#I love Rauru's design so much | Explore Tumblr Posts and Blogs

ezlo-x · 1 month

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“Wow I hope BotW gets a sequel someday…” - my TotK summary <3

It’s been a year, and honestly. I did not complete that game at all. I watched lets plays and cutscenes in youtube and a few playthroughs of my friends. And every time, my regret of buying this game grows ever so slightly. I know I sound mean and harsh but I prommy I got nothing against ppl who actually enjoyed TotK. This is more of my personal experience of how my excitement playing this game completely burned me out less than halfway through the game.

Gameplay

I’ll start with gameplay first, as I have issues with it. Let’s start with the physics of the game itself. Ngl, there was a small worry in the back of my mind when I realized there would be in-game physics and that you have to rely on those said physics. I personally don’t have a good experience with game physics and they usually tend to frustrate me. Which somewhat happened when playing the game. It didn’t happen too often, thankfully, maybe because the zonai parts didn’t tend to last long. Speaking of Zonai parts and builds

I wish building Zonai stuff was a bit more fun. Or at least give us more time to experience our builds. We already have a disadvantage by having a limited amount of batteries that you have to slowly upgrade throughout the game. So, seeing that one of your Zonai pieces starts to flash and disappear is annoying. I understand we can obtain more zonai parts throughout Hyrule, but I wish it lasted long enough. Also, the fact that you can’t really travel a lot in many of the builds, oh how disappointing it was to build a cool Zonai truck with big ass wheels but get frustrated that it couldn’t pass through a few bumps on the road. I feel like the Hoverbike is the best Zonai build of the game.

The Ultrahand is fun when trying to solve puzzles or merge random items. Fusing weapons, on the other hand, is my favorite thing in the game. There’s something really satisfying about fusing a really powerful weapon together. I really don’t mind that the weapons are breakable if that means I have a spot to make a strong weapon. Weapon durability never really bothered me. Both games push you to explore around to look for weapons. I think it would be boring if they weren’t breakable.

The shrines are a big improvement from BotW's shrines. I wished there were more challenging Shrines over the many King Rauru blessings. I can't really say much about the dungeons as I only completed two out of the five. But I think there was a bit to be desired; it's almost a Zelda dungeon.

Sage abilities. I want to speak to the game designer who thought it was a great idea to activate the sage abilities with the same button you click to pick up items on the floor. A total downgrade to the way you’d activate the Champion abilities in BotW.

Rupees. I would like to speak to the game designer who thought it was a great idea that you now have to manually press A to pick up rupees from the floor rather than casually walking in front of it to automatically pick it up. From my previous point, do you know how many times I’ve tried to pick up rupees only for Tulin’s ability to fly them away from me?

The sky islands, ohh boyyy, finding out that they had to reduce the amount of sky islands is disappointing, but I understand in a game design aspect. BUT it is disappointing that the game was advertising itself for the sky islands, only for there to be very few in the final. Like remember back in 2021 when they were advertising SkSw HD, and then i think a year later a totk teaser dropped and Link was falling from the skies? Good times ❤️

The Depths: I enjoyed the Depths a bit more than the Sky Islands. But it does get boring after a while if you’re not there to fight monsters or look for treasure, which is also disappointing. I love the OST descending down a chasm and entering the depths. Also, don’t get me started on how frustrating it is to use Zonai builds there compared to the surface or sky islands.

I think those are all my thoughts on the gameplay. I still have a few more issues with it but I feel like it mixes with the story so lets get that over with

Limitation vs Freedom

My biggest issue with this game is that it gives you the freedom to do whatever you want. However, there is still a story attached, and the story still wants to play out linearly. So, we have a game that grants you total freedom on how you want to play this game, but the story is still linear. But even if you decide to experience the story while doing dungeons and shrines. The game doesn't update with the piece of information that you discover.

The Dragon Tears are a really flawed way to experience the story. Zelda's memories are scattered across Hyrule; the number of times I've seen ppl say they accidentally got the tears out of order cause they thought it was similar to BotW's way of getting the memories. Basically, if you happen to be near one memory, you might as well get it cause it'll get annoying to go back and forth. Only to the person's shock, they got a cutscene meeting the Queen and King and then going up the Hebra region as that's the closest memory from the previous one. Just to see Queen Sonia dead on the floor.

What also bothers me is that the game doesn't update when you make a discovery in these memories. For example, I found out that Phantom Ganon can transform into Zelda in the memories and walk up to the NPCs in hopes of a change of dialogue. But getting nothing, walking up to Purah, Tulin, then Yunobo, and seeing no change of dialogue got really tiresome. It's as if the game doesn't believe you're smart enough to connect the dots.

Also, for people who decided to explore and get the Dragon Tear memories before entering any dungeon. There is very little change of dialogue, suddenly the game strangely punishes you by not letting the npcs acknowledge what you just discovered. While it's not an actual in-game punishment, you're stuck with characters asking a million questions that you already know of. Suddenly, the game's freedom to do whatever you want gets put to a halt because you decide to have the freedom to experience the story however you'd like.

NOW I get to move the part that I’ve been waiting (dreading) for!!

Lore

Sheikah Tech…I don’t care how simple the explanation is on why they are gone. It is probably the dumbest explanation I’ve seen. The fact that it wasn’t even questioned in-game and by the developers baffles my mind. How does it vanish in thin air? Their explanation is that the Calamity no longer exists doesn’t make sense to me either. The Sheikah tech has been there for more than 10k years but only in a dormant state. I don’t want to ask any more questions, or I’ll be here all day, but it drives me up a wall how the lore of the Sheikah got shafted to the side for the new stone technology aesthetic. Speaking of which-

Zonai in general. The fact that WE DONT EVEN GET LORE from the Zonais aside from being viewed as gods is sooooo ughhhhh I wish there was more. Why are there two remaining Zonais? (This probably got answered tbh but idc to look) Who’s the ancient hero and how come he looks like a Zonai or just in fact a different race we’ve never seen before?

Draconification…god. I have many thoughts and also many thoughts about the secret stones. It is an idea that I find interesting and could’ve worked for me. If it didn’t contradict itself in many aspects, as in how becoming a dragon, you will lose your sense of self. I think it would be a nice foreshadowing of the fate Zelda could’ve had. I think making the other dragons take a role in that and expand on it would’ve worked. Idk I think instead of implying it, it could’ve been expanded and shown a lot more severity of the situation.

Apparently I don’t got much on lore, but you know what I got much of????

STORY

This one is going to be a FAT one so bear with me. God where do I even begin here, I'm going completely omit the part where the game feels like it’s gaslighting you through the npcs cause I feel like everyone knows that.

My biggest frustration with this game is that it has such interesting story concepts and cinematic moments. But I can’t but feel like these moments were there first, and everything else was built around it. However, whatever suspicion I feel about how they created this story, only to my shock and horror that there isn’t a credited group of people in the credits, only an outside team (company?). Before I continue, I think it’s dumb when people say TLoZ didn’t have much of a story when previous Zelda games had a storyline to follow (OoT, MM, WW, TP, fucking…even Link’s Awakening, and more). So yes, TLoZ does have stories. It’s not just about the dungeons if I'm being honest.

What I find so odd is that Monolith Soft has games such as the Xenoblade games, where the latest game of that series does have a credited team of writers. Hell, BotW had two credited writers. But I won't go far speculating why they decided to hire a company outside the team to write TotK; it is only interesting to me why they did that. Since there really isn't a solid team of writers, I will focus my issues on Fujibayashi as a story writer; after all, he is the director of this game. And I've seen multiple interviews after the game's release where he explains a lot of the game's "lore" and story that should've been easily explained in the game in the first place. I think this will be me sharing my opinions rather than critiques... boy where do I even begin...

Sages—the ancient sages, not counting Mineru, are pointless. I felt no connection seeing the Ancient Sages meet their predecessors. Can't believe Age of Calamity made me feel more strongly about the Champions meeting their predecessors than the ancient sages did. - I also think they really don't share anything important. Maybe the first time, yes, but you could easily remove their cutscenes and just have Mineru explain how everything went down, and nothing will change. - Now, to the present Sages, I can't really say much, sadly. Tulin and Yunobo were the only characters for whom I completed their quests, and I enjoyed their character arcs, especially Yunobo's. If I could pick up TotK again, I would try to do Riju's arc, as it seemed really fun to play from the playthroughs I've seen my friends do. I don't really care for Sidon. Before I dropped the game, I was going through his quest and got really irritated fast for many reasons that I have mentioned here previously.

King Rauru and Queen Sonia – There has never been a character that I've enjoyed where I think they deserved much better than what they were there for. I get it; Sonia was only there as the character to be killed off to move the plot forward, but oh my god...I could've saved her. I wished we could've seen her more involved in the story than just standing by Raruru's side. - King Rauru, my brain turns foggy when I think of this man, and sometimes there are too many words to explain my issues. But to water it down, I feel we centered ourselves too much on these characters who don't even affect the main protagonist to some degree. Sure, King Rauru first appears at the beginning to show you his magic hand abilities. But I guess I was hoping something like how the previous TLoZ games had your companion help you throughout your journey and are the key fact of many things in the story (Midna and KotRL appear in my head when I mention this).

Zelda—sighhhhhhhhhhhhhhhhhh. I think this game would've been 10x better if she had been the protagonist. I know it probably wouldn't make sense because she turns into a dragon by the end but Idc. What frustrates me about Zelda is that she's given very few options. It's a war or nothing. It's becoming a dragon or being stuck in the past forever. I guess that's the tragedy of her story, but instead of me feeling sad, it frustrates me.

Link—Oh god, here we go. Link has a very small role in this, and you can disagree with me. But how is it possible that this is one of the few Links that has little involvement in the story? Link just happened to stumble into a bigger mystery than it already was. Link didn't even prove himself to Ganondorf why he's a threat to him aside from the first cutscene and Rauru.

Ganondorf - .........I hope this is the last time we see Ganondorf in the series. I know that sounds shocking, but if Fujibayashi is going to take the lead in storytelling for future games, I don't want him to make another iteration of Ganondorf. To me, Fujibayashi works better by making completely new Zelda villains. Ghirahim and Kohga are perfect examples. Ganondorf in this game was so underwhelming and disappointing. He never directly confronted himself with either Link or Zelda. Gameplay wise, he's great, but the story? What is he doing here? Literally, it feels like they only brought Ganondorf back because people questioned about Ganondorf back in BotW.

Conclusion

There are many aspects of the game that I enjoy; however, in my case, the bad outweighs the good. That's why this game frustrates me: There was a lot of potential to be seen. There is probably more for me to say that I'm either intentionally leaving out or just forgetting cause there are many things. Happy one year TotK 🎉🎉🎉

#txt #i am a little anxious sharing this so no hard feelings if i lock the post

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ladyjenise · 7 months

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Thoughts on why Ganondorf makes "that face" in Tears of the Kingdom

I'm several months late, but I didn't want to post spoiler stuff when the game was fresh and, frankly, I had quite a whack summer. So here we are.

Anyway, onto the meta: my thoughts on why Ganondorf makes "that face" in Tears of the Kingdom.

Yes, this face:

One of the first things I want to do is credit some rad metas that helped me along in my thought process:

-Discussion of Ganondorf's facial design from a technical and creative standpoint

-Discussion of Ganondorf's outfit

And now to the actual meta! Will include spoilers for Tears of the Kingdom.

When the screenshots of Ganondorf making "that face" first hit the internet, there was a lot of lol and wtf, which was fair. Most people weren't that far in the game yet. Actually, not sure it was even out yet (there was an early leaked ROM floating around at some point pre-release). I don't want to dwell much on people's initial reactions as I think if you're here reading you've already processed your initial feelings on seeing it. And your initial reaction of LOL WTF is fine. Out of context, it probably made little sense.

But let's talk about context: Ganondorf makes this face after killing Sonia for her Secret Stone. He's literally laughing over her dead body as Zelda calls out vainly to the fallen queen. It's a very heinous, dramatic act. And I think, in context, that confused people even more because his face, on first glance, feels over the top and silly for such a serious moment. However, it's not there because Nintendo's devs don't know what they're doing. At least, that's what I'm trying to argue here.

Let's discuss the build up to this scene in the story chronology: Ganondorf tries to use moldugas to attack the fledgling kingdom of Hyrule. It goes badly because Rauru, alongside Sonia and Zelda, are able to use Secret Stones of the Zonai to fend off the attack. It's a very lopsided victory.

Ganondorf takes a moment to pout before observing the Secret Stones. Ganondorf correctly observes that brute force will not be enough. Not one to sit back on his failures, Ganondorf is clearly already hatching a new plan. End of scene.

We next see Ganondorf at the court of Rauru and Sonia, bending the knee in what we know is a false act of fealty. Of course, this scene is a reference to the plot of Ocarina of Time (where we spy on Ganondorf through a window as he bends the knee to the King of Hyrule, who is out of the shot). it's also a glimpse of Ganondorf the schemer.

If you had not met Ganondorf before playing Tears of the Kingdom, you might actually think Ganondorf is just a mindlessly violent guy (and he is that too, don't get me wrong). You might not have expected this dude to roll up to the court of Hyrule and start playing the political game. His character design looks like the exact kind of guy who could punch your head clean off your body. Just look at him:

He's a brick wall. He looks like a big tough guy, and maybe he's just some big dummy who only understands violence. It's a stereotype Nintendo has subverted again and again with his character. And there Ganondorf is at the court of Rauru serving backhanded compliments like a pro. And while Rauru assures Zelda that he knows Ganondorf is up to shit, he's really got Rauru convinced that he can handle him. As we shall see, Rauru was mistaken. But that's Ganondorf for you. His character is about subverting expectations. This is what makes him so very fun.

Even his costume, with the reversible robe, tells you a lot about who he is. On the outside, a calm, clever, cultured man. On the inside, he's ready to fuck your shit up. I love it.

Back to the scene.

After assuring Rauru he simply wants to play nice and have the protection of Hyrule, Ganondorf serves some cunty lines implying Rauru is an interloper and an outsider etc before leaving. And it's at this point I noticed that when Ganondorf takes his leave, he makes this really flourishing move with his arm that made me stop and think.

You can probably find the scene online somewhere, but here's a screenshot of what I mean:

And note that he also uses his sleeved arm, creating that extra diva flourish as he goes. We also get a real good fast look at how colourful and different his sleeve is. He's turned his back to Rauru and the others after swearing his fealty. His changeable nature is displayed to the player. It's a nice wink and nod to Ganondorf's later betrayal. Only Zelda has a real inkling that he's really, really bad news and probably shouldn't even be there. But if you've played Ocarina of Time, you understand that Zelda isn't listened to until it's too late.

Returning to the flourish itself: Ganondorf didn't have to do this. And Nintendo didn't have to waste animation time having him do this. But they did. And they did it again when he laughs over Sonia's body. And they do it again when he swallows his Secret Stone. They just. keep. doing. it.

Why?

Why do all this extra dramatic animation for Ganondorf?

Those familiar with kabuki (a classical form of Japanese theatre) are probably screaming KABUKI, and I would agree. I didn't immediately get there at first only because my background was in another form of classical theatre: Greek (ask me about my unversity minor lol). I'm not going into a deep dive on either classical Greek theatre nor kabuki because that's a lot, I'm not really an expert or super familiar with the details, and I also think their Wikipedia pages will probably give you a decent summary of what you might want to learn details on. However, classic Greek theatre is old as shit and has a lot of great stories with characters you'll recognize. I recommend.

What I need you, dear reader, to understand about classic and ancient forms of theatre is their emphasis ON emphasis. It's a lot of what we might think of as exaggerated elements, over-the-top forms, and straight up spelling shit out to the audience. Real archaic shit. Because the world we are watching in these memories IS archaic to Link. There's 10,000 years between the memories we see and Link's time. It's like we, as Link, are viewing a kabuki play or a Greek play about stuff that happened then. It makes perfect sense to have Ganondorf act like he's in an ancient play. And that's how you get shit like this:

This is all theatre.

But why is ancient theatre so weird? It's not. We think it looks weird because it's unfamiliar to us. Most of us don't grow up watching ancient plays. Even those of use who read Shakespeare in school are usually sweating through the now-archaic English (it was only 400-ish years ago!) You're not equipped, and that's cool.

And honestly, if you are familiar with Ganondorf, he truly is a creature of theatre. Just look at this castle he builds in Ocarina of Time:

He destroyed Hyrule Castle to build this giant fucking castle levitating over a pit of lava. Like why? Because he CAN. Because he can't do anything in halves.

Also, his outfits. Look at this shit. He can't tone it down. I don't think he could if he tried.

Coming back to Ganondorf's face when he kills Sonia: when Ganondorf's face contorts and he starts to laugh evilly, we are told in very certain terms that he's made a critical choice. If you weren't sure before, you're being told now: He's evil. There's no going back from this. And he's embracing it. There is zero remorse. Killing her was the act he needed to move from man to monster. It's very important that you, the player, understand this. It's a moral thing. And I don't mean like "If you like this character after you are a bad person" type of thing. That's not what I mean here (and what people who have weird obsessions on the internet often misunderstand just so they can start fights over dumb shit). What I mean is that the storytellers need you need to understand your character's motivations for wanting to fight this guy.

And the next scene plainly shows what I'm talking about: Ganondorf takes the Secret Stone and literally turns into a demon king. He's no longer a man. He's this other, immoral being now. Bye bye, human Ganondorf, hello monster Ganondorf! That's it.

Going back to his eating of the Secret Stone, which changes Ganondorf from good ol' demon king to the for realsies demon dragon, he says some lines about giving up his "body" and "mind" and, frankly "everything", just so he can win. But also it's a desperate last attempt at keeping hold of the power that has so horribly blinded him to the truth.

That last part is ironic for Ganondorf, a man who was clever enough to get into the heart of Hyrule, steal their powerful relic, kill the queen and ALMOST become king. Because that's his ultimate failing. He's smart, clever, and his wins get the better of him. His addiction to power means he never stops to consider he might have weaknesses he cannot yet see, or that, as Rauru warns him, his arrogance and blind faith in his own abilities and talents might be his downfall.

In a way, the story is just as much about Link searching for Zelda and Zelda trying to figure out her role in the world as it is about the fall of a powerful man. Is it tragic that Ganondorf let himself become so corrupted by power that it would slowly transform him from man to demon? I guess it depends on who you ask, really. (I think it's fucking cool)

#legend of zelda #ganondorf #tears of the kingdom #spoilers #tears of the kingdom spoilers

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mystigaron · 9 months

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somewhat personal take on rauru's design i love him so much i love the zonai. Rauryyy 💛💛💛

#tloz #totk #king rauru #odogaron's art

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sheikfangirl · 2 days

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Since you're the Queen of Puppet Zelda, what are your thoughts on these possible explanations for her level of autonomy?

Is Puppet Zelda merely made of Gloom and acts as a physical extension of Gannondorf himself so he has a set of eyes, ears, and hands that can travel and exert influence outside of his perch in the Depths, but as a higher quality puppet/projection (and therefore more taxing on his power to maintain) than the Gloom Hands and Phantom Gannons? Or is she a separate being entirely, created by him, but given her own agency, mind, and will to make her own decisions, in so far as she's still a slave to doing Gannondorf's bidding? She doesn't need constant effort on his part to control or exist, but would have probably cost him a chunk of his power upfront to create.

Could she be something else?

First, let's rectify one thing: I am NOT the Queen of Puppet Zelda. Puppet Zelda IS MY QUEEN. (But thanks for the compliment, I am blushing over here 🤭)

Secondly, thank you so much for your interest in my HC. I will happily share my thoughts on this criminally underused character that has drama written all over. This is an overview okay because I feel I could write a freakin thesis paper on Puppet Zelda

Quick note: I am not pretending to be right or to have the absolute truth. This is my headcanon, the backstory in the back of my mind when I draw my Puppet Zelda art.

All headcanons are valid, games are interactive media, and the relationship and connections one has with a game are personal.

As you might know, English is not my first language and visual support helps me explain things... so I made a graphic. I hope this will help understand my take of this character and why I love her so much🤣🤷‍♀️

In a nutshell:

I think Puppet Zelda is an independent minion created by Ganondorf using his magic powers. He created a shell in Zelda's image from 10 000 years ago to do his bidding and re-used her 10 000 years later to distract Link to buy himself the time to regenerate to full power.

Exhibit A: Ganondorf's Magic

If Ganondorf can spawn a whole list of monsters and gloom hands, he created Puppet Zelda too. The monsters are not continually controlled by Ganondorf, right? They do his bidding, they do what they were "programmed & designed" for, we might even say. I think it's the same for Puppet Zelda. But she is definitely a more defined and complex creation.

Exhibit B: The Hot henchwoman trope

I am not gonna lie: This is one of my very favorite tropes.... EVER! I always fall for the hot henchwomen. Ganon's quote from the glorious Sanctum scene during the "Crisis at Hyrule Castle" scene makes me absolutely think she is indeed autonomous. "Did my puppet distract you?" Ganondorf asks Link in that chilling and subtext filled scene.

Puppet Zelda had one objective: To distract Link.

Ganon was busy regenerating. Having to control or act through someone would've been too power consuming. I don't buy it's a manifestation of him. AT ALL. so...yeah. hot henchwoman trope. Also, I'm a lesbian and I have no interest whatsoever in Ganondorf.

...HOT HENCHWOMAN TROPE SUPREMACY!! Yep. Fanservice for me.

Exhibit C: Real Zelda's Angst

This is where it's getting twistingly FUN.

This is an HC I assimilated like a borg from my ZHS buddy @kazraza Her theory is so ***** angsty and delicious and I love it!

At the time of King Rauru and Queen Sonia, Ganondorf created a pawn with Zelda's appearance so that it could get close to them and attack.

Then, in order to distract Link 10 000 years later, Ganondorf had to "refine" his weapon. He needed "data and real Zelda knowledge" uploaded into Puppet Zelda to ensure her credibility and the success of her mission. He wanted to make sure she could distract Link and trick him.

And where did all this personal knowledge of Real Zelda's innermost intimate thoughts and insecurities come from, you may ask?

Well from the real Zelda herself of course!!

But when and where was this data collected?

We believe all of Zelda's Angst was leached directly from her during her 100 years mystic battle containing Calamity Ganon in this Malice Cocoon in Breath of the Wild. *GASP* Puppet Zelda was there all along in Breath of the Wild....absorbing all of Zelda's angst!!!

This is why everyone was confused and tricked by Puppet Zelda in TotK. This is why Puppet Zelda asks Link if he remembers their time at Hyrule Castle: she has Zelda's pre-calamity memories and this why Link is so tortured in my art! She can REALLY mess with him big time. I really like to think there is a part of real Zelda inside Puppet Zelda. Her dark side: Her anger, her cockiness, her jealousy, her selfishness... her desire.

She is also kind of Zelda's answer to Dark Link.

Alright I wrote enough for tonight. To whoever took precious minutes of their lives to read this well...thank you! I am now moving on with my life too 🤣

For more HC about Puppet Zelda, her powers and influences, this should be all covered in future art

(i hope)

Cheers!! And glory to Puppet Zelda ✋

#puppet zelda #legend of zelda #tears of the kingdom #i am puppet zelda's puppet #cult of Puppet Zelda #sheik fangirl

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pumpkinsouppe · 2 months

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Here's my interpretations of all the OOT sages!! I have closeups of each sage and my thoughts behind their headcanon design changes below ^_^ (im alsooooo thinking of selling these as stickers if i ever figure out my silhouette)

Zelda

I headcanon Zelda is half Hylian half Sheikah with Impa being their aunt (mother’s sister, mother being full Sheikah and died when Zelda was young)

I also hc Zelda/Sheik as either transmasc or gender fluid depending on the interpretation of OOT I’m using, in this art Zelda is gender fluid and since I’m talking about sheik and Zelda a lot here I’ll just use they/them

Combined Zelda’s design with Sheik’s to make it more believable that they’re the same person this includes:

A skin color closer to Sheik’s concept art

Heterochromia, which is why sheik was hiding one of their eyes (and Zelda was forced to wear contacts or use magic to hide being half Sheikah post civil war)

Hylian pointed ears, another characteristic sheik had to hide (more info under Impa’s notes)

Lighter blond hair to be closer to Sheikah white hair

Sheik’s eye shape and eyebrows

Textured long hair, sheik would have a braid like in smash bros

Not pictured but if sheik is broad shouldered and muscular, then so is Zelda!!!!

Big forehead Zelda truther

Impa

Shares some traits with Zelda since I hc them as being related such as similar nose shape, eye shape, and skin tone

Textured hair styled into locs, tied into a short ponytail

Sheikah pointed ears, since Sheik hides their ears I thought it would be fun to have another different characteristic between the human races such as differing ear shapes. If Sheik showed their ears it would be a giveaway that they are not fully Sheikah

The rest is basically the same

Rauru

Rauru is perfect as he is all I did was give him spots on his skin to give him more accurate skin of an older person

Saria

So one thing I hc about Saria is that she was Link’s caretaker/mother figure in OOT so my main goal was to make her look childlike but have a more mature face

So I gave her rounder cheeks and made her smaller compared to everyone else and gave her larger eyes and a button nose but I also gave her some lines around her eyes to suggest age, I also gave her thinner eyebrows similar to a kid

I changed her eyes to brown bc I’m tired of all these blue eyed characters, there’s a severe drought of brown eyed characters in tloz

I gave her freckles

Her ears are also pointed upwards. I think the great deku tree did his best to make the kokiri look Hylian especially for link’s sake but he couldn’t get the ears right and they turned a little more animal-like since they live in the middle of the forest and are used to animals than humans. So kokiri look identical to Hylian children except the one difference is their ears being a different shape

Everything else is basically the same

Ruto

RUTOOOOOO ‼️‼️‼️‼️💕💕💕💕💕💕💕‼️‼️‼️‼️‼️💕💕💕💕

Her size is much larger bc why are all the royal male zora 20 stories high but not the female zora, she would be almost as tall as Darunia at this age

I changed her eyes to be like all the other zora, it’s weird all the other zora have full color eyes yet she has human eyes 😭😭 you can tell the Zelda team was terrified about being called monster fuckers by committing fully to making Ruto have all the same traits as other zora

I also gave her freckles and added more spots on her to give her more texture and bc I love the way the Majora’s mask zora look

I haven’t drawn her body so I don’t have itemized changes but I’d make a couple more changes, other than that she’s perfect. Only smaller changes were made to just make her more zora-like than the design the devs used bc they were scared of idek what. Women can be beasts and monsters!!!! Cowards

Nabooru

Nabooru had the most changes besides Zelda but technically Zelda was a mash of two designs rather than fixing all of the issues with Nabooru’s design

My goal was to make her look like an actual person rather than a caricature such as changing her over exaggerated nose to be a hooked nose, removing the white on her lips, etc. If there is anything I need to change about my new design for her please let me know, I want to keep her recognizable without using the harmful designs the devs gave her

I gave her a darker skin color and gave her moles

I toned her red hair so that it looks more natural

I haven't fully decided on her clothes but considering she's in the desert i gave her long sleeves esp bc the area you find her in has crazy sandstorms

I'm still deciding if i keep her yellow eyes or not, i like their contrast and how it matches her eyeshadow but also I want more brown eyed characters

Darunia

The one big change about Darunia is making him more animal like by giving him more of a snout and a dog-like nose. I don't like how Gorons are designed in games like twilight princess and the white lips they have in majora's mask so my main goal was for him to just seem more animalistic and non-human

i also added lighter color around his nose area to suggest age similar to a dog

nothing else changes other than that

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ganondoodle · 10 months

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i was so happy that ganondorf was a character in totk when it was announced but now i am just sad about it honestly, i get that the older games had the trio as a good kids VS evil old guy thing, but i sincerely hoped that how much botw revolutionized(?) about the zelda principle in terms of gameplay they would now have the chance to do so, at least a little bit, in totk with the story

and then, as much as i like his design, hes again just an already very old evil guy that appeared out of nowhere for all we know that needs to be stopped by some kids/really young people and all the crumbs of personality or well ... not even crumbs but pure idea of a backstory we have to interpret into it all from things like manner of speech, animation and design elements bc all he does is some evil monologing that doesnt even serve well for interpretation

like, he was already so old when we first see him, what did he do all his life?? like even if he only turned aggressive once rauru founded this version of hyrule he had to have lived idk 50 years before that, was he just a regular leader of his people before that?? was he just .. some dude?? all we actually know is ... old evil guy shows up and attacks the perfect and good kingdom (tm) dont we? maybe some vague, arbitrary you denied me *generic villain thing like power, rule etc* line but thats it?

(i dont mind having to read between the lines, it can be very fun, but it also depends on if you are reading between lines and theres something intentionally left there or if you are trying really hard to see something but theres nothing actually there for you to find; to be clear, i also like creating your own ideas around stuff, but when you get to know some people from basically birth to their prime time and then theres a guy thats just there to be an endboss and even now in modern games doesnt get anything beyond a neat design and fun bossfight its just ... so flat?sad? i love interpeting but i also wouldnt mind to see something more for once ..)

#ganondoodles talks #zelda #totk #idk if this counts as a rant #and he can stay evil but i just want to see more for once!!#you are not born evil #also the way the other gerudo just disappear from everything as soon as he gets the stone is like #huh???#did they never like him and abandoned him as soon as they could?#di HE not have ANY connection to ANYONE????#the other gerudo are like in the moldora cutscene and the one where he -swears his loyality to hyrule that lasts like half an hour #and then never again??#he goes oni mode and bam its only monsters now #and AGAIN we were aluded to that there would be more #with the trailer that showed him with other gerudos!!#i know alot of what was in the trailer didnt matter and got removed #but still #its like the intro that dangles in front of you the possibilty of zelda being your companion and exploring together only to yank it all awa #WOOP jokes on YOU there was never actually anything there!! haha you are dumb to let that get your hopes up LOL LMAO #chewing on wood #>:C

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seraa-relearns-art · 11 months

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Zelda "Sunniva" The First of Hyrule

I had a thought while I was playing Tears of the Kingdom the other day. What would Sonia and Rauru's kid actually look like if we had gotten to see them? I had an idea, so I went ahead and drew her! Granted, I leaned *HEAVILY* into Sonia's hylian looks to create this cutie, but I did try to incorporate some of Rauru's features into her design.

So, let me introduce you guys to Zelda "Sunniva" The First of Hyrule!

She's an OC I created to go along with another character who is still in the works (her design isn't quite finished yet, but I should be able to post it soon!). Sunni' will be part of a story/fanfiction I'm writing based on Tears of the Kingdom!

This character's original name was Sunniva, which means "gift from the sun" from what I've gathered. I thought it was an adorable name, as well as a name that matched well with the fact that Sonia's favourite flowers are said to be Sundelions (Sunniva, Sundelion... you get it) ! Sunni' eventually takes up the name "Zelda" after the princess that came from the distant future and helped her parents during the Imprisoning War. She believes it would be a way to keep her close to her heart, in a way, and by naming herself after Zelda, she became the first of a very long, unbroken line of princesses who share the same name.

I hope you guys like her as much as I do! Sunni' is a very important character in the story I'm writing, and it was important that she looks like a spitting image of Sonia, while being unique enough that she isn't quite the same. I love her to bits already and I have only drawn her this once, lol!

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ganonfan1995 · 7 months

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Okay talking about ToTK for a hot second, THEN I gotta do some work.

The woes of WFH means I'm compelled to post at all hours of the day, and sometimes I need to indulge!!!

Personally speaking, I really loved the little details and snippets you get throughout the game, detailing Rauru and Sonia's relationship. I particularly found it interesting that they founded Hyrule, in part, through the combined effort to protect its people from monsters, long before Ganondorf rose to his position as the demon king.

I was hoping the game would elaborate on this; there was so much subtext in the depths that would insinuate that the Zonai, in their pursuit of Zonaite, opened the original chasms to hell, allowing the spirits from below to manifest above. I love that, especially with the little tidbits from the Spirit Temple and the bargainer statues; I got a very dark image of who the Zonai were and what their goals were...But subtext remained subtext, and nothing was set in stone.

I have so many lingering questions, like...What is Zonaite? Why does it grow back, and why does it only form in the depths, the place where the dead seem to roam aimlessly? What was the design intention of making Zonaite visually connect to luminous stone? Was the original myth of souls being contained in luminous an originating myth from Zonaite....ARE THERE HUMAN SOULS IN THE ZONAITE?? ARE THERE MONSTER SOULS IN THE ZONAITE?? WHY DOES THE ZONAITE ENERGY VISUALLY LOOK THE EXACT SAME AS THE SPIRITS!!! NINTENDO....PLEASE I BEG YOU!!!

WHY DID THEY BLIND THE DEITY OF THE DEPTHS AND WHY IS IT ONE IN THE SAME WITH THE HYLIA STATUES......

I'm done yelling, but you get the point.

Even if their intentions for the establishment of the kingdom were good, which I have no doubt about — Rauru is a bit of an ignorant man, but he doesn't have a greedy heart, nor is his goal one of dominance over the land. The fact remains that I still feel, in part, guilt is what drives him to see himself suited to the position of king.

From the minute you meet him and he donates his arm to Link, to the last minute you see him, sacrificing himself to seal Ganondorf away until the present. There's a guilt that runs so deeply through him as a character, that is never elaborated on.

I guess you could argue that his guilt stems from his inability to protect Sonia, the land, etc...But I feel like that guilt is older.

I feel like that guilt stems from his personal guilt he gained from his people. His shame, his embarrassment. He and his sister remain as the last standing Zonai, and we never learn why...Only that he, and his wife, a former priestess, formed a union to establish a kingdom, under the insurance that a long standing protection would be in place to safe guard it's people from monsters.

Monsters that only appeared after the chasms were opened.

Chasms which were opened to mine Zonaite.

An energy source only used to power Zonai technology.

And there was no B plot. There was no explanation. There was only that, and a game mechanic...

I've gotten to the point that I've just sort of let this be just that: a game mechanic. They only needed some shallow lore to tie in the building mechanic in to the game so we could build cars, whatever...

But it felt so unsatisfying as someone who is genuinely interested in the lore.

On the surface the game probably hit really hard to people who were more invested in Zelda and Link's relationship to one another post botw, and to their friends and The Kingdom TM...But I'm left here blinking in disbelief that they literally laid down some insane ideas only to have it tossed by the wayside.

I want context, I want history! Nintendo.....please!!! I'm begging!

Also I think they should have let Josha cook.

#not also to mention the foreshadowing and connection between the sheikah and the zonai throughout this game and the last #but like didn't touch on it at all #josha should have been the sage of spirit btw #should have taken her down there to the spirit temple and like awoken her and all that #missed opportunity tbh #tell me whyyyyy #ganonfan posts

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furbygoblinxiv · 1 year

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MASSIVE TOTK STORY SPOILERS

Made some quickly colored sketches based on my thoughts and playthrough of totk now that I've reached the end of the main story (in 65 hours over 10 days...)

Explaining in order of appearance and also delivering thoughts opinions and spoilers on most things:

So since Sonia gets got and Rauru self sacrifices, and also Zelda shares a blood connection with them, they had to have had kids by the time Zelda got there. And I imagine she spent alot of time with them, since so much happens in those memories, so I like to think the kids and her got along. And I also image that these kids gotta look wild based on being half Zonia half Hylian. Wild looking halfling children left orphaned by Ganondorf.

Zelda gets saved from dragon form at the end, hoorah, however I think she should have kept some of the more dragon like features. I swear I'm not a furry but I just really like funky character designs. Something something how its become part of her something something I need lore videos on it immediately. Also a little Link mashup outfit (my favorite so far, pairing a horn with normal clothing)

So the sage avatars are like physical beings, hence why enemies can shoot at them and why they vanish when in villages in order to not scare people ig. Which to me implies that when you complete a sage dungeon with other sage avatars out, that actual sage can see them. While this has plentiful comedic potential, I do think Riju would be the only one to actually question it though. Also, I call the avatars "my shadow clone goons" or just goons for short, since they do like all my fighting for me. I sit back and block and they do all the work. Extra shout out to Tulin, I think he's killed more dungeon bosses than I have. I didn't wanna spoil Mineru to people so I just collectively call them my Goon Squad.

I thought it was really sweet how Zelda seems to have gotten a chance at having caring parental figures in Sonia and Rauru. I also think it's funny that the closest equivalent that I think Link has is in Purah. Who, when I got all the memories (and thus knew of the imposter and the fate of Zelda) and got the master sword, Link just straight up didn't share any of this until AFTER he got Mineru. Like. Buddy. All these people are worried about Zelda but you SAW THE MEMORY of Ganondorf using a puppet Zelda, and the memory of Zelda becoming a dragon. Like. He just chooses to keep those to himself until someone else brings it up. Straight up iconic. You keep all your secrets to yourself, little man. But it's funny how Purah literally had a line like "You knew all of this?! When were you gonna tell me?!" Lol

I have a lot of thoughts on this game, both good and bad, about the story, lore, mechanics, ect that I may make a post about eventually. However I do know that I'll probably make art of like every single new character eventually bc I dearly love them all (I especially think Yona has a cute design)! Anyways slay fun game I love it I shall continue to play 9/10

#loz #totk #totk spoilers #legend of zelda #tears of the kingdom #the legend of zelda #totk purah #ive decided the only character tag Im adding to this is purah actually #my thoughts and rambles #my totk playthru #my art tag

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onesunofagun · 1 year

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The implications on Ganondorf and his background in TotK suggest some very interesting things to me.

First of all, like. I love him. He specifically did not disappoint me. His JP audio fucks so hard. I love his design. He's glorious.

And Hyrule as an imperialistic divine hegemony is not a new concept in the slightest, obviously, the Ganondorf corner of the fandom have known and discoursed about the potential story ramifications of those themes since OoT, but Fujibayashi really went ham on it in his run. (And look. Zelda is made in Japan. Framing a divine imperial authority as a good thing narratively is pretty par for the course JP nationalism, to be really blunt. It is what it is. Grain of salt.)

But I do appreciate that it revisited some OoT plot beats even if it... really drove that point home again in retrospect

I guess new fans are in for a treat unpacking that;;;

Anyway in the BG of that, I'm interested in the particular minutia of what was happening with this Ganondorf specifically to flavour his particular brand of 'fuck you'

And a few important points that give broader context to things are these and I'll put under a cut bc spoilers obviously--

Rauru's repeated 'invitations' to join Hyrule and benefit from their protection (presumably some advanced technological access or strong magical allies as part of that promise, which I believe is probably anti-monster focused within world context) which Ganondorf as a King has very much ignored (and good for him tbh).

Clearly, he has an interest in keeping Gerudo independent.

Ganondorf is acknowledged as a Hero to his people. Not only does this heavily resonate with the very particular themes of his actual character design and both its Buddhist reference and Samurai trope homages, but like-- we're actively shown an explanation for WHY he may be considered such.

Being who he is, he's already magically inclined with a kinship to monsters. We are unapologetically shown him in command of a Molduga Army. Trained Moldugas, under his command-- and not under specifically his mystical command, either, but musically conditioned. Trained to follow sound based command cues, which makes plentiful sense given Moldugas are sound sensitive and Ganondorf usually has musical inclinations. Plus it's Zelda franchise, magic command music is also very much a thing but--

Moldugas are, at least medicinally, very important resources. On a larger scale, they're also a very present threat to desert dwellers and travellers, and from the looks of it in much larger numbers, back then.

Given the context of everything, Ganondorf was a badass even before 'he took a magic relic and fucked up the Hyrulean Royal Family' as he tends to do. Sporting as ever, he fights Link one on one as just a Gerudo, also showing once again that he does in fact have some personal code of honour when it comes to fighting worthy opponents. But it gives us a yardstick of how capable he probably was even before he nabbed the tear.

Capable enough of tangling with most big uglies in the desert, such as Moldugas, which he has at least trained and at most maybe even raised.

Exemplified Power as he ever is, I'd like to point out that in this case, he's demonstrating a flipside of what Power looks like-- benevolence, protection, guardianship. Once again, we have the pieces that indeed he is capable of that and showing that to his own people. He also flexes the Molduga Army as a show of Gerudo and its own power.

To anyone other than Rauru, who is an incredibly powerful Sage already, a Molduga Army would have absolutely won the day, I think. The reaction of the other Gerudo is pretty telling.

Ganondorf's faction were deeply shaken by the display of Rauru's power. And as a guy that's been knocking on your King's door and saying 'you should come and bend knee to me' when Gan already has the worst problem in the sands sorted out?

Very understandable.

From their perspective -- what do they need protection from, exactly, if not Hyrule itself? Their monster problem is a non-issue. From the viewpoint of Gerudo loyal to Ganondorf, everything about this looks like a pressured threat.

Which comes back around, of course, to what Ganondorf plainly lays out to Rauru when he gains the tear-- this is because Rauru tried to control him. And yes, that's Ganondorf and his pride and his nature in full tilt too. He will not be pulled beneath anyone or anything.

But that's the point about that hubris on Rauru's part, he felt superior and he underestimated both Gerudo and Ganondorf-- as a warrior and a leader, and as somebody who was likely managing things very well on his own.

But I mentioned factions. This is something that should be made clear.

Pointed ears are, canonically, associated with faithfulness to Hylia and/or the worship of Hyrulean spirits. This gets debated all the time, but that's the fact of it. We have been shown again and again that humans from outside of Hyrule have round ears (as long ears are associated with hearing the voices of the gods; ie being open to them). Exposure to Hyrulean aligned divine elements can lend pointedness to previously totally round ears. We see this happen.

It has been doubled down upon that the ancient Gerudo (such as in oot and FSA, with FSA having the introduction of the floral association in Gerudo design and OoT heavily centering mirrors in their spiritual practices) worship different deities, whether derivatives of Din or Hylia or completely different myth. The Goddess of the Sands has been confirmed as a deity that Hyrule itself views as evil and false.

I generally interpret this to mean that part of the reason boils down to this-- Hyrule's main concern is that pointed ears are living lives closer to the gods, and therefore more insulated against corruption and demonic influences. Rather fittingly, their patron's foremost spiritual antagonist tends to find his reincarnation in unprotected, non-Hyrulean tribes who are 'open' to demons.

Now that may be another layer to what Rauru means when he says protection, also. Worshipping the 'right gods' affords certain protections (and certainly supports the security of Hyrule itself).

In SkSW, by the way, there's a really cool point of questioning early human society too-- the fire temple depicts demons and monsters and snakes quite a bit, and these were built in a time when I suspect the humans were mostly a large proto-people.

Sidenote: I think Hylia's faithful went to Skyloft and generally shook out to be the Hylians we know later, where some stayed on Earth to serve Hylia's plan and became Sheikah, many more people were transformed into demons in a reverse-Batreaux situation, and some humans just scattered far and wide to avoid conflict.

Anyway that temple depicts Bokoblins making hand signs and long story short, the overall motif and meaning of that temple shows demons offering to teach things, approaching humans with a different kind of enlightenment. Whoever built that temple was very much in a state of open spiritual and mystical curiosity.

Now the takeaway there is, ultimately, the ancient Gerudo very much seem to be descended from such a sect of people. They have their own gods, and they're not part of Hyrule proper, and they have round ears because of it.

Botw departed from that very clearly, but in doing so, also erased and replaced almost all traces of the ancient Gerudo deities with new Hylian analogues.

The Seven/Eight Heroines count as Hylianised deities, and I believe the reason for this-- first suspected in botw but I feel it's weightier after totk-- is that they represent tear holders / Hylia aligned Sages in the seven group (edit: and apparently a Hero in the Eighth) such as those in the decline timeline. They are functionally the reason that the Gerudo of modern day possess long ears-- even where they are selective in what they worship, they are still worshipping Hylia aligned aspects of Divine Hyrule.

And in case this wasn't absolutely irrefutable to me beforehand, the ancient Gerudo Sage from Rauru's time is both loyal to him, and possesses pointed ears under her camel mask.

I would also point out the Hylians of Rauru's time seem to have longer ears in general, probably owing to having a Zonai King, ostensibly a Hylia aligned Deity himself.

Ganondorf's ears are rounded, of course. He clearly doesn't believe in Hyrulean worship even in lip service, and it's little wonder why.

But following another beat of OoT, that ancient sage is a very obvious Nabooru type character. And, in much the same way, that suggests that even when Ganondorf was King of the Gerudo only, there may have already been factions splitting up amongst their people based on spiritual practices.

I don't think it's beyond the pale to speculate there may have been a mixture of Gerudo at the time who had both pointed ears and round, signalling the confusion from and conflict between their spiritual leaders.

It seems likely that a schism probably existed, regardless of ears, but that schism-- and the sage who may well have been leading it-- may have been caused by people who decided respond to those calls from Rauru and join Hyrule without their King.

Which gives a lot more context to why Ganondorf would be in the mood to send a giant Molduga shaped "back off" Rauru's way, also.

I take particular note that Ganondorf's destruction intentions are faced towards Hyrule and her allies, and specifically those who oppose him in that goal. And while I concur that his whole Red Inheritance party ran hard and may well have had a decent hand in frightening the bejeezus out of the Gerudo who were previously faithful to him-- maybe even inadvertently sent some running for camp Hyrule-- it seems he considers modern day Gerudo, fully converted to pro-Hyrulean status, to be traitors.

We have no idea what happened to the Gerudo who followed him, so that's really up in the air as to how messy that may have gotten.

Even the woman who plays to summon the Molduga has pointed ears though, so I tend to lean that his camp got converted to Heroine worship (or at least those with pointed ears mostly did if the mixed ear situation was happening).

But heck, it would not be the first time some Gerudo got ran outta dodge after a King went belly up.

Food for thought.

#ganondorf #legend of zelda #ocarina of time #long post #totk #totk spoilers #botw #gerudo #zelda #zelda meta

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hollysoda · 1 month

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Okay so I know that totk turned one year old a couple of days ago but I was away for the weekend and didn’t get a chance to post something about it. Now I’m home again, I think I wanna just put some thoughts down

Firstly, I still love totk. It was a really fun game and had just as much fun playing through it complete blind as I did playing botw with only a loose knowledge of the game. In fact, I enjoyed it more than botw. Maybe it was because I knew more about Zelda than what I did back in September 2022 when I first played botw, or maybe it was because I could see the improvements they made when it came to dungeons and overall exploration. For at least six months totk was my favourite zelda game. Now, a year on, it isn’t.

I think on reflection totk is a very flawed game. While it is technically genius, story-wise it’s incredibly weak, possibly the weakest in the entire franchise. Here are a few points worth mentioning:

Why bother bringing back Ganondorf if he isn’t going to have any real motive? Is there a reason why he’s fighting with Rauru and seeking his own secret stone, or is he just doing it for funsies? Part of the reason why Wind Waker Ganondorf is so good is because he has a strong and clear motive. Without any motive, totk Ganondorf just feels like an enemy rather than a main antagonist

The main thing that drives forward a story is a theme to take away from it. Breath of the Wild’s theme was exploration and lost memories, Skyward Sword’s theme was loyalty and/or devotion, but it’s hard to tell what totk’s theme is. Sacrifice could be the outstanding one, seeing as both Zelda and Rauru make crucial sacrifices for the sake of Hyrule, but where else is it seen in the story? Totk just tries too many things, and having a clear theme would just help to solidify things

For a game that was supposed to solve the mystery of who the Zonai were it sure did a poor job at doing so. I absolutely adore the Zonai and in my opinion Rauru and Mineru’s designs as some of the coolest in the entire franchise but my god. Their lore is so underdeveloped it hurts. We know the bare minimum about their civilisation and culture. We still don’t know why they died off, why they built the labyrinths (and by extension who the Lord of dragons/owls/boars are), why they have secret stones in the first place, why is the Temple of Time in the sky when it was originally on the ground and most importantly why is draconification a forbidden act. If you’re gonna imply that the three dragons introduced in botw were once people then tell us!! Totk deserved a dlc that could explain all of this and not leave us in the unknown

Saying that the Sheikah technology just “disappeared” is an absolutely awful way of saying “uh yeah we never thought about that”. That’s some god awful world-building and planning on the developers behalf. Even if they just said that after the Calamity it lost its magic and then parts of it were repurposed for new technology, like the Skyview towers, it would be so much more believable. The Divine Beasts should have at least been in the game somewhere, perhaps in the depths. The lack of Sheikah tech makes the game feel so disjointed from botw, and makes totk feel as though it’s only a sequel because it has the same characters in it

The ending of the game just doesn’t sit right with me. Why bother having Mineru beg Zelda not to swallow her secret stone if in the end she would be able to turn back into a human. I understand the developers want a happy ending but at least let there be consequences. Let Zelda’s memory be a bit hazy or give her dragon features like many artists have done and let Link permanently be an amputee

Also the Ancient Hero angers me. I’ve got no problems with him not being a hylian because honestly it makes it wayy more interesting knowing that not every hero was hylian, but just explain why. If he’s some sort of Zonai, why doesn’t he look like Rauru and Mineru? Is he some sort of hybrid or a different breed of Zonai? And why does the tapestry depict him as a hylian if he’s not? Seems like an oversight more than anything

I think I should stop there because this post is getting long but uh TL;DR totk could have been a phenomenal game if they spent more time planning out the storyline and fleshing out lore. I get it, the game was originally botw dlc, but after so many delays we at least deserved a better story.

I do still love this game though Tears of the Dragon goes HARD

#tears of the kingdom #totk #legend of zelda #legend of zelda tears of the kingdom #totk spoilers #tears of the kingdom spoilers #sorry for the long post I have thoughts #hollysoda speaks

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