#Illustration by Einar Nerman

[arinewman7]

Sheet Music

Illustration by Einar Nerman

1916

[mote-historie]

The Rocky Twins, Photo by Atelier Manasse, 1926.

Einar Nerman, The Rocky Twins, Stockholm, 1931.

[tgablissortonn]

Einar Nerman created illustrations for sheet music covers starting in the 1900s. due to the invention of the upright piano, they became more accessible and fit more modestly into people's homes. if affordable, families whom had access to them created a greater demand for sheet music. there were many music shops opened around this time, so Einar's work ended up selling more. he was influenced by artists such as William Nicholson who created many different works such as illustration, still life, landscapes and portraits with a variety of different mediums such as woodcut and wood engraving. he also illustrated children's books. he was also inspired by Ivar Arosenius who was a Swedish painter and picture book illustrator.

it seems that Nerman derived a lot of inspiration from illustrators mainly for books directed towards children, which is evident in his caricature style with bright colours and simplistic features. later in his career he ended up illustrating for playing cards and children's books as well. these artworks have very bright colours which Einar has always worked with and simplified shapes for caricatures.

his work in sheet music cover illustration was well known for having striking colours with limited colour palettes, his designs and colours were very eye catching to onlookers. the contrast he uses with flat black colour against a bright background is quite eye catching and makes the character stand out. these works were lithographies. the characters shown were again simplified caricatures and used very simplistic linework to show facial features and expressions.

he was also inspired by Aubrey Beardsley, who created many ink works in the 1890s. Beardsley’s work is inspired by Japanese woodcuts. his art was erotic and explored grotesque and elegant themes. compared to Nerman’s work, his art is very mature and detailed. everything is created in black and white ink and the style is very intricate. I personally really like his work and his art style. I think his work is very pretty

[interactivemediayear1cd]

Artistic Alchemy:

Exploring the Works of Aubrey Beardsley and Einar Nermans,

In the realm of art, the late 19th and early 20th centuries witnessed the emergence of groundbreaking talents who pushed the boundaries of creativity. Two such influential figures, Aubrey Beardsley and Einar Nermans, left an indelible mark on the artistic landscape of their time. In this exploration, we delve into the distinct styles and contributions of these artists, each representing a unique facet of the art world.

1. Aubrey Beardsley: A Maestro of Decadence

Aubrey Beardsley, an English illustrator and author, rose to prominence in the late 19th century as a leading figure of the Aesthetic movement and Art Nouveau. Known for his intricate black-and-white illustrations, Beardsley's work often explored themes of decadence, the grotesque, and the sensual. His distinctive style, characterized by bold lines and elaborate ornamentation, left an indelible mark on the art world.

2. Einar Nermans: A Pioneer of Swedish Modernism

Einar Nermans, a Swedish graphic artist and illustrator, made significant contributions to the realm of modernism during the early 20th century. As a prominent figure in the Swedish advertising industry, Nermans played a pivotal role in shaping the visual culture of his time. His work seamlessly blended elements of modernism, cubism, and constructivism, showcasing a keen eye for design and a commitment to pushing artistic boundaries.

3. Aesthetic Overtones and Symbolism:

Beardsley's illustrations, often associated with the literary works of Oscar Wilde and the Decadent movement, featured elaborate depictions of the human form, mythical creatures, and intricate patterns. Nermans, on the other hand, embraced modernist principles, employing bold geometric shapes and innovative design elements in his advertising and poster work. Both artists, despite differing stylistic approaches, shared a commitment to pushing artistic boundaries and challenging societal norms.

4. Legacy and Influence:

The legacies of Beardsley and Nermans continue to resonate in the contemporary art world. Beardsley's influence is evident in the realms of graphic design, illustration, and even popular culture, with echoes of his aesthetic found in various art movements. Nermans, a trailblazer in Swedish Modernism, laid the groundwork for subsequent generations of graphic designers, leaving an enduring impact on the evolution of visual communication.

Aubrey Beardsley and Einar Nermans, though hailing from different corners of Europe and embodying distinct artistic movements, share a common thread of pushing artistic boundaries and redefining visual aesthetics. As we explore their respective works, we uncover a rich tapestry of creativity that continues to inspire and captivate art enthusiasts, proving that the echoes of their innovation resonate far beyond their own time.

[tga-ines-soares]

Einar Nermans 

Einar Nerman was born, 6 October 1888 in Norrkoping - 30 march 1983 in Lidingo, was a Swedish artist. He was born and grew up in middle -class family in the working-class city of Norrkoping and was the younger brother of the Swedish Communist leader Ture Nerman. Einar Nerman also had a twin brother Birger Nerman, who was an archeologist. Einar Nerman dropped out of his Norrkoping Gymnasium High School in 1905. And moved to St ockholmto study art. In 1908 he moved to France for many years to pursue his interest in art, studying with Matisse at the Academie Matisse in Paris. When he came back to sweden in 1912 he started studying music and taking dancing lessons. In the 1920s Nerman lived in London and drew images for The Tatler. During world War II , he lived and worked in New York City. Einar Nerman wrote songs and music and composed music to many of his brother Ture Nerman's poems. He also made many of the artistic book covers for his Community brothers's published writings. Einar Nerman also made illustrations for many of books by selma Lagerlof. In Sweden today, he is mostly known, or unknown, for being the man behind the art of the Solstickan matchbox. He also made some famous drawings of Greta Garbo, one of which was used on a postage stamp in 2005, a hundred years after the moviestar's birth. Nerman owned and inhabited Hersbyholm in Lidingo, Sweden. He bought the property in 1930. A book of his drawings appeared in 1979: Caught in the act, it was set harrap,London with an introduction by his friend, lyricist Sandy Wilson. It was contained by many caricature of friends in the London theater world. From 1922 to 1930 he was the theatre of cartoonist for the Tatler and also worked for the fashionable magazines Eve. The book is dedicated to Ivor Novello whom he had met in Stockholm in 1918. In the 1940s in New York he worked for the journal-Americans. There is much additional work information in Caught in the Act, as well as example of his work, sometimes said to be " Beardsleyesque", and his celebrity caricatures are as distinctive as those of Ralph Barton.

[eptga]

Einar Nerman was a Swedish artist know for his music sheet illustrations as well as the art he did for cards like the picture above.

his style is very simplistic only using simple shapes and lines his work could help me with my colour palettes and more simplistic drawings.

[tgadanparish1]

Einar Nerman

Einar Nerman is a sheet music illustrator who has created sheet music art from the year 1888–1983. in todays society we see every piano as all the same however the invention of the upright piano was incredibly important however prior to its invention the piano was an enormous instrument. For those who could afford it the piano has become a staple of household entertainment.

[interactiveterm1bk]

Artist Research- Aubrey Beardsley and Einar Nerman

I prefer Aubrey Beardsley's work as it's so intricate. It appears to be illustrated with a fine liner and also reminds me of Kentaro Muira's intricate details from his manga Berserk which is another reason I prefer it as I see something that I enjoy in it.

The way fine lines are used to build shape and movement seem very similar to me.

Einar Nerman's work just isn't as impressive because the artwork is so simple. Though I understand the more cartoon approach I just prefers the other artist. The colours are simple and the characters are funny shapes unlike Beardsley's propionate/realistic approach to the characters. You need only look at Nerman's work for a couple seconds and then there's nothing else to look at but because of the amount of detail in Beardsley's work you'll always be bale to catch something you've missed

[ein-bleistift-und-radiergummi]

Einar Nerman Illustration, 1930s.

(via auctionet.com)

[psikonauti]

Einar Nerman

"Fairytales from the North", 1946

[theartisticendeavor]

Playing Cards by Einar Nerman

[dottob]

Einar Nerman (1888 - 1983)

[mote-historie]

Einar Nerman (Swedish, 1888-1983), "Mörkrädd", "H.C. Andersen, Lilla Lisa". Flicka i leksandsdräkt i skog med levande skräckinjagande träd (Afraid of Darkness, H.C. Andersen, Little Lisa. Girl in play sand suit in forest with living scary trees), 1951.

[cocosse]

God Jul / Merry Christmas | Illustrations by Einar Nerman, 1888-1983 >

[ghoti-and-us]

Einar Nerman - in Fairy tales from the north - c. 1946

[forblogssake]

Illustrated by Nerman [Einar Nerman]