but what Kei Lo did reminds me of dumbasses who try to intervene in active shooting situations, thinking they can be the hero, but end up making things worse due to being taken hostage, if they aren’t outright killed, making a peacefully resolution that much harder for the relevant authorities.
Likewise, Kei Lo, by getting himself taken hostage, could have, and should have as far as he knew, led to a nasty outcome. 
For as far as he knows, Azula is a sadistic, seditious, child-killing, child kidnapping, genocidal domestic terrorist who has no qualms about killing or cruelly treating “friends” or family. And so what is not to say that Azula wouldn’t have tortured him to get back at Mai and/or tortured Mai in front of him, forcing Mai to take her cruel punishment in order to prevent Azula from killing her boyfriend?
Kei Lo is very lucky that Zuko intervened when he did and is even more lucky that Azula was more interested in making her brother “strong” than really hurting anyone.
But instead of showing everyone berating him after the kids had been rescued, there was no narrative time spent at all. 
Which leads me to believe that that particular moment just happened, in part, just to showcase how vile Azula is despite in not being in line, imo, with the conscientious and aware person Kei Lo seemed to be growing into (as seen when he broke up with Mai since he realized despite being aloof for Smoke and Shadow that Mai could never get over Zuko).
Sokka & Katara
There isn’t much to say other than they were the only ones who interacted with post-canon Azula who treated her like the threat she.
That and it was obvious they were written out of Smoke and Shadow before Azula’s involvement with the kidnappings was revealed because if they were still in the Fire Nation when it happened, Azula and her girl gang would be back in jail instead of remaining menaces to society. 
Or at least at bare minimum they would have had to work much harder during the climax (ex. The Fire Warriors, including Azula, would have had to fight with lethal intent).
Toph
Other than the assumption that Toph helped Zuko search for Azula after the climax of The Search, all I have to say is that there is a good reason why Toph has not really shown up in any of the comics Azula has been. 
And that is because Toph would have never tolerated any of Azula’s bullshit or treated her with kid gloves instead of the genocidal war criminal who is still trying to negatively influence Fire Nation politics that she is as of current canon.
Other World Leaders
Note: Yes, there is no evidence that Azula was part of the war council meeting that ordered the attack on the Northern Water Tribe. But considering how comfortable Azula was in the “let’s burn down The Earth Kingdom” war council meeting plus the fact that Iroh thought it was appropriate for a 13 year old Zuko to partake in a war council meeting, I don’t think it is that much of a leap to assume that Azula was part of the war council meeting that ordered the Northern Water Tribe attack.
From Kuei’s perspective, Azula led a coup that ended with him in exile before suggesting and helping plan a genocide of his people. From Hakoda’s perspective, Azula almost killed both of his children several times. From Chief Arnook’s perspective, Azula was part of the war council that decided to not only invade his country, but to also kill the Moon Spirit and indirectly force his beloved daughter to sacrifice her life to restore said spirit.
So once Azula gets into Zuko’s custody, shouldn’t they have had established monitoring protocols to make sure that Zuko, who had less than six months ago willingly worked with her to conqueror Ba Sing Se and help Azula kill Aang, keeps one of the most dangerous war criminals in their world locked up while also establishing contingency plans to deal with scenarios in which Azula escapes?
Especially since Aang took mercy on her and didn’t remove her bending, meaning that Azula could grow stronger if she ever escapes (though I guess being in an asylum does allow for exponential growth anyway…) and eventually be able to get a cheap shot on Aang again before violently retaking the throne and restarting the 100 year war?
But instead of doing that, they naively trust that Zuko will keep Azula locked up without any check-ups (none of Zuko’s interactions with Kuei or Hadoka ever imply the topic of Azula’s status ever comes up). And while I understand the meta-reason for this (so it is more believable that Azula could remain an undetectable fugitive), it still has the potential to make them all look really, really bad.
For what happens, for example, The Fire Warriors create an international false flag terrorist attack that gets people from the other nations killed, in addition to Fire Nationals, that leads to a short skirmish that gets even more people killed before The Fire Warriors are found to be the true culprits and dealt with.
For even if they manage to capture The Fire Warriors, how are the world leaders going to explain to their subjects/citizens the lack of security measures they took in ensuring that Azula stayed in jailed or, if she ever escaped, the lack of plans to make sure she was apprehended as swiftly as possible?
Moreover, how are they going to explain the fact that they naively wholeheartedly trusted Zuko to make sure that Azula remained in prison or, if she escaped, that he would tell them and ask for their help if needed in apprehending her instead of trying to cover up the fact that it was his selfish desire to find mommy that gave the most dangerous person on the planet the means to escape? 
Especially after the Yu Dao fiasco showed that Zuko might not be the most trustworthy or reliable partner?
Do any of them take their responsibilities seriously!? No and that is why the Red Lotus had a point for why should a bunch of clowns be in charge of nation-states if they can’t even use state power to properly protect people.
Bending & Combat
One of the more endearing things about Avatar is the fact that its combat & magic system is based on IRL martial arts. And this is reflected in the fact that all of the named prodigies except for Katara & Sokka (who likely the greatest prodigies in the franchise in terms of speed of skill acquisition and mastery) have undergone years of rigorous training to be the master benders and fighters that they are shown to be in the show.
Moreover, the show explains that bending & fighting are not just martial arts, but are also a spiritual practice as well and that the more spiritually in tune you are the stronger your combat prowess will be. And that the less spiritual and/or the more out of balance you are, the weaker your combat prowess will be. 
For not only does your mental state affect things like your breathing or tactics, but also your willingness to incorporate other styles of bending/fighting into yours as well.
And the show makes it very clear that the strongest and best benders/fighters incorporate all the other styles of bending.
Finally, the show, whenever it introduced new bending/fighting techniques and/or power ups, made sure they didn’t contradict what was previously established (ex. Metal bending is possible only because most metal still has pieces of unrefined earth in them; chi-blocking is possible because everything has chi in it) or gave them logical weaknesses to make sure they weren’t completely game breaking (ex. Lighting redirection does negate lighting bending, but you need to be in the proper stance and make sure the lighting never touches your heart or else you will still die; chi-blocking only works if you can touch someone).
But the comics, in an effort to keep Azula a credible threat, seem to disregard all of the previously established rules and themes about bending and in doing so leaves the Avatar franchise in a worse off state.
For why was Azula, after two years in an asylum where it can be presumed she wasn’t able to train like she used to, didn’t have anywhere near the same resources, and went further into psychosis was able to retain her physicality and remain the hype-athletic fighter she was during the war?
Moreover, how did Azula get so strong and fast during her time in the asylum (and later in the wilderness and as a fugitive) to the point that she is arguably the best H2H fighter in Avatar?
For not only did Azula manage to hold off a serious and in armor post-canon Suki and Ty Lee despite wearing a billowing cape and a mask that blocked vision in her left eye, she also managed to consistently and causally dodge Mai’s knives despite the latter actually trying to kill her.
Not to mention how she managed to over-power Zuko, who was arguably the second best swords fighter in the franchise before having two years to add to his sword fighting prowess, in their short fire-sword fight in the tomb to the point that Zuko thought he could only prevent his death by convincing Azula that no one would ever accept her on the throne.
Zuko! You know the person who literally has to be knocked out and/or dying before giving up in a fight did not believe he could get out of Azula’s hold before she presumably stabbed him to death.
How come Azula’s fire managed to not only get stronger (ex. During the war, if she released her fire from her control it became orange, but after the asylum, it stays blue) but also why was Azula able to develop several new lighting techniques, several of which where completely unseen in the franchise, or hadn’t been seen for centuries as far as the reader was concerned (ex. Concussive lighting; instant lighting; quick charge lighting; lighting sphere; a bootleg chidori; instant area of effect lighting; lighting zaps; the ability to split and control her stream of lighting after she has fired it; lighting redirection).
And speaking of new lighting techniques, how did Azula manage to learn the lighting redirection technique on her own? For none of Iroh, Zuko, and Aang ever showed her the technique and Azula only saw the technique like four times (Iroh on the ship during The Avatar State; Zuko during Sozin’s Comet; Zuko twice during The Search). 
And as far as I remember, the TV show never implied or showed that Azula was a Goku-level prodigy in that she only had to look at technique only a handful of times to completely master it and/or develop a counter to it.
Not to mention the fact that Azula is still a hyper-nationalist who still has no respect for the other nations, let alone their bending arts.
Like have you seen all the times she calls Sokka and Katara snow peasants despite the two of them technically being her equal politically, Katara defeating Azula during Sozin’s Comet and almost defeating her during The Crossroads of Destiny? Does comics!Azula seem like the person to willingly incorporate waterbending principles into her bending, which is necessary to redirect lighting?
Also, what the hell is smoke-bending?! For I know in the Kyoshi novels, Kyoshi bends smoke as part of her first attempt at firebending and that Aang generated smoke during The Firebending Master (so smoke-bending is a subset of firebending as the seeming precursor to firebending itself).
https://www.youtube.com/watch?v=DqLW99cn1A8
But how did The Fire Warriors manage to learn how to psychically generate and manipulate smoke?
Moreover, how did The Fire Warriors manage to learn how to use smoke-bending while using their firebending at the same time? 
For as far as I know, other than Azula in the Smoke and Shadow Omnibus Cover, there is no other instance as far as I know of a non-Avatar bending an element and a sub-element at the same time. So how were they able to do so?
And how come Aang and Zuko (two master firebenders, one of which is also a master airbender) were not able to do anything about The Fire Warrior’s smoke? 
For shouldn’t they have been able to use their bending to clear to smoke instead of either choking on it (Aang) or allowing Azula to escape despite being a tomb with only one exit (Zuko)?
But I think the most frustrating thing is how strong the Fire Warriors are. For yes, I understand that the Gaang aren’t the only prodiges in the world and that for a children’s action-adventure series, it is hard to write conflicts if heroes face no physical challenges whatsoever.
But there is no justification both in-universe or out of it for why the Fire Warriors are so strong both in terms of bending but also in terms of athleticism as well. Especially considering the fact they were heavily implied to have been kept in the same conditions that Azula was (and thus shouldn’t have been able to train to an elite master level) and the fact that they too were wearing long billowing capes with their left eyes blocked by their wood masks.
In fact, this ties into my next point…
Fire Warriors & The Asylum System
How was Azula able to break out six girls from her old asylum without Zuko finding out? For even assuming that Azula killed everyone there, eventually someone had to have come and found out that at least six girls where missing? Especially when, assuming Zuko really did try to find Azula, one of the things he would have done is put a guard there since it was likely that Azula would try to return there.
But instead of getting an answer on how Azula was able to break them out without anyone finding out (other than the meta-textual answer of Azula needed a new girl gang and the only people who she could have plausibly convinced considering her living conditions of the past 2 years were her fellow asylum inmates), all we are left with is speculation, some of which implies some very nasty things about Zuko’s reign and The Fire Nation. 
Like the idea that the asylum system remained in control of Ozai loyalists and are currently weaponizing the inmates to create a shadow army to overthrow Zuko using the group of people Zuko and his regime would be least likely to suspect.
And speaking of speculation, what are The Fire Warriors’ motivations and/or goals in regards to joining Azula’s ongoing seditious domestic terrorism plot? For I understand that Azula needs new hench-women in order to carry out her plots since it would break the suspension of disbelief to have Azula carry them out by herself, but neither non-ableist explanation I could think of makes any sense.  
For either they are scared of her and/or being manipulated, but that doesn’t make sense since Azula no longer has any political power and thus they can ignore her once she breaks them out. Not to mention Azula doesn’t seem to have regained all of her mental faculties (ex. her Mochi rant during Smoke and Shadow and how her eyes bulge out like crazy!Azula in The Search at the end of the rant). 
Or because she became non-ironic friends with them, which doesn’t make sense since Azula during her time in the asylum was clearly not in the mental state to take care of herself, let alone make friends not relying on her status or fear-mongering. Especially when The Search has Azula blame “Ursa” for making Zuko, Mai, and Ty Lee stop fearing her, heavily implying Azula still thinks fear is a good way to maintain relationships.
Which leaves us with the ableist answer (sorry for the language, it is to get my point across): they are crazy bitches and crazy bitches don’t need any reason to do harm!
And do you know how harmful that is to IRL mentally ill people? For mentally ill people have had to fight really, really hard to fight the association that being mentally ill makes you evil or prone to evil. And it is only recently they have been able to fight back against such associations thanks in part due to positive representations in various artistic works.
So it makes me really disappointed that Avatar, a franchise that handles several difficult topics (ex. Child abuse, rescue parents, imperialism/colonialism, child soldiers, physical disabilities, war orphans, sexism/misogyny, hyper-nationalism, genocide, abusive sibling relationships, abusive friendships, etc.) with such grace that even children can clearly understand and learn from them, engaged in such harmful stereotyping. Especially when one of the most highly regarded arcs in LoK is Korra overcoming her PTSD from being poisoned with mercury over the course of several years and with the help of several people.
For at least Azula, with all the cries of ableism about her treatment in the comics and other post-canon works like Legacy of The Fire Nation, has reasons for being evil other than her mental illness. 
Like the fact that she was indoctrinated and groomed from birth to be an active member of the ruling family of an authoritarian, genocidal, imperialism empire.
But what are the Fire Warrior’s reasons for helping Azula outside of being mentally ill?
Themes (The Search)
To be quite honest, I really don’t think The Search has a theme since it mostly exists to answer the question of what happened to Ursa. So I don’t think there is much to analyze or criticize in terms of themes.
Themes (Smoke and Shadow)
However, Smoke and Shadow does have a central theme: fear, or more importantly, getting over the fear of: Ozai (for Ursa), Azula, and/or being a tyrant (in Zuko’s case).
And in regards to Ozai, I think Smoke and Shadow actually did a good job of showing Ursa getting over her fear of Ozai. In fact, I think their confrontation in Ozai’s jail cell, with Ozai being reduced to a mad dog after seeing he has no hold on Ursa anymore is one of the few good things that come out of the comics.
But in regards to the other two themes, which are heavily tied to each in my opinion, are butchered by the need to keep Azula a credible villain.
For I think fear does serve a valid purpose: to make sure we avoid situations and/or people that are likely to put ourselves or the people we love in danger. 
And boy do a lot of people have a lot to fear about post-Smoke and Shadow.
Mai and Ty Lee have every reason to continue to fear Azula after Azula basically humiliated them in combat and made it very clear that they are only still alive because Azula wants them to be. Not to mention in Mai’s case, Azula basically bullied Ukano into action, causing her father to eventually have to go to jail for a long time, and kidnapped her brother before put him in a holding cell for a good period of time.
Aang has ever reason to continue to fear Azula considering she has several lighting attacks that can bypass lighting redirection, the fact that Azula herself knows lighting redirection, the fact that Azula has smoke bending powers similar to The Fire Warriors that caused him to be knocked out cold, and that Azula has successful shown that she can cause Zuko to fall down the path of his ancestors, meaning that Azula could eventually succeed and indirectly wipe out everything Aang and his friends fought for during the war.
Zuko has ever reason to fear Azula considering: she basically broke into the palace and operated a conspiracy from right under his nose; she kidnapped a bunch of kids, including their half-sister, and he could do nothing until Ty Lee remembered the secret passageway; that she has taken away his trump card over her and has essentially become the strongest firebender in history; that he is only alive because Azula has plans for him; and that she is still loose and plotting the next step in her dastardly plot to remake Zuko in her image.
Moreover, Zuko has every reason to fear turning into a tyrant since he not only has failed to capture The Fire Warriors post-Smoke and Shadow, all that he has done to show that he won’t fall prey to the Fire Warriors manipulations and assaults once.
He doesn’t order a sweep of his government to make sure that there aren’t any more mavericks like Constable Sung in his ranks. 
He doesn’t try to craft policies to ensure the various Ozai loyalists groups can’t take advantage of alienated people like Kei Lo to fill their ranks with people willing to die since they have nothing in life. 
He doesn’t institute any safeguards or protocols to make sure that if he has to ever institute authoritarian measures ever again, he does so because it was the best and logical decision possible and not out of fear. 
He hasn’t undergone training (ex. Combine his firebending with his sword skills as is implied in the “Old Friends” artwork) to close the gap that has once again opened between him and Azula so that if he ever encounters Azula again, his life won’t be in her hands once more.
Hell! People like Iroh, Noren and Ursa have a lot to fear considering that Azula has easily breached the palace (and probably has other means of getting in undetected even if the tunnels are now known since she was responsible for evacuating Caldera City during the DoBS), one of the secure places in the world, and has demonstrated continued willingness to not only hurt Zuko but also now hurt Kiyi.
Moreover, assuming they ever find out where the other Fire Warriors came from, they will (and should considering their eras’ lack of knowledge on mental health) fear the inmates in the asylum system. 
For if six of them were willing to join Azula and were really strong benders who could even knock out a fully realized Aang, what will happen, hypothetically, when Azula builds herself an army out of the asylum inmates she and her warriors break out of the various asylums in the country?
So I guess what I am trying to say is that, by keeping Azula a villain, Smoke and Shadow undermined its own theme of “we have to learn to live with fear and never let it rule us.”
For only fools would not live in fear of Azula and The Fire Warriors until they are apprehended and I don’t think any of the characters mentioned in this section are big enough fools to underestimate what Azula and The Fire Warriors can do and what they are willing to do to achieve their goals.
Conclusion
Azula was one of the best villains in Western Animation and part of that is because the characters and the narrative treated her like the threat she was and that, even if her schemes did rely on good fortunes (ex. Sokka vouching for The Kyoshi Warriors before leaving with Aang to his father) they were created by various characters acting like they did normally and not in OOC fashion (ex. Kuei is an airheaded fool and so it is not out of character for Kuei to forget that he told Azula about the DoBS invasion plan and/or tell anyone associated with the plan that he spilled the beans before going on exile) just so Azula could win. 
Moreover, Azula doesn’t display new powers/abilities when the plot demands it just to remain a threat; all she does is exploit her previously established abilities and intelligence/cunning (ex. The Avatar is slowly floating up in the air in his Avatar State that is previously established to turn him into a berserking force of nature. Ok. I’ll just take advantage of the fact that he is exposed to shoot him dead with lighting before he can harm my allies, my friends, my brother, and/or I).
However, in the comics, Azula, despite remaining just as big as a threat, if not bigger, is not treated as such by either the narrative or the characters she interacts with. Moreover, Azula and her henchwomen frequently come up with new powers just so they remain a credible threat. And it not only ruins Azula as a villain, but also the characters that she has the misfortune of interacting with directly or indirectly.
For it really hurt to see a fully realized Aang essentially get knocked out by some faceless goons.
It really hurt to see Mai break up with Zuko because he visited Ozai without telling her and then hide from Zuko the existence of the New Ozai Society and the fact that her father was leading it. Not to mention, when confronted for treason, seeing her avoid owning her mistake before everyone unceremoniously dropped the subject.
It really hurt to see post-canon Suki and Ty Lee, two of the best H2H fighters who have learned each other’s techniques, essentially get fodderized by a half-blind Azula. Or to see Azula learn lighting redirection with no prior indication of how she managed to learn the technique. Or to see her invent concussive lighting because the comics want her to spam her iconic lighting at everyone like the villain she is but don’t want to deal with the consequences previously established in the TV show or in LoK.
It made me angry to see Zuko keep giving Azula second chance after second chance when Azula deserves no chances as long as she is on her current path. Especially when she keeps on hurting the people Zuko supposedly loves and the subjects he supposedly cares about.
Anyway, before my rant gets too long, the point is that not that Azula can’t remain a good villain. For even I, as someone who believes an Azula redemption would be compelling, believe there are ways to keep Azula a credible antagonist in line with what was shown in the TV show.
But if this is the way Azula is going to be continued to be written as a villain, as a living plot device, I don’t want her to remain a villain. 
Especially when the bad writing surrounding villain!Azula starts to ruin other character’s previously established characterization as well as previously established world building and lore.
–Submitted by justanotherthrowaway1950
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sokkastyles · 4 years
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Redemption and Hope
One of the interesting things I think ATLA has to say about redemption is that in order to get redemption, you have to be able to see the light at the end of the tunnel. I’ve said before that Zuko could not have successfully joined Team Avatar if he thought that being on the good side was the same as being on the bad side. In order to become the best version of yourself, you have to have hope.
There’s a very interesting parallel that highlights this in “The Storm.”
Katara: (to Aang) I know it was meant to be this way. The world needs you now. You give people hope.
Iroh: Things will never return to normal. But the important thing is the Avatar gives Zuko hope.
“The Storm” abounds with parallels between Zuko and Aang, and this is one of the running themes through these two characters’ stories. Aang, waking up after one hundred years to a changed world in which he is the last of his people, will never be able to return to normal. Katara says he gives people hope but in the context of her words, she is trying to give Aang back some of that hope, after he blames himself for running away and getting frozen in the iceberg. Aang can’t bring hope to anyone if he doesn’t have it himself.
Whereas Aang’s world changed after he ran away, Zuko is desperately trying to get back to a place from which he was cast out. Iroh asserts that things will never return to normal, but it’s important that Zuko has hope. Iroh never really wants Zuko to capture the avatar, but what he doesn’t want Zuko to do is give up. To Zuko, if he doesn’t have his mission, then he has nothing. In this episode we are told just how important Zuko’s mission is to him, yet Zuko actually foregoes chasing after Aang in favor of getting his ship and crew to safety. So we are shown that there are limits to Zuko’s single-mindedness, and we actually see him be humble in this episode, apologizing to Iroh for his earlier selfishness. A similar scene occurs when Zuko decides to go rescue Iroh when he is captured by earthbenders rather than chase after the gaang.
At the end of book one, Zuko has braved freezing water in order to sneak into the Northern Water Tribe during the siege, captured Aang, then lost him, almost froze to death in the snow, was saved by his enemy, then tried to save Zhao from an angry avatar-fused moon spirit. All of these events put an additional strain on how he thinks the world works. His hope in his mission is faltering.
Iroh: I'm surprised, Prince Zuko, surprised that you are not at this moment trying to capture the Avatar.
Zuko: I'm tired.
Iroh: Then you should rest. A man needs his rest.
This scene is in contrast to the above mentioned scenes of Zuko choosing not to go after the avatar, because he’s not doing it to save others this time. But the voice acting makes it clear that the events that just transpired are weighing on his mind. He could not save Zhao, but was instead saved by the very person he was trying to capture. Zuko’s mission used to be a simple thing in his mind: capture the avatar, regain his honor, return to the fire nation and his place at his father’s side. But then the avatar was a child who wanted to be his friend and Zhao tried to have him killed and then Zhao was killed in front of him and he realized that he actually did care about other people, even cruel blowhards like Zhao.
When we first see him at the beginning of book two, Zuko is at his most despondent. He and Iroh are now on their own, and it happens to be the anniversary of the worst day of Zuko’s life.
Zuko: Three years ago today, I was banished. I lost it all. I want it back. I want the Avatar, I want my honor, my throne. I want my father not to think I'm worthless.
Iroh: I'm sure he doesn't. Why would he banish you if he didn't care? Uh, that came out wrong, didn't it?
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Iroh tries (badly) to cheer Zuko up, because Iroh wants Zuko to have hope. His words here come across as empty, because I don’t think Iroh really believes them. In fact, later in this episode Iroh will give advice that is almost the opposite of what he says here, telling Zuko that despite what Azula says about Ozai wanting him back, he has “never known [his] brother to regret anything.” Iroh wants Zuko to have hope and because of this is willing to sometimes enable him in his hunt for Aang, but when it actually looks like Zuko might go back to the fire nation, or might be in danger (which are pretty much the same thing, whether he goes back as a prince or a prisoner, because it’s not safe for Zuko to go back to Ozai), he tries to discourage him. But in the above pictured scene, at least, all Iroh can do is give Zuko some empty assurance, because worse than Zuko actually achieving his mission to capture the avatar or going back to Ozai is if Zuko believes that nothing he does matters.
This is why when Zuko becomes officially cut off from the fire nation, he becomes anchorless, and resorts to petty thievery in a fruitless hope of regaining some semblance of his former identity as royalty..
Iroh: I know we've had some difficult times lately. We've had to struggle just to get by. But it's nothing to be ashamed of. There is a simple honor in poverty.
Zuko: There's no honor for me without the Avatar.
Iroh: Zuko... Even if you did capture the Avatar, I'm not so sure it would solve our problems. Not now.
Zuko: Then there is no hope at all. Iroh: No, Zuko! You must never give in to despair. Allow yourself to slip down that road and you surrender to your lowest instincts. In the darkest times, hope is something you give yourself. That is the meaning of inner strength.
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As much as Iroh might be afraid of Zuko getting lost in Ozai’s toxic ideology, here he looks terrified that Zuko might lose hope completely. What’s kind of interesting here is that the way Iroh links the absence of hope with “surrendering to your lowest instincts” implies that there was a time when Zuko had even less hope than he does now, before the avatar was freed from an iceberg. As much as Zuko is introduced to us as a villain at the beginning of the series, what must he have been like in the years before there was any sign that the avatar had returned, with no direction and no hope, and nothing but hurt and anger to keep him going?
If this is Zuko at his most pessimistic, in contrast he is at his most optimistic at the end of book two, when he nearly comes to accept living a simple life with Iroh in Ba Sing Se. Previously we’ve seen him forego his hope in capturing the avatar in favor of doing the right thing, but this is the first time we’ve seen him put aside his hope in chasing the avatar in favor of putting his hope in something else. There’s a contrast here between Zuko’s hope in gaining Ozai’s approval vs his hope here which is centered around putting work into his relationship with Iroh; the absent father vs the father in front of him.
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This newly discovered hope is only briefly realized, though. There’s a lot of dramatic irony in this episode. Zuko and Iroh are found out by Azula after Katara sees them while wandering around Ba Sing Se. Katara runs to warn the earth king that the fire nation has invaded the city, unknowingly realizing that she is talking to Azula who has actually invaded the city, while also alerting Azula to Zuko and Iroh’s presence, after Zuko seems to have stopped chasing the gaang. We don’t know, because it’s not allowed to last, but it’s possible that Zuko might have not even been a threat to Katara and the rest at this point any longer, had she not seen him at the tea shop.
Zuko then gets captured and thrown into prison with Katara, who he doesn’t know is the one who ratted him out. She starts leveling all kinds of accusations at him, and he initially is defensive (”you don’t know what you’re talking about”) then apologetic, then reveals the loss of his own mother in order to empathize with Katara. This new empathetic Zuko is a reflection of his attempts to try to make things work with Iroh, to live the life that Iroh wants for them both. Then when Katara apologizes to him he says that it doesn’t matter, because that life turned out to be short lived after all. Katara offers him another glimpse at hope in the form of healing his scar, but they’re interrupted.
Then Zuko has to make his big choice between Azula and Iroh. Iroh and the gaang represent hope, but it’s a hope that can’t last. As much as we might like to imagine that Zuko and Iroh could live a peaceful life in Ba Sing Se, Azula probably would have found them eventually, and the hope that Katara offers is uncertain - even she doesn’t know that it’s going to work, and it isn’t what Zuko needs anyway, because the physical scar is not the source of his problems, only a symbol of them. That’s why when Azula offers him another choice, the thing that he’s wanted for three years, it’s an offer he really has no hope of refusing.
Of course, Zuko eventually realizes only once he has returned to the fire nation that what he thought he wanted doesn’t make him happy, but he could have continued to live his life as the prince if he didn’t know that Aang was really still out there, alive. This is twofold because the fact of Aang’s survival means that Zuko can’t be comfortable by his father’s side because he’s constantly worrying if and when his father will find out that he didn’t actually kill Aang - which is what leads him to hire an assassin - but on another level, the fact of Aang’s survival is what motivates Zuko to actually oppose his father, which I doubt he would have been able to do without Aang’s presence in the world. When Zuko confronts his father, he tells him his plan to join the avatar and help Aang defeat Ozai. Without Aang, I don’t think Zuko has confidence that he alone would be able to oppose his father - he tells Iroh later that he is the only one other than Aang that could defeat the fire lord, showing that he does not believe it’s something he could have done on his own.
So in the end, what Iroh said in book one was correct. The avatar does give Zuko hope, but in exactly the opposite way that Zuko thought, the hope to become the best version of himself rather than the worst. Which then comes full circle as Zuko makes it his new mission to help Aang restore hope to the world.
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the-yellowturtle · 3 years
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The Curious Case of Master Katara (Pt.5)
Summary:  In the sixth year of Fire Lord Zuko’s reign, Katara of the Southern Water Tribe is assassinated. (OR: Katara Becomes the Painted Lady! AU)
Rating: T
Chapter Summary: Zuko remembers Katara & has an encounter with the Painted Lady. 
Note: you can read the chapters as a standalone if you want
Part 1 (Toph), Part 2 (Toph & Gran Gran), Part 3 (Sokka), Part 4 (Suki & Katara), A03 Story Link & special thanks to @levitatingbiscuits for enabling me :) 
Reflective of the Reconstruction Period’s changing values, Fire Nation plays and stories originating from this time often depicted protagonists as virtuous and noble. Even the most popular romances of the period featured characters who were willing to sacrifice their chance at true love for the sake of others. This is clearly seen in Mou Ren’s Love Amongst the Spirits :
FIRE LORD. (Pleadingly, on his knees) Please tell me that it is not our love that has led to your current state! That the time we shared has made you unable to pass on to the next life!
PAINTED LADY. (Resting a hand on his shoulder) I loved you, but it is not my attachment to you nor any other man that has led me to this position. I simply cannot sit by while there is still the opportunity to help one more person, one more individual. Only when there is peace will I be able to fully detach myself from humanity.
- Culturally Significant Works of the Reconstruction Period
Zuko gets to say goodbye.
In fact, it’s the last thing he says to Katara before her passing.
The morning after they fought about how to best resolve the water pollution problem, he had found her getting ready to set sail from the docks. She had won. She would be going ahead of the rest of the relief despite his concern over reports of the New Ozai Society potentially being in the area. However, Zuko knew it was futile to get her to stop once Katara had even the slightest suggestion that there were people out there who needed her. That’s just who Katara was.
And so she had smiled at him and said goodbye, and he had replied the same and given her a hug. And that was it. That was the last time Zuko saw or heard from Katara.
___
The officials and citizens would talk about it sometimes. About how they thought it was obvious that he was in love with Katara. About how they spent too much time together to simply be friends, how Zuko was too considerate of her opinions for it to simply be platonic affection.
The hearsay used to always make him scoff; caring for his best friend did not make him in love with her. Zuko had read all of the great romances and devoured the scripts of all the plays as a child (and admittedly re-devoured them as an adult looking for some stress relief). Zuko had read about love and he had heard Sokka go on about it in length; Zuko knew what love was supposed to feel like, and what he felt with Katara was nothing like it. When he was with her, he did not get sweaty palms, his face did not flush a scarlet red and his heart did not feel like it was going to escape from his chest. With Katara he was at peace, not agonizing over his words and yearning for her lips.
So Zuko had thought it was a ridiculous notion for him to be in love with Katara. After all, he was far too busy with his duties as Fire Lord to be falling in love with his best friend. Besides, if he was afflicted with eros, then surely he would have noticed the symptoms.
After her death, Zuko doesn’t think about the great romance his people think they shared. He orders the construction of the Southern Waterbenders Memorial because it is the right thing to do. He builds the Katara Public Park because his citizens deserve to have more public spaces and Katara always did like the flora of the Fire Nation. He funds more shrines and temples in honor of the Painted Lady because her popularity among the people has exploded in the post-war period. Depictions of the Painted Lady in these places of worship always look like Katara because it’s based on firsthand accounts of the Spirit, and because Zuko heard the truth from Aang.
He orders the installation of a Painted Lady shrine in the royal palace because sometimes he likes to believe that there’s the possibility she can hear him when he talks to her in the middle of the night.
Zuko is aware that his actions further encourage the rumors of his tragic love affair with Katara. He’s seen the posters for the blatant adaptations, and accidentally attended the showings of the ones with more subtle advertising. Zuko knows that everyone thinks he was madly in love with her, but he wasn’t. He was not in love with her. He would have known. And she certainly was never in love with him.
___
Eventually he finds a semblance of happiness in his life as Fire Lord. The New Ozai Society is demolished and similar groups become insignificant threats that are easy to handle. The economy begins to pick up again, and international trade flourishes. The Four Nations are in a relative state of peace when he meets his future wife.
Tian is a non-bender from one of the surviving Air Nomad enclaves that hid themselves in the Earth Kingdom’s far south. A proponent for the equality of benders and non-benders, the first time he meets her she informs him that he needs to change the Fire Nation’s rules of succession to allow a non-bender unless he wants to alienate the non-bending population. She’s right, so he finds himself proposing the change when he returns to court.
Over the years, he finds himself seeking out her company more and more at peace summits. Tian is passionate and empathetic and just cares so much. He falls in love with her, and somehow she ends up feeling the same.
They have one child together, Izumi. She grows up loved and immersed in both of her parent’s cultures. Tian teaches her chi-blocking and frequently takes her out on shirshu rides. Zuko meditates with her every morning and performs bedtime stories —with the voices!— every night. In a way, Tian’s first words to him end up being prophetic when their non-bending daughter is officially declared the heir to the Fire Nation.
He loves both of them, but it is this love and decades more of lifetime experience that makes him realize that perhaps the rumors had been right all those years ago. That he had been in love with her then. That maybe a part of him would always love her.
Katara did not make his heart race nor did she make him stumble over his words, no, when he was with her he felt safe. Accepted. Loved.
Maybe his true feelings had and always will be seared onto his chest.
___
When the palace doctors declare that his granddaughter is unlikely to make it through the week, he steals her away in the middle of the night and brings her to the royal family’s private gardens. He brings the baby girl to the Painted Lady shrine by the lake he had commissioned all those years ago.
Zuko has never personally encountered the Painted Lady, but he has heard the tales from his citizens, the ones of travelers from abroad, and from his own friends. When the Painted Lady is not busy influencing the weather to attack polluting bodies, she will most often be sighted healing the sick. Zuko knows that a Spirit has a limited influence on the human realm, but just this once Zuko prays for a miracle that she will hear his call.
He cannot bear to watch his daughter lose her own child.
Holding his granddaughter in his arms, he gets on his weary knees to bow before the lake and beg. “Please help her. Please.”
“I need to be able to see her to do that,” whispers a woman.
Zuko jolts up to find a veiled figure floating on the lake before him: the Painted Lady.
Words don’t come to him, so he simply follows her instructions and presents the bundled up child to the Spirit. The Painted Lady is silent as she reaches out to smooth the black tufts of hair on his granddaughter’s head, soon after a blue glow emits from her hand.
When the Painted Lady is presumably finished, she steps back and the child stirs for a moment in her sleep. The movement brings tears to his eyes as he takes in the improved complexion of her chubby cheeks.
To his surprise, she’s still standing on the lake when he looks up. He can’t make out her face from beneath the hat, but he would recognize her necklace anywhere. It really was her. She was not reborn among humans, but made a guardian of them.
“Katara,” he gasps, causing the Painted Lady to tilt her head, surely confused about why a human was directly calling her personal name. “Her name is Katara,” he clarifies, holding his granddaughter to his chest.
Zuko had been surprised when Izumi informed him what she was naming her second born. It was no mystery when she named her eldest after Uncle Iroh; they had been fairly close when he was still alive. However, Izumi never had the pleasure of meeting Katara, and had only heard about her when Zuko could bring himself to share the memories he had of their short time together.
“I want my daughter to be the type of person who never turns away from the needs of others,” Izumi had explained, “Surely the name of the woman who helped save the world is fitting.”
So when Zuko has the spirit of the woman he had loved in front of him, he has to let her know in some way. She may be revered as the Painted Lady, but there were still those who knew and loved her as Katara. Long before she took up the position of Spirit, she was already saving others.
“Her name is Katara,” Zuko repeats.
The Painted Lady slowly glides forward, only stopping when he can make out her cerulean blue eyes. He can barely breath as she reaches up to rest her palm on his left cheek. “Thank you, Zuko,” she smiles.
He can’t stop the tears that rush down his face. “I think I’m the one who should be thanking you.”
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carnistcervine · 5 years
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Here’s Yume in my Twin Avatars AU. :’)
Info under the cut~
Given Name: Yume Surname: Genso Title: Dark Avatar Nation: Fire/Water(halfbreed) Age(depicted): 116 Abilities: Firebending, Airbending, Waterbending, Earthbending, Communication with spirits, Channeling spirits, The Avatar State Family: Yuna Genso(Mother/Water), Akon Genso(Father/Fire), Yuki Genso(Sister/Halfbreed), Kona(Grandmother/Water), Hanouk(Grandfather/Water) Residence: Nomad Allies: Previous dark Avatars, Light Avatar Aang, Katara, Sokka, Toph, Suki, Zuko, Yukki, Hideki, Draco(her dragon/spiritual companion), Appa, Momo National Allignment: Avatar Moral Allignment: Chaotic Somewhere-Inbetween-Good-and-Neutral Spiritual Allignment: Dark
Personality: Chaotic and highly mischevious, Undyingly loyal, Highly empathetic, Extremely hostile but rarely resorts to actual violence, 'A little' nihilistic, Tends to hold back/Rarely uses full power to take down foes, Highly mad, Nice when she chooses to be, Really sweet to the few she's able to befriend, Sassy as fuck, Lonely, Self-doubting/self-critical, Hides pain with mischief, Playful, Loving to a fault, Superficially aloof Strengths: Dogged loyalty, a kind soul deep down, able to be a terrifying foe Weaknesses: Worst-Diplomat-Ever, She handles grief by not handling it, emotional instability Fears: That she'll loose control, failure, that deep down her only value to others is that she's the Avatar, DOLLS(to the point where she has an actual phobia)
Personality In Depth: Yume is a mischevious soul, often pranking or toying with others. While she likes to taunt people, it's often in jest. And Yume will refrain from doing so if she feels or knows that it will genuinely hurt the target. While she usually doesn't show it outwardly, she's highly empathetic and feels deeply for those around her. It's even to the point that she'll hide her own pain for the sake of not hurting or worrying others. Yume is also exceedingly loyal to her companions, she is willing to follow those she truely believes in through the depths of the inferno and back. As an Avatar, she is keenly aware of how much power she is capable of unleashing and rarely ever goes full out on any opponant, even when they are going full out on her. The reason for this being that she holds a firm belief that striking down anyone weaker than you is true cowardice and unforgivable. However, unlike the pacifistic Avatar Aang, Yume will not hesitate to kill if she thinks it's nessisary. While Yume can be very kind and polite when she wants to, she also has a tendancy towards hostility. She's often patient and kind to those that need her help or those that are weak/in bad situations, but will become hostile towards people with status or wealth if they even slightly ruffle her feathers. Especially those who refuse to show empathy towards others. While the young Avatar often acts aloof and emotionally detached at times, deep down she's very lonely and craves companionship. While very empathetic, if those she's trying to help scorn her bad enough, she will become hostile.
Theme Song: In The End by Linkin Park Song Quote: "What it meant to me, will eventually be a memory..." General Quote: "Quoth the Raven, 'Nevermore.'" - Edgar Allen Poe "The Raven" Character Quotes: -(To Zuko)Flameo, Hotman! -(After losing Draco)How I feel about Draco is irrelevant, right now we need to focus on getting to Ba Sing Se. -(To Zuko)I'd tell you to stay flamin', but honestly you need to chill. -Even the most vicious winter cannot kill the flowers of spring. I am more than my flesh and bone. You cannot kill me in a way that matters(totally got this part from a shitpost about mushrooms).
-Each of us is a speck of light that shines in an eternity of darkness. Although our lights will all fade and blink out, it does not matter that the darkness lasts longer. What matters is that we were there to defy it in the first place.
General Notes: -Uses outdated Fire Nation slang. -As much as she says "Fuck the World", she cares very deeply about it and the people in it. -She does eventually make peace with herself and learns how to bend lightning. -A bit of a nihilist. Also fairly existential. Lets just say, don't engage her in a philisophical conversation or contemplate your place in the universe with her. You will regret it. And existence in general.
Backstory: Somewhere, Mina the Dark Avatar drew her last breath. And just like that, Yume drew her first. Yume was born to Yuna and Akon in the Fire Nation. Soon after her birth, Akon broke off his relationship with Yuna, who moved back to her parents in the Northern Water Tribe with her two children. When Yume was two she got separated from her mother. Lost and afraid, little Yume wandered about until she came across a tall man in red. Normally, tall strangers would scare Yume, but the man was familiar. She didn't know why, but she knew that his name was Roku, and he was safe. She tugged on him and despite being in a serious meeting, he took a break to find Yume's mom and reunite the two. When the elder Avatar was questioned, he claimed that the child was the newest incarnation of the Dark Avatar. When Yume turned five, she showed her first signs of bending: Sparks. Yuna realised that Yume would likely have to leave for the Fire Nation soon, as no fire masters lived in the North Pole. And an uncontrolled firebender is a disaster waiting to happen. When Yume was six, she was taken in by the Fire Sages. The official reason was just firebending training, but even Yuna found it strange the Sages wanted a random half-breed from the North Pole. But of course the real reason for their intervention was yes, firebending training, but also because Yume was the Fire Nation Avatar and they had recieved a dark omen concerning the Avatar. They thought the best course of action would be to keep a close eye on her and protect her. Once in the Fire Nation, Yume is finally freed of the stifiling cold of the north and no longer has her excess energy going towards keeping herself warm. So naturally she becomes a little bit of a terror in the temple. She pulls constant pranks on the Sages and apprentices, but they love her anyway. She keeps the Sages young. When she turn's eight, the Sages surprise Yume with a dragon egg. The egg hatches and eventually becomes her life-long companion: Draco. At age twelve, Yume first meets Aang, a small Air Nomad boy. The two are fast friends. Yume makes an effort to hang out with Aang everytime he visits the Fire Nation. When Yume turns sixteen she finally masters firebending and the Sages reveal to her that she is the Dark Avatar. She takes the news okay, she isn't sure how to feel about it. She supposes it isn't all bad, maybe she'll get to see Aang while airbending training. However, she's kidnapped by the spirits and sent to the void before her training can begin proper.
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breeeliss · 6 years
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Your thoughts! On Zutara?
oooooo gurl don’t you get me started on this i won’t shut up
i mean im of the opinion that we were robbed. because, if you think about it, zuko’s redemption was pretty much highlighted through his ability to redeem himself of the eyes of three people: iroh (duh), aang (duh, he’s the avatar), and….katara. 
katara’s trust was the one zuko had to work the hardest for. even iroh – who, in my opinion, had the biggest reason to hate zuko after what he did – was quick to accept zuko back because he knew that zuko’s problem was that he had lost his way and that it was only a matter of waiting until he found his way back. katara is empathetic, but she holds violent grudges against people who betray her trust. she was one of the first people (aside from iroh) who found something human inside of zuko, and then he spits that back in her face by betraying her and almost killing aang. that’s not a coincidence man. 
think about the fact that not only did zuko gain her trust back, but he was the one she chose to go on what was probably one of the most emotional journeys she could’ve ever gone on – facing the man who killed her mother. she didn’t choose aang, she chose zuko. and it was significant that zuko would be there to see her forgive this killer and lift her grudge because that’s exactly what she had to do with zuko. forgive him. lift the grudge. 
and of course, i don’t have to tell you about the fact that zuko chose katara to go with him to fight his sister and that he literally took a lightning bolt to the gut to save her life. hi, yes, their relationship didn’t need to become that high key but it did. their relationship had so much care put into it. it was set up to go places. 
but even if you don’t agree with that, writers, storyboard artists, and interns all said that zutara had been on the table and that there were plenty of people on the team who wanted zutara to happen. but the co-creators slapped kataang on the table because it was more important for the hero to get the girl he felt he was entitled to at the end rather than wrap up the show with a relationship that came to fruition through forgiveness, acceptance, and trust in the most impossible circumstances. 
(and to even flip this around a different way, i don’t think katara was the right person for aang. aang didn’t need someone who coddled and enabled him. he needed someone who pushed and challenged him. if there was anyone that aang should’ve ended up with at the end of the show, if at all, it was toph. let’s be real). 
anyway. zutara is like number 2 on my list of top shipping betrayals in life and i’m not over it, will never be over it. 
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