#J HUBBELL

[justinhubbell]

The Orc Prints/Calendar Project Updates

Photo for scale 12-3-24

The Project

• Flatten the pieces • Photograph/Digitize artwork • Produce prints (small, medium, large) • Sell/Distribute prints

Update 12-3-24

I have two volunteers helping me with digitizing these paintings, and one Project/Task Manager forcing helping me keep focused. With their permission I'll have photos of my team to show you next. Thank y'all so much for your patience. Please stand by!

[onlylonelylatino]

Steel Sterling by Carl Hubbell

[dreaminginthedeepsouth]

@repkevinmccarthy is the clown putz of the idea-bereft white grievance party, pass it on. [The Daily Don]

* * * *

The Hunter Biden non-story.

          The media lavished rapt attention on a federal judge’s review of Hunter Biden’s plea deal. This is a non-story. The only extraordinary thing about the hearing was that a private citizen was charged criminally for a late payment of his taxes and lying on a gun application form about drug use. Were it any other private citizen, neither of those charges would have been brought.

          Every second of airtime given to the story by major media outlets demonstrates the inability (or unwillingness) to separate shiny baubles from important stories. And they unavoidably amplify the attempts of the GOP to harass an admittedly flawed man driven by multiple drug addictions, all to score political points against his famous father. Shame!

[Robert B. Hubbell Newsletter]

[abboudlawfirm-tucson]

How Do You Choose the Right Wrongful Death Lawyer?

Losing a loved one due to someone else’s negligence isn’t just heartbreaking—it’s overwhelming. The legal process can feel like a maze, and finding the right wrongful death lawyer might seem like another impossible task. But here’s the thing: choosing the right attorney can make all the difference in getting the justice and compensation your family deserves. So, how do you know who’s the best fit? Let’s break it down.

Look for Experience

Not all personal injury lawyers specialize in wrongful death cases. This area of law requires deep knowledge of state laws, insurance tactics, and courtroom strategies. The lawyer you choose should have a proven track record of handling similar cases.

Ask how many wrongful death cases they’ve handled.

Find out if they have trial experience (not all cases settle outside of court).

Check if they’ve won substantial verdicts or settlements.

At Abboud Law Firm, our attorneys have decades of experience representing families in Omaha who have lost loved ones due to car accidents, workplace incidents, and medical negligence. We know the system—and we fight aggressively for the compensation you deserve.

Reputation Matters

A lawyer’s reputation speaks volumes. You can start by checking Google reviews, testimonials, and legal directories like Avvo or Martindale-Hubbell. But here’s the real test: what do past clients say?

Look for client reviews that mention compassion, responsiveness, and results.

Check the firm’s disciplinary history—any major red flags should be a dealbreaker.

Ask around. If a lawyer is known for actually caring about their clients, that’s a good sign.

Abboud Law Firm has built a reputation in Omaha for putting clients first. We don’t see cases as just numbers—we see people who need real help.

Communication is Everything

Some law firms feel more like factories—churning out cases, pushing settlements, and rarely answering phone calls. That’s not the experience you want.

A good wrongful death lawyer should:

Respond promptly to emails and phone calls.

Explain legal terms in plain English (no confusing legalese).

Keep you updated on your case without you having to chase them down.

Ask this upfront: "Will I be dealing directly with my lawyer, or just their assistants?" If the answer feels vague, move on.

At Abboud Law Firm, we make sure every client gets direct access to their attorney. 

Fees

Most wrongful death lawyers work on a contingency fee basis—which means they don’t get paid unless they win your case. If a lawyer asks for upfront fees, that’s a red flag.

Here’s what to clarify:

What percentage will they take if they win? (Most range from 25%–40%.)

Are there any hidden costs? Some firms charge for things like expert witnesses, filing fees, or administrative costs.

Abboud Law Firm never charges upfront fees—we only get paid when you do. That way, you can focus on healing while we focus on fighting for justice.

Do They Have the Resources to Win?

Wrongful death cases can be expensive to fight. Your lawyer may need to:

Hire medical experts to prove negligence

Reconstruct accident scenes

Interview witnesses

Collect police and medical reports

A small firm without enough resources might push for a quick, lowball settlement instead of fighting for the maximum compensation. Ask potential lawyers how they handle case expenses and if they have access to top experts.

At Abboud Law Firm, we have the resources to go up against big insurance companies and corporations. We don’t cut corners—and we don’t settle for less than you deserve.

Do They Care About Your Case?

This one’s harder to measure, but it matters. You want a lawyer who treats your case with the respect and dedication it deserves.

Watch for these signs:

Do they ask about your loved one and how their loss has affected your family? Do they take time to explain your rights and what to expect? Do they seem genuinely invested in your case—or just in the payout?

A wrongful death claim isn’t just about money—it’s about justice. At Abboud Law Firm, we take these cases personally because we know what’s at stake.

What’s Their Strategy?

Every case is different, and a good lawyer should have a clear game plan tailored to your situation. Ask about their approach:

Will they try to settle quickly, or are they willing to go to court?

How do they plan to prove liability?

What kinds of damages can they help recover? (Medical bills, funeral expenses, lost income, pain and suffering, etc.)

A strong legal strategy can differentiate between a lowball settlement and a life-changing compensation package.

Trust Your Gut

Choosing a lawyer isn’t just about credentials—it’s about trust. If something feels off, keep looking.

A great wrongful death attorney will:

Make you feel heard

Explain things without talking down to you

Fight like hell for your family’s rights

Ready to Talk? We’re Here for You

Losing a loved one is devastating, and no amount of money can bring them back. But holding the responsible party accountable can get justice and financial security to your family.

At Abboud Law Firm, we’re ready to stand by your side and fight for the compensation you deserve. Call (402) 592-5555 today for a free consultation—because your family’s future matters.

[justinhubbell]

1) Trans Witch/Wizard Pride is a thing.

2) Absolutely you have the power to invent, claim, manifest, celebrate your own colors (here be ours)

3) I am happy to reveal more on September 30th, 2023.

CAW! CAW!

-J

"I think I will cause problems on purpose" nonbinary flag, for when you are a wizard who is going to cause problems on purpose and also you're nonbinary

[enby-axels]

l*slie j*nes thinks it's funny and cool that hubbell/donohue purposely nearly collided with sinitsina/katsalapov, and all her fans are going omg this is why you should be an official commentator 🤪 youre so funny 😆

i guarantee if it was the other way around, a russian pair doing that to an american pair, the reaction would be worlds different. american nationalism is disgusting

[justinhubbell]

AAAAAAAAAAAAAAAAAAAAH

[onlylonelylatino]

Clancy and Looney meet Steel Sterling by Carl Hubbell

[justinhubbell]

It’s a cut scene, immediately after the village is first destroyed. Our hero just lost everything, but the final boss doesn’t realize he’s being listened to.

[dreaminginthedeepsouth]

The New Yorker just issued its cover: Donald J Trump, A Man of Conviction, by John Cuneo

+

Justice.

May 31, 2024

ROBERT B. HUBBELL

Justice.

On Thursday, May 30, justice was served in a Manhattan courtroom.

A jury of twelve citizens convicted Donald Trump on thirty-four felony counts of falsifying documents to interfere in the 2016 election.

Justice was served.

Trump received a fair trial before an impartial jury presided over by an even-handed judge.

Trump had the right to testify or remain silent. He chose to remain silent—as permitted by the Fifth Amendment.

He had the unlimited right to challenge jurors “for cause” if he demonstrated that a juror could not render an impartial verdict. Trump challenged only one juror for cause—a juror who had once been the houseguest of one of Trump's attorneys. That juror was later excused on a peremptory challenge by Trump.

Trump had ten “peremptory challenges” that allowed him to excuse jurors without providing a reason. Trump exercised all ten peremptory challenges.

Trump was able to object to the testimony of witnesses and the introduction of exhibits. He objected continuously. Many of his objections were sustained, and most were overruled (because they were baseless).

He cross-examined every witness offered by the prosecution. He offered two witnesses in his defense. They sealed his fate.

He made an opening statement and a closing argument to the jury.

He was able to submit and object to jury instructions.

After the jury began deliberations, its requests to review key evidence and important jury instructions indicated that it took its charge seriously.

The length of the jury’s deliberations and the unanimity of its verdict on thirty-four counts demonstrate that they were persuaded beyond a reasonable doubt that Donald Trump was guilty as charged.

Justice was served.

The verdict matters because it demonstrates to Americans that the core of our democracy is strong and true.

One fair verdict will offset a dozen compromised and corrupt judges and justices. The verdict demonstrates what justice looks like—and reminds us of what we can have again if we gain control of Congress and retain the presidency.

The verdict is important because it reminds Americans that no person is above the law in our democracy. That bedrock truth must be reinforced periodically, or it will lose its animating force.

The verdict also speaks to the world. It reminds friends and foes alike that the audacious American experiment is robust and secure. Convicting a former president in a fair trial is something few other nations would attempt—much less accomplish in a peaceful and orderly manner.

The verdict gives Americans much to be thankful for:

A fair jury composed of twelve Americans willing to perform the simple but extraordinary task of sitting in judgment over a former president.

A District Attorney willing to carefully review the evidence and follow the law.

Competent and diligent prosecutors willing to do the hard work necessary to achieve justice.

An honorable, fair, firm judge willing to protect the rights of the defendant and the interests of the people in seeing justice served.

Court officers, law enforcement officers, clerks, paralegals, and court reporters who ensured that the court proceeding unfolded in an orderly and safe manner.

Given the fundamental fairness of the trial and verdict, Republicans are reduced to attacking the justice system itself. In a coordinated effort, Republican members of Congress issued statements that called the trial “rigged,” insulted the integrity of the jury, compared the proceeding to “show trials in Cuba under Castro,” and said that May 30 was “the most shameful day in American history.”

While we should be concerned about the assaults on the justice system, let’s recognize that the system prevailed today—despite seven years of attacks by Trump and his enablers. The trial and verdict served as a stress test for the justice system—and it passed.

There will be time to assess the political ramifications of the verdict. Today, we should celebrate that the justice system worked despite enormous efforts to obstruct and undermine it.

That is a remarkable, glorious achievement that stands alone.

Sit with that truth for a moment before returning to the urgent task of preventing Trump's reelection. We deserve a moment of calm reflection and sober relief that justice was served.

Justice.

Finally.

[Robert B. Hubbell Newsletter]

[outoftowninac]

EVERYTHING

1918

Everything is a three-part musical extravaganza by William M. Daly, with music and lyrics by John Philip Sousa and Irving Belin. Additional music and lyrics by R.H. Burnside, William Jerome, Jack F. Mahoney, Joseph McCarthy, Darle MacBoyle William Daly, Percy Wenrich, Harry Tierney, James W. Tate, Raymond Hubbell, and John Golden. 

THE SHOW IS EVERYTHING!

The original production was produced by Charles Dillingham and staged by R.H. Burnside. It opened on August 22, 1918 at the Hippodrome Theatre (managed by Charles Dillingham) and played 461 performances, closing in May 1919. 

The show was so large that it was rehearsed at the armory and several other places around the city. Needless to say, out-of-town tryouts, like those thriving in Atlantic City, were out of the question. Everything does, however, give a nod to America’s Playground with its Act Two opening. 

In 1927, John Philip Sousa would write “Atlantic City Pageant March”.  His band performed regular seasons on Steel Pier in staring in 1926, and Sousa penned this almost-forgotten march to at the suggestion of Atlantic City’s mayor. Sousa probably had the Miss America Pageant in mind; at that time it was known as the Atlantic City Beauty Pageant.

Harry Tierney (a native of New Jersey) and Joseph McCarthy, who wrote “On the Beach in Atlantic City” for Everything’s Act Two opener, wrote the hit musical Irene the following year. Also in 1919, they had a song in the Ziegfeld Follies, which tried out in Atlantic City.

THE VENUE IS EVERYTHING!

The Hippodrome Theatre (Sixth Avenue between West 43rd and West 44th Streets in Manhattan) opened in 1905 and was called the world's largest theatre with a seating capacity of 5,300 and a 100 by 200ft stage. The theatre had state-of-the-art theatrical technology, including a rising glass water tank.  After staging spectacle and extravaganza, It became a location for vaudeville productions in 1923 before being leased for opera performances, then finally becoming a sports arena. In 1935, the auditorium was turned into a circus tent for the Billy Rose musical Jumbo. The theatre closed in 1939 for demolition, and in 1952 an office building known as The Hippodrome Center (1120 Avenue of the Americas), opened on the site. 

THE CAST IS EVERYTHING!

Harry Houdini (1874-1926) as “The Man of Mystery” was born Erich Weisz in Budapest, Hungary. Houdini, who opened the show with an injured wrist from an incident in the subway, could not perform his planned “buried alive” trick, so he escaped from a straight jacket while hanging upside down. Earlier in the year, Houdini had made an elephant disappear at the Hippodrome. Elephants were also part of Everything.  Houdini departed Everything on November 2, 1918.

Desiree Lubovska (1893-1974) as “The Night”. The dancer was born in Minnesota as Winnifred Foote, but reinvented herself with a Russian name, accent, and backstory.

DeWolf Hopper (1858-1935) as “The Toymaker” / “The Wizard of the Hippodrome” / “John Jingling, the Circus Proprietor” / “Uncle Sam” / “Mr. Broadway” / “Ivan Outforthestuffksy”. It is no mere coincidence that ‘Jingling’ rhymes with ‘Ringling’: 

Actress turned Gossip Maven Hedda Hopper was his third wife. 

Belle Story as “The Good Fairy” / “Columbia” / “Miss Boardwalk” / “The Dainty Heroine”

Charles T. Aldrich as “The Amateur Magician” / “The Man of Many Faces”

Helen Patterson as “The Little Stranger”

Arthur Hill as “The Terrible Tiger” 

Will J. Evans as “The Rag Doll”/ “Jimmie Tough, Newsboy”

Albert Froom as “The Tin Soldier / The Village Constable” / “John Strong, Policeman” / “Nicholas Getfullovitch”

Tommy Colton as “The Village Postmaster”

Arthur Story as “The Dashing Hero”

Bluch (Landolf) as “Captain Inbadsky”

Peggy H. Barnstead as “The Moon”

Stella Norelle as “The Sun” / “France” / “Sergeant Sarah Smart” / “The Bride”

Gerda Gulda as “The Rainbow”

William Wolf as “Johnny Green (originally Rough)”

Ada LaShan as “Jennie Jones (originally Tough)”

William A. Weston as “Lazy Luke / Weary Willie” / “Ephraim Jasbo”

J. Parker Coombs as “Jack Rough” / “Boris Grab Thecoinsky”

Albert Alberto as “Mr. Smart”

Arthur Geary as “The Bridegroom” / “USA Officer”

Madge Lewis as “Britannia”

Louise Beautora as “Italy”

THE STORY IS EVERYTHING!

Instead of scenes, the bill was divided into ‘Things’. As the show continued past its ten-week contract with the performers, the number and content of 'Things’ changed.   

~PART I~

THE 1st THING: “The Beginning of the World”. A rainbow ballet was added when the show entered its fourth month. 

THE 2nd THING: “The Country Circus" with music by Irving Berlin performed by the Elm City Four.

“Two dozen acrobats from o’er the foam And Salomé, Hip-Hip-Hippodrome!”

THE 3rd THING: “The Two Gaudsmiths” a comedy dog act with acrobatics

THE 4th THING: “The House of Magic” featuring Harry Houdini

THE 5th THING: “Toy Factory” featuring music by Irving Berlin performed by Belle Story.

The 6th THING: “The Artist’s Studio” starring Bert Levy

THE 7th THING: “France - Then and Now” set in Chateau-Thierry 1914 & 1918 

~PART II~ 

[In mid-November 1918, the Hanneford Family, an equestrian act, was added to Part Two.]

THE 8th THING: “On the Beach in Atlantic City”

Production notes about the Atlantic City sequence reveal that the used rolling chairs, the telltale visual that we are looking at Atlantic City.  The original notes also called for children riding ponies. 

THE 9th THING: “Houdini”

THE 10th THING: “Fifth Avenue” set in front of the NY Public Library.

THE 11th THING: “Along The Hudson”

THE 12th THING: “The Arrival of the Bad Ship Bolshevik” 

THE 13th THING: “Somewhere on the East Side” set in a tenement

THE 14th THING: “Ted Brown’s Clown Band” led by Joe Thomas

THE 15th THING: “Lampland” featuring music by John Philip Sousa, and an impressive display of electrical lights.

“The thee hundred pretty Hip girls are given skirts of gorgeous lamp shades, fitted with electric bulbs, and their evolutions, terminating in the ‘March of the Lamps of the World,’ make for a series of pictures indescribably beautiful.”

~PART III~

THE 16th THING: “Somewhere in the Gay City” featuring roller skating. When the show reached its 100th performance, new routines were added to the skating sequence.

THE 17th THING: “The Hall of History” ~ Patriotic Finale

THE REVIEWS ARE EVERYTHING

This being wartime, the press addressed the creatives using their military titles: Captain Dillingham, Lieutenant Sousa, and Lieutenant Berlin. The War was over on November 11, 1918 but the patriotic sentiment of the show was as meaningful as ever.  Another war was being waged on the health front, with the outburst of what was then known as “the Spanish flu”. New York Theatres played on despite the health crisis, which hit particularly hard in late fall 1918.  

[anewbeginningagain]

I can't believe 4CC is just a couple of days away. Any predictions for the podiums?

Gold I can’t believe the season is almost over, I hate the offseason :(

Predictions:

Dance:

Gold - Chock/Bates

Silver - Hubbell/Donohue

Bronze - Gilles/Poirier

Dark Horse - honestly no one, but G/P and H/D might switch places.

Pairs:

Gold - Sui/Han

Silver - Peng/Jin

Bronze - Moore-Towers/Marinaro

Dark Horse - Knierims, Calalang/Johnson, Ilyushechkina/Bilodeau.

Men:

Gold - Yuzuru Hanyu

Silver - Jason Brown

Bronze - Boyang Jin

Dark Horse - Men are such a mess that I randomly selected my silver and bronze (putting a silver for Jason into the universe!) so pretty much anyone from - Keegan, Nam, Roman, Junhwan, and others can win a medal here.

Ladies:

Gold - Rika Kihira

Silver - Young You

Bronze - Bradie Tennell

Dark Horse - Kaori Sakamoto, Wakaba Higuchi (both are podium material when they are on but there’s no way to know if they will be on. I would LOVE to see one or both on the podium that’s for sure).

Things that we need to keep an eye for:

Will L/L beat S/F at 4CC as well? (First time they will be going head to head internationally)

How will H/B score? (first international competition after a disappointing GP season)

Will Kaori go for the 4T at 4CC as well?

Will Wakaba go for a 3A?

Will Kaori and Wakaba finally deliver at the same competition for once in their lives and make me happy?

Will Peng/Jin do their FS justice and skate it clean?

Will Walsh/Michaud finish ahead of Ilyushechkina/Bilodeau and take that world spot?

Which Canadian men will get the single worlds spot?

Will Cong Han put GPF behind him and won’t make me yell at my TV “Cong Han DUDE WTF” like he made me do during GPF?

Will Calalang/Johnson repeat their strong US Championships performances or go back to how they performed during the GP season (badly…).

On that note, Will the Knierims get it together for this competition or go back to their trainwreck ways. 

Will I watch Kanye/O’shea unbearable Le Mis FS? (I won’t). 

Will we have two teams going for planned SBS 2S? (P/J and K/K)

Will the Canadian ladies manage to get their TES minimums for worlds?

How many times will I roll my eyes over Yuzu’s overly recycled programs?

[jhorton2003-blog]

Now v.s Then | Rise of the Undead

Taking a look back at my very first feature film, Rise of the Undead. It was shot back in 2003 and set me my career path as a filmmaker. It was released worldwide in 2005 and has since kinda faded into obscurity. I brought in my partners (Shannon Hubbell and J. Brandon Maughon) on that movie to discuss the development through the distribution of that film. Did it perform for us financially? Find out. 

[mixdgrlproblems]

Paula Gunn Allen was a #NativeAmerican poet, literary critic, activist, professor & novelist. Of #mixedrace #EuropeanAmerican, Native American & #ArabAmerican descent, she identified with her mother's people, the Laguna Pueblo & her childhood years. She drew from its oral traditions for her fiction poetry & also wrote numerous essays on its themes. She edited four collections of Native American traditional stories & contemporary works & wrote two biographies of Native American women. She was born in Albuquerque, New Mexico Allen grew up in Cubero, New Mexico, a Spanish-Mexican land grant village bordering the Laguna Pueblo reservation. Of #mixed #Laguna #Sioux #Scottish & #Lebanese American descent, she has always identified most closely with the Laguna, among whom she spent her childhood & upbringing. Her dad, E. Lee Francis, was Lebanese American and her mother, was Scotch-Laguna Pueblo. In addition to her literary work, in 1986 she published a major study on the role of women in #AmericanIndian traditions, arguing that Europeans had de-emphasized the role of women in their accounts of native life because of their own patriarchal societies. It inspired other scholarly works by feminist & Native American writers. She described the central role women played in many Native American cultures, including roles in political leadership, which were either downplayed or missed entirely by explorers & scholars from male-dominated European cultures. She has inspired the #Indigenous feminism movement. Her novel, The Woman Who Owned The Shadows (1983), features the woman Ephanie Atencio, the #mixedblood daughter of a mixed-blood mother who struggles with social exclusion & the obliteration of self. She was awarded an American Book Award in 1990 by the Before Columbus Foundation, for editing short stories by American Indian writers, the Native American Prize for Literature, the Susan Koppelman Award & a Lifetime Achievement Award by the Native Writers' Circle of the Americas in 2001. In 1999, the Modern Language Association awarded her the J. Hubbell Medal for American Literature. 🇺🇸🏴󠁧󠁢󠁳󠁣󠁴󠁿🇱🇧 #mixedgirl #womenshistorymonth https://www.instagram.com/p/B-adMELFbME/?igshid=1f6yx1akhrlur

[omg-siddhartha-jain]

Best Legal Services in USA

As a native Long Islander, Mr. Hoffman was born and raised on the South Shore of Long Island.  He is a graduate of the University of the Pacific with Honors with a Bachelor of Arts in 1978, and Brooklyn Law School, Juris Doctorate in 1984. Mr. Hoffman attended evening classes, giving him the opportunity to work full time in a number of prestigious Wall Street law firms.

Upon admission to the New York State Court Administration in 1985 and the Southern and Eastern Districts, he started in a law firm located in Suffolk County, concentrating on criminal, matrimonial, family, personal injury, real estate, collections, commercial and civil litigation. He has been in private practice with an office in the Village of Babylon since 1989.

In the course of his career, Mr. Hoffman actively participated in continuing education that has included his position as an officer of the Suffolk County Academy of Law (Suffolk County Bar Association) organizing and lecturing at legal seminars. He had the privilege of being awarded special recognition for his efforts to the Continuing Legal Education series. Mr. Hoffman also has an AVÒ Preeminent rating by Martindale Hubbell (R), the highest possible rating in both legal ability and ethical standards reflecting the confidential opinions of members of the Bar and Judiciary. His legal services have extended to his serving the community as a Trustee at his local church and as a member of the Babylon Rotary.

On a personal basis, Mr. Hoffman represents clients throughout Long Island in a variety of matters, including personal injury, estate planning, elder law, estate administration, and probate proceeding, and real property transactions.  On a commercial basis, Mr. Hoffman has provided legal services to businesses, partnerships, LLC’s and corporations regarding their formation, partnership agreements, shareholders agreements, buy-sell agreements, contracts, and other business transactions to name only a few.  Mr. Hoffman has also represented contractors and subcontractors engaged in commercial building construction projects throughout the New York City Metro area protecting contractors’ rights and interests through carefully drafted contracts, litigation, arbitration, mediation, mechanic’s liens, and foreclosure proceedings. Mikel J. Hoffman Attorney at Law193 E Main St, Babylon, NY 11702, United States+1 631-661-2121https://www.nyslaw.com/