#International Centre of Graphic Arts

[marcogiovenale]

'nero' a lubiana _ "could it be tried somewhere?"

Apre domani, 9 marzo, Could it be tried somewhere?, la mostra-reading room che l’International Centre of Graphic Arts di Lubiana dedica agli esperimenti editoriali, alle indagini e ai processi di rappresentazione che NERO ha sviluppato dal 2004 a oggi.  Era il 2004 e a Roma venivano stampate le prime copie di NERO, una nuova rivista free-press di arte e cultura contemporanea. Influenzati da…

[garadinervi]

Hommage a Jean Lurçat: Le Chant du Monde, Centre International de la Tapisserie Ancienne et Moderne (CITAM), Musée cantonal des beaux-arts, Palais de Rumine, Lausanne, 1967 [Exhibition: March 12 – April 30, 1967] [typoswiss]

[caixinliang]

Practice 1:

Assignment 2, Concept Art - Human and "Inhuman"

. Blog post 02

Here are some sketch analyses based on the interesting design points summarised in the previous blog.

A.Making the human organism grow like a plant

B.Integration of diverse organisms

C.Use of shape language

D.The human figure and the Uncanny valley

Transformation process between human and inhuman

I'll be applying these interesting design points to my concept design.

My final design was inspired by the horrific creatures of the Cthulhu novel "The Shadow over Innsmouth" that were mutated by the local humans. These creatures are a combination of human and sea life.

My character has a graphic representation of the letter D, emphasising the tension of the character, with the two main design centres being the shoulders and the head, next to which I have placed directional 'octopus tentacles'.

shape language:

The character's toes are  tangled together, giving it a twisted and awkward look.

final:

This is all for now, thanks for reading.

Reference:

Annihilation (2018) Directed by Alex Garland [psychological horror film]. United Kingdom United States : Paramount Pictures ( North America and China) Netflix (international).

Pan's Labyrinth (27 May 2006) Directed by Guillermo del Toro [dark fantasy film]. Warner Bros. Pictures.

Love, Death & Robots (March 15, 2019 – present) Directed by Tim Miller [adult animated anthology television series]. American : Netflix Studios.

The Last of Us (TV series) (January 15, 2023 – present) Directed by Craig Mazin Neil Druckmann Available at: HBO MAX (Accessed: 14 November 2023 ).

[fashionbooksmilano]

Milton Glaser : POP

Steven Heller, Mirko Ilić, Beth Kleber

Monacelli Press , New York 2023, 288 pages, 25x30cm, ISBN 9781580936132

euro 55,00

email if you want to buy booksinprogressmilano@yahoo.it

An overview of the work of illustrator and designer Milton Glaser during the 1960s and 70s

From 1954, when he co-founded the legendary Push Pin Studios, to the late ’70s, Milton Glaser was one of the most celebrated graphic designers of his day, whose work graced countless book and album covers, posters, magazine covers, and advertisements, both famous and little-known. Glaser largely defined the international visual style for illustration, advertising, and typeface design and interest in his legacy continues unabated, with modern creatives acknowledging his influence; for example, in 2014 Mad Men creator Matthew Weiner enlisted Glaser to design the ad campaign and branding for the show’s final season.

His renowned work garnered solo exhibitions at the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York. Creator of the iconic 'I ♥ NY' logo and cofounder of New York magazine, Glaser received numerous accolades and lifetime achievement awards. Across thousands of works across all print media, he invented a graphic language of bright, flat color, drawing and collage, imbued with wit. This collection of work from Glaser’s Pop period features hundreds of examples of his design that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.

29/10/23

[mirimangarecs]

the psycho duke and i - play-human & ianna kim

(i really wish this one had a more, ah, elegant title because i need you to walk with me here)

cw: stalking, familial abuse

a young woman wakes up in a book as the neglected sister of the heroine who will be kidnapped by a dangerous foreign duke during the war, and resolves that being kidnapped in her place would be better than continuing to live with her abusive family

the couple: for him, it’s destiny; for her, it’s out of the frying pan, into the fire. obsessive ml enjoyers this one is all yours. she has a fearless, blasé attitude about her situation that contrasts nicely with his intensity.

story & setting: it’s an industrial revolution/late 19th c. noir thriller about politics, lost royalty, and the looming threat of world warfare. due to her desire to escape via the kidnapping, she becomes attached to him and is dragged into the centre of an international power struggle. it is so much more than just “wuh-oh, i’m engaged to a yandere?!” and i feel bonkers talking about it

the art: i think the cover doesn’t do justice to the incredible Vibes. the colour palette is dark and oppressively muted to match the dire political state, and the composition reminds me of graphic novels at times. the characters are fragile, sketchy, and almost alien. it wouldn’t be the same story without it

[polishwomenartists-sztukakobiet]

#InHERstudio 💃🏻💪🏼 Agula Swoboda

💥 check out IG @agulaswoboda

Surrealist Contemporary Artist from Poland, currently based in #Cieszyn

Art by Women - Women in Arts : @abwwia

.... We met some time ago around my fascination with her project #MATKOŚĆ (Title lost in translation as it's words game, translation to Motherhood, in my option doesn't give it justice)

In this project Swoboda shares #herstories

of Her own as a mother of 3,

Agula's Mother also took part (!!!)

- as well as few other brave Polish women agreed to participate in this Important, Honest, Rough Art Collaboration. #PalianShow

Story Telling, Deep listening, Graphics, Tatoos (!!!) large size Photography, paintings, collages - all above and more were included.

I invite you to deep into more info about this extremely important art piece here: https://palianshow.wordpress.com/2023/05/26/matkosc-eng/

For more follow fb Polish Women Artists #sztukakobiet

🌹💃🏻💪🏼🌹💃🏻💪🏼🌹💃🏻💪🏼

About the Artists #AgulaSwoboda

Born in 1974 in Katowice (Poland).

Studied painting at the University of the West of England, Bower Ashton, Bristol (Bachelor’s degree in painting) and the Byam Shaw School of Art – Saint Martin College of Art and Design in London (diploma in painting, scholarship award). Scholar of UWE Bristol and #saintmartincollege of Art and Design and annual resident at Lancaster Foundation in Clitheroe (England).

The curator of international art residencies “Incidenty / Incidents” in Poland, Czech Republic, Norway and United Kingdom.

Co-founder of the ‘Szara’ Gallery ” in Cieszyn (Poland), UnderGround Art Centre in Clitheroe (England) and the School of Art and Thinking in Cieszyn (Poland). At present works and curates city Gallery ‘12’ in Cieszyn (Poland)

#surrealism #surrealist #artiststudio #artstudio #wineandart

[cppsheffield]

Centre for Poetry and Poetics in Collaboration with Black Humanities Series Presents:

A Reading With Safia Khan, Inua Ellams and Imtiaz Dharker

Venue: The Diamond, LT2, The University of Sheffield, 6pm.

Safia Khan is a junior doctor and poet. Her debut collection (Too Much Mirch) was published in 2022 with Smith | Doorstop and won the New Poets Prize. She has been commissioned to write and deliver lectures in poetry for various universities and literary organisations, including The British Library, The University of Oxford, The Poetry Business, and the Hippocrates Initiative for Poetry and Medicine. Her work has been published in various journals and anthologies including The North, BATH MAGG, Poetry Wales, Introduction X: The Poetry Business Book of New Poets (New Poets List), We’re All in It Together: Poems for a disUnited Kingdom (Grist), Dear Life (Hive), Surfing the Twilight (Hive). -- Born in Nigeria, Inua Ellams is a poet, playwright & performer, graphic artist & designer. He is a Complete Works poet alumni and facilitates workshops in creative writing where he explores reoccurring themes in his work - Identity, Displacement and Destiny - in accessible, enjoyable ways for participants of all ages and backgrounds.

His awards include: Edinburgh Fringe First Award 2009, The Liberty Human Rights Award, The Live Canon International Poetry Prize, The Kent & Sussex Poetry Competition, Magma Poetry Competition, Winchester Poetry Prize, A Black British Theatre Award and The Hay Festival Medal for Poetry. He has been commissioned by the Royal Shakespeare Company, National Theatre, Tate Modern, Louis Vuitton, BBC Radio & Television. His poetry books include ‘Candy Coated Unicorn and Converse All Stars’ published Flipped Eye, 'The Wire-Headed Heathen' by Akashic Books, The Half God of Rainfall by 4th Estate and The Actual by Penned in The Margins. His plays include ‘Black T-shirt Collection’, ‘The 14th Tale’, ‘Barber Shop Chronicles’ and ‘Three Sisters’ published by Oberon. He founded The Midnight Run (an arts-filled, night-time, urban walking experience.) The Rhythm and Poetry Party (The R.A.P Party) which celebrates poetry & hip hop, and Poetry + Film / Hack (P+F/H) which celebrates Poetry & Film. -- Imtiaz Dharker grew up a 'Muslim Calvinist' in a Lahori household in Glasgow, was adopted by India and married into Wales. She is an accomplished artist and video film-maker, and has published six books with Bloodaxe, Postcards from god (including Purdah) (1997), I Speak for the Devil (2001), The terrorist at my table (2006), Leaving Fingerprints (2009), Over the Moon (2014) and Luck Is the Hook (2018). Her seventh, Shadow Reader, is published in 2024. All her poetry collections are illustrated with her drawings, which form an integral part of the books; she is one of very few poet-artists to work in this way. She was awarded The Queen's Gold Medal for Poetry for 2014, presented to her by The Queen in spring 2015, and has also received a Cholmondeley Award from the Society of Authors and is a Fellow of the Royal Society of Literature. Over the Moon was shortlisted for the Ted Hughes Award for New Work in Poetry 2014. Her poems are on the British GCSE and A Level English syllabus, and she reads with other poets at Poetry Live! events all over the country to more than 35,000 students a year. She has had a dozen solo exhibitions of drawings in India, London, Leeds, New York and Hong Kong. She scripts and directs films, many of them for non-government organisations in India, working in the area of shelter, education and health for women and children. In 2015 she appeared on the iconic BBC Radio 4 programme Desert Island Discs. In 2020 she was appointed Chancellor of Newcastle University. She lives in London.

Please note this is an in-person event and we would love you to be there but if you can't make it to Sheffield you can log in by no later then 5.50 on the following link: meet.google.com/fdh-igyk-hrr

[argroupofedu5]

Exploring the Graphic Era Institute of Medical Sciences: Your Pathway to a Promising Medical Career

When considering a medical career, choosing the right college is crucial. The Graphic Era Institute of Medical Sciences stands out as an excellent choice for aspiring doctors. Located in the picturesque city of Dehradun, this institute has quickly become a preferred destination for students who are passionate about pursuing a career in medicine.

Why Choose Graphic Era Institute of Medical Sciences?

The Graphic Era Institute of Medical Sciences offers a well-rounded education that blends theoretical knowledge with practical experience. The institute is equipped with state-of-the-art laboratories, modern classrooms, and an extensive library, all of which contribute to a learning environment that is both engaging and comprehensive. The emphasis on research and innovation at this institute ensures that students are not just learning from textbooks but are also exposed to the latest advancements in the medical field.

Academic Excellence

One of the key reasons why students are drawn to the Graphic Era Institute of Medical Sciences is its commitment to academic excellence. The curriculum is designed to meet international standards, ensuring that graduates are well-prepared to take on the challenges of the medical profession. The faculty at the institute comprises experienced doctors and educators who are dedicated to providing students with the best possible education. Their guidance helps students develop the critical thinking skills and clinical expertise needed to excel in their careers.

Hands-On Training and Internships

At the Graphic Era Institute of Medical Sciences, practical experience is given as much importance as classroom learning. Students have access to a fully functional hospital where they can apply their knowledge in real-world scenarios. This hands-on training is invaluable in helping students build confidence and gain the skills necessary to become competent medical professionals. Additionally, the institute has partnerships with various hospitals and healthcare centres, providing students with internship opportunities that further enhance their learning experience.

Supportive Learning Environment

The Graphic Era Institute of Medical Sciences prides itself on creating a supportive and inclusive learning environment. The campus is home to students from diverse backgrounds, fostering a culture of collaboration and mutual respect. The institute also offers various student support services, including counselling, mentorship programs, and academic advising, to ensure that students have all the resources they need to succeed.

Career Opportunities

Graduating from the Graphic Era Institute of Medical Sciences opens up a world of career opportunities. The institute has a strong network of alumni who are making significant contributions to the medical field both in India and abroad. This network, coupled with the institute's placement services, ensures that students have access to job opportunities in some of the most prestigious hospitals and healthcare organisations.

Conclusion

Choosing the Graphic Era Institute of Medical Sciences is a decision that can shape your future in the best possible way. The institute's commitment to academic excellence, practical training, and student support makes it an ideal choice for those aspiring to become successful medical professionals. If you are looking for a medical college that not only educates but also empowers you to make a difference in the world of healthcare, the Graphic Era Institute of Medical Sciences is the place to be.

[printmediacentr]

The Print Report: Cool Collabs at drupa 2024

On this episode of The Print Report, live from drupa 2024, Deborah Corn and Pat McGrew discuss the various collaborations announced and showcased at the event, the importance of partnership in the printing industry, and the integration of printing technology and community engagement through the #WeAreDrupa initiative powered by Antigro Designer and their Sticker Builder software.

Mentioned in This Episode: 

drupa: https://www.drupa.com/

drupa Next Age (drupa DNA): https://www.drupa.com/en/Program/Forums/drupa_next_age

drupa daily: https://www.drupa.com/en/Media_News/drupa_daily

The Print University: https://theprintuniversity.com/

Pixel Dot Consulting: https://www.pixeldotconsulting.com/

Ryan McAbee: https://www.linkedin.com/in/mbossed/

HP: https://www.hp.com/

fiftyfifty: https://www.fiftyfifty-galerie.de/

#WeAreDrupa Project: https://antigrodesigner.com/drupa-2024/

Antigro Designer: https://antigrodesigner.com/

Antigro Sticker Builder: https://stickerbuilder.co/

Roland DGA: https://www.rolanddga.com/

Neenah: https://www.neenah.com/

Jason Leonard: https://www.linkedin.com/in/jason-leonard-11963410/

Canon: https://pps.csa.canon.com/

Heidelberg: https://www.heidelberg.com

Benny Landa: https://landanano.com/about-us/benny-landa/

Landa Digital Printing: https://landanano.com/

Gelato: https://www.gelato.com/

International Circle of Educational Institutes for Graphic Arts Technology and Management (ICEIGATM): https://uia.org/s/or/en/1100004262

Pat McGrew: https://www.linkedin.com/in/patmcgrew/

McGrewGroup: https://www.mcgrewgroup.com

Deborah Corn: https://www.linkedin.com/in/deborahcorn/

Print Media Centr: https://printmediacentr.com

Partner with Print Media Centr: https://printmediacentr.com/partnerships/ 

Subscribe to News From The Printerverse: https://printmediacentr.com/subscribe-2 

Project Peacock: https://ProjectPeacock.TV 

Girls Who Print: https://girlswhoprint.net

Listen Long and Prosper!

[intericsspacedesign]

From Vision to Execution: The Art of Creating Immersive Experience Centres

With the growth of competition throughout the industry, brands have prioritized creating engaging and immersive experiences for their audience. Experience and technology inspire excellence, create a journey of discovery for the audience, and showcase the innovation and progress of the company. Highlighting the brand's products, services and values creates brand engagement and improves awareness. 

This is where Interics Designs a leading branding and design agency comes into the picture. Our specialized division, INSpace, excels in delivering innovative solutions for space branding and design, ensuring each customer experience centre is both impactful and memorable.

We understand that spatial design and branding can be powerful tools to create meaningful thematic zones and environments in experience and technology centres. Therefore, we mindfully collaborate with our clients to ensure an efficient design, implementation, and delivery process. We also work towards highlighting the brand's success story and values through creative and immersive spatial branding.

Here's how we showcase company culture through space branding –

For each project, a dynamic and suitable design process is identified and adopted. When developing an experience centre, we prioritize crafting a memorable and immersive experience.

Brand Identity - It is an essential consideration, by utilizing relevant visual elements and sensory cues we enhance visitor engagement. We also ensure the latest trends and industry demands are incorporated to meet the client's requirements throughout the different phases of the design process.

Spatial analysis: Detailed recce and space analysis coupled with brand and market research improves the design decisions. It forms a comprehensive understanding of the site and brand. Through site visits and spatial analysis, Factors such as accessibility, sun shadow analysis, distance, proximity, and movement throughout the site are examined.

Zoning and content mapping: Crafting a spatial brand theme and narrative to support the zone-wise distribution. Each touch point has a key message that highlights the company’s primary objectives.

Concept creation:Each touchpoint in space is detailed and aligned with story-driven content and look and feel attributes to evoke desired user emotions.

Design development: Defining the brand experience through Artwork, graphics, 3D installations, and supporting visual elements for different touchpoints based on their topics.

Production: Preparing production-ready files, and selecting materials according to the look, feel and key messaging of each key point.

CONCLUSION

As an international space branding agency, we have worked towards creating inclusive and immersive experiences and technology centres. An experience centre can be a powerful tool for brands to connect with their audience. Immersive environments can be made through spatial design, which can improve the experiential spaces.

With more than 30 years of hands-on experience and extensive knowledge in the industry, Interics has been a renowned and reliable partner for any brand. Additionally, we have stayed ahead in the industry, by adapting and integrating emerging trends and technologies in our projects.

Our approach and effective strategies set us apart, we ensure that our clients are provided with the best solutions catered according to their needs. So, connect today to give your audience an experience that they will not forget.

[tsasocial]

Maharashtra Mudran Parishad (MMP) Supports Bharat Print Expo 2025!

Maharashtra Mudran Parishad (MMP) is the state-level apex body representing printers' associations in Maharashtra for over 60 years. Its main role is to coordinate, motivate, innovate, improve, expand, and elevate the graphic arts and print industry in the state. The organization has signed an MOU to support the Bharat Print Expo, scheduled to take place from April 24 to April 26, 2025, at the Bangalore International Exhibition Centre in Bengaluru.

As per the memorandum, MMP will extensively promote the event in the State of Maharashtra. It will also spearhead a Print Yatra/ roadshows in the printing hubs in Maharashtra abutting the state of Karnataka. A tentative itinerary covering the following towns has been mooted: Omrega, Solapur, Vijayapura, Sangola, Jath, Kavathe, Mahankal, Vita, Palus, Tasgaon, Sangli, Jaysingpur, Ichalkaranji, Kolhapur, Gadhinglaj, Sawantwadi & Kudal.

Balasaheb Ambekar, President of MMP, expressed enthusiasm about collaborating with ReEnvision Events. He said, "We are excited to partner with ReEnvision Events to promote and expand the reach of Bharat Print Expo 2025. The Print Yatra is being meticulously planned to cover all the major printing hubs in our state that are in the vicinity of Karnataka.”

Anil Arora, President of ReEnvision Events Private Limited (REPL), the organizers of the Show, expressed gratitude for the support of MMP. He emphasized, "With the invaluable support of MMP, we will not only reach but also engage with grassroots printers and professionals in Maharashtra. These individuals from the emerging towns helm growing businesses and will be among the core target audience for our Show."

[marwahstudios]

AVGC Exhibition Introduced at the 12th Global Festival of Journalism in Noida by AAFT

NOIDA: In a pioneering move suggested by the International Journalism Centre, the 12th Global Festival of Journalism witnessed the introduction of an exhilarating AVGC (Animation, Visual Effects, Gaming, and Comics) exhibition, curated and presented by the talented students of AAFT School of Animation.

Dr. Sandeep Marwah, President of the 12th Global Festival of Journalism and Chancellor of AAFT University, heralded the significance of embracing the AVGC realm, stating, “It is the age of AVGC.” This innovative showcase encompasses everything related to graphics, animation, gaming, visual arts, special effects, and cartoons, encapsulating the dynamic and rapidly evolving landscape of multimedia storytelling.

The event garnered the esteemed presence of distinguished guests including His Excellency Dr. Ali Achoui, Ambassador of Algeria to India, and Her Excellency Dillah Lucienne, Ambassador of the Republic of Chad, alongside notable personalities such as Faya F Millimouno from the Embassy of Guinea, Abu A Jazer, Media Advisor at the Embassy of Palestine, esteemed social worker Rekha Jha and senior journalist and Secretary General of NAI- Newspapers Association of India Vipin Gaur.

Supported by the Asian Unity Alliance, World Peace Development and Research Foundation (WPDRF), and International Chamber of Media and Entertainment Industry (ICMEI), the AVGC exhibition served as a platform for students to showcase their creativity, technical prowess, and storytelling abilities in the vibrant realm of animation and multimedia arts.

This groundbreaking initiative underscores the growing importance of AVGC in the realms of journalism, entertainment, and digital media, highlighting its potential to revolutionize storytelling and engage audiences in new and immersive ways.

[claudioparentela]

PROGETTO DI MAIL ART :’’STOP BORDER VIOLENCE-ART. 4: STOP ALLA TORTURA E AI TRATTAMENTI DEGRADANTI ALLE FRONTIERE D’EUROPA’’

L’articolo 4 della Carta dei diritti fondamentali dell’Unione Europea afferma: “Nessuno può essere sottoposto a tortura, né a pene o trattamenti inumani o degradanti”. Negli ultimi anni si assiste nei confronti dei migranti a un’escalation di violenza intollerabile per le coscienze europee, in aperto contrasto con i principi fondamentali della UE. I rapporti delle organizzazioni quali UNHCR, Amnesty International e Human Rights Watch, le inchieste giornalistiche, le numerose testimonianze delle vittime raccontano di torture, stupri e minacce nei centri di detenzione della Libia, paese con il quale l’Italia ha stretto accordi per controllo delle partenze; di condizioni di estremo degrado nei campi in Grecia e in Bosnia, dove sovraffollamento, assenza di sevizi igienici e di assistenza mettono a rischio la vita dei soggetti più vulnerabili; dell’uso spropositato della forza e di episodi ripetuti di vera e propria tortura da parte della polizia croata nei confronti di richiedenti asilo alla frontiera con la Serbia e la Bosnia; di situazioni di detenzione illegale di migranti in diversi paesi della UE o finanziati dalla UE, di respingimenti violenti lungo tutte le frontiere d’Europa, di sospensione di fatto del diritto a richiedere asilo.

Tema: ’’STOP BORDER VIOLENCE-ART. 4: STOP ALLA TORTURA E AI TRATTAMENTI DEGRADANTI ALLE FRONTIERE D’EUROPA’’

Tecnica :Libera(Grafica,Collage,Disegno,Fotografia,Pittura)

Dimensioni:A4(21cm x 30 cm)-A5(15cm x 21cm)su Carta e Cartoncino.

Poesia e Poesia Visiva o Brevi Testi(da poter essere stampati ed esposti)

Scadenza:24 APRILE 2024

Tutte le opere devono essere originali e firmate sul retro con Nome,Cognome,Paese dell’Artista.

APERTO A TUTTI GLI ARTISTI DI TUTTE LE ETA’ E DI TUTTO IL MONDO.

Nessuna giuria ,nessuna vendita,non si accettano opere pornografiche,razziste,sessiste,ecc.

I LAVORI NON SARANNO RESTITUITI E FARANNO PARTE DI UNA MOSTRA ITINERANTE IN CONCOMITANZA CON LA RACCOLTA FIRME PER L’ICE(INIZIATIVA DEI CITTADINI EUROPEI) A SOSTEGNO DELL’ART.4

Le opere devono essere spedite esclusivamente per posta ordinaria,senza valore commerciale,o come piego di libro.Le spese di spedizione sono a carico dell’artista.

Inviare a :SILVIA GALIANO-VIA FRANCESCO CRISPI 79-88100 CATANZARO

LA MOSTRA SI TERRA’ IL PRIMO MAGGIO A RIACE(RC)-ITALIA

DOCUMENTAZIONE DELLA MOSTRA E DI TUTTI I PARTECIPANTI SARA’ PUBBLICATA ONLINE

_____________________________________________________________

MAIL ART PROJECT:’’ ’’STOP BORDER VIOLENCE-ART. 4: STOP TORTURE AND DEGRADING TREATMENT AT EUROPE’S BORDER’’

Article 4 of the Charter of Fundamental Rights of the European Union states: ‘No one shall be subjected to torture or to inhuman or degrading treatment or punishment’. In recent years, there has been an escalation of violence against migrants that is intolerable to European consciences, in open contrast to the fundamental principles of the EU. Reports from organisations such as UNHCR, Amnesty International and Human Rights Watch, journalistic investigations, and numerous testimonies from the victims themselves tell of torture, rape and threats in the detention centres of Libya, a country with which Italy has made agreements to control departures; extremely degrading conditions in camps in Greece and Bosnia, where overcrowding, lack of medical care and assistance put the lives of the most vulnerable at risk; the disproportionate use of force and repeated incidents of actual torture by the Croatian police against asylum seekers at the borders with Serbia and Bosnia; situations of illegal detention of migrants in several EU or EU-funded countries, violent rejections along all borders of Europe, and de facto suspension of the right to seek asylum.

Theme: ’’STOP BORDER VIOLENCE-ART. 4: STOP TORTURE AND DEGRADING TREATMENT AT EUROPE’S BORDER’’

Technique: Free (Graphics, Collage, Drawing, Photography, Painting)

Size:A4(21cm x 30 cm)-A5(15cm x 21cm)on Paper or Cardboard.

Poetry or Visual Poetry or Short Texts (can be printed and displayed).

Deadline: 24 APRIL 2024

All works must be original and signed on the back with the Artist's Name, Surname and Country.

OPEN TO ALL ARTISTS OF ALL AGES AND FROM ALL OVER THE WORLD.

No jury, no sales, pornographic, racist, sexist, etc. works are not accepted.

THE WORKS WILL NOT BE RETURNED AND WILL BE PART OF A TRAVELING EXHIBITION IN CONCOMITENCE WITH THE COLLECTION OF SIGNATURES FOR THE ICE (EUROPEAN CITIZENS' INITIATIVE) IN SUPPORT OF ART.4

The works must be sent exclusively by ordinary mail, without commercial value, or as a booklet. Shipping costs are the responsibility of the artist.

Send to:SILVIA GALIANO-VIA FRANCESCO CRISPI 79-88100 CATANZARO-ITALY

THE EXHIBITION WILL BE HELD ON MAY 1ST 2024 IN RIACE (RC)-ITALY

DOCUMENTATION OF THE EXHIBITION AND OF ALL PARTICIPANTS WILL BE PUBLISHED ONLINE

[lukehapper28]

The Emergence of Game Development Companies in Dubai

Dubai: A New Epicenter for Game Development

Traditionally known for its architectural marvels and bustling trade, Dubai is rapidly becoming a hub for digital innovation, particularly in game development. This transformation is spearheaded by numerous game development companies in Dubai, marking the city as a rising star in the global gaming industry.

Innovative Approach of Game Development Companies in Dubai

The game development companies in Dubai are known for their innovative approaches. They are blending state-of-the-art technology with creative storytelling to produce games that are entertaining and culturally immersive. This unique blend sets Dubai's gaming scene apart on the world stage.

Game Development Dubai: A Synthesis of Creativity and Technology

Game development in Dubai is characterized by its synthesis of creativity and cutting-edge technology. From using advanced graphics to incorporating AI and VR, these companies are pushing the boundaries of what games can be. This forward-thinking approach attracts talent and investors to Dubai's gaming sector.

The Process of Game Making in Dubai

The process of game making in Dubai reflects a meticulous blend of art and science. Developers here are not just coding; they craft experiences, focusing on every detail from storyline to gameplay mechanics. This attention to detail ensures that games made in Dubai stand out for their quality and engagement.

Educational Opportunities in Game Development

Dubai is also becoming a centre for education in game development. Several institutions offer specialized courses, equipping aspiring game developers with the skills needed in this dynamic field. This educational aspect is crucial in nurturing home-grown talent and sustaining the growth of the gaming industry in Dubai.

Career Prospects in Dubai's Gaming Industry

Dubai presents a land of opportunities for professionals eyeing a career in game development. With a growing number of game development companies, there's a demand for various roles – from game designers to programmers. The city's cosmopolitan nature makes it an attractive destination for international talent.

Dubai's Role in Shaping the Future of Gaming

Looking ahead, Dubai is poised to play a significant role in shaping the gaming industry's future. The city's commitment to fostering innovation and its strategic location make it an ideal hub for game development. As more game development companies establish themselves in Dubai, the city is set to become a global gaming powerhouse.

Conclusion: Dubai's Burgeoning Game Development Scene

The game development scene in Dubai is burgeoning, driven by a combination of innovative game development companies, supportive infrastructure, and a talent pool that's growing both in size and skill. This vibrant ecosystem contributes to the UAE's economy and places Dubai on the map as a significant player in the international gaming industry.

As this industry continues to evolve, Dubai's game development companies are well-positioned to lead with gaming technology and creativity breakthroughs. The city's ascent in the gaming world is a testament to its vision of becoming a hub for technological innovation and digital entertainment.

[foxwebcreations7]

The Emergence of Game Development Companies in Dubai

Dubai: A New Epicenter for Game Development

Traditionally known for its architectural marvels and bustling trade, Dubai is rapidly becoming a hub for digital innovation, particularly in game development. This transformation is spearheaded by numerous game development companies in Dubai, marking the city as a rising star in the global gaming industry.

Innovative Approach of Game Development Companies in Dubai

The game development companies in Dubai are known for their innovative approaches. They are blending state-of-the-art technology with creative storytelling to produce games that are entertaining and culturally immersive. This unique blend sets Dubai's gaming scene apart on the world stage.

Game Development Dubai: A Synthesis of Creativity and Technology

Game development in Dubai is characterized by its synthesis of creativity and cutting-edge technology. From using advanced graphics to incorporating AI and VR, these companies are pushing the boundaries of what games can be. This forward-thinking approach attracts talent and investors to Dubai's gaming sector.

The Process of Game Making in Dubai

The process of game making in Dubai reflects a meticulous blend of art and science. Developers here are not just coding; they craft experiences, focusing on every detail from storyline to gameplay mechanics. This attention to detail ensures that games made in Dubai stand out for their quality and engagement.

Educational Opportunities in Game Development

Dubai is also becoming a centre for education in game development. Several institutions offer specialized courses, equipping aspiring game developers with the skills needed in this dynamic field. This educational aspect is crucial in nurturing home-grown talent and sustaining the growth of the gaming industry in Dubai.

Career Prospects in Dubai's Gaming Industry

Dubai presents a land of opportunities for professionals eyeing a career in game development. With a growing number of game development companies, there's a demand for various roles – from game designers to programmers. The city's cosmopolitan nature makes it an attractive destination for international talent.

Dubai's Role in Shaping the Future of Gaming

Looking ahead, Dubai is poised to play a significant role in shaping the gaming industry's future. The city's commitment to fostering innovation and its strategic location make it an ideal hub for game development. As more game development companies establish themselves in Dubai, the city is set to become a global gaming powerhouse.

Conclusion: Dubai's Burgeoning Game Development Scene

The game development scene in Dubai is burgeoning, driven by a combination of innovative game development companies, supportive infrastructure, and a talent pool that's growing both in size and skill. This vibrant ecosystem contributes to the UAE's economy and places Dubai on the map as a significant player in the international gaming industry.

As this industry continues to evolve, Dubai's game development companies are well-positioned to lead with gaming technology and creativity breakthroughs. The city's ascent in the gaming world is a testament to its vision of becoming a hub for technological innovation and digital entertainment.