#I still love oscar isaac to death for speaking up about disney

[sweet-fg-sixxteen]

The Star Wars fandom is so full of shit rn so I gotta give my opinion on some things I've seen:

I don't get why ppl think we "Reylos" cry bc of sth. John Boyega said... Like it's his opinion and why should it matter to us? His opinion is literally not important (at least to me). He can like/ship whatever he wants and I'll ship whatever I want. So if he doesn't like Reylos that's totally fine.

I don't know why ppl are making everything about skin colour or race like?! I literally don't care what skin colour John Boyega has or anyone for that matter but when someone does wrong we're allowed to call them out for that. Thank you.

Now to his Twitter comment:

His comment is so disgusting. I was never a big fan of him but I liked him a lot and now I'm just disappointed in him. I never took him for that type of guy that implies you have to fuck a girl to claim/win her. It doesn't matter what she ones..

So yeah I don't know how I feel about him rn. Also what bothers me is him bullying fans.. that is rly unprofessional. Only the problematic artists bully their fans. Like can't he just ignore the comments or just stay of the shitty bird app?

I don't use the term mysoginist bc I actually don't know what it means.. I looked it up like two times but I always forget the meaning after awhile so now I can't be bothered. Also sorry bc English is not my first language how you may have noticed.

4. The last thing I wanna address is ppl saying that Reylos always make jokes about Rey getting fucked by Kylo so why isn't John allowed to do it? Well how do I explain it..?

How he said it it was degrading to Rey... Plus he's an actor and he did it on his official Twitter. We as fans can write about whatever we want. In my opinion in five everything is allowed. It's just fiction. So if he wants to write a fic about it he can totally do that no hate there.. but what he implied there had nothing to do with fiction. I hope you understand my point bc I feel like it could be misunderstood..

Just a note from me. I usually don't do straight ships.. and if I do have one I barely read fics.. it just doesn't float my boat. It makes me uncomfortable tbh.

But I still love reylo since the second movie. There is sth about them that made me love them. It's probably their special connection and how everybody would frown upon them if they'd get together. And I'm a sucker for forbidden relationships and soulmates and guess what.. they turned out to be soulmates so one more reason to love them.

Ppl are forgetting that Kylo Ren was the "abusive" one and not Ben. Kylo Ren died at the end of the movie and Rey is in love with Ben. Not Kylo. Ben never harmed her. So you all calling this relationship abusive can leave.

Even if it is abusive.. apparently I also have a thing for that. What even is a healthy and not abusive relationship anyway? Who the fuck decides that?! Right we! And in my opinion it's not abusive.

I'm good at just ignoring bullshit but this time I had to comment on it.

[mtsainthelens]

my thoughts on DUNE (2021)

let me start by saying that overall, I had a really good time. the beginning of the movie was an incredibly faithful adaptation, way better than I expected. they even got the bull.

the set and sound design were also fantastic right off the bat and it wasn’t just CGI’d to death either. the costume design was very precise and distinct, which is essential if you have such a large cast with so many different groups of people like dune does. the bene gesserit were instantly recognizable. hawat and piter had the same eyes, which was a subtle but super effective touch. the movie didn’t spare many details and it made for a very immersive experience. It was almost exactly as I pictured it.

I also have minimal complaints about the casting. Jason Momoa was a delight and for the brief time that we saw him, Oscar Isaac made a great Duke. I wasn’t expecting the changes to Kynes’ character, but I think it was the right choice and was true to what made Liet-Kynes great. Timothee Chalamet also gives a solid performance. I was originally pretty ruffled about that particular casting decision and still think a younger actor deserved a shot at the role, but Timothee’s weird brand of formality and androgyny makes him a pretty solid choice to play Paul. He makes that still-suit work.

There were very few cut scenes from the book, but I felt their loss. The greenhouse is absent, even though it was easily one of the most thematically important aspects of Dune. The dinner party is missing, which I can forgive. Yueh is barely in this movie. Sorry Yueh fangirls, you’ll get ‘em next time. The treachery among Leto’s inner circle is actually pretty understated - the distrust between Jessica and Hawat isn’t mentioned even once.

[Also, can I just say how not surprising it is that Hollywood had to tease the betrayal? The book tells us from the moment we meet him that Yueh is a traitor, but I’ll be damned if blockbusters don’t get their twist villain shoved in there. Damn you Disney. Damn you.]

There’s some mildly interesting moments going on with the writing and line delivery. Timothee’s demeanor makes Paul’s lines feel more natural than they would from an actual 14 year old, but he also says to his mother “Are you good?”. I just thought that was funny. Momoa and Zendaya’s performances are also slightly off kilter because of how much they give the impression that they know about emails. Momoa in particular is just a little too casual. Duncan Idaho is one of the first characters we meet and he speaks in a really contemporary way, so there’s a bit of tonal whiplash when we meet the other characters. I think it’s a little more understandable for Dune fans who already know how formally everybody speaks, but my friend who didn’t read the book mentioned that it felt a little weird to her. I don’t know if this needs to be changed but I felt it was noticeable enough to comment.

My most serious complaint of DUNE (2021) was that it wasn’t a finished movie. I was seriously enjoying myself right up until I checked the time to find we only have 30 minutes left and Zendaya still hadn’t shown. To be clear, I think splitting book one into two parts WAS the right decision. I love the level of detail this part had and wouldn’t have liked to see the entire book crammed into two hours. But I shouldn’t have been surprised that the movie was about to end. There should have been ways to resolve Part One in a way that made it feel like it wasn’t just the first half of a larger story. It should have been able to stand on its own and come to an ending that made sense. I went to see it with my friend who hadn’t read the book and she ended up being really confused about what had just happened and especially what was up with the ending. Because the ending was rough.

Up until some of the very last scenes, some things were omitted, but nothing was really changed. The encounter with the Fremen is the start of canonical divergence. They cucked Jessica in this one, alright? Her and Stilgar’s first encounter was one of my favorite scenes in the book and the movie did it no justice whatsoever. It’s supposed to be such an establishing moment for her character and a testament to her abilities, but it falls really flat when she immediately starts trying to bargain with them to get off-planet. Why? I don’t know. Paul of all people corrects her, saying that they are meant to be among the Fremen. It’s a weird and arbitrary inversion of their relationship in that scene and I dislike it a lot. Another thing I dislike is that the fight with Jamis happens almost immediately after, while they’re still in the basin. Putting aside how impractical that is, the way the movie frames this is actually pretty abhorrent. Paul defeating Jamis is his entry into the Fremen society. He earns his way in through violence. There’s no funeral, if you were wondering. Jessica does not get in her “How does it feel to be a killer?” line. I truly don’t understand how 90% of the movie stayed so loyal to the book and the last 10% starts going blatantly against it.

So yeah, Dune was a great movie but not a finished one and the ending was a little off-kilter. I think once Part Two is out people will have a nice marathon-able sci-fi series to enjoy. In some ways it’s almost a perfect adaptation, in others it’s a little concerning. I think Part Two has the potential to be either really bad or really good and I worry about the lackluster way they’ve adapted the Fremen so far. I don’t think Zendaya is a particularly talented actor or a good fit for Chani, but I won’t break my eggs before they hatch.

Also, nobody clapped when it ended. Dune fans have their dignity about them.

[thisisthepartwhereyou]

STAR WARS-SPECULATION #2: Rebel or Lost Cause? *May Contain Spoilers*

--- During the course of human history there has been many cases of overwhelming tyranny and opression. It can be as small as the dominion of a single creature, or as vast as an entire world. But as they say, even the cornered rat will bite the cat, and give birth to struggle and resistance. Under these circumstances, a rebellion rises to resist and challenge the rule of the oppressors, despite facing unlikely odds. David against Goliath, the Spartans in the battle of Thermopylae, and when speaking of the Star Wars-sequel trilogy, the Resistance and the First Order.

While one can go on to say that the conflict between the First Order and the Resistance is basically a carbon-copy of the Empire versus the Rebellion from the original trilogy, as we don't go deep enough into the history or political aspects of either group to really nail down their differences to their older counterparts. Though from what I gather, the First Order is composed of the remnants of the empire, who by the time of The Force Awakens (2015) is recognized as an extremist following, though not generally seen as a major danger in the eyes of the government (like a space-equivelent to North Korea?). The Resistance is a countergroup acting outside of the galactic government who sees the threath of the First Order and keeps an eye on their acitivties.

Either way, that is not what I am here to talk about today, as my focus will be directed at one of the most principal characters within the Resistance: Poe Dameron.

Played by the very likable Guetamalan-American actor Oscar Isaac, Poe Dameron is an ace X-wing pilot, an agent of the Resistance and the original owner of the droid BB-8. His actions in the first movie, where he stores important information within his droid, is what starts the whole chain of events for the trilogy, an act which rhymes with the actions of princess Leia in A New Hope (1977). Over the trilogy he is portrayed as a brave, cocky and hotheaded brother in arms. He is a generally well-received character, especially in regards to his bromantic (and apparently quasi-romantic) relationship with Finn, but has over the progression of the last two films been the subject for critique. Not as red-hot of a critique as some other aspects of the sequels, but enough to make you raise your eyebrowns a bit. The main critique being, is he REALLY neccesary?

Don't get me wrong, new members of the Resistance are vital for new movies, otherwise the Resistance might have looked like an old folks home. Poe Dameron should have all the ingredients neccesary to be the posterboy of the the Resistance: he is the member with the most screentime, his actions set off, he is played by a very likable actor and he is a great pilot. But the issue is, while it is all there, it is not really utilized well. The further one goes with these movies, the more one realizes that he is the least developed of the main characters. His role in TFA is minor, he acts as an agressor in a generally disliked sideplot in The Last Jedi (2017), and his part in The Rise of Skywalker (2019), while the richest in content, feels un-earned because the direction of the character is neither clear or given enough development.

So considering that his role doesn't add a whole lot in the trilogy after the first part, was Poe Dameron's continuous role in the sequel-trilogy REALLY neccesary? Objectively, I would have to say no. I mean if a character doesn't have a clear purpose, you either give him one, scale him back or kill him off, so that you can give more room for the other characters. I believe the therm is “kill your darlings.“ With that said, I can understand why one would be reluctant to kill him off to begin with; Oscar Isaacs is the most likable actor ever, something that translates into his performance, and in turn, the character. While Poe Dameron is pretty pointless, he is still hard to completely dislike. This illustrates the power of a talented actor, that he or she can someimes overwin bland or nonsensical writing.

So we have a character that is perfectly likable and who could have been a great addition to the franchise. There certainly was potencial in him, so what could have been done to make the most of it? Well, below are some of the directions I think could have been taken:  

A) Poe Dameron dying in TFA: This one feels appropriate, considering it was the original intent of the moviemakers. As stated by Oscar Isaac's in Business Insider (https://www.businessinsider.com/star-wars-poe-was-supposed-to-die-2016-3?r=US&IR=T), his character was originally supposed to die. While it would be a shame to see a likable character go so fast, it might have solved a couple of issues and added something more to the first part of the trilogy. Besides the fact that it could have added an extra layer of danger to the plot, in that any character could die at any point, it would have also put all of our eggs in the basket of a deserting stormtrooper and a random scavenger. Plus, killing him off wouldn't have made his role in TFA much smaller anyway. Poe not being in the two following movies could have also left much bigger room for the development Rey, Finn and several other characters. Also, to see how the heroism and sacrifice of a single Resistance-member would affect Finn would be really interesting, considering that Finn would have owed his freedom and life to a complete stranger (who was just recently his enemy) that would have died before he could have even had a chance to thank him. How does that make a person who is trying to flee from the battlefield, feel? I can't help but to think of a similar situation in the Green Lantern-comics (DC), where veteran member of the Green Lantern Corps, Abin-sur, crashlands on Earth and gives his power ring to Hal Jordan, a human pilot, before dying. Abin-sur's death had a considerable effect on Hal Jordan, in that besides becoming a new corps member, but became one by taking over the ring of the corp's most beloved and respected members. That is a hell of legacy to live up to, not to mention a massive responsibility. Something like THAT would have been a pretty thought-provoking storyline for Finn.

B) His carelessness has personal consequences in TLJ: In the beginning of TLJ, Poe Dameron disobeys an order to evacuate and instead engages a First Order fleet. This is a foolhardy act, as even though they take down a Stardestroyer, a lot of Resistance pilots die in the process. While it has several consequences within the movie, such as barely having any pilots left for the remainder of it, he himself do not seem overly affected by it, dismissing it as the casualties of war. But if you really think about it, should there not be some resentment aimed at him besides from his superiors, and shouldn’t he feel more guilt? I mean, Rose Tico's sister died in that battle. Wouldn't it have been more interesting Rose and others resent him for his careless actions? This could've been a more likable struggle for him, as he should have been the one to learn that war is not just about defeating the enemy, but saving the ones you love. If he had done this and in the process displayed a sense of leadership in a time of great need, maybe his transformation into a commander in TROS would have felt more organic?

C) Poe goes with Finn to Canto Bight instead of Rose Tico: This one could have worked as a continuation to B. Canto Bight isn't exactly a favorite moment in TLJ, even for the ones who like TLJ. The main criticism being that it is not that interesting of a planetary environment; basically just feeling like a casino with aliens. Another critique is that it felt like a detour that was too disconnected and did ultimately not add that much to the other parts of the movie. One way of making the movie less fragmented, as well as give Poe something better to do, could have been to give him more or less the same role as Rose Tico. Besides further developing his and Finn's friendship, it could have even been a way of putting that awkward kiss in the third act to better use, and confirm some legitimacy to the whole Finn X Poe-ship. While I am not staunch supporter of the ship, I have to admit that it would have been interesting. With that said, I don't think it would have made everyone happy. I mean lets face it, if people get upset about a black dude in a stormtrooper-uniform, one can only assume how they would have reacted to an openly gay or bi character in Star Wars. But at the same time, if people were pissed off at even the good bits in TLJ, why not go all the way and piss off every stuck up parent sitting in the theaters worldwide while you're at it? Certainly would have been ballsiest move ever, especially considering it’s a Disney-film.

D) Poe staying at Leia's side in TROS: As I have written before, the main issues with TROS is messy storytelling and a rushed pace. One of many things that adds to this is by suddenly providing Poe with a backstory while simultenously trying to give him a bigger role than before by having him travel with Rey and Finn. What if they had scaled him down a little, let him stay with Leia as they plan for the upcoming attack? Not only would it have been more powerful for him to be there with her as she passes away, but also motivate him to step into the role of a mature leader more. I realize that this is a little sensitive, as it may have required additional footage of Leia in order to work. Though to be fair, being respectful is one thing, making a good movie is another. And also, if they can remake young Leia for a flashback, why can't they just remake old Leia a bit for some extra material?

Could any of these alternatives have added something good to the movie, or subtracted from the main story? You tell me. No, seriously, tell me what you think, I would love to hear your thoughts on the matter in the comments. Do you have any ideas of your own that could have helped make Poe Dameron the most iconic pilot of the sequel era? Feel free to discuss this with me :) ---

[kyloreyorgana]

STAR WARS 9 ! TROS SPOILERS !

In case this is not obvious enough, this post will contain SPOILERS for the last Star Wars movie, which I’m just now coming home from. These are my first thoughts. I have tried to tag as best I could so that people who mute the tags don’t see my post. Do not proceed f you don’t want to read any spoilers.

You have been warned. Long (and I mean LONG) post ahead.

First of all, I’m happy to be back y’all! Just with TLJ, I come from months (or has it been years already ?) of inactivity to jump right back into the fandom, as obsessed as I was back when I came home from TFA. Which is funny because at the time TFA came out, I had lost all interest in Star Wars and heard so many critics from people who’d seen it and said it was horrible and that Disney basically sold the franchise to the devil that I didn’t even want to see it, to keep the good memories closer to my heart. One night, one month after its theatrical release, I thought “aw fuck I might as well see it, at least for Carrie, Mark and Harrisson” so I went to the cheap theater that was near my home... I had zero expectation, and really I think it’s the reason why I loved the movie so much. I didn’t chose to ship Reylo, this ship whacked me like Harley Quinn’s oversized hammer with the Hades and Persephone aesthetics. When I came out, completely mesmerized with what I had just seen, I jumped on Tumblr as soon as I got home, and I ended up creating this blog just days later. I wanted more and more, fics, metas, fanarts, headcannons, theories, cracks, I could never get enough. For TLJ and TROS, I had lost most interest in the fanfics and the fandom (because as much as I love the movies and some people in the fandom, most of it can eat shit as far as I’m concerned). I heard so many critics of TROS already, I was afraid I was going to be disappointed. But I loved it. Only Star Wars can make me go from utterly uninterested to “Wow I can’t wait to see this new Star Wars in theater, what a time to be alive”, to a stage of total obsession that lasts for months. And that is the reason why I don’t give two shits about anyone disliking the movies. It’s sad you didn’t like them, but it made me feel the same way I felt right back when I was a child watching the original movies with my father. It feels like home. And that is the best thing I could ask for.

Like in TLJ, I cried as soon as I heard the first note of the opening. The last Skywalker story, the last time I ever see my Space Mommy on the big screen...

I know the Reylo community is about to be nuts. The whole movie, like TLJ before it, is basically a series of things we’ve already done in fics and theories. I am 100% positive I have read a fic where Rey and Ren try to hold back a ship with the Force and Rey ends up involuntarily shooting lightning. Whichever one of you did it is probably going to have a stroke in the theater. I nearly did.

And really, I wish I could see the look on the Antis’ faces when they see the movie. I’m sure it is a sight to behold. I wanted to scream “TAKE THAT, BITCHES” more than once. As in TLJ.

My biggest fear was what they would do with Leia. I knew Disney said they wouldn’t use CGI and chose to stick with the scenes Carrie had already shot, and I was afraid it wouldn’t honor Leia’s legacy. Well I... have mixed feelings. While the way they used Carrie’s scenes and made it look like she really is here is to be lauded, it sometimes feels like Leia had nothing interesting to say but they tried to put her in a dialogue anyway, because she needed to be seen doing (or rather, saying) something in the Resistance. And about her death... I still can’t put my finger on what exactly I didn’t like about it but I felt like something was missing. Watching the scene, at first I didn’t know if she was having a heart attack or if she stabbed herself or chose to give up her life because she somehow felt it was the moment, I’m still not sure just why she did what she did. I wish they put something more to motivate her decision and explain what exactly she does. I don’t know, a flashback of Leia holding baby Ben, a little more dialogue, something. Not just Leia suddenly getting up and going to bed whispering her son’s name. 

I knew I was going to be disappointed. Among all the celebrities’ deaths, Carrie’s is the one that affected me the most, and believe me I was a wreck when Bowie passed. I miss her, I think about her every single day. And Leia deserved more, much more. When I saw TFA, part of the reason why I loved the movie was that, even though it pained my heart that Han and Leia’s son turned out this way, I thought they would make it right. I spent hours imagining a scene in the 9th movie where Ren would defeat Rey (incapacitate her the Skywalker style cutting her hand or something) and approach to give the killing blow, and Leia would enter the scene, pick up Rey’s lightsaber, look her son dead in the eye and say “Over my dead body, son”. Because Leia would never give up without a fight, even with her son. And she would get her son back, and her story arc would have been completed. I would have paid good money to see this. 

Episode 9 was supposed to be Leia’s movie, just like ep. 7 was Han’s and ep. 8 was Luke’s. When Carrie died, I knew it would be compromised and it broke my heart, because Leia deserved better. She lost everything. Her parents, her planet, her father, her husband, her son, her brother, the Rebellion, the Resistance, everything. She fought all the way, all her life even faced with the worst odds she never gave up hope, she inspired hundreds of people to keep fighting for what is right, and she would never have a satisfactory ending. What a fucking heartbreak. She didn’t even get to see Lando. Leia deserved more. Every little girl in this world who grew up with her as a role model deserved more. But c’est la vie, as we say in French... My only solace is that I know fanfics and fanarts are going to make me feel a little better about it.

Of course I cried every time I saw her on screen, and especially when they honored her body, as we all honored Carrie when she passed away. This was one of the many fanservice moments, and surely the one I liked the most, although there was some concurrence (more to it later).

Another thing I didn’t like is what they did to Poe’s character. Many people disliked TLJ because of it, which they attributed to a political agenda of hate on men. This is so ridiculous and has already been debated enough that I won’t get into it. I did like the evolution of his character in TLJ, because for me it was an interesting character development as well as a good message: wartime is not only about barging in fights head first, shoot first think later, as is, let’s be honest, everything Anakin ever does. At one point, the narrative of the reckless hero who saves the day when a situation seems impossible and everyone begs him not to do it gets old. Sometimes in war, you have to think ahead, to plot, and yes, listen to what your allies have to say. And it actually was a good critic of toxic masculinity. Could the conflict between Poe and Holdo have been avoided with minimally sane conversation ? YES. But the message was here (as were Holdo’s hair and dress and WOW gurl) and I thought that was it, and Poe would evolve into a wiser person.

But this Poe is, at least in the first half of the movie, not very likable. Hear me, I never really liked Han Solo (never been into macho men) but I really loved Poe in TFA because he was genuinely nice and brave. Here, he’s bitter and annoying. I told myself that he was jealous of Rey because he heard of Finn’s crush on her and he wanted to keep Finn all for himself, which I know is just a crack headcannon, but hey, anything to make it better I guess.

Of course, I’ll never forgive Disney for not making FinnPoe a thing, when even Oscar Isaac ships them hard. And trying to make Poe flirt with the other girl (whose name I even forgot and whose face we didn’t even see, now tell me again how Star Wars has been corrupted by feminists... sigh)  Speaking of, it is me or did two women kiss at the end ? 

I liked the new droid, it reminded me of my puppy. But at the end, it was just another fanservice moment, it didn’t really do anything useful onscreen apart from being cute and funny.

When Rey was finally revealed to be a Palpatine as I hoped, I giggled like a wee girl. Watching TFA, I begged the old gods and the new that they wouldn’t make her another Skywalker, because it would’ve spoiled the Star Wars spirit for me. The whole franchise, in my opinion, is a story about fighting for what you believe is right, no matter who you or your parents are or where you come from. Even though Luke and Leia’s ended up being Vader’s children, they weren’t the only meaningful characters. Anakin was basically a Space Jesus and went from a total nobody to the Chosen One. I didn’t want Rey to be a Skywalker because it would mean that your importance would only ever lay in your bloodline, and that is depressing and totally against the spirit of the Rebellion/Resistance: no matter who you are, you can fight for what is right. For this reason, I wished for Rey to be either a real nobody or Palpatine’s granddaughter, which is also why I liked the fact that Han and Leia’s son turned out bad, even though it made me sad for them (Leia didn’t deserve this). No matter your bloodline, you can always make things right, or fuck up badly if you let yourself be taken away. And, of course, the reveal that Rey and Kylo Ren are two sides of the same coin (aka one of the many times where I picture us Reylos screaming CALLED IT in our seats) was exactly what I hoped for, a beautiful balance. I didn’t share Palpatine’s implication that a Palpatine and a Skywalker are meant to work together, though. That is not how I choose to interpret this duality. That is not what they end up doing, anyway.

Speaking of that old pal Patine, seeing the trailers I feared I would feel nauseated that they chose to reanimate the Big Old Villain, just like they reanimated the Even Bigger Death Star in TFA (how lazy can you be ?). But I enjoyed it. What saved it was Palpatine’s will to be killed by Rey to perpetuate the Sith rite of passage. I don’t even care if it’s cannon or not. I was afraid they would recreate Vader’s dilemma in ROTJ with Rey, but I liked the choices she made. And the throne scene worked for me. Like the rest of the movie it was flawed, for instance we don’t even get an explanation on how he survived. Just like we don’t even get what Finn wanted to tell Rey, even though it was emphasized several times. Was it a love declaration ? What happened to the rushed romance with Rose in TLJ ? (What happened to Rose, actually). While we’re at it, why did Palpatine want Ren to kill Rey ? So many questions. So many flaws.

And, of course I cannot comment this film without mentioning my sweet star-crossed lovers, Rey and Ben. First, I’m really eager to see your reactions. We did it, Reylos! Years of hate and slander and we were right all along. Let’s rejoice.

I like Rey’s evolution. For the moment, I don’t feel like I have too much to say about it (which is fine because this post is way too long already). I like the way she handles her emotions, I like her choices and her character evolution. 

And Ben. Oh, sweet Ben. Although I think the part where he gets his old mask fixed wasn’t necessary, I kinda like what they did with him as well. I must say though that I liked his hair in TFA better.  Oh boy, I loved Kylo Ren but I absolutely adore Ben Solo. And I think the way the movie depicts him even surpasses some fics. The moment when Rey gives him the lightsaber and he gets up and does the Han shrug  ¯\_(ツ)_/¯  I almost lost my mind. This ties with the hommage to Leia’s body as my favorite fanservice moment.

And their relationship... Look, I know I wet my pants really enjoyed myself in TLJ when they held hands, but that scene felt rushed even for me who ships them with the force of a thousand suns. Like many things in TLJ (and, as I said, also in TROS) it felt like things I had already seen in fanfics, but in the fics I enjoyed the most Rey had tried to kill him at least 5 mores times before even agreeing to have a one-on-one conversation with him. Their romance in TLJ felt like it was hormone-driven, but I get Johnson couldn’t really do a slow burn in 2 hours. When Leia died and they both felt it in the Force, I could feel that Rey wanted to touch him, to confort him, to grieve with him. I’m glad she didn’t. It wasn’t time. And I really like that she told him she wanted to hold Ben’s hand, not his. And Ben, the Dork Knight, finally realized that if he wanted The Girl, he shouldn’t, you know, threaten her and chase her but get back to the Light Side like she begged him multiple times. Because he really isn’t the sharpest knife in the drawer, this is apparently what makes him choose to tip over. That or the fact she saved his life. I was still frustrated by Leia’s death so I don’t know if I’m not entirely convinced because it happened just after, I’d have to watch it again. I liked Han’s moment, though.

And in my opinion, Rey and Ren’s fight on the wreck of the Death Star is as good as Anakin and Obi-Wan’s. My Reylo heart will always have a special place for their couple fight in TLJ (aka the best non-sex sex scene in cinema, don’t @ me) but I also liked this fight in light of their relation. Surprisingly, it reminded me more of their fight at the end of TFA, when we see Ren holding his blows and Rey barging in. I thought it was endearing.

The end. Oh my god, the end. I can’t wait to see the first gifs and I really really can’t wait for the HD gifs, because oh boy, I now only live for Ben Solo’s smile. That’s it, I found my will to live, my depression is cured. And the way he handles Rey’s body with the utmost care (while Finn apparently watches it and does or says nothing). And that kiss... And the SMILE. And the KISS. 

Oh, dear gods. Oh dear.

I can’t wait for the first fics in which Ben doesn’t die and they live happily ever after on Tatooine or Naboo or wherever they damn want. Or the fics where he is indeed dead and they still share a beautiful relationship (if Force Ghost Luke could get his X-Wing out of the water, I’m eager to imagine what Ben would do with his Force dick, tongue and fingers. Forgive me, it’s getting late and I’m still flustered thinking of their kiss)

And the fact that she declares herself a Skywalker ? I know a lot of people are disappointed in this, but apart from the fact that she completely deserves the title in my opinion when she inherited the will of both Luke and Leia, which is reason enough, she is absolutely married to Ben and deserves her place in that family. Also, it’s again a beautiful way to remind you that bloodlines don’t matter as much as what we choose to do with our lives. And while I’m glad they showed Leia’s Force ghost (I would’ve been really mad if they didn’t) I’m super frustrated they didn’t show Ben’s. What am I to believe, that he gave his life for her, became one with the Force and vanished into litteral nothingness for him to never be seen again ? Like hell I don’t. Again, counting on the fics and arts to right this wrong.

The movie sure has its flaws, and I still have many unanswered questions, like what the fuck is the badge Maz gives Chewie, or how Rey does her lightsaber staff at the end, and I wish they explained some things better. I wasn’t sure if the saber Leia wanted Rey to have was hers or her mother’s. Most of those questions will be answered by bigger geeks than me in this fandom, so I really can’t wait to read from y’all.

I know a whole lot of people are going to hate the movie. The antis, the gatekeeping trve fans (already I’ve seen people say that those who enjoyed the movies are not Real Star Wars Fans and welp, we’re going to see a lot of shit). The manbabies who genuinely believe in a feminist takeover and see equality as a direct threat. I’m specifically happy they will be disappointed while I got the privilege of enjoying Star Wars as much as I did. It’s not my fault, or Disney’s fault even, that they turned out to be on the Empire’s side. And the day has not come when I defend a megacorporation. 

Leia was the first SJW. The Resistance lives on. People will always fight against evil, like it or not. I know the world is a shitty place and we don’t have much hope nowadays for things to get better, and Star Wars has always motivated me to keep going and stick to my values and my convictions. I felt chills several times in the movie, like at the end where everyone comes to fight, and now I’m more willing to keep fighting than ever. For Leia.

Godspeed, Rebels! 

[gregorsamsadementiaravenway]

Stray notes after watching The Last Jedi

Or: why does this movie just keep getting worse whenever I remember it?

The notes are after the cut just in case someone hasn’t seen the film yet or doesn’t want a long ass bullet point post in their dash. Some of them are serious and well thought-out, some are nitpicky and some are there just for the heck of it.

“Let the past die. Kill it if you have to.” - Why, that’s just peachy, Rian! Too bad the future your selling is a little shit.

In general, Rian Johnson doesn’t seem to have much respect for the past. See tathrin’s post about all the things established in TFA that were turned upside down in this film, but I think Johnson doesn’t have much consideration for the original trilogy either, reducing Chewbacca to a background character and trying to replace “May the Force be with you” with some other, less inspired line.

Seriously, why are they saying “Godspeed”? Did monotheism reach a galaxy far, far away and they now, suddenly, have a notion of God? And, while were at it, why is “treacherous snake” a thing, now? Are there snakes in the Star Was universe? ‘Cause, so far, all animals have been on the fantastic side of things. What else is there? Do they have kittens??? That’s an important question...

The movie had A LOT of hamfisted comic relief. Of course there were some honestly funny scenes (I will forever laugh at Rey feeling the Force with her hand), but most of the jokes felt very out of place. For instance, the first scene, with Hux and Poe. I laughed my ass off at that interaction, but that’s an SNL sketch, not a Star Wars scene. I was half expecting Matt, the radar technician, to show up.

Seriously, someone should tell Rian Johnson that he isn’t directing Guardians of the Galaxy. In more than one scene, the excess of jokes killed what should’ve a truly great, emotional moment.

On a scale of 1 to 10, how much indifference do I feel towards porgs?

The ammount of queerbaiting that went into promoting this film was insane. Look, actors on franchises like this one have media training, so whenever, say, Oscar Isaac ran his mouth about the possibility of Finn/Poe being canon, he was at least authorized by Disney to do so (worst case scenario, he was instructed to sell this narrative). I didn’t particularly care about the ship and I think Poe Dameron could’ve died in TFA without any harm to the franchise, but to hamfist that non-sensical romance between Finn and Rose after feeding the fans’ hopes for a gay pairing was, in my opinion, downright cruel.

And don’t even get me started on Poe and Rey’s meaningful gaze at the end of the film, with Poe going all “I know” as if he’s Han Solo or some hot shit like that! Poe/Rey is the worst possible ship to become canon. Yes, the worst. Yes, you heard me, worse than Reylo.

Speaking of Reylo: after TFA, I said that I low-key shipped them ‘cause that’s the kind of fucked up ship I like. Look, there are people in this website who like to wear diapers and want to fuck Pennywise, so, screw you, I’m not apologizing for wanting to read fics about a fictional pairing made up of two adults. HOWEVER, this is not the sort of thing I want to be canon. From the get go, my opinion on Rey’s official love life has been “either she ends up with Finn or she ends up alone”. That being said, I think they handled the relationship between her and Kylo Ren very well in this film. I’m glad they didn’t deny the fucked up sexual tension that was going on there, especially coming from Ren’s side, and chose to play into it. A failed redemption arc fits them perfectly and Kylo Ren’s “please” when he asks Rey to rule beside him was a great moment for the character and one of the few truly emotional moments of the film.

But that thing were they get to hit on each other through the Force, sharing sad stories and touching hands? Yeah, I’m pretty certain I’ve read that fic. Actually, I’m pretty certain I’ve read about three fics like that.

Let’s keep on the Kylo Ren track for now, then: he did get some very nice character development in this film. The Last Jedi was more his than any other character’s, even Luke. For a minute there, before the movie came out, I thought they were going to make some changes to him due to the whole backlash, but they went full “overgrown angsty kid” with him in a way that actually made him more compelling. I like the way Luke’s fear ended up pushing a conflicted teenager into the Dark Side and that Kylo is still very much stuck at that moment. As usual with Sith and Sith by-products, Kylo Ren is moved by anger, and his anger feels much more real after this little bit of backstory.

Who is Snoke, though? Are they going to explain that in the next movie? It feels like they should’ve done it in this one, but I hope they at least give him some context before the trilogy is over.

Sooooo... Did your conflicted antagonist cladded in black, with black hair falling all over his face, just trick his bald, deformed Dark Lord by using his occlumency powers? *Owen Wilson voice* Wow.

“The Supreme Leader is dead. Long live the Supreme Leader.” - A perfect example of a really amazing moment botched by comic relief, ie, Snoke’s little tongue falling out of his dead body.

After the film ended, @robogigante​​ complained a lot about Hux’s transformation from an actual, threatening villan into a punchline, and, you know what? He’s right. There’s a scene there that looks like a Bugs Bunny cartoon.

On a scale of 1 to 10, how much do I hate evil, square-headed BB-8?

I’m sort of glad Rey’s parents aren’t anyone important. Star Wars relies too much on heritage and it’s a nice change having a hero who isn’t Space Jesus or Space Jesus’ direct lineage. Her scene in the cave was incredibly beautiful.

They did point to something else in TFA, though, implying heavily that her origin was important and that Kylo Ren already knew about her. That was some Moffat level of badly written plot twist right there.

There’s something Emma Watson-y about Daisy Ridley. This is neither a compliment nor a complaint, just something I hadn’t noticed before.

Both Daisy Ridley and Adam Driver grew a lot as actors since the last movie, especially Driver. Even though it’s still hard to take Kylo Ren seriously sometimes due to Driver’s cry-baby face, he’s way more convincing in his rage and intensity than he was in TFA, where his acting felt a little too mechanical.

However, some of the other actors aren’t living up to their potential. John Boyega’s charisma is extremely underused and I know for a fact that Domnhall Gleeson can do a lot better than what he was given here. In a couple of scenes, even Hamill and Fisher seemed a little uncomfortable in their roles.

“Shit, we’ve already signed Lupita’s check! Gotta shove her in here, somewhere!” - I’m so sorry, honey. You are so beautiful and talented... You deserved way better than that.

Kelly Marie Tran is adorable and I absolutely love her in interviews and such. She seems like a delightful person. However, her character was completely unnecessary. Her only purpose was to serve as a future love interest to Finn, and I’ve made my thoughts about that pairing quite clear already.

“...it’s saving the ones we love...” - BITCH, YOU’VE KNOWN HIM FOR WHAT? A DAY?

As a matter of fact, all of that storyline felt completely unnecessary. It was as if the writers didn’t know what to do with Finn so they gave him a spunky sidekick and a pointless mission just to kill time. I found myself wishing he had spent the whole movie in a coma, and that’s really sad, because I really like John Boyega and was hoping he would become a strong protagonist for the franchise.

Another thing @robogigante​ pointed out (and I’m quoting him ‘cause I know he’s not making a post of his own) is that Holdo had no reason whatsoever to hide her plan from Poe or anyone else in the Resistance. She just... didn’t like Poe Dameron that much...

Excessive jokes aside, casino planet was okay and helped flesh out the Star Wars universe a little bit more. However, much like Phasma, Benicio Del Toro’s character (whose name I already forgot) was just another Boba Fett, all flash and no substance, and I particularly hate that “squeaky clean abused little children representing hope” crap. It’s one of the tackiest tropes in existence.

I did get the feeling that that kid is going to join the Resistance on the next movie. Like they’re going to do a ten year jump to justify Leia’s disappearance/death. It would also help the Rebels to get their shit back together, Kylo Ren to gain more control over the First Order and Rey to learn some more about the Force in order to meet her fate. The existence of that child is still horrible and that ending was so over the top I can’t even put it into words, but it’s a good hook for a leap that, if handled well, could be very good for the story.

I also got the feeling that they originally inteded to kill one member of the original trio per film. That would’ve been cool. Too bad Leia will have to die off screen.

Was it just me or is the timeline in this movie really weird? Poe’s plan seems to take place entirely in a day, maybe two, while Rey apparently spends at least a week in Luke’s island.

I’m glad Carrie Fisher got to have at least one badass Force user scene before dying. Her flight among the debris of the Rebel cruiser was a beautiful reminder of how powerful the Force can be, on par with Luke’s astral projection, not to mention a gorgeous scene in its own right.

Holdo and Leia definitely had a torrid love affair after the Organa-Solo divorce came through. No one will ever convince me otherwise.

On a scale of 1 to 10, how much do I love the crystal foxes?

There was a preoccupying absence of wipe transitions and epic soundtrack inserts. Actually, I don’t even remember hearing any music at all. The editing was way too conservative. It didn’t even feel like a Star Wars movie, sometimes.

How is it possible that The Force Awakens was basically a remake of A New Hope and still felt more daring that The Last Jedi? Look, we already know you’re not killing any of the characters ‘cause they have to come back for the next installment, but raise those stakes a little bit, jeez! Give Kylo Ren and Snoke more conflict before their face-off, give Rey an opportunity to actually scare Luke with something that matters, give Finn and Poe a mission that actually means something to the Resistance, not a MacGuffin to keep them busy... Anything!

The Last Jedi is actually an okay-ish movie, to be honest, but, in a way, I think I disliked it even more than the prequels. Sure, The Phantom Menace is objectively a much worse film, but at least it had soul. George Lucas’ midichlorian and CGI packed soul, but soul nonetheless. The Last Jedi has nothing. I know Star Wars movies are all about the money, let’s not delude ourselves that this is in anyway high art, but this one just felt like the biggest money grabber of all. There is no personal investment in it whatsoever and no sign of what makes Star Wars Star Wars in the first place.

When’s Lando coming back?

BONUS: I am never watching a fucking 3D movie again in my life. The background always seems out of focus, it’s too expensive and I hate putting glasses on top of my glasses. I don’t care if I have to wait a month to watch the next Star Wars, I don’t care if I get spoilers, I’m not watching anything in 3D ever again.

[film-clown]

Star Wars: The Rise Of Skywalker

So this is about... 3 months late? I usually post reviews a couple weeks following the film’s release, but the last few months have been nothing short of awful. Maybe this quarantine has a good side - I can finally finish writing this! As I write this at the end of March 2020, I have literally 90% of this review finished. I don’t know what held me back.

But here we go. My thoughts, discussions, and a generally unbiased review of Star Wars: The Rise Of Skywalker. Major spoilers ahead, obviously.

Many people continue to emphasise the fact that the Star Wars films that have been released under Disney are all horrible. Although I do agree to an extent, The Last Jedi did end up being one of my favourite Star Wars films, and the trilogy wasn’t all that bad. But, Star Wars: The Rise Of Skywalker surpassed my predictions in so many ways. It was hilarious, emotional, shocking, disappointing, and aggravating to the point where everything left me crying anyway. So what am I gonna do to cope? Write about it.

Straight off the bat, the most important point I will continue to emphasise for all my time - Finnpoe should’ve been canon. I will ALWAYS stand by this statement and there were numerous scenes that prove my point. They have such an incredibly tight bond and it continued to grow tighter throughout this film. Always having each other’s back no matter what, with such a deep-rooted connection. I wish they had kissed after the hug in the reunion at the end - it was perfect. I would also like to send out a special thank you to Mr. Oscar Isaac for genuinely speaking out about the injustice done towards finnpoe and overall LGBTQ+ representation. He was so incredibly vocal about how scared Disney is to have this happen, and how amazing and impactful it would have been if they were canon. John Boyega said a lot about finnpoe too during press, which made me incredibly happy to see such support from the actors. Not a lot of actors speak out against poor decisions made in their movies, which is why there’s almost no change for the good.

On the topic of ships that were done injustice, let’s talk about Reylo, shall we?

The topic of Rey and Ben as a couple is extremely controversial. Another reason it took a while for me to finish this review is because I’ve done a LOT of research for evidence from both sides of the argument. Due to the incest factor, I’ve looked into if Palpatine is 100% Anakin’s father, but everything I’ve found has been contradicted with another point, or just speculation. But it’s a very important topic, so I’m going to discuss it in a non-biased manner, and as if the incest of it all has not been confirmed or denied. Please do feel free to send over any sources, I’m always open to look at it and discuss! Because whether or not their bond is considered romantic, it’s intimate and has a deep meaning to it.

Okay, that being said: they deserved better. Ben did not deserve to die the moment he finally felt loved and finally made a decision that was his own. All his life he’s been nothing but tormented by Palpatine, been told what to do and always had such awful inner conflict. Rey saw that conflict, she chose to try her best to help through everything. You cannot excuse the fact that what Ben has done in his life has been awful, but what we can do is understand that the voice that’s been telling him to do all this hasn’t been himself. He took control, he fought (WITH A BLUE LIGHTSABER, HOLY SH*T) side by side with Rey. The moment they finally got to hold each other out of war, he smiled for the first time; and then he died. The whole point of this was to see him redeem himself, and although he did, death should not always equal redemption! His story was supposed to be different, he was supposed to live. They were supposed to have a happy ending. And after reading several conspiracies, I’m fully convinced that he was supposed to live. Ben Solo DESERVED to live and it is beyond me that they chose to end one of, if not the most important film saga in cinematic history by letting him die in the hands of his LITERAL soulmate. It’s painful, and traumatising for people to watch.

Not only was his death painful, it just didn’t make any sense! The whole point of this trilogy was that Rey and Ben were a dyad in the force, and it was shown through certain scenes from The Last Jedi, and verbally mentioned by both Ben and Palpatine.

“A dyad in the force. A power like life itself.” (Palpatine)

“We’re a dyad in the force; two that are one.” (Kylo Ren)

So why the hell did Ben die? They built up this bond and portrayed it for 3 fucking movies just to have Rey defeat Palpatine herself? This bond was supposed to bring balance to the force. Rey and Ben are literally two force-sensitive beings, who share the power of one, which is BY FAR the most complex and influential relationship between 2 individuals that could possibly exist in the galaxy and you’re telling me that they touched on this topic for 5 minutes at the end of the entire trilogy and then threw it all away by killing off Ben? Seriously?

They had the capability to defeat Palpatine TOGETHER, and that would have been one of the most acclaimed scenes in Star Wars history. The symbolism of a Jedi and the Supreme Leader of the First Order fighting side-by-side would’ve been the most ideal representation of balance in the force.

I’ve also heard several contradictions towards Reylo and how it’s an abusive pairing? As an abuse victim, I believe that these two were at war as the Resistance and the First Order. Did you expect them to hold hands in TFA and TLJ? Hopefully not. All the hurtful things they did were just out of spite towards each other, if anything. And I think this is where I’ll go on and disagree with the Reylo kiss. It just didn’t make sense! There was tension throughout the film and just because he became Ben Solo again, they’re suddenly in love? I don’t know, if they wanted the kiss to make sense, Kylo Ren should have become Ben Solo in TLJ, so TROS could have worked on their positive relationship. The kiss was purely fan service, and it clearly did not please people anyway.

Moving on, the idea of Palpatine returning is absolutely beyond me. What was the point of the celebration at the end of Return of the Jedi? What was the point of the entire last two trilogies if they were just going to bring him back for shock effect? What I can say though is that the shock effect did work, and that the climax of the film was BRILLIANT. I’m sorry, but the scene where his force lightning makes contact with all the resistance ships, the scene when Rey fights his lightning with two lightsabers (Ben should’ve been there, but anyway...), it was visually stunning and deserves only a bit of praise.

But Rey being a Palpatine is the most RIDICULOUS plot twist in Star Wars history. Not only was it a terrible attempt at shocking the crowd in a “No [Luke], I am your father” way, the whole point of Rey’s arc was that she is from nowhere. SHE IS SUPPOSED TO BE REY FROM NOWHERE. And now she’s Rey Palpatine. Force powers don’t have to be hereditary. Like she did the same mind-controlling thing that Obi-Wan did at one point so why couldn’t she have been a Kenobi? They showed her letting out force lightening so they could justify her bloodline, and I think this is one of the most severe flaws of the film.

The sidelining of Rose was so disappointing to me. Not only of Rose, Finn too. JJ Abrams literally confirmed that we were going to get Finn’s backstory and we never ended up getting it. All we got was him yelling Rey’s name another 40 times. And, the one person’s story which we got, aka Poe, turned out to be a drug dealer. They made a Hispanic man a drug dealer. I will never, ever forgive them for doing all of this.

Another problem was of how rushed this entire film was. An incredible amount of information to put in a 2 and 1/2 hour film, and it wasn’t done all that well. Just when the audience had genuinely believed that Chewie had died, we see that he’s alive. If you’re gonna do a death-scare, make it believable? 3PO getting his memory wiped but then getting it back from R2 was rushed as well; what was the point of the whole emotional “Taking one last look sir, at my friends” if he was just going to get his memory back anyway? Overdramatic AND unnecessary. Once again circling back to Reylo; they started off the film indicating no signs of romantic tensions but they ended up kissing at the end? You could pull the enemies-to-lovers card on this, which would make sense to an extent but also could not justify how rushed their romance was. I wouldn’t say that such twists in the film weren’t interesting, but if they carried out the concept to a point where it made sense, it would have been better. This was just unnecessary and ruined the film even more.

Back to Finnpoe once again; the idea that they were each given a heterosexual partner in this film AFTER all the hype and the shipping was done, is queerbaiting at its finest. Maybe that’s not the right word, but it’s something shitty. Jannah and Zorii had a lot of potential as their individual characters but were reduced to love interests because Disney is homophobic and it really, really is disgusting to me.

Since when does the Force do all these things. Resurrecting people? Being dead and still being able to force lift things? Not to say that such powers couldn’t have been discovered by each individual, but to have brought them into the film as a plot device rather than a power each respective character has developed during their arc, is once again, unnecessary.

After the release, the fans got all but concept art and excerpts of the film, and what COULD have been. Explanations of what was trying to be conveyed in the film. If you are forced to explain the film you have just released through interviews, it sucked. There’s a saying that as a filmmaker, you must “trust your audience”. Abrams trusted his audience, and all we could see were the flaws and missing details.

Generally, several flaws of this film spawned out of the petty film-feud between JJ Abrams and Rian Johnson. What Johnson tried to do in The Last Jedi was outstanding, and was a very unique concept compared to other Star Wars films. Sure, it had flaws, but a Star Wars film is not a Star Wars film without plot-holes and shitshows. But what Abrams attempted in The Rise Of Skywalker was to contradict almost everything in the previous film. The Force Awakens was outstanding, don’t get me wrong, so I couldn’t really say that Abrams isn’t good for Star Wars. But the two directors’ creative differences should NOT have gotten in the way of telling a good story. This trilogy had potential, and this film was beyond important for millions of fans of all ages.

Adam Driver’s performance was brilliant. It’s upsetting that he didn’t even get much to say in the 3rd act other than “Ow” but he managed to do so well even without dialogue. He didn’t even have to speak to show the true transition between Kylo Ren and Ben Solo, you could see it through the tenderness of the emotions portrayed by Driver overtime.

It’s upsetting that Domhnall Gleeson didn’t get half as much screentime as he did in The Last Jedi, and the way they finished General Hux’s character arc was honestly pathetic. For a character with such antagonism to be reduced to a plot device that dies like THAT? Regardless, still an amazing performance by Gleeson as per usual.

John Boyega and Oscar Isaac continue to be my favourite people ever. Their characters deserve so much better and I am GLAD that John is speaking his mind on social media, regardless of the... aftermath of it.

If I talk about the way that Han and Leia deserved better, I will not stop talking. Just know that is a point I want to get across. And, Rest in Peace Carrie Fisher. We love and miss you tremendously and it hurts me to know that had you been around, you would not have let this film be so awful.

To conclude this extremely lengthy and overdramatic review of Star Wars: The Rise Of Skywalker, I would like to push aside the numerous flaws of this film and try my best to look at the bright side of the disaster. The rainbow after the storm. Whatever.

I believe that this film was really good if you disconnect it from the rest of the franchise. For round 3 of this film in theatres, I went with a friend who had only seen The Force Awakens and about half of The Last Jedi; and she loved it. It’s definitely not a clear judgement, but I tried to look at her perspective and I got it. Disconnect the story, the expectations, and the background of each character which inevitably leads to expectations of the end of their character arc. It’s difficult, and honestly stupid to look at it like this, but as someone who just wants to smile during a film; I think there’s no fun in hate. Most of the effects in this film were gorgeous (let’s forget force ghost Luke). Take that, the larger-than-life scale of events, the emotions, the impeccable score, I believe it to be nothing short of a cinematic masterpiece. I’ll take the tomatoes you throw at me because I have to admit, watching this film in theatre was an experience I’d love to have again. I cheered my ass off when Ben pulled out the blue lightsaber in the climax.

I don’t think I could ever be a real film critic solely because I will always find some way to enjoy the film no matter how awful it is.

As usual, honorary mention to the phenomenal score that is present in every Star Wars films. Hats off to John Williams, thank you for making the audience cry for 40+ years. We love you!

It’s 5:45am as I’m finishing this off and as a side note, since I’m overly-emotional, I’d like to say something. The hatred and conflict created by The Rise Of Skywalker has blinded us of our true love for what Star Wars once was. Star Wars is a film saga about hope, love, faith, and the way (almost) every film has managed to convey it, always brings tears to my eyes. It upsets me to see it, and I hope that everyone slowly grasps back onto their once-love for Star Wars.

May the force be with you.

[eggymovies]

Favorite Movies of 2019

Last year I used this space to post a list and short write-up of my favorite movies of 2018. This year, I’ll be doing the same a bit. I’m not much of a writer, just someone who likes movies and wants other people to like them too.

I went to the movies 101 times and watched about 250 movies in total between the theater and home viewings. Two highlights of non-2019 movies that I discovered for the first time this year and haven’t stopped thinking or talking about: Teddy Bear (10 timer til Paradis) (available on Amazon Prime)

Somewhere (rent it on iTunes, Amazon, or anywhere)

I’d also like to use this space to praise Cold War, which was distributed after my 2018 list came out but would have made it to the top 5 of the year. An achingly romantic epic (though only 88 minutes in length) directed by Polish master-filmmaker Pawel Pawlikowski, who won the best foreign film Oscar for 2013′s Ida, Cold War depicts the tragic love story of two musicians spanning multiple decades in post-WWII Europe. It’s available for free on Amazon Prime.

Alright... here is my top 20 films of 2019 list, which changed yesterday, will change a little tomorrow, and will look completely different in a year: 20. Toy Story 4

A perfect end to a near-perfect franchise. I’m not sure anyone believed this would be more than a cash-grab, but Pixar employed it’s flagship franchise and characters to explore ideas about growing up and letting go. That might sound like a rehash TS3, but the fourth installment proved itself unique and worthy of addition to the canon. Let’s just hope Disney/Pixar ends things here. 

19. Wild Rose

One of the strongest performances of the year, Jessie Buckley is enough to vault this pretty good movie into my top 20. A troubled young woman recently released from a Scottish women’s prison attempts to follow her dream of becoming a famous Nashville country singer. If that’s not enough to compel you to watch this film (streaming on Hulu), at least watch the music video for Glasgow, an original song from the film that is also one of my favorite songs of the year. 

18. Triple Frontier

If you know me at all, you should have seen this coming. Oscar Isaac, Ben Affleck, Charlie Hunnam, Garret Hedlund and Pedro Pascal (whom Netflix is smart enough to not hide behind armor and a helmet) are former Special Forces soldiers who team up to rob a South American crime boss. What seems like a typical heist movie about one more job surprises half way through by turning into a film about survival at any cost. The Metallica needle-drop as a helicopter flies over a South American highway and mountain range all but cemented this movie’s place on this list. I have no shame.

17. Us

The first time I saw Jordan Peele’s follow-up to 2017′s breakout hit Get Out, I liked it a lot and ached for a second viewing to pick up on all the easter-eggs and deeper meaning behind his choices. On second viewing every choice was cheapened and I found that I liked it less, saddened by what I saw as shallow metaphor and an ending that ripped of Karyn Kusama’s The Invitation. Over the next month or so I found myself telling people that Us was a blast, and that it’s intention was not to be read more deeply, but simply enjoyed as a brilliantly crafted and visually stunning modern horror masterpiece. Then I forgot about it for a few months. I don’t know exactly how I feel now but I know I want to watch it again and that I think about it frequently. 

16. 1917

A lot has been said about the filmmaking and “one-take” effect employed by Roger Deakins (cinematographer) and Sam Menders (director), which is impressive and worthy of the praise it’s received, but I won’t belabor that point. What worked for me was the chemistry between the film’s stars, George MacKay and Dean-Charles Chapman, who help turn a WWI epic into a tender story about friendship and family. A necessary breath of fresh air before the film becomes a somewhat oppressive and stressful POV take on the horrors of war. 

15. A Beautiful Day in the Neighborhood

All hail Mariel Heller, who managed to direct America’s Dad as America’s Friendliest Neighbor without being overly saccharine or sentimental. Vanity Fair’s Kam Collins pointed out that “Close-ups on fred rogers hit different”, which was spot on. Rogers was always seen and felt from a distance, and while we spend a lot of time with him here, Heller’s film isn’t about him but rather his disarming effect on people who met and knew him. Taking the POV of the journalist who is profiling him works wonders.

14. Paddleton

This Netflix film starring Mark Duplass and Ray Romano went mostly ignored or unwatched in 2019 as far as I can tell, but I happened upon it one evening (thanks, algorithms) and was moved by it’s tenderness and Romano’s remarkable performance playing against type. Fans of Duplass’ early career as a mumblecore king will feel at home in this two-hander about best friends and neighbors navigating life as one of them is diagnosed with a terminal illness and plans for assisted-death. Me loving a move about male emotion and processing grief? Shocker. 

13. Midsommar

Speaking of grief, Midsommar hit the zeitgest in July and I’m sure if you’re reading this you already saw it or determined that it wasn’t for you. Someone on a Ringer podcast used the mixed-metaphor “Fish out of water getting shot in a barrel” which perfectly distills the events that transpire when a group of college students travel to Sweden for a midsummer festival that turns into something much, much scarier. It’s not a spoiler, you fucking know things aren’t what they seem. I could go long on Florence Pugh but she’s the performer of the year in my mind. Midsommar, Fighting With My Family (which rocks), Little Women (see below), and in late 2018 in Park Chan-wook’s adaptation of The Little Drummer Girl for AMC which was remarkable and as good as almost any film on this list. 

12. Under the Silver Lake

David Robert Mitchell followed up 2017′s excellent It Follows with this wonderfully weird paranoia soaked Los Angeles neo-noir stone flick. This film shares so much DNA with Chinatown, The Big Lebowski and Inherent Vice, but is it’s own strange exploration of the meaning (or meaningless) of life and art and the world that surrounds us. I’m still not sure I understand what the point was, if there was any at all, but I think that was also the point? You’ll understand what the means after watching the film. Or maybe you won’t. I don’t know, it’s a fun one. 

11. Atlantics

To say much about the plot of Mati Diop’s brilliant debut film Atlantics would be a disservice to anyone who hasn’t seen it. Seriously, it’s on Netflix right now and is a stunning and spooky original story that demands your attention. I can’t stress this enough, the less you know the better. Prepare to be surprised in the best way possible. 

10. Transit

Christian Petzold’s Transit is an unsettling tale about identity and one man’s struggle to find human connection while in the midst of a chaotic attempt to escape a fascist state. Franz Rogowski is hypnotic and Petzold’s choice to film this WWII story set in France without period signifiers has a dizzying effect. Watch it on Amazon Prime right now!

9. Once Upon A Time in Hollywood

There’s been enough discourse around this movie and enough writing on it that I don’t need to get into it. It’s Leo, Brad, and Robbie. It’s LA in 1969. It’s Tarantino. It’s excellent. 

8. Ad Astra

A space movie starring Brad Pitt directed by James Gray. Do I need to say anything else? A movie about a sad man who goes to space to deal with his feelings, much like my favorite film of 2018. 

7. Little Women

Set across two timelines and jumping back and forth between them, Greta Gerwig brings her uniquely nimble and manic energy to this adaption of the classic Louisa May Alcott Novel and it works perfectly. I was disappointed to hear that Gerwig’s follow-up to her perfect debut (Lady Bird) with another hollywood adaptation of Little Women but her take on the store is one of a kind. The murderers row of talent top to bottom doesn’t hurt.

6. The Irishman

I can’t believe I doubted Scorsese after seeing the first trailer for The Irishman. How stupid of me and anyone who thought his latest epic wouldn’t be necessary and singular. A brilliant and tender take on the gangster film, Martin Scorsese crafted a film that acts as a sorrowful conversation with his own life and work and the careers of the three men at the center of this story. De Niro and Pacino are incredible, but Pesci is otherworldly. Lost in the brilliance of those three titans is Stephen Graham’s hilarious and devilishly mean and charismatic supporting performance.

5. Parasite

Nearly unanimous praise has been showered on Bong Joon-ho’s Parasite, and this masterpiece is somehow still underrated. It’s funny and thrilling and perfect. I don’t need to convince you, you’ve already heard it all. If you haven’t seen it, go now. If you have seen it, see it again.

4. Pain & Glory

Pain & Glory is a brightly colored and tender reflection on the director’s childhood and ouvre. Banderas’ awe-inspiring turn as a stand-in for the director, master Spanish filmmaker Pedro Almodóvar, is smart and sweet and devastating.

3. Marriage Story

I love Noah Baumbach’s films (Frances Ha, Meyerowitz Stories, Kicking and Screaming), unless I hate them (Greenberg, Mistress America, Margot at the Wedding). And even when I hate them, I revisit them constantly and think about them with more frequency than many movies I love. He already made one of the best divorce films ever (The Squid and the Whale) and redirects his acerbic wit and cynical view of people’s motivations and love toward the process of uncoupling (and to some extent, the city of LA). There’s something ultimately hopeful and light about Baumbach’s view of humanity and love here, even as we watch both deteriorate through most of the film. Driver and Johansson are terrific. 

2. Uncut Gems

A24 made a movie starring Adam Sandler centered around the outcome of a 2012 Boston Celtics playoff game that co-starred Lakeith Stanfield. If you didn’t know this movie existed, you’d think it came from a dream I had. It did not. Tense, tight, terrifying and hilarious, I saw this twice in theaters and will see it again. This is the Josh and Benny Safdie’s Goodfellas, and they will win an Oscar in 20 years for a movie that is less daring and less original and we will all look back on this year as the moment we failed to realize the torch had been passed. 

1. The Farewell

The Farewell starts by announcing it is “Based on an actual lie” and from those opening frames you know you’re in masterful hands. A heart-wrenchingly sweet and somber film filled with humor and honesty, it is the story of a family choosing to hide the matriarch’s cancer diagnosis from her so she can live out her final days without the anxiety and stress of knowing. Awkwafina, in a wonderful performance playing against type, is the Chinese-American granddaughter who struggles to find her place in the narrative her family is creating, torn between her ties to her Chinese heritage and American identity, feeling like the other in both worlds she inhabits. I have been unable to shake many moments in this film from my mind and would wholeheartedly recommend to anyone and everyone I know. It will not disappoint.