#Indiana Avenue.

[mudwerks]

(via Oliver Coleman: 1942 | Shorpy)

April 1942. "Mr. Oliver Coleman, drummer, looking over some music scores in the study of his apartment on Indiana Avenue. Chicago, Illinois." Acetate negative by Jack Delano for the Foreign Information Service of the U.S. Office of Coordinator of Information. View full size.

[creativedifferencespodcast]

Do you think Santa could kick your ass? What crimes would you commit to stop your ex's engagement? How would you spend three disastrous years in space? Have you dropped it low for Jesus? Get ready, because we're reviewing Violent Night, Four Samosas, Avenue 5, and Sherman's Showcase and reacting to a bunch of new trailers!

 You can also find us on Spotify and Apple Podcasts!

[duskythesomething]

sometimes i really wonder why i didn't actually go to college for any sort of zoology and then i remember that i live in fucking indiana where there's almost nothing interesting and i don't wanna move around for any job

[aroundfortwayne]

Traffic Alert: Anthony Boulevard temporary detour begins Tuesday - 10/11/2022

New Post has been published on https://aroundfortwayne.com/news/2022/10/07/traffic-alert-anthony-boulevard-temporary-detour-begins-tuesday-10-11-2022/

Traffic Alert: Anthony Boulevard temporary detour begins Tuesday - 10/11/2022

On Tuesday, October 11, 2022, the project’s second phase will move into the intersection of East Wayne Street and Anthony Boulevard, closing Anthony between Wayne and East Washington Boulevard.

[urdreamgirls-dreamgirl]

if we lived on the moon.

Not for the first time, Steve Harrington wishes he lived anywhere but Hawkins, Indiana.

He spots Eddie walking toward him down the grocery store aisle where he’s been waiting for him, shifting a can of baked beans from one hand to the other, dimples on full display. 

“Got ‘em! Found the last can, they were shoved all the way to the back of the shelf, can you believe it? Had to reach all the way back.” Eddie stops short where Steve stands with his hands on the shopping cart handle. His eyes raise from the can in his hands to Steve’s face, smile widening. “I can’t wait to make you Wayne’s famous wieners and beans. It was all I would eat when I first moved in with him.” Eddie’s eyes sparkle while he talks, remembering, gaze still on Steve as he leans down to place the can in the bottom of the cart. His smile softens and Steve is transfixed, frozen in place, nearly breathless. “Guess it reminded me of my mom,” he finishes in a near-whisper. It makes Steve wish he’d known him when they were kids, that they’d grown up together and seen each other in every moment of their lives.

As Eddie leans back up out of the cart, a lock of hair falls across his face. Steve’s hand itches to reach out and tuck it behind his ear for him. He glances around, covertly and quickly. Finding their aisle empty, he gives in to his impulse and allows his fingers to brush Eddie’s hair away from his eyes for him before dropping it back onto the cart handle. Eddie blushes, just a little, and brings his own hand up to pull that same hair in front of his face, suddenly bashful. 

Maybe it isn’t any where he wants to be. Maybe it’s an any when. Maybe in a year—or two or three or ten—he can touch his boyfriend’s hair without looking over his shoulder to be sure there’s no one watching. Maybe in a year—or two or three or ten—he can grocery shop holding Eddie’s hand and no one will say anything at all. Maybe in ten years, he’ll be allowed to kiss Eddie right in the center of Hawkins where anyone could see them and no one would even care. Maybe then they’ll be allowed to have their date nights at the diner like everyone else, instead of tucked away in the trailer with mismatched candlesticks for a centerpiece and the radio playing their well-worn mixtapes, the ones Steve knows by heart. Maybe it’s just a matter of waiting it out. Maybe then—if he believes in this bright, beautiful future when—he won’t be forced to leave everything behind just to be allowed to love Eddie out in the open, where everyone could see. 

They turn to leave the aisle, finished with their shopping, but before they exit the deserted space completely, Steve feels the brush of Eddie’s knuckles against his own as he pushes the cart in front of him, like a butterfly: there suddenly, gentle and then gone.

He has to believe in anywhere and any when.

"i'd hold your hand if we lived on the moon, walking down the avenue. we'd never think twice about who we'd offend and we'd never say we're just friends. no, we'd never say we're just friends. all that i know is i want you forever and nothing like this could be wrong. if people on earth think that they know us better than we do, then i'll live on the moon with you."

is this anything? i obviously didn't know how to end it lol. i'm having big gay sad feelings tonight about homophobia. i rarely write in a universe where homophobia exists, because these are my barbies and i'm the god of this gay little world, but i'm extra sad today. hope you enjoyed this or something. idk. who are ur fave openly gay musicians? i like boygenius, muna, fletcher, etc. trying to get away from u know who, give me recs!!!! ok bye.

[unteriors]

State Line Avenue, Hammond, Indiana.

[archaeologysucks]

Advertisement, To-Morrow Magazine, Feb 1905:

Poetry and Prose -- Bum Books for Me! -- Largest Library Like It FREAK BOOKS Bought, Sold, Rented and Exchanged ----------- Many authors owe their success and popularity to my refusal to admit their books to my library. Bernard Shaw owes his fame to me. I return good books and only keep the rotten stuff. It is the right way to test your books. Only autograph copies considered. Do not try to deceive. ----------- Always Address SERCOMBE HIMSELF 1926 Indiana Avenue CHICAGO I KNOW GOOD BOOKS

[obsessedbyneon]

Indiana Avenue row of three houses, Venice / Los Angeles, by Frank Gehry.

Scan

[shushmuckle]

A word to the wise on Central Avenue in Indianapolis, Indiana.

[20th-century-railroading]

Indiana Harbor Belt - Riverdale, IL by d.w.davidson Via Flickr: An eastbound IHB freight behind a pair of SW1500s, Nos. 9210 and 9201 is seen approaching Indiana Avenue, in June 1986.

[dreaminginthedeepsouth]

Photo: Don Hogan Charles / The New York Times

* * * *

The O in the “LOVE” sculpture being lowered into place. It was cold and the skies leadenly forshadowed rain, but “LOVE” arrived monumentally in New York yesterday in time to gladden the city’s face for Christmas. “LOVE,” a five-ton sculpture by Robert Indiana, the pop artist, will be on display for the next six weeks at Fifth Avenue and 60th Street, at the entrance to Central Park, where it will be highly visible to midtown strollers and shoppers. [11-29-1971]

[follies of god]

+

“The longer I live, the more deeply I learn that love — whether we call it friendship or family or romance — is the work of mirroring and magnifying each other’s light. Gentle work. Steadfast work. Life-saving work in those moments when life and shame and sorrow occlude our own light from our view, but there is still a clear-eyed loving person to beam it back. In our best moments, we are that person for another.”

James Baldwin

[ericdeggans]

Purple Rain at 40: Speaking with The Revolution on the film which made Prince a pop superstar and changed my life

I sat in a darkened movie theater 40 years ago, transfixed by a story that felt like it was centered on my pop culture life. Only years later, would I wind up living a reality that felt imported straight from the film’s narrative.

The movie was Prince’s introduction to superstardom, Purple Rain.

That film is now celebrating its 40th anniversary – the actual date was Saturday – and to mark the occasion for NPR, I caught up with two of Prince’s bandmates from The Revolution, guitarist Wendy Melvoin and drummer Bobby Z Rivkin -- with Morris Day, lead singer/leader of the Purple One’s funk band offshoot The Time chiming in through email. (read the story here)

Back then, I was a straight up disciple of Prince’s Minneapolis sound – a fan after listening to his 1981 album Controversy, I sifted through albums like 1999, Dirty Mind and For You for the funk bits that made an aspiring drummer sit up and take notice. To be honest, like a lot of Black folks back then, I was little more into the hardankle funk of The Time, with me and my friends growing up in Gary Indiana regularly sporting the Stacy Adams shoes and baggy pants favored by the group.

So imagine my surprise when I saw all that pop culture uniqueness splashed all over a movie screen in July 1984 courtesy of Purple Rain. Prince charged through scenes on a custom-made, lavender colored motorcycle like a guitar playing superhero, thundering through dazzling musical sequences like a new school James Brown, while Day and his onstage foil Jerome Benton provided the kind of comic relief needed to keep the whole scene from taking itself too seriously.

As someone who had just started a funk band in college at Indiana University, I was in awe of the powerful pop tunes and kinetic, sharp performances in the film’s musical moments. And backstage scenes where Wendy fought with Prince – known only as The Kid onscreen – urging him to play a song she and her girlfriend/keyboardist Lisa Coleman had written together, felt like 100 arguments I’d seen in all the band I’d ever played in.

“It was sort of the perfect mix of time, place and people,” Wendy told me a few weeks ago, when I interviewed her by Zoom about the experience of making Purple Rain. “They wanted the dynamic to be as real as possible. So they did, when they were writing the script, come to us and say, okay, what would you say if this situation happened? Or how would you act if that happened? So they were able to capture a kind of authenticity and put in into the script.”

The film turned Prince into a superstar, powered by a simple story: The Revolution is on the verge of failure until The Kid agrees to play Wendy and Lisa’s song – Purple Rain, of course—at the legendary Minneapolis club First Avenue. His emotional performance kicks off a scorching finale that galvanizes the crowd and saves the band.

Just a few years later, I would live that same storyline when the group I co-founded in college, Voyage Band, was on the verge of failure, rescued by a hit single written for a charity record that exploded over local radio in 1986. When we played a show at a local club that we expected to be lightly attended, and the place instead packed with fans who sang along with our song when we played it onstage, I felt like I was living the story of Purple Rain in real time. Eventually, we signed contract with Motown Records, though our record was never released - the song Strange Situation, can be heard here.

Back in the mid-1980s, MTV had only recently begun playing videos by Black artists. And there was nothing like the level of information available to fans now about their favorite performers via social media. So seeing music videos and a film that provided a fictionalized history for Prince – showing him struggling with an abusive father and navigating tensions with his band – felt like a brief window into an artistic world fans had previously only seen through listening to the music and poring over album liner notes.

All of it was shrouded by a mystique in which Prince and his collaborators rarely talked with the press, which helped stoke interest in the work, but also made it tough for some musicians from The Revolution when Prince decided to disband the group in 1986.

“I kind of resented the fact that, you know, people just thought I turned on a machine and went to play and then turned it off,” said Bobby, who began working with Prince in the late 1970s and stayed friends with him until the pop icon’s death in 2016 of an accidental fentanyl overdose. “There was a lack of transparency about how it all went down…But I knew the mystique was cool…definitely didn’t want to blow that. And he trusted us to not give out the secret sauce.”

I actually met Prince months before his death at his home studio in Minneapolis, Paisley Park. He had invited the National Association of Black Journalists, which had a conference in the city, to his facility, sitting down with a small crowd of us to talk passionately about the need for artists to retain control of their work in the face of the streaming revolution (here’s the story I wrote for NPR about it).

Wendy says The Revolution had talked with Prince about year before his death about reuniting; her last conversation with him was about plans to visit him at his home studio Paisley Park with her young son. Bobby recalls hearing local news reports in Minneapolis about an ambulance called to Paisley Park and then later learning of Prince’s death.

“This shy kid that I met…turned into one of the greatest entertainers of all time,” Bobby says. “I got to know him. He was probably my best friend….someone that people just revere and are mystified by and I got to have an intimate relationship musically and personally [with him.] He changed the world. And it’s just incredible to have lived that moment with him.”

All of this explains why Purple Rain was such a landmark for me personally and pop music in general. It’s an achievement worth remembering, at a time when the march of technology and pop culture too often threatens to erase the memory of how we all got here, in the first place.

[toastess-with-the-mostess]

Voltron: The Series

Last stop folks! One I'm sure you already know well This was my introduction into Voltron, fell in love with it, led me to its predecessors, then had a rocky relationship with it, and still do Thanks for joining me so far! I love Voltrons history because there's so much to be inspired from Dotu/VV - V3D - VF - VLD (here)

Word vomit under the cut <3

Oh boy 2016, nothing can go wrong here Frankly this is the better looking Voltron out of all of them, I'm glad to see what 2D and 3D can really do together since VF had a rocky time with that itself. Like I said in the Dotu/VV post, this show is a hard reboot, at most it takes the names and basic legend of the original show and just runs with it. Though it does take inspiration from the previous shows, again with Pidge being a genius, the lions being mystical, and this time I'm fairly sure the bayards were directly inspired from the voltcoms from VF That's the main reason why I don't find it fair to compare Voltron Legendary Defender (VLD) to the other Voltrons because it's not the same story at all, it's its own thing and is pretty well isolated. It has major changes to the story beats, like Lotor not automatically being a villain, the pilots aren't trained soldiers and instead cadets themselves, for a while the team aren't even friends, Allura's planet is renamed (to be fair it's back to the original anime name) and also destroyed, and Pidge is a girl now, which I don't mind but from what I've learned its a joke between older fans since many of them thought dotu Pidge was a girl at first due to his headband. The gist of VLD is vaguely similar to the rest of them, a team of five lands on Altea (Arus) and discovers Voltron which is then used to defend the universe. Like I mentioned though, the team isn't made up of soldiers, most of them are cadets with only one (1) seasoned soldier on the team who has been missing for years until the group found him. They have an Indiana Jones moment and find blue lion hidden away on Earth which abducts the entire team to Arus, a planet unrelated to Altea, where the castle of lions sits locked up. The rest of the show is them learning to work together and the best way to handle dangerous situations when more than just easily ignored lives are on the line. In total, it had 8 seasons in 2 years (yikes), the most of the shows (probably ran too long in retrospect), spawned 3 volumes of comics (15 in total), and brought the return of the toy line. This iteration brought in the most viewers because of the original fans who were still kicking, the animation, the story (in the beginning), and it was on Netflix which many people had at that point so it was easily accessible. It also spawned an incredibly large fandom which could be amazing at some points and down right radioactive at others. Either way though, it created avenues for merchandise, podcasts, fan interactions, and furthering the legacy of Voltron itself! As of this post, there's information slowly coming out about a live action movie for Voltron (probably not VLD related, that ship has sailed lads) which has many fans excited for what's to come

[unplaces]

East 19th Avenue, Gary, Indiana.

[fizzigigsimmer]

Modern Au or Na?

I have been doing research on dance conservatory schools and ballet culture in the 80s & 90s for the Harringrove Ballet!Au. I was hoping it would help me decide between the two decades but I think I'm more torn than ever on what time period to set this fic in.

On the one hand, there's so much opportunity for modern dancers and social media has really changed the artform, making it more accessible, making space for smaller companies while centralizing the health and well being of the dancers. And I love love LOVE that (for the most part) dancers today feel free to be out and proud to their audience, even if there are still many walls to take down when it comes to queer visibility on stage. I can really see Billy (as well as Steve) flourishing in this setting. Struggling in that "don't ask don't tell" era of the closeted 90s, learning to embrace himself as a student and going on to have this dynamic and colorful career as an adult in the 2000s where he can express himself unapologeticly through his choreography, and be a part of what was pioneering a new era of queer visibility in dance.

And even if the dance world is not as elitist or as "cut throat" as it was even just a few decades ago, there are still so many pressures on young dancers, their bodies, their mental health, and the competition is still fierce. Some of these kids are joining professional companies right out of highschool, moving to big cities at 18-19 years old and feeling the pressure to prove they're "where they belong" alongside managing an apartment and independence for the first time. And if they fuck up, they may not get another chance.

On the other hand, ballet culture of the 80s is turning out to be really fascinating. Inspiring as well as tragic for all the reasons that I am sure you can imagine. Because on one side of it you had the aids crisis and all the bullshit that required male dancers to maintain and defend their public image as straight masculine males; but on the other you had this unique space, that was heavily influenced by queer culture and has always been a niche avenue for queer men and women to be celebrated and rise to success (so long as the public could politely deny their queerness).

A space where straight and queer individuals worked intamitly, and within the bonds of the company a queer person could be known and live relatively openly. The "open secret" kept politely by their friends and colleagues. They lived and worked together, and they lost together as the aids epidemic rocked through their community, taking lovers along with friends and mentors. It makes me excited to develop Mrs. Harrington and explore her relationships with her students as well as Steve. It makes me excited to explore the tensions and relationships of the teens, who would be coming of age in this strange insular bubble celebrating new thoughts and ideas about life, right in the middle of conservative Indiana.

Billy would not expect to be able to find that kind of acceptance he finds in the dance world, especially when he leaves California. And it would be really interesting to explore his transition from the street scene of San Deigo, to this new elitist space where he can achieve incredible heights, receive honors from the president and standing ovations in packed out theaters, with a partner in the wings while being left in peace - just so long as he's willing to keep his head down and play by the rules.

I think Billy would really struggle with the hypocrisy of these privileged spaces, along with classism, body dysmorphia, homophobia, the performance of masculinity etc. Not to mention having to keep duel identities between his public and private life. These are all issues that are hinted at but barely touched upon in the canon, so it would be really rewarding I think to really be able to lean into it and give them a proper exploration.

LOL so writing that all out I think I am leaning towards keeping the 80s setting. But IDK, I'd be interested in hearing any other thoughts if you have them.

[kitsune-andi]

I guess I have a few questions and comments so bear with me lol.

1. I think you are stunning and I love your outfits!

2. Where do you get your shorts at? I always see them on different people her and I think they’re so cute!

3. I see that you said you’re a shy guy, but do you ever get out around Indy? If so what places do you like going to? I live in northern Indiana myself and am always curious about fun places full of free spirits there lol

4. You would make the best cuddle buddy ever! If you have any secrets on how you get your skin to look so perfect please do share.

Much Love to a good boy🥰

1. 💝💞 Thank you so much! I'm glad you like my cute outfits, you are so kind!

2. I get all my clothes from Amazon haha... I'm too nervous to buy feminine clothes in person so I just have them delivered to my place under a girl's name... 😖 It's always fun to shop for clothes though but it's hard to get the size right cuz the clothes weren't made for boys' bodies. I mostly fit into smalls or mediums.

3. I don't really go out too much haha... Just work and the gym mostly, I am pretty shy and get a bit anxious going to new places. I prefer nature and stuff so I like to go hiking or walk along the canal downtown. My friends are good about inviting me to stuff though, and I can definitely reccommend Massachusetts avenue for some cool shops and good food! Bottleworks is fun too, lots of food and games and a cool movie theatre! But most days I like to stay in and draw or play video games. <3

4. Thank you so much! I should at some point make a post dedicated to skincare and keeping your body smooth because like most boys I was doing it wrong for a long time. My legs are extremely sensitive and get razor bumps very easily, so I have to be very very careful when I shave them. Basically, you should buy high quality razors and replace the blades every two weeks, and use ultra sensitive shaving cream if you can. Using hair removal cream is a great alternative too! Much easier than shaving, but not for everyone's skin. I used Nair before, but that DESTROYED my skin it was so red and itchy for a week! I recently started using Veet on my legs and have had no issues at all with it! I'm gonna keep trying it and if it keeps working well l'll probably use that as my go-to method for hair removal. Of course, exfoliating and moisturizing your skin is also 100% essential. I use an exfoliating cream and scrubber once or twice a week, and I put lotion on my skin after almost every shower, I like the shea butter stuff from bath and body works, it smells great and keeps skin moisturized for a long time!

💝 Thank you for your questions and kind words, I hope this helped!